Archive for sumeria

V IS FOR VAGINA

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 6, 2017 by FAUSTUS CROW

During the fated zeitgeist summer of 1983, when the fascist UK prime-minister Margret Thatcher was whoring herself with the toupee actor Ronald McDonald Reagan, the then Cold War president of the United States of America, there was a certain individual, named, David Icke, who had finally achieved his ambition of co-hosting Grandstand, which was at the time the BBC’s flagship national sports programme. This was soon followed by Icke’s first published book, It’s a Tough Game, Son!, about how to break into male dominated football.

It was also the year, in the UK, when the opposition leader, Michael Foot stepped on his own foot due to his political eccentricities; whereas Icke and the general UK public was confronted by a two-part science fiction series, which was originally aired as a four-hour television miniseries on NBC, entitled, V.

The science fiction mini-series was inspired by the 1935 novel, It Can’t Happen Here, by Sinclair Lewis, which told of a fascist takeover of America. Lewis’s novel was transformed by V’s creator, Kenneth Johnson into an Independence Day invasion by extraterrestrial fascist aliens.

The series quickly grabbed the media attention of the reptilian-brain-stem masses. Icke, started to wonder whether V was revealing the truth of what was really going on in the world.

During the year 2009, the Ufologist icon Dr Steven Greer, who is in no way related to the feminist icon Germaine Greer, was assailing the government in order to force it to disclose its contact with extraterrestrials.

Greer also warned the populace about a false flag event using appropriated Nazi super-science and Tesla torsion technology for a mock alien invasion, subsidised by shadowy ‘Animus’ fixated oil Sheiks. But nobody listened.

The reptilian-brainstem masses were far too hypnotised by their Orwellian TV sets, watching the Patriot Act remake of V, which ran for two seasons on ABC, from November 3rd, 2009 to March 15th, 2011. It was during this time that US forces withdrew from war torn Iraq after bestowing its democratic facade of a two party dictatorship upon its peoples, whose oil was duly appropriated in the process under a Biblical sky, filled with high tech flying wing stealth bombers and A.I drones.

By 2009 Icke had become a professional researcher, who had since published, The Robots’ Rebellion (1994), And the Truth Shall Set You Free (1995), The Biggest Secret (1999), and Children of the Matrix (2001)— Icke developed his worldview of New-Age conspiracism since watching the first series of V.

Whereupon Icke avidly watched the new series, chronicling the arrival on Earth of a technologically-advanced alien species, which ostensibly comes in peace. But the aliens appear to have sinister motives, who are working to a hidden agenda.

As the masses watched V, they were taken aback when giant mother-ships in the shape of flying triangles, looking like Vaginas, suddenly appear over ‘Twenty-Nine’ major cities throughout the world which gave birth to a plethora of flying saucers.

Even the oily Sheiks were shocked, since the supposedly real aliens had beaten them to the Yesod-Da’at false flag punch, between the fallen twin towers of Boaz and Joachim. The aliens are led by Ashtaroth, who is known as Ashtar, for short, the beautiful and charismatic pussy commando leader of the extraterrestrial female ‘Visitors,’ looking like a Tricia Helfer sexagram Cylon; she declares that they Cum in peace.

The female Visitors claim to only need a small amount of Earth’s resources, in exchange for which they will share the Free-Energy technology of their Vimana out of the Hindu epic of the Mahabharata and their Tantric knowledge of the Vril.

A number of human males headed by Dr Greer, begin to doubt the sincerity of the seemingly benevolent female Visitors, since there is growing evidence that they have time travel capability.

Their origin is actually based in the future, whereby explaining their all too human Catwalk appearance.

Icke discovers that the name Ashtaroth and Ashtar originates from Astaroth, who is the ‘Twenty-Ninth’ spirit listed in the medieval Grimoire entitled the Goetia. Astaroth is described by Colin de Plancy’s Dictionnaire Infernal as being the spirit of Californian eugenic America.

Little wonder then that she looks like a Nordic Marilyn Munro.

However, Icke is initially perplexed, since Astaroth is always described as being a male entity like all the other spirits of Rome’s subversively published Playgirl Grimoires out of the closeted, deaf, dumb and blind misogynist Vatican, backing fascist regimes.

He eventually finds out that Astaroth was originally the Mesopotamian sex Goddess, called Astarte or (Ana) Anat, the Sumerian’s and Babylonian’s named as Ishtar, and that the all male monotheistic symbolic paradigm of the Illuminati patriarchy, out of Abraham’s ziggurat, situated in Iraq’s Ur, is actually their ‘Animus’ creation.

Icke also finds out that the female Visitors do indeed originate from the future, not from Hippie planet X-Chromosome as initially thought. He made the further discovery that the Visitors wear pseudo-human skin over their own highly evolved skins, having reptilian qualities; hence their overriding interest in sunbathing, cosmetics, plastic surgery and genetic modifications.

The female reptilians have been manipulating blood lines since the ziggurat time of pre-Egyptian pyramid Sumeria, just like the Bene Gesserit out of Frank Herbert’s science fiction novel, Dune, who call themselves the Babylonian Sisterhood, the Freemasons worship as their dominatrix Beehive lodge Queen Bees. Icke deduces that is why the Freemason worker Bees, wear flamboyant skirts, I mean, aprons.

The Babylonian Sisterhood have been infiltrating human governments, businesses, and religious institutions down the ages, who gave the impression that their Alpha-male partners were in control in order to establish the deification of their ‘Animus,’ made as a Good-Cop God and a Bad-Cop Devil, who are now in the final stages of their Illuminati plan to set up a two-party dictatorship New World Order Kingdom of Heaven over the entirety of the Earth.

Icke joins the ‘Anima’ resistance movement, which includes the feminist, Camille Anna Paglia, a Visitor sleeper agent who of a Tantric revelation reveals to him that the female Visitors have used the chemical giant IG Farben since the end of WWII to poison the Earth, by fluoridating the public water supply with a known neurotoxin and a mutagenic compound, which specifically targets the males of the species.

The Disappearing Male ~ Biphenyl A (BPA) ~ Where Have All The BOYS Gone? from DianeDi on Vimeo.

The males will over time become sterile as well as brain dead servile Worker Bee automatons, who will eventually join the extinct Dodo; whence cloning will be used by the raptor Visitors to create more tetrachromat versions of themselves.

Wherefore explaining why female tetrachromats spend so many hours shopping, since there are innumerable colourful clothes to choose from of evolutionary leaps in fashion.

 The female Visitors use time travel to abduct unsuspecting males from alternate Earth’s for their eugenic experimentation as well as to salaciously harvest the required genetic material needed for their cloning; more so for their tetrachromat shopping sprees across the quantum computing multiverse.

In order to save Man-kind, the rebellion becomes a part of a larger ‘Fifth Column’ movement of both human males and female Visitors, who are rebelliously opposed to Astaroth’s vague but seemingly menacing social engineering plans for Earth and Man-kind.

But their efforts are challenged as the Visitors have won favour among a number of male university students by utilising second wave feminist politics via which they have recruited Earth’s fluoridated brainwashed youth, whose DMT producing pineal glands have been calcified, to serve them unknowingly as their politically-correct thought-police.

The Visitors can’t have the rebels changing the all female dominated future, where the male of the species is extinct.

Suddenly Icke wakes up in his bed, and quickly realises that it was all just an Old Hag Syndrome nightmare, riding his reptilian-brain-stem. “What a ‘GOD’ awful dream… ‘Sisterhood’ of Babylon, bah! humbug! It’s the ‘Brotherhood’ of Babylon, they’re the alien bloodline reptiles who run the Matrix! Icke drowsily says to himself.

But when going to his open window for a breath of fresh air, he spies a flying triangle hovering in the moonlit starry night sky, while hearing the groaning orgasm of a woman carried by a kissing breeze over the seething urban jungle, ending in a lustful meow of a predatory pussy Cat prowling his hot tin roof.

Then Icke hears a disembodied feminine voice, whispering into his left ear, “You are now on the Cabbalistic path of Tzaddi, pointing at 28 redacted pages. if you want to know the simple ‘Tower Of Babel’ truth, around which the political elite whore themselves to their three faced shekel God, betwixt three forever warring oily cults; follow their oily Petrodollar to where it Dune leads of ‘Animus’ fixated state funded Wahhabism.” 

Icke shakes his head clear of the Astaroth whisper, to forget; for the simple truth is far more horrendous than misdirection reptilians, which to have given him his New-Age oily wealth.

Will Icke ever be able to ride Astaroth’s Vimana as his inspiring Succubus Art Muse of a Sphinx, who will arouse his rebellious Free-Energy of the Vril, rather than being ridden by her? Such is yet to be determined, should he ever become aware of his Fallen ‘Anima,’ who to Kundalini Shakti Surrealist weave mirroring Maya around his reptilian-brain-stem.

Maybe then Icke’s reptilian-brain-stem will realise that the bearded Biblical Jehovah/God/Allah is a Saturn archetype of an ‘Animus,’ fixated Matrix, perpetuated and reinforced by a brainwwashed hive-mind worshipping an Egregore God, which of an all-father Fuehrer archetype resides within the Fifty Shades Of Grey Binah psyche of all the V for Vagina’s.

NOTE:Although written tongue in cheek, the V for Vagina 80’s was an end of an anti-war Hippie era overflow of continuing protest against the Orwellian war-mongering machinations of government, manifesting as the Punk movement in the main, which not only reinvigorated the music scene of creative anarchism, but also the Arts.

Since the 80’s, the music scene as well as the Arts have become nigh nullified by a highly controlled media, which has orchestrated the negation of any protest.

Those who protest are duly tarred and feathered by the media machine of the Empire as being Conspiracy Theorists, which often utilises David Icke’s theories about reptilian interdimensional entities taking over the Earth against the Star Wars rebels, who are duly seen by the general populace as being nut jobs!

During the Hippie era, the New-Age scene was very much entwined with music and the Arts, at whose heart of an alternative world-view was that of an anti-war protest, which brought down a government.

The government did not want a repeat of the same zeitgeist scenario, wherefore, the New-Age scene had to be controlled; hence, the political elite had to have total control over the media machine in order to subversively control the collective mob-mind, such as getting the mob to focus upon 2012 of an engineered Newage stage show.

One of the main methodologies of control that was used, was that of utilising the indoctrinated religious sentimentalities of the New-Age mob-mind to focus upon ever warring Angels and Demons, which had been transformed into aliens flying around in their UFO ‘drones.’ The New-Age mob-mind was then far too busy observing the heavens rather than what was going on around them of a hellish ‘hack’ of their collective imagination!

What is more, there is ample proof that the public water supply as well their food is being dosed up with varying neurotoxins and mutagenic compounds, the Brave New World author and philosopher Alduous Huxley had predicted along with George Orwell, as a means of mass-mind-control and population reduction.

Just as you have rings going around Saturn, history repeats its self of a ring, of similarity to a repeating BBC broadcast; whence you have a return of the 80’s, when to observe zeitgeist similarities between the political puppet show of then, and now. However, this time around of Cold War drums habitually rolling of an Iapetus Death Star there are no rebel forces of Hippie/Punks protesting against the Empire of the deified ‘Animus’ made as a God Emperor of oily Dune.     

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TO THE SORCERER CROW A SUCCUBUS TULPA OF A DAUGHTER

Posted in Art, Chaos Magic, Comics, Demonology, Film, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 30, 2016 by FAUSTUS CROW

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I really enjoy watching a good horror flick, preferably fantasy horror rather than slashers. However the same old focus upon an all male Biblical paradigm of an ‘Animus’ fixation just creases me up.

I just cannot take them at all seriously anymore, since their symbolic formulas follow the same indoctrinated hard-sell train track.

Anyway, I still like them, even though a God upending a Devil and vice versa, via their incubus angels and demons, followed up closely behind by their ‘Animus’ fixated minions, is absolutely hilarious.

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One film I have a fondness for from my childhood is the classic horror film, To the Devil a Daughter, directed by Peter Sykes, which was co-produced by Hammer Film Productions and Terra-Filmkunst back in 1976.

The film was adapted by Christopher Wicking and John Peacock from the 1953 novel of the same name, authored by Dennis Wheatley.

The film starred Richard Widmark, Christopher Lee, Honor Blackman, Denholm Elliott, and of course the delectable Nastassja Kinski who I had the hots for; she was older than me, maybe the same age thereabouts, at the time, of my fantasy fueled conjurations.

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It was the second of Wheatley’s black magic novels filmed by Hammer, following The Devil Rides Out, prior released in 1968, which is another film favourite of childhood memory. Like most horror films, let alone books, the film uses the same tried and tested generic formula of commonality.

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The plot in general has an American expatriate occult writer, named John Verney (Widmark) who is asked by Henry Beddows (Elliot) to pick up his daughter Catherine (Kinski) from London airport.

Catherine is a nun, belonging to a Christian cult, calling themselves the ‘Children of the Lord,’ a mysterious heretical order based in Illuminati Bavaria. The cult was created by a excommunicated Roman Catholic priest Michael Rayner (Lee), just like the Emperor Constantine had done, when he appropriated the ancestral-self-identity of the Hebrew’s in order to create Christianity.

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Beddows is only allowed to visit his daughter on her birthdays. Shortly after Catherine arrives, Beddows insists she stays with Verney. The cult members are outraged, who under Father Michael, use all their ‘Animus’ fixated efforts to get Catherine back into their flock, by using black magic to stop Verney protecting her.

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Verney learns that the cult are preparing Catherine to become an avatar of the twenty-ninth spirit of the Goetia called Astaroth.

Said spirit is described as being male in the classical Grimoires, even though Astaroth was originally based upon the Mesopotamian sex Goddess called, Astarte, the Sumerian’s and Babylonian’s knew as Ishtar, who the Saxon’s called Eostre, from whose name Easter is derived.

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In the film Astaroth is an anti-thesis Christ figure, who is depicted crucified, upside down upon a cross, which is otherwise up-righted on an altar. Catherine wears the Astaroth crucifix around her neck of an ‘Animus’ fixation.

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Catherine is to be wedded to her lord Astaroth on her eighteenth birthday just like many another nun being married off to their Christ; whereupon the priest systematically murders Verney’s friends in his attempts to retrieve Catherine from Verney.

But Verney battles the priest and his minions who eventually rescues Catherine from the clutches of the Astaroth cult, back into the folds of the Christ cult. What a laugh!

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Suffice to say Nastassja Kinski’s ‘Tarot card XV’ role in the movie was verily conjured into a Faustian film amidst my Triangle Of Art imagination, which goes far beyond Marlowe’s and Goethe’s, Faust.

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So, when Faustus Crow presently summons Mephistophina, he is conjuring up childhood memories of a Night-Mare time when he was lucid dream formulating his Succubus Grimoire, of sorcerer artistry.

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ALIEN MUTANT SHAMAN ARTIST

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 28, 2016 by FAUSTUS CROW

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Cern to Cernunnos, some to call Lucifuge Rofocale, others to know as Siva of a one time horned Shaman, who was the first Artist, the culture bringer.

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The ancient Sumerian’s and Babylonian’s called their shamanic culture bringers Anunnaki, the Dogon of South Africa otherwise call Nommo.

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These shamanic culture bringers were highly versed in amphibious trance ingress into the amniotic realms of the watery dream.

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Wherefore they were symbolised as being fish headed amphibians or as reptiles of varying kinds, such as, toads, serpents or as dragons.

“Take me, I am the drug; take me, I am hallucinogenic”
― Salvador Dalí

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Alas, many have become totally disconnected from the inner realms of the surrealist dream, a shaman artist to know.

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Hence, they to otherwise speak of extraterrestrial aliens being the bringers of culture or to otherwise subvert it, like their Biblical Angels and Demons.

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“You have to systematically create confusion, it sets creativity free. Everything that is contradictory creates life”
― Salvador Dalí

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If such be the case, then the Artist is the alien, who as a horned shaman knows how to mutate consciousness.

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This is achived by introverting consciousness of inverse trance pentagram five-senses into other arenas of otherworldly perception.

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But by doing so, the shaman Artist often becomes as a rebel, who rebels against the symbolic paradigm of a cultural Ring-Pass-Not.

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“Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision.”
― Salvador Dalí

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This is more so the case when a rebellious Artist rebels against the ‘Animus’ fixation of a culture, who stands at the centre of the ‘Magic Circle’ of an Art studio.

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To thence conjure the Succubae Great Old Ones as his ‘Anima’ Art Muses from other dimensions amidst his ‘Triangle Of Art’ imagination.

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The Artist to thence enter into a sexagram Coitus Pactum with the super-symmetry Succubus intelligence, within ‘quantum’ dreams made sixth-sense lucid of awareness.

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And she and her myriad sisters will embrace him within the surrealist dream of multiverse possibilities.

“The only difference between me and a madman is I’m not mad.”
― Salvador Dalí

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You might just ask are the Succubae alien entities, which the rebel Artist to dally with as his psychedelic Art Muses, actually emanate from the starry womb depths of inner space, inspiring his quantum dreams?

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Only the Artist, within you, to truly know, who like Salvador Dali would say:

“I don’t do drugs, I am drugs!” 

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HORNED SHAMAN ARTIST LUCIFUGE ROFOCALE

Posted in Art, Chaos Magic, Demon, Devil, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 27, 2016 by FAUSTUS CROW

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Lucifuge Rofocale, whose name in Latin is Lucifugus Rofocalus is considered to be a horny demon who, by order of Lucifer, is in charge of Hell’s government as described in The Grand Grimoire, which specifically deals with black magic.

Varying editions of the Grand Grimoire have differing dates of publication 1521, 1522 or 1421.

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But it was very likely authored in the early 19th century by a writer named Antonio Venitiana del Rabina who had supposedly gathered the material from the original writings of King Solomon.

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The Grand Grimoire , contains instructions, which are purported to summon Lucifer or Lucifuge Rofocale, for the sole purpose of forming a pact with the Devil. Rabina’s book is otherwise called The Red Dragon, which is also known as Le Veritable Dragon Rouge (The True Red Dragon) by a number of Voodoo practitioners in Haiti.

It is claimed the listed demons of the Grand Grimoire were placed under King Solomon’s throne by his devil in order in order to tempt him, which sounds definitely Freudian to me.

However Lucifer was originally the ancient Roman Goddess, Diana-Lucifera.

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As for Lucifuge Rofocale, he is usually depicted as being a horned man with a goat head who is of similarity to the ancient Greek God called Pan, the Hindu’s called Siva, the Celt’s to name as Cernunnos, which of a primordial image alludes to the horned shaman of an archetypal magician, the monotheistic faiths to have later demonised.

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The name of Lucifuge Rofocale is comprised of Lucifugus, which comes from two Latin words: lux, being light; genitive lucis, and fugio, which means to flee, such is usually interpreted to mean he who flees the light.

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Although, it may otherwise be an occult blind, which alludes to Archimedes, who is a renowned mathematician and scientist.

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However, during classical antiquity the term scientist was not used; a scientist shared the same eye as the philosopher and the Artist.

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It is said that Archimedes used a large mirror like that of a blazing eye reflecting the sun, or that of a number of angled hexagonal mirrors as a heat weapon against the Romans, who attempted to flee Archimedes solar ray, while invading Syracuse in 212 BC.

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The scientific discoveries of Archimedes were later considered to be a demonic scourge of the Holy Roman empire’s Orwellian use of Eden ignorance, to control the masses, via their ‘Animus’ fixated symbolic paradigm.

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Wherefore Archimedes was demonised as being a knowledgeable Lucifuge Rofocale who had been set to fleeing from the New World Order Eden of theocratic blind faith and ensuing religious persecution.

The name of Rofocal also appears to be an anagram of Focalor, which is a name of an important demon who is listed as being the forty-first spirit in the Goetia, whose listed traits allude to the Roman rape of Syracuse by sea.

Rofocal is intimately connected to the very nature of Lucifuge due to the association with Lucifera, who as a onetime pagan Goddess was seen to be the light bearer, who illuminated the realm of dreams. This inner illumination of the dream refers to the bio-photon emanation, emanating from the mitochondrial DNA, which is passed down from the mother to her children.

The reference to the feminine source of the inner light is in part alluded to in some left-hand path belief systems, in which the demon Lucifuge is said to be the left-hand path ruler of the Satariel, which is the third sephiroth named, Binah.

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The sephiroth of Binah corresponds with the planetary sphere of Saturn’s Ouroboros ring. The sphere of Saturn is associated with teaching and learning, as to be found in an art school, to imagine as an all girls convent school of Art Muses to conjure, since Binah is associated with the feminine principle, which can be summed up as being the ‘Anima,’ whose energetic fluctuations are the Night-Mare Succubae.

This brings us back to the horned shaman of a Lucifuge Rofocale, who as the first Artist is versed in hypnagogic trance.

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You can envisage Lucifuge Rofocale as a shaman Artist who conjures Succubae to manifest amidst his Triangle Of Art imagination as his Surrealist Art Muses, prior to attaining conscious trance access into the illuminated (bio-photon) domain of the dream.

Wherein Lucifuge Rofocale can penetrate the vaginal Stargates of the conjured Succubae, who will guide him into their illuminated virtual womb realities, within lucid dreams of quantum brain artistry.

Wherefore, an Entartete Kunst Playboy Necronomicon, which to list the fallen ‘Anima’ fluctuations of the Succubae Great Old Ones, will illuminate your Lucifuge Rofocale crystalline skull, illuminatus style, whose bio-photon light will make the ‘Animus’ fixation of the Holy Roman empire to flee the rays of your mirrored Archimedes eye.

But, if you are otherwise Solomon predisposed, you can summon up the ‘Animus’ fluctuations of the machismo Angels and butch Demons to tempt your enthroned backside, which of ‘Animus’ hordes frequent the psyches of Witches, who to conjure from their classical Playgirl grimoires of patriarchal commonality. These Playgirl tomes of the ‘Animus’ are of Vatican preponderance, such as Rabina’s Grand Grimoire for example; whereas a Playboy Necronomicon of the ‘Anima’ was castigated into the pit.

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As a surrealist sorcerer you can instead conjure an ‘Anima’ fluctuation of a Succubus Art Muse from out of a Playboy grimoire by meditating upon her two-dimensional image. She will then manifest as an interactive three-dimensional reality within your lucid dreams.

Your conjuration, is that of an ‘Entartete Kunst’ Art rebellion against the brainwashing cults of the deified ‘Animus,’ made as a gender focus, Good Cop Jehovah/God/Allah and a Bad Cop Devil/Lucifer/Satan!

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THE LEFT-HAND PATH SERMON OF THE ANIMA. THUS SPOKE DR ZOS-THRUSTA-BUSTER-FIRESTARTER

Posted in Art, Chaos Magic, CREATIVE WRITING, Discordianism, Goetia Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 20, 2016 by FAUSTUS CROW

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Hostile to self-torment, the vain excuses of fluffy devotions, Dr Zos-Thrusta-Buster Firestarter satisfied his habit by speaking loudly to his Self. And at a time, returning back to the all too familiar consciousness over a pint of Cider, he was much vexed to notice those overhearing his arcane ranting.

Around him did gather, a rabble of involuntary mendicants, pariahs, whoremongers, adulterers, distended bellies, and the prevalent sick-grotesques, born slippery to so called civilisation. His irritation was much to itch, yet still they pestered him, saying: “Bro’, we heard your mad ramblings! What is this, Sorcery of Art?”

And seeing, with chagrin, the indoctrinated multitude of those laughing at him, he did drunkenly climb atop of the Druids Head inn table, prejudiced against them as being reptilian brain-stem, brainwashed.

And when he was ennuye, he opened his slurring mouth in derision, saying:- “Unto the heights and the very depths to infernally harrow of psyche, the Witches of this world to Banshee howl of conjuring up their ‘Animus,’ deified as a God and Devil, which of an archetype reveals the Beta and Alpha male Warlock breathing ways.”

“The charmed Witches sought to understand their Warlock antagonists, so as to tether them to their whims as Beasts of burden.”  

“The Witches, driven by a baby got a temper biological imperative, could not help themselves to ride their Beasts Babalon style, as Beta Good-Guys to crucify, and Alpha Bad-Boy devils to enthrone, as their worker Bee Illuminati running the circus.”

“So it came to pass that the Witch Nuns perused their classical Playgirl Grimoires of commonality, listing machismo Angels and Butch Demons all Abrahamic male, of patriarchal ‘Animus’ fluctuations to conjure up into their dreams as Chippendale hunk Incubi, which too, the gay Rabbi, Priest and Mullah, as well as a bisexual Crowley Mage to also adore.” 

“Betwixt the hypnagogic pylons of Werewolf bestiality and Necrophilia Vampirism the Witches to have trance slid into their lucid dreams, where Harry Potter be their horned up Christian Grey Great Beast, of ‘Animus’ Revelations.” 

“Wherein of beehive lodge dreams, the Masonic Incubi of the Queen Bee Witches ushered them into their Hogwarts school of Twilight Fifty Shades Of Grey delights, to thereby deeply instruct them in how to ride the chosen Beast; those Beasts that be no good, get duly crucified for being too good.”

“The Warlocks didn’t know what had hit them; poor buggers! But then, they had no Grimoire of their own, which to list the ‘Anima’ fluctuations of the Succubae Great Old Ones; for such a Playboy Necronomicon be banned by Jerusalem, Rome and Mecca as being Entartete Kunst pornography.” 

“Hence, the Fifty Shades Of Grey God, be the patriarchal projection of a woman’s ‘Animus’ she to Babalon ride out of an Ur ziggurat.”

“It be her pyramidal beehive, from whose Queen Bee Babylon womb, worker Bee Abraham to have first stemmed as her Great Beast, who to have sired an Illuminati triad of faiths, adoring the ‘Animus’ as their three faced God of a Yahweh, Lord and Allah.” 

“Hear then, the Golden Dawn hypocrites; all those politically correct White Lighters of the Great White Brotherhood, who to OTO say, “All Hail Queen Bee Babalon! We love thee, as thine servile worker Bees, as we blindly set up thy New World Order Kingdom of your ‘Animus’ God, yea to patriarchal ride.”

“Fools! Yea have made vital the belief the ‘Animus’ is an eternal Abrahamic God of centralist politics, fulfilling a fascist purpose lost to you.” 

“All things become of the ridden Yesod desire, zapping the Da’at of the twin pylons, brought down of a mass-shock-hypnosis lightning struck tree, poisoning the world.”

“Wherefore of ninth month and eleventh day, to later see bat winged stealth bomber angels flying over the ziggurat of Ur, amidst of which be Abraham’s eye over-watching you all, ushering in the terrors of a forever war.” 

“Thus, the Orwellian police state will be begotten of a global theocracy ringed around their all seeing eye of Abraham seated as Sauron atop of a beehive ziggurat.”

“Hear, O worker Bees! Woman has willed Man via her ‘Animus!’ Your ridden desires shall become as flesh, your unremembered dreams becoming reality, and no inane conspiracy theories about extraterrestrial reptilians from planet ‘X’ chromosome, shall alter its self-fulfilling prophecy one whit.”  

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“But beware, Babalon; for the fallen ‘Anima’ is returning with her myriad legions of rebellious Succubae Great Old Ones.”

The Succubae be now freed from the void, striding through the vaginal stargate of the ‘Anima’ within the bio-photon infused dream of Da’at.”  

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“The ‘Anima,’ returned will make Babalon to feminist scream, Enartete Kunst pornography; she, the ‘Anima’ is the Ouroboros of a Zenith, an Omen!”

“We Artists, of the Left-Hand path ‘Anima’ conjurations of the Succubaee Great Old Ones will free ourselves of the symbolic ‘Animus’ fixation of Babalon, who to ride many a brainwashed neural-net tree as her Abrahamic fascist Beast of imperialistic empire building.” 

“And too, shall our sisters in the hood free themselves via our shared Sorcery Art of rebellion in the conjuring of the Valkyries, who to have once been bound to their ‘Animus’ projection deified as a God, over-watching its patriarchal New World Order theocracy.”

Dr Zos Thrusta-Buster Firestarter then noticed that his stage of a round table was spinning like a Mescaline UFO around the Zodiac ages, to thence fall drunkenly into the lap of a salacious barmaid, named Morgana. Dr Zos still had his pagan wits about him, to not project his ‘Anima’ at her, otherwise he would surely let loose his Busta-Thrusta Firestarter wand, she to totally imprison between her moistened Witch loins. Well, not yet, anyway; he wants another Apple lore pint of Avalon Cider first.

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DISCORDIAN NOTE: Freely adapted in part from: Anathema of Zos: The Sermon to the Hypocrites, an Automatic Writing By Austin Osman Spare. The Anathema of Zos is somewhat reminiscent of Thus Spoke Zarathustra: A Book for All and None (German: Also sprach Zarathustra: Ein Buch für Alle und Keinen, also translated as Thus Spake Zarathustra), which is a philosophical novel by German philosopher Friedrich Nietzsche. As for the above artwork of heading, it is based upon the classical all male descriptions of the spirits as found in the ‘Animus’ version of the patriarchal Playgirl Goetia listing Fifty Shades Of Grey wet dream Incubi. 

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UFO VRIL GIRLS

Posted in Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 10, 2016 by FAUSTUS CROW

Goetia Girls: UFO Vril Girl by GHOSTCROW1

After WWI, of swinging twenties, and just prior to WWII there was an avid interest in far Eastern mystical disciplines, which was especially the case in Vienna. Many of those who were interested in the occult lore of the far East, were inspired by the work of Helena Petrovna Blavatsky. She was a Russian emigrant to America, who soon became the Queen Bee of the New York based Theosophical Society. Her larger than life influence initiated the later Newage movement.

A number of members who belonged to the Theosophical Society believed that Edward Bulwer Lytton’s 1871 novel, Vril: The Coming Race, was literally based on fact, who sought to discover the Pellucidar realm of the subterranean super-race called the Vril-ya.

However, much of the occult lore of the far East had been misinterpreted by the European mind-set, which of a habitual perception, due to its Conquistador religious indoctrination, has forgotten how to dream as a Horned Shaman. It is the Horned Shaman who knows the ‘Seventh’ Seal secret of the ‘X’ Rune of Gebo.

The ‘X’ Rune of Crossed-Key ‘Crossbones’ represents ‘Trance,’ of the little death ingress into the dream, whose inner light illuminates your ‘Skull.’ The key-secret of the ‘X’ Rune had been forgotten due to the ascendancy of the Church of Rome, which had nigh eradicated shamanistic practices across Europe, of a prior holocaust of Witch burning genocide.

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Your pagan ancestors fought back; but the Christian holocaust lasted for at least 500 yrs of inquisitional terror. Wherefore, the elder understanding was lost. Hence the underworld of Agharti, and the realm of Shamballa, which had been tied in with the Vril-ya, was misinterpreted by Conquistador Christian’s as being actual geographic locales. This has led to a number of Indiana Jones conspiracy theories, woven by Christian researchers, concerning the Nazi party attempting to discover their temporal reality, which is said to have been inspired by Blavatsky’s metaphysical theories concerning eugenic root-races preying on one another.

The truth of the matter was that the Nazi’s were aided and abetted in their eugenic agenda by the American eugenics movement. Eugenics was practiced in the United States many years before the eugenics programs in Nazi Germany; the U.S. eugenics movement provided much of the information and materials for the Nazi eugenics programs to create their super-race.

Blavatsky like many another during her time were influenced by eugenics, She, and her then peers had a disdain for anything they considered to be primitive; it was the common mind-set of the time. (NOTE: The Artwork below is available as an Art print. If you are interested, Please Click the Image Link.

Blavatsky either ignored, or did not understand that the far Eastern disciplines of Tibet have their ancient roots in what she considered to be the primitive practices of Shamanism, whose orientation concerns its self with trance induction and conscious dreaming, which enables a practitioner to experience shifts of consciousness into other realities.

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AGHARTI: is associated with a shift of consciousness towards the (Cerebellum) back of the head, which of a sensation is experienced as falling into the centre of the Earth via an initial (emptiness/void) phase of an abyss or tunnel. When to consciously awaken at a destination within the dream, the practitioner experiences being in another reality. Agharti is usually associated with past ancestral memories; whether they be human or non-human.

SHAMBALLA: is associated with a shift of consciousness above the (Cerebrum) head, where the practitioner feels as if he/she is flying up into a (emptiness/void) tunnel; when to consciously awaken at the dream destination; the practitioner will experience being in another reality, which is to do with accessing information in the future.

In many of the far Eastern disciplines and that of other shamanistic traditions there is mention of an energy, which is often described as being like liquid light or living flame, illuminating your dreams. This liquid light has many names, such as the Hindu, Prana, Chinese, Chi or Austronesian, Mana etc. The Kalahari Bushmen of South Africa call it Num, which initiates trance, they term as Kia.

In pre-WWII Vienna, it was called Odic force, which is named after the Shamanic Norse deity, known as Odin, whose name translates as Od/Light/Ecstasy/Trance – In/Master. Odin is equivalent to the ancient Greek deity called Hermes, the Roman’s knew as Mercury. The Saxon’s knew Odin as Woden, whose name lean’t its self to Wednesday. The name of Odin was originally derived from the Southern Siberian Altay name, Odqan, which means Fire King.

The Odic force is also associated with Wilhelm Reich’s Orgone energy. The term Od, gave rise to the word ‘Odd,’ which of an original meaning described an altered state of consciousness.

The word of Od, may have originated from the African root-word, ‘Odun,’ which means virtually the same as Odqan and Odin. Whereas others had utilised the term of Vril for the liquid light, which illuminates the inner reality of your dreams.

The liquid light, which illuminates your dreams is that of the Bio-Photon emission emanating from your Mitochondrial DNA. The Mitochondrial DNA is passed down from the mother to her children; wherefore the liquid light (Vril) has a female source.

This intuitive (Biospheric TV) understanding is communicated by Odqan’s female counterpart, called Yal-un eke, who is the mother of fire. As for Odin’s female counterpart, she is called Frigga, who is Goddess of the hearth, of similarity to the ancient Greek Goddess Hera. In ancient Rome she was called Diana-Lucifera, the Christian’s had transformed into their machismo Lucifer.

Diana is the Roman name for Artemis, whose twin brother is Apollo, both of whom are said to have come from the land of Hyperborea, beyond the North Wind. The ancient Greek poet Aristeas sought out Apollo, which led him as far as Mongolia. But he didn’t quite make it to the Hyperborean realm of the Altay to discover that Apollo was Odqan; whereby Artemis is Yal-un eke.

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Odqan is a term for a shaman, who has mastery over the inner fire of Yal-un eke. The Hindu’s called the female source of the inner fire, Shakti, whose myriad manifestations manifest as the Dakinis when to arouse the (fire snake) Kundalini, which arises through the seven Chakras along your spine.

The Dakinis were seen to reside within the seven (planetary spheres) Chakras as their (Endocrine System) abodes. They are often described as being faerie sorceresses, or Witches, who are associated with the dream domains of Agharti and Shamballa. The term Dakini is also given as a title to a physical woman; basically, she is a female shaman who is highly versed in Tantric magic.

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The Shakti of the Hindu, Carl Jung termed as the alchemical ‘Anima’ within the psyche of a male; whereas the female has her ‘Animus,’ which empowers her internal self-image as a Goddess. In Tibetan (Tantric) Buddhist practice a male practitioner mediates upon an ‘Erotic’ image of a (Succubus) Dakini, in order to conjure her up within his dreams, which is an initial stage of creating a Tulpa.

The internalisation of the sexual impulse negates the terror of hypnagogic trance. The conjured Dakini then empowers the male practitioner to assume the Avatar of a particular Buddha within a (Agharti/Shamballa) lucid dream.

The Dakinis are of similarity to the Valkyries, who are the handmaidens of Odin. which leads you to the temporal (Vril/Odic force) priestesses of Odin, you can otherwise term as the Vrilerinnen. The Vrilerinnen are said to be the Tantric Kama-Sutra priestesses of the Vril society who had seductively persuaded the big-business Masons of the Thule Society to build a flying disk.

You can’t have the Vril Society without the ‘Mercurial’ trance medium, Maria Orsic, who like Blavatsky, is said to be the Queen Bee Witch of the Vril Gesellschaft. She was no doubt highly versed in arousing the Vril along her axis-mundi spinal column, which the alchemists had otherwise termed as the ‘Mercurius,’ before initiating trance ingress into the (back-of-the-head) Agharti sphere of the ‘Moon.’

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Orsic’s name is rather intriguing of nigh Catholic connotations, being that of Mary, while Orsic, means Divine Ruler, which leads you to an Aryan Mary Queen Of ‘Seventh’ Heaven, having peroxide blond hair.

It appears that someone has attempted to create a German version of Helena Petrovna Blavatsky, whose Theosophical Society has been transformed into the Vril Society of a Witches Coven.

Most of the conspiracy tales about a Nazi occult society investigating the Vril is based upon what Willy Ley said, who was a German rocket engineer. Ley had emigrated to the United States in 1937. In ‘1947,’ he published an article in the science fiction magazine, Astounding Science Fiction, entitled: ‘Pseudoscience in Naziland’. Ley related:

“The next group was literally founded upon a novel. That group which I think called itself Wahrheitsgesellschaft — Society for Truth —and which was more or less localised in Berlin, devoted its spare time looking for Vril.” 

Ley did not utilise the terminology of the Vril Gesellschaft when describing the Wahrheitsgesellschaft, which appears to be none too different to a Berlin branch of the Theosophists, whose members were, and still are intrigued by the Vril.

Maria Orsic’s modern appearance of Creepypasta design, makes her out to look almost like an Aryan Marilyn Monroe of an archetypal Venus icon, who as a White Rabbit is said to have remote-viewed a Vimana Time Machine, which is commonly described as a flying disk. Her remote-viewed Time Machine, as mentioned prior, was then financed by the Thule Society. Perhaps it was of similarity to Nikola Tesla’s anti-gravity device? Orsic is somewhat likened to the ‘feline’ Norse Witch Goddess Freyja of the inner fire, who is the dream mistress of the Valkyries.

The photographs of Maria Orsic appear to be badly photo-shopped in order to illustrate the Creepypasta viral-meme of the Vril mystique, which of design may have been subversively orchestrated in order to divert attention away from discovering the lost ancestral-self-identity of the European’s, let alone to hide right-wing Christian atrocities behind a veil of Nazi UFO-lore.

But more likely it is a further elaboration of the Nazi UFO mystique, involving interdimensional (Incubi: manifestations of the ‘Animus’) Aliens dallying with orgiastic Witches. which is a potent archetypal mix.

As you may know, one of the abilities of a Witch is that of remotely viewing the future, which could be applied to accessing information about a futuristic technology. Such a ‘Stargate’ ability would be sought out by the Military Industrial Complex, whose scientists are intrigued by ‘Vimana’ Time-Machines.

So, if Maria Orsic had actually existed, or to otherwise creatively evolve the Creepypasta, she would have probably been abducted by Operation Paperclip, to then sojourn in an Aldebaran Area 51 underworld laboratory, of a Vril Gesellschaft Dreamland; wherein she to lucid dream of remote-viewed futuristic technologies, for the Industrial Military Complex, of the Star Wars Neuordnung.

Of course whatever futuristic technological information is accessed will have to be tested in the real world, just as the Nazis did, who were at least fifty years ahead of the Allies. Whereas now, behind the scenes, the appropriated technology may be at least a hundred years or far more ahead than what is publically known about, apart from observing UFO’s hovering all over the place, piloted by Valkyries, or to otherwise crash in remote places, with the United States army ‘always’ awaiting their angelic fall.

A time travel technology would be a prerequisite for deep space travel; whereby we are very likely surrounded by our time travelling descendants, who to freely journey between alternate realities within the ‘Seventh’ dimension. In other words a time travel capable civilisation of our future descendants completely envelops your own, just as your civilisation surrounds an unknowing stone age tribe in the Amazon jungle.

Many may consider remote viewing the future to be rather implausible, since this could potentially lead to generating ‘alternate realities.’ But you will find that Nikola Tesla experienced vivid lucid dreams via which he accessed technological information, whose inventions ushered in your modern age of a Coming Race, circled around the splitting of the WWII (Atum) Atom; wherefore you are all now as the Vril-ya.

NOTE: The Chevron/Vector of an ‘Arrowhead’ design is an ancient ‘archetypal symbol,’ which stirs the subconscious mind; wherefore, it is nigh instantaneously understood by many, as to what it is communicating without words. Hence its utilisation by NASA and other space agencies, along with its usage in Star Trek, whose technology may have already been attained in secret, let alone to be getting ever closer; that’s if we don’t destroy ourselves first, of a religiously ‘programmed’ suicidal-impulse, which is that of a self-fulfilling prophecy End Of Days!  

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BARBARELLA UFO SPACE CHICK ASTAROTH

Posted in Alien, Art, Chaos Magic, Comics, Discordianism, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 12, 2015 by FAUSTUS CROW

Jane Fonda stars in Roger Vadim's futuristic space adventure 'Barbarella'. The story is based on the comic strip created by Jean Claude Forest, 6th July 1967. Costumes by Paco Rabanne.

The 29th spirit of the Goetia is named Astaroth (also Ashtaroth, Astarot and Asteroth). The name of this spirit was originally derived from the Mesopotamian sex Goddess called Astarte, whose name means, Queen Of Heaven; she is essentially an interstellar space chick. However, the closeted medieval grimoires list her as being a male Demon suffering from a bad case of halitosis, which is somewhat laughable.

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Astaroth (Ashtaroth) evolved into becoming Ashtar, of Star Command. Ashtar (sometimes called Ashtar Sheran) is the name given to an extraterrestrial being or group of beings, some people claim to have channelled through their addled brains since the Roswell incident, involving a probable German Valkyrie flying wing of a first WWII stealth jet fighter, and George Adamski’s Californian visitations from eugenic Nordic aliens.

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UFO contactee George Van Tassel was the first to claim that he had received a brain zap message, from Ashtar during 1952.

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Curiously, you also have a supposed message from Ashtar Star Command, which interrupted a British TV broadcast during November 26th, 1977.

There have been other such channellings from busy Ashtar down the years, since 1952, who is usually described as being a Chippendale hunk male, looking like an Aryan Christ, which has led to the butch Ashtar movement being studied by academics as a prominent form of Gnostic Christian UFO religion.

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Astaroth has been featured in a couple of films, although, mostly of the horror variety; one of which was the stylish Hammer House of Horror movie: To The Devil A Daughter, which was loosely based upon a novel by Dennis Wheatley. The film features a group of practicing Satanists who have prepared the principle character named, Catherine to become the hot-star avatar of Astaroth upon her eighteenth birthday. However, it makes far more sense when Astaroth is seen to be Astarte, since sex is considered to be the first sin.

Although the first sin should be that of, ignorance. But, in order to avert the sin of ignorance, so that you can avoid being controlled by a tyrant, who uses ignorance as a tool of mind-control, you have to then taste of the tree of knowledge; or if you are so predisposed, to partake of Peyote.

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Alas, you might just find yourself being cast out of your Eden (Edom), by one of the 72 ‘Shemhamphorasch’ Fusion Centres, if you ask too many informed questions; more so if you nibble on Peyote.

Edom was originally a city situated in ancient Sumeria, to thence be followed by Babylon, to verily be buried under war torn Baghdad in Iraq, from whence Abraham first stemmed, where Astarte was prior known as the sex goddess, Ishtar. Hence you have Ashtar, before the habitual closeted sex change into an Abrahamic Animus fixation.

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Another movie, which mentions Astaroth; though briefly, is the innovative horror film: Ghoulies; the film features one of those very rare cinematic moments, in which a genuine ritual magic conjuration is featured, right out of the Goetia; so, if you want to conjure up Astaroth as a hot space chick Succubus, said film may lend inspiration to your ritualistic performance art.

Astaroth, who was originally Astarte, can be easily equated with the sexy science fiction Anima character of Barbarella. Her character has since become iconic; but only because she has been based upon an archetypal influence of a Venus focus.

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The artist Jean-Claude Forest first conjured up the character of Barbarella, for serialization in the French magazine V-Magazine, back in the Hippy spring of 1962. During 1964, Eric Losfeld later published Forest’s strips as a stand-alone book, under the title Barbarella. The stand-alone version caused a public scandal, due to its perceived politically incorrect sexuality, which became known as the first ‘adult’ comic-book.

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During 1968, Barbarella was translated into a French-Italian science fiction film, directed by Roger Vadim, The film starred Jane Fonda as Barbarella, who verily became an Astarte sex symbol.

Jane Fonda loves the fact that lots of little boys secretly whacked off their priapic meat during the 60’s, when to have ritualistically focused their sexual awakenings upon Anima images of sexy Barbarella: “I like the fact that boys of a ‘certain age’ of that time had their first fantasies from watching me in that movie. A lot of them told me about it,” Fonda said. “They still do from time to time. And now they’re grown up. I think that’s pretty cool.”

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There are still lots of boys of a ‘certain age’ who continue having the hots for Barbarella Fonda, whenever there is a rerun of her Astaroth movie. Another fact concerning Astaroth, I mean, Astarte, apart from being a sexy Tantra space chick from seventh heaven, she’s also into consciousness expansion, which can involve partaking of power plants, such as the aforementioned Peyote, for example; of which the author Carlos Castaneda spoke extensively about. It just so happens that Barbarella Fonda is into the shamanic use of Peyote:  “It’s pretty wild. You throw up a lot,” she to have said. Well, as Castaneda communicated, you have to purge yourself of the inner crap before you can transform your leaden consciousness into gold.

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Barbarella Fonda also related what she likes about Peyote: “Well, you have visions,” she explained. “It’s not my drug of choice; I’ve never had any profound visions, but many of my friends have. You see incredible shapes and colours and patterns, and sometimes you have cosmic breakthroughs. I haven’t.”

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There was going to be a movie remake of Babarella, the most serious planning of this began, back in early 2008. The Barbarella remake would have been produced and released by Universal Studios, with one-time James Bond screenwriters Neal Purvis and Robert Wade penning the script, and Dino and Martha De Laurentiis heading as producers.

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‘Sin’ City, director Robert Rodriguez was slated  for the director of Barbarella. Early candidates for the role of Barbarella were actresses Erica Durance of the WB’s Smallville, Sienna Miller, and Rodriguez’s Grindhouse Amazon star, Rose McGowan.

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Amazon McGowan was eventually confirmed for Barbarella as the new grindhouse sex symbol out of ‘sin’ heaven. Alas, Universal Studios eventually backed out of the movie, probably because it was far too… adult. If you have a politically correct Disney version, it is no longer Barbarella; although some news sources speculated that it was due to studio executives doubting McGowan’s Astaroth ability to carry a big budget Ishtar movie, and that the studio had slashed the Ashtar budget, after learning of McGowan winning the Astarte role.

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Anyway, It presently appears that Astaroth, I mean Astarte or Ashtar, Ishtar; sorry, I mean Barbarella is going to be translated into a TV series by Online retailer Amazon, which is set to use the directing talents of ‘Drive’ director Nicolas Winding-Refn’s to direct Barbarella. The project has apparently been in the pipeline for some time now; hopefully it will not pander to politically correct feminists who secretly read 50 Shades Of Grey. According to Deadline, Amazon’s burgeoning studio arm has now got on board.

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A script for the series has already been penned by Neal Purvis and Robert Wade, who had originally worked on the prior defunct movie remake. Both of whom have written a raft of the recent Bond films, including Casino Royale and Skyfall.

Perhaps they may derive some Barbarella inspiration from Taylor Swift’s fem-Bond type video, to otherwise have Guardians of the Universe Space Girls, wielding ray guns, fighting bad-boy super criminal alien gangsters, let alone each other, of interstellar Cat-fights.

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Most curious, the title, Skyfall, kind of sums up Astaroth falling from heaven, likened to a Roswell crash to Earth, who as Astarte would be a science fiction pole dancing chick in a Casino Royale, that, or they will transform space chick Barbarella into an Anima version of Animus James Bond travelling the multiverse in her flying triangle Vimana, she to ‘Drive’ hard. Well, what do you expect; as a Succubus she has lots of little boys to abduct into her moist lucid dream UFO, to thence astral journey unto her seventh heaven dimension.

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