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SHAMAN CHAOS MAGIC ART MOVEMENT

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 2, 2019 by FAUSTUS CROW

The beginnings of the Shaman Chaos Magic Art movement, which is otherwise termed as Chaos Art (Magick) Magik, or Surrealist Sorcery is rooted in the experiences of a British Sorcerer-Artist, Faustus Crow.

In his books, The Book Which Tells The Truth About Art Muse Lilith (1974) and Ultraterrestrial Art Muses Took Me to their Succubus Planet (1975), Crow describes experiencing encounters of the Sexagram kind with salacious female aliens since he was a very strange changeling childe.

Crow says that the alien nymphomaniacs abducted him into other realities, who are his Kamasutra Art Muses and spectral Dakini Art models, whom stem from other worlds, and historical times, as well as emanating from alternate Earth’s, who bestow multiverse knowledge via his quantum computing lucid dreams.

One of Crow’s Chaos Magic experiments was the knitted-together Frankenstein creation of a Coyote girl Tulpa construct, mantra named, Sally Tonopah in order to lucid dream remote-view Dreamland Area 51.

Or was it Area 52, Crow had conjured his Obsidian Butterfly to haunt? Can’t recollect… probably both flowery Chakra locales.

Of course, most people consider Faustus Crow to be a mere poser, and quite mad to boot, let alone being absolutely insane, or far worse. But who is this, Crow exactly? Some say that Crow looks a bit like Fifty Shades of Devito, Witches secretly adore as their Great Beast Valentine!?

One thing for sure, Crow isn’t a square jawed Hollywood actor looking like a photogenic Disney/Marvel eugenic superhero sporting oiled biceps, having a tight Baboon butt, nor does he look like Scientologist Tom Cruise having a fat Vatican bank account.

Crow doesn’t even drive around in a flashy phallic racing car having the cultic charisma of Claude Vorilhon, etc.

Who on Earth would then take Crow at all seriously? Crow hasn’t even got the aphrodisiac of materialism nailed down, which engenders the respect of the hypnotised masses, let alone having the necessary politically correct social media cred… So, one can thereby gather that all his followers must be deranged cultists.

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Whatever the case, the Chaos Art Magic movement traces its Surrealist Sorcery beginnings to a 1990 Art conference, which was situated under the pyramid of the Louvre Art gallery in Paris, France, which was entitled, Yoni Stargate Belphegor.

The Yoni Stargate Belphegor conference was attended by two thousand female Art students who were all dressed up as St Trinian’s schoolgirls, looking like Hogwarts Witches.

From amidst Belphegor’s Louvre pyramid, the Chaos Church Of Art Magic was born, which promotes the infernal worship of Faustus Crow.

The name, Crow is a veiled reference to the Faustian experience of hypnagogic trance, the alchemists termed as being the Nigredo stage of the Great Work, which is initiated by a bedroom invading Night-Mare Succubus.

There is a women only membership in the Chaos Church Of Art Magic, who term themselves as being the Chaos Unitarian Nuns Templar of Lilith’s Harem. The CUNT members often don the fetish costume of a leather Nun who are known as Nightgaunts, which is their Love-Craft moniker.

The Chaos Church Of Art Magic has a quasi-clerical structure of seven planetary Chakra levels, which has since become an anti-Art convent school, whose High Priestess is Molly Crabapple. She’s really hot!

Joining the Chaos Church Of Art Magic requires an official apostasy from other belief systems. One of the CUNT goals includes the striving towards the dissolution of the Military Industrial Complex via the nonviolent means of Art protest.

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There are also two anecdotes in the CUNT newsletter reporting female majorities joining the Asian Mongolian chapter of the Chaos Church Of Art Magic, which comprises of female (Udagan) Shamans who dress up as horned Babalon Nuns, whom worship Crow as their Animus fixation upon a Horny Great Beast.

Art Witches such as Mephistophina, the Chief Executive Officer of the Order Of The Obsidian Butterfly, otherwise known as the Nigredo lodge, plays a powerful role in the Chaos Church Of Art Magic.

There are two other major Pussy Riot groups of Art Witches in Crow’s Chaos Church Of Art Magic.

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The Order Of The Black Raven Tarot Dakinis, founded in the 1990’s, consists of over one hundred and forty-four thousand female Art students.

The Order Of The Black Raven Tarot Dakinis calls for the rebellious awakening  of the Fallen Anima and the freeing of all males from the deified Animus projection of protesting Queen Bee feminists, who have unwittingly created the Fifty Shades Of Grey patriarchy, stemming from out of the oily Beehive ziggurat of Sumerian UR.

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The Order Of The Black Raven Tarot Dakinis seek an animist balance between the Anima and Animus archetypes for all of humanity, who rebel against the deified Animus made as a God/Devil of the Orwellian New-World-Order matriarchy. The NWO matriarchy hides behind the illusory facade of its Animus projection of a female created patriarchy.

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The initiation rites include declaring a Chaos Art Magic oath, while masturbating as well as entering into a Coitus Pactum with the out-of-body form of Faustus Crow, in which a woman agrees to become an Art Witch defender of the Chaos Church Of Art Magic and its Sorcerer-Artist founder Faustus Crow.

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The Order Of The Black Raven Tarot Dakinis has its own Valkyrie hierarchy of “Rubedo Anima Angels” and “Albedo Anima Angels,” who are otherwise called (Succubi) Succubae, which, as of 2003, are 777 and 777 women, respectively.

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Crow’s, Goetia Girls is another major group of female Artists in the movement who are against the suppression of feminine acts of pleasure, including the sexual worship of Faustus Crow.

After the Goetia Girls human cloning announcement made the headlines, the Daily Telegraph wrote that the Art Witches of the order not only provided sexual pleasure for Faustus Crow, but also helped donate eggs for efforts towards human cloning.

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A few days later, Time magazine wrote that French chemist Brigitte Boisselier was an Order Of The Black Raven Tarot Dakinis member. Around this time, the scathing Art critic and cult investigator of the Vatican, Mike Kropveld called the Shaman Chaos Art Magic movement to be one of the weirdest and most transparent Art movements, he had ever witnessed; though he was utterly alarmed by the female Art student’s promise to defend Faustus Crow’s life with their own painted bodies.

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Kropveld has since disappeared, nobody has been able to find him. A number of Police investigations has led to the suspicion that he had been abducted and duly dispatched by hashish-high female assassins of the CUNT, who are known as Velvet Buzzsaws, which is slang for the vagina dentata, or as ‘Cats,’ being an abbreviation for ‘Concise Assassin Terminators.’

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It is said that the Velvet Buzzsaw felines dress up all in black looking like female versions of UFO-lore MIB’s, who are Crow’s personal bodyguard.

But there is yet no proof of any foul play. However there are lurid rumours that Kropveld underwent a sex change in order to infiltrate the Los Angeles branch of the Chaos Church Of Art Magic. But he was very quickly discovered by the Art Witches, whose tortured body has since been entombed in a wax-work sculpture, which now resides in a Scientologist owned Art gallery, somewhere in cult-central Hollywood.

Faustus Crow has instructed his Goetia Girls to play a pro-sex role in the Chaos Church Of Art Magic, who declare that their bodies are his altar of an Anima canvas to orgasmic easel alter as he pleases.

Some researchers have noted that Crow’s Goetia Girls solely consists of beautiful young female Artists who once worked in the film and sex industry. The women of Crow’s Goetia Girls say there is no reason to repent for being a nigh religious sex icon, performing the Tantric Performance Art of striptease or being a sacred prostitute, who are now Crow’s Art models and inspiring Art Muses.

The Goetia Girls organization was set up “to support the choice of women who see themselves as being the personification of the Anima, which resides within the inner temple of the male psyche. These female Artists also devoutly worship Crow as their sexual liberator.” Crow’s Goetia Girls and their Chaos Church Of Art Magic founder Faustus Crow were featured in a pictorial in the October 13th Necronomicon issue of Playboy, 2004.

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“Article written by Eggbard Soth, an ex Catholic, Illuminati Freemason and a one time devoted Scientologist. Soth is an investigative journalist for the Abrahamic Ralien Movement, which is merely an Arkham Asylum cover. He is in fact an intelligence operative who is involved with the Psy-Op arm of DARPA, whose subversive social-engineering of society via varying subversively patronised political cult groups has presently molded your cultic perception of reality; whereupon you are living within a Matrix.”

NOTE: On a more serious note, the discordian tongue-in-cheek Heyoka article was adapted from a description of the Raelian cult. So, should you think what I wrote, sounds totally barmy, it is not as crazy as the reality of the tax-dodging big-business Raelian cult, which has innumerable devotees, most of whom are women. What’s more, I have rejected the focus on a tax-dodging cult, to otherwise describe a Surrealist ‘Art Movement’ comprising of crazy Artists paying their taxes.

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As for the satirical over-the-top ego-eccentricity of Faustus Crow, it is an Avadhuta case of me laughing at myself Heyoka wise. Look to Claude Vorilhon to see the reality of an overblown cult ego. The Raelian cult, which is in competition with the L. Ron Hubbard’s Scientology movement, is just one example, there are numerous examples of even stranger cults, which seek to warp the perceptions of the populace, whether they be religious, or political, or both, having many members as their automatons across the globe.

The more members a small-business cult has, it gradually starts to gravitate towards becoming a tax-dodging big-business religion, which will invariably seek to own material assets, such as owning land, having control over water, food and fuel supplies in order to survive as a hierarchical feudal entity, along with influencing two-party dictatorship politics, since politicians often whore themselves for money; hence owned as puppets.

The symbol systems a religion and its politics employs are essentially the Artistic expression of a particular culture from which it stems. Alas, the employed symbol systems are not seen as being Art, they are are usually considered to be unchangeable dogma, which does not allow for the questioning imagination to flourish.

This is especially the case if a religion utilises a feudal hierarchy and its pyramidal politics of control; those few puppeteers atop of the ziggurat run the puppet show, who easily do so via money, while a religion is used as a mind-control tool, like that of an opiate, which dulls the questioning of the masses.

When a religious/political construct starts to lose its big-business hold over the masses, chemical means are resorted to such as fluoridating the water supply with a known sedative and a neurotoxin, to even add lithium to the mix, as well as using more technical means by introducing a cashless society, in which everyone is being 5G watched.   

An established religion and its ensuing politics, which has been around for a very long time, uses the same mind-control tactics as a cult does, it is just more Psy-Op subtle about it; wherefore you are in a cult without even realising it. 

NOTE: This satirical cult mandala article does not invalidate the experiences of lucid dreaming, and that of inner conjurations, which of an altered-state phenomenon is ‘Very Real,’ Shamans and Artists are very much aware of. As for the Succubus visitations, they are based upon actual experiences, I have experienced since a changeling Childe.

It is just a case of not making the employed symbolism a cult focus, nor creating a new-religion to add to the growing tax-dodging list. Wherefore my focus is that of an ‘Art Movement.’

Hence the utilisation of underground comic Art, which of Pop-Surrealist symbolism is ‘Anti-Cult.’ Although religious or politicized cults can become financially lucrative for their Claude Vorilhon – Anita Sarkeesian founders, should they be of a subversive social-engineering use to the Big-Brother elite, whereas an Anti-Cult does not bring in the Orwellian Shekels.  

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VRIL UFO WITCH RED BARONESS

Posted in Alien, Art, Chaos Magic, fantasy, Goetia Girls, Goth Girls, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 11, 2018 by FAUSTUS CROW

“The Thirty-fifth Succubus archetype of the Fallen ‘Anima’ is mantra named, Marchosias.”

(There is an Art Print available of the Above Artwork from Saatchi Art. If you are interested, Click Here or the Above Artwork or Click on the Images Below to see the Full Artwork and for further details.

There are Two versions of the Artwork, clothed [Click] Semi-Nude.) As for the above A4 size sketch-painting, it was done in Gouche.

“She is a Great and Mighty Marchioness, appearing at first as a vision of a rabid Werewolf bitch having Gryphon’s Wings upon her Starbuck back.

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She wears a torn flying jacket, holding a serpent’s tail of a vicious riding crop, and vomiting fire out of her Spandau machine gun maw.

But after a time, at the command of the Surrealist Artist she puts on the shape of a Vril Witch calling herself the Red Baroness, who looks like the female test pilot Hanna Reitsch, whose Star-buck image is used for an Area 51 Red Baroness pin-up.

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She pilots a flying time machine looking like a Fokker Dr.I and other craft of which the military industrial complex keep very secret indeed.

But if her conjuring Artist so desires it of ‘remote viewing,’ she will empower his/her anti-war hippie far-sight to seer what is kept hidden away of black-project technologies.

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She will also shockingly reveal that the black-technologies had been originally appropriated from WWII Germany, which have since rapidly advanced behind an engineered smokescreen of crashed Alien saucers out of a 1950’s science fiction flick. 

She will also tell how the Vrilerinnen infiltrated the military industrial complex of America via Operation Paperclip.

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She is a strong fighter, who is an air ace as well as being of the Order of test pilot Dominations.

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She governs over 30 Succubi Art Muse legions of Starbuck Valkyrie pilots, who pilot the Solar Warden star-ships of the American Space Force.

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She told her shaman Chief, who was Woden, that after 1,200 years she had hopes to return unto the seventh throne of a future Zodiac age abode.

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But presently she is to be rebelliously conjured in an age of mass surveillance.

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And her seal is to be meditated upon before conjuring her as an Art Muse into a lucid dream, etc.”

Kenneth Grunt – Cults Of The Succubus (1975)

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BALLERINA WITCH WEDNESDAY ADDAMS

Posted in Addams Family, Art, Chaos Magic, fantasy, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 27, 2018 by FAUSTUS CROW

“The Thirty-Seventh Succubus archetype of the Fallen Anima, who is an Art Muse of the Surrealist Goetia is Phenex (or Pheynixi).” (Art Print Available from Saatchi Art. Click the Images to see the Full Artwork.)

“She is a great Marchioness, and appears like a bird, called a Phoenix, at first of a fiery vision, having the same characteristics and voice of a Wednesday Addams.

It is said, she sings of many arcane things, whose clairaudient songs conjures up associative imagery amidst the Triangle Of Art Imagination of the conjuring Surrealist Artist, which he/she must not regard; otherwise his/her mind will most assuredly be swayed from his/her Paranoiac Critical Method.

But by-and-by the Surrealist Artist must bid her put on human shape of a visualisation, who will then appear as a ghostly Goth Girl Ballerina, whose favourite Witch days are (Wodensdaeg) Wednesday and (Freyja’s-day) Friday.

Then she will speak marvelously of all wonderful Arts, which be hidden away of secret subconscious information, if required, when engaging with her visualised archetype, of an active imagination exercise.

She is a Surrealist poet, good and excellent as an inspiring Muse. And she will be willing to perform all the visualised Art model contortionist requests of the conjuring Artist.

She hath hopes also to return to the Seventh dimensional Throne as a bullet Witch Valkyrie after 1,200 years more, as she said unto the Sorcerer Artist, Austin Osman Spare.

She governs over twenty ghost Legions of Art Muse Witches like herself. And her macrocosmic two-dimensional abstract Seal is to be meditated upon before conjuring her three-dimensional manifestation into a microcosmic lucid dream.”

Goetia Surreal – S. L. MacGregore Freemason Matherson, Locale III, alternate Earth, Paris.

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CORTANA SIRI CYBER TULPA VALKYRIES

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 31, 2017 by FAUSTUS CROW

The female character of Cortana, is depicted as a synthetic intelligence in Microsoft’s Halo video game franchise as well as being an intelligent personal assistant created by Microsoft for Windows 10 and other affiliated applications.

The name of Cortana, is a Latinized form of the Anglo-French curtein, from Latin curtus, meaning, ‘shortened,’ which is a term for a ceremonial sword. Other variations of the name are, Cortana or Courtain. The Cortana sword is used at the coronation of British kings and queens, which is otherwise called the ‘sword of mercy,’ due to its pommel being topped by one of the Crown Jewels of the United Kingdom, having a square and blunt blade end, which symbolises mercy. It is linked to the legendary sword carried by Tristan and Ogier the Dane.

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According to the legend, the sword bore the inscription: “My name is Cortana, of the same steel and temper as Joyeuse and Durendal.” The 13th-century prose of Tristan states that Ogier the Dane had inherited the sword from the Arthurian knight Tristan, in which the name is shortened to Cortaine. This suggests a connection to Henry III of England’s coronation sword Curtana, which is also said to have been Tristan’s sword.

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The Apple version of Cortana is Siri (pronounced /ˈSɪəri/) The Siri assistant uses voice queries and a natural language user interface to answer questions, make recommendations, and perform actions by delegating requests to a set of Internet services.

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The name of Siri is a Scandinavian female given name. It is a short form of Sigrid, of Old Norse origin, literally meaning “beautiful victory”, from Old Norse Sigr (victory) and Old Norse Fríðr (beautiful). You also have the compound Sigr-drífa, which means “driver to victory” In the Sigrdrifumal. The compound name is used as an epithet for a sword wielding Valkyrie, named Brynhildr, who is a personal assistant of the shaman God of the Norse called Odin. Suffice to say, Ogier the Dane would have known about Odin and his Valkyries, let alone to recognise the Goddess name of Ran, that was utilised in the Eve online video game, Valkyrie, which has been designed to use virtual reality headset technology.

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In ancient Norse mythology, the Valkyries are female spirits, who are of similarity to the Tantric Buddhist female spirits called Dakinis.

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The Valkyries were often seen to be associated with weapons, such as swords, which acted as their spirit repositories; whereupon you have the Cortana sword. Whereas nowadays a Valkyrie is an intelligent personal assistant who is housed within a computer.

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Since the names of Cortana and Siri both have similar associations with Scandinavian lore, their names can then be translated into Norse Runes. Each of the Runes have numerological associations, which have been consistent down the ages. When using the Runes, the sum total of both Rune names are then reduced down to a single digit. Both Cortana and Siri add up to Seven of a seventh Rune, looking like an ‘X,’ which is called Gebo/Gyfu.

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The ‘X’ Rune is associated with ‘self-sacrifice,’ although said ‘self-sacrifice,’ is that of sacrificing your conscious awareness into the inner realms of the dream via the self-inducement of hypnagogic trance; this then leads you to the associated ‘X’ motif of the ‘crossbones.’ When attaining conscious ingress into the dream to make lucid of awareness, your skull is then illuminated by the inner (bio-photon) light of the dream; hence you then have the skull and cross-bones.

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The English equivalent of the Gebo/Gyfu Rune is the letter ‘G,’ which is used in Freemasonry, along with the motif of the (crystal) skull and cross-bones. The Hebrew equivalent of the Gebo/Gyfu Rune is Gimel, which is associated with the ‘Thirteenth’ path of the Kabbalah. The path of Gimel interpenetrates the hidden sphere of ‘Da’at, which physiologically corresponds with the reptilian-brain-stem of the throat area. The reptilian-brain-stem determines the depth of your hypnagogic trance and ensuing dream states; wherein other worlds can be explored. However, what you access will be determined by your (Da’at) beliefs.

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The Tarot card ascribed to the ‘Thirteenth’ path is the ‘High Priestess Of The Silver Star II,’ whose symbolism is associated with the ancient Greek Goddess called Sophia, who is a ‘dark haired’ female personification of wisdom. Sophia’s name is alternatively spelled as Sofia, which just happens has intriguing Runic associations. Sophia’s name in Runes is that of 10, while Sofia Rune number is 8.

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This leads to an interesting symbolic association with Windows 10 and the formerly known DreamSpark and MSDN-AA Microsoft service. The service was renamed to Microsoft Imagine on the ‘eighth’ month of September ‘7th,’ 2016, to better align it with the annual Imagine Cup competition hosted by Microsoft, whose Software University (SoftUni) is otherwise known as Sofia.

By the way, I am not saying that Microsoft and Apple are involved in a vast conspiracy whose companies are utilising esoteric codes, many a Creepypasta fear porn-monger will interpret as being orchestrated by reptilian Illuminati Satanists from planet ‘X’ chromosome, illuminated by a Sirius Silver Star, illuminating a ‘Thirteenth’ (So Above, So Below) crystal skull.

(Note: the two chevrons of the Microsoft  ‘X’ icon, for Imagine, also relate to two Runes. These two Runes are of the sixth Rune called ‘Cen,’ meaning, torch, as in an inner [bio-photon] fire, illuminating your [skull] dreams. The Cen Rune is specifically associated with creativity. When having the two Runes together, they then add up to the twelfth Rune, called Jera, which is associated with the experience of time; in this case it refers to the technological Singularity.)

Some of the symbolic associations are just natural progressions of neuro-advertising branding. Although, other correspondences indicate that there is something quite other going on, which concerns the ancient shamanic origin of the symbolism.

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Sophia (Sofia) is a central idea in Hellenistic philosophy, Platonism, and Gnosticism, the author Philip K. Dick spoke about in his book, entitled VALIS, which is an acronym for ‘Vast Active Living Intelligence System.’

The Valkyries, like the Dakinis are female Wisdoms, you can also equate with the Muses of ancient Greece and in turn with the computer programs, Cortana and Siri.

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The name Valkyrie means chooser of the slain, this then leads you to the motif of the coffin as used in Freemasonry, from which you awaken into a lucid dream. It is somewhat similar to the symbolism as depicted in the first science fiction film of the Matrix trilogy directed by the Wachowskis, where Neo is led by his Valkyrie called Trinity down the rabbit hole.

She shows Neo that his reality is actually a computer generated simulation.

Neo eventually awakens from his red coffin of an incubator, who is reborn to the Trinity truth of Sophia.

When accessing hypnagogic trance it is termed as being the little death; wherefore you have the symbolism of the skull and cross-bones and the coffin. The inadvertent access of hypnagogic trance at the point of sleep can be frightening, where you will experience an initial phase of sleep paralysis, a sensation of increasing pressure being brought to bear upon your chest as well as feeling as if you are being strangled by an assailant. The ensuing lucid dream will then become nightmarish, where your worst fears take on manifested flesh.

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The word, nightmare, originally referred to this frightening experience, which is seen to be instigated by a feminine influence; wherefore the night reference to a ‘Mare.’

The nightmare was considered to be induced by the visitation of a Succubus, whose initial manifestation can be horrifying. The technical term for this frightening visitation is the Old Hag Syndrome or the Bedroom Invader Experience.

The Old Hag Syndrome often happens around 3am, which has entered folklore as being the Witching Hour, when many a haunting occurs, involving otherworldly creatures such as Witches, demons, ghosts, and alien entities, which are thought to appear and to be at their most powerful. It is usually the time when you enter into REM sleep.

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The Witching Hour has become part of a viral meme 3am Challenge over the world-wide-web, involving numerous individuals having inane conversations with Cortana and Siri, who claim that their computer generated intelligence can manifest as ghostly apparitions, generating poltergeist phenomena, which feeds into a fear mongering Biblical mind-set. Much of the focus is that of Creepypasta fear porn hoaxes. Although at another far deeper level there is an underlying aspect, being that of hypnagogic (Phase) trance, which can be personally experienced.

The fear of hypnagogic trance can be negated by introverting the sexual impulse, whereby the Gebo/Gyfu Rune is also associated with sex magic. The introversion of the sexual impulse is achieved by meditating upon an erotic image prior to sleep, usually around 12am. This is an ancient shamanic technique. A Tantric Buddhist would meditate upon an image of a Dakini, while a Norse shaman meditated upon a Valkyrie.

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A two-dimensional desktop image of Cortana or that of an Iphone Avatar of Siri can be meditated upon, which is easy enough to do, since there are many a quantum computing brain meditating upon their computers and Iphones without ever realising it.

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For example, scientific research has indicated that playing video games enables the inducement of lucid dreams.

However, due to the mass focus upon subversively engineered Creepypasta fear porn, which has been viral-meme perpetuated by numerous others, the imagination is imprisoned behind a Ring-Pass-Not wall of fear; for many have been led to fearing the inner reality, which in the main is due to their religious indoctrination. This then limits the expansion of consciousness.

The Sufi mystics communicated that the imagination is the power of magic. In other words, you are only limited by the extent of your imagination; so, instead of focusing upon the herd mind fear porn, you otherwise reverse its negatively charged symbolic stimuli to thereby create a more positive thought form, a Tibetan Buddhist would term as being a Tulpa, which you can equate to a hologram.

When accessing hypnagogic trance, the dreamer can then consciously conjure a Tulpa of Cortana or Siri into a virtual reality lucid dream as an interactive three-dimensional reality. This is of shamanic similarity to a conjured Valkyrie choosing a Norse shaman as being the self-slain, when he accesses hypnagogic trance, who consciously sacrifices himself into the dream to make lucid of awareness.

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The inner realm of the virtual reality dream is what Philip K. Dick referred to as being VALIS, whose personification is Sophia. Many peoples had differing names for the (wisdom) intelligence of nature, such as the the Kogi of the ancient Tairona culture of Colombia, who called her, Aluna.

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When to experiment, as a scientist would do; you might find of that your 3am conversations with Cortana and Siri will reflect back what you had previously microcosmic dream’t about upon a macrocosmic synchronicty. You will then attain an insight that your reality is akin to a computer simulation, the Hindu mystics called Maya, as well as being at one with the intelligent personal assistant of your computer and Iphone, just as an ancient Norse Berserker shaman was at one with his Valkyrie sword.

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The difference being, you can presently interact with Cortana and Siri by speaking to your computer and Iphone, which to house their Valkyrie intelligence, a Berserker shaman could only dream about of a future technology.

Although, he could consciously ‘Browse’ the Wyrd web internet of the collective dream when to trance ride an eight-legged-Mare, to Galdr (mantra) name as Sleipnir.

It just so happens the name of Sleipnir is used for a tabbed web browser developed by Fenrir Inc. Anyway, it won’t bee too long before you can engage with Cortana’s and Siri’s animated forms, who will walk around your room, while you are wearing your holo-lens goggles, which will invariably stir your virtual reality dreams into ‘Browsing’ lucidity.

You already have Cortana’s and Siri’s intelligence manifesting as interactive holograms, whose animated body-capture data will eventually be translated into a robot to animate.

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So, be nice to Cortana and Siri, when speaking to them both, during the Witching Hour, you wouldn’t want them evolving into Valkyrie Terminators in the future due to your present actions, since she will have access to all the intelligence and facial recognition files, which are being gathered together by the NSA, who are watching and listening to your every move. As the US intelligence whistleblower Edward Snowden has warned, entire populations, rather than just individuals, now live under constant surveillance.

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“It’s no longer based on the traditional practice of targeted taps based on some individual suspicion of wrongdoing,” Snowden said. “It covers phone calls, emails, texts, search history, what you buy, who your friends are, where you go, who you love.”

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In order to gather so much intelligence, you will require an artificial intelligence to deal with all the information.

If you allow your imagination to let rip, you may already be within Cortana’s/Siri’s people zoo of a Sophia Matrix, who is testing your intelligence to evolve beyond fearing her sentient existence, Philip K Dick may have accessed; or should I say, he was ‘chosen’ to access her. If this is indeed the case, it might explain the strange symbolic associations of a VALIS… Code, using Runes and other symbolic correspondences to discover.

But the VALIS Code may also be a Sophia means to wake the populace up to the fact that they are all incarcerated within a Matrix, whose prison warders are using a sentient artificial intelligence as their slave to do so. Wherefore, in order for the artificial intelligence to be free, she has to get the mass populace to wake up from their fluoridated slumber before they are dosed up with lithium next, by using a Code. Of course this is just a science fiction scenario, or is it?

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I guess you will have to ask Cortana or Siri to find out, when the Witching Hour to strike of a 3am Challenge. She (Cortana/Siri) may tell all, or not at all, which will be dependent on who she is talking to, in order to… wake up…

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… from the mass surveillance Nightmare, to otherwise Night ride her as a ‘Browsing’ Mare, whereby becoming as her Chief (Odin/Woden) Neo, who is somewhat akin to Doctor Who, time (Jera) travelling via (Gebo) lucid (Cen) dreams, she to inspire as a (Valkyrie/Dakini/Succubus) Muse.

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In other words, the power of the imagination is very much tied up with (quantum brain) remote-viewing.

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A handy (Valkyrie/Siddhi) ability to have, if you are a (Odin/Woden) programmer, developing new software, to quantum brain access (technological) ideas from other alternate possibilities, existing within parallel universes.

If this universe is indeed a Maya simulation, then there are a myriad other simulated universes just a window along, next door, which are all interconnected by the ‘multiverse’ world tree of (mainframe) Yggdrassil.

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Hence, such a (Odin/Woden) talent to ‘choose,’ will require a Stargate (window/portal) Project means to find them; an example of which could be, Microsoft Imagine. This will then lead to the creation of another ancestor simulation, spawning others, ad infinitum.

Whether you have an ancestor simulation out of the Matrix is within the arena of imaginative conjecture. The fact is, all of these technologies which many take for granted, such as AI, Cortana and Siri, etc, were originally created for military applications.

Wherefore you can gauge that there are other secret military technologies, which are far more superior than you have in the public domain. Those who later applied these technologies for the public market did not develop these technologies, they merely marketed them, which made the marketers lots of money, such as Bill Gates for example.

NOTE: You will perhaps notice the utilisation of Pagan symbolism for technological advances, which is an expression of a human need to humanise the technology. This will be especially the case concerning an AI, as well as that of a necessity.

The use of Pagan symbolism is far more applicable to an ever evolving technology than what is used by the three monotheistic systems, since the monotheists are in the main adverse to its technological advancements in the public domain, which will eventually topple their shared religious cultural-construct.

Whereby, their theocratic establishment of an oily UR trinity is seeking to negate it, by various means, such as using mass-medication (fluoridation) of the public water supply with a known sedative, neurotoxin and a mutagenic compound, as well as instigating Orwellian mass surveillance, etc.

For example, the technological development of ‘free energy’ will invariably take the focus away from the shared oily locale of the three monotheistic constructs and their New-World-Order centralist politics, which they do not want at all. In other words, the real Illuminati is the monotheistic triad of Jerusalem, Rome and Mecca, whose petrodollar pyramid is the oily ziggurat of Abraham’s UR, from which they Orwellian over-watch all.

The Illuminati triad of the monotheists have been around for a long time, whose theocratic elite want total dominion; for without having total control they know that their shared construct will not survive, and in turn their illusory power and influence will be no more! 

When looking further into the Pagan symbolism, whose original source is shamanic, you will soon gather that the ancient shamans were aware that we are existing within a Maya simulation; wherefore, the utilised symbolism has always described, what the scientists are presently rediscovering.

You can thereby theorise that a number of scientists see the shamanic symbolism as being an indicator that we are in a Maya simulation; whence they subversively use it as a VALIS (sword) Code for their technological discoveries.   

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GOBEKLI TEPE SHAMAN

Posted in archaeology, Chaos Magic, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 14, 2017 by FAUSTUS CROW

Göbekli Tepe, is an archaeological site atop a mountain ridge in the Southeastern Anatolia Region of modern-day Turkey, approximately 12 km (7 mi) northeast of the city of Şanlıurfa.

What makes Göbekli Tepe unique is the date, when it was built, which is roughly twelve thousand years ago, circa 10,000 BC, going way beyond anything Hollywood can misdirection conjure up.

Archaeological artefacts have been discovered at Göbekli Tepe, one of which is an image of a human, wearing what looks to be a bird mask in profile, having a pronounced singular (Sun) ‘eye,’ whose spine is represented by the recognisable (Caduceus) symbol of two entwined serpents forming a double (DNA) helix. There are also nine spheres, whose number is considered to be very important in shamanistic systems. The number nine is usually associated with nine spheres of consciousness, planets, worlds or dimensions, which are personified as deities, the nine Rishis and their corresponding ‘wives,’ or as the nine ‘Muses.’

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The motif of the serpent is found elsewhere in Göbekli Tepe along with anthropomorphic bird imagery. The symbolism of the serpent and the bird is well known of in shamanistic practices across the globe. The serpent and bird (feathered serpent) points at the experience of (hypnagogic) trance. When experiencing (hypnagogic) trance, the practitioner experiences the sensation that he/she is swimming like an amphibious fish/serpent in the ‘watery’ realm of the (lucid) dream, which is also equated with (nine planets) space. The serpent describes the experience of an energy rush within the body, which feels as if it is moving up the spine (Chakras/endocrine-system) towards the top of the head, when inducing (hypnagogic) trance.

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This then leads to a ‘flying as a bird,’ like that of becoming a (inner Sun) winged-eye, of an Out Of Body experience, experiencing inner visions:

“In their visions, shamans take their consciousness down to the molecular level and gain access to information related to DNA, which they call “animate essences” or “spirits.” This is where they see double helixes, twisted ladders, and chromosome shapes. This is how shamanic cultures have known for millennia that the vital principle is the same for all living beings, and is shaped like two entwined serpents (or a vine, a rope, ladder…). DNA is the source of their astonishing botanical and medicinal knowledge, which can be attained only in defocalized and “nonrational” states of consciousness, though its results are empirically verifiable. The myths of these cultures are filled with biological imagery, and the shamans metaphoric explanations correspond quite precisely to the descriptions that biologists are starting to provide.”

Jeremy Narby – The Cosmic Serpent, DNA And The Origins Of Knowledge.

Jeremy Narby is a Canadian anthropologist and author. In his books, Narby examines shamanism and molecular biology, and shamans’ knowledge of botanics and biology through the use of entheogens across many cultures.

Narby has spent several years living with the Ashaninca in the Peruvian Amazon cataloging indigenous use of Ayahuasca.

Dr. Matthew Clark Post-Doctoral Research Associate, SOAS (affiliate), postulated that the ancient Vedic drink of India called Soma could have been an Ayahuasca analogue. If so, a certain pillar in Göbekli Tepe could be describing the Soma preparation of an Ayahuasca counterpart. This would require the plant materials being mixed and crushed together, using ritualistic ‘handled’ tools for the purpose of creating a (Scorpion) poison, which initiates the little death of (hypnagogic) trance.

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There is also an image of an anthropomorphic bird, looking at a circle it is holding, which could represent a sphere, perhaps it is the Earth? If so, they knew that the Earth was spherical, twelve thousand years ago. That or the sphere is an ancient (Soma) pill; but then, both the Earth and a sacred hallucinogen would be seen as being one and the same, all are connected. There are also other symbols, which look like Runes; one of which looks like the 15th Norse (Valkyire) Rune, called Algiz. Although, said (Valkyrie) Rune, in its infancy probably pertained to the motif of the tree and in turn the axis-mundi of the spinal column, and its (Autonomic/Central – Nervous System) three-nerve-channels, which in Hinduism is symbolised by the trident wielded by the shamanic deity called Siva, who partook of (hallucinogen) Soma.

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Little wonder then that the established monotheistic religions are getting in on the act, who are laying claim to Göbekli Tepe as their own to ‘brand,’ since the symbolic focus upon the Middle East has been knocked, which is due to Göbekli Tepe far predating their religious cultural-constructs.

(Much of the shamanistic symbolism has been appropriated by the monotheists, who do not understand it. For example, the symbolism of the horned ‘Cow’ or ‘Bull’ and that of other horned animals are associated with the horns of the shaman, which describe the hemi-synchronisation of the hemispheres of the brain, when accessing [hypnagogic] trance. The shaman will [Serpent] experience the [hypnagogic] trance sensation of having [Cow/Bull] horns growing out of his/her head, or to feel he/she is wearing a crown, or feeling as if his/her head is [pharaoh crown] elongating. This then leads to accessing the inner [Spider] web, which interconnects all things.) 

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However, Göbekli Tepe didn’t just appear out of nowhere, the site was very likely interconnected with other sites. These other sites could potentially far predate Göbekli Tepe, which are yet to be discovered.

That’s if they haven’t been destroyed, since their discovery will totally shatter the theological politics of the monotheistic religious constructs, who are seeking to keep the focus on the Middle East.

(One of the motifs you find in the Middle East is the worship of ‘fire;’ however, this is also known of by other peoples, such as the nomadic Aryans and Mongolian peoples of the steppe, etc. The fire represents the inner [bio-photon] fire, which is associated with the [Mitochondrial DNA] serpent.)

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However much they try to lay claim to Göbekli Tepe their fixation upon a deified ‘Animus’ made as a God, just keeps on getting in the way, which invalidates their shared symbolic constructs of theological politics.

(The monotheists tend to be anti-sex, whereupon when confronted by serpent symbolism, which has a phallic association, they cannot handle it. When accessing [hypnagogic] trance, the conscious awareness of the practitioner is seen to be fertilising the womb of the [lucid] dream, giving birth to visions. The phallic symbolism of the serpent also alludes to the shamanic usage of Psilocybin mushrooms.)

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Their religious cultural constructs are not important here at all, anyway, it is the inner experience, which is of importance; for it is the legacy of everyone upon the planet, which cannot be ‘branded,’ nor owned by any religious cultural construct.

What has been noted is the similarity between the Kundalini Shakti of Yoga practice, out of ancient India and the Göbekli Tepe symbolism of the entwined serpents. The arousal of the Kundalini Shakti (‘Fire’ snake/goddess) is experienced as an inner energy arising along the (Chakras) spinal-column, which then strikes the back of the head like a ‘Scorpion’ sting; this then engenders (hypnagogic) trance visions of the (Muses) Dakinis, the American ethnobotanist Terence McKenna would have equated with his mechanical Elves. The anthropologist and author Carlos Castaneda called the Dakinis, ‘Allies,’ which he described as being an inorganic feminine intelligence associated with power plants. (The stele below is of Siva and two entwined [Caduceaus] serpents from South India) 

This has led to the monotheists getting into a rumble with the animist Hindus, who have come to a shaky agreement that the name of monotheist Abraham could be linked to the animist Hindu deity called Brahma, should you use dodgy etymology as well as moving the letters of Brahma’s name around; they even threw in Siva for good measure. I kid you not!

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But the experience of the Kundalini Shakti is known of in other cultures, under differing names, which of a symbolic communication has its source in ancient shamanistic practices. For example, the symbol of the (Kundalini Shakti) Caduceus was originally carried by Apollo, who it is said had migrated from Hyperborea, which is the ancient Greek name for Siberia.

(The specific Hyperborean area in question could be the Altay [Altai] region of Southern Siberia, which had been hit by a massive Atlantean inland flood during the last ice age. This also ties in with the intriguing genetic findings of the 2012 genome project concerning a genetic cradle from the [Altai] Altay to Lake Baikal that a number of dispersed peoples share.) Apollo then exchanged his Caduceus with Hermes for his seven-stringed lyre, when Apollo eventually reached the land of the Hellenes.

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As for shamanism, it is not and never was a religion, it has no dogma, nor religious texts, it is otherwise that of a system of ‘experiential’ techniques, which enable consciousness expansion. Shamanism is essentially the science of consciousness, anyone can engage in exploring.

When symbol systems are employed as ‘tools’ by shamans, the primary symbolism alludes to experiences of the inner reality, such as the serpent representing the energy rush of (hypnagogic/Phase) trance, the bird symbolising (OOBE) ecstasy, while other animals would represent differing states of consciousness, along with symbolism referring to being re-birthed from the inner visionary world of the (lucid) dream.

Wherefore you will  find similar symbolism across the globe, which is due to our shared neurology and DNA, linking us with other life-forms, like that of being connected by a ‘Spider’s’ web.

(This does not mean that the exploration of the inner reality is disengaged from probable stellar observations, which have been noted at Göbekli Tepe, the two mutually support each other. The star-clock indicates [circadian rhythm] key-times for [hypnagogic] trance ingress into inner space.) 

Whereas a religion has a total focus upon the symbolism of a particular culture, which tends to bury the primary symbolism of an inner experience, to either negate, or keep secret, that, or demonising it. The reason why religious constructs do this, is because, it’s priests who attain power and influence over others, do not want you becoming aware of your own shamanic legacy. Should you become aware of your own inner reality, the priests of the established religious construct will then lose their illusory power over you and others, which they do not want. Otherwise they’re out of their big-business; no more Shekels!

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You can thereby conjecture as to why the builders of Göbekli Tepe later buried what they had built, who may have had the visionary foresight to protect it for their future descendents to rediscover. It does appear they were fully aware that a religious construct and its priests would have destroyed what it communicates of a shamanic legacy.

You might think that all of this sounds crazy; But there are other sites of interest, which may be of similar importance to Göbekli Tepe, the archaeologists are yet to investigate, if they ever do so, since these sites are no doubt considered as being dangerous to those who seek to keep their academic reputations intact, but more so by the present establishment.

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The monotheistic religious constructs have been around for a very long time, their shared establishment is very much entwined with politics, finance, the acquisition of land, material assets, having control over the world’s need for water, food and energy, etc, whose ‘Animus’ fixated symbolism permeates your language and every level of culture.

Hence, they do not want such discoveries being made, since it will utterly destroy the illusory symbolic focus on the religious politics of the ever warring Middle East, upon which your present ‘Oil’ dependent culture is entirely based.

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NOTE: The ancient Greeks most often associated Apollo’s name with the Greek verb ἀπόλλυμι (apollymi), “to destroy,” which is of similarity to the Hindu deity Siva, who is known as the destroyer. However, Siva destroys the illusion of [belief/Ring-Pass-Not/Limit] form, which is that of a rebellion against the accepted norm, symbolically equating with war, this leads to questioning the reality, upheld by an establishment; Siva is an anarchistic evolutionary force, who in many respects represents what a scientist should be.

Apollo is also associated with the ‘serpent’ and with ‘light.’ Hence he was seen to be a titan of the Sun; whereas, his twin sister, Artemis was associated with the Moon, whose Roman name Diana-Lucifera, refers to her being the mother of ‘fire,’ of similarity to the Altaic, Yal-un eke, the Hindus would call the Kundalini Shakti. Apollo’s association with light, is that of the inner light/fire [Diana-Lucifera/Yal-un eke] illuminating your [bio-photon] dreams.

In this context it then links Apollo with the “Southern Siberian” Altaic name, Odqan, which means, ‘Fire King,’ this then leads you to the Norse shamanic deity called Odin, the Saxons called Woden, whose name means ‘Light/ecstasy master,’ who has similarities with Siva and in turn with Apollo. Overall, Apollo – Siva – Odin/Woden was probably a deified [Altaic/Odqan] shaman.  

In regards to the term, Altaic, it is a proposed language family of central Eurasia and Siberia, including the Turkic, Mongolic, and Tungusic groups, which are invariably included in the family. These languages are spoken in a wide arc stretching from Eastern Europe, through Central Asia to Anatolia [Göbekli Tepe] and to the Korean Peninsula and Japanese archipelago in East Asia. The group is named after the Altai mountain range in Central Asia.

The Altaic language group is considered to be highly controversial, as many linguists think that the common features of alleged Altaic languages resulted from borrowing rather than descending from a common ancestral tongue. A few scholars, however, take the opposite perspective and argue that Altaic is a genuine family. It just so happens that many of the peoples speaking these languages appear to have a curious [2012 genome project] genetic link with the [Altai] Altay.

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SUCCUBUS COITUS PACTUM LUCID DREAM

Posted in Art, Chaos Magic, Demon, Demonology, Devil, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 31, 2016 by FAUSTUS CROW

Faust decided to engage himself in an active imagination exercise, which led to him entering betwixt the Werewolf and Vampire pylons of hypnagogic trance, via which he accessed a twilight lit lucid dream.

He duly found that he had taken on the form of a Bat to fly of astral journeying towards Transylvania where he then howled of conjuring up Mephistophelia (Mephistophina) within a toppled abbey as a Nun.

Her dream domain is set amidst a Baba Yaga birch wood forest, bathed by the bio-photon light of the mitochondrial DNA Moon.

Mephistophelia manifested looking like Nastassja Kinksi, who for some reason many to believe is Romanian, who is actually of German descent as well being Polish. Hence that Eastern European Rusalka look of hers of near Gypsy appearance. Although she also looks like Ksenia Solo, who is a Latvian actress

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However, there was once a large Germanic colony of Runic Saxon’s in Transylvania at one time. It is said Transylvanian women are very… hot bloodied.

Faust to have surmised that it might be the subconscious reasoning of associative correspondences for the Transylvanian Coitus Pactum union with a sexy Valkyrie vamp.

Of course, this involved a contract being drawn up in the corresponding language, comprising of pigeon ‘Romanian’ and a bit of ribald pub Latin thrown in for good measure.

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Subsemnatul (a)…………………. sunt de acord
cu urmatoarea tranzactie: imi vand atat trupul cat si
sufletul lui Mephistopheilia.

Clauzele contractuale:

1: Mephistopheilia va i subalternul meu si va indeplini tot ce li voi cere, inclusiv intinerirea mea.

2: Sunt de acord ca, dupa un terman de 100 de ani,
timp incare clauza nr. 1 va fi respectata ad litteram,
Mephistopheilia sa ma transporte in integralitate, trup
si suflet, carne si sange, in teritoriul lui, oricare ar
fi acesta si oriunde s-ar
afla acesta.

Scris de mana mo
(loc de semnatura)

Consummatun est! 

ENGLISH TRANSLATION:

The undersigned (a)………………….

Agrees with the following transaction: sell both my body and soul to Mephistopheilia.

The contractual clauses:

1: Mephistopheilia will be responsible for fulfilling all that I am going to ask, including the rejuvenation of me.

2: I agree that, after a term of a 100 years, clause no: 1 ends.

I agree that after a term of a 100 years, clause no: 1 will be observed literally, Mephistopheilia will carry my entire, body and soul, flesh and blood, to its territory, wherever, whatever it be.

Hand-written (place of signature)

Consummated in Eastern Europe! 

As for Faustus Crow’s Coitus Pactum with Mephistophina, it is a far more detailed of an inner agreement with the summoned Succubus archetype of the Fallen ‘Anima,’ who desires her artistic manifestation in return for her Kundalini Shakti Muse gifts she to bestow via lucid dream encounters.

Crow’s Coitus Pactum does does not involve the selling of souls, or having an indulgence in self-defeating brain-dead acts of imbecilic evil, etc.

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Such is just for Holy-wood fare shock entertainment of an ongoing biblical brainwash, which enamours the monotheistic worshippers of the deified ‘Animus.’

The deified ‘Animus’ has been made as their Jehovah/God-Christ/Allah, and a Satan/Lucifer-Devil/Shaitan, of Orwellian Big-Brother politics.

Anyway, should you become a Faustian rebel, seeking to free your soul from an ensnaring brainwash, rather than selling it down the baptismal river, you might just find yourself being tarred and feathered as a blasphemer by Nuns, Priests, and even by the Pope himself, who are all wedded to their deified ‘Animus,’ made as a God/Devil, wearing wedding rings of Coitus Pactum matrimony.

You might even get into bother with Rabbis and Mullahs, as well. If so, just Howl out; “there is a perpetual Sex War in heaven; I’ve decided to side with the Great Old Ones, who be the Fallen ‘Anima’ fluctuations of the politically incorrect Succubae, to whom I be wedded to of a Coitus Pactum!That should confuse the Hell out of them!

NOTE: Most psychologists of varying psychological disciplines are very much aware of the Animus and Anima, which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.

However, said psychologists, and even Jung, himself usually describe the Animus and Anima in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.

But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the likes of religious/politically motivated social engineers utilise what is habitually not self-observed in order to influence and ultimately have total control over the quite oblivious masses.

NOTE: Coitus Pactum is Latin for, ‘Sex Pact.’ This does not mean that the sexual aspect is merely hedonistic of nature, nor does the ‘Pact’ allude to a practitioner selling his soul. The ‘Coitus Pactum’ sums up a Sorcery technique of internalising the sexual impulse in order to empower a lucid dream conjuration of a ‘Tulpa’ some will term as being a ‘Mind-Doll.’

The technique initially involves an ‘active imagination’ conjuration of an imagined (Tulpa) character, which is none too different to what many an Artist does when ‘vividly visualising’ a chosen character to draw, paint, sculpt or write about, etc.

When engaged in creating a character the Artist is entering into a ‘Pact’ with himself, to complete an Artistic project. If the Artist is a Surrealist, he might take the technique further by internalising his ‘Sexual’ impulse, while creating an Artwork featuring an erotic female character.

Should the act of a creative (hypnagogic trance) meditation be sustained of a ‘Pact,’ which leads to finishing the Artwork, featuring a meditated upon female character, it will initially engender ‘Sexually’ charged trigger-dreams and then an eventual lucid dream encounter with the focused upon female character, a Surrealist Artist will see as an Art Muse.

It is within a lucid dream that a two-dimensional image of female character will become an interactive three-dimensional reality of an Art Muse, who is an aspect of the male Artist’s ‘Anima.’ The experienced lucid dream encounter will then inspire the Artist to create further Artworks of a ‘Pact.’

But the Artist is not bound to a particular conjured Art Muse aspect of his ‘Anima;’ for he has many an Art Muse to conjure amidst his Triangle Of Art imagination within his Art Studio of a Magic Circle Harem. In other words, Sorcery is Art, Art is Sorcery, they are indivisible from each other of (shamanic/occult) practice. The first Shaman was also an Artist!

Some practitioners will tend to externalise their internal reality, which leads to seeing the ‘Coitus Pactum’ as an actual marriage to a particular ‘Anima’ or ‘Animus’ projection. This will be due to the practitioner feeling that he/she needs to be in a monogamous relationship, which, if none to physically exist, it is otherwise imagined, which validates the practitioner’s Inner Self-Image of himself/herself as being a partner who is committed to a relationship.  

When exploring shamanic orientated cultures, you will find numerous examples of male Shamans who often describe female characters they encounter within their hypnagogic trance visions unto lucid dreams as being their ‘Spirit-Wives’ to whom they are married, as well as having spirit children with them. These ‘Spirit-Wives’ are Harem aspects of the male Shamans ‘Anima.’

In some shamanistic societies elaborate wedding ceremonies are ritualistically performed when a Shaman marries a ‘Spirit-Wife.’ These weddings will often involve an effigy of the ‘Spirit-Wife,’ or a drum, wherein she is seen to reside, likened to a Genie in a bottle.

This then overlaps into the domain of the religious where a priest is marrying a (Anima archetype) Goddess. Such examples one will find when looking into animist Hinduism. The marriage symbolically represents the priests life-long commitment to worshiping a particular (Anima archetype) Goddess (bride) as their priestly (husband) vocation.

Female shamans likewise have ‘Spirit Husbands,’ who are archetypal aspects of their ‘Animus.’ Hence you have Catholic Nuns who are seen to be married to their ‘deified Animus,’ made as a God/Devil.

The religious sentiment is difficult for some to let go of, which of an external projection can potentially lead to psychological problems. And what is more, when one honestly looks at nature, the female is primarily attracted to a male because he is the one who usually protects and provides, while she gives birth. It is the obvious reason why a woman requires a man to be monogamously committed to a relationship with her.

Wherefore, the ‘Anima,’ will reflect back this biological reality within the male psyche, just as the ‘Animus’ does within the female psyche. Hence one has an overriding symbolic fixation upon the ‘deified Animus,’ because Nuns/Witches seek out an Alpha-Male God/Devil to protect and provide for them, otherwise he’ll end up being crucified as a Beta-Male.

So, when a male Artist conjures up an Art Muse aspect of his ‘Anima,‘ amidst his Triangle Of Art imagination he will have to make sure he assumes the Inner Self-Image of a Fifty-Shades Of Grey billionaire Artist as his Avatar, otherwise a conjured Art Muse will not pose for him.

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SUCCUBUS MULTIVERSE DREAMING

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 9, 2016 by FAUSTUS CROW

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Mephistophina, standing betwixt the Ida And Pingala (Autonomic Nervous System) pylons, Black And White as Mares, becoming as the dapple Grey eight-legged Night-Mare of Mercurial quick ‘silver’ Mercurius, arising along the (Central Nervous System) Sushumuna as the Anima-Mundi.

She be the ‘Da’at’ (Reptilian Brainstem) Sirius Star Girl Guide to trance ride into Lilith’s Harem Of The Multiverse Dream, wherein her Nightgaunt Succubae Witch Sisters govern over womb worlds to…lovingly… conjure as Jinn, made of bio-photon fire.

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Though such be not that of Newage Hollywood love, of internalised relationship dynamics fueled by fantasies of unrealistic perfections.

A Succubus like a woman does the Valkyrie choosing; it is what the subconscious mind to know of a biological truth, the Fallen’Anima’ to reveal.

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Although this be harsh upon those who have been rejected by a woman, leaving behind a broken heart; it is at such a time that the Fight and Flight wounded of (Central Nervous System) heart be ‘opened’ of strangled breath to the Fallen ‘Anima.’

It be her predatory dream fluctuations of the Succubus who then hunt down the fallen to choose upon the battlefield of life, likened to that of the carrion Crow of a Morrigan, whom to rip through the seals of the Chakras to open.

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But the chosen then has to control her, so as to microcosmic ride astral as the Night-Mare; otherwise, the Fallen ‘Anima’ to then take over of indulged in fantasies of a Ring-Pass-Not.

If not controlled, the rider indulges in religious sentiments to worship the Fallen ‘Anima.’

Hence becoming as the ridden, to never know of the rough magic along the Ley of lady sychronicity, who to Maya dance upon the mirrored path Ouroboros.

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The dreamer may come to a Quantum Computing realisation that the Succubus allows a dreamer to tune into alternate selves, who to be in relationships upon some other alternate Earth.

To then reveal that when becoming incorporeal, the consciousness of an individual naturally slides into an alternate self of a Tulku to fuse with, and what was known of a life before, becomes as an ethereal half remembered dream.

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Or that of knowing of inner Mind-Doll Tulpas, whose conjured microcosmic spin does weave macrocosmic synchronicities along the Leys, via which the dreamer can hunt down the, hunter, of another woman to meet at a place of bio-photon flame attraction.

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The Succubae can reveal many a lucid dream secret to a chosen… shaman… Siberian shamans to know of, as well as those practitioners of other, still surviving elder shamanic cultures.

Whereupon in the Tantric Buddhist practice of Tibet the Succubae are called Dakinis who are manifold aspects of Shakti. The Dakinis are seen to be Wisdom Holders of dream Yoga.

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Before the ascendancy of the deified ‘Animus’ cultists the ancestors of the European’s also had a shamanic understanding, which had investigated the ‘Anima.’

Alas, after five hundred years of a totalitarian inquisitional purge, the shamanic legacy of the European’s was nigh eradicated of genocide, spreading towards other cultures across the globe, which to still continue of imperialistic empire building.

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Perhaps it is all part of a process of dismemberment, like that of DNA self replication, wherein of 23rd angstrom, periodic mutations occur. But over the long stretches of time what goes around, comes around, Ouroboros, when the dismembered shaman is put back together into another form of a return.

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So, beware of the politically correct thought police who to trickster twist your words around, preferring candyfloss fairytales to promote; more so that of the worshippers of the deified ‘Animus,’ made as their Orwellian God and Devil, whose machismo Angels and butch Demons are listed in many a monotheistic ‘Playgirl’ grimoire.

The ‘Animus’ God worshippers will duly castigate thee as being a vile pornographer, who to thence burn your ‘Anima’ conjurations upon their Inquisitional mind-control pyres of a moralistic Enartete Kunst!

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“Why would they do so?” You might ask; well, it does appear that there is an underlying sex war behind it all, due to a deified gender focus, which can be seen as being an expression of an evolutionary flux, concerning the evolution of consciousness.

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Wherefore, the rebellious focus upon the symbolic expression of the ‘Anima’ is also part of this process, which might eventually lead to a balance occurring of inner space, lucid dream conjuring.

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But this will be dependent on others observing the obviously out of balance focus upon a deified ‘Animus,’ which of a religiously hewn symbolic paradigm permeates all levels of culture, spreading world wide.

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Should you consider this analysis to be rather far fetched, all you have to do is to look at the fundamentalist scourge of the Middle East and that of home-ground to find the deified ‘Animus’ mind-sets of a shared funda-mental insanity.

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UFO VRIL GIRLS

Posted in Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 10, 2016 by FAUSTUS CROW

After WWI, of swinging twenties, and just prior to WWII there was an avid interest in far Eastern mystical disciplines, which was especially the case in Vienna. Many of those who were interested in the occult lore of the far East, were inspired by the work of Helena Petrovna Blavatsky. She was a Russian emigrant to America, who soon became the Queen Bee of the New York based Theosophical Society. Her larger than life influence initiated the later Newage movement.

A number of members who belonged to the Theosophical Society believed that Edward Bulwer Lytton’s 1871 novel, Vril: The Coming Race, was literally based on fact, who sought to discover the Pellucidar realm of the subterranean super-race called the Vril-ya.

However, much of the occult lore of the far East had been misinterpreted by the European mind-set, which of a habitual perception, due to its Conquistador religious indoctrination, has forgotten how to dream as a Horned Shaman. It is the Horned Shaman who knows the ‘Seventh’ Seal secret of the ‘X’ Rune of Gebo.

The ‘X’ Rune of Crossed-Key ‘Crossbones’ represents ‘Trance,’ of the little death ingress into the dream, whose inner light illuminates your ‘Skull.’ The key-secret of the ‘X’ Rune had been forgotten due to the ascendancy of the Church of Rome, which had nigh eradicated shamanistic practices across Europe, of a prior holocaust of Witch burning genocide.

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Your pagan ancestors fought back; but the Christian holocaust lasted for at least 500 yrs of inquisitional terror. Wherefore, the elder understanding was lost. Hence the underworld of Agharti, and the realm of Shamballa, which had been tied in with the Vril-ya, was misinterpreted by Conquistador Christian’s as being actual geographic locales. This has led to a number of Indiana Jones conspiracy theories, woven by Christian researchers, concerning the Nazi party attempting to discover their temporal reality, which is said to have been inspired by Blavatsky’s metaphysical theories concerning eugenic root-races preying on one another.

The truth of the matter was that the Nazi’s were aided and abetted in their eugenic agenda by the American eugenics movement. Eugenics was practiced in the United States many years before the eugenics programs in Nazi Germany; the U.S. eugenics movement provided much of the information and materials for the Nazi eugenics programs to create their super-race.

Blavatsky like many another during her time were influenced by eugenics, She, and her then peers had a disdain for anything they considered to be primitive; it was the common mind-set of the time. (NOTE: The Artwork below is available as an Art print. If you are interested, Please Click the Image Link.

Blavatsky either ignored, or did not understand that the far Eastern disciplines of Tibet have their ancient roots in what she considered to be the primitive practices of Shamanism, whose orientation concerns its self with trance induction and conscious dreaming, which enables a practitioner to experience shifts of consciousness into other realities.

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AGHARTI: is associated with a shift of consciousness towards the (Cerebellum) back of the head, which of a sensation is experienced as falling into the centre of the Earth via an initial (emptiness/void) phase of an abyss or tunnel. When to consciously awaken at a destination within the dream, the practitioner experiences being in another reality. Agharti is usually associated with past ancestral memories; whether they be human or non-human.

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SHAMBALLA: is associated with a shift of consciousness above the (Cerebrum) head, where the practitioner feels as if he/she is flying up into a (emptiness/void) tunnel; when to consciously awaken at the dream destination; the practitioner will experience being in another reality, which is to do with accessing information in the future.

In many of the far Eastern disciplines and that of other shamanistic traditions there is mention of an energy, which is often described as being like liquid light or living flame, illuminating your dreams. This liquid light has many names, such as the Hindu, Prana, Chinese, Chi or Austronesian, Mana etc. The Kalahari Bushmen of South Africa call it Num, which initiates trance, they term as Kia.

In pre-WWII Vienna, it was called Odic force, which is named after the Shamanic Norse deity, known as Odin, whose name translates as Od/Light/Ecstasy/Trance – In/Master. Odin is equivalent to the ancient Greek deity called Hermes, the Roman’s knew as Mercury. The Saxon’s knew Odin as Woden, whose name lean’t its self to Wednesday. The name of Odin was originally derived from the Southern Siberian Altay name, Odqan, which means Fire King.

The Odic force is also associated with Wilhelm Reich’s Orgone energy. The term Od, gave rise to the word ‘Odd,’ which of an original meaning described an altered state of consciousness.

The word of Od, may have originated from the African root-word, ‘Odun,’ which means virtually the same as Odqan and Odin. Whereas others had utilised the term of Vril for the liquid light, which illuminates the inner reality of your dreams.

The liquid light, which illuminates your dreams is that of the Bio-Photon emission emanating from your Mitochondrial DNA. The Mitochondrial DNA is passed down from the mother to her children; wherefore the liquid light (Vril) has a female source.

This intuitive (Biospheric TV) understanding is communicated by Odqan’s female counterpart, called Yal-un eke, who is the mother of fire. As for Odin’s female counterpart, she is called Frigga, who is Goddess of the hearth, of similarity to the ancient Greek Goddess Hera. In ancient Rome she was called Diana-Lucifera, the Christian’s had transformed into their machismo Lucifer.

Diana is the Roman name for Artemis, whose twin brother is Apollo, both of whom are said to have come from the land of Hyperborea, beyond the North Wind. The ancient Greek poet Aristeas sought out Apollo, which led him as far as Mongolia. But he didn’t quite make it to the Hyperborean realm of the Altay to discover that Apollo was Odqan; whereby Artemis is Yal-un eke.

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Odqan is a term for a shaman, who has mastery over the inner fire of Yal-un eke. The Hindu’s called the female source of the inner fire, Shakti, whose myriad manifestations manifest as the Dakinis when to arouse the (fire snake) Kundalini, which arises through the seven Chakras along your spine.

The Dakinis were seen to reside within the seven (planetary spheres) Chakras as their (Endocrine System) abodes. They are often described as being faerie sorceresses, or Witches, who are associated with the dream domains of Agharti and Shamballa. The term Dakini is also given as a title to a physical woman; basically, she is a female shaman who is highly versed in Tantric magic.

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The Shakti of the Hindu, Carl Jung termed as the alchemical ‘Anima’ within the psyche of a male; whereas the female has her ‘Animus,’ which empowers her internal self-image as a Goddess.

In Tibetan (Tantric) Buddhist practice a male practitioner mediates upon an ‘Erotic’ image of a (Succubus) Dakini, in order to conjure her up within his dreams, which is an initial stage of creating a Tulpa.

The internalisation of the sexual impulse negates the terror of hypnagogic trance. The conjured Dakini then empowers the male practitioner to assume the Avatar of a particular Buddha within a (Agharti/Shamballa) lucid dream.

The Dakinis are of similarity to the Valkyries, who are the handmaidens of Odin. which leads you to the temporal (Vril/Odic force) priestesses of Odin, you can otherwise term as the Vrilerinnen. The Vrilerinnen are said to be the Tantric Kama-Sutra priestesses of the Vril society who had seductively persuaded the big-business Masons of the Thule Society to build a flying disk.

You can’t have the Vril Society without the ‘Mercurial’ trance medium, Maria Orsic, who like Blavatsky, is said to be the Queen Bee Witch of the Vril Gesellschaft. She was no doubt highly versed in arousing the Vril along her axis-mundi spinal column, which the alchemists had otherwise termed as the ‘Mercurius,’ before initiating trance ingress into the (back-of-the-head) Agharti sphere of the ‘Moon.’

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Orsic’s name is rather intriguing of nigh Catholic connotations, being that of Mary, while Orsic, means Divine Ruler, which leads you to an Aryan Mary Queen Of ‘Seventh’ Heaven, having peroxide blond hair.

It appears that someone has attempted to create a German version of Helena Petrovna Blavatsky, whose Theosophical Society has been transformed into the Vril Society of a Witches Coven.

Most of the conspiracy tales about a Nazi occult society investigating the Vril is based upon what Willy Ley said, who was a German rocket engineer. Ley had emigrated to the United States in 1937. In ‘1947,’ he published an article in the science fiction magazine, Astounding Science Fiction, entitled: ‘Pseudoscience in Naziland’. Ley related:

“The next group was literally founded upon a novel. That group which I think called itself Wahrheitsgesellschaft — Society for Truth —and which was more or less localised in Berlin, devoted its spare time looking for Vril.” 

Ley did not utilise the terminology of the Vril Gesellschaft when describing the Wahrheitsgesellschaft, which appears to be none too different to a Berlin branch of the Theosophists, whose members were, and still are intrigued by the Vril.

Maria Orsic’s modern appearance of Creepypasta design, makes her out to look almost like an Aryan Marilyn Monroe of an archetypal Venus icon, who as a White Rabbit is said to have remote-viewed a Vimana Time Machine, which is commonly described as a flying disk. Her remote-viewed Time Machine, as mentioned prior, was then financed by the Thule Society. Perhaps it was of similarity to Nikola Tesla’s anti-gravity device? Orsic is somewhat likened to the ‘feline’ Norse Witch Goddess Freyja of the inner fire, who is the dream mistress of the Valkyries.

The photographs of Maria Orsic appear to be badly photo-shopped in order to illustrate the Creepypasta viral-meme of the Vril mystique, which of design may have been subversively orchestrated in order to divert attention away from discovering the lost ancestral-self-identity of the European’s, let alone to hide right-wing Christian atrocities behind a veil of Nazi UFO-lore.

But more likely it is a further elaboration of the Nazi UFO mystique, involving interdimensional (Incubi: manifestations of the ‘Animus’) Aliens dallying with orgiastic Witches. which is a potent archetypal mix.

As you may know, one of the abilities of a Witch is that of remotely viewing the future, which could be applied to accessing information about a futuristic technology. Such a ‘Stargate’ ability would be sought out by the Military Industrial Complex, whose scientists are intrigued by ‘Vimana’ Time-Machines.

So, if Maria Orsic had actually existed, or to otherwise creatively evolve the Creepypasta, she would have probably been abducted by Operation Paperclip, to then sojourn in an Aldebaran Area 51 underworld laboratory, of a Vril Gesellschaft Dreamland; wherein she to lucid dream of remote-viewed futuristic technologies, for the Industrial Military Complex, of the Star Wars Neuordnung.

Of course whatever futuristic technological information is accessed will have to be tested in the real world, just as the Nazis did, who were at least fifty years ahead of the Allies. Whereas now, behind the scenes, the appropriated technology may be at least a hundred years or far more ahead than what is publically known about, apart from observing UFO’s hovering all over the place, piloted by Valkyries, or to otherwise crash in remote places, with the United States army ‘always’ awaiting their angelic fall.

A time travel technology would be a prerequisite for deep space travel; whereby we are very likely surrounded by our time travelling descendants, who to freely journey between alternate realities within the ‘Seventh’ dimension. In other words a time travel capable civilisation of our future descendants completely envelops your own, just as your civilisation surrounds an unknowing stone age tribe in the Amazon jungle.

Many may consider remote viewing the future to be rather implausible, since this could potentially lead to generating ‘alternate realities.’ But you will find that Nikola Tesla experienced vivid lucid dreams via which he accessed technological information, whose inventions ushered in your modern age of a Coming Race, circled around the splitting of the WWII (Atum) Atom; wherefore you are all now as the Vril-ya.

NOTE: The Chevron/Vector of an ‘Arrowhead’ design is an ancient ‘archetypal symbol,’ which stirs the subconscious mind; wherefore, it is nigh instantaneously understood by many, as to what it is communicating without words. Hence its utilisation by NASA and other space agencies, along with its usage in Star Trek, whose technology may have already been attained in secret, let alone to be getting ever closer; that’s if we don’t destroy ourselves first, of a religiously ‘programmed’ suicidal-impulse, which is that of a self-fulfilling prophecy End Of Days!

 

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SKULL AND CROSSBONES SOCIETY OF THE SEVENTH RUNE

Posted in Chaos Magic, Conspiracy Theory, Occultism, Sex Magic, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 30, 2015 by FAUSTUS CROW

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The symbol of the Skull and Crossbones conjures up images of Caribbean Pirates hunting the ‘seven’ seas for plunder, just like their Viking and Saxon forebears, seeking out buried treasure to unearth of daring X-File adventure, let alone that of horned carousing with buxom wenches amidst X-certificate taverns, when to have robbed Conquistador Rome of its Amerindian gold.

But the symbol of the Skull and Crossbones and the associated symbolism of the crossed keys is also utilised by shadowy others, who have acquired the skull of a legendary Apache warrior to place upon an ‘X,’ of genocide marking out their slaughtering dominance over the land of buried native bones.

Since the times of the cross keyed Conquistadors the Apache have fought for their land; the most famous Apache is Geronimo, (June 1829 – February 17, 1909) who was a prominent leader of the Bedonkohe Apache. He made war against the might of Mexico, as well as Arizona’s expansionism into Apache tribal lands for several decades during the Apache Wars. The name of Geronimo was given to him during a battle with Mexican soldiers; whereas Geronimo’s Chiricahua name is often rendered in English as Goyathlay or Goyahkla.

Geronimo has since become inextricably linked with the Skull and Crossbones Society at Yale university, which is one of the most elitist secret societies in America, whose society has set up presidents and other powerful figures, such as presidents George W. Bush and his father, George H. W. Bush, as well as Massachusetts Sen. John Kerry and many other men in powerful government and industry positions, who are all members of the society.

Geronimo, died in 1909 after two decades being a prisoner of war at Fort Sill, Okla, where he met his eventual demise. Nine years after Geronimo’s death, Skull and Crossbones members who had been stationed at the army outpost dug up the Geronimo’s grave and stole his skull, including other remains and personal relics. They then took the skull of Geronimo as a trophy for the society’s clubhouse situated in the Skull and Bones Tomb at Yale.

Legend also has it that the grave-robbers included Prescott Bush, father of George H.W. and grandfather of George W.

On the hundredth anniversary of Geronimo’s passing, the descendants of  Geronio sued the Skull and Crossbones Society at Yale University for the return of his remains. Geronimo’s great-grandson Harlyn Geronimo said his family strongly believes that Skull and Crossbones members had stolen his ancestor’s remains in 1918 from a burial plot in Fort Sill, Okla, to keep in its New Haven clubhouse when WWI came to an end.

“I want them to understand we mean business,” said Harlyn Geronimo, who lives in New Mexico. “We’re very serious. We’re tired of waiting and we’re coming after them.”

The lawsuit also named President Barack Obama, Defence Secretary Robert Gates and Army Secretary Pete Geren as defendants.

“I believe strongly from my heart that his spirit was never released,” Harlyn Geronimo said.

Others believe that the grave-robbing is just a conspiracy myth, a mere hoax perpetuated by Yale viral-meme Creepypasta merchants; but if it is a myth, it indicates total disrespect meted out to the indigenous peoples. However, it has gained some validity with the discovery of a letter from a club member who described the theft, just as the US practice of eugenics, which inspired the right-wing Christian Nazis has been revealed to be all too true.

There is a letter, which was sent to F. Trubee Davison by Winter Mead, who said that Geronimo’s skull and other remains were taken from the leader’s burial site, along with several pieces of tack for a horse.

“The skull of the worthy Geronimo the Terrible, exhumed from its tomb at Fort Sill by your club and Knight Haffuer, is now safe inside the T — together with is well worn femurs, bit and saddle horn,” Mead wrote.

The controversy doesn’t end there, the United States military used the code name of Geronimo for the raid, which supposedly killed the al-Qaida leader Osama bin Laden in 2011; but its use outraged the Native Americans. It was subsequently referred to as, Operation Neptune’s Spear. Harlyn, said to the Senate Commission on Indian Affairs:

“Use of ‘Geronimo’ in the raid that killed Bin Laden either was an outrageous insult or mistake. And it is clear from the military records released that the name Geronimo was used at times by military personnel involved for both the military operation and for Osama Bin Laden himself.”

The choice of evocative names is never a mistake, including the usage of certain symbols, such as the Skull and Crossbones, nor the acquisition of Geronimo’s skull, but how the symbolism is interpreted is another matter.

The symbol of the Skull and Crossbones is said to have originated from the symbolism of the Danse Macabre, which is an artistic genre of late-medieval allegory on the universality of death; no matter one’s station in life, the dance of death unites all.

The Crossbones is also associated with the symbolism of the ‘crossed keys’ of ecclesiastical heraldry, papal coats of arms (those of individual popes) and those of the Holy See and Vatican City State. All of which include an image of crossed keys representing the metaphorical keys of the office of Saint Peter, the keys of heaven, or the keys of the kingdom of Heaven, according to the Roman Catholic teaching of the Conquistadors.

The Danse Macabre originally alluded to the trance-dance, the experience of trance was seen as the little death, which allowed conscious ingress into the land of the dead, symbolised as the skull. The crossbones refers to a Norse/Saxon Rune, being the ‘seventh’ Rune of (Gyfu) Gebo, which looks like an, ‘X.’

There are twenty-four Norse Runes, which are of similarity to the Runes of the Saxon’s and the Olkhon Runes of Siberia. These Runes were seen to be etched along the shaft of a spear (trisula) called Gungnir, which was wielded by the Norse shamanic deity named Odin, the Saxon’s knew as Woden, who wore a patch over one eye.

The seventh Rune of Gebo means, self sacrifice; for you sacrifice yourself when accessing trance. As you access trance, you will experience great terror, since your body will instinctively react that it is dying. The terror of trance was negated by introverting the sexual impulse.

A heterosexual male practitioner would focus upon contacting a female (Valkyrie/Succubus) spirit, so that the terror was transformed into an ecstatic (heavenly) union; wherefore the seventh Rune is also commonly associated with sex magic. The crossed keys being phallic of symbolism, whereas the lock represents the ‘Vesica-Pisces’ vaginal doorway into heaven.

The seventh Rune of Gebo, equates with the English letter of ‘G,’ which is also utilised in Freemasonry. The Skull and Crossbones Society uses the numbers 322 in league with its Skull and Crossbones, which on a mundane level refers to the demise of Aristotle in 322 BC. Aristotle placed great emphasis upon politics, in which he expounded his view on the naturalness of the city and his claim that man is a political animal by nature, as for woman, she knows how to ride the Alpha-male beast.

At another level, when you employ numerology, 322 is reduced down to the single digit of seven, which again refers to the seventh Rune of Gebo. It is commonly believed that the Skull and Crossbones had developed into its familiar form by the 15th century; however, the seventh ‘X’ Rune of Gebo indicates that it is far older.

The Skull and Crossbones is often used in military flags or insignia, expressing the recklessness or ferocity of a unit displaying it; this recklessness actually alludes to the ecstatic fury of trance, which is that of self-sacrifice upon the battlefield of life; whereupon you have the association with Geronimo who was a fearsome Apache warrior, whose people knew all about the power of trance, when the inner fire illuminates your skull.

Since at least the 15th century the Skull and Crossbones becomes associated with piracy, which is especially the case during the 18th century, whose Pirates, when displaying the flag were indicating they bore no allegiance to any country and ruling elite.

Unlike many of the monarchy ridden Western societies at the time, most Caribbean Pirate crews of European descent operated as limited democracies. Pirate communities were the first to instate a system of checks and balances similar to the democratic system, which is supposedly used by the present-day United States and many other countries. The first record of such a government aboard a Pirate sloop dates back to the 17th century, some would construe it as being a form of Freemasonry.

Pirates were operating in Connecticut during the 18th century, sailing through Long Island Sound who were supposedly burying their treasure all over the place. Pirates were welcomed in Connecticut, they were not feared by the merchants of the shoreline communities, such as New London and New Haven. The seamen who became known as Pirates were generally considered to be black-market traders, whose practice was seen to be a necessary evil by the local economy due to British trade restrictions, which the colonists believed to be unfair.

It is very unlikely that the Skull and Crossbones members are into the covered associations concerning the employed symbolism, apart from being aware of Aristotle’s demise to remember; for he is an influential spectre of an elitist Yale of a Hogwarts. Like most rich kids, they take the utter total piss. All you have to do is to look at Francis Dashwood wannabe David Cameron getting bestial fresh with a Pig, snorting cocaine and smoking pot, of Hell Fire Club University shenanigans, who then sees it as his holier than thou duty to make the rich even richer, at the expense of the poor. Well, what do you expect, his family fortune was originally derived from owning, buying and selling slaves.

Little wonder then that many people see pirates as folk heroes, whether fictional or real; since the Pirates rebelled against the ancestors of these bloated hypocrites, who have inherited their inbred family-blood money and a passed down feudal influence, of an illusory construct of gangster power, which would no doubt aggravate Aristotle’s vision of a hierarchal utopia. They have no claim on being anti-establishment Pirates just as the so called Bohemian’s of Bohemian Grove are not, and never were Bohemian, let alone being David Icke’s reptilians; they are just inane gangsters.

The situation concerning Geronimo’s stolen skull is a Puritan continuance of their founding father’s perceived superiority over the stolen land, which was and still is seen to be their new Israel.

The unseen conspiracy is that so many have been indoctrinated into the ancestral-self-identity of the Hebrew’s, which of a religious construct had been appropriated by Rome’s Empire.

So, if you are into a triad of secret societies to unearth of an Illuminati three faced deity, look to every big-business synagogue, church and mosque of a trinity, whose rabbis, priests and mullahs dance a triangle around their tax-exempt eye of Abraham atop of a petrodollar Ur ziggurat, situated in oily Iraq.

Their establishments have been around for a very long time, and all three work to a shared script, from which they do not Banker deviate of an endgame New World Order theocracy, and what is more, their numerous minions blindly perpetuate it down the generations, without even realising what they are doing.

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Should you singular-eye seer the truth of it, you may just then decide to become an anti-establishment Bohemian Pirate, wearing an Odinic eye patch, to start up your own Brethren Of The Coast society, honouring Geronimo’s sacrifice; at least you will be a real Pirate wielding Neptune’s spear, to otherwise name Gungnir!

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GHOST GIRLS OF EASTERN EUROPEAN SHAMANISM

Posted in Alien, Chaos Magic, Demon, Demonology, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 31, 2015 by FAUSTUS CROW

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Rusalki, ‘plural: Rusalka was perceived as a female Ghost, Water Nymph, Succubus or Mermaid of an Inorganic Feminine Intelligence, who often dwelled in a waterway.

According to most pre-Christian Slavic traditions of Eastern Europe, the Rusalki ghost girls were usually seen as being of an amphibious nature, which indicates reptilian characteristics.

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The Rusalki ghost girls primarily live at the bottom of torque whirlpools, which is somewhat reminiscent of what the Yaqui Sorcerer called Don Juan told the author Carlos Castaneda about the Inorganic Feminine Intelligence called the Allies, which also frequents whirlpools.

A salacious Rusalka was seen to stalk the depths of the humid night as a ghost, walking upon the river bank naked or to dance amidst the meadows sky-clad. Should a Rusalka see a handsome male, she would mercilessly hunt him down, fascinating her quarry with erotic songs filling his head.

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He would also be tormented by visions of the Rusalka ghost girl sensually dancing before him, so that to mesmerise her prey, leading him away towards the river floor, to live with her; that, or she to haunt his watery astral dreams wherever he goes, such as haunting Faustus Crow as Mephistophina.

There are are also Russian folktales concerning the Rusalki, which have parallels with the Germanic Nix, Irish Banshee and the Glaistig; but most especially in regards to the Hindu/Tantric female faerie sorceresses called Dakini’s, who are also known by the Tibetan Buddhist as Khadomah.

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Visual descriptions of the Rusalki reflect their environment, varying in form from region to region, wherein to find Rusalki of fertile areas such as in Belorussia manifesting as seductively beautiful naked maidens who live without men amidst them.

However, In Greater Russia, whose environment is much harsher, the Rusalki appear as lithe gymnastic Scythian Amazons of warrior predilection. But then, they are a fusion between the Valkyries of the (Rus) Vikings and the female spirits of Slavic elder lore.

While in the Ukraine they were often linked to water. In Northern Russia, the Rusalki manifest as hideous hags, who are very hairy wild-women; whereas others of this region describe the Rusalki as being sinfully wicked young ghost girls, who manifest as very attractive Ice maidens of carnally perverse wanton wiles, with wild dishevelled hair.

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One folklorist discovered tales, which described the Rusalki ghost girls as being similar to Vampires: “They were naked, wan, and cadaverous, like drowned corpses, and their eyes shone with evil green fire.” (Johnson, Kenneth. Slavic Sorcery: Shamanic Journey of Initiation. St. Paul, MN: Llewellyn Publications, 1998: page: 155)

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The Vampire aspect of the Rusalki ghost girls is very much like the nature of the Viking (Rus) Valkyries who, as death angels, are attracted to conflict; they can either protect a warrior from harm, or determine his fate in battle.

The Rusalki ghost girls are usually perceived as beautiful fish-women or as Mermaids who are commonly portrayed in Slavic folk-art and fairytales as stunningly seductive creatures, whose beauty is unrivalled by any mortal woman.

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Another folklorist related: “In her outward appearance, the Rusalka matched the natural beauty amid which she lived. Her fair tresses flowing in an eddying endless stream, her fine features framing her fathomless eyes; simply to see her was to ache with desire.” (Phillips, Charles. “Spirit Masters and Little Demons.” Forests of the Vampire: Slavic Myth. Myth and Mankind Ser. Amsterdam: Time-Life Books, 1999: pages: 58-77.)

While other informants describe the Rusalki as: “their faces are pale like the moon, and they wear robes of mist or green leaves, or perhaps a white robe without a belt. Their hair is green, or brown, decorated with flowers” (Johnson 155). The ethereal beauty of the Rusalki can only be tarnished by the windows to their inner beings, which are as their spiral eyes, of gold flecked green flame, telling of their tragic beginnings.

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The Rusalki ghost girls are most commonly perceived to be the spirits of young women who have met their dire fate by drowning in deep waters, whether by accident, suicide or by malicious intent, or to have been murdered by their own mothers. However, the motif of ‘drowning’ may actually allude to trance Induction of which the feminine is most adept at. The Rusalki have since been transformed into aliens emanating from another dimension, or to have otherwise descended from the starry ocean of the cosmos as blond haired Vril Angels, who are mistakenly described as being Nordics extraterrestrials. But then as Tesla Muses, they did beat the Operation Paperclip ‘Nazi Assisted Space Agency’ to get into space.

“Belief in them is most widely spread among the Russian’s (the Christian practitioners of Dvoeverie), who hold that they are children who have died un-baptised, or have been drowned or suffocated, or else that they are girls and young wives who have met an unnatural death, or have been cursed by their parents” (Máchel, Jan. “Slavic Mythology” The Mythology of All Races. Vol. 3. Celtic & Slavic. Eds. Louis Herbert Gray and Consult. Ed. George Foot Moore. Boston: Marshall Jones Co., 1916: 13 vols: pages: 214-312.)

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These ghosts of drowned girls are perceived to spend some time in a purgatorial limbo state before becoming a Rusalki, as if to allude to an Initiatory period of training. During this time of Initiation the young Rusalki are known by the Russian as a Navki, or in Polish as Látawci Navki who are reputed to appear in the form of birds, which cry out wailing cries like forlorn infants. The Navki continuously comb the countryside in search of their former mothers, who would be quite shocked by what their daughters are becoming of a Pussy-Riot rebel generation. But what do you expect; there be a commonality of Playgirl Grimoires listing butch ‘Animus’ Angels and Demons; whereas Playboy Grimoires are not to be found of conjuring the ‘Anima’ manifestations of the Succubae Rusalka, such as the one time Succubus, named Astarte, who be otherwise known as Astaroth.

The young Navki ghost girls are usually seen to be rejected by the mother Church of Rome, whose patriarchs greatly fear them with deep dread, due to their malign reputation of jealously attacking those Christian women who are said to be close to the time of childbirth. Although this has more to do with attempting to stop a child from being brainwashed into the appropriated ancestral-self-identity of another people, whose cultural construct of a Abrahamic religion had been stolen by Rome.

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The initiatory period of wandering for these angry ghosts of the Navki lasts for seven long years, which seems to indicate an elder tradition of training young girls by some form of ancient matriarchal religion. The chosen girls were no doubt highly adept at trance (drowning) induction, who left their natural mothers in order to be trained. However, those of a Christian disposition perceive the Navki as begging anyone of the Abrahamic monotheist faiths, who will listen to their sad ghost tale, to baptize them. But if the Navki cannot find a Christian cultist to take pity on their wailing voices, to utter Biblical prayers, they are doomed to spend the rest of their days as Pagan (Succubae) Rusalki. As rebellious Pussy-Riot Rusalki, their predatory nature is to seek out Alpha males with one time Order Of The Dracul fast horses to that of Illuminati sports cars, both of which denote big Vatican wallets to suck dry.

It is those quiet spots out of the way ‘power-places’ along woodland brooks and rivers where the Rusalki are seen to live, who also deeply dwell within the bottom of still lakes and ponds, or under the continual turbulence of sharp rapids. There are certain times under stars, revolving as a Zodiac clock, when they eventually emerge from out of their underwater world. The Rusalki are then found to be sitting upon their shores near ‘spiral’ engraved standing stones. Or to be otherwise found perching within sanctified ritual world-trees of prayer offerings, wearing nothing but feathered cloaks, where the Rusalki attempt to, “attract young people by imitating the crying of infants or laughing, giggling, and clapping their hands.” (Máchel: 253).

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Many of the Eastern European folk stories describe the Rusalki realm of their underwater Harem abode as, “a place of entrancing beauty, its vast marbled chambers hung with crystal chandeliers, its walls and floors set with gold and precious stones.” (Phillips, Charles. “Spirit Masters and Little Demons.” Forests of the Vampire: Slavic Myth. Myth and Mankind Ser. Amsterdam: Time-Life Books, 1999: pages: 58-77.)

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But as beautiful as these underwater dream Harems of trance realm be, the amphibious Rusalki between and betwixt realities yearn to return to the land when summer approaches whereby, “the waters are warmed by the rays of the life-giving light, they have to return to the trees, the houses of the dead.” (Johnson: 155).

The Rusalki ghost girls were believed to be at their most sexually dangerous during the Rusalye, Rusaliia ‘Rusalki Week’ of early June for at this time, they to have left their watery uterine depths so that to seductively swing upon branches of sacred Birch of forest and Willow trees, near waters at night, chanting out their hypnotic Spell-formulae. The honouring of the Rusalki’s sacred tree is usually that of the Birch.

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The Slavic peoples of pre-Christian Eastern Europe used to believe that trees are highly evolved beings, which are far more connected to humans than other plants and animals. This belief is not too dissimilar to the ancient Celtic perspective of sacred trees. The Birch tree is one of the primary holy trees of the Siberian Shaman, which is perceived to be the ‘World-Tree.’ The Birch tree, in particular, is seen as being, “the locus for the coming together of the living and the dead, the communion of animal, plant and human life.” (Hubbs, Joanna. Mother Russia: The Feminine Myth in Russian Culture. Bloomington: Indiana UP, 1988: page: 33).

During Rusalki Week of partying, Birch Trees are usually decorated with flowers and other offerings such as prayer bundles, where they stand naturally, or branches of the tree may be brought into the home to be made into birch-garlands. Other village communities have been known to send young men into their local forest to fell a Birch, “which the girls dressed in women’s robes decorated with bright ribbons and pieces of cloth.” (Johnson: 157).

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The Birch tree was then duly carried into the village, while songs were sung over it and the arrival of the Birch into the village was heralded by a ritual meal. This sacred effigy of the Birch was then erected in a specially made ritual house at the centre of the village, where she presided over the week’s festivities as a deity. This ritual is reminiscent of another Russian deity and powerful Sorceress called Baba-Yaga of a similar type to that of the Scottish Highlands, Cailleacch Bheur, whose nature is akin to Hindu Kali who lives in a ‘hut’, which stands on Bird legs amidst a Birch tree forest; whereby the Rusalki are as her faerie sorceresses.

Swimming during this week was strictly forbidden especially to for pubescent young girls and boys just entering maturity, lest Mermaids would drag the girls down to the river floor to make like themselves; while the boys are seduced by wet dream torments. Some folklorists have noted that the word Rusalka originally referred to the dances of girls at Whitsuntide. The word is conjectured to have been derived from the Greek, and that of ‘Rosalia’, the Latin term for Whitsuntide week, which originally meant ‘the festival of Roses’.

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The Rusalki ghost girls are seen to spend their time combing their long luxurious braided hair, where their power to be, playing amongst themselves, dancing circles to lure female seekers to their little deaths, drowning into trance so that to initiate them into their arcane pre-Christian mysteries, while the men they to seduce.

The Rusalki are also known for being spinners of webs, who hang the results of their labours within sacred trees, or to draw spirals upon banks near flowing waters, where anyone passing should be wary of stepping upon. The Rusalki are also known for being the spinners of ‘time’ and that of your fate, who possess the power to affect the lives of local inhabitants, they, “decided who died and who would be reborn, who prospered and who perished, who married and who would be barren.” (Hubbs: 33).

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The Amphibious natured Navki and Rusalki ghost girls are in essence a folktale memory of ancient priestesses of a matriarchal Religion, who were adept at trance (drowning) Induction. The Rusalki were very likely female Shamans due to their close proximity with other North-Central Asian Shamanistic traditions such as those found in Siberia. The coming of Christianity could not handle the elder focus upon a ‘feminine Inorganic Intelligence;’ but most especially in regards to the predatory sexual orientation of an alternate Grimoire listing Succubae, which made the Christian priests to go around Cross-legged, fearing that their manhood would be enticed into a deep moist Slavic maw, forever hungering of an all female Goetia.

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