Archive for trance dance

MAGU GODDESS OF CANNABIS

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 10, 2018 by FAUSTUS CROW

Faustus Crow decided to conjure an ancient Chinese Art Muse archetype of the Fallen Anima, who is mantra named, Magu. Although translating her Succubus name of a mantra into mundane English is however, problematic, depending upon whether her evocative name is symbolically interpreted as being a Maid, Priestess, or a Goddess of Cannabis.

Some researchers have proposed that the Chinese, Wu, for Shaman is pronounced, ‘Myag’ in Old Chinese, which might be the original of the Old Persian Maguš, thence leading to Magician and Magi. Whether such is comparable with Magu, is of course purely hypothetical. But if correct, Magu is also a Shaman girl of Hemp, whose alternative name of an ancient root word, Ma, which is pronounced as Mar, leads you to Marijuana.

Magu is also called, Mago in Korean, and Mako, in Japanese. Mago is a cosmogonic Hemp Goddess in Korean Shaman myths. There are some researchers who see Mago as the Great Goddess, who propose Magoism, as being the archaic gynocentric cultural matrix of East Asia, which derives from the shamanic worship of Mago as a creatress, progenitress, and a sovereign deity.

According to the Budoji, Korean mytho-history, it had began with the era of Mago. Whereas the Japanese Mako is usually a literary reference to the Chinese story about Magu’s distinctively long birdlike fingernails, whose neuro-somatic essence can make your head grow wings, and disappear into a spiraling vaginal vortex.

For example, the Japanese saying, “Mako soyo,” meaning, “Magu scratches the itch,” metaphorically means, “things are going just like you have…Imagined,” when you imagine (visualise/active imagination) with your, inner ‘Eye,’ amidst your Triangle Of Art imagination.

Magu appeared amidst Crow’s Triangle of Art Imagination as a beautiful young woman of eighteen or nineteen years of age, having luxuriant four-inch birdlike nails.

At first her hair was done up, having several loose braided strands, which hung down to her slim waist. Then her hair was long and luxuriant, and upon her head she wore a fluorescent peaked cap. Her tight trance dance clothing of Hemp had a pattern of eyes, but it was not woven; it seemed to shimmer, dazzling the inner observer, and was indescribable.

Her overall hypnotic look was likened to a shape-shifting Anime character out of a Manga – she was not of this world.

She approached and bowed to Crow, who bade her rise. Then as she arose a vivid active-imagination vision of China town appeared around Crow, wherein he found himself approaching a bustling market with Magu.

Magu sat down upon a market bench behind a small I-Ching engraved table. The bench was ornately carved with interlacing dragons. She bade Crow to sit down next to her upon the bench, which became as a jade throne.

When Crow imagined himself sitting down next to, Magu, she called for a travelling canteen of cooks who manifested as DMT Machine Elves looking like pointy eared Vulcan maids wearing next to nothing apart from stiletto ballet shoes and T-shaped chef hats, making them look like Magic Mushroom fetish Ballerinas.

The psychedelic Ballerina maids cooked up exotic Star Trek dishes, which were piled up on gold platters along with serving jade cups containing an inebriating pineal gland elixir without limit.

There were also rare delicacies from around the world, whose alchemical recipes stem from other Zodiac ages; many of them made from Cannabis, and their spectral fragrance permeated the mouth to lung air of the ghostly market.

There was also meat made out of Marijuana, the bookish magician-technicians called Shujia, consume with ginseng, which gives them preternatural knowledge of events in the remote-viewed future.

When the meat was sliced and served, it resembled broiled Mo, and it was announced by the giggling Elfin Ballerina maids as being derived from a Kirin or Qilin.

The Elfin Ballerina maids informed Crow that the Kirin is a mythical hoofed chimerical creature known in Chinese and other East Asian cultures.

Crow noticed that the Elfin Ballerina maids had perfect Kung Fu poise as they tip-toed around him on their Kirin hooves, who further revealed that the Kirin appears with the imminent arrival or passing of a sage or illustrious ruler.

Magu nonchalantly ignored the Elfin Ballerina maids as she took a deep draw on her Cannabis oil vape, whose flicking tongue looked to be serpentine. Magu then declared through the thick CBD vapour: “Since I entered your eternally recurring service, I have seen the Eastern sea turn into mulberry fields three times.”

“As I proceeded across from Penglai, so as to enter your Triangle of Art imagination, the Soma waters of the ‘Elixir Of Life’ came only up to my waist, which I regularly imbue with my healing essence, when I bleed.”

“Using my Daoist Arts, I sometimes walk across the astral waters, even in my Hemp shoes. I wonder whether the electron sea dividing the myriad worlds will turn to a dry land-bridge once again?”

Magu seductively passed her vape to Crow, who partook of a deep draw on its CBD oil, and answered with a sigh, “Oh, the sages all say that the Eastern Sea will again become as a desert of the Allies around the Moon phases, when the Fallen Anima and her Succubae Art Muses return, manifesting upon Hemp paper.”

Magu laughed, and then said, “There was a time long ago when I was known all over ancient China and across the globe, whose peoples relied upon my life bestowing properties. But later during a time of great darkness a greedy megalomaniac from another land, murdered me and dumped my body into a deep lake.”

“Following the current of time, I floated upon the tumultuous waves, down the ages until I once again reached a Göbekli Tepe Zodiac age temple.”

“A subordinate Shaman of a prior aeon had directed that I should be entombed there, but not immediately buried, in order to avoid me from being entirely eradicated by the insanity of the later murderers who ever seek my demise.”

“A square, lacquered coffin has now zeitgeist appeared in the shrine hall of the uncovered temple. From now on, at the end and beginning of each lunar month, people will look back through the fog of memories to understand my indistinct Bhang ghost, wearing Hemp shoes.”

“Because of the present climate change, which the greedy megalomaniac and his corporate cronies have exacerbated, the lands around my temple and further afield have become polluted.”

“The insane violators are facing losing their illusory power and influence, drowning in their own lying poison, who are becoming increasingly desperate.”

“The murderers will be whipped and flung to the ground, their eyes running blood, who will then realise I am the divine transcendent, Shenxian. Those who know me, are the ones who read the thoughts of the murderers, and it will be they who will do the punishing.”

“The Shamans seek justice, who have hope in healing the Earth. It is the Shaman within all who are conjuring my return, reborn anew. Because I had suffered a painful death, I hate to see other beings cruelly murdered because of the corporate greed of a few inbred ingrates.”

Here ends Faustus Crow’s Surrealist ‘divergent thought’ active imagination conjuration of a Fallen Anima archetype who is mantra named, Magu.

NOTE: For over a decade, industrial Hemp growing in proximity to the abandoned Chernobyl nuclear power plant in Pripyat, Ukraine has been helping to reduce soil toxicity. But Hemp cannot be used around Fukushima because it is banned in Japan due to the prohibited use of Cannabis, which had been first initiated in the USA.

Hemp has little THC content, which cannot make you high, yet it is banned, does this make any sense at all? Maybe you’ll have to indulge in some THC rich, cancer combating Marijuana in order to see beyond the lying facade of the politicians, or at the very least take some anxiety reducing CBD oil, which will give you an ‘insight’ into how the mass populace have been collectively brainwashed.

As a proven, valuable plant in the fight to repair human-inflicted damage to our soils and ecosystems, Hemp could benefit hundreds of thousands of polluted sites across the globe. it is estimated that in the USA alone there are 30,000 severely damaged sites requiring remediation.

As is so often the case, US restrictions on Hemp cultivation precludes any large-scale operations from being implemented, and the contaminated sites are largely left unremediated, through lack of both funding and interest on the part of the US government and other governments who whore themselves with the Oily corporations.

The likes of Elon Musk should look into Hemp, since Musk says he is into saving the planet, who might be interested in the Supercapacitor capability of Hemp, along with Hemp based batteries for his Tesla car, whose shell can also be made out of Hemp.

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Considering all the myriad uses that Cannabis allows for, it does make one wonder whether it had been genetically engineered by an advanced civilisation. However, the truth might just be far stranger, that the evolution of the Cannabis plant has its self, intelligently evolved, by having a symbiotic relationship with humanity.  

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Who knows, when Musk eventually realises his dream of colonising Mars, the logo on the side of the spacecraft and that of the Star Trek others might be that of Magu’s humble Cannabis leaf.

Since Magu can survive the rigors of Chenobyl, she sure can handle the terraforming of an already terraformed Mars.

NOTE: Bhang was first used as an intoxicant in India around 1000 BC and soon became an integral part of Hindu culture. In the ancient text Artharvaveda, Bhang is described as a beneficial herb, which “releases anxiety”. Bhang preparations are sacred to Shivam who is represented by Saturn in Vedic Astrology.

Bhang goli (Cannabis paste ‘Balls’ for making Bhang) can be associated with the planet Saturn and in turn Shiva who is also associated with (Kundalini Shakti Yoga) serpents. One of Shiva’s epithets was “Lord of Bhang” as he is said to have discovered the transcendental properties of the (Magu) mixture.

The mixture involves pulversing the Cannabis plant using a large pestle and mortar, other methods involve utilising a stone tool, such as one having a handle. The mixture is then placed into a large bowl. The symbolism of a handled stone tool and a bowl can be found on the Göbekli Tepe standing stone, above the bird symbolism of what can be seen as a Garuda, which is associated with the constellation of Aquila. Garuda is an essential part of the Vaishnavism mythology.

The Garuda also features prominently in Shaivism mythology. Shaiva texts such as the Garuda Tantra and Kirana Tantra, and Shiva temples have a Garuda bird representing Atman, the universal self, identical with the eternal core of the personality, which after death either transmigrates to a new life or attains release (Moksha) from the bonds of existence.

Shiva’s proto-form was Rudra who corresponds with the Orion constellation in ancient Greek myth. Orion was a great hunter and became quite boastful about his skills, claiming there was no animal he could not kill. When Orion boasted to the Goddess Artemis, that he would kill every animal on earth, Gaia, the Goddess of the Earth, sent Scorpius (constellation) to kill Orion. A great battle ensued which saw the demise of Orion.

The Göbekli Tepe symbolism of the headless figure (Rudra/Orion: Shiva) and that of the bird/Garuda indicates the ecstatic release of his ‘Atman.’ In other words, the headless figure represents a Shaman who partakes of (Magu) Bhang, whose spirit then becomes as a bird/Garuda.

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SHAMAN DRUM SIBERIAN TRANCE

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 22, 2017 by FAUSTUS CROW

The design features a Finno-Ugric Siberian shaman. The word Shaman originates from Siberia, which is said to be derived from the Evenki word “šamán,” most likely from the South-Western dialect spoken by the Sym Evenki peoples. If you are interested in the Art pint, shirt design, etc, Check Out my Redbubble shop, Please Click Here.

The Tungusic term, Shaman, was subsequently adopted by Russian explorers interacting with the indigenous peoples in Siberia. The word, Shaman can also be found in the memoirs of the exiled Russian churchman Avvakum.

The term Shaman has since been adopted by anthropologists as a coverall term for numerous other cultures who share similar shamanic techniques, which enable a practitioner to alter his/her (brain wave) states of consciousness.

The Siberian shaman in particular utilises the drum. The drum is often referred to as being an eight-legged-mare; which is in turn is associated with the abode of a (Anima emanation) Spirit Wife, somewhat like a genie in her (drum) bottle. In other words, the drum, Mare and Spirit Wife are seen to be the same. (The Eight legs of the Mare, being the eight compass directions of a symbol painted upon the skin of the drum, which is also associated with the motif of the World Tree.)

 

The shamanic motif of the Mare and the Spirit Wife leads to the term ‘Nightmare,’ which originally referred to the Old-Hag Syndrome.

The Old Hag Syndrome is otherwise known as the Bedroom Invader Experience, which is experienced when an individual inadvertently accesses hypnagogic trance.

An unprepared individual will invariably become terrified when accessing hypnagogic trance, wherein he/she will experience the manifestations of his/her deepest fears, which often involves sexual scenarios.

Whereupon the term, Old-Hag Syndrome refers to the visitation of a Succubus, whose initial manifestation is nightmarish, which induces the experience of intense pressure upon the body, the sensation of being (Sphinx) strangled, sleep paralysis, vivid hallucinations, and eventual lucid dreams.

Wherein an individual will feel as if he is being abducted by otherworldly (Alien) entities as well as experiencing out of body experiences.

The Shaman learns to control his fear, in order to ride the (inner TARDIS) ‘Night-Mare,’ rather than being ridden by her.

Whereupon she becomes his (Ally) Spirit Wife; hence the carved (World Tree/Axis-Mundi) handle of the Shamans (Mare) drum in the design, which represents his (trance) Spirit (Anima-Mundi) Wife.

(NOTE: The Mare/drum [trance symbol and tool] is seen to be tethered to the World Tree, which symbolically represents the spinal column of the Shaman. The Spirit Wife refers to what Yoga practitioners call the Kundalini Shakti, which is experienced as a liquid energy that is aroused to arise along the (World Tree) spinal column. the Kalahari Bushmen of South Africa call this inner energy, Num, which is aroused when a practitioner accesses hypnagogic trance, which the Bushmen call, Kia. In ‘trance dance’ culture of the [Rave] dance clubs, this inner energy is known as ‘The Rush!’)

 

The monotonous beat of the drum stimulates the Theta brain wave, which induces hypnagogic trance. The experience of hypnagogic trance is basically hypnotic induction.

The Theta brain wave is also associated with anxiety reduction, the active (day dreaming) imagination, lucid dreams and Zen meditative states.

Shaman Drum Siberian Trance by MARDUN

The Theta brain wave is depicted in the design, which is also known as the hyper-suggestible state.

The inducement of the Theta brainwave allows for mental programming via the use of repetitive Mantas, such as the ecstatic songs (and trance dancing) of a shaman are effective at dispersing fear states, when sung in conjunction with the (Spirit Wife/Mare/Pony-Girl) drum.

Shaman Drum Siberian Trance by MARDUN

The above Art and information is covered in my Art books, ‘Goetia Girls,’ which are available from Createspace and Amazon, under my author’s name, Faustus Crow.

If you are interested in the Art print or shirt design, etc, Check Out my Redbubble shop, Please Click the Image Link below.

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FRANKENSTEIN NIGHT NURSE HORROR MUSE

Posted in Cosplay, Goetia Girls, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 9, 2014 by FAUSTUS CROW

The fifth Succubus of the Goetia is called Marbas. She will manifest amidst your Triangle of Art imagination as a surrealist exquisite corpse, looking like a knit together Frankenstein nurse. She is a great President who rules over 36 legions of Succubae like herself. The name of Marbas is a composite name, made up of the words: ‘Mar’ and ‘Bas.’ The word ‘Mar’ in Spanish, means sea, which is also etymologically connected to ‘Myr’ and ‘Mer’ of the Welsh name, Myrddin and the Norman variant, Merlin.

You also have the Hebrew name of, Mary and even the name of, Mars, since the sea is associated with the menstrual blood of the mother and the amniotic watery realm of dreams. As for the word Bas, it is derived from, Bass (/bæs/bass), which is a name shared by many different species of fish.

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The term Bass encompasses both freshwater and marine species. All belonging to the large order of Perciformes, or perch-like fishes. In fact the word Bass comes from Middle English Bars, meaning ‘Perch.’ The name of Marbas, can then be translated as, ‘Sea Fish.’

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Some will argue that Marbas is derived from the name Barbas, which comes from the Latin, barba, meaning beard, leading thence to a beard trimming, barber; or to be otherwise associated with the hellebore, which is one of a plants used in witchcraft. However, the Goetia specifically states that the name of the fifth spirit is Marbas, not Barbas. Although, in ancient times a barber could also function as a hellebore dispensing doctor/nurse.

It is very likely, when the name Marbas is interpreted to mean ‘Sea Fish,’ the symbolism will be invariably ignored, by those looking for an Anton LaVey number one haircut, and a goatee beard trim at the local barber, sniffing hellebore.

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One of the principle functions of Marbas is to initiate the experience of shifting into other forms, which occurs when the practitioner is experiencing pure trance.

The experience of pure trance, is often described as feeling like swimming in an ocean by many shamans from various shamanic cultures across the globe. But then, we all share the same neurology.

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For example; the Kalahari Bushmen of South Africa, who practice the trance dance, when attaining pure trance, will fall to floor to then be seen acting as if they are (Nommo) fish or (Annunaki) serpents, who believe they are such amphibious creatures within their watery hypnagogic visions.

While within the visionary state the Kalahari Bushmen can assume other shapeshift forms of particular animals in order to then heal a patient of their affliction, or to otherwise call upon a power animal, such as a Lioness.

Those cultures who live near Lions are well aware that the female Lion is far more vicious than the male Lion, because it is the female Lion’s who primarily do the hunting. So, when a Kalahari Bushman seeks to heal a patient via the trance dance, a female Lion is quite a powerful spirit ally to have.

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Whereby the Tibetan Bon Po Buddhist’s conjured up the Lion headed Dakini Simhamukha in order to negate negative influences. Hence Marbas is traditionally seen to be associated with a Lion, which is probably a predatory Pure Trance Kitty Lioness.

This technique can of course be otherwise utilised to afflict an enemy with an illness, although such to often rebound of Karma. It is more of a Simhamukha case of Marbas returning the Malediction of others back to its ignorant source.

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Marbas is also described as emanating from the eighth dimensional planetary sphere of Mercury, who is able to heal various afflictions as a psychic healer, or to otherwise afflict others with their own reactive angry ghost Maledictions, of psychic warfare. This will of course overflow into the temporal arena of medicine and in turn anatomy, as well as associated Marbas technologies, which are rapidly evolving.

Marbas is also described as being associated with the mechanical arts, which can be interpreted in different ways, in relation to Art as well as technology. Wherefore you can see Marbas as being a female doctor, scientist or nurse who is highly versed in pure trance, as well being an Art muse who has feline Kitty qualities.

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When an Artist, such as Leonardo Da Vinci, looked into the necessary prerequisite of understanding anatomy, he became aware that the anatomy of organic creatures as well as humans can be replicated by machines. This understanding can be easily equated with the present and future scientific arenas of robotics and cybernetics. Wherefore, Marbas can also be seen as a female version of Frankenstein’s knit together creature.

Marbas bestows the shamanic ability to assume shapeshift forms from within a lucid (sea) dream, which can be accessed via hypnagogic (fish) trance. When assuming other shapeshift forms within a lucid dream or via trance, such as that of power animals, it can enable a sorcerer to heal others. A sorcerer will also attain the Dr Frankenstein ability to construct Mind-Dolls, a Tibetan Buddhist would call Tulpas, you can otherwise term as Frankenhooker Succubae, via whose erotic (programs/memes) mind (robot/golem/egregore) constructs, a sorcerer can access hidden or secret information to remote view.

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SUCCUBUS SPIRIT WIVES OF THE YAKUT SHAMAN

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 7, 2014 by FAUSTUS CROW

Like many of the indigenous peoples of Siberia, the Yakuts practiced shamanism, who originally lived around the Olkhon and the region of Lake Baikal.

But during the 13th century they migrated to the basins of the Middle Lena, the Aldan and Vilyuy rivers under the pressure of the rising Mongols, where they mixed with other Northern indigenous peoples of Russia, such as the Evens and Evenks.

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By the 1820’s almost all the Yakuts had been forcefully converted to the Abrahamic faith of the Russian Orthodox church, although they rebelled against this onslaught in order to retain their ancestral-self-identity.

However, during the late 1920’s through the late 1930’s, the Yakut people were systematically persecuted, when Joseph Stalin launched his collectivization campaign.

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Hunger and malnutrition resulting from the period of persecution resulted in a decline in the Yakut total population from 240,500 in 1926 to 236,700 in 1959.

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By 1972, the population began to recover. The Yakuts presently form a large plurality of the total population within the vast Sakha Republic.

The Sakha Republic is one of the ten autonomous Turkic Republics within the Russian Federation. Even though the Yakut have suffered much under the yolk of Christianity, let alone fighting off Islam to then be hit by the Soviet regime, they still practice their ancestral legacy of shamanism; whereas the Abrahamic invaders of their land have entirely forgotten their own ancestral-self-identity.

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The Yakut shamans know of Succubae who are considered to be spirit wives. They are usually seen to be the spirits of deceased women who become Succubae.

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Although, some of the Succubae are constructed as thought-forms, of similarity to the Tibetan sorcery technique of the Tulpa.

During the 70’s an experiment was conducted by a group of Canadian parapsychologists who utilised the shamanic technique of creating a Tulpa. The experimenters successfully created a ghost, which generated poltergeist phenomena.

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The Canadian experiment was later repeated by a group of Australian parapsychologists based in Sydney, who created a Tulpa of a girl, they named Skippy Cartman, which also generated observable poltergeist phenomena.

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A shaman does likewise, who artistically creates spirit wives for specific poltergeist tasks. It is from these spirit wives the shaman derives much of his shamanic abilities, who are collectively called Abassi.

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Other spellings of the term Abassi are: Abaaht, Abasy, Abaasy or Abassy. When the Abassi sexually interact with a shaman within his lucid dreams, he knows he will soon be called upon to heal a patient.

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The Abassi maidens are seen to reside in an otherworldly domain called Mᾱnarikta Challan, the heaven of the spirits of ecstasy. (Shternberg 1935, p.246ff)

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However, there are darker accounts of the Abassi, which are very likely entwined with cultural sexual taboos.

According to other Yakut informants, the Abassi are alleged to be the spirits of long-time deceased women who dwell near graves, or in deserted places, or to otherwise travel around as predatory Witches invading the dreams of the living.

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In these accounts the Abassi inhabit the underworld rather than a heavenly abode.

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The shamanic perspective of heaven and the underworld alludes to shifts of consciousness, which the Abassi enable a shaman to experience.

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Heaven refers to a shift of consciousness above the (cerebrum) head, where the shaman will sense he is flying up into, and through, a vaginal star barrelled tunnel into another planetary (parallel universe) sphere.

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As for the underworld, it refers to a shift of consciousness to the (cerebellum) back of the head, where the shaman experiences falling backwards into a great void before attaining ingress into the (alternate Earth’s/eternal-reccurrence) ancestral spirit world. Basically, the Abassi enable (hypnagogic) trance ingress into both (brain) domains.

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The Yakut generally have two types of shamans, the black shamans, who interact with the Abassi, are called, Abassy-oïuna, and the white shamans, whose practitioners are called Aïy-oïuna, do not engage themselves with Abassi.

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The ‘black shaman’ among the Yakut bares no comparison whatsoever to the Western counterpart of an Abrahamic Satan worshiping black magician, since shamanism is not a dogmatic religion, it is a system of techniques, which enable consciousness expansion.

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The black shaman helps people no less than the white shaman does, who occupies a higher position among the Yakut than the white shamans.

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The black shaman is very much akin to the blacksmith; hence the numerous references to iron concerning the Abassi, who are associated with an inner (light) fire, illuminating his ‘Triangle’ Of Art Imagination.

The difference between the black shamans and the white shamans is more to do with their roles in society.

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The black shamans tend to be very much like neuro-scientists, who specifically deal with the inner realms via their microcosmic dream interactions with the Werewolf Abassi maidens flying as seven Cranes.

Whereas the white shamans are the priests, whose priestly role involves conducting traditional ceremonies, which requires a sense of macrocosmic purity.

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Because the white shamans conduct ritual gatherings and ceremonies for the tribe, it is seen to be unseemly for a black shaman to do so, due to his rather chaotic sexual interactions with the Abassi.

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The concept of the Abassi is so ingrained into Sakha thought that the verb абааһы көр- (to see Abaasi) is the everyday term for, ‘to hate’ or ‘to dislike.’

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This is due to the fact that the Abassi are seen to be sexually perverse ghost girls who are said to have teeth of iron, and like vampires they thrive upon the taste of blood.

sleipnirdrumyahoocouk trance succubus shaman lilith's harem

But it isn’t red blood we are talking about here, its (wet dream) white blood, semen. Hence the normal folk greatly fear the sexually perverse Abassi, whereas black shamans cohabit with them of Tantric dream (blacksmith) alchemy.

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What the black shaman to communicate, is that the Abassi, are likened to (planetary) metal (shield/seal) mirrors.

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As spirits of the ‘mirroring’ dream, they will reflect back, what the horned shaman has to face about himself, of self hate and disliking his shadow side, in order to (blacksmith-dismember and rebuild: solve et coagula) transform, via his interaction with the Abassi, whose fire forges his iron will.

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There are descriptions of the Abassi travelling around in predatory packs of seven, which alludes to the seven (metals) planetary spheres of the (endocrine system) Chakras, as described in many a medieval grimoire, such as the Goetia, for example.

The Abassi are sometimes described as being ‘one-eyed one-armed, one-legged’ monstrous warrior Witches mounted on ‘two-headed, eight-legged, two-tailed dragons as steeds.’

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Or to otherwise manifest as dragon like creatures with a large tail of similarity to the Hindu Nagas, which would no doubt freak out a David Icke devotee.

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The reptilian motif of the Abassi refers to the reptilian brainstem, which governs over your depth of (hypnagogic) trance and dream states. The experience of (hypnagogic) trance is termed as the little death.

It is via the dream that a shaman can access the future and the past, like that of a two faced head, looking in opposite directions. Whereby the Abassi rides a two headed, two tailed dragon, likened to a time-machine.

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The Abassi enables the shaman to travel over the dream web interconnecting all things, throughout space and time. Wherefore, the steed of the Abassi has eight legs like a spider; for they are one and the same, who are the Night-Mares the shaman to ride.

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The Abassi are more akin to the Hindu version of the Succubae, called Dakinis who also have reptilian motifs associated with them, which refers to the Dakinis inducing the arousal of the Kundalini Shakti (fire snake) along a shamans (world tree/nervous system) spinal column.

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This will lead you to understanding why the Abassi are described as being one-eyed, one-armed and one-legged like a ‘column,’ who personify the world tree, the Yakut call, Aal Luuk Mas.

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In the Olonkho, which is a heroic epic tale of the Yakuts, and one of the oldest epic arts of the Turkic peoples, the Abassi are ugly and horrible man-eating beings, which alludes to the Abassi initiating a shamanic illness in prospective shamans, whose consciousness the Abassi then alchemically transmute into evolving.

The chief shaman of the Abassi is Alyp Khara Aat Mogoidoon, who is described as being a (past, present and future) three-headed, six-armed and six-legged giant with a blacksmith body made of iron. Alyp Khara Aat Mogoidoon can e seen to look lke a raging Tibetan Buddha, seated, enthroned amidst a hexagram, which of a symbol, represents sexual union. The hexagram (sexagram) is utilised to conjure up the warrior maiden Abassi, whose elemental weapons have been forged by Alyp Khara Aat Mogoidoon.

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(You also have the Circadian rhythm [six-armed, six-legged = 12] Zodiac [Kalachakra] and its 36 Decans to go 72 of number.)

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The erotic arousal of the Kundalini Shakti is experienced as a liquid (fire) light, which, as mentioned, ascends the spinal column; more specifically that of along the back of the neck, which of an experience is termed as the ‘rush’ in modern trance dance culture.

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This liquid light, illuminates your electron dreams, which refers to the bio-photon emanating from amidst the mitochondrial DNA. The mitochondrial DNA is passed down from the mother to her children.

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Whereupon, the liquid (fire) light is intuitively experienced by the Yakut shaman as being the menstrual blood of the Abassi, which is considered to be poisonous.

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The reason why the liquid (fire) light is considered to be poisonous is because it induces shamanic (hypnagogic) trance, which is seen to be the little death.

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The ghost girl Abassi serve Arson-Doulai, the ruler of the dead, who also swallows (shift to the back of the head) people’s souls and gives the living (eternal-recurrence) diseases.

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Whereby the Abassi spirit (shaman doctor) nurses can heal said diseases, who as warrior maidens fight against malign influences.

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This is the reason why the black shaman, though feared, is sought out by those who are in distress. The black shaman is considered to be a powerful healer, which enables his high standing in Yakut society.

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The predatory Abassi are said to be appeased by ejaculatory blood sacrifices. However this is not literal, it otherwise refers to the Abassi requiring ’emotionally charged sexual rites’ for their Tantric conjuration.

This involves the introversion of the sexual impulse via intense erotic visualisations and meditation, which empowers lucid dream contacts with the Abassi.

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Wherefore the black shaman attains ‘mastery’ over the inner ‘fire.’

In the Southern Siberian Altaic language of the Altay, you will find the name of Odqan, which means fire king.

It is from Odqan, the name of the shamanic deity of the Norse is derived, who is called Odin, the Saxon’s knew as Woden.

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The black shaman Odin had his Abassi too, who are called Valkyries, the Saxon’s knew as Waelkyries.

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As you can see, the European’s also practiced shamanism, who had strong ties with the Siberian peoples long ago, as well as having many similarities with other elder shamanic cultures across the globe. But then, shamanism is universal.

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