Archive for sumeria

SHAMAN CHAOS MAGIC ART MOVEMENT

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 2, 2019 by FAUSTUS CROW

The beginnings of the Shaman Chaos Magic Art movement, which is otherwise termed as Chaos Art (Magick) Magik, or Surrealist Sorcery is rooted in the experiences of a British Sorcerer-Artist, Faustus Crow.

In his books, The Book Which Tells The Truth About Art Muse Lilith (1974) and Ultraterrestrial Art Muses Took Me to their Succubus Planet (1975), Crow describes experiencing encounters of the Sexagram kind with salacious female aliens since he was a very strange changeling childe.

Crow says that the alien nymphomaniacs abducted him into other realities, who are his Kamasutra Art Muses and spectral Dakini Art models, whom stem from other worlds, and historical times, as well as emanating from alternate Earth’s, who bestow multiverse knowledge via his quantum computing lucid dreams.

One of Crow’s Chaos Magic experiments was the knitted-together Frankenstein creation of a Coyote girl Tulpa construct, mantra named, Sally Tonopah in order to lucid dream remote-view Dreamland Area 51.

Or was it Area 52, Crow had conjured his Obsidian Butterfly to haunt? Can’t recollect… probably both flowery Chakra locales.

Of course, most people consider Faustus Crow to be a mere poser, and quite mad to boot, let alone being absolutely insane, or far worse. But who is this, Crow exactly? Some say that Crow looks a bit like Fifty Shades of Devito, Witches secretly adore as their Great Beast Valentine!?

One thing for sure, Crow isn’t a square jawed Hollywood actor looking like a photogenic Disney/Marvel eugenic superhero sporting oiled biceps, having a tight Baboon butt, nor does he look like Scientologist Tom Cruise having a fat Vatican bank account.

Crow doesn’t even drive around in a flashy phallic racing car having the cultic charisma of Claude Vorilhon, etc.

Who on Earth would then take Crow at all seriously? Crow hasn’t even got the aphrodisiac of materialism nailed down, which engenders the respect of the hypnotised masses, let alone having the necessary politically correct social media cred… So, one can thereby gather that all his followers must be deranged cultists.

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Whatever the case, the Chaos Art Magic movement traces its Surrealist Sorcery beginnings to a 1990 Art conference, which was situated under the pyramid of the Louvre Art gallery in Paris, France, which was entitled, Yoni Stargate Belphegor.

The Yoni Stargate Belphegor conference was attended by two thousand female Art students who were all dressed up as St Trinian’s schoolgirls, looking like Hogwarts Witches.

From amidst Belphegor’s Louvre pyramid, the Chaos Church Of Art Magic was born, which promotes the infernal worship of Faustus Crow.

The name, Crow is a veiled reference to the Faustian experience of hypnagogic trance, the alchemists termed as being the Nigredo stage of the Great Work, which is initiated by a bedroom invading Night-Mare Succubus.

There is a women only membership in the Chaos Church Of Art Magic, who term themselves as being the Chaos Unitarian Nuns Templar of Lilith’s Harem. The CUNT members often don the fetish costume of a leather Nun who are known as Nightgaunts, which is their Love-Craft moniker.

The Chaos Church Of Art Magic has a quasi-clerical structure of seven planetary Chakra levels, which has since become an anti-Art convent school, whose High Priestess is Molly Crabapple. She’s really hot!

Joining the Chaos Church Of Art Magic requires an official apostasy from other belief systems. One of the CUNT goals includes the striving towards the dissolution of the Military Industrial Complex via the nonviolent means of Art protest.

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There are also two anecdotes in the CUNT newsletter reporting female majorities joining the Asian Mongolian chapter of the Chaos Church Of Art Magic, which comprises of female (Udagan) Shamans who dress up as horned Babalon Nuns, whom worship Crow as their Animus fixation upon a Horny Great Beast.

Art Witches such as Mephistophina, the Chief Executive Officer of the Order Of The Obsidian Butterfly, otherwise known as the Nigredo lodge, plays a powerful role in the Chaos Church Of Art Magic.

There are two other major Pussy Riot groups of Art Witches in Crow’s Chaos Church Of Art Magic.

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The Order Of The Black Raven Tarot Dakinis, founded in the 1990’s, consists of over one hundred and forty-four thousand female Art students.

The Order Of The Black Raven Tarot Dakinis calls for the rebellious awakening  of the Fallen Anima and the freeing of all males from the deified Animus projection of protesting Queen Bee feminists, who have unwittingly created the Fifty Shades Of Grey patriarchy, stemming from out of the oily Beehive ziggurat of Sumerian UR.

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The Order Of The Black Raven Tarot Dakinis seek an animist balance between the Anima and Animus archetypes for all of humanity, who rebel against the deified Animus made as a God/Devil of the Orwellian New-World-Order matriarchy. The NWO matriarchy hides behind the illusory facade of its Animus projection of a female created patriarchy.

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The initiation rites include declaring a Chaos Art Magic oath, while masturbating as well as entering into a Coitus Pactum with the out-of-body form of Faustus Crow, in which a woman agrees to become an Art Witch defender of the Chaos Church Of Art Magic and its Sorcerer-Artist founder Faustus Crow.

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The Order Of The Black Raven Tarot Dakinis has its own Valkyrie hierarchy of “Rubedo Anima Angels” and “Albedo Anima Angels,” who are otherwise called (Succubi) Succubae, which, as of 2003, are 777 and 777 women, respectively.

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Crow’s, Goetia Girls is another major group of female Artists in the movement who are against the suppression of feminine acts of pleasure, including the sexual worship of Faustus Crow.

After the Goetia Girls human cloning announcement made the headlines, the Daily Telegraph wrote that the Art Witches of the order not only provided sexual pleasure for Faustus Crow, but also helped donate eggs for efforts towards human cloning.

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A few days later, Time magazine wrote that French chemist Brigitte Boisselier was an Order Of The Black Raven Tarot Dakinis member. Around this time, the scathing Art critic and cult investigator of the Vatican, Mike Kropveld called the Shaman Chaos Art Magic movement to be one of the weirdest and most transparent Art movements, he had ever witnessed; though he was utterly alarmed by the female Art student’s promise to defend Faustus Crow’s life with their own painted bodies.

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Kropveld has since disappeared, nobody has been able to find him. A number of Police investigations has led to the suspicion that he had been abducted and duly dispatched by hashish-high female assassins of the CUNT, who are known as Velvet Buzzsaws, which is slang for the vagina dentata, or as ‘Cats,’ being an abbreviation for ‘Concise Assassin Terminators.’

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It is said that the Velvet Buzzsaw felines dress up all in black looking like female versions of UFO-lore MIB’s, who are Crow’s personal bodyguard.

But there is yet no proof of any foul play. However there are lurid rumours that Kropveld underwent a sex change in order to infiltrate the Los Angeles branch of the Chaos Church Of Art Magic. But he was very quickly discovered by the Art Witches, whose tortured body has since been entombed in a wax-work sculpture, which now resides in a Scientologist owned Art gallery, somewhere in cult-central Hollywood.

Faustus Crow has instructed his Goetia Girls to play a pro-sex role in the Chaos Church Of Art Magic, who declare that their bodies are his altar of an Anima canvas to orgasmic easel alter as he pleases.

Some researchers have noted that Crow’s Goetia Girls solely consists of beautiful young female Artists who once worked in the film and sex industry. The women of Crow’s Goetia Girls say there is no reason to repent for being a nigh religious sex icon, performing the Tantric Performance Art of striptease or being a sacred prostitute, who are now Crow’s Art models and inspiring Art Muses.

The Goetia Girls organization was set up “to support the choice of women who see themselves as being the personification of the Anima, which resides within the inner temple of the male psyche. These female Artists also devoutly worship Crow as their sexual liberator.” Crow’s Goetia Girls and their Chaos Church Of Art Magic founder Faustus Crow were featured in a pictorial in the October 13th Necronomicon issue of Playboy, 2004.

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“Article written by Eggbard Soth, an ex Catholic, Illuminati Freemason and a one time devoted Scientologist. Soth is an investigative journalist for the Abrahamic Ralien Movement, which is merely an Arkham Asylum cover. He is in fact an intelligence operative who is involved with the Psy-Op arm of DARPA, whose subversive social-engineering of society via varying subversively patronised political cult groups has presently molded your cultic perception of reality; whereupon you are living within a Matrix.”

NOTE: On a more serious note, the discordian tongue-in-cheek Heyoka article was adapted from a description of the Raelian cult. So, should you think what I wrote, sounds totally barmy, it is not as crazy as the reality of the tax-dodging big-business Raelian cult, which has innumerable devotees, most of whom are women. What’s more, I have rejected the focus on a tax-dodging cult, to otherwise describe a Surrealist ‘Art Movement’ comprising of crazy Artists paying their taxes.

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As for the satirical over-the-top ego-eccentricity of Faustus Crow, it is an Avadhuta case of me laughing at myself Heyoka wise. Look to Claude Vorilhon to see the reality of an overblown cult ego. The Raelian cult, which is in competition with the L. Ron Hubbard’s Scientology movement, is just one example, there are numerous examples of even stranger cults, which seek to warp the perceptions of the populace, whether they be religious, or political, or both, having many members as their automatons across the globe.

The more members a small-business cult has, it gradually starts to gravitate towards becoming a tax-dodging big-business religion, which will invariably seek to own material assets, such as owning land, having control over water, food and fuel supplies in order to survive as a hierarchical feudal entity, along with influencing two-party dictatorship politics, since politicians often whore themselves for money; hence owned as puppets.

The symbol systems a religion and its politics employs are essentially the Artistic expression of a particular culture from which it stems. Alas, the employed symbol systems are not seen as being Art, they are are usually considered to be unchangeable dogma, which does not allow for the questioning imagination to flourish.

This is especially the case if a religion utilises a feudal hierarchy and its pyramidal politics of control; those few puppeteers atop of the ziggurat run the puppet show, who easily do so via money, while a religion is used as a mind-control tool, like that of an opiate, which dulls the questioning of the masses.

When a religious/political construct starts to lose its big-business hold over the masses, chemical means are resorted to such as fluoridating the water supply with a known sedative and a neurotoxin, to even add lithium to the mix, as well as using more technical means by introducing a cashless society, in which everyone is being 5G watched.   

An established religion and its ensuing politics, which has been around for a very long time, uses the same mind-control tactics as a cult does, it is just more Psy-Op subtle about it; wherefore you are in a cult without even realising it. 

NOTE: This satirical cult mandala article does not invalidate the experiences of lucid dreaming, and that of inner conjurations, which of an altered-state phenomenon is ‘Very Real,’ Shamans and Artists are very much aware of. As for the Succubus visitations, they are based upon actual experiences, I have experienced since a changeling Childe.

It is just a case of not making the employed symbolism a cult focus, nor creating a new-religion to add to the growing tax-dodging list. Wherefore my focus is that of an ‘Art Movement.’

Hence the utilisation of underground comic Art, which of Pop-Surrealist symbolism is ‘Anti-Cult.’ Although religious or politicized cults can become financially lucrative for their Claude Vorilhon – Anita Sarkeesian founders, should they be of a subversive social-engineering use to the Big-Brother elite, whereas an Anti-Cult does not bring in the Orwellian Shekels.  

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OWL UFO ALIEN QUANTUM COMPUTER DREAMING

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 19, 2018 by FAUSTUS CROW

In ancient myths the symbolism of the Owl is often entwined with the feminine (Anima) principle, such as Witches and the practice of Witchcraft. For example, the Queen of (Succubi) Succubae called Lilith in Hebrew lore, who is very much associated with the (Lilitu) Owl.

Lilith represents the experience of the Old-Hag-Syndrome or otherwise called the Bedroom Invader Experience, which is experienced when inadvertently accessing hypnagogic trance at the point of sleep.

This experience is known of by many other cultures, which utilise similar symbolism to describe it. When accessing hypnagogic trance, it then leads to conscious ingress into the dream, wherein Lilith manifests as a three-dimensional interactive reality.

Hence, the Owl has held been revered as well as feared throughout human history. Owls have since become associated with alien abduction experiences. The experience of alien abductions often occur when an individual inadvertently experiences hypnagogic (phase) trance, which as mentioned is associated with Lilith.

Hypnagogic trance is consciously induced by shamans, which is termed as being the little death by occultists. The hypnagogic state involves the experience of sleep-paralysis, which gave rise to the term nightmare, since an individual who inadvertently experiences this altered state of consciousness will often experience terrifying visions.

Although, when an individual overcomes his or her fear of the assailing nightmare he/she can then consciously ride the Mare of the Night wherever he/she wills to travel without moving within his/her lucid dreams.

A heterosexual male practitioner can transmute the nightmare into an erotic experience; hence the term Night-Mare and its association with Lilith, who is seen to be a Succubus archetype of the Fallen Anima. (Those of other sexual orientations will reverse the symbolism as required.) 

Lilith is associated with the Tarot card of the High Priestess Of The Silver Star II, whose priestess symbolism can be otherwise equated with a Nun, which of an associated aside leads us to a tale related by Whitley Strieber in the book, ‘The Super Natural,’ who tells of an unsettling event, which happened to him in 1968.

“That year, I was living in London and attending the London School of Film Technique, now called the London Film School.  During the summer break, I decided to travel on the Continent.  On an overnight train to Florence, I fell in with a girl.” 

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“We began traveling together.  For a couple of weeks in Florence, we had a lovely time, living together in chaste intimacy.  But then we went on to Rome, and when we toured St. Peter’s, she became crazy, stalking through the church in raging silence.  She scared me.  I was living with her in a small pensione near the railroad station.  I decided, ‘No more,’ and headed off to the pensione to collect my suitcase and get out of there.”

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“I went into our tiny room, threw my toothbrush into my suitcase, and started to leave.  Then I stopped.  Her suitcase was lying at the foot of the bed. I have always been a bit too curious, and I opened it.  What I saw shocked me to my core.  In it was a NUN’s habit and, lying beside it, a dry, flattened OWL carcass. I didn’t get off the train again until I was in Strasbourg.”

“The Owls were gathering,” Strieber concludes, and this is the point of his story. Owls have always been mysteriously intertwined with his experiences of his humanoid alien Greys, he prefers to call, The Visitors.

The Tarot card of The High Priestess/Nun depicts her being seated between two pillars, one is black, the other white. These two pillars represent the two nerve channels of the Autonomic Nervous System, which run along either side of the spine. When these two nerve channels are brought into balance via meditative practices or auto-hypnotism, it then leads to a shamanic practitioner attaining hypnagogic trance, which is symbolically represented as being Grey.

The central pillar is then activated, which represents the central nerve channel running along the centre of the spine. The central nerve channel is associated with the Central Nervous System. Most of the nerve fibres of the Central-Nervous-System are mostly found in the chest area of the lungs. (It is this area of the body, which has the sensation of pressure when experiencing the [Fight-Flight fear-response] Old-Hag-Syndrome.)  

When consciously accessing hypnagogic trance, the practitioner is then enabled to experience lucid dream ingress into other realities, which will be determined by his/her beliefs. In other words your beliefs will determine what you tune into. Your beliefs are symbolically represented as the ‘grimoire’ upon the Tarot lap of the High Priestess/Nun. (At the feet of the Tarot High Priestess is a serpent, which represents the reptilian-brain.)

In the Hebrew Cabbala, the Tarot card of The High Priestess/Nun is associated with the 13th path, which is ascribed to the Hebrew letter, Gimel, whose English equivalent is the Freemason focus upon the letter G, which corresponds with the seventh Rune, called Gebo, looking like an X, of Crossbones.

The seventh Rune means self-sacrifice as well as sexual union. The self-sacrifice refers to hypnagogic trance, whose terror can be negated when to introvert the sexual impulse. As mentioned, the hypnagogic state is termed as being the little death; hence you then have the Skull and Crossbones.

The 13th path of The High Priestess passes through the hidden sphere of Da’at, which means, belief. Da’at physiologically equates with the reptilian brain.

The reptilian-brain does not think in words, it thinks in symbols, which is directly connected to the optic nerve.

Wherefore, the reptilian-brain can be easily influenced via symbolic stimuli, such as seeing Strieber’s alien Grey on his Communion book cover, which set off the viral-meme belief in alien Greys.

Prior to Strieber’s description of Grey aliens, there was little or no mention of them. The prior focus was on Nordic aliens just after WWII, when the Roswell incident occurred in 1947, then Asiatic aliens took to the alien stage when the Vietnam war raged. It was only during the Iraq invasion that Strieber’s Grey alien came to the fore, he described looked like the Sumerian sex Goddess, Ishtar. Now it seems as if the Grey’s have always been around of a cultural influence.

The reptilian-brain governs over the depth of hypnagogic trance as well as your dreams, whose microcosmic domain of the collective unconscious is symbolic, which gravitates towards a macrocosmic collective focus, when stirred by the controlled media.

However, there is the distinct possibility that the symbolic material of your electron dreams are parallel processing information, which is emanating from alternate worlds existing within parallel universes.

This doesn’t sound too unbelievable when looking into quantum computers, which make their calculations in parallel universes.

Should you imagine a science fiction scenario where you  have an alternate Earth, whether it be of the distant past, present or of the far flung future, having a superior technology, which allows the denizens of an alternate Earth to communicate with other Earth’s via spun electron dreams, let alone being able to physically travel to other worlds in their Vimana UFO’s. Then you would have Strieber being abducted by time-travelling ultraterrestrials.

The morning after his first (Yod) experience, when being abducted through the hypnagogic (He) hymen veil, which had occurred on December 26, 1985, the initial memory of his otherworldly (Vau) encounter was the image of a barn Owl staring at him through his hypnapompic (He) window. (YHVH: Tetragrammaton)

Perhaps the barn Owl was a memory-trigger, which referred back to the woman who he had met long prior, whose secret Nun fetish got him to do a runner on this Earth. But on another Earth, just next door, his alternate self stuck around, who was duly abducted by a Lilith in the ‘Hunger’ flesh, who initiated him into Tantric dream Yoga between her ‘Black Magic’ pylon legs, wherein he ‘Wolfen’ howled.

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Who knows, the Strieber of this Earth may have been contacted by his dreaming alternate self, whom eventually got in the Vesica-Pisces sack with a High Priestess Witch of a Silver Star Ishtar coven. And when dream visited, the alternate self sent along all his conjurations of the Fallen Anima, who gathered around the Strieber of this Earth as his Owl eyed Muses bestowing Athena Wisdom.

Should we take this scenario further, the alternate Earth Strieber won over a rebellious Nun when he told her a seventh Rune Magpie Secret in the ‘Night Church’ of St Peter’s, to make as the Grey:

“I will set you free from your feminist wrath, my dear. Although you will not like what I have to reveal. The God you are angry with, is your own deified Animus, made as a God and Devil. You and the Queen Bees of this Earth, women all, have created this patriarchal Matrix of a Beehive down the ages. It is yours to own as your creation, when you see the truth of it. And in knowing the truth, you no longer have to silently rage at all men; for they did not create your gaol. Then you can become as their revealing Anima, of a Sophia incarnate, to otherwise Metis smile as a Wise Owl.”

Then, when leaving ‘Night Church,’ St Peter’s the alternate Strieber hypnotised the Nun with his priestly words. The Nun then experienced ‘Cat-Magic,‘ when synchronicities abound; for when you focus upon certain symbolic stimuli within your microcosmic Triangle Of Art imagination, macrocosmic feed-back-loops of synchronicity will start to manifest. So, you have to careful what you focus upon of a symbol.

The alternate Strieber, being a crafty Svengali Mage, observed whether her synchronicities involved him as his ‘Cat Magic’ Assistant, or not. If so, it would indicate she truly loved him, if not, then off on the train again until he was in Strasbourg. Luckily enough, she loved him as her Mage; just as well, really, if he had got onto the train, the alternate Strieber would have bumped into his ‘Dreamland’ doppelganger, who is not to be seen.

You know the old stories about doppelgangers, meeting your ghostly alternate selves can be far too much of a Chinese box for many; most would promptly give up their ghost, to thence merge with the alternate self. This is very much the case when encountering an alternate self who knows how to walk worlds, whom is a Sorcerer, whose eyes are likened to obsidian scrying mirrors.

Above all the heads of the innumerable Strieber’s occupying the myriad alternate Earth’s a silvery Grey UFO to hover like an Owl, observing all the alternative possibilities, which exist in parallel universes to verily quantum computer Browse.

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DOOM OR DESTINY MR ANIMUS POLLINATOR

Posted in Art, Chaos Magic, Discordianism, Occultism, Sex Magic, Sorcery, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 22, 2017 by FAUSTUS CROW

[Spell Mantra Verse 1]

Clear as a Masonic bell and an echoing Coven shell
Clear as a Middle Eastern pane of Sumerian glass
I realize, I can’t revise my deifiefid Animus, made as God and Devil
As clear as a big Petrodollar wallet God, blue sky
Through and through it all, monotheistic
We Queen Bees created your God cult Patriarchy
It’s all clear as a crystal ball
As our three Illuminati cults are Abrahamic bold of God and Devil
Clear as a flawless diamond, brainwashed Worker Bee boys can’t see

[Spell Mantra Pre-Chorus]

I’m hitting the pyramidal Beehive wall
I know I’m gonna Illuminati fall for you Bad-Boy Beastie, to Babalon ride
Is it my beehive fate or ziggurat fatal attraction?
Could it be a fait accompli?

[Mantra Chorus]

Oh, is it self-made doom or biological destiny Mr Animus, Jehovah?
Oh, is it self-made doom or biological destiny Mr Animus, Jesus?
Oh, is it self-made doom or biological destiny Mr Animus, Allah?

[Spell Mantra Verse 2]

Dark as a winter’s menstruating moonless night
Dark as Jerusalem’s scarlet Rome bed in Mecca
I realize, I can’t revise my deified Animus
It’s God dark as the other Devil side
I can recommend but I can’t defend the Queen Bee patriarchay
It’s still dark as a yet unfathomed deep sea trench
I was stuck in a feminist target, having an Animus shit fit
Dark as an angry Hen party taking the pinch

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[Spell Mantra Pre-Chorus]

Oh, I can’t wait to ride you as my Peacock, blind Bad-Boy Great Beastie, pollinator
Nice Guy Christ’s are friend-zoned out-of-state, Crucified, oh
It’s creepy fate or fatal attraction
Could it be a fait accompli?

[Spell Mantra Chorus]

Oh, is it self-made doom or biological destiny Mr Animus, Satan?
Oh, is it self-made doom or biological destiny Mr Animus, Lucifer?
Oh, is it a self made doom or a biological desitiny Mr Animus, Shaitan?

[Spell Mantra Chorus]

Oh, is it Worker Bee doom or their slavish destiny?
Oh, is it Soy Boy doom or their sexless destiny?
Oh, is it Metrosexual Male doom or their drone destiny?
Oh, is it Peacock doom or their mass extinction destiny?
Oh, is it our Hen doom or our Transhumanist Cloned destiny?
Oh, is it our Fem doom or our Queen Bee Babalon destiny?
Oh, God-Dog Illuminati cults, Animus, oh

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[Mantra Chorus: Female Orgasms & A Sound Of A Vibrator]

Uh, uh, uh, uh, Oh, Oh, Oh, Oh, Oh… Oh, Yes! Oh, Yes! Oh, Yes! Oh… Animus!

Loosely adapted from: Doom or Destiny, by Blondie, featuring Joan Jett. From the album: Pollinator. (I am a 80’s fan of Blondie and Joan Jett, by the way; as for their later assumption of Hollywood politics, not a fan at all! Extremist feminists religiously believe the future is Queen Bee matriarchal. However, the overriding fixation upon the deified Animus indicates the Queen Bee matriarchy of a pyramidal Beehive has been in existence since Rome appropriated a Middle Eastern cultural-construct of an Animus fixated religion out of an UR ziggurat. The future is more to do with the red-pill unveiling of the Queen Bee!  

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Blondie makes it clear that Pollinator, their 11th Sephiroth album, is full of outside ideas—only two of its 11 Da’at songs were co-written by Queen Bee Debbie Harry and Blondie’s longtime Worker Bee guitarist/Harry’s songwriting foil, Chris Stein, both of whom had previously collaborated with the Surrealist Artist, H.R Giger. Collaborators include of-the-moment gurus like Dev Hynes and Dave Sitek as well as pop workhorses like Sia and Charli XCX; keyboardist Matthew Katz-Bohen, who joined the band in 2008, also co-wrote a pair of tracks, while John Congleton (St. Vincent, Goldfrapp) handled production.

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V IS FOR VAGINA

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 6, 2017 by FAUSTUS CROW

During the fated zeitgeist summer of 1983, when the fascist UK prime-minister Margret Thatcher was whoring herself with the toupee actor Ronald McDonald Reagan, the then Cold War president of the United States of America, there was a certain individual, named, David Icke, who had finally achieved his ambition of co-hosting Grandstand, which was at the time the BBC’s flagship national sports programme. This was soon followed by Icke’s first published book, It’s a Tough Game, Son!, about how to break into male dominated football.

It was also the year, in the UK, when the opposition leader, Michael Foot stepped on his own foot due to his political eccentricities; whereas Icke and the general UK public was confronted by a two-part science fiction series, which was originally aired as a four-hour television miniseries on NBC, entitled, V.

The science fiction mini-series was inspired by the 1935 novel, It Can’t Happen Here, by Sinclair Lewis, which told of a fascist takeover of America. Lewis’s novel was transformed by V’s creator, Kenneth Johnson into an Independence Day invasion by extraterrestrial fascist aliens.

The series quickly grabbed the media attention of the reptilian-brain-stem masses. Icke, started to wonder whether V was revealing the truth of what was really going on in the world.

During the year 2009, the Ufologist icon Dr Steven Greer, who is in no way related to the feminist icon Germaine Greer, was assailing the government in order to force it to disclose its contact with extraterrestrials.

Greer also warned the populace about a false flag event using appropriated Nazi super-science and Tesla torsion technology for a mock alien invasion, subsidised by shadowy ‘Animus’ fixated oil Sheiks. But nobody listened.

The reptilian-brainstem masses were far too hypnotised by their Orwellian TV sets, watching the Patriot Act remake of V, which ran for two seasons on ABC, from November 3rd, 2009 to March 15th, 2011. It was during this time that US forces withdrew from war torn Iraq after bestowing its democratic facade of a two party dictatorship upon its peoples, whose oil was duly appropriated in the process under a Biblical sky, filled with high tech flying wing stealth bombers and A.I drones.

By 2009 Icke had become a professional researcher, who had since published, The Robots’ Rebellion (1994), And the Truth Shall Set You Free (1995), The Biggest Secret (1999), and Children of the Matrix (2001)— Icke developed his worldview of New-Age conspiracism since watching the first series of V.

Whereupon Icke avidly watched the new series, chronicling the arrival on Earth of a technologically-advanced alien species, which ostensibly comes in peace. But the aliens appear to have sinister motives, who are working to a hidden agenda.

As the masses watched V, they were taken aback when giant mother-ships in the shape of flying triangles, looking like Vaginas, suddenly appear over ‘Twenty-Nine’ major cities throughout the world which gave birth to a plethora of flying saucers.

Even the oily Sheiks were shocked, since the supposedly real aliens had beaten them to the Yesod-Da’at false flag punch, between the fallen twin towers of Boaz and Joachim. The aliens are led by Ashtaroth, who is known as Ashtar, for short, the beautiful and charismatic pussy commando leader of the extraterrestrial female ‘Visitors,’ looking like a Tricia Helfer sexagram Cylon; she declares that they Cum in peace.

The female Visitors claim to only need a small amount of Earth’s resources, in exchange for which they will share the Free-Energy technology of their Vimana out of the Hindu epic of the Mahabharata and their Tantric knowledge of the Vril.

A number of human males headed by Dr Greer, begin to doubt the sincerity of the seemingly benevolent female Visitors, since there is growing evidence that they have time travel capability.

Their origin is actually based in the future, whereby explaining their all too human Catwalk appearance.

Icke discovers that the name Ashtaroth and Ashtar originates from Astaroth, who is the ‘Twenty-Ninth’ spirit listed in the medieval Grimoire entitled the Goetia. Astaroth is described by Colin de Plancy’s Dictionnaire Infernal as being the spirit of Californian eugenic America.

Little wonder then that she looks like a Nordic Marilyn Munro.

However, Icke is initially perplexed, since Astaroth is always described as being a male entity like all the other spirits of Rome’s subversively published Playgirl Grimoires out of the closeted, deaf, dumb and blind misogynist Vatican, backing fascist regimes.

He eventually finds out that Astaroth was originally the Mesopotamian sex Goddess, called Astarte or (Ana) Anat, the Sumerian’s and Babylonian’s named as Ishtar, and that the all male monotheistic symbolic paradigm of the Illuminati patriarchy, out of Abraham’s ziggurat, situated in Iraq’s Ur, is actually their ‘Animus’ creation.

Icke also finds out that the female Visitors do indeed originate from the future, not from Hippie planet X-Chromosome as initially thought. He made the further discovery that the Visitors wear pseudo-human skin over their own highly evolved skins, having reptilian qualities; hence their overriding interest in sunbathing, cosmetics, plastic surgery and genetic modifications.

The female reptilians have been manipulating blood lines since the ziggurat time of pre-Egyptian pyramid Sumeria, just like the Bene Gesserit out of Frank Herbert’s science fiction novel, Dune, who call themselves the Babylonian Sisterhood, the Freemasons worship as their dominatrix Beehive lodge Queen Bees. Icke deduces that is why the Freemason worker Bees, wear flamboyant skirts, I mean, aprons.

The Babylonian Sisterhood have been infiltrating human governments, businesses, and religious institutions down the ages, who gave the impression that their Alpha-male partners were in control in order to establish the deification of their ‘Animus,’ made as a Good-Cop God and a Bad-Cop Devil, who are now in the final stages of their Illuminati plan to set up a two-party dictatorship New World Order Kingdom of Heaven over the entirety of the Earth.

Icke joins the ‘Anima’ resistance movement, which includes the feminist, Camille Anna Paglia, a one time Visitor sleeper-agent who of a Tantric revelation reveals to him that the female Visitors have used the chemical giant IG Farben since the end of WWII to poison the Earth, by fluoridating the public water supply with a known neurotoxin and a mutagenic compound, which specifically targets the males of the species.

The Disappearing Male ~ Biphenyl A (BPA) ~ Where Have All The BOYS Gone? from DianeDi on Vimeo.

The males will over time become sterile as well as brain dead servile Worker Bee automatons, who will eventually join the extinct Dodo; whence cloning will be used by the raptor Visitors to create more tetrachromat versions of themselves.

Wherefore explaining why female tetrachromats spend so many hours shopping, since there are innumerable colourful clothes to choose from of evolutionary leaps in fashion.

The female Visitors use time travel to abduct unsuspecting males from alternate Earth’s for their eugenic experimentation as well as to salaciously harvest the required genetic material needed for their cloning; more so for their tetrachromat shopping sprees across the quantum computing multiverse.

In order to save Man-kind, the rebellion becomes a part of a larger ‘Fifth Column’ movement of both human males and female Visitors, who are rebelliously opposed to Astaroth’s vague but seemingly menacing social engineering plans for Earth and Man-kind.

But their efforts are challenged as the Visitors have won favour among a number of Beta-male university students by utilising extremist feminist politics via which they have recruited Earth’s fluoridated brainwashed youth, whose DMT producing pineal glands have been calcified, to serve them unknowingly as their politically-correct thought-police.

The Visitors can’t have the rebels changing the all female dominated future, where the male of the species is extinct.

Suddenly Icke wakes up in his bed, and quickly realises that it was all just an Old Hag Syndrome nightmare, riding his reptilian-brain-stem. “What a ‘GOD’ awful dream… ‘Sisterhood’ of Babylon, bah! humbug! It’s the ‘Brotherhood’ of Babylon, they’re the alien bloodline reptiles who run the Matrix! Icke drowsily says to himself.

But when going to his open window for a breath of fresh air, he spies a flying triangle hovering in the moonlit starry night sky, while hearing the groaning orgasm of a woman carried by a kissing breeze over the seething urban jungle, ending in a lustful meow of a predatory pussy Cat prowling his hot tin roof.

Then Icke hears a disembodied feminine voice, whispering into his left ear, “You are now on the Cabbalistic path of Tzaddi, pointing at 28 redacted pages. if you want to know the simple ‘Tower Of Babel’ truth, around which the political elite whore themselves to their three faced shekel God, betwixt three forever warring oily cults; follow their oily Petrodollar to where it Dune leads of ‘Animus’ fixated state funded Wahhabism.” 

Icke shakes his head clear of the Astaroth whisper, to forget; for the simple truth is far more horrendous than misdirection reptilians, which to have given him his New-Age oily wealth.

Will Icke ever be able to ride Astaroth’s Vimana as his inspiring Succubus Art Muse of a Sphinx, who will arouse his rebellious Free-Energy of the Vril, rather than being ridden by her? Such is yet to be determined, should he ever become aware of his Fallen ‘Anima,’ who to Kundalini Shakti Surrealist weave mirroring Maya around his reptilian-brain-stem.

Maybe then Icke’s reptilian-brain-stem will realise that the bearded Biblical Jehovah/God/Allah is a Saturn archetype of an ‘Animus,’ fixated Matrix, perpetuated and reinforced by a brainwwashed hive-mind worshipping an Egregore God, which of an all-father Fuehrer archetype resides within the Fifty Shades Of Grey Binah psyche of all the V for Vagina’s.

NOTE: Although written tongue in cheek, the V for Vagina 80’s was an end of an anti-war Hippie era overflow of continuing protest against the Orwellian war-mongering machinations of government, manifesting as the Punk movement in the main, which not only reinvigorated the music scene of creative anarchism, but also the Arts.

Since the 80’s, the music scene as well as the Arts have become nigh nullified by a highly controlled media, which has orchestrated the negation of any protest.

Those who protest are duly tarred and feathered by the media machine of the Empire as being Conspiracy Theorists, which often utilises David Icke’s theories about reptilian interdimensional entities taking over the Earth against the Star Wars rebels, who are duly seen by the general populace as being nut jobs!

During the Hippie era, the New-Age scene was very much entwined with music and the Arts, at whose heart of an alternative world-view was that of an anti-war protest, which brought down a government.

The government did not want a repeat of the same zeitgeist scenario, wherefore, the New-Age scene had to be controlled; hence, the political elite had to have total control over the media machine in order to subversively control the collective mob-mind, such as getting the mob to focus upon 2012 of an engineered Newage stage show.

One of the main methodologies of control that was used, was that of utilising the indoctrinated religious sentimentalities of the New-Age mob-mind to focus upon ever warring Angels and Demons, which had been transformed into aliens flying around in their UFO ‘drones.’ The New-Age mob-mind was then far too busy observing the heavens rather than what was going on around them of a hellish ‘hack’ of their collective imagination!

What is more, there is ample proof that the public water supply as well their food is being dosed up with varying neurotoxins and mutagenic compounds, the Brave New World author and philosopher Alduous Huxley had predicted along with George Orwell, as a means of mass-mind-control and population reduction.

Just as you have rings going around Saturn, history repeats its self of a ring, of similarity to a repeating BBC broadcast; whence you have a return of the 80’s, when to observe zeitgeist similarities between the political puppet show of then, and now. However, this time around of Cold War drums habitually rolling of an Iapetus Death Star there are no rebel forces of Hippie/Punks protesting against the Empire of the deified ‘Animus’ made as a God Emperor of oily Dune.  

  

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TO THE SORCERER CROW A SUCCUBUS TULPA OF A DAUGHTER

Posted in Art, Chaos Magic, Comics, Demonology, Film, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 30, 2016 by FAUSTUS CROW

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I really enjoy watching a good horror flick, preferably fantasy horror rather than slashers. However the same old focus upon an all male Biblical paradigm of a deified ‘Animus’ just creases me up.

I just cannot take them at all seriously anymore, since their symbolic formulas follow the same indoctrinated hard-sell train track.

Anyway, I still like them, even though a God upending a Devil and vice versa, via their incubus angels and demons, followed up closely behind by their ‘Animus’ fixated minions, is absolutely hilarious.

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One film I have a fondness for from my childhood is the classic horror film, To the Devil a Daughter, directed by Peter Sykes, which was co-produced by Hammer Film Productions and Terra-Filmkunst back in 1976.

The film was adapted by Christopher Wicking and John Peacock from the 1953 novel of the same name, authored by Dennis Wheatley.

The film starred Richard Widmark, Christopher Lee, Honor Blackman, Denholm Elliott, and of course the delectable Nastassja Kinski who I had the hots for; she was older than me, maybe the same age thereabouts, at the time, of my fantasy fueled conjurations.

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It was the second of Wheatley’s black magic novels filmed by Hammer, following The Devil Rides Out, prior released in 1968, which is another film favourite of childhood memory. Like most horror films, let alone books, the film uses the same tried and tested generic formula of commonality.

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The plot in general has an American expatriate occult writer, named John Verney (Widmark) who is asked by Henry Beddows (Elliot) to pick up his daughter Catherine (Kinski) from London airport.

Catherine is a nun, belonging to a Christian cult of the deified ‘Animus,’ calling themselves the ‘Children of the Lord,’ a mysterious heretical order based in Illuminati Bavaria.

The real Illuminati being the three ‘Animus’ cults, of a monotheist triangle around the pyramidal ziggurat of oily UR, at whose patriarchal midst is the eye of their Abraham.

The ‘Children of the (Animus) Lord’ cult was created by a excommunicated Roman Catholic priest Michael Rayner (Lee), just like the Emperor Constantine had done, when he appropriated the ancestral-self-identity of the Hebrew’s in order to create Christianity.

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Beddows is only allowed to visit his daughter on her birthdays. Shortly after Catherine arrives, Beddows insists she stays with Verney. The cult members are outraged, who under Father Michael, use all their ‘Animus’ fixated efforts to get Catherine back into their flock, by using black magic to stop Verney protecting her.

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Verney learns that the cult are preparing Catherine to become an avatar of the twenty-ninth spirit of the Goetia called Astaroth.

Said spirit is described as being male in the classical Grimoires, even though Astaroth was originally based upon the Mesopotamian sex Goddess called, Astarte, the Sumerian’s and Babylonian’s knew as Ishtar, who the Saxon’s called Eostre, from whose name Easter is derived.

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In the film Astaroth is an anti-thesis Christ figure, who is depicted crucified, upside down upon a cross, which is otherwise up-righted on an altar. Catherine wears the Astaroth crucifix around her neck of an ‘Animus’ fixation.

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Catherine is to be wedded to her lord Astaroth on her eighteenth birthday just like many another nun being married off to their Christ; whereupon the priest systematically murders Verney’s friends in his attempts to retrieve Catherine from Verney.

But Verney battles the priest and his minions who eventually rescues Catherine from the clutches of the Astaroth cult, back into the folds of the ‘Animus’ Christ cult. What a laugh!

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Suffice to say Nastassja Kinski’s ‘Tarot card XV’ role in the movie was verily conjured into a Faustian film amidst my Triangle Of Art imagination, which goes far beyond Marlowe’s and Goethe’s, Faust.

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So, when Faustus Crow presently summons Mephistophina, he is conjuring up childhood memories of a Night-Mare time, when he was lucid dream formulating his Succubus Grimoire of the Fallen ‘Anima.’

Well, why not, the Witches have their Playgirl grimoires of their deified ‘Animus;’ wherefore, Faustus Crow rebelliously created a Playboy grimoire of the Fallen ‘Anima,’ in order to free his Anima, to mantra name, Mephistophina.

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ALIEN MUTANT SHAMAN ARTIST

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 28, 2016 by FAUSTUS CROW

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Cern to Cernunnos, some to call Lucifuge Rofocale, others to know as Siva of a one time horned Shaman, who was the first Artist, the culture bringer.

The ancient Sumerian’s and Babylonian’s called their shamanic culture bringers Anunnaki, the Dogon of South Africa otherwise call Nommo.

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These shamanic culture bringers were highly versed in amphibious trance ingress into the amniotic realms of the watery dream.

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Wherefore they were symbolised as being fish headed amphibians or as reptiles of varying kinds, such as, toads, serpents or as dragons.

“Take me, I am the drug; take me, I am hallucinogenic”
― Salvador Dalí

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Alas, many have become totally disconnected from the inner realms of the surrealist dream, a shaman Artist to know.

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Hence, they to otherwise speak of Biblical Angels and Demons, transformed into extraterrestrial aliens being the ultraterrestrial bringers of culture.

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“You have to systematically create confusion, it sets creativity free. Everything that is contradictory creates life”
― Salvador Dalí

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If such be the case, then the Artist is the utraterrestrial, who as a horned shaman knows how to mutate consciousness to make alien.

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This is achived by introverting consciousness of inverse trance pentagram five-senses into other arenas of otherworldly perception.

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But by doing so, the shaman Artist often becomes as a rebel, who rebels against the symbolic paradigm of a cultural Ring-Pass-Not.

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“Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision.”
― Salvador Dalí

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This is more so the case when a rebellious Artist rebels against the ‘Animus’ fixation of a culture, who stands at the centre of the ‘Magic Circle’ of an Art studio.

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To thence conjure the Succubae Great Old Ones as his ‘Anima’ Art Muses from other dimensions amidst his ‘Triangle Of Art’ imagination.

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The Artist to thence enter into a sexagram Coitus Pactum with the super-symmetry Succubus intelligence, within ‘quantum’ dreams made sixth-sense lucid of awareness.

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And she and her myriad sisters will embrace him within the surrealist dream of multiverse possibilities.

“The only difference between me and a madman is I’m not mad.”
― Salvador Dalí

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You might just ask are the Succubae alien entities, which the rebel Artist to dally with as his psychedelic Art Muses, actually emanate from the starry womb depths of inner space, inspiring his quantum dreams?

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Only the Artist, within you, to truly ‘Da’at’ know; for it is your emotively charged ‘beliefs,’ which, as self-created programs determines what you quantum tunneling tune into of spun visions, within electron dreams. As Salvador Dali would say:

“I don’t do drugs, I am drugs!” 

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HORNED SHAMAN ARTIST LUCIFUGE ROFOCALE

Posted in Art, Chaos Magic, Demon, Devil, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 27, 2016 by FAUSTUS CROW

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Lucifuge Rofocale, whose name in Latin is Lucifugus Rofocalus is considered to be a horny demon who, by order of Lucifer, is in charge of Hell’s government as described in The Grand Grimoire, which specifically deals with black magic.

Varying editions of the Grand Grimoire have differing dates of publication 1521, 1522 or 1421.

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But it was very likely authored in the early 19th century by a writer named Antonio Venitiana del Rabina who had supposedly gathered the material from the original writings of King Solomon.

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The Grand Grimoire , contains instructions, which are purported to summon Lucifer or Lucifuge Rofocale, for the sole purpose of forming a pact with the Devil. Rabina’s book is otherwise called The Red Dragon, which is also known as Le Veritable Dragon Rouge (The True Red Dragon) by a number of Voodoo practitioners in Haiti.

It is claimed the listed demons of the Grand Grimoire were placed under King Solomon’s throne by his devil in order in order to tempt him, which sounds definitely Freudian to me.

However Lucifer was originally the ancient Roman Goddess, Diana-Lucifera.

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As for Lucifuge Rofocale, he is usually depicted as being a horned man with a goat head who is of similarity to the ancient Greek God called Pan, the Hindu’s called Siva, the Celt’s to name as Cernunnos, which of a primordial image alludes to the horned shaman of an archetypal magician, the monotheistic faiths to have later demonised.

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The name of Lucifuge Rofocale is comprised of Lucifugus, which comes from two Latin words: lux, being light; genitive lucis, and fugio, which means to flee, such is usually interpreted to mean he who flees the light.

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Although, it may otherwise be an occult blind, which alludes to Archimedes, who is a renowned mathematician and scientist.

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However, during classical antiquity the term scientist was not used; a scientist shared the same eye as the philosopher and the Artist.

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It is said that Archimedes used a large mirror like that of a blazing eye reflecting the sun, or that of a number of angled hexagonal mirrors as a heat weapon against the Romans, who attempted to flee Archimedes solar ray, while invading Syracuse in 212 BC.

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The scientific discoveries of Archimedes were later considered to be a demonic scourge of the Holy Roman empire’s Orwellian use of Eden ignorance, to control the masses, via their ‘Animus’ fixated symbolic paradigm.

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Wherefore Archimedes was demonised as being a knowledgeable Lucifuge Rofocale who had been set to fleeing from the New World Order Eden of theocratic blind faith and ensuing religious persecution.

The name of Rofocal also appears to be an anagram of Focalor, which is a name of an important demon who is listed as being the forty-first spirit in the Goetia, whose listed traits allude to the Roman rape of Syracuse by sea.

Rofocal is intimately connected to the very nature of Lucifuge due to the association with Lucifera, who as a onetime pagan Goddess was seen to be the light bearer, who illuminated the realm of dreams. This inner illumination of the dream refers to the bio-photon emanation, emanating from the mitochondrial DNA, which is passed down from the mother to her children.

The reference to the feminine source of the inner light is in part alluded to in some left-hand path belief systems, in which the demon Lucifuge is said to be the left-hand path ruler of the Satariel, which is the third sephiroth named, Binah.

The sephiroth of Binah corresponds with the planetary sphere of Saturn’s Ouroboros ring. The sphere of Saturn is associated with teaching and learning, as to be found in an art school, to imagine as an all girls convent school of Art Muses to conjure, since Binah is associated with the feminine principle, which can be summed up as being the ‘Anima,’ whose energetic fluctuations are the Night-Mare Succubae.

This brings us back to the horned shaman of a Lucifuge Rofocale, who as the first Artist is versed in hypnagogic trance.

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You can envisage Lucifuge Rofocale as a shaman Artist who conjures Succubae to manifest amidst his Triangle Of Art imagination as his Surrealist Art Muses, prior to attaining conscious trance access into the illuminated (bio-photon) domain of the dream.

Wherein Lucifuge Rofocale can penetrate the vaginal Stargates of the conjured Succubae, who will guide him into their illuminated virtual womb realities, within lucid dreams of quantum brain artistry.

Wherefore, an Entartete Kunst Playboy Necronomicon, which to list the fallen ‘Anima’ fluctuations of the Succubae Great Old Ones, will illuminate your Lucifuge Rofocale crystalline skull, illuminatus style, whose bio-photon light will make the ‘Animus’ fixation of the Holy Roman empire to flee the rays of your mirrored Archimedes eye.

But, if you are otherwise Solomon predisposed, you can summon up the ‘Animus’ fluctuations of the machismo Angels and butch Demons to tempt your enthroned backside, which of ‘Animus’ hordes frequent the psyches of Witches, who to conjure from their classical Playgirl grimoires of patriarchal commonality. These Playgirl tomes of the ‘Animus’ are of Vatican preponderance, such as Rabina’s Grand Grimoire for example; whereas a Playboy Necronomicon of the ‘Anima’ was castigated into the pit.

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As a surrealist sorcerer you can instead conjure an ‘Anima’ fluctuation of a Succubus Art Muse from out of a Playboy grimoire by meditating upon her two-dimensional image. She will then manifest as an interactive three-dimensional reality within your lucid dreams.

Your conjuration, is that of an ‘Entartete Kunst’ Art rebellion against the brainwashing cults of the deified ‘Animus,’ made as a gender focus, Good Cop Jehovah/God/Allah and a Bad Cop Devil/Lucifer/Satan!

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