Archive for Aboriginal Australian

GOETIA GIRL CROCELL, SHE EMPOWERS THE AVATAR OF AQUAMAN

Posted in Art, Chaos Magic, Comics, Discordianism, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 4, 2014 by FAUSTUS CROW

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While playing with his Yellow Submarine in his bath, the psychic Übermensch Aaron C. Donohoo conjured the Succubus archetype of the Fallen Anima, who is mantra named, Crocell amidst his triangle of art imagination. Donohoo envisioned a dark clad woman, who at first seemed to have Bat wings. “She is distinctly human of a divine form, looking a bit like Queen Marella out of the DC comics, who is a counterpart of their superhero Aquaman. Although, I must say, she looks more like a Steam-Punkette,” he related of magical diary reportage.

Donohoo also noted, “As I imagined myself assuming the internal guise of Aquaman, as my Avatar, I did seer a darkly clad woman, who is a consummate contortionist of a superb female body, whom is wearing spray on latex, looking like a Steam-Punkette of artistry.”

“She appears to be looking downward at a Victorian bath within an Atlantean sphere, as if she is within a cell. The amniotic entirety of liquid space surrounds Crocell, around whose arousing contortions, many galaxies and planets orbit.”

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“A noticeable sound of water is flowing upon these other planetary spheres, which are attracting the attentions of icy comets. She is pointing out that there is even stockpiles of frozen water captured within the bowels of asteroids.”

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“She also points out that the water contained within every cell of our bodies is the lifeblood of the universe and that of other universes; whereby it is the communication network of the multiverse, which is considered to be very sacred by those elder races, whom commune via the watery realm of dreams, such as the ancient Atlantean’s of lore.”

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Johann Weird, the considered official historian and authority of the Goetian Succubae, wrote in 1583: “Procell (Crocell) is a great and a strong Duchess, appearing in the shape of an Angellic Nymph of Atlantis, but wantonly speaketh verie darklie of things hidden. The waters, she to say binds thee with other creatures and other worlds (sic).”

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Weird also noted that Crocell has special talents involving water: “She maketh great noises, and causeth the waters to rore, where are none, she warmeth the waters within the steeming bodie of a damned sorcerer with her hot harrlot presence, she be most salaciouss of sexuall intents. Bewarre of her, yea Godly children of Abraham’s laws, drink nott of the waters she has touched with her sinfull fornications; remember the fall of Atlantis (sic).”

Another source goes into more detail: “Crocell appears in the form of an Atlantean dark angel with flowing silver hair and yellow cat’s eyes. Her Aqua-woman voice is great and all-pervading and she ever speaks of things mystical and hidden. . . she has the power to influence the body by making its watery cells to heat or to cool of a healing capability via her intense lucid dream lovemaking. She can enable her master to assume the internal guise of DC comic superhero Aquaman in order to find water even in the desert, of similarity to the Aboriginal Australian’s shaman ability to intuitively divine underground water in the dry outback.”

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Crocell related via an Ouija board communication that she inspired the erotic dreams of the Japanese author and entrepreneur, Masaru Emoto to seer that ‘human consciousness’ has an effect upon the molecular structure of water.

Emoto’s dream inspired insights evolved over the years, guided by Crocell’s microcosmic influence, and his early work explored the theory that water could indeed react to positive thoughts and words, and that polluted water could be cleaned through prayer and positive visualization of a perceived perfection.

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However many of the subservient scientists who work for the fluoridation mafia, rubbish Emoto’s work as being mere pseudoscience. They certainly do not desire Emoto’s research taking root amidst public consciousness, since they have mass medicated the water supply with a known neurotoxin and a mutagenic agent. The unnatural chemicals used to fluoridate drinking water are derived from the manufacture of phosphate fertilizer.

Captured in the industry’s wet scrubbing systems, these noxious chemicals contain a number of contaminants (e.g. arsenic, lead) not found in pharmaceutical grade fluoride. Of greater interest is the fact that 2 recent peer-reviewed studies (Neurotoxicology, December 2000; International Journal of Environmental Studies, September 1999), have found an association between consumption of water containing hydrofluosilicic acid or sodium silicofluoride (the most commonly used fluoridation chemicals) and higher blood lead levels in children.

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Back in May 2007, approximately 67% of public water supplies in the United States are fluoridated. Of these water supplies, approximately 91% use hydrofluosilicic acid or sodium silicofluoride (together known as silicofluorides), while 9% use sodium fluoride. As with the silicofluorides, sodium fluoride is derived from the phosphate fertilizer industry.

Suffice to say, fluoridation is big business. But the attempts of the fluoride mafia to make Emoto look like a fool, did not stop his arcane penetrations into Crocell’s watery element of the feminine principle.

Since 1999, rebellious Crocell inspired rebel Emoto to assume the guise of Aquaman via his dreams, which led him to publish several volumes of a work entitled: ‘Messages from Water,’ which contain photographs of ice crystals and their accompanying experiments. Emoto’s experiments also appeared in the movie, ‘What the Bleep Do We Know!?.’

Crocell also Ouija board told of, water memory, which is the ability of water to retain a memory of substances previously dissolved even after an arbitrary number of serial dilutions. She claimed it is the mechanism by which homeopathic remedies work, even though they are diluted to the point that no single molecule of the original substance remains, apart from its ‘quintessence.’

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However, like Emoto’s investigation into the molecular structure of water, to freeze; water memory is said to defy present conventional scientific understanding of physical chemistry knowledge, which when needed by the fluoridation mafia, its elitist gangsters quaintly separate the physical from the nigh spiritual domain of quantum physics.

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Crocell further related via the Ouija board that she had also dream inspired Jacques Benveniste to assume the internal guise of Aquaman, who was a French immunologist, who sought to demonstrate the plausibility of homeopathic remedies, ‘independently of homeopathic interests,’ within a major scientific journal.

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To that end, Aquaman Benveniste and his team at Institut National de la Santé et de la Recherche Médicale (INSERM, French for National Institute of Health and Medical Research) diluted a solution of human antibodies in water to such a degree that there was virtually no possibility that a single molecule of the antibody remained in the water solution. Nonetheless, they reported, human Basophils responded to the solutions, just as though they had encountered the original antibody (part of the allergic reaction).

The effect was reported only when the solution was shaken vigorously during dilution. Benveniste stated: “It’s like agitating a car key in the river, going miles downstream, extracting a few drops of water, and then starting one’s car with the water.” At the time, Benveniste offered no theoretical explanation for the effect, which was later called, ‘water memory,’ by a journalist reporting on the study into its Rusalka fluidity, which the Russian scientists are of course also penetrating, I mean,  investigating.

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In 1988, Benveniste published a study supporting a water memory effect amid controversy in Nature, accompanied by an editorial by Nature’s editor John Maddox urging readers to, “suspend judgement,” until the results could be replicated. In the years following publication, the fluoridation mafia set about discrediting Benveniste’s research. Multiple heavily supervised experiments were run by Benveniste’s team, the United States Department of Defense, BBC’s Horizon program, and other researchers, but no team has ever reproduced Benveniste’s results in controlled conditions to nigh bind.

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When Donohoo asked Crocell why Benveniste’s research was not able to be replicated? She answered via the pendulum hovering over the Ouija board; “look to Emoto. Watery emotion contained by belief, is the Bruce Lee key.”

Crocell is the Forty-ninth Goetian Spirit of the seventh dimensional planetary sphere who commands Forty-eight legions of Succubae. Cro-Cell’s seal is to be mediated upon, while conjuring her fluid contortions, as you Aquaman bathe in your font of holy water; that’s if the fluoride mafia hasn’t poisoned it with their monstrous medication. If so, you will have to pray a lot, just like Donohoo does when to play with his aroused Yellow Submarine.

The Psychic Übermensch Aaron C. Donohue by Erin C. Donohue (2012)

NOTE: Donohue changed the spell of his surname to Donohoo; confusing isn’t it. But then, words do evoke symbolic associations of memory, which duly affects your bodily waters.

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GOETIA GIRL HAAGENTI OF SEXUAL LUCID DREAM ALCHEMY

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2014 by FAUSTUS CROW

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The Forty-eighth Succubus archetype of the Fallen ‘Anima’ is Haagenti. She is a President, appearing in the visionary form of a mighty Buffalo with Gryphon’s Wings. This is at first, but after, at the command of her conjuring Artist she puts on human shape as a most beautiful woman, wearing horns atop of her head of a crown.

Her office is to make her conjuring Artist wise, and to instruct the Artist in divers things; also to transmute all metals into Gold; and to change wine into water, and water into wine. She governs over 33 Legions of Succubae Art Muses, and her seal is to be meditated upon prior to conjuring her into a lucid dream.

Haagenti is a composite name, which comprises of Haag and Enti. The word Haag in Dutch means den, which can also refer to a cave. However, you also have Hag, which refers to a Witch and hypnagogic trance, where an individual experiences sleep paralysis prior to being visited by a female entity; while Enti in Finnish means fly, which is a reference to an out of body experience.

In ancient times, flies were seen to be the spirits of the departed. You might consider this symbol crunching to be pushing the envelope of believability. But, there are other symbolic formulae of a Haagenti code, which fits together of a jigsaw puzzle.

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It is commonly believed that Haagenti manifests as a Bull with the wings of a Gryphon by patriarchal occultists due to their sustained religious indoctrination into the deification of the ‘Animus,’ made as a God/Devil.

However, the symbolism of Haagenti very likely refers to a Lamassu. The Lamassu is a Sumerian protective deity, which was later heavily adopted by the Assyrian’s.

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The Lamassu is often represented having a Bull or Lion’s body, as well as to have Eagle’s wings, with a human head. The Lamassu is portrayed as a female deity of an ‘Anima’ archetype.

Whereas a less frequently used name is Shedu, which refers to the male counterpart of the female Lamassu. You could even theorise that Aleister Crowley’s LAM entity is derived from the LAM-assu.

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In order to understand what the Lamassu and in turn Haagenti represents you will have to go much further back into time to another locale, where you will find a cave painting in the Lascaux caves, which are located in France, near the village of Montignac in the Vezere Valley.

They became famous when numerous Palaeolithic cave paintings were discovered adorning their walls.

These works of art, portray realistic portrayals of a variety of large animals, which are estimated to be as much as 20,000 years old if not far older.

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One of the cave paintings depicts a pregnant female Bison next to which is a bird headed shaman who appears to be falling backwards with his arms spreading out.

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The shaman has an erection, which is indicative of erotic trance. Next to the bird headed shaman is a staff topped by a bird head, whose symbolism refers to an out of body experience.

The symbolism of the female Bison is an ancient link to the Lamassu and Haagenti, whose Eagle/Gryphon wings refers to the ecstatic out of body flight of a bird headed shamans (Enti) spirit.

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You could conjecture that the bird headed shaman of the Lascaux (Haag) cave is being visited by a (Hag) Succubus whom is the spirit of the female Bison, which is manifesting in human, form within the trance vision of the shaman.

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The Hag visitation of the Succubus is initiating the shamans ecstatic (Enti) flight out of his body through her (Vesica Pisces) vaginal stargate. (This will not sound too odd when to look into the shamanic experiences of Dr John C. Lilly, who spoke of accessing inner (vaginal portals) doorways, which allowed him to attain ingress into alternate realities.)

The shaman in question is probably intending to attain the virility, strength and power of a male (Shedu) Bison via his (microcosmic) trance union with the (Lamassu/Haagenti) Bison mother, whom he has made pregnant, whereby facilitating a (macrocosmic) successful hunt, whose hunters were highly versed in observing ensuing (associative) synchronicities, they probably experienced as signs, portents and omens.

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Should you consider the above conjecture to be rather strange, all you have to do is to is to remember, White Buffalo Calf Woman (Lakota: Pte Ska Win/Pteskawin/Ptesanwi) who is a sacred woman of supernatural origin. She is central to the Lakota religion as the primary cultural prophet. Oral traditions relate that she brought the ‘Seven Sacred Rituals’ to the Teton Sioux.

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The erotic trance erection of the bird headed shaman was later symbolised in Alchemical terminology in regards to changing water into wine. The symbolic usage of wine is a coded reference to emotional ecstasy, which has been transmuted from a base emotional state, associated with water. This is further emphasised in regards to transmuting lead of a base emotion into gold of an ecstatic emotional state, which is attained via shamanic trance ingress into the dream. The realm of the electron dream is symbolised in Alchemy as the Anima Mundi, whose bio-photon fluctuations manifest as Succubae. The shamans ingress into the feminine domain of the dream is termed in Alchemy as the ‘sacred wedding.’

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The motif of the ‘sacred wedding’ is referred to in highly coded form in the Gospel of John, who describes a wedding that Jesus attended. As the story goes, when the host of the celebration unexpectedly ran out of wine, Jesus performed his celebrated Goetes ‘miracle,’ in which he turned water into more wine. There are many who believe this literally happened, to have taken it further by attempting to drink petrol, they believe has been transformed into pineapple juice by an insane pastor. The utilised symbolism of transmuting water into wine is not literal. What it is actually describing is the arousal of a shamanic state of erotic trance where the base emotion of water/lead is transmuted into wine/golden ecstasy.

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This is when certain practitioners of Yoga experience the arousal of the Kundalini Shakti (fire snake) the Kalahari Bushmen of South Africa term as the Num. The aroused Num then hits the back of the head, which initiates trance, the Bushmen call Kia. The experience of the Num hitting the back of the head is similar to that of experiencing an orgasm; whereupon a male may experience having an erection.

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As an aside of sorts, there are aboriginal Australian cave paintings, which feature scenes of ‘unparalleled eroticism’ that were blamed for an archaeologist’s unwanted bird man erection during a lecture to his female students. Archaeologist Bruce Byrce, a professor at the University of Hong Kong, was giving a ‘Watery’ talk on the series of drawings found upon the cave roofs amidst the Mad Max wilderness in Arnhem Land in Northern Australia, when a particularly saucy ‘Wine’ slide gave him an unexpected bird man erection.

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Professor Byrce reportedly blushed ‘Red’ as a grape, who bumbled over a series of ‘Watery’ facts to Dionysian lose his ‘Wine’ track. Bryce then attempted to stand at a weird 33 degree angle to the female audience of Maenads in an attempt to mask his throbbing bird man staff.

Bryce honestly related; “I had been excavating the site for the last six months, looking at the sexy cave paintings every day. I didn’t once get a semi that whole time, so imagine my surprise when I went full salute during the lecture.”

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One of the sections of artwork, the archaeologists had excavated depicted three naked copulating couples. The cave paintings have been dated to 28,000 years old, making it one of the oldest Tantric scenes in the whole world, which still has the emotionally charged Haagenti power to transform water into wine, lead into gold. But, if you see such works of art to be mere pornography due to your watery religious upbringing, where sex is considered to be the first sin, rather than leaden ignorance, you will never understand what Haagenti represents of sexual alchemy.

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What Haagenti communicates is quite simple; what turns you on sexually, of symbolic stimuli, can be introverted of an ecstatic (Wine) emotional state in order to empower trance ingress into a lucid dream; for it is your emotional ‘charge,’ which ‘spins,’ your electron dreams into (Gold) lucidity. Wherefore erotic works of art covering cave walls were utilised for this purpose by ancient shamans.

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This most ancient technique is easily overlooked by those who have forgotten how to dream within their square minded dens, who believe that such imagery is just an expression of pornographic hedonism.

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The sexual imagery was otherwise ‘spiritualised’ by those who have not forgotten how to dream. This is achieved by internalising the sexual impulse, which has been aroused by the power of Art.

Whereupon enabling a shaman to attain an awakened state within the dream, where a two dimensional image of a Succubus is experienced as a three dimensional sensory reality.

NOTE: The term pornography has become a loaded word nowadays, which is often utilised to castigate anything considered to be degenerate by politically correct minds, who police the thoughts of others.

Pornography was originally applied to images and literary works, which just evoked a sexual response in the observer.

However, pornography indulges in sex for its own sake without having any other meaning outside of copulating, whereas, the term erotic can have associative meanings outside of the sexual act its self.

In the West, the sexual act is not seen to have a spiritual dimension; this is due to the mass indoctrination into an ‘Animus’ fixated monotheistic religion, having a celibate emphasis, which has castigated sexuality as well as the feminine principle of the ‘Anima’ out of the spiritual equation.

This has in turn heavily influenced Western occultism; whereupon, many an indoctrinated mind will castigate Tantric works as being pornographic, let alone considering them to be Satanic.

In order to offset the religious indoctrination, you will have to look into other less sexually repressed cultures, who see human sexuality having a spiritual dimension.

As for the term spirituality it is about personally experiencing something quite other; it is not about blind belief or having faith in a passed down religious dogma, nor is it associated with a newage fluffiness.

One of the primary reasons why an established religion has a set of rules, which controls sexuality is because the sexual act can lead to altered states of consciousness, whether it is engaged in physically or even vividly imagined, which induces physical arousal. This is more so the case when the sexual impulse is introverted in order to empower lucid dreams, such as inducing a Succubus visitation.

The shaman utilised celibacy as a tool in order to introvert his/her sexual impulse into the dream. It was not used as a means to disengage from sex, but rather to drive it inward via meditative practices, using erotic (icons) images. This will invariably lead to a physical frustration building up, which then expresses its self within the dream, and in turn inducing an altered state of consciousness, in league with what is to be conjured within an induced lucid dream.

The established monotheistic religions in particular do not like you engaging in personally experiencing altered states of consciousness, which leads to spiritual insights, because this will then lead to these religious cultural-constructs losing their illusory influence over you.

The Rabbis/Priests/Mullahs do not want you discovering your own inner reality; for if you do so, they are soon out of their tax dodging business, which relies on you believing in their cultic dogma rather than you personally exploring your own consciousness.

Wherefore the established monotheistic religions have set up an ‘Animus’ fixated symbolic paradigm in order to make you fear your own sexuality as well fearing the inner realms of your dreams, let alone castigating the ‘Anima’ out of the symbolic equation.

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