Archive for john c lilly

HELLRAISER SUCCUBUS CUBE

Posted in Chaos Magic, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 15, 2014 by FAUSTUS CROW

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When Swedish researchers at Uppsala University published a theory that there is a cube at the centre of the Earth, nobody took them at all seriously.

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But then their theory evoked visions of a Rubik’s cube Lemarchand’s box out of Hellraiser, or that of Dr Who’s TARDIS in lock-down.

Hell, they could of just as well been waxing lyrical, to hypothesise about the undefined shape of the Sampo out of Finnish mythology, as far as the sceptics were concerned.

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According to Giorgio de Santillana, professor of the history of science at MIT, and student of mythology, the Sampo and the shamanic world pillar of an axis-mundi, to which is tethered the eight-legged-mare of the shaman, are referring to the precession of the equinox.

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In Hamlet’s Mill, co-authored with Hertha von Dechend, the authors find that the Sampo or precession process was believed to grind out different world ages, from the dark age to golden age and back again over the long precession cycle of time, like some kind of Brownian Operator drum beat time machine.

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Hence you have the precession numbers of 9, 72, 144, etc, recurring in various myths around the crystalline globe of the Earth, of which Plato to have related is dodecahedron of form.

It just so happens some present cosmologists see the universe as being likewise of dodecahedron form; perhaps it has a Lemarchand’s cube at its Hellraiser centre, which is generating an electromagnetic field of a toroidal sphere?

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Sounds absolutely crazy doesn’t it, just like having a cube at the centre of the Earth. However, your thoughts could be made of the distributed kind of electromagnetic field, permeating space, which of an analogy carries a broadcast signal to a TV, you can equate with your brain.

Professor Johnjoe McFadden from the School of Biomedical and Life Sciences at the University of Surrey in the UK believes our conscious mind could be an electromagnetic field. McFadden to have related: “The theory solves many previously intractable problems of consciousness and could have profound implications for our concepts of mind, free will, spirituality, the design of artificial intelligence, and even life and death.”

If your consciousness is indeed an electromagnetic field, once you have figured out the Lemarchand puzzle box it might just allow ingress into alternate realities existing within parallel universes next door, or that of affecting how others perceive reality. So, If there is anything to these ‘out of the box theories,’ you can be damn sure that the likes of DARPA are looking into such possibilities big time, in order to construct a time machine.

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If you allow your imagination to let rip even further you could imagine the Sampo to look like a hypercube of a tesseract TARDIS, whose eight cubical cells could be symbolically equated with an eight-legged-mare to call Sleipnir, which was trance ridden by the Norse shamanic deity named Odin, as his pony-girl Succubus, of mythic science fiction symbol crunching.

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Suffice to say the Odin research of Uppsala University, was seen by many to be just imaginative science fiction conjecture; yet it had been previously published in Nature and Science. This had come after the initial publishing of their findings back in 23 Skidoo 2003 in which they wrote strong theoretical proof that the Earth’s core assumes the “body” (as they called it), whose structure, despite its high degree of symmetry assumes a surprisingly high level of elastic anisotropy.

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Even though the researchers work had been published in the esteemed scientific journals of Nature and Science they still had an underworld struggle. Many among the scientific community decried them as being insane Cenobites stepping out of another Arkham asylum Lament configuration of an alternate world, whose hellish intent is to shred away long held beliefs that the inner core of the earth is a sphere.

These sceptics rallied forth to rage of a crucifying cry, “the core is an untouchable sphere, consisting of a solid mass with a radius of about 1,200 km, which is mainly made up of iron.”

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However, there are seismic observations, which have revealed a number of very strange things about the Earth’s core. For example, elastic waves pass more rapidly through the Sampo core in a direction, which are parallel to the Earth’s world-column axis of rotation than in those directions parallel to the equator. This phenomenon has not been previously explained. At the hellishly high temperatures, which are at the centre of our planet, they should be passing at the same speed regardless of their direction. So this brings us back to the Odin scientists from Uppsala University who have presented a Sleipnir cube explanation for this Lemarchand’s puzzle box fact.

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The researchers had to of course prove what they were claiming. It appears that they managed to present such evidence, which supports their way of viewing Earth’s internal core as a centred cubic crystal structure at high temperatures. This idea contradicts many other long held theories. But it has both experimental and theoretical support. To support it, the researchers presented simulations of how seismic waves are reproduced in iron under similar conditions to those, which are recorded deep under the Earth’s crust. The result was a difference of about twelve percent depending on their direction, which could be a good enough indication that their theory is more than just a Hellraiser tale.

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“We found that the body-centred cubic structure of iron is the only structure that could correspond to the experimental observations,” says Börje Johansson, professor of condensed-matter theory at Odin’s Uppsala University of the sacred cube.

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Their Sampo cube findings may be of significance for our understanding of the cooling down of the earth, and of the stability of the Earth’s magnetic field. The thermic balance of which is dependent upon the amount of heat stored in Earth’s ‘Hela’ core. This heat is dependent on the crystal structure of the iron in the inner core. The structure would then assume the form of a Sleipnir cube with atoms in each corner of its legs and a further atom in the Lemarchand middle of this cube. It’s orientation is such that allows its great diagonal to be directed along the Earth’s axis of Sampo rotation, whereby making it possible for the iron to generate sound propagations, like the galloping of night-mares with their racing velocities observed.

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“This study opens new perspectives for our understanding of the Earth’s past, present, and future,” says Natalia Skorodumova, a researcher at the Department of Physics and Materials Science. Perhaps the Lemarchand’s cube at the Earth’s Hellraiser core could be of similarity to a hypercube?

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As an associative aside of Hellraiser sorts, Lemarchand hypercubes could be used for the building blocks of future nanocomputers, whose devices of two, three, four, and five dimensions are made of such tiny elements that they are dominated not by forces, that we’re familiar with every day, but by TARDIS quantum properties. As Samuel Lee and Loyd Hook from the University of Oklahoma explained, “microelectronic devices are continually getting smaller and faster, in accordance with Moore’s Law. Already, integrated circuits and transistors are reaching the nanometer scale, although they still operate based on the physical properties on the macro-scale.” True nanoelectronics, the researchers to explain, are not just scaled down microelectronics, but devices, which will be dominated by quantum properties, and will therefore require new architectures and novel structures.

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Lee continued, “Compared to today’s microcomputers, the main advantages of future nanocomputers are higher circuit density, lower power consumption, faster computation speed and more parallel and distributed computing capabilities.” For example, today’s integrated circuits process information in the form of a continual flow of electrons. Nano integrated circuits, however, may process individual electrons, reducing the scale and power consumption. Such circuits would require that nano logic devices are able to count single electrons, as well as the ability for parallel computing, reversibility, locality, and a three-dimensional architecture, and each would be like a quantum computing TARDIS.

What the nantechnology indicates is that a quantum computer doesn’t need to be a single large device, it could otherwise be built from a network of small parts. This has been demonstrated by the researchers from the University of Bristol. As a result, building such a computer would be easier to achieve.

Many groups of research scientists around the world are trying to build a quantum computer to run algorithms, which takes advantage of the strange effects of quantum mechanics such as entanglement and superposition. A quantum computer could solve problems in chemistry by simulating many body quantum systems, or break modern cryptographic schemes by quickly factorising large numbers, which is of course a lead up to creating a sentient artificial intelligence.

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Previous research shows that if a quantum algorithm is to offer an exponential speed-up over classical computing, there must be a large entangled state at some point in the computation and it was widely believed that this translates into requiring a single large device like some monotheistic deity.

In a paper published in the Proceedings of the Royal Society A, Dr Steve Brierley of Bristol’s School of Mathematics and colleagues indicate, that this is in fact not the case. A network of small quantum computers can implement any quantum algorithm with a small overhead, such can be likened to that of separate autonomous entities, which are all interlinked by what can be symbolically equated to a vast web emanating from a tree with many branches and roots, of a mainframe.

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The key breakthrough was learning how to efficiently move quantum data between the many sites without causing a collision or destroying the delicate superposition needed in the computation. Should the universe be working along the same lines, since science merely rediscovers what nature is already doing, you could otherwise see these sites as being that of planets, galaxies or that of other universes, which are part of a vast communication network. This allows the different sites or worlds to communicate with each other during the computation in much the same way a parallel classical computer would do.

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The Bristol chaos magicians relate of scientific terminology: “We have shown how the addition of a few long-range (or flying) qubits dramatically increases the power of a distributed quantum computer. Using only O(logN) connections per node enables efficient sorting over the hypercube. A distributed quantum computer with nodes connected according to the hypercube graph would be able to emulate arbitrary quantum circuits with only O(log2 N) overhead. One might expect that a quantum computer requires O(N) connections per node so that each qubit can potentially interact with any other qubit. Our result demonstrates that this is not the case: for a small overhead O(logN) connections suffice.”

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All of this brings us to Dr. S. James Gates, Jr., a theoretical physicist, the John S. Toll Professor of Physics at the University of Maryland, and the Director of The Centre for String and Particle Theory, who discovered that certain string theory, super-symmetrical  equations, which describe the fundamental nature of the universe and reality, contain embedded computer codes.

These codes are digital data in the form of (white/birth/Alpha) 1′s and (black/death/Omega) 0′s. Not only that, these codes are the same as what make dapple ‘Grey’ Sleipnir Wyrd-web browsers work and are error-correction codes! Gates says, “We have no idea what these ‘things’ are doing there.”

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According to The Heyoka sage Douglas Adams, millions of years ago there was a race of hyperintelligent pandimensional beings who wanted to know about the meaning of life. To settle the issue they built a “stupendous super computer which was so amazingly intelligent that even before the data banks had been connected up it had started from ‘I think therefore I am’ and got as far as the existence of rice pudding and income tax before anyone managed to turn it off…” Well, not before it revealed the meaning of life as being the number 42.

It just so happens that Molybdenum, which is a chemical element with the symbol Mo has the atomic number 42. Scientists have found that molybdenum when used in the latest nano-computing technology can exponentially increase… ‘computing speed.’ Perhaps, Adams had intuitively tuned into a signal from the past or future, or both of a recurring Ouroboros?

The mathematical physicist and cosmologist Frank Tipler who is known for the cylinder time machine, has put forth a theory that in the far distant future there will be an Omega point of a technological convergence encompassing the entire universe; whereby transforming it into a computer. In general, Tipler postulates that a future computer technology will become so advanced that a future civilisation will be able to create simulated universes within which their ancestors will be raised from out of the realm of ‘Hela’ back into existence.

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The thing is, it may have already happened; if so, you are presently existing within an eternally recurring simulated universe without realising it, apart from finding a Lemarchand cube at the centre of the Earth, along with embedded computer codes in string theory. Such a simulated universe and that of others would also be utilised for time travelling.

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Perhaps Odin, who be a Hitchkiher shaman Guide of the multiverse world tree called Yggdrassill, had figured out how to hypnagogic trance access the underlying programming of a simulated universe via his informational dreams to Sleipnir browse, when to ride his conjured pony-girl of a night-mare Succubus, as his time machine. However, whatever Odin accessed, he communicated symbolically of organic symbolism rather than that of the abstract mathematics of Dr John C. Lilly’s trance usage of the Brownian Operator.

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Shamans communicate symbolically because it is the language form of the electron dream, which can be seen as being a symbolic interface, like that of a virtual reality. The symbolic interface of the dream allows a lucid dreamer to consciously interact with the abstract informational domain of mathematics, when to interact with certain symbolic stimuli; such as conjuring up Succubae, who can be seen as being sentient programs.

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It is somewhat akin to you clicking a symbolic (seal) icon on your ‘deep thought’ (cube) computer (dream) screen in order to browse (conjure) a (Succubus) program to find out what exactly is your ‘atomic number’ as a ‘carbon’ based life-form; but you won’t like it.

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Whereupon you have a horned shaman of a programmer seated upon a Lemarchand cube of an eight-legged-mare, which is depicted in the Tarot card XV, to castigate as a Hellraiser Devil. But only because he has mastery over the Matrix, the Hindu’s to call Maya.

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OROBAS PONY GIRL TARDIS TIME MACHINE OF DR WHO

Posted in Alien, Art, Chaos Magic, Dr Who, Extraterrestrial, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

The fifty-fifth Succubus At Muse of the Fallen Anima is Orobas, or otherwise named Orobasi. She is a Great and Mighty Goetia Princess, appearing at first as a ‘Night’ born hypnagogic vision of a ‘Mare,’ when the dreaming Surrealist Artist hovers as a psychonaut between waking and sleeping.

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But after the mantric command of the dreamer, she puts on the ectoplasm form of a beautiful naked young woman riding upon a Rocking Horse or to be on all fours to look like one, of a human dream manifestation.

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Sometimes she will manifest as a bound Steampunk Pony-Girl within an attained lucid dream, who will be entirely submissive to her conjuring Surrealist Artist’s every visionary whim.

Her conjuring Surrealist Artist will also find that Orobasi’s long hair will be braided into two serpentine ponytails, which are as her reins tied together at their ends, representing a closed timelike curved loop of Time.

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Her office is to discover all things Past, Present, and to come; enabling her conjuring Surrealist Artist to remote-view travel without moving within a lucid dream, whilst riding upon her ‘Art-Horse Easel’ back through time, around the Ouroboros.

And all the while, she be in the Anima form of a Pony-Girl Rocking Horse.

She also bestows Dignities, and Prelacies, and the favour of Friends and Foes. She gives true answers about the nature of Consciousness, and of the erection of the Universe.

She will also tell her conjuring Surrealist Artist about the hard and soft technology of Time-travel; for she to reveal that all are enclosed within a closed time-like curve providing a Time Machine effect, over which she is a mistress of.

The Multiverse allows for such Time-Travel, within which you exist. The long-held paradox of time is no longer applicable in a Multiverse. Whence to find that your own serpentine double-helix DNA is the primordial Time-Machine of a ‘Mitochondrial’ TARDIS, from which emanates the ‘bio-photon’ illuminating your electron dreams.

You can introvert your consciousness into your electron dreams in order to access inner Stargates, which you can otherwise describe as (vortices) ‘tunnels of light.’

Although these Stargates will be symbolically interpreted by your quantum computing brain to look like ordinary (vaginal) doors and (uterine) hallways of everyday experience, which will lead to other (womb) Maya domains.

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You can ‘Quantum Leap’ backwards through Time in order to visit your own self as child via the dream, who then to have precognitive dreams of a future self to become.

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Orobasi is exceedingly faithful and most loving unto her conjuring Surrealist Artist who assumes the alternate-guise of Doctor Who, as his assumed ‘Role-Model’ of an Avatar.

She will not allow her Artist to be tempted by any other entity emanating from another alternate reality, existing within a parallel Universe. She governs 20 Legions of (Succubae) Succubi of similar Pony-Girl form to herself.

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Orobasi (Orobas) is of similarity to the eight-legged-mare, the shamans of North-Central-Asia unto Siberia knew of to trance ride. The eight-legged-mare was also ridden by the shamans of Northern Europe who named her Sleipnir.

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This eight-legged-mare of a spider horse was specifically ridden by the Norse Shaman God called Odin, the Saxon’s knew as Woden. Sleipnir enabled Odin to ‘trance’ travel the ‘Multiverse’ World-Tree of Yggdrassill, like that of a prior Dr Who riding his TARDIS.

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During the psychedelic era of the 1960’s, Dr John C. Lilly had once again tapped into the same ancient shamanic technique via his mathematical Sigil of a Brownian Operator.

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However, Lilly of an Odinic Doctor Who, had otherwise replaced the organic symbolism of the shamans-horse, and world-tree with the mathematical Brownian Operator and Topquantese language of scientific inquiry.

Lilly soon found that via lucid-dreaming you can access Un-Marked-State ‘Looking-Glass’ Stargates, which could be all as (quantum) mini-wormholes.

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These mini-wormholes are conjectured to be at the centre of electrons, which of inner doorways can be accessed within your electron dreams. This is entirely possible, since your consciousness has been reduced down to a point, smaller than any known particle, within the electron dream.

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Lilly discovered that he could access other Marked-State alternate-realities existing within parallel-universes, when to transverse an initial Unmarked-State of a void.

Lilly’s findings were initially ushered in upon the back of the mathematical symbol of the Brownian Operator, when he found himself internally travelling into other realities, while he was in a coma, after a life threatening accident.

The Brownian Operator symbol looks like an inverted ‘L,’ which of a (knight’s chess piece move) trigger-symbol his consciousness rode, when he later floated amphibious within the amniotic waters of his (TARDIS) floatation-tank, like that of the King’s Sarcophagus amidst the Giza pyramid.

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Sounds like pure science fiction, doesn’t it. I can assure you it isn’t. Speaking of science fiction, which often catches up with fact, the fictional character of Dr Who is based upon (Woden) Odin, the author, J.R.R. Tolkein had also based Gandalf upon.

The shamanic deity Odin was known as the ‘Unknowable One;’ wherefore he has many guises, like that of the Doctor Who’s Marked-State regenerated selves, whose character went through many Unmarked-State transformations.

Odin’s sacred colour is Blue like that of Dr Who’s TARDIS; his particular Rune is that of the Fourth Rune of Ansuz, which at a mundane level is to do with communication, equating with a phone box, as well as encapsulating his shamanic ability of trance travelling into other Marked-State alternate realities, to police as a (doctor) Shaman.

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The symbol of the eight-legged-mare was used in the same way as the Brownian Operator by shamanic practitioners. The eight-legged-mare was basically utilised as a trigger symbol in order to introvert into their subconscious via consciously meditating upon the organic symbolism of the Mare. This would then enable the initiation of lucid dreaming, when the symbol was recognised within the dream.

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When the shaman recognises the introverted symbolism of the (Pony-Girl) eight-legged-mare within the dream, he could then ride her into other realities. The eight-legged-mare is essentially made up of two mares, one white, the other black. Both of these mares represent the Marked (white) and Unmarked-States (black) of Lilly’s Brownian Operator; whereupon, in regards to (Orobas) Orobasi, you have two Pony-Girls.

These two Pony-Girls are also associated with the right and left nerve channels running along either side of your (Yggdrassill) spinal-column. These two nerve channels belong to your Autonomic-Nervous-System. When they are brought into balance via the practice of meditation you experience a state of (hypnagogic) trance.

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When hypnagogic trance is achieved, the two mares become one, as the (Grey) eight-legged-mare, who represents the central channel of the spine, which is associated with your Central-Nervous-System. As you access hypnagogic trance, you will experience an energy arising up your spine, along the back of your neck, which then hits the back of your head.

This arising of energy along the back of your neck in particular, is known as the ‘rush’ in trance dance culture; it is indicative of the arousal of your Reticular-Activating-System, which is based in the throat area of your reptilian brain-stem.

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In Yoga practice, this energy is known as the Kundalini Shakti, which is seen to have a female (Mitochondrial DNA) source; wherefore it was often personified as a (Shakti) Goddess whose (Kundalini) energy is symbolised as a (bio-photon) fire snake. The Kundalini Shakti is basically the eight-legged-mare Sleipnir, which can be otherwise artistically depicted as a Pony-Girl Orobasi.

So, the sexual fetish of the Pony-Girl can be artistically utilised as a meditative focus, when given a spiritual context. This is basically symbolic alchemy, which of course also involves the sexual impulse.

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The sexual impulse is introverted in league with your focus upon the two-dimensional image of a Pony-Girl, which will then (Charge) empower you to become lucid of awareness within your (Spin) electron (Lilith’s Harem) three-dimensional dreams.

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This technique is none too different to a Tibetan Yogi meditating upon a two-dimensional image of a Fallen Anima archetype, depicting the Horse headed (Succubus) Dakini, called Ankusha to then manifest as an interactive three-dimensional reality within his lucid dreams.

The only difference is that you would be using modern symbolism to do likewise of Artistic Sorcery.

If you prefer to traditionally conjure up Orobas as an Incubus, out of a commonly focused upon Animus fixated Playgirl Grimoire, go right ahead.

It is of course your traditional choice of an ingrained phallic fixation upon the woman’s deified Animus, made as a God/Devil, to do so…

Your Mind belongs to you… doesn’t it? I mean, you wouldn’t want to turn Crowley tit-over arse in his grave, heaven forbid; such a Beastly thing would be pure wickedness.

Otherwise you will end up being ostracised by your herd-mind peers, let alone by the OTO as being a depraved, perverse, vile and a most ‘Wicked’ pornographer, who indulges in juvenile Anima conjurations of salacious (Succubae) Succubi.

Hell! You may even be accused of being a disgusting paedophile or even to be in actuality a feminist Witch belonging to a coven of deranged Chaotes!

Probably best that you stick to conjuring up machismo Angels and Demons, of a safe comfy zone Animus clique, just like those Hollywood gender-fluid Incubi uncle Aleister illustrated in his Playgirl Goetia.

Don’t think for a moment that Crowley didn’t ritualistically whack off his meat, when he to have conjured up his phallic choir boy Incubi to dance orgiastic around Boleskine house.

You have to keep in mind, Crowley was bisexual; and very brave for him to have admitted to his sexual orientation at a time, when such a revelation would have landed him in jail.

Wherefore, Crowley didn’t have any interest in reversing the all male Biblical pantheon of the deified Animus; for it was right up his Cabbalistic alley.

As for myself I far prefer to rebelliously conjure up the Succubus Orobasi out of my Playboy grimiore, to thence manifest amidst my Triangle of Art imagination, as a Sinful Pony-Girl Dakini TARDIS.

But then, that is what an Artist does of a natural inclination, when to visualise an Art Muse of an imaginative conjuration, to thence manifest as a work of Art. The intensity of the creative act then leads to stirred associative dreams unto Sexagram sixth-sense lucidity, as well as observing correspondingly concordant synchronicities.

In other words, the practice of Sorcery is indivisible to the practice of Art, they are one and the same of shamanic practice. Hence you have terminology, the Magical Arts and the Art of Magic. Wherefore the first Artist was also a Shaman.

NOTE: The controlled mass-media transformation of the iconic male role of Doctor Who into a female character ignores the most obvious biological driven fact that women are sexually attracted to certain archetypal ‘Animus’ characters, such as the Surgeon, Doctor and Wise Man, who symbolically equates with the Shaman.

Many a woman has the ‘Animus’ hots for a male Doctor Who of a Mad Hatter Wizard, with whom she imagines herself as being his sexy assistant of an Alice, experiencing science-fiction Wonderland adventures.

It is the women who define those male role-models men gravitate towards, so that they become more attractive to the opposite sex. Wherefore it is the female audience who determine, which male characters become successful.

By transforming Doctor Who into a female, whose politicised existence is to espouse politically-correct feminist politics does not empower women, it merely negates their ‘Animus’ focus, along with erasing an iconic male ‘Role-Model.’

By transforming Doctor Who’s female assistant into a sexless non-binary, having butch characteristics. or otherwise being that of having an effeminate Beta-male assistant, invariably negates an ‘Anima,’ archetype.

It would have been far wiser to have created a new and original female character, having those characteristics the controlled mass-media social-engineers are promoting to see if their politicised creation survives the critical onslaught of the female audience.

But it would be more likely, such a female character would not survive into a long-haul; unless, the female audience can identify with her intelligent use of Mercurial language, as well as being a manifestation of an ‘Anima’ archetype, males find attractive.

This isn’t to say other sexual orientations cannot be explored in a one time children’s program, which should be otherwise made adult, due to its self evident swing into identity politics. But it would be far wiser that new characters are introduced with said differing sexual orientations and political persuasions to creatively explore of artistic subtlety, within varying well-written story scenarios; rather than hard-selling a social-engineering agenda.

For example, the reason why the female character of Elvira is so successful is due to her quick-witted use of Mercurial language, though over-the-top, she is cosplayed by many a literary minded female admirer, who know men can’t get enough of Elvira’s media presence.

Should Elvira’s characteristics be toned down a Morticia notch, she could potentially be seen as an eccentric Steampunk Time Lady of an Angel-ina Jolie Vampira who crosses the interdimensional path of Time Lord Doctor Who. Somewhat like that of an archetypal Witch being unified with an archetypal Sorcerer.

But then, Sorcerer Doctor Who has a Witch assistant, whom often than not helps him out of a time-warp mess; they’re a Yang and Yin TAO team. It is a tried and tested formula, which of an ancient mythic foundation has worked for fifty or more so years within the modern-day framework of the Doctor Who franchise. As the Hindu Mystics say: “A God is not a God, without his Shakti.”

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