Archive for frankenhooker

FRANKENSTEIN NIGHT NURSE

Posted in Art, Chaos Magic, Film, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 14, 2017 by FAUSTUS CROW

The Artwork is available as an Art print as well as a shirt design from my Redbubble shop. If you are interested, Please Click Here. 

The Artwork depicts a Frankentein Nurse of pure trance, whose exquisite corpse, has been knitted together into an alternative Tulpa version of the fifth spirit called Marbas, who is listed in the medieval grimoire entitled the Goetia.

I have otherwise depicted Marbas as a Surrealist Art Muse, whose Succubus name is a composite, which is made up of the words: ‘Mar’ and ‘Bas.’

The word Mar in Spanish, means sea, which is also etymologically connected to ‘Mer’ and ‘Myr’ of the name Merlin or Myrrdinn.

You also have the Hebrew name of Mary and even the name of Mars, since the sea is associated with the menstrual blood of the mother, and in turn the watery amniotic domain of the dream. As for the word Bas, it is derived from, Bass (/bæs/bass), which is a name shared by many different species of fish.

The term Bass encompasses both freshwater and marine species. All belonging to the large order of Perciformes, or perch-like fishes. In fact the word Bass comes from Middle English Bars, meaning ‘Perch.’ The name of Marbas, can then be translated as, ‘Sea Fish.’

Some will argue that Marbas is derived from the name Barbas, which comes from the Latin ‘barba’ meaning beard, leading thence to the association with a barber; or to be otherwise associated with the hellebore, which is one of a plants used in witchcraft.

However, the Goetia specifically states that the name of the fifth spirit is Marbas, not Barbas. What is more, when the name Marbas is interpreted to mean ‘Sea Fish,’ the symbolism is invariably overlooked by those looking for a Anton LaVey number one haircut, sniffing hellebore.

One of the principle functions of Marbas is to initiate the experience of shifting into other forms, which occurs when the practitioner is experiencing hypnagogic trance ingress into a lucid dream.

The experience of pure trance, is often described as feeling like swimming in an ocean by many shamanic cultures.

Frankenstein Night Nurse Of Pure Trance by MARDUN

For example; the Kalahari Bushmen of South Africa, who practice the trance dance, when attaining pure trance will fall to floor to then be seen acting as if they are (Nommo) fish or (Annunaki) serpents.

The trance adepts experience becoming amphibious creatures within their hypnagogic visions, which many a Surrealist Artist seeks to also experience of knitted together Art Muse inspiration, who create Mind-Doll Tulpa Art Models within their lucid dreams, to verily take note of in their Frankenstein lab diaries.

The Artwork was used in my Art book Grimoire, ‘Goetia Girls: Book One,’ which is available from Createspace and Amazon.

If you are interested in the Art print or shirt design, etc, Check Out my Redbubble Shop, Please Click the image link above.

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FRANKENSTEIN CREATED TULPA WOMAN

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 16, 2016 by FAUSTUS CROW

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From out of the infernal depths of the subconscious necropolis, disparate exquisite corpses are exhumed of archetypal ‘Anima’ desires, which are then knit-together upon the canvas lab slab of creative meditation, to hence paint of artistic conjuration, to Mantra name, Mephistophina.

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The canvas skin of the two-dimensional knit-together Frankenhooker is verily tattooed with sigils of desire. The Frankenstein sorcerer to mediate upon these sigils, while manifesting the visualised knit-together Succubus of planetary layers of oiled skin, imbued with metallic colour, to sculpt into a sublime form with his erect wand of a brush stroke.

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At the hypnagogic point of sleep, the Frankenstein sorcerer introverts his five senses of inverse pentagram, while visualising his sigilised Frankenhooker.

The Frankenhooker Succubus is thence conjured into three-dimensional Tulpa life within a lucid dream, when to electrify her with a Vajra lightning bolt of a barbarous name to call out, of an emotionally charged Necronomicon mantra, “Mephistophina.” 

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Sorcery and Art are one and the same of practice. An Artist does not worship his knit-together creations, which be that of a religious sentimentality, even when they come to life within a sixth-sense lucid dream; for if the artist does so, he will surely lose himself to his obsessively fueled Mind Doll, just as he would do when engaged with a flesh and blood woman of an ‘Anima’ projection.

This will invariably lead to a rather odd psychological conundrum arising concerning jealousy issues, which in reverse would be understandable, if your beloved to thence dally with others.

If the Artist becomes enamoured with a singular Mind Doll creation, becoming thence as his only tunnel reality, he is no longer practicing Art, nor Sorcery, but that of religion.

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Since there be many another ‘Anima’ fluctuation to knit-together of conjured Frankenhooker artistry, to visualise amidst the Triangle Of ‘Art’ Imagination.

The same is true concerning the creature of a deified ‘Animus’ made as a jealous God-Devil, by many a Mary Shelley, around which three ‘Borg’ faiths seek to convert everyone to their patriarchal tunnel reality populated with machismo Angels and butch Demons, all as knit-together Incubi, which to be illustrated in numerous Playgirl Grimoires of commonality.

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SUCCUBUS ART MUSES OF FAUSTUS CROW

Posted in Addams Family, Alien, Art, Chaos Magic, Comics, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 4, 2014 by FAUSTUS CROW

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A Succubus of an Exquisite Corpse Mind-Doll Frankenhooker Tulpa is meditated upon in league with her Golem Ghost Girl (Emet) seal of an abstract sigil; while knitting her together of artistry upon a slab of canvas.

Basically, you have two forms of art. The first form of art being the Succubus herself, whose erotic egregore expression, a Dr Frankenstein of a Sorcerer Artist is artistically knitting together of an exquisite corpse, represents a figurative manifestation of his wish.

The second form of art is her abstract seal of a sigil, which sums up Frankenstein’s energetic charge of desires, which will give eventual life unto the Succubus construct of an exquisite corpse Mind-Doll Frankenhooker Tulpa, who will thence frequent Frankenstein’s eleventh-dimensional dreams of an informational domain.

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There are of course, mundane associative thoughts of two-dimensional associations concerning the meaning, origin, and necessity of an abstract sigil of two-dimensional artistry, which of abstract art has formed some of the central riddles of modern art.

The answers to them are rather remote now of fourth-dimensional time, considering that contemporary painting encompasses veins of both abstraction and figuration, which of sculpture becomes three-dimensional.

This exploration is more so important, when conducting sorcery, which is essentially the practice of art; both practices are indivisible from each other. Magic and Art are one and the same. I kid you not!

Alas, the practice of art lost its shamanic path, long ago, along the fourth-dimensional corridor of time, becoming quite separated from the internal processes of the informational realm of the dream, which instead was taken over by the externalised technique of the dreamless artisan.

Though a Freemason of a tenth-dimensional Artisan is aware of first-dimensional consciousness, two-dimensional thought processes are only ever utilised. Hence, during the years when Abstract Expressionism flourished, figuration was shunned by many technique driven artists, who became entirely embroiled in elitist attitudes due to competitive racetracks of indoctrinated ‘thought,’ which date back to the late 1930’s of a now entrenched tradition.

I will generally examine the terms of this mundane debate concerning abstraction versus figuration, which continued into much of the twentieth century and still does so unto the present. You also have the concept of ‘representation,’ which art critics have come to commonly use since the 1970’s, who to religiously argue over an art ‘brand,’ just as many indoctrinated occultists to argue over how many Incubi Angels and Demons they can fit onto the end of a viral-meme needle point of a ‘branded’ belief. The concept of representation acknowledges that abstract and figurative art are not as different as they might seem, which is bloody obvious!

All art is essentially abstract art, should you see abstraction as being a neural process of drawing impressions from the shape, colour, and texture of three-dimensional objects. What is important here of sorcery practice is the internal generation of an emotive charge, enlivening the conceptual, which then stirs your ‘symbolically’ associative dreams, and in turn generating concordant synchronicities.

This will then lead to the observation of a feed-back-loop of symbolic correspondences. When this process is consciously observed of sorcery experimentation, the (mandala) artist (writer-mantra) then becomes aware that time is not linear of a fourth-dimensional sequence of events, it is in fact circular of a fifth-dimensional ever recurring Ouroboros.

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The internal processes of shamanic artists have ‘abstracted’ the reality around them since prehistoric times, which was once one and the same of sorcery. But this ability was lost, when many artists forgot to dream, due to changing cultural influences. These all encompassing cultural influences were primarily of a religious nature, which negated the sixth-dimensional (sixth-sense) faculty of attaining lucid dreaming.

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Art was then utilised, as a means for cultural propaganda much of the time. It was not until the early twentieth century that abstraction began to be defined as a sought for technique in its self.

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Abstract art tends to solely rely upon five pentagram sensory associations of form to suggest meaning, rather than employing any recognizable motifs to point at particular themes and content. Whereupon the artist will understand his/her work, but the audience will be left aghast as to what it all means of an occult code. Those who believe themselves to be privy to the artist’s occult creations are to be found drinking copious amounts of wine, when to drunkenly sojourn an art gallery paying exorbitant amounts of shekels for a two-dimensional scribble upon a piece of three-dimensional cardboard.

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However, they may just find that the artist has a Chimpanzee as his familiar who does the scribble painting. This should not be taken as a slight upon such artworks; for it does require the artist to achieve the innocent state of an ape brain, or to go further back of atavistic mammalian, to the emotive reptilian, to create something spontaneous, out of reach of the comceptual hominid; whereby a shamanic trance state of automatism is often employed. Although there are many an artist who do not employ this methodology, in order to attain a seventh-dimensional awareness of alternate possibilities, to instead focus upon an intellectualisation of the now fashionable abstract, without further ado, who pander to what is presently in elitist vogue.

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Whatever the case, abstract art can widely range of alternate seventh-dimensional Ouroboros possibilities, from the easily comprehensible, quasi-figurative, landscape-based imagery of Kandinsky, to the far more obscure, mystical monochromes of Malevich.

Imitation, or realistic representations of what is perceived, has been the holy grail of the visual arts since earliest times. At one time it was believed that the creation of a realistic representation was also one and the same as the object it’s self, of a magical act; whereupon the ancients had termed such art as being Mimesis. This can only be really understood by an artist, when to work upon a figurative piece of Frankenhooker art, to thence find her being brought to Tulpa life within a lucid dream.

However, many an artist has forgotten how to electron dream, who focus more on an external technique in order to perfect. But it soon came to pass that the capturing of the real was then taken over by photography and more recently by computer generated art, which can be utilised to explore eighth-dimensional realities, where present Maya physics do not apply; such as in video game Matrix worlds, whose physics are programmed.

Many artists have striven to create the technical effect of an illusion, with their art, in order to extend the experiential, three-dimensional Maya space of the viewer. At other times artists have striven for realism, to create an impression of Samsara social reality. During the twentieth century, the ascending art of abstraction is best thought of in the generalised sense, as being ‘figuration,’ though some Abstract Expressionists considered any residual presence of the figure (such as is seen in Miró, or early Rothko), no matter how abstracted, to be mere figuration, which was, and still is considered to be anathema to the established tradition of the Modern Art movement.

In regards to sorcery practice, which is indivisible to art, I am really not at all concerned about such nigh religious bickering between back-biting traditions, which is no different to pompous occultists, who say they practice the high art of magic, when in fact, they are habitually indulging in the commonality of religion.

I have no time for entrenched traditions or dogmatic religions; since they are intrinsically static of an indoctrinated symbolic perception. Whereas art and in turn magic are rebelliously fluid and ever evolving of ninth-dimensional sorcery. Both of these practices deal with the stirring of the subconscious realm, of eleventh-dimensional electron dreams via the manipulation of photonic symbols, to associatively conjure amidst your Triangle Of Art Imagination.

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Whereupon I utilise the modern symbolism of the lowbrow comic, when to engage in a Widdershin-wise reversal of an indoctrinated brainwash, along with utilising Discordian Heyoka humour to thence negate the Inquisitional negative. Hence, a rebellious Frankenstein artist uses both art forms in order to conjure up a Succubus of an exquisite corpse Mind-Doll Frankenhooker Tulpa, to frequent his lucid dreams of ninth-dimensional Surrealistic artistry.

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DR FAUSTUS CROW FRANKENSTEIN SORCERER

Posted in Alien, Art, Chaos Magic, Comics, CREATIVE WRITING, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 24, 2014 by FAUSTUS CROW

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Faustus Crow’s initial conjurations of various Frankenhooker Mind Doll Succubae Tulpas amidst his Triangle Of Art Imagination, will often assume, surreal Goetia Girl forms.

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Such can be quite inspiring of surrealist exploration. But the Great Work of this symbolic alchemy, is that of creating knitted together archetypes of refined exquisite corpses, to thereby engage with of erotic lucid dream Coitus Pactum close encounters.

British art. Frankenstein Created Woman. Hammer Films, 1967.

A Frankenhooker Mind Doll, being a thought form, is at first visualised upon her snap-to-the-grid slab of entoptic phenomena.

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Her form, however, has a tendency to shift of an electron vision manifestation into differing modes of symbolic expression.

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Crow had determined that this is due to his electrifying emotional states, which empowers his Frankenhooker Mind Doll.

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However the energetic charge of emotions are often chaotic and uncontrolled, whose domain is of the infernal subconscious mind, from where Tulpa Mind Dolls are evoked of necromancy.

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As mentioned prior, Crow’s conscious mind seeks to knit together a Frankenhooker Mind Doll into a refined Tulpa manifestation.

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But he found that his emotional self of an Igor often rebels against his Dr Frankenstein mind.

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Whereupon his conjuration of a Frankenhooker Mind Doll can take on an unformed surrealistic expression.

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Such a creature will be made up of a knitted together juxtaposition of differing symbolic associations, which can become quite monstrous of an egregore.

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This can become most irksome indeed, when to be straddled by an Old Hag crawling out of the shadows of your bedroom, which to thence leap upon you of an invading nightmare.

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The monstrosity then promptly applies its weight upon your sleep paralysis frame.

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Before strangling you with your own mounting reptilian brain-stem fear, to then mount its self of a fully fledged hypnagogic manifestation, of pure alien abduction terror.

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So afflicted, requires you becoming aware, that your own fear empowers the thing conjured up from the depths of your psyche, to then wrestle with into another form, before awakening.

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This isn’t to say that the Old Hag and that of its associated legions of corresponding monstrosities is not real.

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Quite the contrary, in fact, it is very real indeed; for your nervous system cannot differentiate between a vividly imagined event and a so called real one.

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Whence, a fully immersive lucid dream encounter with a creature conjured up from the subconscious depths is very real indeed, of a sheer horror made manifest.

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But when transformed via the sorcery art of symbolic alchemy, the Old Hag becomes whatever your Dr Frankenstein mind sets about creating it to be.

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Whom, if you so desire it to be, as a Dr Frankenstein creating a woman, she will then serve you as your Frankenhooker Mind Doll of a Tulpa Golem.

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Crow had determined the symbolic associations of a Dr Frankenstein’s conceptual thoughts are entirely empowered by his electrifying emotional states, which as stated, can at first formulate into quite alien and most terrifying hybrid creations.

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This is due to the conflict between the mind of a Dr Frankenstein and the emotional self of an Igor.

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The trick is to determine what the emotional self of an Igor finds it easier to exhume of archetypal corpses from out of the necropolis of his buried memories.

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This will then enable a Dr Frankenstein mind to knit together a Frankenhooker Mind Doll of an exquisite corpse, which he desires to give Tulpa life unto.

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The problem however is that Igor can be easily brainwashed due to his rather base nature.

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Igor is somewhat literal minded, you see; since he tends to follow the brainwashed reptilian brain-stems of the politically-correct conformist flocks.

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For example, a Dr Frankenstein mind may discover; while seeking to conjure up a knitted together Frankenhooker Mind Doll of a Succubus, that Igor has been entirely brainwashed into believing that archetypal Angels and Demons are all male Incubi.

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This is due to subliminal influences zapping Igor’s reptilian brain-stem.

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Igor’s reptilian brain-stem is basically imprisoned by an indoctrinated culture, caught between a machismo good-cop God and a bad-cop butch Devil of Orwellian mind control.

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Whereby Igor’s reptilian brain-stem, which governs over the autonomic nervous system, has been unduly imprinted since childhood.

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As the saying goes; “have a child for seven years, and you own the adult.”

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Whereupon, seven years being educated by the brainwashed can transform a child into an equally brainwashed automaton of an adult.

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Hence Igor will rebel against Dr Frankenstein’s conjurations of Succubae Mind Dolls due to his programmed nature; whereby engendering nightmarish Golem creations.

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So, Dr Frankenstein being a crafty fellow that he is, has to then pander to Igor’s, imp of the perverse base nature, when to fathom his darkest unsaid fantasies via in depth self-analysis.

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Whereby the sexual impulse is utilised of attraction, by using certain mandala imagery to meditate upon.

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Should this not work, then shock is used of repulsion in order to break down Igor’s programming.

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Both attraction and repulsion is then consciously used of simultaneous surrealist artistry.

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The fusion of the two states is highly effective in regards to hacking Igor’s programming.

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These techniques are taken further, by logically pointing out to Igor, that the all male symbolic paradigm of an encompassing mythic matrix has an underlying sexual orientation, which isn’t up his heterosexual inclined alley.

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Whereby indicating to Igor that his base Chakra has been upended through illogical fear, which has led to a conflict of interests, engendering surrealistic nightmares.

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Igor will of course become very angry, of a potent base emotion, when he realises that his emotional self, has been unknowingly abused in such a literal way by the conjured up male egregores of cultic priests, which has twisted his dreams into nightmare; whereby blocking him. Igor then rallies to Dr Frankenstein’s cause.

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Hence enabling a cerebrum Dr Frankenstein mind to have a free inner eye, guiding pentagram hand, to knit together, his Frankenhooker Mind Doll, of an artistic rebellion against the patriarchal brainwash.

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This is achieved without any further bother on Igor’s reptilian brain-stem part.

Hence they work together of layered brains to accomplish the Great Work of symbolic alchemy.

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Whereupon Dr Frankenstein creates many a knitted together Frankenhooker Mind Doll within his Tulpa lab of the imagination to thereby frequent his séance lucid dreams of an inner Harem.

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Whence to Coitus Pactum ride their Pony-Girl Night-Mare ethereal flesh, of exquisite corpse ectoplasm.

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STAR TREK GOETIA GIRL SUCCUBUS BELIAL

Posted in Alien, Art, Chaos Magic, Cosplay, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 8, 2014 by FAUSTUS CROW

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Throughout the lurid history of occultism, the name of Belial has dominated the murky Cabbalistic explorations of the occultists. In the Catholic Encyclopaedia, Belial is one of their principle phallic Demons, with whom of an adversarial egregore the Vatican has an incestuous love, hate relationship, which validates their Animus fixation upon a jealous egregore God of centralist politics.

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However, rebellious secret societies of anarchistic Discordian’s, who are inspired by the Chaos Magick antics of the Goddess Eris, otherwise conjured up Belial as a Succubus to call Beliala. These anarchistic Discordian’s may be continuing to do so up to the present day, whom evoke Beliala’s Frankenhooker Mind-Doll Tulpa, of a Shekhinah Shin flame fluctuation, within their lucid dreams.

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It is whispered by some, that Leonard Nimoy is secretly the Heyoka head of a surrealist sorcery group of Discordian Dadaist’s, whose Shekhinah Séances are designed to conjure up the Shin flame Mind-Doll Tulpa ectoplasm of Beliala, in order to usher in the hippie Age of Aquarius.

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However, within the banned innards of the much maligned Necronomicon, Beliala is described to be a powerful Queen; she is also said to have been the second Great-Old-One created after Diana-Lucifera who wields the fiery Vulcan torch of Shin.

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For example: “The Sixty-eighth Succubus is Beliala. She is a Mighty and a Powerful Queen, and was created next after DIANA-LUCIFERA. She appeareth in the Form of Two Beautiful female Angels.”

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“Or to manifest as a woman of arcane science sitting in a Starship of Fiery Enterprise crewed by Succubae.”

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“She speaketh with a Comely Voice, and declareth that she fell first from among the worthier sort, that were before Michelle, and other Heavenly Succubae.”

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“Her Office is to distribute Presentations and Senatorships, etc.; and to cause favour of Friends and of Foes. She giveth excellent Familiars, and governeth 50 Legions of Succubae.”

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“Note well that this Queen Beliala must have Offerings of ejaculated Sacrifices, and of lustful songs, as well as Gifts of erotic poetry presented unto her shimmering visionary form by the Sorcerer, or else she will not give True Answers unto his remote-viewing Demands.”

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“But then she tarrieth not one hour in the Truth, unless she be constrained by thy Divine Will Power to bind her fiery Tulpa. And her meditation Seal is this, which is to be meditated upon, as aforesaid, etc.” (S. L. MacGregore Freemason Mathers.)

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Due to Beliala’s involvement with Diana-Lucifera, it suggests that Beliala may have been involved with Diana-Lucifera in the events of the garden, which led to Lilith’s Kundalini temptation of Eve.

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This invariably led to Eve tempting poor Adam to partake of her logical Yoni cider, which of a female source ‘illuminated’ his skull of an inner fire. However, this inner fire of Shin is often misunderstood.

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Or that she was involved in the long ago fall from Mars to Earth, when Princess Diana-Lucifera and her rebel forces of Succubae rebelled against the fascist rule of Emperor Jehovah and his cloned Stormtrooper angels. Beliala is definitely listed among the fallen rebel angels of Diana-Lucifera, and is the 68th Succubus listed in the Goetia. She is said to reign over as many as 80 Vulcan legions of salacious star born Succubae.

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Secret Jewish lore has it that Beliala is chief of all the Succubae; although others to argue that Lilith is the actual Queen of the Succubae, who instigates wet dreams; whatever the case they are most loving sisters who to hungrily feast together around a wand’s erection.

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One of the banned Dead Sea scrolls contains a story about a sex war between the ‘Animus’ Sons of Light and the ‘Anima’ Daughters of Darkness, and claims Beliala is the leader of the most wanton Daughters of Darkness.

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Her very name, taken from the patriarchal Hebrew word Bliol, means “a wicked one.”

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In The patriarchal Martyrdom of Isaiah, although of an alternate banned version, which has been interpreted into the modern, indicates that: “Beliala is the angel of artistic anarchy, who rips aside the wrought neuro-advertising illusions of the priests; whose big-business cults presently rule over the world.”

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The illogical patriarchs of the Illuminati triad out of Abraham’s Ur cannot abide Beliala, who is seen as an adversarial anti-brand of logic, whereby she is considered as being very wicked; for in the Orwellian New-World-Order Kingdom Of God, the elite rule by keeping their indoctrinated flocks ignorant; wherein of a Big-Brother Overwatch Eden, ignorance is bliss.

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Another ancient secret text, buried deep within the fetid guts of the Vatican’s infernal vaults, known as The Damascus Document, is a prophetic warning that at the time of the horned Ante-Christ arising out of Siberia under the pole star; “Beliala shall be let loose against the Abrahamic trinity of Illuminati faiths. . .”

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The text speaks of, three wars of Beliala, which are said to be the war against Abrahamic sexual repression; the war against Temple banker finance, which is an imprisoning illusion; and the war against the poisoning of the waters of the Earth with sodium fluoride and other neurotoxins and mutagenic compounds by the criminal elite, who support the hypocritical triad of big-business Illuminati cults out of Iraq’s Ur, which to dance around Abraham’s eye amidst a ziggurat.”

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Beliala sounds like a powerful and extremely difficult Succubus to conjure. Hence the reason why the psychic Übermensch, Aaron C. Donohoe decided to instead evoke the patriarchal viral-meme Belial, of an indoctrinated religious fixation, who seemed to be a safer Animus bet, to thence remote-view. But he soon discovered a mystery.

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The common Grimoire manifestation of Belial as an egregore male Demon appeared to Donohoe as a rotting corpse, seated in Robert Bigelow’s international space station of a private ‘Elysium’ for the rich elite.

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Donohoe said he sensed that the male expression of Belial was dead; “A strange ‘green hue’ out of the sephiroth sphere of Venus is noted surrounding Belial’s male form, suggesting a feminine Orion slave girl radiation, which rapidly transformed him into a female Spock out of Star Trek.”

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“This female Spock then led a federation of planets commando force of Succubae to free the USS Enterprise of a Merkabah time machine out of Area 52, whose scientists have warped Gene Roddenberry’s Star Trek Vimana vision all out of shape.”

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The brainwash associated with Belial is to do with a symbolic Matrix of an all male pantheon of Angels and Demons, which has been verily transformed into aliens by the indoctrinated, who adore their machismo God and butch Lucifer of an Animus fixation, whom resides within the psyches of all women.

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Here the plot thickens, Donohoe also writes that while he feels that; “Belial is dead because the Succubus Beliala has taken the place of the male Belial. . .”

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“It appears that Anima Beliala has been eventually released out her Animus genie bottle by the anarchistic Discordian’s, whose dismembered corpse of autopsy will be revealed.”

“Beliala looks remarkably like T’pol out of the TV series Enterprise, which is to do with time travel of an intriguing storyline.”

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Examination of Donohoe’s remote viewed drawing of the male Belial indicates a lifeless Robert Bigelow at the window of his international space station, whose mouth is frozen into a terrified scream.

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Donohoe had the clairaudient impression of Bigelow’s strangled voice to cry out; “I didn’t know… they used me!” But, by who?

His eyes bulging, as if Bigelow has seen something hunting him across the Skinwalker ranch, which he owns in Utah.

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Donohoe is unsure as to who used Robert Bigelow, or why this powerful patriarchal spirit is reduced to no more than a Bigelow corpse, and when this had actually occurred, or to yet happen.

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But it may have something to do with the fact that Bigelow’s aerospace company is the only private entity upon the face of the Earth, which has a permit to take weapons into space, such as a death ray, for example, whose Tesla invention can easily take out an aircraft over Russia, across the wide open ocean, or to eliminate far larger targets from orbit, let alone down UFO’s. No one would ever suspect its use or even to believe it exists, of a shadowy Reagan era Star Wars project. Whereupon natural catastrophes can be blamed, or that someone fired a missile.

Conspiracy Theory with Jesse Ventura – Death Ray from LeakSourceNews2 on Vimeo.

As for Belial’s transformation into the Vulcan Succubus Beliala; Donohoe considers this to be a great mystery.

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But perhaps, Leonard Nimoy can reveal far more, when to speak of the bio-photon ‘Shin’ flame emanating from out of the mitochondrial DNA Shekhinah, of a time control signal.

The ancient pre-Christian Roman’s otherwise experienced the Shekhinah as Diana-Lucifera, who illuminates your electron dreams with her Vulcan fire. It is via your electron dreams, you can remote view the future, or even the past, of lucid dream Time Travel. Such dreams can be initiated when to meditate upon the sigilic symbol of a Vimana Enterprise in league with the conjuration of Vulcan Beliala amidst your Triangle Of Art Imagination.

The Psychic Übermensch Aaron C. Donohue by Erin C. Donohue (2012)

AFTERWORD: Leonard Nimoy, an inspired actor and a visionary genius. A true Artist in every sense of the word. Live Long And Prosper Spock, one and the same as Nimoy, indivisible. You are now an Immortal icon of the collective dream, always to be remembered. Leonard Nimoy Spock will forever inspire many to reach towards a brighter future, where Star Trek is real. 

ALSO: The sign of Shin is NOT an invocation of the Devil. It is otherwise associated with the inner light/fire of the bio-photon emanating from the mitochondrial DNA, which is passed down from the mother to her children; hence you have the Shekhinah, the Hindu terms as Shakti.

As for the motif of the horned Devil/Lucifer/Satan, it is the demonisation of the horned shaman, which in turn demonises shamanistic cultures. The intolerant monotheistic cults of Christianity and Islam have made it a point of demonising the ancestral-self-identities of other peoples, whose BORG cults had originally appropriated the ancestral-self-identity of the Hebrew’s. When to copy, the BORG copier invariably seeks to destroy the original; whereby you had the holocaust.

Now, you have three monotheistic BORG cults forming an Illuminati ‘triangle’ around the Oily Ur ziggurat of their founder Abraham, whose Orwellian eye is amidst its Petrodollar pyramidal hierarchy, adoring a deified ‘Animus’ made as a God/Devil of centralist NWO politics.

The ‘three’ monotheistic cults are feudal in nature who share the same Oily focus on having a Messiah/Christ/Prophet as their ‘God King’ Fuehrer ruling over the world; whereupon you have approximately 85, or 72 people owning most of the wealth of the entire globe, whose shadowy aristocracy circle an Oily Fuehrer!  

Follow the money trail to see the truth of it. Whereas a Star Trek future possibility has no money; for money is just a symbolic construct of a tool, it is just an illusion; whence, the few, of a so called elite atop of the Oily pyramidal ziggurat are just gangsters, whose God-Father is no different to an Emperor wearing no clothes!  

NOTE: In regards to the Occult Star Trek Books, if you be a pedantic BORG without having any sense of Discordian humour, lacking imagination, then the books will be very difficult for you to assimilate, which of ‘speculative’ science fiction, and of an imaginative exploration of the occult archetypes, you will no doubt consider to be mere ‘speculation;’ though contradictory of tunnel vision, your BORG mind-set will quaintly ignore the facile and rather banal contradiction of a ‘programmed’ perception! But don’t worry, if you be a BORG, you can ‘reprogram’ your brain, if you ever see fit to do so, just keep away from the fluoridated water, it’ll bugger up your pineal gland, BORG style!

 

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