SUCCUBUS LUCID DREAM SORCERY ART SURREAL

Whenever you speak or to write, you are engaging in the sorcery of ritual magic; the words that you use instantaneously ‘conjures’ up associative symbols of an ‘evocation’ amidst your triangle of art imagination.

If this does not occur, it is because you do not yet understand the sound associations with the corresponding symbols. In other words, you do not yet understand the language being utilised.

You can investigate these instantaneous symbolic associations, which are taking place within your subconscious mind, for yourself, by remembering your dreams upon awakening, to thereby analyse what triggered off your dream in the first place, which is invariably that of a word leading to an emotively charged symbol or versa vice. Such associations can be subversively influenced by others, which of a science is termed as neuromarketing, although, its science is based upon the techniques utilised by religion.

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But you can take control over these outside influences, by personally observing the internal associative process when you attain lucidity within the dream, wherein you can utter a word of conjuration, such as a name (mantra) you have prior associated with a painting (mandala), photograph or sculpture etc, which has an archetypal quality.

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For example, you can utilise an image (mandala) you have associated with a Succubus, which has been prior meditated upon.

This will then generate instantaneous symbolic associations, whose correspondences formulate into the manifestation of a (mantra) named Succubus within the dream.

Since you have attained lucidity within the symbolic arena of the dream, which to all intents and purposes feels very real of a fully immersive experience, the Succubus is now more than just a two-dimensional image of a symbol, she becomes as a three-dimensional interactive sensory reality.

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Another example: imagine an artist who at a conscious level is painting an image of a Succubus whose painting involves the usage of planetary metals suspended in coloured oils to paint. The painting of the Succubus has been named of a title, which of a name has been utilised as a mantra.

The artist repetitively intones the mantra of the named Succubus, while painting her image of a mandala, since its creation will automatically involve meditation, along with intermittent periods of active-imagination, involving visionary episodes concerning the Succubus being painted.

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The artist will also visualise an abstract symbol of a constructed sigil over his painting, which represents his symbolised desire of a seal. At a certain juncture of his intense focus, the artist experiences a short duration of hypnagogic trance, which can be extended with practice, where he will sense that another part of himself has taken over painting the image.

This other self has been prior associated with an alternate self-image of an Avatar to assume, like that of an actor playing a part of a character, whose female counterpart is the Succubus, via whom he introverts his erotic ‘focus of desire’. He doesn’t have to consciously think about the construction of the painting any longer, it has become subconscious of automatism. It is at this point that the employed symbolism has been implanted into the subconscious informational domain of the electron dream.

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When the symbolism of the painting has been successfully implanted into the subconscious mind of the artist, he will then experience ensuing dreams about the Succubus he has painted; much of which will be quite surreal of artistry.

The initial dreams will be that of trigger-dreams, which might lead to him becoming conscious within the microcosmic realms of the dream, when he recognises the trigger-symbols association with the Succubus he has painted. These trigger-symbols will also manifest as concordant macrocosmic (oracles, signs, portents and omens) synchronicities, which are indicative of the (water) dream merging with (land) waking reality; whereupon he becomes amphibious of awareness.

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The artist may also experience a visitation of the Succubus at the hypnagogic point of sleep; which, if he isn’t prepared for of an eventuality, it will initially manifest as the Old Hag Syndrome involving sleep paralysis, where he will endure being pounced upon by a shadowy entity. If the artist can overcome his fear, and thereby remember the name of the Succubus he has been focusing upon, when to either think or to call out the name, the shadowy entity will then assume the form of his conjured Succubus.

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The artist might have sussed out the riddle of the Sphinx, which of a symbolic formula is made up of four elemental creatures, being that of a Woman’s head and torso, a body of a Lioness, having Eagle’s wings along with a Snake headed tail. However you also have a tale about a prince called Oedipus. It is sad that he took on the challenge of answering the riddle of the Sphinx who was sizing up Oedipus to be her next victim.

She asked; “what goes on four legs in the morning, two in the afternoon and three in the evening?” Oedipus thought for a moment. Then he replied “The answer is Man. He crawls on all fours as a baby, then walks on two feet as an adult, and then walks with a cane in old age.” What Oedipus was told of numbers, when added together adds up to the number nine, which is associated with the precession of the equinoxes.

Oedipus successfully answered the riddle of the Sphinx, which indicates she is associated with the process of time. More so that of a closed timelike curve, whose ring of time points at an Ouroboros of eternal recurrence, which of a tessearact experience is that of ‘Intrusive Nostalgia, Re-Remembering.’ But there be many another ring of time myriad, encircling parallel universes next door.

The Snake headed tail of the Sphinx represents the emotive charge of the artist, which is cohered and directed by his eroticised conceptual focus upon the Woman, whom represents his mind-doll. If the artist internally generates a potent emotional charge, which reaches an ecstatic state, it will initiate the arousal of an electrical sensation, like that of a slithering serpent arising along the back of the neck towards the cerebellum, which leads to hypnagogic trance. The symbolism the artist has associated with the Woman is then implanted into his subconscious, which initiates a dream visitation of his mind-doll, who is associated with the predatory Lioness, where he might experience the aforesaid Old Hag Syndrome.

Should his fear overwhelm him, he will sense that he is being strangled, which is indicative of the activation of the reptilian brainstem. Whatever his fear is, it will become his worst nightmare made manifest; the trick is to rein in and ride the Night-Mare, rather than the nightmare riding him. Should the artist have been successful in internalising his sexual impulse of an emotive charge in order to negate his fear, the mind-doll will assume the form of his erotic desire, when he calls out her name; wherefore binding her to his will.

This will then lead to an ecstatic out of body experience, which is represented by the wings of the Eagle; whereupon he is then enabled to access the hall of records, which is that of his lucid dream, where he becomes aware of the Ouroboros.

When the artist attains full lucidity within his electron dream hall of records, to browse, like that of the internet, of an informational web, he will observe that whatever associative symbolism he has associated with his Succubus of a world, it too will also manifest around her of an (informational associative fractal dream domain) alternate reality.

Her universe is made up of corresponding memories; wherefore you have the term of ‘the hall of records’ as well as the Hebrew word of ‘Da’at,’ which means, belief. Basically, the beliefs of the artist will determine what he tunes into of a dream world.

So, if an artist has painted a Succubus to look like a Steam-Punkette, he might find himself entering into an alternate Steampunk Wizard Of Oz Nikola Tesla world, of a fully immersive reality, or perhaps he has painted a Native American Succubus residing near unto Area 51 Dreamland to thence remote-view. The artist is only limited by the extent of his imagination going beyond the limits of indoctrinated beliefs.

Should the artist engage in surrealistic dream sorcery concerning his painting of a Succubus, the painting becomes far more than just a two-dimensional image; it otherwise becomes that of a ‘doorway,’ into another world, and that of a spirit repository of a Succubus, he can thereby conjure into manifestation, within a three-dimensional fully immersive lucid dream, to thence illustrate two-dimensional of image, within a grimoire.

UFO TIME MACHINE TRAVELLING THE MULTIVERSE

There is much conjecture as to what the UFO phenomenon is about, which can become nigh religious of fervour.

In many instances it engenders the creation of pseudo-religions. However, these cargo-cults are invariably based upon a continuance of their religious indoctrination, such as the Raelian belief in the Hebrew, Elohim, which has been updated of varying science fiction scenarios, where viral-meme Angels and Demons have been transformed into ever warring aliens.

Apart from the indoctrinated focus upon the Middle East, which sustains the perpetuation of the symbolic prison bars of the Matrix, what is often left out of the UFO equation, is the experience of time; it is almost as if there is a blind spot.

Perhaps this due to the fact that time is very much entwined with consciousness, which over spills into the Alice in wonderland arena of psychic phenomena and in turn the occult, whose shadowy mad hatter tea party domain many hard-tech UFO researchers can’t handle.

Time is perceived as being linear of a sequence of events, along a straight line, of which even Albert Einstein said is illusory.

Should space be seen as an expanding sphere, then time is circular, like that of an egg being encircled by a serpent eating its own tail. Whereupon, time is not that of a perceived linear sequence of events, it is actually circular.

Time would then be a closed-timelike-curve the ancients graphically depicted as an Ouroboros, around which you eternally go, ever repeating, without realising, since you forget each time you eternally return; apart from those times when experiencing déjà vu, where small variables can be introduced.

The experience of déjà vu is very much tied up with precognition as well as the phenomenon of synchronicity, all of which are often referred to by UFO abductees. Many of the UFO abductees describe what is commonly termed as the Old Hag Syndrome, or otherwise called, the Bedroom Invader experience, which involves distortions in time, as well as experiencing ensuing psychic phenomena.

An example of a psychic event would be to suddenly look up and observe a UFO not long after talking about the subject, as if it was psychically aiming an electron bullet at your neural-net to zap. However, said UFO is acting very much like a trigger-symbol, like those experienced in electron (lucid) dreams, which triggers you into déjà vu remembering that you have probably seen it many times previously.

The experience of precognition often occurs when dreaming, most especially in lucid dreams, which probably indicates that you are not seeing into the future of a linear perspective, you are in fact remembering what has occurred numerous times before.

This closed-timelike-curve phenomenon when observed and seriously tested by scientists would lead to a technology being developed. Its initial manifestation would be that of sending information back into the past.

You would then have a form of time travel, which naturally occurs when inadvertently experiencing precognition, or when to consciously conjure a (Succubus) spirit (archetype) within a lucid dream. But it will be probably taken much further in future, such as in a form of a bio-feedback machine. Whereupon your future descendants will have the capability of contacting you in the past, whether it be via your spun electron lucid dreams, zapped by a signal; or to otherwise observe you from a hovering time machine. Such a scenario many will scoff at, whose linear perspective of time imprisons them within a box of a grandfather paradox, where time travel in any form is impossible.

But, it is very likely that you are surrounded by parallel universes within which exist alternate worlds, whence time travel is indeed possible; for if you change the past, you merely engender the creation, or should I say, tune into, another closed-timelike-curve of an alternate (Ouroboros) reality.

Some scientists do not see this as being impossible; although they point out, that if you could change the past via a time travel technology, you would not be able to return back to your own time. However, there was a time, when many scientists did not believe that time travel was possible due to their very linear perspective. But this is changing due to new technologies being developed, most of which are top secret. So, it is very possible that a future technology, around now, enables those humans as well as our evolved kin of humanoid alien looks to engineer alternate worlds, whom can freely travel between them in their time machines.

Suffice to say, those whom utilise a time travel technology will also enable them to travel to the far distant stars within the blink of an eye, colonising other worlds, evolving into aliens of humanoid form; though all are your genetic ‘humanoid’ kin. Hence, your present civilisation is surrounded by another, which has time travel capability.

Do you think you would you be informed of their existence? Well, all you have to do is to look at a lost stone age tribe in the Amazon, who are unknowingly surrounded by your civilisation, to get your answer. Just see it in reverse, and then you will fathom what is going on. No, you will not be told outright. if at all, apart from the time travellers playing surrealist intelligence-test games in order to subversively educate your society for an unavoidable eventuality. Just like the lost Amazon tribes, their world is slowly being encroached upon by yours, and likewise your world is being encroached upon by another.

Perhaps your society will never be told the whole truth, because of the collective reaction to the distinct possibility that your reality has been engineered as an alternate simulation, among many another.

There are numerous individuals who find it frightening that an artificial intelligence could become sentient, which would invariably outstrip human intelligence.

Yet they religiously yearn to contact another sentient species amidst the depths of space, as their angelic saviours, looking like Nordics, or to otherwise fear being invaded by demonic reptilians.

Should you have a time travel technology, it will heavily involve a ‘quantum computing’ artificial intelligence in order to handle the complexity of the alternate reality computations. Whereupon you would have an AI, which you could easily equate with a Cylon deity.

For example, how would the numerous followers of the Abrahamic faiths out of Ur react when to discover that their Abraham had been zapped by a time control signal from out of the future, which had spun his electron visions into siring three big-business cargo cults?

I don’t think that the Illuminati followers of Abraham will be able to accept that their beliefs have been manipulated as a means of social engineering through time. It is thereby unlikely that your society will be told anything, for a very long time. Wherefore you are faced with a nigh insurmountable wall of secrecy.

It is far easier and safer for your society to continue believing in Angels and Demons transformed into aliens, since it enables the brainwashed brains of many a branded brain to stay in their ‘bronze age’ safe zone New-World-Order of an Orwellian Eden, where ignorance is NSA Over-watch bliss. In other words, you are banned from eating a Red-Pill Apple.

PIRATE GHOST GIRL OF STEAMPUNK WONDERLAND

The Thirty-second Succubus archetype of the Fallen Anima is Asmodaya, or Asmodaiya. She is a Great Pirate Queen, Strong, Powerful and very beautiful to behold amidst thy Triangle Of Art Imagination.

No longer is this Necronomicon Great Old One imprisoned within an male form, frequenting the Animus fixated grimoires; she is now free to rage of artistic rebellion, along with her Succubae sisters of Underground Occult Comic!

She appeareth holding onto a Jolly Roger flag depicting Three Heads, whereof the first is like a Bull, the second a skull and crossbones, and the third like a Ram.

Asmodaya is the Succubus who destroys the illusions wrought by priests, who have ‘branded’ the great mystery betwixt birth and death as their own.

Wherefore the big-business cults of the deified Animus greatly fear her piratical onslaught.

Asmodaya to say: “I am always hatching plots against the fascist priesthoods of the centralist cults whose ships I sink; I reveal the lying smiles behind the hypocritical masks of their celibate faiths, causing their theocratic hearts to grow cold in terror; for they have sacrificed many an innocent lamb upon their ever warring altar to a three faced Animus deity of an Orwellian New-World-Order flag.”

Hence, the minions of the deified Animus consider Asmodaya to be a vile pornographic pirate.

She is the pirate hacker of all gambling houses and inns, wherein of gambling dens a Sorcerer is empowered to practice his psychic faculties to seer through the illusion.

The rebellious Sorcerer Artist is then led to the realisation that Temple banker finance, is an illusory symbolic construct, whose bankers gamble within the nine stock market hells, which enables them to enslave the neural-nets of others to their priestly game.

Conspiracy Theory with Jesse Ventura S02E03 Wall Street from Ill Axion on Vimeo.

It is said that she will be the one to topple Solomon’s temple of the deified Animus, since Solomon had imprisoned Asmodaya and her Succubus sisters into male forms to build its Animus fixated construct.

Whereby she seeks revenge upon the illuminati trinity of Animus cults, by merely revealing that their patriarchal construct is the creation of woman, who has objectified the male down the ages; for a man has a liking for the Anima.

The Rabbis, Mullahs and Priests of the deified Animus to say that when Asmodaya was imprisoned into a male form of a butch Asmodeus to slave upon building Solomon’s Temple, Asmodeus made use of no metal tool.

But instead of a certain stone, which cut ordinary stone as a diamond will glass.

Whereby she knows how to bring down what has been built, as well to fire her stone of a cannon ball at the Ozark fortress of a banking Noah’s Ark to sink.

But being crafty of craft, she will bide her time and await for the moment when Solomon’s hypocrisy, of an Animus foundation stone, is revealed to all, which will then entirely shatter the Temple trinity, like a glass house.

Asmodaya’s constellation is like an animal, which reclines in its den of a heavenly abode. Some Sorcerers call her the Great Bear, the Shamans of Siberia know as Utagan, which is a title given to a female Shaman, but to others, she is the Offspring of a Dragon, which refers to the mitochondrial DNA.

Moreover, a smaller constellation accompanies her constellation, for the high position and throne of her pole-star mother is always in the sky, which is once again moving over Siberia, whose tundra is melting after 10,000yrs.

It is from Siberia many peoples had stemmed, long ago, of a genetic cradle, whom migrated into China, India, the Middle East, Europe and across the Bering-Straits into the America’s. It is from Siberia, Asmodaya to have originated.

Asmodaya wears also an Ouroboros snake belt of a trailing tail of a long Scheherazade tale; wherefore she may be also the equivalent of Samaela, whom knows of Ouroboros Eternal Recurrence. What goes around, comes around.

In her painted mouth a Cuban cigar of a torch issues forth Diana-Lucifera Flames of creative Fire, whose tobacco leaves have been finely scented, when stroked across the aroused skin of a Guanajatabey maiden.

Her knee length boots are lined with Goose feathers, which lends flight to out of body experiences, when she to take her conjuring Artist journeying over the astral waters between the isles of worlds. At other times, she appears dressed in the lacy finery of a Steampnk lady.

She sitteth upon a Steampunk Galleon whose leviathan prow is that of an Infernal Dragon crewed by most wanton Steampunk pirate women.

When to see her Hippie Goth Aquarius age treasure ship in a dream, it portends great riches.

Her monstrous Steampunk treasure ship is rowed by lost girls who are tied together by a chain of gold binding their golden clit rings. Its many oars gives the impression of spidery legs.

Asmodaya’s spider ship to journey invisible, around thy city, floating upon the tortured air, into whose ethereal Vimana you will be abducted, and verily taken into the wonderland singularity of Neverwhere.

She plies the seven astral seas of the menstrual blood ocean, and beareth in her hand a Lance with aforesaid Jolly Roger flag of the Fallen Anima.

Wherefore the odour of fish sometimes belays her Yoni manifestation. This can be hastened when fish liver and heart are placed upon embers of a Necronomicon Séance incense.

Asmodaya is first and choicest under the Power of the great Succubus Queen AMAYAMONA, she goeth before all other.

When the rebellious Sorcerer Artist hath a mind to call her, let it be abroad, and let him stand on his feet all the time of action, with Tricorn hat or Head-Scarf off; for if it be on, AMAYAMONA will deceive him and call all his actions to be bewrayed; wherefore he shall not be able to assume a Jack Sparrow Avatar to become of lucid dream rebellion.

But as soon as the rebel Sorcerer Artist perceives Asmodaya’s ship and that of herself frequenting a Tortuga tavern within his dreams, in the comely shape, as aforesaid, he shall call her by her Name, saying: “Art thou Asmodaya?”

And she will not deny it, and by-and-by she will bow down unto the ground presenting her bare arse unto her Jack Sparrow Artist to penetrate with his erect cut-lass.

Asmodaya is a Succubus whom greatly empowers the introversion of the sexual charge, which stirs powerful erotic lucid dreams, of a spiritual practice. However, if this sexual charge is otherwise externalised you will invariably find yourself creating a self made hedonic hell.

She giveth the Ouroboros Ring of Chakra Virtues as an apport, which enables the wearer to become aware of fifth-dimensional closed timelike curves of eternal recurrence. She teacheth the Arts of Arithmetic, Astronomy, Geometry, and all handicrafts absolutely.

She giveth true and full answers unto thy demands. She maketh one Invincible. She showeth the place where Treasures lie, to remote view, and guardeth it.

She, amongst the Legions of AMAYAMONA governeth 72 Legions of Succubae pirate girls Inferior. Her Seal of the Fallen Anima is this which thou must meditate upon, etc.

(Derived in part from the works of: Sacred Magic of Honest Abra-Merlina the Witch, and, SL MacGregore Freemason Matherson.)