Archive for Alan Moore

ART IS MAGIC, MAGIC IS ART

Posted in Art, Chaos Magic, Comics, Occultism, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2017 by FAUSTUS CROW

There is some confusion as to what Magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of Magic. Magic in its earliest form is often referred to as “The Art”.

Because I am a bearded Wizard of the Comici Arcanum Guild, knowing Wizard stuff, I know this is completely literal. I know that Magic is Art, and that Art, whether it be Painting, Writing, Music, Sculpture, or any other form of Art is literally Magic.

Art is, like Magic, the science of manipulating symbols, words, or images, to achieve changes in consciousness. The very language about Magic seems to be talking as much about Writing or Art as it is about supernatural events.

For example, an illustrated proto-comic book of spells, called a Grimoire , is simply a fancy way of saying grammar. Indeed, to cast a spell, is simply to spell, to manipulate words, to change people’s consciousness.

And I believe that this is why an Artist and a Writer of a comic book Grimoire is the closest thing in the contemporary world that you are likely to see to a Wizard.

I believe that all culture must have arisen from cult. Originally, all of the faucets of our culture, whether they be in the Arts or Sciences were the province of the Wizard.

The fact that in present times, this Magical power has degenerated to the level of cheap entertainment and manipulation, is, I think a tragedy.

At the moment the people who are using Shamanism and Magic to shape our culture are neuro-advertisers. Rather than try to wake people up, their Shamanism is used as an opiate to tranquilize people, to make people’s reptilian-brain-stems more manipulable.

Their Magic box of television, and by their Magic words, their jingles can cause everyone in the country to be thinking the same words and have the same banal thoughts all at exactly the same moment.

In all of Magic there is an incredibly large linguistic component. The Bardic tradition of Magic would place a Bard as being much higher and more fearsome than a Magician.

A Magician might curse you. That might make your hands lay funny or you might have a child born with a club foot.

If a Bard were to place not a curse upon you, but a satire, then that could destroy you. If it was a clever satire, it might not just destroy you in the eyes of your associates; it would destroy you in the eyes of your family.

It would destroy you in your own eyes. And if it was a finely worded and clever satire that might survive and be remembered for decades, even centuries.

Then years after you were dead people still might be reading it and laughing at you and your wretchedness and your absurdity. Writers and people who had command of words were respected and feared as people who manipulated Magic.

In latter times I think that Artists and Writers have allowed themselves to be sold down the river. They have accepted the prevailing belief that Art and Writing are merely forms of entertainment.

They’re not seen as transformative forces that can change a human being; that can change a society.

They are seen as simple entertainment; things with which we can fill 20 minutes, half an hour, while we’re waiting to die. It’s not the Wizard job of the Artist to give the audience what the audience wants.

If the audience knew what they needed, then they wouldn’t be the audience. They would be the Artists. It is the Wizard job of Artists to give the audience what they need.

The above excerpt was slightly adapted from an article by the Wizard Artist

– Alan Moore

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HORROR MUSE ALICE SAMIGINA OF NECRONOMICON WONDERLAND

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Poltergeist, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 28, 2016 by FAUSTUS CROW

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The above Artwork is A4 in size, drawn in pen-brush and ink pen, on heavyweight cartridge paper. which was then coloured, using Derwent and Prismalo Caran D’ache watercolour pencils. The Artwork was then Painted. The watercolour painting is provisionally entitled: The Conjuring Of Wyrd Alice Samigina.

The original Artwork of Samigina is presently on Sale, on Saatchi Art. If you are interested, Please Click Here. 

The Artwork depicts an alternative version of Samigina, otherwise called Gamigin who is listed as being the fourth spirit in the Grmoire, entitled the Goetia.

“The Fourth Succubus of the Goetia is Samigina, a Great Marchioness. She initially appears in the form of a My Little Pony Princess Luna, amidst the Triangle Of Art Imagination, likened to a rocking horse or that of a latex clad Girl on all fours looking like a fetish hobbyhorse.” 

“And then appearing as a Gothic Alice In Under-Land, she to change herself into at the request of her Mad Hatter of an Ansuz Rune Art master.” 

“She speaks with a seductive voice, having Cheshire Cat feline wiles, loving spilt cream of an offering. As a Vajrayogini She rules over 30 Legions of Succubae Lost Girls, the writer, Alan Moore and the artist Melinda Gebbie to know all about of Tantric archetypes, who populate the informational realms of the collective dream, as knit-together Tulpa programs.” 

“She teaches all Arts as an Art Muse, who to guide her master through her Yoni looking glass of an inner wormhole into surrealist wonderlands of the dream. And she gives account of those Artists who broke through Ring-Pass-Not sexual Taboos, such as Hans Bellmer, Balthus, Stu Mead, Mark Ryden, Trevor Brown and Milo Manara, etc, whose artistry is considered to be Entartete Kunst sinful; though enticing many a quantum computing brain into a Luna Art gallery, which to also exhibit Ninth Art underground comics of symbolic alchemies, stirring virtual reality dreams.” 

“And her abstract Manga Seal of the multiverse world tree of an Artist’s easel, to which she be tethered and bound, is to be meditated upon, before the Sorcerer Artist conjures her ‘Anima’ fluctuation into his Surrealist dreams, wherein he becomes as her Anime Invocator, etc; though, two-dimensional of meditative image, she manifests as a three-dimensional interactive reality within a Cool World lucid dream.” 

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GENIE BOTTLE OF A HAREM COMPUTER

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 5, 2015 by FAUSTUS CROW

Many would say that Austin Osman Spare had his career entirely the wrong way round, who began as a West End celebrity to then end up in an obscure South London basement. By the time Spare departed this materialist circus, back in 1956, he had been largely forgotten by the square brained art world. But since Spare’s demise, like many another dead artist earning shekels for collectors, he has become a legendary figure, not just for his remarkable art, but for his even more remarkable inner life as a twentieth century sorcerer and magical thinker.

Spare was ushered into this world in Smithfield during 1886; he was the son of a policeman, whose father walked the peeler beat where steampunk Jack the Ripper once stalked his prey. As for his son, he was hailed as a prodigy, genius, and all-round enfant terrible of the Edwardian art world. Spare was the youngest exhibitor at the 1904 Royal Academy exhibition, who went on to attend the Royal College of Art, where he dropped out without completing the course, and had his first West End show at the Bruton Gallery in 1907.

Some critics praised his artistry (“almost unrivalled”; “his management of line has not been equalled since the days of Aubrey Beardsley; his inventive faculty is stupendous and terrifying in its creative flow of impossible horrors”); but others absolutely deplored Spare’s depicted visions, already seeing Spare’s work as being abnormal, pathological, and entartete kunst degenerate.

George Bernard Shaw is said to have remarked that Spare’s medicine was too strong for the normal man; yet said normal man of a sensitive morality, ended up amidst the horror of the WWI trenches. Although, controversial as he was, Spare was still the Darling of Mayfair. But this was not to last. Later Spare would be selling pictures in South London pubs, and advertising his ‘Surrealist Racing Forecast Cards’ through a small ad in the Exchange and Mart.

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Spare’s work started to become far more stranger of grimoire vision, which for those of his hypocritical era could not handle, whose mindset still afflicts the present; this was usually in the main due to Spare’s work being highly erotic of content; whereas in hindsight, Spare’s artistry was of similarity to a proto-Dadaist and that of proto-Surrealism.

A number of Spare’s magical works, were primarily orientated towards triggering him into a lucid state within his vivid dreams. Some of his later creations were that of painting intricate sigils upon the screens of defunct television sets, which he had liberally gutted; such creations will be considered to be rather odd, to say the least, by those who do not understand what Spare was up to.

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Spare utilised the symbolism of a television set as a means to trigger him into lucidity within his dreams, as well as accessing what a television represents, which of a temporal device, allows the observer to access information beyond him/herself. But, within the arena of the dream, the symbol of a television can trigger the dreamer to become lucid, whom can then access the television, like that of a stargate to travel through, when to tune it of a sigilised desire into other art gallery worlds.

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Of course, the science fiction film of stargate had come out some years after Spare’s demise, but Spare had prior utilised similar symbolism concerning an everyday device of a television set, upon which many are collectively hypnotised by of an eye in their living room. However, Spare utilised it to mediate upon in order to initiate third-eye hypnagogic trance ingress into a lucid dream, where his sigilised television set is verily transformed into a vaginal stargate.

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The television set was still somewhat of a technological innovation during Spare’s corporeal era, which has since been superseded by the usage of a computer.

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When a computer is seen as a symbol, it can be easily equated to a Genie bottle, which also leads to a symbolic association with a grimoire listing spirits.

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The computer has associations with alternate realities in regards to computer games and films. You also have the internet in relation to accessing information beyond yourself. Wherefore, the computer can be seen as a labyrinthine abode for spirits, you can otherwise see as salacious Succubae.

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Should you utilise the symbolism of a computer as a dream trigger, you could see the existence of the Succubae as being akin to that of sentient software (Tulpa) programs, whom exist within a virtual reality. Said virtual reality can then be equated with the informational realm of the symbolic dream.

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You could even associate the symbolism of a the computer with a Harem school of seven planetary spheres, which is further equated with a Genie bottle, of a trigger symbol within the dream.

The Succubae can then be seen as Virtual Girls, whose abode is that of a computer, which is their Harem school of a Genie bottle. You then have a sorcerer conjuring Succubae out of his Genie bottle of a grimoire computer when to become consciously aware within a virtual reality lucid dream.

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As for sigilising your computer, such is not necessary of a meditation aid; for you can otherwise artistically create an appropriate two-dimensional sigilic wallpaper and that of a Succubae screensaver for your Genie bottle of a grimoire computer, which when meditated upon Spare style, will initiate hypnagogic trance ingress into your associative dreams of three-dimensional artistry; when to do so, you will attain an artistic insight into what Spare was up to as a sorcerer.

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PIRATE GHOST GIRL OF STEAMPUNK WONDERLAND

Posted in Art, Chaos Magic, Comics, Conspiracy Theory, Cosplay, CREATIVE WRITING, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 9, 2014 by FAUSTUS CROW

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The Thirty-second Succubus archetype of the Fallen Anima is Asmodaya, or Asmodaiya. She is a Great Pirate Queen, Strong, Powerful and very beautiful to behold amidst thy Triangle Of Art Imagination.

No longer is this Necronomicon Great Old One imprisoned within an male form, frequenting the Animus fixated grimoires; she is now free to rage of artistic rebellion, along with her Succubae sisters of Underground Occult Comic!

She appeareth holding onto a Jolly Roger flag depicting Three Heads, whereof the first is like a Bull, the second a skull and crossbones, and the third like a Ram.

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Asmodaya is the Succubus who destroys the illusions wrought by priests, who have ‘branded’ the great mystery betwixt birth and death as their own.

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Wherefore the big-business cults of the deified Animus greatly fear her piratical onslaught.

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Asmodaya to say: “I am always hatching plots against the fascist priesthoods of the centralist cults whose ships I sink; I reveal the lying smiles behind the hypocritical masks of their celibate faiths, causing their theocratic hearts to grow cold in terror; for they have sacrificed many an innocent lamb upon their ever warring altar to a three faced Animus deity of an Orwellian New-World-Order flag.”

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Hence, the minions of the deified Animus consider Asmodaya to be a vile pornographic pirate.

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She is the pirate hacker of all gambling houses and inns, wherein of gambling dens a Sorcerer is empowered to practice his psychic faculties to seer through the illusion.

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The rebellious Sorcerer Artist is then led to the realisation that Temple banker finance, is an illusory symbolic construct, whose bankers gamble within the nine stock market hells, which enables them to enslave the neural-nets of others to their priestly game.

Conspiracy Theory with Jesse Ventura S02E03 Wall Street from Ill Axion on Vimeo.

It is said that she will be the one to topple Solomon’s temple of the deified Animus, since Solomon had imprisoned Asmodaya and her Succubus sisters into male forms to build its Animus fixated construct.

Whereby she seeks revenge upon the illuminati trinity of Animus cults, by merely revealing that their patriarchal construct is the creation of woman, who has objectified the male down the ages; for a man has a liking for the Anima.

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The Rabbis, Mullahs and Priests of the deified Animus to say that when Asmodaya was imprisoned into a male form of a butch Asmodeus to slave upon building Solomon’s Temple, Asmodeus made use of no metal tool.

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But instead of a certain stone, which cut ordinary stone as a diamond will glass.

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Whereby she knows how to bring down what has been built, as well to fire her stone of a cannon ball at the Ozark fortress of a banking Noah’s Ark to sink.

Conspiracy Theory with Jesse Ventura – Ozarks from LeakSourceNews2 on Vimeo.

But being crafty of craft, she will bide her time and await for the moment when Solomon’s hypocrisy, of an Animus foundation stone, is revealed to all, which will then entirely shatter the Temple trinity, like a glass house.

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Asmodaya’s constellation is like an animal, which reclines in its den of a heavenly abode. Some Sorcerers call her the Great Bear, the Shamans of Siberia know as Utagan, which is a title given to a female Shaman, but to others, she is the Offspring of a Dragon, which refers to the mitochondrial DNA.

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Moreover, a smaller constellation accompanies her constellation, for the high position and throne of her pole-star mother is always in the sky, which is once again moving over Siberia, whose tundra is melting after 10,000yrs.

It is from Siberia many peoples had stemmed, long ago, of a genetic cradle, whom migrated into China, India, the Middle East, Europe and across the Bering-Straits into the America’s. It is from Siberia, Asmodaya to have originated.

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Asmodaya wears also an Ouroboros snake belt of a trailing tail of a long Scheherazade tale; wherefore she may be also the equivalent of Samaela, whom knows of Ouroboros Eternal Recurrence. What goes around, comes around.

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In her painted mouth a Cuban cigar of a torch issues forth Diana-Lucifera Flames of creative Fire, whose tobacco leaves have been finely scented, when stroked across the aroused skin of a Guanajatabey maiden.

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Her knee length boots are lined with Goose feathers, which lends flight to out of body experiences, when she to take her conjuring Artist journeying over the astral waters between the isles of worlds. At other times, she appears dressed in the lacy finery of a Steampnk lady.

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She sitteth upon a Steampunk Galleon whose leviathan prow is that of an Infernal Dragon crewed by most wanton Steampunk pirate women.

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When to see her Hippie Goth Aquarius age treasure ship in a dream, it portends great riches.

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Her monstrous Steampunk treasure ship is rowed by lost girls who are tied together by a chain of gold binding their golden clit rings. Its many oars gives the impression of spidery legs.

Asmodaya’s spider ship to journey invisible, around thy city, floating upon the tortured air, into whose ethereal Vimana you will be abducted, and verily taken into the wonderland singularity of Neverwhere.

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She plies the seven astral seas of the menstrual blood ocean, and beareth in her hand a Lance with aforesaid Jolly Roger flag of the Fallen Anima.

Wherefore the odour of fish sometimes belays her Yoni manifestation. This can be hastened when fish liver and heart are placed upon embers of a Necronomicon Séance incense.

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Asmodaya is first and choicest under the Power of the great Succubus Queen AMAYAMONA, she goeth before all other.

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When the rebellious Sorcerer Artist hath a mind to call her, let it be abroad, and let him stand on his feet all the time of action, with Tricorn hat or Head-Scarf off; for if it be on, AMAYAMONA will deceive him and call all his actions to be bewrayed; wherefore he shall not be able to assume a Jack Sparrow Avatar to become of lucid dream rebellion.

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But as soon as the rebel Sorcerer Artist perceives Asmodaya’s ship and that of herself frequenting a Tortuga tavern within his dreams, in the comely shape, as aforesaid, he shall call her by her Name, saying: “Art thou Asmodaya?”

And she will not deny it, and by-and-by she will bow down unto the ground presenting her bare arse unto her Jack Sparrow Artist to penetrate with his erect cut-lass.

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Asmodaya is a Succubus whom greatly empowers the introversion of the sexual charge, which stirs powerful erotic lucid dreams, of a spiritual practice. However, if this sexual charge is otherwise externalised you will invariably find yourself creating a self made hedonic hell.

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She giveth the Ouroboros Ring of Chakra Virtues as an apport, which enables the wearer to become aware of fifth-dimensional closed timelike curves of eternal recurrence. She teacheth the Arts of Arithmetic, Astronomy, Geometry, and all handicrafts absolutely.

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She giveth true and full answers unto thy demands. She maketh one Invincible. She showeth the place where Treasures lie, to remote view, and guardeth it.

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She, amongst the Legions of AMAYAMONA governeth 72 Legions of Succubae pirate girls Inferior. Her Seal of the Fallen Anima is this which thou must meditate upon, etc.

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(Derived in part from the works of: Sacred Magic of Honest Abra-Merlina the Witch, and, SL MacGregore Freemason Matherson.)

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