Archive for Dadaism

SUCCUBUS SCHOOL OF LILITH’S HAREM

Posted in Art, Chaos Magic, Comics, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 26, 2015 by FAUSTUS CROW

Within the astral domain of the dream the Succubus school of St Lilith’s can be found, when to become lucid of awareness; wherein a dreaming sorcerer can thence conjure up an Owl eyed Succubus schoolgirl from out of her hierarchal planetary abode of a Harem school, as his Genie. (CLICK On The Images To See The Full Artwork.)

St Lilith’s is none too dissimilar to Hogwarts merged with St Trinian’s; more so that of St Trinian’s, which is an anarchist boarding school for wayward lost girls, whose archetypal creation was conjured up by the English cartoonist Ronald Searle. St Trinian’s later became the subject of a popular series of comedy films of a mass-mind focus.

The first St Trinian’s cartoon appeared in 1941, but shortly afterwards Searle had to fulfil his military service.

He was later captured by the Japanese, when Singapore fell and spent the rest of WWII as a prisoner of war where he endured various horrors in the jungle.

After the war, during 1946, Searle started creating new cartoons about his St Trinian Muses, but the content of his cartoons was far darker in comparison than those previous to his experience of war.

St Trinian’s is essentially the antithesis of the Enid Blyton or Angela Brazil–type posh girls’ boarding school, which of a quaint mind-set swept the horror of war under the carpet.

Like the Dadaist Succubae schoolgirls of surrealist St Lilith’s, the female pupils of Searle’s St Trinian’s are wild and most wanton, who are often well armed with their elemental weaponry, where the currents of Chaos magic is rife.

The St Trinian schoolmistresses are also disreputable, who are otherwise depicted as salacious Nightgaunt Nuns in St Lilith’s, of whom H.P Lovecraft spoke of tickling his midriff; although his puritanical fear of sex, had transformed their planetary sphere visitations into nightmares, he never learnt to ride as his Chakra Mares of the Night.

Searle’s politically incorrect St Trinian cartoons often showed the exquisite corpses of girls who had been transformed into Voodoo dolls, stabbed with pitchforks or had otherwise succumbed to violent team sports, which is of similarity to St Lilith’s Rollerball Quidditch matches.

The Succubae schoolgirls battle with one another in order to hone their Witchery, so that they can be immortalised as two-dimensional illustrations within a sorcerers grimoire, out of which they are then conjured into three-dimensional reality, within a lucid dream.

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The fallen schoolgirls of St Trinian’s sometimes had vultures circling over their exquisite corpses scattering the surrealist battlefield around Searle’s wounded memories of war; who, like knitted together Frankentein Tulpa Ghost-Girls, returned of haunting, drinking, gambling and smoking like Valkyries in their all girl version of a hallucinogenic Valhalla.

It is reputed that the now iconic gymslip style of dress worn by the St Trinian girls was closely modelled upon the uniform of the school that Searle’s daughter Kate attended, being JAGS in Dulwich. The films, which ushered St Trinian’s into the collective unconscious as an archetype implied that the girls were the daughters of underworld gangsters.

The father’s of the St Trinian girls are depicted as crooks, shady bookmakers, and other streetwise types; while their institution is often referred to as a female borstal.

Whereas, the Succubae schoolgirls of infernal St Lilith’s are the salacious Genie daughters of the patriarchal Goetic Daemons, you to find of a common ‘Animus’ fixation.

(Although crafty Sorcerers assume the guises of the raging Buddha male Daemons as their magical personas, and each magical persona of a raging Buddha Avatar is empowered by a corresponding schoolgirl Dakini. It is well known that women have a preference for Fifty Shades Of Grey Bad-Boys, and it is likewise the case with the archetypal Succubus fluctuations of the ‘Anima.’)

But the daughters are truly of the fallen, who have been castigated out of the grimoire picture; wherefore, the real Necronomicon lists them as being the ‘Great Old Ones,’ no one really talks about of Entartete Kunst ‘Anima’ fluctuations, since they are far too politically incorrect of the very risqué.

If you are interested, you can indulge in betting upon a Succubus Schoolgirl Witch Fighter in a FLASH GAME: CLICK HERE.

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BLACK WIDOW AVENGER PSYCHIC SPY SABNOCK

Posted in Art, Chaos Magic, Comics, Conspiracy Theory, CREATIVE WRITING, Discordianism, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 2, 2014 by FAUSTUS CROW

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The Forty-third Succubus archetype of the Fallen Anima, is called Sabnock. Other spellings of her name include, Sabnacke, Salmac or Savnok; the more feminine version of which is Sabnocki.

She is a Marchioness of the ninth planetary dimensional sphere, mighty, great and strong, who looks like Natasha Romanova, out of the grimoire comics of Marvel.

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Sabnock had originally been incarcerated into a male form by Solomon’s monotheistic minions of the deified Animus in order to bind her ‘Anima’ power.

But she eventually escaped her patriarchal prison of a deified ‘Animus’ fixation.

She then took flight into her new Genie residence within a Russian doll, which found its way to Stalingrad (now Volgograd) prior to WWII.

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It was from this Russian doll of a spirit repository, Sabnock’s Succubus influence set about influencing the dreams of those around her during the Cold War, who, as mentioned earlier, was seen to look like Natasha Romanova out of the capitalist Marvel comics, of which many of the KGB personnel secretly read.

This led to Sabnock being known as the, ЧЕРНАЯ ВДОВА, ‘Black Widow,’ who of secretive whispers among the KGB became a most sensual shadow Muse of Russian psychic agents.

She informed the Russian psychic agents in the spy craft of remote-viewing, psychic martial arts, and dream assassination, which of dark psychic warfare teachings she communicated in depth, via those erotic dreams she induced.

When a male practitioner was visited by this fellatio loving Succubus, her hungry kiss was termed by the Russian operatives as the electrifying, ВДОВЫ УКУС, ‘Widow’s Bite.’

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Her look is very feline, like that of a Lioness, who of visionary manifestation amidst the Triangle Of Art imagination initially wore a tight clinging evening dress and a veil, but symbolic fashions do change.

In response to growing intelligence claims, that the Soviet program had produced results in the arena of psychic warfare, via their conjuration of a Fallen Anima archetype of a Succubus, the American’s reacted.

Even though it sounded absolutely crazy, the American’s decided they had to rapidly nip it in the bud. The U.S. wanted her Black Widow beauty for their own Psychic Avengers.

Sabnock was eventually appropriated by the U.S., when her spirit repository of a puzzle doll was secretly smuggled out of Soviet Russia by sea, within a small statue of a pale silver Pegasus by United States intelligence operatives.

The American’s believed that the Soviet Union was spending 60 million rubles annually on ‘psychotronic’ research, which was based upon Sabnock’s dream revelations.

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After appropriating Sabnock the CIA Avengers initiated funding for a new program: SCANSUC (Scan by Succubus) in 1970, which had been inspired by Sabnock’s dream communications.

Remote viewing research began in 1972 at the Stanford Research Institute (SRI) in Menlo Park, California.

Although she initially missed her Baba Yaga homeland of the Russian Bear.

Proponents of the research said that a minimum accuracy rate of 65% required by the intelligence clients was consistently exceeded in the later experiments, when the operatives had erotically interacted with Sabnock within their lucid dreams as a very hot Marvel superheroine.

The shocking details concerning the erotic empowerment of the operatives remote viewing lucid dreams was of course covered up.

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During 1977, the Army Assistant Chief of Staff for Intelligence (ACSI) Systems Exploitation Detachment (SED) started the GONDOLA WISH program to ‘evaluate potential adversary applications of Sabnock’s communicated remote viewing techniques, which of Genie practicality, required that she rode the Gondola erections of the operatives.’

Army Intelligence then formalized this in mid-1978 as an operational program GRILL FLAME, since Sabnock is a really hot Succubus.

It was based in buildings 2560 and 2561 at Fort Meade, MD as INSCOM Detachment ‘G,’ which of a letter is used in Freemasonry. (The letter G refers to the seventh Gebo Rune, looking like an X of Crossbones, which represents hypnagogic trance. The experience of hypnagogic trance is known as the little death, wherefore you have the Skull.) 

In early 1979 the Sabnock research at SRI was integrated into GRILL FLAME, which was re-designated INSCOM CENTER LANE Project (ICLP) in 1983.

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During 1984 the existence of the Sabnock program was reported by Jack Anderson; a similar situation had previously manifested in Budapest.

This had occurred when an an unimaginative Soviet bureaucrat out of a Kafka novel, reported about the blacker than black psychotronic research to his superiors. However, bureaucrat Anderson was thankfully unaware of Sabnock’s salacious Succubus influence; although in that year his report was unfavourably received by the National Academy of Sciences National Research Council.

 

In late 1985 the army funding was terminated. But the program was re-designated SUN STREAK and funded by the Defence Intelligence Agency Scientific and Technical Intelligence Directorate (office code DT-S).

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In 1991 most of the contracting for the Sabnock program was transferred from SRI to SAIC, with Edwin May controlling 70% of the contractor funds and 85% of the data.

Its security was altered from Special Access Program (SAP) to Limited Dissemination (LIMDIS), and it was given the name STAR GATE.

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Both of these names, Sun-Streak and Star-Gate refer to the bio-photon emanating from the mitochondrial DNA, which illuminates your electron dreams.

In 1995, the defence appropriations bill directed that the program be transferred from DIA to CIA oversight.

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The CIA commissioned a report by American Institutes for Research found that remote viewing had not been proved to work by a psychic mechanism, and said it had not been used operationally.

The CIA subsequently cancelled and declassified the program so that it could continue underground.

This was more so the case since the operatives were conjuring up Sabnock to look like Scarlett Johansson wearing a spray-on superheroine costume, who took to her Genie residence within their Marvel meditation tool dolls, which had been specially designed by DARPA.

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Sabnock’s office is to build labyrinthine mind maps of ‘dream Inception’ in order to protect her conjurer from the malign intent of others, which involves creating high towers, castles and cities, and-to furnish them with armour, etc.

Also, she can attack her conjurer’s enemies with her Elf shot arrows, who will for many days be afflicted with psychic wounds, opening up traumatic emotional sores, which be rotten, and full of self afflicting worm thoughts, until they change their ways. This affliction is somewhat akin to being bombarded by a microwave weapon.

She bestows most loving Succubae familiars upon her conjurer at his request. She commands 50 Legions of Succubae; and her seal of the Fallen Anima is to be meditated upon prior to conjuring her into your lucid dreams.

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Sabnock is a composite name, which is derived from the words, Sab and Nock. Sab refers to, a person engaged in direct action to prevent a targeted activity taking place, which is derived from the word ‘Sabotage.’

Wherefore Sabnock takes deliberate action, which is aimed at weakening the oppression of a polity or corporation through subversion, obstruction, disruption, or destruction.

In society, sabotage can be otherwise artistically exercised by reversing the established symbolic dialogue in order to set about causing change of a statically controlled perception, of which the Dadaist’s and associated Surrealist’s engaged in, of sabotage, as artistic saboteurs.

An example of which is sabotaging the establishments use of politically-correct Entartete Kunst mass-censorship and its corporate funded SJW agenda, which is tied up with eugenics and population control.

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It is said that the word Sabotage was originally derived from the Netherlands, now Belgium, during the 15th century, when workers threw their ‘sabots’ (wooden shoes) into the wooden gears of the textile looms to break the cogs, fearing the automated machines would render the human workers obsolete.

As for the word, ‘Nock,’ it refers to fitting an arrow to a bowstring; mentioned during the 1510’s, which symbolically alludes to an arrow of thought being set to fly by the bow of your rebellious mind.

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