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SHAMAN SPIRIT DRUM LUCID DREAMING

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 27, 2017 by FAUSTUS CROW

The Artwork depicts a Yakut Shaman, whose trance drum is symbolically seen to be the genie bottle abode of the his Spirit Wife, who visits him within his lucid dreams.

The Artwork is available as an Art print or a shirt design, etc; if you are interested, Check Out my Redbubble shop, Please Click Here.

The European classification of the Spirit Wife is usually based upon a medieval perception, which considers the Spirit Wife to be a demonic entity, called a Succubus.

Western psychology, during the Soviet era, once considered the Spirit Wife complex of Siberian shamanism and that of other shamanic cultures to be a mental aberration, or that of fantasy prone individuals indulging themselves in erotic delusions. However, the psychologist Carl Jung otherwise saw the Spirit Wife/Succubus as being an archetypal aspect of the ‘Anima.’

Jung saw the feminine archetype of the ‘Anima’ as being the personified intermediary with the psychic powerhouse of the subconscious, whose myriad female forms are encountered within ‘lucid’ dreams, from whom a Shaman derives his psychic abilities, an Artist is inspired by as his Art Muses.

The motif of the Spirit Wife is known to the Yoga practitioner as Shakti, whose numerous feminine aspects are called Dakinis, which is also very much part of Tibetan Buddhist dream Yoga practices as well as Siberian shamanism.

For example, the Goldi tribe of Siberia clearly distinguish between a female tutelary spirit, known as an Ayami, which in Western occult practice is of similarity to the (HGA) Holy Guardian Angel, (Jung would also see the HGA as being the ‘Anima,’) who chooses the shaman.

Whereas the helping spirits, (Jung would see as being the myriad aspects of the ‘Anima’) the Goldi call Syven, an occultist would call (Succubae/Succubi) Demons, which are subordinate to the Ayami. The Syven are granted to the Shaman by the Ayami herself. The Altaic name, Ayami means, ‘Silk Twisted In Beauty,’ as in a horse’s mane. The Siberian shaman in particular sees the drum as his Mare, who too is his Spirit Wife, whom he trance rides as an eight-legged female centaur into conscious dreaming.

According to the ethnologist and anthropologist, Leo Sternberg, the Goldi explain the relations between the Shaman and his Ayami by a complex sexual emotion. Below is an experience related by a Goldi shaman:

“Once I was asleep on my sick-bed, when a spirit approached me. It was a very beautiful woman. Her figure was very slight, she was no more than half an arshin (71 cm.) tall. Her face and attire were quite as those of one of our Gold women.

Her hair fell down to her shoulders in short black tresses. Other shamans say they have had the vision of a woman with one half of her face black, and the other half red. She said: ‘I am the “Ayami” of your ancestors, the Shamans. I taught them shamaning. Now I am going to teach you. The old shamans have died off, and there is no one to heal people. You are to become a shaman.’

Next she said: “I love you, I have no husband now, you will be my husband and I shall be a wife unto you. I shall give you assistant spirits. You are to heal with their aid, and I shall teach and help you myself. Food will come to us from the people.”

I felt dismayed and tried to resist. Then she said, “If you will not obey me, so much the worse for you. I shall kill you.”

She has been coming to me ever since, and I sleep with her as with my own wife, but we have no children. She lives quite by herself without any relatives in a hut, on a mountain, but she often changes her abode. . . . Sometimes she comes under the aspect of an old woman, and sometimes under that of a wolf, so she is terrible to look at.

Sometimes she comes as a winged tiger. I mount it and she takes me to show me different countries. I have seen mountains, where only old men and women live, and Villages, where you see nothing but young people, men and women: they look like Golds and speak Goldish, sometimes those people are turned into tigers.

Now my ‘Ayami’ does not come to me as frequently as before. Formerly, when teaching me, she used to come every night.’

She has given me three assistants-the ‘Jarga’ (the Panther), the ‘Doonto (the Bear) and the ‘Amba’ (the Tiger).

They come to me in my dreams, and appear whenever I summon them while shamanising. 

If one of them refuses to come, the ‘Ayami’ makes them obey, but, they say, there are some who do not obey even the ‘Ayami.’ When I am shamaning, the ‘Ayami’ and the assistant spirits are possessing me; whether big or small, they penetrate me, as smoke or vapour would.

When the ‘Ayami’ is within me, it is she who speaks through my mouth, and she does everything herself.

When I am eating the ‘Sukdu’ (the offerings) and drinking pig’s blood (the blood of pigs is drunk by shamans alone, lay people are forbidden to touch it), it is not I who eat and drink, it is my ‘Ayami’ alone.”

NOTE: The quoted material concerning the Ayami is derived from: Mircea Eliade, Shamanism, op. cit., PP. 72-3, quoting Leo Sternberg, ‘Divine Election in Primitive Religion’ (1924), PP. 476 ff. cf.. Shamanism, PP. 42l ff., for autobiographies of South-Indian Savara male shamans and female shamans, whose marriages to (Anima – Animus) spirits are in striking parallel to the documents collected by Sternberg.

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SHAMAN DRUM SIBERIAN TRANCE

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 22, 2017 by FAUSTUS CROW

The design features a Finno-Ugric Siberian shaman. The word Shaman originates from Siberia, which is said to be derived from the Evenki word “šamán,” most likely from the South-Western dialect spoken by the Sym Evenki peoples. If you are interested in the Art pint, shirt design, etc, Check Out my Redbubble shop, Please Click Here.

The Tungusic term, Shaman, was subsequently adopted by Russian explorers interacting with the indigenous peoples in Siberia. The word, Shaman can also be found in the memoirs of the exiled Russian churchman Avvakum.

The term Shaman has since been adopted by anthropologists as a coverall term for numerous other cultures who share similar shamanic techniques, which enable a practitioner to alter his/her (brain wave) states of consciousness.

The Siberian shaman in particular utilises the drum. The drum is often referred to as being an eight-legged-mare; which is in turn is associated with the abode of a (Anima emanation) Spirit Wife, somewhat like a genie in her (drum) bottle. In other words, the drum, Mare and Spirit Wife are seen to be the same. (The Eight legs of the Mare, being the eight compass directions of a symbol painted upon the skin of the drum, which is also associated with the motif of the World Tree.)

 

The shamanic motif of the Mare and the Spirit Wife leads to the term ‘Nightmare,’ which originally referred to the Old-Hag Syndrome.

The Old Hag Syndrome is otherwise known as the Bedroom Invader Experience, which is experienced when an individual inadvertently accesses hypnagogic trance.

An unprepared individual will invariably become terrified when accessing hypnagogic trance, wherein he/she will experience the manifestations of his/her deepest fears, which often involves sexual scenarios.

Whereupon the term, Old-Hag Syndrome refers to the visitation of a Succubus, whose initial manifestation is nightmarish, which induces the experience of intense pressure upon the body, the sensation of being (Sphinx) strangled, sleep paralysis, vivid hallucinations, and eventual lucid dreams.

Wherein an individual will feel as if he is being abducted by otherworldly (Alien) entities as well as experiencing out of body experiences.

The Shaman learns to control his fear, in order to ride the (inner TARDIS) ‘Night-Mare,’ rather than being ridden by her.

Whereupon she becomes his (Ally) Spirit Wife; hence the carved (World Tree/Axis-Mundi) handle of the Shamans (Mare) drum in the design, which represents his (trance) Spirit (Anima-Mundi) Wife.

(NOTE: The Mare/drum [trance symbol and tool] is seen to be tethered to the World Tree, which symbolically represents the spinal column of the Shaman. The Spirit Wife refers to what Yoga practitioners call the Kundalini Shakti, which is experienced as a liquid energy that is aroused to arise along the (World Tree) spinal column. the Kalahari Bushmen of South Africa call this inner energy, Num, which is aroused when a practitioner accesses hypnagogic trance, which the Bushmen call, Kia. In ‘trance dance’ culture of the [Rave] dance clubs, this inner energy is known as ‘The Rush!’)

 

The monotonous beat of the drum stimulates the Theta brain wave, which induces hypnagogic trance. The experience of hypnagogic trance is basically hypnotic induction.

The Theta brain wave is also associated with anxiety reduction, the active (day dreaming) imagination, lucid dreams and Zen meditative states.

Shaman Drum Siberian Trance by MARDUN

The Theta brain wave is depicted in the design, which is also known as the hyper-suggestible state.

The inducement of the Theta brainwave allows for mental programming via the use of repetitive Mantas, such as the ecstatic songs (and trance dancing) of a shaman are effective at dispersing fear states, when sung in conjunction with the (Spirit Wife/Mare/Pony-Girl) drum.

Shaman Drum Siberian Trance by MARDUN

The above Art and information is covered in my Art books, ‘Goetia Girls,’ which are available from Createspace and Amazon, under my author’s name, Faustus Crow.

If you are interested in the Art print or shirt design, etc, Check Out my Redbubble shop, Please Click the Image Link above.

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THE ALL SEEING EYE OF DIANA LUCIFERA

Posted in Alien, Chaos Magic, Conspiracy Theory, Demon, Demonology, Devil, Extraterrestrial, Occultism, Shamanism, Sorcery, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 26, 2015 by FAUSTUS CROW

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When you give a name to something, it often sums up your desires and aspirations; the name is that of a statement, which often says something about you. In the world of advertising, the merchandising of a product is based around the a name of a brand; this can lead to copyright wars, when a well known brand name of a company is copied by a copycat, which seeks to ride its back.

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As you can determine going by one’s own name, to that of naming a child, a name is very important; you may have even given a pet name to an inanimate object, such as your car; wherefore It is rather curious that the holier than thou Vatican astronomers who are enthroned atop of Mt Graham in Arizona would associate themselves with a telescope named the: Lucifer Binocular Telescope (LBT).

But then the patriarchal name of the fallen angel Lucifer, that many equate with their phallic Devil to otherwise call Satan had originally been derived from the name of the ancient Roman Goddess, Diana-Lucifera who had nothing to do with evil. Diana Lucifera is depicted wielding a torch, looking somewhat like the statue of Liberty. Her torch refers to an inner fire, you can equate with the bio-photon light emanating from your mitochondrial DNA, which illuminates your dreams, and in turn illuminating your perception of reality.

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The mitochondrial DNA is passed down from the mother to her children; hence, the source of the inner light was intuitively sensed by many ancient cultures as being female; whereby, the Hindu’s saw the creative source of your experiential reality as being a Goddess to name as Maya; the ancient Roman’s named Diana Lucifera.

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However, I do not think that the Vatican astronomers give a toss about the prior name origins of their Lucifer at all. You may otherwise soberly point out that the Vatican Observatory is merely a member of the Mount Graham International Observatory (MGIO) consortium, together with a number of other institutions from Europe and the USA. The MGIO comprises a large number of stake holders, most of whom have nothing to do with the Vatican Observatory.

One of the stake holders in the MGIO is a group of European institutes, and it is this separate group who had built an infrared camera and spectroscope, and named it Lucifer, not the Vatican. The problem with this rather quaint argument is that the Vatican has a lot of political clout, who could have quite easily stopped the Lucifer Binocular Telescope (LBT) from being named Lucifer, since it is quite obvious to all and sundry that the name association is a case of bad press for the Vatican.

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You might further argue that the Vatican could not influence European institutes naming of their telescope; but this argument does not add up to squat. It would have been very easy indeed for the Vatican to have nudged the European institutes to name of the telescope in their own favour.

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In 1984, the University of Arizona and the Vatican selected Mount Graham as a site for a complex of eighteen telescopes. The fact that this is a sacred place for the Apache was never taken into consideration. To get around the legal barriers of the American Indian Religious Freedoms Act, the University hired a lobbying firm to put pressure on Congress to remove this, and other, roadblocks. The area in question is administered by the U.S. Forest Service.

For many Native American nations there are certain geographic locales, which have special spiritual meanings. These sacred places are seen as being portals into the spirit worlds, or other dimensions if you prefer. For the Apache in Arizona, one of these sacred places is Mount Graham, which in their own language is named: Dzil Nchaa Si An (Big Seated Mountain). Dzil Nchaa Si An is mentioned in thirty-two of the sacred Apache songs which have been handed down through their oral tradition for many generations. It is upon  Dzil Nchaa Si An that the Ga’an, the guardian spirits of the Apache, live.

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With flagrant insensitivity to American Indians, the University of Arizona initially announced that it intended to name its new telescope on Dzil Nchaa Si An the Columbus telescope in honour of the European explorer. Columbus is not considered to be a hero by American Indian people. Ultimately, the University withdrew the name following public response against it. The university could have named their telescope after an Apache deity; but this would have of course pissed off the Vatican.

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Apart from the Apache protest a number of ecological groups got involved due to the construction of the site affecting the endangered species of the area, the Vatican was generally unconcerned about the impact of its astronomical temple upon the natural environment. Following the declarations of the sacredness of Dzil Nchaa Si An by the Apache Survival Coalition and the San Carlos Apache Tribe, the Vatican in 1991 declared that Dzil Nchaa Si An is not sacred because it lacked religious shrines. The Vatican is somewhat oblivious to the fact that many non-Christian cultures consider a mountain to be a shrine in its self, as well as the entirety of the Earth.

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Jesuit Father George Coyne, director of the Vatican Observatory, indicated that he could not find an authentic Apache who thought Dzil Nchaa Si An was sacred; but then the Apache had been decimated by his church at a time when many native American children living out their prison existence upon the reservations were forcibly separated from their parents and re-educated in church run schools; suffice to say, they soon forgot their own ancestral-self-identity, just as the brainwashed European’s have long prior forgotten theirs. Although, not all of the Apache have forgotten their own ancestral legacy.

Father Coyne stated in order to convince him that Dzil Nchaa Si An was sacred he would need to see evidence of shrines, which are of similarity to the altars of Solomon and that he would not accept Apache oral history or statements by Apache-speaking Euro-American anthropologists.

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Father Coyne further declared of a bellowing voice, sounding like an evangelical Columbus, that Apache beliefs were, “a kind of religiosity to which I cannot subscribe and which must be suppressed with all the force we can muster.”

It is even reported that the Jesuit Father Charles W. Polzer called opposition to the construction of the telescope complex upon Dzil Nchaa Si An as being,  “part of a Jewish conspiracy,” coming from the Jewish lawyers of the American Civil Liberties Union who are out to undermine and destroy the Catholic Church. Polzer’s perspective stems from a medieval mindset; the Catholic Church always had a grudge against the Jews, which invariably led to the holocaust. This is all rather odd, considering that his Church had appropriated the ancestral-self-identity of the Hebrew’s hook line and sinker in the first place.

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Much of the antagonism with the Apache could have been easily nullified if they had consecrated the observatories to the Apache Ga’an as a sign of respect. But no, the Vatican couldn’t allow for that; it had to brand the mountain as their own. The political pressure of the Vatican had its eventual way, yet, when it came to an affiliated astronomical organisation naming a telescope, Lucifer, it did nothing!

Names are very important; this is more so the case, concerning those of a religious bent of mind; so, why did the Vatican allow for a telescope to be named, Lucifer, which for many a Christian, Muslim and Hebrew alike of a shared Abrahamic focus conjures up the association with daemonic fallen angels?

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Well, it may be because the Vatican was outraged by the Apache protesting against their astronomical temple being built; nor did the Vatican like the Apache seeing their Catholic icon of Columbus as being a lowly gold greedy invader; whereby, the Vatican allowed for the name of Lucifer, which no doubt refers to the Apache Ga’an, who are very likely seen by the Vatican as being fallen angels.

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The reason why Dzil Nchaa Si An is considered to be sacred by the Apache is due to the observation of fiery orbs and flying disks, etc, flying over the mountain and other sacred locales around Arizona, which are seen as the Ga’an, whose manifestation is otherwise termed as being UFO’s by the controlled media. However, the US media machine was not the first to have come up with the term, flying disk. The Apache had long prior associated the disk with their creator deity:

“In the beginning nothing existed–no earth, no sky, no sun, no moon, only darkness was everywhere. Suddenly from the darkness emerged a thin ‘disk,’ one side yellow and the other side white, appearing suspended in midair. Within the disc sat the Creator, the One Who Lives Above.” 

As you are no doubt aware, Arizona is a hot spot for Ga’an UFO’s; most of the observers of which, have been white European’s over recent years, who are primarily mobile phone wielding Christian’s.

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The naming of the telescope atop of Dzil Nchaa Si An as being Lucifer has led to a mass mind focus upon the area by many Christian’s, Muslim’s and Hebrew’s of a shared symbolic focus, which has entirely negated the Apache sacredness of the area. It is basically a case of psychological warfare.

The prior name of Columbus for the telescope sums up the discovery of another world and its denizens. However, a Native American will point out that it is the other way around concerning the Ga’an.

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Who knows, you may be unknowingly living upon a reservation of a prison planet as fallen angels, since the number 666 is the atomic number of carbon. We are all carbon based life-forms; whereby, if you sincerely believe 666 represents evil, you are then saying all life is evil.

Should you allow for your imagination to let rip, to enter into the arena of science fiction, you could see the Ga’an as being an inorganic intelligence, who are silicon based, you could otherwise construe as being a machine intelligence, like drones. You could then see your reality as being akin to a computer simulation as depicted in the Matrix films.

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This isn’t too far fetched as it seems since your perceptions of reality are often subiminally molded by symbolic stimuli all around you, which can be easily manipulated; such as by using a name, like Lucifer, to then subversively conjure up associative correspondences within your indoctrinated subconscious; wherefore, you then find yourself surrounded by invisible prison bars of a symbolic Matrix.

This collective focus can engender paranormal phenomena to occur at certain locales, which of a manifestation is determined by how the mass-mind is cohered to focus upon certain symbolic stimuli at particular key-times under the ‘observed’ star clock.

But the religious symbolism employed by the so called Holy Roman Empire and that of the later Vatican is not as yet shared by all peoples. A Hindu still remembers the name of Maya, the ancient pre-Christian Roman’s had named as Diana Lucifera.

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When a Cult erases your past, it then owns your present, and in turn determines your future. The ancestral-self-identity of many European’s has been entirely erased, over two-thousand years of systematic indoctrination by the so called Holy Roman Empire; although the Roman Empire appears to no longer exist; it is still around of a religion, which had been prior appropriated from the Hebrew’s just as Islam was, of a self-perpetuated Matrix of religious symbolism.

You then have your perception of reality being imprisoned amidst a ‘triangle’ of Abrahamic faiths, which had first stemmed out of Abraham’s city of Ur in Iraq, atop of whose ‘ziggurat’ Abraham’s ‘eye’ over-watches you all, on the back of every oily petrodollar.

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Little wonder then that the Middle East is a place of perpetual wars, whose conflict is all about which of the three Illuminati faiths of Ur will control their theocratic vision of a New-World-Order Matrix.

You can thereby gauge why the Apache did not want the Vatican’s astronomical temple of an observatory being built atop of the sacred site of their ancestors; for in doing so, the Vatican is branding the Apache ancestral-self-identity with a mass-mind focus upon their Lucifer. It is an old story of a tried and tested tactic, the so called Holy Roman Empire did likewise with many of the ancient pre-Christian sites across the whole of Europe, over which the dreamers once hovered as ‘fiery’ orbs, flying across the spirit paths of an elder Matrix!

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The elder symbolism had been misappropriated by the three Illuminati faiths out of Ur. The Judaic symbolism of Mt Zion, originally referred to the Northern cosmic mountain of the horned shaman, which represented his body. The cosmic mountain was interpenetrated by the World Tree, which symbolised the spinal column and nervous system of the shaman, tuning into other dimensions.

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It is upon the World Tree the shaman hung himself into trance, which was later transformed into the cross of Christ. When the shaman attained the power of trance, it was represented as a horse, which later became the Buraq of Mohammad.

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The seven heavens Mohammad is said to have journeyed through, the shaman had prior equated with planetary Chakras situated along his spine of a world tree. The veil of Mohammad refers to the trance visor worn by a shaman. The misappropriation of the elder symbolism is that of a Cultic power game, which was never owned by these religious Cult-ural constructs.

The horned shaman was seen to have mastery over the internal light of an inner fire, whose source was intuitively felt to be female; this was achieved through various breathing techniques, like those found in Yoga. Wherefore in the Altai of Southern Siberia the shaman is called Odqan, whose name means, Fire King. It is from Odqan that the name of the shamanic deity of the Norse is derived who is called Odin; Od means light/fire and ecstasy, In, means master of a thing. The Saxon’s named Odin as Woden.

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Alas, the horned shaman was demonised as being a Devil, to call Satan or to otherwise name as Lucifer by the three Illuminati faiths out of Ur, who perpetually war with one another for dominance. When the horned shaman returns of an understanding, after its long dismemberment by these three Illuminati faiths, the horned shaman will be seen as the original source of their appropriated symbolism; but this will require that everyone remembers their own shamanic legacy; for the horned shaman is in us all.

Maybe the reason why the Jesuit priests are so interested in observing the star-clock is in order to determine an Omen key-time when the horned shaman returns; for it goes without saying, the horned shaman will overturn the temple tables of their ‘Animus’ fixation; wherefore, they will see the horned shaman as being very dangerous indeed to their big-business Cult of Rome, and likewise with Mecca and Jerusalem. In order to negate any consciousness expansion highs from occurring amidst the collective populace at key-times, due to magnetic fluctuations of the earth’s field under the star-clock, negative viral-meme downers are prior engineered, involving numerous Biblical End-Of-Days scenarios, which are then perpetuated across the Web by the indoctrinated masses; the purpose being, to stop the collective from seeing through the wrought illusion of a symbolic Matrix.

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The triangle of the three Illuminati faiths are primarily empowered by the temporal need for oil; when this shifts to another locale of source, the Illuminati faiths will lose their temporal power base of the Middle East. It just so happens that this is presently occurring, concerning the mammoth oil fields found under the melting Siberian tundra due to climate change, where the shaman still exists. Hence, the reason why Russia finds its self being increasingly encroached upon as the Earth’s North magnetic pole drifts away from North America; it is apparently moving very fast, that it could end up in oil rich Siberia within fifty years or sooner, astronomers have said.

It is very likely that the Jesuit priests atop of Dzil Nchaa Si An are aware of this astronomical fact as well as being aware that during the human genome project key-time of 2012, DNA research discovered genetic markers which, linked people living in the Russian republic of the Altai, of Southern Siberia, with the indigenous populations in North America. One could suspect that the Jesuit priests consider this correlation as not being a mere coincidence who greatly fear the firestarter from returning, whose arrival of a reforged elder understanding will unify the ancestral-self-identities of the natives across the Bifrost bridge of the Bering Straits and further afield unto Europe, let alone across the globe.

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GHOST GIRLS OF EASTERN EUROPEAN SHAMANISM

Posted in Alien, Chaos Magic, Demon, Demonology, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 31, 2015 by FAUSTUS CROW

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Rusalka ‘plural: Rusalki was perceived as a female Ghost, Water Nymph, Succubus or Mermaid of an Inorganic Feminine Intelligence, who often dwelled in a waterway.

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According to most pre-Christian Slavic traditions of Eastern Europe, the Rusalki ghost girls were usually seen as being of an amphibious nature, which indicates reptilian characteristics.

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The Rusalki ghost girls primarily live at the bottom of torque whirlpools, which is somewhat reminiscent of what the Yaqui Sorcerer called Don Juan told the author Carlos Castaneda about the Inorganic Feminine Intelligence called the Allies, which also frequents whirlpools.

A salacious Rusalka was seen to stalk the depths of the humid night as a ghost, walking upon the river bank naked or to dance amidst the meadows sky-clad. Should a Rusalka see a handsome male, she would mercilessly hunt him down, fascinating her quarry with erotic songs filling his head.

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He would also be tormented by visions of the Rusalka ghost girl sensually dancing before him, so that to mesmerise her prey, leading him away towards the river floor, to live with her; that, or she to haunt his watery astral dreams wherever he goes, such as haunting Faustus Crow as Mephistophina.

There are are also Russian folktales concerning the Rusalki, which have parallels with the Germanic Nix, Irish Banshee and the Glaistig; but most especially in regards to the Hindu/Tantric female faerie sorceresses called Dakini’s, who are also known by the Tibetan Buddhist as Khadomah.

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Visual descriptions of the Rusalki reflect their environment, varying in form from region to region, wherein to find Rusalki of fertile areas such as in Belorussia manifesting as seductively beautiful naked maidens who live without men amidst them. However, In Greater Russia, whose environment is much harsher, the Rusalki appear as lithe gymnastic Scythian Amazons of warrior predilection. But then, they are a fusion between the Valkyries of the (Rus) Vikings and the female spirits of Slavic elder lore.

While in the Ukraine they were often linked to water. In Northern Russia, the Rusalki manifest as hideous hags, who are very hairy wild-women; whereas others of this region describe the Rusalki as being sinfully wicked young ghost girls, who manifest as very attractive Ice maidens of carnally perverse wanton wiles, with wild dishevelled hair.

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One folklorist discovered tales, which described the Rusalki ghost girls as being similar to Vampires: “They were naked, wan, and cadaverous, like drowned corpses, and their eyes shone with evil green fire.” (Johnson, Kenneth. Slavic Sorcery: Shamanic Journey of Initiation. St. Paul, MN: Llewellyn Publications, 1998: page: 155)

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The Vampire aspect of the Rusalki ghost girls is very much like the nature of the Viking (Rus) Valkyries who, as death angels, are attracted to conflict; they can either protect a warrior from harm, or determine his fate in battle.

The Rusalki ghost girls are usually perceived as beautiful fish-women or as Mermaids who are commonly portrayed in Slavic folk-art and fairytales as stunningly seductive creatures, whose beauty is unrivalled by any mortal woman.

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Another folklorist related: “In her outward appearance, the Rusalka matched the natural beauty amid which she lived. Her fair tresses flowing in an eddying endless stream, her fine features framing her fathomless eyes; simply to see her was to ache with desire.” (Phillips, Charles. “Spirit Masters and Little Demons.” Forests of the Vampire: Slavic Myth. Myth and Mankind Ser. Amsterdam: Time-Life Books, 1999: pages: 58-77.)

While other informants describe the Rusalki as: “their faces are pale like the moon, and they wear robes of mist or green leaves, or perhaps a white robe without a belt. Their hair is green, or brown, decorated with flowers” (Johnson 155). The ethereal beauty of the Rusalki can only be tarnished by the windows to their inner beings, which are as their spiral eyes, of gold flecked green flame, telling of their tragic beginnings.

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The Rusalki ghost girls are most commonly perceived to be the spirits of young women who have met their dire fate by drowning in deep waters, whether by accident, suicide or by malicious intent, or to have been murdered by their own mothers. However, the motif of ‘drowning’ may actually allude to trance Induction of which the feminine is most adept at. The Rusalki have since been transformed into aliens emanating from another dimension, or to have otherwise descended from the starry ocean of the cosmos as blond haired Vril Angels, who are mistakenly described as being Nordics extraterrestrials. But then as Tesla Muses, they did beat the Operation Paperclip ‘Nazi Assisted Space Agency’ to get into space.

“Belief in them is most widely spread among the Russian’s (the Christian practitioners of Dvoeverie), who hold that they are children who have died un-baptised, or have been drowned or suffocated, or else that they are girls and young wives who have met an unnatural death, or have been cursed by their parents” (Máchel, Jan. “Slavic Mythology” The Mythology of All Races. Vol. 3. Celtic & Slavic. Eds. Louis Herbert Gray and Consult. Ed. George Foot Moore. Boston: Marshall Jones Co., 1916: 13 vols: pages: 214-312.)

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These ghosts of drowned girls are perceived to spend some time in a purgatorial limbo state before becoming a Rusalki, as if to allude to an Initiatory period of training. During this time of Initiation the young Rusalki are known by the Russian as a Navki, or in Polish as Látawci Navki who are reputed to appear in the form of birds, which cry out wailing cries like forlorn infants. The Navki continuously comb the countryside in search of their former mothers, who would be quite shocked by what their daughters are becoming of a Pussy-Riot rebel generation. But what do you expect; there be a commonality of Playgirl Grimoires listing butch ‘Animus’ Angels and Demons; whereas Playboy Grimoires are not to be found of conjuring the ‘Anima’ manifestations of the Succubae Rusalka, such as the one time Succubus, named Astarte, who be otherwise known as Astaroth.

The young Navki ghost girls are usually seen to be rejected by the mother Church of Rome, whose patriarchs greatly fear them with deep dread, due to their malign reputation of jealously attacking those Christian women who are said to be close to the time of childbirth. Although this has more to do with attempting to stop a child from being brainwashed into the appropriated ancestral-self-identity of another people, whose cultural construct of a Abrahamic religion had been stolen by Rome.

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The initiatory period of wandering for these angry ghosts of the Navki lasts for seven long years, which seems to indicate an elder tradition of training young girls by some form of ancient matriarchal religion. The chosen girls were no doubt highly adept at trance (drowning) induction, who left their natural mothers in order to be trained. However, those of a Christian disposition perceive the Navki as begging anyone of the Abrahamic monotheist faiths, who will listen to their sad ghost tale, to baptize them. But if the Navki cannot find a Christian cultist to take pity on their wailing voices, to utter Biblical prayers, they are doomed to spend the rest of their days as Pagan (Succubae) Rusalki. As rebellious Pussy-Riot Rusalki, their predatory nature is to seek out Alpha males with one time Order Of The Dracul fast horses to that of Illuminati sports cars, both of which denote big Vatican wallets to suck dry.

It is those quiet spots out of the way ‘power-places’ along woodland brooks and rivers where the Rusalki are seen to live, who also deeply dwell within the bottom of still lakes and ponds, or under the continual turbulence of sharp rapids. There are certain times under stars, revolving as a Zodiac clock, when they eventually emerge from out of their underwater world. The Rusalki are then found to be sitting upon their shores near ‘spiral’ engraved standing stones. Or to be otherwise found perching within sanctified ritual world-trees of prayer offerings, wearing nothing but feathered cloaks, where the Rusalki attempt to, “attract young people by imitating the crying of infants or laughing, giggling, and clapping their hands.” (Máchel: 253).

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Many of the Eastern European folk stories describe the Rusalki realm of their underwater Harem abode as, “a place of entrancing beauty, its vast marbled chambers hung with crystal chandeliers, its walls and floors set with gold and precious stones.” (Phillips, Charles. “Spirit Masters and Little Demons.” Forests of the Vampire: Slavic Myth. Myth and Mankind Ser. Amsterdam: Time-Life Books, 1999: pages: 58-77.)

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But as beautiful as these underwater dream Harems of trance realm be, the amphibious Rusalki between and betwixt realities yearn to return to the land when summer approaches whereby, “the waters are warmed by the rays of the life-giving light, they have to return to the trees, the houses of the dead.” (Johnson: 155).

The Rusalki ghost girls were believed to be at their most sexually dangerous during the Rusalye, Rusaliia ‘Rusalki Week’ of early June for at this time, they to have left their watery uterine depths so that to seductively swing upon branches of sacred Birch of forest and Willow trees, near waters at night, chanting out their hypnotic Spell-formulae. The honouring of the Rusalki’s sacred tree is usually that of the Birch.

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The Slavic peoples of pre-Christian Eastern Europe used to believe that trees are highly evolved beings, which are far more connected to humans than other plants and animals. This belief is not too dissimilar to the ancient Celtic perspective of sacred trees. The Birch tree is one of the primary holy trees of the Siberian Shaman, which is perceived to be the ‘World-Tree.’ The Birch tree, in particular, is seen as being, “the locus for the coming together of the living and the dead, the communion of animal, plant and human life.” (Hubbs, Joanna. Mother Russia: The Feminine Myth in Russian Culture. Bloomington: Indiana UP, 1988: page: 33).

During Rusalki Week of partying, Birch Trees are usually decorated with flowers and other offerings such as prayer bundles, where they stand naturally, or branches of the tree may be brought into the home to be made into birch-garlands. Other village communities have been known to send young men into their local forest to fell a Birch, “which the girls dressed in women’s robes decorated with bright ribbons and pieces of cloth.” (Johnson: 157).

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The Birch tree was then duly carried into the village, while songs were sung over it and the arrival of the Birch into the village was heralded by a ritual meal. This sacred effigy of the Birch was then erected in a specially made ritual house at the centre of the village, where she presided over the week’s festivities as a deity. This ritual is reminiscent of another Russian deity and powerful Sorceress called Baba-Yaga of a similar type to that of the Scottish Highlands, Cailleacch Bheur, whose nature is akin to Hindu Kali who lives in a ‘hut’, which stands on Bird legs amidst a Birch tree forest; whereby the Rusalki are as her faerie sorceresses.

Swimming during this week was strictly forbidden especially to for pubescent young girls and boys just entering maturity, lest Mermaids would drag the girls down to the river floor to make like themselves; while the boys are seduced by wet dream torments. Some folklorists have noted that the word Rusalka originally referred to the dances of girls at Whitsuntide. The word is conjectured to have been derived from the Greek, and that of ‘Rosalia’, the Latin term for Whitsuntide week, which originally meant ‘the festival of Roses’.

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The Rusalki ghost girls are seen to spend their time combing their long luxurious braided hair, where their power to be, playing amongst themselves, dancing circles to lure female seekers to their little deaths, drowning into trance so that to initiate them into their arcane pre-Christian mysteries, while the men they to seduce.

The Rusalki are also known for being spinners of webs, who hang the results of their labours within sacred trees, or to draw spirals upon banks near flowing waters, where anyone passing should be wary of stepping upon. The Rusalki are also known for being the spinners of ‘time’ and that of your fate, who possess the power to affect the lives of local inhabitants, they, “decided who died and who would be reborn, who prospered and who perished, who married and who would be barren.” (Hubbs: 33).

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The Amphibious natured Navki and Rusalki ghost girls are in essence a folktale memory of ancient priestesses of a matriarchal Religion, who were adept at trance (drowning) Induction. The Rusalki were very likely female Shamans due to their close proximity with other North-Central Asian Shamanistic traditions such as those found in Siberia. The coming of Christianity could not handle the elder focus upon a ‘feminine Inorganic Intelligence;’ but most especially in regards to the predatory sexual orientation of an alternate Grimoire listing Succubae, which made the Christian priests to go around Cross-legged, fearing that their manhood would be enticed into a deep moist Slavic maw, forever hungering of an all female Goetia.

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VALKYRIE SHIELD MAIDENS RIDING A RUSSIAN UFO

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 8, 2015 by FAUSTUS CROW

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The Valkyries of Norse mythology are described as being the handmaidens of the shaman God Odin, whose name is very likely derived from the Altaic fire spirit called Odqan. The name of Odqan means, fire king: Od, being fire, which is symbolic of ecstasy; this altered state of consciousness induces an experience of an inner light or fire within the head of the Qan/Khan/King, shaman. This is also communicated by the name of Odin, which means Od: ecstasy/light, In: master, whose shaman character, riding an eight-legged-Night-Mare called, Sleipnir, later influenced the creation of Doctor Who riding his TARDIS.

The inner fire is associated with the Valkyries, who also have a symbolic affinity with horses. The Valkyries are very similar of nature to the Tibetan Buddhist (Succubae) Dakinis; wherefore some Siberian shamans describe their (Succubus) spirit wives as being Valkyries, since their culture had been in part influenced by the Viking Rus, who had made their exploratory way into the far North; whereby their title of the Rus, eventually gave rise to the name of Russia.

However, going by the Norse name of Odin, which means the same as Odqan, it appears that the Vikings were returning back to the mythic birthplace of their deity, who was essentially a deified shaman from the Altai region of Siberia.

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Some of the UFO fraternity may see Odin as being an alien, who was around when the frost giants succumbed to a great flood, during an interstellar conflict. Although you could otherwise imaginatively conjecture that he might have been a wise elder who was privy to a technology of a lost civilisation, which may have experienced its own industrial revolution.

Said civilisation was eventually wiped out by a comet striking North America, around the time of the last Ice Age, when the giant mammals disappeared off the face of the Earth.

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As for Odin’s female counterpart, she was the Goddess of sexual love called Freyja, who is also described as being the mistress of the Valkyries and Witchcraft (shamanism) as well as Cats. She is depicted in a medieval wall painting found in Schleswig cathedral in Germany riding what looks to be a Siberian Tiger.

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She is also shown alongside an image of the Goddess Frigg riding a broomstick in the same cathedral. Freyja’s Valkyries are also described as being ‘shield maidens,’ since they offered (Amazon) protection to chosen (shaman) heroes, which is also tied up with the Northern European tradition of women making the shields for their warrior men folk; whether this was literally the case, or being primarily symbolic, is a case of conjecture.

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There does seem to be a connection between the Norse myths and Siberia, which is summed up by the mythic descriptions of Odin, who is very much akin to a Siberian shaman; this is especially the case concerning the Altai.

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When looking at the Altai region of Siberia, its influence was far reaching; for example, an archaeological expedition of Novokuznetskiy pedagogical institution discovered a burial mound in the Tashtagolsky district of the Kuznetsk basin, which dates back to the VI century B.C. (The Bronze Age).

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The expedition was headed by the associate professor of history Yuriy Shirin who conducted the dig in the district near the river Mrassu, which was divided into squares; shortly thereafter archaeologists found the burial mound.

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Professor Shirin had carried out a lot of expeditions in the Kuznetsk basin region, but it was the first time he had discovered a burial mound. According to his words the burial mound is similar to the burial mounds, which are also found in the Khakasia and Altai regions of Siberia. He also mentioned that it is an obvious mix of their probable shared cultures.

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As an aside of sorts a most intriguing circular object, looking like an ancient shield was discovered by a coal mining company called Kuzbassrazrezugol in Siberia’s Kuznetsk Basin, during excavation work. However, there is a mystery of how a shield like object became buried 40 metres under the ground. Archaeologists were called in to examine the man-made looking object.

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An excavator going by the name of Boris Glazkov, who discovered the shield like find, said: “I have to say it wasn’t hard to see as it was really distinctive and large. I’ve never seen anything like this object, which is obviously man-made, here in the middle of nowhere before. It is a real mystery.”

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A colleague of Glazkov, Arthur Presnyakov, remarked: “There were actually two similar objects, but the first one broke as it was being pulled out of the ground by the excavator bucket. We thought we saw something sure, because it broke into pieces, but then when the second one appeared we stopped work and carefully removed it from the bucket.”

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The shield like object has a diameter of around 1.2 metres; and with all the dirt still encased on it weighs roughly 440lbs, or 200 kilograms; when cleaned up it will probably be far easier to carry, unless it was originally a heavyweight ritual item.

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The curious thing is, the shield like object was found buried 40 metres underground, deeper than that of mammoth bones, which have been discovered in the same area at a depth of 25 metres.

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Such an anomaly doesn’t sound too strange now, since archaeology has to be rewritten after the discovery of Göbekli Tepe, which has been dated to 11,600 years ago, seven millennia before the Great Pyramid of Giza. However, as always, many are attempting to fit Göbekli Tepe into a Biblical paradigm just as the UFO fraternity see the Russian shield as being an extraterrestrial flying disk created by aliens.

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One has to wonder if the discoveries of ancient finds, which knock the Biblical stranglehold over history is being duly buried under the morass of the UFO mystique and its numerous alien interventions. Whenever an anomaly is discovered, or should I say, an artefact, which cannot be fitted into the established archaeological model surrounding Biblical Mesopotamia, it is promptly hijacked by the UFO cultists looking for extraterrestrial Angels.

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Although, the Norse myths do communicate that the Valkyries did fly through the astral sky as void-going-women, far-travelling through inner space, just like the Tibetan Buddhist Dakinis, whom are conjured into the lucid dreams of Yogins practicing dream Yoga.

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Should the object not be a fake, it could possibly be an ancient shield of similarity to others, such as those of far later design, which is almost perfectly circular; if so, you can forget about Göbekli Tepe, since you would have a shield that should not exist, which had been used when the great mammals were still walking the Earth.

Humanity were supposedly living in caves at the time who no doubt considered themselves to be ant or snake people. But then again, they may have taken refuge in the caves in order to survive a catastrophe, some of whom may have created underground cities, like Derinkuyu in Turkey, where you also find mention of an ancient King called Yima, the Hindu’s and Tibetan Buddhist’s call Yama, the Norse to know as Yimir of the Ginnungagap.

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If the object is indeed a shield, you shouldn’t completely ignore Göbekli Tepe, since the animal motifs of Göbekli Tepe, are somewhat reminiscent of Scythian animal designs, of similarity to the tattoo’s found on the frozen Altai mummies of Pazyryk; maybe it indicates a continuum of an ancient tradition, which was probably their own version of writing, involving intricate animal forms as letters, forming words; whether depicted in stone or as tattoos.

One also should not forget the Chinese mummies of the Tarim basin along with their conical hats and ritual broomsticks, which have been genetically traced back to the Altai.

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Anyway, the archaeologists will probably reveal that the object is in fact perfectly round Mammoth dung, whose giant depositor did a quick sprint after its expulsion, when catastrophic climate changes occurred, which initiated a great inland flood hitting the Altai along with bringing about a mass extinction event of a prior Ragnarok; wherefore no more frost giant Mammoths and other great mammals.

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Russian geologists discovered the biggest inland flood had occurred in the Altai, at the fringes of human occupation in Siberia, which no doubt scattered their tribes into Europe, China, India, and across into America as well as the Middle East. Hence the ancient British, Eurasian’s, Finns, Basque’s, North Chinese, Mongolian’s and Native American’s all share the same genetic cradle of a Siberian locale ranging from the Altai to lake Baikal, amidst whose Ginnungagap waters is a Midgard island called Olkhon, found betwixt the Northern ice sheets and the fiery Volcanic fields of the South.

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The geneticists have determined that many of the genetic lineages of these peoples can be traced back to a Siberian peoples of the Ket who originated from central and Southern Siberia. The Ket language has also been linked to the Na-Dené languages of North America in the Dené–Yeniseian language family. Some researchers even believe that the Sumerian’s were possibly an Altai colony, since there are ‘odd’ language similarities between the Siberian’s, and the Sumerian’s, who also remembered a… great flood.

But the tangled weave will probably be ever fathomed when a time travel technology is developed, whose time travelling archaeologists, riding sentient time machines called Valkyries, will at times make a Doctor Who mistake by leaving an anomaly behind, or to have done so, by TARDIS design.

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GOETIA GIRL BAEL, SUCCUBUS WITCH QUEEN SHAMAN OF SIBERIA

Posted in Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 20, 2014 by FAUSTUS CROW

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The First Principal Succubus is called Bael, who be a shaman Queen ruling in the far East across the steppe, under the fire star of the Mongol’s, whom emanates from the sixth dimensional planetary sphere. She enables her master to go about Invisible. She rules over sixty-six Legions of Infernal Succubae. She appears of triangle of art vision in divers shapes, sometimes like a Cat, or as a Toad; at other times like a most beautiful Siberian woman, or all these forms at once to otherwise call Baela.

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She speaks clairaudient of most seductive tone, concerning those psychic secrets behind her Iron Curtain of a hypnagogic hymen veil to pentrate.

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Behind her Iron Curtain, the ancestral shamans therein to have psychic abilities, the one time Soviet sought to weaponise, whom frequented the steppe unto Siberia. Her seal is to be mediated upon, and to visualise before calling her forth, or else she will not do thee homage.

It is usually said of commonality that the name Bael is derived from the Canaanite deity known as Baal (/ˈbeɪl/ BAYL; sometimes spelled Bael, Baël [French], Baell), who is mentioned in the patriarchal Hebrew Bible as the primary god of the Phoenicians.

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In the 17th Century Goetic occult writings, Bael is seen as one of the first spirits, which was released from Solomon’s brazen vessel of a Genie bottle.

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While his Semitic predecessor was depicted as a horned man or a horned bull, this spirit, Baal of the traditional grimoire tradition is said to appear in the forms of a Human, Cat and Toad, or combinations thereof. An illustration in Collin de Plancy’s 1818 book Dictionnaire Infernal rather curiously placed the heads of the these three creatures onto a set of ‘Spider’ legs.

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When to totally ignore the indoctrinated perspective of Biblical lore to otherwise look Into the ancient shaman legends of Siberia, such as those of the Buryat, you will find the first shaman called Khara-Gyrgän.

The Buryat relate that Khara-Gyrgän declared that his power was boundless; wherefore the creator put him to the test. The creator sadistically took the soul of a (Bael) girl and ‘bound her up within a bottle.’

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To make sure that she wouldn’t escape, the creator put its finger into the neck of the bottle.

The shaman set about freeing the soul of the girl by beating the trance drum in order to conjure up his eight-legged night-Mare pony-girl Succubus to ride through inner space, somewhat like that of a prior Dr Who piloting his TARDIS.

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He soon discovered the whereabouts of the girl’s soul in order to free her. Khara-Gyrgän shapeshifted into the form of a ‘Spider’ and in doing so stung the face of the creator. The creator took its finger out of the ‘bottle,’ whence the girl’s soul escaped. The creator was very furious that its creation had passed the test, which indicated that the creator could be in time surpassed, so it decided to curtail the shamanic power of Khara-Gyrgän, after which the magical powers of the shamans were severely diminished.

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According to Yakut shamanic legends of similarity to the Buryat, the first shaman refused to recognise the superiority of the programming creator due to its sadistic temperament.

The Yakut legend relates that the body of the first shaman was made up of a mass of snakes, which you can otherwise see as serpentine DNA of an inner program. The creator was fearful that the shaman would become far too powerful, so it sent down a fire to burn him and his world.

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But in the ensuing conflagration of an ancient world-wide catastrophe, when a comet struck the Earth, an amphibious Toad escaped the inferno.

From the body of the Toad erupted forth the serpentine (DNA) spirits of the future Yakut shamans, who trace their genetic lineage back to the first shaman.

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The motif of the amphibious ‘Toad’ refers to hypnagogic trance, which is attained at the midpoint between waking (land/macrocosmic) and (water/microcosmic) sleeping; this ability enables a shaman to access the underlying informational (microcosmic) order of his (macrocosmic) Maya simulation reality.

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The symbolic motif of the Toad is associated with similar reptilian symbolism to that of the ‘amphibious’ Nommo of the South African tribe of the Dogon and that of the Sumerian Annunaki, along with the reptilian motifs of other cultures across the globe, including Dragons. Some will see the Toad and that of the Snake or Dragon as being a Zecharia Sitchin reference to demonic reptilian extraterrestrials of David Icke tales; such is ‘not the case’ at all, the symbolism actually refers to shamanic ‘trance adepts.’

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You also have the symbolism of the Cat, which is very often tied up with the feminine principle. There are many a Goddess from varying cultural myths who are described being in the company of Cats, riding them or otherwise assuming their predatory forms; whether they be Lionesses, Tigers or domesticated Cats, etc; such as the Sumerian Goddess, Ishtar riding a Lioness, the Hindu Goddess Durga, riding a Tiger or that of the Norse Goddess Freyja being the Witch mistress of Cats.

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The motif of the (Sphinx) Cat refers to what is termed as the Bedroom Invader Experience or Old Hag Syndrome, which is often experienced at the point of (Toad) hypnagogic trance ingress into the dream; it is when a shaman is visited by his female spirit lover of a Succubus, whose nature is seen to be predatory; hence she is associated with a Cat, which has since become that of a Witches familiar.

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Siberian shamans often relate that their shamanic powers and abilities are derived from the internal dream congress with Succubae Spirit-Wives, who are considered to be female shamans of similarity to the Hindu/Buddhist female entities called Dakinis.

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You can otherwise term these Succubae shamans as being Witches, whom initially manifest as Bedroom Invader ‘Cats’ at the point of hypnagogic ‘Toad’ ingress into the ‘Feminine’ domain of the dream. Wherefore the seal of Bael, which depicts a Toad, represents a symbolic formula of shamanic trance ingress into the watery amniotic realm of the electron dream.

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STAR WARS GOETIA GIRL ALLOCES OF A UFO STARCRASH

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 18, 2014 by FAUSTUS CROW

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The Fifty-second Succubus is Alloces, or Alocas, who be otherwise known as Louhi. She is a Duchess of the seventh dimensional planetary sphere, whom be Great, Mighty, and Strong sorceress. She is adept in the meta-psychic arts, appearing in the Form of a Starship trooper piloting a Great flying disk, she to call her Sampo, which enables her to travel through time. Her salacious nature is like that of an ever hungry Siberian Tiger, her moist lips very Red, and having most lustful Flaming Eyes. Her name of Alloces or Allocas is possibly derived from the Russian, Allochka, which means, Vodka drinker. (Note: when conjuring her, place some Vodka into a dish to thence set alight its potent fumes as an offering, just as the Siberian shamans traditionally do when summoning their spirits; hence the name, Allochka.)

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Her Speech is seductive and very commanding, sounding Russian or Finnish of accent. Her Office is to teach the Art of Astronomy, and all the Liberal Sciences, who has a great liking for science fiction. She brings unto her master Good Familiars in order to inspire him as his wanton Muses; also she rules over 36 Legions of Succubae star troopers. Her Seal is to be meditated upon so as to conjure her in order to remote view future Sampo technologies.

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Within the epic poem of the Kalevala, which is the distillation of Finnish mythology, there is mention of a magical artefact called the Sampo or Sammas. The Sampo is a yet unknown construct, which had been forged by the shaman smithy called Ilmarinen, whom you could equate to a scientist; that’s if you update the myth to make modern of a Star Wars soap opera.

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The myth relates that the Sampo was acquired by underhanded means by the sorceress named Louhi, who is the Queen of the Northern land known as Pohjola, which may refer to what is now called Russia; or should you prefer, Pohjola is another planet, or that of an asteroid space station like, Omega, featured in the video game Mass Effect.

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You could otherwise imagine Louhi being like some kind of Russian spy or that of an outlaw smuggler, looking like Caroline Munroe out of the science fiction film, Starcrash, who starred as a dark haired version of Barbarella called Stella Star.

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Whether Louhi is bad or good is dependent on who’s telling the story. The Finnish telling, paints Louhi as one bad bitch who stole the Sampo. Hence her name of Louhi, which is a variant of Loviatar, who is the Goddess of disease, death and drunkenness, who be somewhat akin of nature to the Hindu Goddess Kali.

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After Louhi acquired the Sampo, Ilmarinen’s homeland, or planet, fell upon hard times. But Illmarinen wasn’t beaten, he sent out an expeditionary force of heroic Djedi commandos, led by the shaman Väinämöinen in order to retrieve the Sampo of a prior Star Wars space opera.

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However, Louhi knows all the psychic secrets behind the iron curtain, who has the ability to change shape and weave mighty enchantments warping space-time, so, she didn’t give up the Sampo easily.

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In the ensuing Star Wars battle with Louhi, the Sampo was ‘smashed and lost in the Baltic sea.’

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Ancient myths often refer to actual events, although over great stretches of time, they become highly embellished of imaginative additions; whereupon the factual details of an event is eventually buried behind a layers of convoluted symbolism. The Sampo may refer to an ancient meteorite impact in the Baltic sea, or something else far stranger, which had fell as a fallen Angel into deep waters of a Star-Crash?

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Curiously enough on June 19, 2011, a team of Swedish treasure hunters were exploring the bottom of the Baltic Sea with their sonar when they noticed a bizarre, disc-like structure at a depth of 90 meters. At the time, international experts were unable to explain the sonar images. During 2012, after months of preparation, the Ocean X Team, as they call themselves, went back in order to determine what the disk-like structure is.

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The massive disk-like object rises three to four meters above the seabed and is about 60 meters in diameter. Members of the expedition describe it as something round, with rugged edges and concave sides, resembling a ‘huge mushroom’ or, otherwise described to look like the Millennium Falcon spaceship from Star Wars; although going by the myth of the Sampo, it was piloted by the Stella Star outlaw called Louhi rather than rebel princess Leia.

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The central part of the object has an almond-shaped hole leading inside. Surrounding the hole, they found odd-looking circular rock formations which appeared to look like small fireplaces, with stones covered in something resembling soot. Some would say, “perhaps it is and ancient temple or some cornucopia of an ancient free-energy Tesla technology using crystals?”

Although samples taken from the site indicate high levels of metal. Maybe it’s naturally volcanic, others to postulate? “Since no volcanic activity has ever been reported in the Baltic Sea, the find becomes even stranger,” said Lindberg in a press release. “As laymen, we can only speculate how this could be made by nature, but this is the strangest thing I have ever experienced as a professional diver.”

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What makes the find even more curious is the discovery of a 300-meter-long ‘trail,’ which the crew described as a ‘runway’ or a downhill path, with the object at the end of it. The crew also discovered another path leading to a second smaller disk of similar configuration. It is possible that it could be some kind of object; maybe that of a meteorite, which had crashed and split into two parts? Although, both objects are very distinctive of non meteorite discoid shape looking more like ‘smithy’ horseshoes.

There are many whom consider that the find is that of an alien spacecraft, which the sceptics would see as being mere science fiction fantasising on par with the mythology of the Sampo. As for the modern mythology of science fiction, it has conjured up numerous imaginative designs for various futuristic vehicles, such as spacecraft or time machines, some of which have now become iconic, like Star Trek’s starship Enterprise and of course the Millennium Falcon of Star Wars.

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If there is anything to the extraterrestrial hypothesis concerning UFO’s you would think that the supposed extraterrestrials of UFO lore would blow us all away with their snazzy alien designs for spacecraft right of Guardian’s Of The Galaxy or Jupiter Ascending, or to perhaps go retro Flash Gordon etc.

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But alas, their imaginative design sense appears to be somewhat, lacking, who far prefer very ‘recognisable’ aerodynamic designs. Nonetheless, they’re still really Dreamland cool, even though their design sense is rather Area 51 practical.

But if as the numerous UFO researchers now say, that these craft are anti-gravity devices and that their propulsion systems involve zero-point energy, which have potential time travel capability, due to multiverse theory slowly taking centre stage, which allows for journeying through time etc; then said extraterrestrials, who were once said to have emanated from Adamski’s Venus to now journey from the far distant stars. You may conclude, that they would have hogged themselves out with weird and wonderful deigns of mind bending alien complexity, since they are not restricted by the mundane problems of gravity or friction etc; that, or they haven’t got much of an imagination.

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Something seems to be very much amiss, considering that the supposed extraterrestrials appear to be mostly described as being humanoid, of recognisable form, along with their practical designed craft. When you look at the multiplicity of differing life forms upon the planet Earth, to thence imagine what types of very different species we would encounter frequenting the universe, which is extensively explored by the imaginative tales of science fiction; what do we find when to look into the supposed alien contacts of UFO lore? Mostly humanoids. Does this mean that nature doesn’t have much of an imaginative design sense? Well, not going by the numerous different life forms existing upon the planet.

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So, what you then have are recognisable aerodynamic designs concerning the UFO observations along with their pilots being recognisably human of form, which means, we are not dealing with aliens, but something else, far closer to terra firma.

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But, if they are far closer to home, than what we are led to believe, who are they?

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Technology is observably developing at a rapid pace. At one time the iconic Star Wars hologram of Princess Leia was just a science fiction fantasy; now it is ever closer to a reality.

You could then theorise that behind the scenes of the military industrial complex, it’s technolgy has possibly far outstripped what the public is aware of.

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This secret technology would, by all intents and purposes, be considered to be something right out of a science fiction movie by the general public who can then be easily led to believe that it is alien. Hence, easily hidden away by those who have developed it, you could term as being a shadow government, the likes of Julian Assange knows all about.

If this technology involves time travel capability, which would also involve a sentient artificial intelligence, then, the world as you presently know it will never be the same again, if it is ever revealed. Would the general public be able to handle such a technological leap, if there is a disclosure? No, they will not; all you have to do is to look at the religious wars in the Middle East to get an idea what would occur globally of a Death Star reaction.

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This is because they would then become aware that their present civilisation is surrounded by another all around them, which has time travel capability, whose worldview will very likely not be based upon the ongoing conflicts between bronze age religious mentalities, which are caught betwixt and between their ever warring Angels and Demons of static dogma.

This other civilisation would be able to journey through time, just as easily as an anthropologist would do, when taking a quaint everyday plane journey over New Guinea, whom will take note of the humorous Cargo Cults of the natives, or that of flying above the Amazon jungle, where ‘protected’ stone age tribes are said to still exist, who are unknowingly surrounded by your present civilisation.

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This other civilisation would be able to journey back or forwards into time, which will enable them to colonise other planets in the far distant past or future. Though once human, they would of course evolve in differing ways, due to environmental influences on other worlds, who are still humanoid of kin.

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Wherefore, if this other civilisation, which is in essence that of the future human, has made contact with certain present governments, there would be protections set in place.

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Those who are seeking disclosure concerning UFO’s would be subversively utilised as a means to educate the general public in order to negate the shock factor of the slow and methodical introduction of advanced technologies, which will also involve readying the public for the eventual collision of worlds, just as a stone age tribe in the Amazon will invariably find out that they are surrounded by your civilisation, when to discover a plane wreck in their backyard.

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When will this collision take place? Watch the skies for the technological singularity, or look to the ocean depths for that matter; who knows, you might just find a wreck of a Sampo time machine, a Hindu would call a Vimana.

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But if you be a sceptic, you will otherwise sceptically believe that the search for the Baltic anomaly is merely that of an elaborate Sampo ruse by NATO, in order to hunt for Louhi’s Red October of an ongoing very Cold Star Wars.

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