Archive for graphic novel


Posted in Addams Family, Alien, Art, Chaos Magic, Comics, Conspiracy Theory, Discordianism, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 18, 2017 by FAUSTUS CROW

“Welcome dear flesh eating Ghouls, necrophilia Vampires, bestial Werewolves and many another eldritch creature of the Twilight Left-Hand Path. Within this Heyoka book you will find an Avadhuta reinterpretation of the Munsters for your Discordian delectation to bleed all over of satirical gut spilling X FILE humour.”

“This Horrorwood Munster family is into Discordian Horror Humour most dark of Conspiracy Theory satire investigating X File: UFO’s, Time Travel, Aliens, The Vril Society, Nikola Tesla, Free Energy Suppression, the Kennedy Assassination, the Murder of Marilyn Munroe, Nazi Eugenics, NWO, Population Reduction, Mind Control and why Babalon women prefer Bad Boy Great Beasts, all of which be far closer to the Horrific Truth than any Muggle can ever realise.”

The above introduction is for an experimental work I had completed a time back, which was done specifically for a Kindle book. The book is just over 118-20 pages in length. While working on the third Goetia Girls book and an accompanying Tarot deck, as well as a Comic strip, I have decided to re-publish the Kindle version as a paperback book on Createspace in black and white, in order to determine the best way of publishing my hand drawn comic strip.

However this involved re-sizing all of the pages, which led to re-editing them; I invariably got carried away, and did a number of new pages for the paperback book as well as re-designing a number of the other pages. The paperback book will probably be around 170 pages in length, perhaps more.

I will be serialising the first 50 or so pages on PATREON, which will no doubt go through further transformations as I re-edit the pages, while working on my third Goetia Girls book, Tarot deck and hand drawn Comic, as well as my Paintings, etc.

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The book is a radical reinterpretation of the now archetypal Hollywood Monsters, who were used for the iconic Munsters TV sitcom of the 60’s. It will also be covering Voodoo Dolls, Love Magic and the Necronomicon as well as the usual Witches, Vampires, Ghosts, Zombies and Ghouls, along with numerous other affiliated cultural themes.

The book is satirically adult of conspiracy theory; for cultural myths do change along with the times, which in this case Hollywood will most definitely fear to touch. The book has since become more adult of Jungian/Freudian orientation, which is an alchemical transformation of the erotic.

Although tongue in cheek on one level, many of the occult themes are workable techniques at another level. The main character around which this work revolves is Marilyn Munroe who is back from the dead as a Marilyn Munster Succubus haunting Horrorwood.



Posted in Art, Chaos Magic, Comics, Cosplay, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

You could easily equate a superhero comic book with an illustrated medieval grimoire.

Both of these works illustrate archetypal characters, which have particular abilities and powers along with having personal seals, wearing planetary colour coded costumes, and in some cases being associated with animal totems.


A sorcerer could see his comic strip superhero characters as Avatars, which can be assumed as his alternate guises within lucid dreams.

Each Avatar of a superhero would have a corresponding (Tulpa girl) superheroine coupled with him.


This sorcery operation is based upon a Tibetan Buddhist dream yoga technique, which was originally derived from ancient shamanic practices.


The dream yoga technique involves the practitioner visualising him self as being a certain type of a Buddha, to assume of an alternate guise within a lucid dream, like wearing an Ironman suit out of the Wizard Of OZ.


The question is, will the practitioner attain a ‘Marvel’ heart of a Buddha, when to dream of his female counterpart? Well, only if he thinks outside of the box of his brainwashed peers!


Each Buddha is associated with particular spiritual qualities, abilities and (Siddhis) powers the practitioner seeks to attain by assuming the dream guise of a chosen Buddha.

The numerous Buddha’s are correspondingly coupled with their female counterparts called Dakinis.


The Dakini is essentially a Succubus, who is not just a sexual entity, she is also seen to be like a wish fulfilling Genie.

A Dakini represents the energetic quality of a particular dream domain, which a shaman sees as a spirit world, you can otherwise term as an alternate reality.

A Dakini enables a practitioner to assume a guise of a chosen Übermensch Buddha Avatar within a lucid dream.


The Dakini dream scenario will reflect back the Buddha Avatar, which has been assumed by the practitioner.

For example, a sorcerer could otherwise assume the guise of Batman within a lucid dream via the conjuration of a Dakini.

The reflected dream scenario of the conjured Dakini will be that of Gotham city, which will be formulated from the memories of the practitioner.

If the practitioner to otherwise fear, because he has been anally shafted by fear porn merchants ranting on about Creepypasta Demonic Reptilians and Shadow People, etc, then that is exactly what he will experience of a Joker dream reflection.

Basically, the Mind-Control Joke will be upon him; not even Batgirl will be able to free an indoctrinated brain out of its symbolic Matrix of imprisoning beliefs.

However, if the practitioner does not give in to fearing his own subconscious Bat mind, the Dakini dream requires to be emotively empowered by the sorcerer’s introverted sexual impulse, which can be achieved by the sorcerer meditating upon Batman’s counterpart of Batgirl prior to dreaming.

The meditation would involve meditating upon mandala imagery of Batgirl, along with repetitively intoning her name as his mantra.


This would also involve visualising Batgirl’s ‘seal’ of a Bat motif, as well as the sorcerer imagining himself being in Gothic Gotham city, which to overlap his own waking locale of frequented power places, to make mythic of quality.


Batgirl’s planetary colour is primarily black like that of her anti-thesis Catwoman’s preference for black leather, which in occult practice is associated with the planet Saturn.

The symbolic correspondences of Saturn the sorcerer seeks to tap into, when to assume the Avatar of Batman within a lucid dream.

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A sorcerer may be assuming the Avatar of Batman via his lucid dreams for various reasons. But it would require him to evoke Batgirl amidst his Triangle Of Art Imagination first as his (Dakini) Succubus in order to empower his lucid dream Avatar.

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He may be seeking to assume the guise of Batman, when to couple with a Batgirl Succubus, because he seeks to attain those qualities associated with this particular superhero, such as attaining supreme self confidence and inner strength, when to frequent those power places of his waking realm.

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Or perhaps he is conjuring up a Batgirl Succubus, in order to become more intuitively streetwise, so that his mind doesn’t end up being mugged by fear porn gangsters.

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Whatever the case, the technique enables the sorcerer to reprogram his subconscious mind via lucid dreaming.


There are numerous other superhero Avatars to choose from, each of which will have their corresponding Succubus supeheroines.


Their abilities and powers are listed in many a comic, of similarity to what you will find within a medieval grimoire.


However, a sorcerer has to be realistic. If he desires to fly like Superman, or to swing from building to building as a Spiderman, it will rapidly lead to his doom when to leap out of a skyscraper window.

These (Siddhis) powers allude to those Djedi abilities, which can be attained within lucid dreams, you can otherwise term as Out Of Body Experiences and Remote Viewing of the collective unconscious via conscious dreaming.


The assumption of the Hulk Avatar may increase your bodily strength over time; for an intensely experienced lucid dream, will affect your body memory, which may lead you to having an overwhelming subconsciously driven need to regularly visit the local gym, where the fit ladies wear superheroine Yoga pants.

The Hulk or that of some other character to internally assume, can also be utilised to attain a ‘controlled’ berserker rage, of self-induced anger management, to break through the blocks of emotional traumas within the dream, in order to overcome assailing nightmares.

Whereupon the practitioner will attain martial-arts control over his anger.


What I am attempting to communicate here, is that the superhero genre can be utilised for sorcery practice, which hearkens back to the ancient shaman assuming alternate guises, when accessing (hypnagogic) trance, in order to heal himself and others.


At a mundane level, the superhero genre, though beloved by many a comic fan, generally puts others off, who see it as being inanely childish.

Since said superheroes all leap around wearing gaudy skin-tight costumes, which the detractors to laughingly argue is totally ludicrous and utterly unrealistic.

But the superhero genre is obviously not about everyday mundane reality, it is about something else, a shaman would equate with the depiction of spirits, to ritualistically act out of cosplay artistry.

The reasoning behind why a shaman dressed up in ritualistic regalia to then trance dance cosplay ‘theatrical’ was in order to implant the assumed symbolism into his subconscious mind; whereby he becomes the mythic character of his focus, within an induced lucid dream.

Of course the sacred theatre of the shaman is not understood by many, since they have become totally disconnected from the internal reality of the dream; their hypnotised focus is primarily externalised of mundane entertainment.


The shamanic perspective of the superhero genre is that the superheroes belong to an archetypal reality; wherein of a symbolic existence, the archetypes are very real of a subconscious influence upon the psyche of an individual, the collective mind and thereby influencing society.

The superheroes are essentially personified ‘brands.’ Some of them have become iconic, of similarity to the mythic deities of elder lore, which have been woven into intricate modern day mythologies.

For example, Catwoman has mythic associations with the Cat Goddess Bast of ancient Egypt and the Norse Goddess Freyja, who is the mistress of Cats and Witchcraft.

However, the practice of Witchcraft is not mentioned in association with Catwoman in the comic, TV series and film depictions of her to any great degree, if at all.

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Although, you will find Catwoman’s mythic foundation of the Witch is not too far away within the depths of your subconscious.

As for the symbolism of the Cat, the feline is very much tied up with the feminine principle.

Wherefore Cat-thief Catwoman is the distillation of feminine wiles and sexuality, whose superheroine qualities can be empowered of ritualistic cosplay as a Cat, which of shape-shift practice, Witches do all the time.

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However, the superhero genre is primarily dominated by male characters. Alas, the male audience is quite unaware of what Witches get up to in their Moon lodges, who to conjure up dark ‘Animus’ desires, out of their ‘Playgirl’ grimoires.

The all male fixation of the medieval ‘Playgirl’ grimoires are none too dissimilar to the all male dominion of the superhero comics of the West.

Although, such is slowly changing in regards to American comics in particular, which had first sired the superhero genre of a media empire. Whereupon the superhero comics have become synonymous with American culture caught betwixt and between the Boaz and Joachim Blow-Job media pylons of Marvel and Disney.

Whereas in Europe, which had not explored the superhero genre to any great extent, such as France, Spain and Italy, for example, more so, to the far East of Japan, and its influential Manga, there has always been an animist balance between the depiction of the genders.


This dominion of the male, is primarily due to a religious foundation, which refers to the deification of the ‘Animus’ residing within the psyches of all women.

You might consider this as sounding rather crazy, but it isn’t. Think about it, if you have an overriding fixation upon a particular gender, it thereby indicates an underlying sexual orientation behind it all; it’s nature, which cannot be denied, and she’s a bitch.

The male archetypes can be generally reduced down to two types, a Beta-Male Good-Guy Christ and an Alpha-Male Bad-Boy Devil, which are aspects of an All-Father ‘Animus’ fixation, within the psyches of women, who are by nature, very jealous indeed.


“Jealous… jealous of what?” You might enquire. Other women of course. They are very competitive among each other; more so than men. Hence, the patriarchal paradigm has entirely castigated the ‘Anima’ out of the symbolic equation as the Fallen, which of gender politics is continuing.

In other words, at an esoteric level, the all male dominion has been empowered by the ‘Animus’ fixation of the Queen Bees. It is the Queen Bees who have forged the ‘three’ patriarchal religious constructs of present civilisation via their chosen Masonic worker Bee prophets, insanely dancing around a Beehive ziggurat, since the time of Sumerian UR. If heterosexual orientated males had created a religion, it would more likely have a fixation upon a sex Goddess, looking like an Ishtar version of Harlequin.

Wherefore, a Good-Guy often gets crucified; whereas a Bad-Boy has all the fun. It is a well known fact that women can’t help themselves loving Illuminati Bad-Boys, it is biologically hardwired into their Queen Bee genes of a genetic imperative.


Whereas the ‘Anima’ within the male psyche, as mentioned prior, has been flung into Hell with all her legions of salacious Succubae, whose very existence was never investigated by the grimoires, apart from having a celibate Virgin Mary.


It is only now, under the revolving Karma clock of Zodiac age stars, that the Succubae Great-Old-Ones of the Fallen ‘Anima’ are emerging out of their uterine prison of the abyss, beyond the Angel angles.


The Succubae archetypes of the Fallen ‘Anima’ are presently being listed in many a Necronomicon Grimoire Comic, wearing spray on costumes, awaiting to be conjured by Abdul Alhazred rebel sorcerers.

However, feminist extremists and their Social Justice Warriors have noticed this rebellious trend, which they are seeking to socially engineer out of existence, while hypocritically donning fascist Sharia law hijabs! Remember the 1937 Entartete Kunst, it is occurring again!

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