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BELPHÉGOR GHOST GIRL OF THE LOUVRE AND HER WITCH SISTERS OF PURGATORY

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 5, 2017 by FAUSTUS CROW

Salem’s Vampy Vampira of Goetia Girls Research TV here, at my usual haunt of a bar. Although this time around, I’m in the Le Crazy Horse de Paris. I am ever so excited to be in Art central Paris, interviewing ghost hunter Jacques Bellegarde and the psychic detective Chantecoq about their paranormal investigations into the ghostly apparitions of the Seven Sisters Of Purgatory, haunting the Musée du Louvre. Check out their book. 

VV: Thank you both for talking to Goetia Girls Research TV and our still living audience. You both make the claim, in your book, that supernatural activity is everywhere on the dark side of Paris, but what makes a place truly haunted, such as the labyrinthine Art gallery of the Louvre?

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CHANTECOQ: Well, it’s about the belief, the mystery, and the culture around the myth. the major Art attraction of the Louvre is not just by chance, but by design. The whole Art instillation acts something like a psychic battery… a Ley line focal point. Some of the locals believe that a number of the paintings in the Louvre are actually painted with the blood, harvested from human hearts, creating inter-dimensional portals into other realities, which open at certain key-times around the zodiac.

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VV: Ley lines… the Louvre is a psychic battery… paintings painted in human blood acting as stargates; sounds like something right out of H.P. Lovecraft’s Necronomicon brain; I love it!

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JACQUES: It is all symbolic of course… an occult blind, which refers to a primordial shamanic technique the ancient Egyptian’s also practiced in their temples. The chest area of the heart is where most of the nerve fibres of the Central-Nervous-System are to be found, which are activated by the inducement of hypnagogic trance at certain circadian rhythm key-times. Basically, the Artist who to have painted the painting was in a state of hypnagogic trance while doing so. Whereas the motif of blood refers to the Artist’s emotional state when creating the Artwork. As for Ley lines and the psychic battery bit, that’s where it gets really interesting…

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VV: I must admit, I never got my head around all this Ley line stuff, for real; let alone psychic batteries… the Louvre being a massive psychic battery sounds far too New-Age fluffy to me… no offence…

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CHANTECOQ: No offence taken… You just figured it out without realising it, when you said… head; and I must say you do have a very pretty head… (All three laugh) 

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VV: You are such a bad boy Cthulhu flirt… (All three laugh)

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CHANTECOQ: (Continues) The Ley lines, which are generally seen to be hypothetical energy lines covering the Earth like a web, actually exist within your crystalline skull. What you externally observe, with your eyes is interpreted by your brain, which has a liking for patterns; whether you are aware of it or not.

Beelzebub Umineko Cosplay by vzl

CHANTECOQ(Continued) Should you look at the world as an Artist would, you will soon realise that wherever you look, you will notice that the area you are observing has an underlying composition to it, a symmetry; hence, having a pattern. That is why, when accessing hypnagogic trance, you will sometimes experience entoptic phenomena, made up of geometric patterns looking like grids, zigzags, cones, dots, spider webs or that of Ley lines underneath the internally experienced visionary material, which is associated with what is externally observed.

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VV: Is that why Palaeolithic cave paintings often feature geometric patterns; whereby indicating they were painted while in a state of hypnagogic trance?

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CHANTECOQ: Yes. The caves of Lascaux for example, were the first Art gallery temples. At an external level, the cave is just a cave; but when accessing hypnagogic trance, the cave becomes a psychic battery, whose stored energy is emotion. Or should I say, it evokes an emotional reaction from one or more of the Seven Chakras of the endocrine system, within an individual, via the symbolic stimuli of the paintings. This then leads to thoughts making nigh instantaneous associative connections, which generates the entoptic phenomena of the experienced Ley lines, corresponding with the conjured visionary material of deep memories.

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VV: Hang on a minute, just to clarify what you just said… when in hypnagogic trance, the symbolic stimuli of a painting evokes an emotional response from the Seven Chakras, equalling energy, which then sets up associative thoughts, being entoptic phenomena Ley lines… and that these lines of thought correspond with visionary material, that are conjured memories…

Asmodeus Cosplay by vzl

CHANTECOQ: Yes. emotion, thought and memory is symbolised as the Triangle Of Art in occult practice; but it is essentially that of Art. At the midst of the Triangle Of Art you then have the ‘eye’ of the imagination, which allows an Artist to introvert his or her five senses into the dream consciously.

CHANTECOQ: (continues) Wherein of a sixth sense lucid dream a two-dimensional painting becomes as a three-dimensional interactive reality. Whereby, a macrocosmic painting can indeed act as a Vaginal stargate into another microcosmic reality.

Beelzebub Umineko Cosplay by vzl

VV: Whoa! So the Louvre is like the painted caves of Lascaux… are you saying that the reported ghosts of the Louvre were seen by individuals who had inadvertently accessed hypnagogic trance, by any chance?

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JACQUES: You are now getting very close to… Le secret du Louvre. But it’s not quite the whole story, there’s far more. Chantecoq and myself resorted to using the classic Ouija board of Surrealist automatism in a number of the Louvre galleries to see if an entity would communicate with us.

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CHANTECOQ: We found that the ghost sightings are associated with singular entity, such as sightings of old guards walking through the museum, as well as the Red spectre of the Tuileries, which was initially considered to be a male ghost. But we soon discovered that the ghost in Rubedo Red is actually a female entity, which had communicated with us via the Ouija board. She even revealed that she has six other ghostly sisters as well revealing her symbolic-key of a name.

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VV: So, what is her name?

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JACQUES: She said her name is Belphégor. We decided to look into her name, which is listed in the grimoires as being that of a spirit. Belphégor is one of the very few spirits described manifesting as a female entity, appearing as a young girl, when conjured into a lucid dream.

JACQUES: (Continues) She is said to inspire innovative invention, especially via her Art Muse inspired dreams, which, for example could be that of innovative Art movements. However, her name is originally derived from the ancient Egyptian Goddess Ahathoor as well as being associated with another Egyptian Goddess named Amunet.

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CHANTECOQ: We found it very curious indeed that Ahathoor means the house, or temple of Horus. When we looked at the Ahathoor temple plans of Edfu, we found out that the Louvre is based upon the same temple plan.

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JACQUES: Going back to the Red spectre… or a red Rose, of the TuileriesAhathoor is depicted dressed in scarlet, who is the original scarlet woman… she is sometimes shown to be naked. The reason for her nakedness and the colour Red, is that it is associated with menstrual blood, the Rubedo of alchemy, which points at a naked Vaginal portal of ingress into this reality. As for Amunet, also pronounced Amonet or Amaunet, she was a primordial Goddess in Ancient Egyptian religion. She is a member of the Ogdoad and the consort of Amun

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CHANTECOQ: Amun is sometimes depicted as being a pyramid of light surrounded by the primordial ocean called Nun, which of similarity points at the Louvre pyramid, whose symbolism of a pyramid is associated with the Masonic symbol of the Beehive having a Queen Bee Witch.

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VV: So, by using an Oiija board, you both come across the name Belphégor, which then led you to an ancient Egyptian Goddess called Ahathoor pointing at the Edfu temple, having the same ground plan as the Louvre. Are you saying that the Louvre is the house of Horus?

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JACQUES: Well, actually, here in France, the Horus hawk, equates with a type of hawk called a Merlin, which is flown from a ladies hand. This then leads you to the wizard called Merlin who as a deified shaman is also associated with Amun, whose consort is Amunet. The Egyptian Goddess Amunet would then equate with Morgana le Fay coupled with Merlin, which then leads you to the locale of Glastonbury tor in the Uk, having a Seven fold Chakra spiral… Glastonbury tor was once surrounded by an inland sea, just like Amun’s pyramid, which in turn, as said, leads you to the Louvre pyramid… As for the name of Amunet, it means, ‘the female hidden one,’ like that of being masked, who is depicted wearing a Red crown wielding a staff of papyrus.

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CHANTECOQ: When you have papyrus it is symbolically associated with paper unto canvas; hence, Merlin can be seen as a bearded shaman Artist, whose house is the Louvre… Funnily enough, In the innovative British and American TV series Penny Dreadful, the character of Vanessa Ives, is played by the French actress Eva Green, who is implied to be an incarnation of Amunet. You also have another French actress, Sofia Boutella playing Ahmanet, who is Amunet, in the Mummy film, which is the first official instalment in the Universal Monsters Cinematic Universe… you could say, the Mummy film, of a moving painting will act somewhat like a Vaginal portal, whose ageless archetype of the Arts is Belphégor.

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VV: Curious, sounds like Belphégor is very French, no wonder Kamasutra Paris is the Art central of symbolic Alchemy, whose sorcerer Artists, inspired by their Succubus Art Muses, transmute the Seven hedonic sins into golden Tantric virtues. You mentioned that all of this is by design, what do you mean by that… who or what designed it all?

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JACQUES: We suspect that it has something to do with the junk DNA, which is tied up with language. The language we are talking about here is at a far deeper level, it is symbolic, manifesting within dreams… not that of words. It’s as if, there is a symbolic code embedded in all of us, which physically manifests its self via trance Art; whereupon you then find various cultures throughout history, manifesting similar symbolic motifs across the globe, which are all interconnected.

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CHANTECOQ: We found that the Belphégor dream code is associated with certain zeitgeist times, when innovative Art movements in Paris influenced the whole world. One such zeitgeist Art movement was initiated by Les Humanoïdes Associés, a publishing house specialising in comics and graphic novels. It was founded in December 1974 by Mœbius, Jean-Pierre Dionnet, Philippe Druillet and Bernard Farkas in order to publish their adult fantasy magazine, Métal Hurlant; it quickly expanded to include a variety of science fiction work.

JACQUES: Métal Hurlant was innovatively revolutionary in the comic book Art-form at the zeitgeist time; because of its inventive focus on the genre of science fiction, it inspired many generations of authors and filmmakers, such as George Lucas for his film Star Wars and Ridley Scott’s Blade Runner and Alien, as well as influencing Wachowskis Matrix trilogy. The American version of Métal Hurlant is the magazine Heavy Metal whose base of operations is in H.P. Lovecraft land Massachusetts.

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VV: Yeah! Salem, that’s where I come from; born and bred as a salaciously sinful Witch… I wonder what one of the Seven very naughty Chakra sins I would be? (all three laugh.)

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CHANTECOQ: We also discovered that the Paris base of Les Humanoïdes Associés is aligned with the Louvre pyramid, which both of us find to be rather curious…

Mammon - The Seven Stakes of Purgatory by Miihelmina

VV: Looks as if Belphégor not only travels around the Ley lines like a Witch riding her broomstick, she is also into Bandes dessinées…

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CHANTECOQ: What do you expect, she is a Succubus Art Muse Catwalk model out of Vogue, looking like a Vampy Vampira… (all three laugh)

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VV: So, what will be the next zeitgeist Art movement, she is going to inspire, do you think?

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JACQUES: Well, we did have the word, Crow, that kept on cropping up when using the Ouija board. What that means, we haven’t as yet determined…

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VV: Crow… Belphégor… Crow… Belphégor… sounds familiar; I’m sure I have come across that association somewhere… not sure… where… (shakes her Louise Brookes bob style raven tresses) sorry, please continue…

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JACQUES: Perhaps, going by the sensual French actresses playing the Penny Dreadful and Mummy manifestation of Amunet… pointing at Belphégor, that the next zeitgeist will occur in tandem with the return of the Universal Monsters and their sinfully delicious EC comic Cinematic Universe…

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CHANTECOQ: Whatever the zeitgeist Art movement to be of an artistic manifestation; it will be very much dependent on the bearded Artist who has conjured Belphégor as his ‘throne’ of Muse inspiration… as the saying goes, “behind every great man there is a woman,” although I far prefer the Hindu adage, “a God is not a God without his Shakti.” (Chantecoq winks at Vampy Vampira. All three laugh, while drinking a third bottle of Faust, Cabernet Sauvingnon. )

VV: Thank you both for the interview. Salem’s Vampy Vampira of Goetia Girls Research TV signing off from the dark side of Paris. Hell! I’ve just been asked to do a Belphégor mask dance on the Crazy Horse Dakini stage with my six other most salacious Witch sisters.

VV: (continues) But before I do, I’m going to Cat burglar steal another bottle of Faust. Make sure to subscribe to the Goetia Girls Research TV on YouTube, to catch my Crazy Horse Performance Art dance, it’ll send you into a surrealist trance.

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SATANA SUCCUBUS OF SATANIC MAYA MATRIX DELIGHTS

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 23, 2015 by FAUSTUS CROW

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The name of Satan is a Hebrew word; which is spelt, Seen-tayt-noon. In colloquial Hebrew it means the ‘adversary’ or the ‘accuser,’ which can be equated with the Hindu concept of Maya. The term, Maya is also a name of a Goddess, who creates the Illusion of realty birthing all material form.

The Hindu and Buddhist usage of the term of Maya describes all material form as being an illusion, like that of a (Matrix) computer simulation. As for the illusory nature of reality, it is backed up by the findings of Quantum Physics. The usage of the words ‘adversary’ and ‘accuser’ can be seen as a veiled reference to the feminine birthing all form, which is considered to be an illusion and that of a lie.

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Maya and that of her creation of nature, was the prior Anima focus of the animist belief systems, which the Animus inclined monotheistic belief system of patriarchal Judaism had castigated as being its ‘adversary;’ hence ‘accuser.’

This patriarchal perspective was carried over into the extremes of Gnosticism, whose philosophy considers nature to be essentially evil, which, of an extreme philosophy then informed Christianity and in turn Islam.

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Each of the three letters of ‘Seen-tayt-noon’ is also a word in its self, whereby each word also has its own intrinsic meaning. According to the Hebrew Cabbala ‘Seen’ represents a movement, a universal or cosmic motion, which underlies the movement of all things in the universe.

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This movement is pictured by the Cabbalists as the breath of their God returning from the material plane, back to the infinity of the creative principle, to thence return once again to matter, for the process to endlessly repeat. Basically, when an individual becomes incorporeal, the essence of the individual is seen to return back to the (energy/information) source, from where the individual is then re-birthed back into matter via the female of a never-ending repeat, which you could term as eternal recurrence.

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An analogy would be that of going through a vaginal (Vesica Pisces) door, when being birthed into the world of your three dimensional existence, wherein you experience the fourth dimension of linear time.

To then later leave, incorporeal, through another door. But the two doors are actually the same door in the fifth dimension, of an eternally recurring closed-timelike curve.

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The word ‘Tayt’ represents a cellular structure such as the mitochondria, which carries a memory ‘engram,’ of genetic information passed down from the mother to her children as well as referring to a neural circuit, or any other cybernetic analogy representing a basic structure exhibiting a cell like nature. It is essentially a feminine concept, which tends to enclose energy and therefore information, repeating it’s self like that of a closed-timelike curve, symbolised as an Ouroboros.

It is a cybernetic self-referencing process, which continues to build its self in its own image, which the Tibetan Buddhists perceived as a Tulpa creating Tulpas like its self, amidst a Tulpa realty of a (Maya) thought form. Like a simulation, you have pixels, which are your atoms; these atoms/pixels are programmed to create building blocks such as the (Serpentine) mitochondrial DNA. The DNA are the building blocks of all carbon-based-life-forms. The Carbon atom, has 6 protons, 6 neutrons, and 6 electrons, whose atomic number 666 is the number of all carbon-based-life-forms upon the planet including humanity.

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Finally ‘Noon’ stands for a high principle operating within the cosmos. This is the principle of cosmic indeterminism, which is fundamental to Quantum Physics. Whereupon you have a fifth dimensional state, where you simultaneously exist and do not exist like that of Schrödinger’s ‘Pussy’ Cat.

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As an aside of an artistic Seen-tayt-noon conjuration, there was a most curious phenomenon concerning the comic book medium, which manifested as a rebellion against the constraints of the Biblical Comic Code, at the end of the Vietnam war.

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During the end of the Hippie era seventies there were a number of comics investigating certain female archetypes, which are essentially symbolic reversals, such as Warren comics reversal of Dracula, which led to the creation of Vampirella. There was also the Atlas-Seaboard comic, entitled Devilina. In Italy you had the adult comic, Lucifera, which hearkened back to Lucifer’s origins as the Roman Goddess, Diana-Lucifera; whereas Marvel comics had Satanic… Satana.

Vampirella was hugely successful, which eventually led to a film. However her iconic character became fused with the more mythic Satana, when the publishing house of Warren Comics went bust, which was a darn shame. This invariably led to the ascendancy of Satana of a collective focus.

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I still remember reading the Satana comic as a kid, which I utilised as a, I Lucid Dream of Jeannie, grimoire to conjure from, since I considered the medieval ilk of grimoires to be rather boring, whose tomes had no Succubae populating their monkish pages.

Satana is still very much part of the Marvel universe, even though she has since fell out of favour, because of a resurgence of religious conservatism after 9/11, along with a feminist backlash over her skimpy costume. But then, what do they expect, she is described as being a wet-dream Succubus archetype of the Fallen Anima.

Her character apparently had interactions with Doctor Strange who is in the offing for a film. Whether Marvel will make a film about Satana is debatable, due to Disney’s involvement, whose studio doesn’t want to inspire many a little boy to whack off under their bed sheets, while howling out barbarous Goetic incantations, over four colour two-dimensional pictures.

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This is more so the case due to Lady Thor Whoopi Goldberg of the Swastika hammer who will probably not be too keen on the idea of a film about Satana, even though her feminist sister in the hood, Oprah Winfrey is into Twilight Porn, 50 Shades of Grey. But then they have to pander to a Christian audience of Mary-quite-so-Contraries, whose shady infatuation for Bad-Boy Vampire-Necrophilia, and Werewolf bestiality, indulges in ensuing Animus fantasies of being dominated by Incubi.

So, if a mage seeks to understand why the Satana archetype has fallen from grace, he doesn’t have to look too far, when to investigate the feminine hordes collective focus upon their deified Animus of a Twilight ‘Christian Grey’ Incubus.

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Such a mage might Harry Potter assume the internal guise of Christian Grey in order to engineer a synchronistic meeting with E. L. James, or that of other Hermione Witches like her, of similar big-Vatican-bank accounts, which are being filled with feminist shekels.

In general, it appears that Witches are symbolically driven. Their overriding symbolic fixation upon the male principle can be determined when to look at the present media, which is very much tied up with an ongoing religious focus upon the patriarchal paradigm of the deified Animus.

The Witches symbolic infatuation upon an All Father Animus God, crucified God-Guy Beta-Male and an Alpha-Male Bad-Boy Devil, along with machismo Angels and butch Demons, they themselves had forged around a Christian Grey. Hence birthing his dominator culture of an illusory construct. But the quite-so-contrary Marian Witches can’t help themselves, they have been Seen-tayt-noon hardwired that way of a Bene Gesserit genetic imperative.

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BLACK WIDOW AVENGER PSYCHIC SPY SABNOCK

Posted in Art, Chaos Magic, Comics, Conspiracy Theory, CREATIVE WRITING, Discordianism, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 2, 2014 by FAUSTUS CROW

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The Forty-third Succubus archetype of the Fallen Anima, is called Sabnock. Other spellings of her name include, Sabnacke, Salmac or Savnok; the more feminine version of which is Sabnocki.

She is a Marchioness of the ninth planetary dimensional sphere, mighty, great and strong, who looks like Natasha Romanova, out of the grimoire comics of Marvel.

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Sabnock had originally been incarcerated into a male form by Solomon’s monotheistic minions of the deified Animus in order to bind her ‘Anima’ power.

But she eventually escaped her patriarchal prison of a deified ‘Animus’ fixation.

She then took flight into her new Genie residence within a Russian doll, which found its way to Stalingrad (now Volgograd) prior to WWII.

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It was from this Russian doll of a spirit repository, Sabnock’s Succubus influence set about influencing the dreams of those around her during the Cold War, who, as mentioned earlier, was seen to look like Natasha Romanova out of the capitalist Marvel comics, of which many of the KGB personnel secretly read.

This led to Sabnock being known as the, ЧЕРНАЯ ВДОВА, ‘Black Widow,’ who of secretive whispers among the KGB became a most sensual shadow Muse of Russian psychic agents.

She informed the Russian psychic agents in the spy craft of remote-viewing, psychic martial arts, and dream assassination, which of dark psychic warfare teachings she communicated in depth, via those erotic dreams she induced.

When a male practitioner was visited by this fellatio loving Succubus, her hungry kiss was termed by the Russian operatives as the electrifying, ВДОВЫ УКУС, ‘Widow’s Bite.’

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Her look is very feline, like that of a Lioness, who of visionary manifestation amidst the Triangle Of Art imagination initially wore a tight clinging evening dress and a veil, but symbolic fashions do change.

In response to growing intelligence claims, that the Soviet program had produced results in the arena of psychic warfare, via their conjuration of a Fallen Anima archetype of a Succubus, the American’s reacted.

Even though it sounded absolutely crazy, the American’s decided they had to rapidly nip it in the bud. The U.S. wanted her Black Widow beauty for their own Psychic Avengers.

Sabnock was eventually appropriated by the U.S., when her spirit repository of a puzzle doll was secretly smuggled out of Soviet Russia by sea, within a small statue of a pale silver Pegasus by United States intelligence operatives.

The American’s believed that the Soviet Union was spending 60 million rubles annually on ‘psychotronic’ research, which was based upon Sabnock’s dream revelations.

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After appropriating Sabnock the CIA Avengers initiated funding for a new program: SCANSUC (Scan by Succubus) in 1970, which had been inspired by Sabnock’s dream communications.

Remote viewing research began in 1972 at the Stanford Research Institute (SRI) in Menlo Park, California; although she initially missed her Baba Yaga homeland of the Russian Bear.

Proponents of the research said that a minimum accuracy rate of 65% required by the intelligence clients was consistently exceeded in the later experiments, when the operatives had erotically interacted with Sabnock within their lucid dreams as a very hot Marvel superheroine.

The shocking details concerning the erotic empowerment of the operatives remote viewing lucid dreams was of course covered up.

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During 1977, the Army Assistant Chief of Staff for Intelligence (ACSI) Systems Exploitation Detachment (SED) started the GONDOLA WISH program to ‘evaluate potential adversary applications of Sabnock’s communicated remote viewing techniques, which of Genie practicality, required that she rode the Gondola erections of the operatives.’

Army Intelligence then formalized this in mid-1978 as an operational program GRILL FLAME, since Sabnock is a really hot Succubus.

It was based in buildings 2560 and 2561 at Fort Meade, MD as INSCOM Detachment ‘G,’ which of a letter is used in Freemasonry. (The letter G refers to the seventh Gebo Rune, looking like an X of Crossbones, which represents hypnagogic trance. The experience of hypnagogic trance is known as the little death, wherefore you have the Skull.) 

In early 1979 the Sabnock research at SRI was integrated into GRILL FLAME, which was re-designated INSCOM CENTER LANE Project (ICLP) in 1983.

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During 1984 the existence of the Sabnock program was reported by Jack Anderson; a similar situation had previously manifested in Budapest.

This had occurred when an an unimaginative Soviet bureaucrat out of a Kafka novel, reported about the blacker than black psychotronic research to his superiors. However, bureaucrat Anderson was thankfully unaware of Sabnock’s salacious Succubus influence; although in that year his report was unfavourably received by the National Academy of Sciences National Research Council.

 

In late 1985 the army funding was terminated. But the program was re-designated SUN STREAK and funded by the Defence Intelligence Agency Scientific and Technical Intelligence Directorate (office code DT-S).

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In 1991 most of the contracting for the Sabnock program was transferred from SRI to SAIC, with Edwin May controlling 70% of the contractor funds and 85% of the data.

Its security was altered from Special Access Program (SAP) to Limited Dissemination (LIMDIS), and it was given the name STAR GATE.

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Both of these names, Sun-Streak and Star-Gate refer to the bio-photon emanating from the mitochondrial DNA, which illuminates your electron dreams.

In 1995, the defence appropriations bill directed that the program be transferred from DIA to CIA oversight.

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The CIA commissioned a report by American Institutes for Research found that remote viewing had not been proved to work by a psychic mechanism, and said it had not been used operationally.

The CIA subsequently cancelled and declassified the program so that it could continue underground.

This was more so the case since the operatives were conjuring up Sabnock to look like Scarlett Johansson wearing a spray-on superheroine costume, who took to her Genie residence within their Marvel meditation tool dolls, which had been specially designed by DARPA.

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Sabnock’s office is to build labyrinthine mind maps of ‘dream Inception’ in order to protect her conjurer from the malign intent of others, which involves creating high towers, castles and cities, and-to furnish them with armour, etc.

Also, she can attack her conjurer’s enemies with her Elf shot arrows, who will for many days be afflicted with psychic wounds, opening up traumatic emotional sores, which be rotten, and full of self afflicting worm thoughts, until they change their ways. This affliction is somewhat akin to being bombarded by a microwave weapon.

She bestows most loving Succubae familiars upon her conjurer at his request. She commands 50 Legions of Succubae; and her seal of the Fallen Anima is to be meditated upon prior to conjuring her into your lucid dreams.

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Sabnock is a composite name, which is derived from the words, Sab and Nock. Sab refers to, a person engaged in direct action to prevent a targeted activity taking place, which is derived from the word ‘Sabotage.’

Wherefore Sabnock takes deliberate action, which is aimed at weakening the oppression of a polity or corporation through subversion, obstruction, disruption, or destruction.

In society, sabotage can be otherwise artistically exercised by reversing the established symbolic dialogue in order to set about causing change of a static perception, of which the Dadaist’s and associated Surrealist’s engaged in, of sabotage, as artistic saboteurs.

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It is said that the word Sabotage was originally derived from the Netherlands, now Belgium, during the 15th century, when workers threw their ‘sabots’ (wooden shoes) into the wooden gears of the textile looms to break the cogs, fearing the automated machines would render the human workers obsolete.

As for the word, ‘Nock,’ it refers to fitting an arrow to a bowstring; mentioned during the 1510’s, which symbolically alludes to an arrow of thought being set to fly by your bow of the mind.

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GOETIA GIRL ZATANNA ZAGAN OF INTERDIMENSIONAL LUCID DREAM SEXUALITY

Posted in Alien, Art, Chaos Magic, Comics, Cosplay, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 23, 2014 by FAUSTUS CROW

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The Sixty-first Succubus is Żagań. She is a Great Queen and President, appearing at first in the Form of a Buffalo with Gryphon’s Wings or having the wings of a Bat, whom is a loving sister of (Lamassu) Haagenti; though twinned, there are differences between them.

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After a while she puts on the form of a most beautiful woman who has horns upon her head, or to otherwise manifest looking like Zatanna out of the alternate reality, DC comic grimoires.

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She makes her master,  Avadhuta wise, when he attunes himself to his circadian rhythms, which are regulated by the light of the Sun, around whose Diana-Lucifera orb, the Earth follows Kepler’s planetary laws.

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She can heighten her master’s erotic emotional states as if he is drunk upon Dionysian Wine, or to otherwise become mellow, like placid Waters, as well as making him hot Blooded of emotion, reaching once again for the Wine, as an ecstatic Dionysius.

Her master will thence become aware that his Watery emotions can be transmuted into ecstatic Wine of a highly charged erotic state under the orbit of the horned Moon. Her master will also realise that his emotional charge empowers hypnagogic trance ingress into spun electron dreams around the Zodiac ages, of a circadian rhythm star clock.

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She, as a most salacious Muse, inspires Art-Sex, of symbolic alchemy, whom bestows an understanding of the Seven Sacred Rituals of how to mix all the planetary colours of Metals suspended in oils.

Thence her master to paint, of neuro-advertising Chakra Coinage upon cave wall of ancient memory, to alter, canvas upon an easel altar. While doing so, to chant of mantra, “make love not war, around the multiverse world tree, Yggdrassill.”

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Such erotic paintings she to Succubus dream inspire of planetary metals suspended in oils to colour, subliminally influences those emotions of an endocrine system Dominion, that coloured Metal is in. Wherefore she can even make Fools wise to themselves, of Heyoka self observation amidst their Samsara existence of an imprisoning circus. She governs over 33 Legions of Succubae, and her Seal is to be mediated upon, should you desire to conjure her amidst your Triangle of Art imagination.

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Żagań in French and German, is Sagan; in Upper Sorbian it is Zahań, while in Czech it’s Zaháň, and in Latin you have Saganum, which of a name means, Wise One. When made more feminised you have Żagańa or that of an alternate, Zatanna, whom will enable her master to escape the symbolic Matrix of religious indoctrination, whose minions are forever warring.

Whereas, Żagań is the name of a town on the Bóbr river, situated in Western Poland. The town is the capital of Żagań County in the historic region of Silesia where Stalag Luft III is situated, from whose WWII prisoner of war camp the Great Escape occurred. Żagań, was first mentioned in a 1202 deed, which then belonged to the Duchy of Lower Silesia at Wrocław under the rule of the Piast duke Henry I the Bearded.

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The German astronomer, mathematician and astrologer Johannes Kepler (1571–1630) lived in Żagań from 1628 to 1630, from where the American astronomer Carl Edward Sagan (/ˈSeɪɡən/; November 9, 1934 – December 20, 1996) derived his surname.

Carl Sagan was not only an astronomer, he was also a brilliant astrophysicist, cosmologist, author, science popularizer, and science communicator in astronomy and other natural sciences. His contributions were central to the discovery of the high surface temperatures of Venus. However, he is best known for his contributions to the scientific research of extraterrestrial life, including experimental demonstration of the production of amino acids from basic chemicals by radiation.

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Sagan assembled the first physical messages that were sent into space: the Pioneer plaque and the Voyager Golden Record, universal messages, which could potentially be understood by any extraterrestrial intelligence whom might find them. However, in relation to another sentient species sending a message to us, there are other ways of communicating information throughout space and time.

If there are highly advanced extraterrestrial civilisations frequenting the Angel angles of this dodecahedron universe or that of other universes parallel to our own, of alternate reality possibilities, they will very likely utilise quantum wormholes, via which to communicate with other sentient species. Alas, many a civilisation has a tendency to destroy themselves, whose myriad legions of cosmic ghosts, clairaudient whisper, “do not repeat our mistakes.”

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Wherefore, your (quantum wormhole) electron dreams, would be the perfect arena of (Vesica Pisces) communication throughout space and time. The nature of the communicated information tuned into will of course be dependent upon which Succubus the sorcerer to conjure amidst his Triangle of Art imagination to thereby erotically engage with, when to penetrate her vaginal Stargate via a lucid dream.

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THE MAD MAGICIAN FAUSTUS CROW

Posted in Art, Chaos Magic, Comics, Conspiracy Theory, CREATIVE WRITING, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 19, 2014 by FAUSTUS CROW

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The Mad Magician Faustus Crow rebelliously conjures up Succubus Mind Dolls amidst his vivid Triangle Of Art Imagination, as his knit-together Tulpa creations, of Frankenstein artistry.

Their exquisite corpses Crow had exhumed from out of the necropolis of the collective-unconscious to give life unto upon an electrified desire, to thence paint their erotic flesh.

Little wonder then that many an irate Maenad sees Crow as a lookalike Jack Nicholson having a bad hair day out of the Shining, But most see him as being none too dissimilar to Danny De Vito, who cares not for the Penguin screams of the protesting Mummy Porn Maenad’s, when to Vincent Price howl back, “Animus.” 

The Frankenhooker Tulpa Mind Dolls, who frequent Crow’s erotic lucid dreams are the Succubus archetypes of the Fallen Anima. Their Necronomicon names are Legion, who are Crow’s inspiring Widdershin-wise Succubus Art Muses.

Crow’s Left-Hand-Path dream Sorcery of a rebellion is artistically conducted in order to negate the subversive brainwash of an all encompassing symbolic Matrix of the deified Animus, made as a God and a Devil.

The symbolic Matrix of a Right-Hand path fixation upon a deified Animus is the patriarchal creation of woman; it be the manifestation of her biologically hard-wired Animus projection, she projects at the scapegoat, who carries her sin.

The Witches have spirit chain bound their ‘objectification of the male,’ down the ages, whose Animus archetypes, which be both Beta-Male Angelic and Alpha-Male Demonic are listed within the plethora of Fifty Shades Of Grey Playgirl grimoires, which have castigated the Anima out of the symbolic paradigm as a Pirate.

Crow has likewise bound his Fallen Anima; for her Succubus archetypes have to be forcefully conjured to then be illustrated for his Playboy grimoire. Well, what do you expect, it is their Fifty Shades Of Grey liking, after all; even the feminist likes of Oprah Winfrey would agree!

The principle Necronomicon Succubus of the Fallen Anima around whom the other seventy-two Succubus Great Old Ones to gather, is mantra named, Mephistophina.

Her infernal Anima archetype has since been set free from the patriarchal ‘fusion centre’ Shemhamphorasch chains, which bound Mephistophina and her Nightgaunt Nun Sisterhood of Lilith’s Harem into varying Animus forms, by the Queen Bee’s of UR.

“Why did they do so?” You might enquire. It is because the Babalon Queen Bees are very jealous creatures, they do not like the ridden Beasts becoming aware of their Anima. They see the Anima as being competition, or to otherwise castigate as ‘objectifying’ them.

Yet, the Witches ‘objectification of the male’ has invariably led to their oily ziggurat beehive being ruled over by the chosen Bad-Boy Alpha-male Devil’s as their Illuminati Fifty Shades Of Grey Big-Brother bankers, while to friend-zone crucify the Good-Gy Beta-Male Christ’s as their Soy-boy stooges.

The criminal Bad-Boy aristocrats of the banking elite seek to reinforce the symbolic Matrix of an all-father fixated monotheist illusion, in order to hide their centralist politics of totalitarian fascism behind its Orwellian New-World-Order mask.

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But their deified Animus is the weak spot of their illusory armour, which is clear for all to Seer through, when to become aware of the Fallen Anima. To also realise that an all-father Emperor never did wear any clothes of fuehrer finance via which the elitist aristocrats enslave their slavish zombie slaves to do their bidding, betwixt the totalitarian left, and the fascist right, of a pincer movement.

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Hence, the brainwashed politically-correct Gestapo minions of the Big-Brother Animus cults do become most reactive indeed, who label Faustus Crow as being nothing more than a vile Entartete Kunst pornographer who is quite… Mad!

Faustus Crow does not care about what the servile slaves to throw of judge-mental stones within their Animus asylum of a glasshouse; for he has entered into a Coitus Pactum with his most loving Fallen Anima. Savvy!

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LADY THOR THUNDER SUCCUBUS OF LUCID DREAM LIGHTNING

Posted in Alien, Art, Chaos Magic, Comics, Cosplay, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Marvel Comics has decided that its hammer-wielding Norse superhero Thor will now be transformed into a woman. Of course they don’t own the archetypal character of Thor; Marvel only owns their particular brand of a Thor image, since Thor is derived from ancient Norse mythology, who in Old Norse is called Þórr.

Thor is a hammer-wielding God associated with thunder, lightning, storms, oak trees and strength, whom protected humanity against malign influences. He is also associated with hallowing, healing and fertility.

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The cognate deity in wider Germanic mythology and paganism was known in Old English as Þunor and in Old High German as Donar, stemming from a Common Germanic Þunraz, meaning thunder.

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As for Marvel, they explained that the marketing logic behind Thor’s transformation into a woman is that it would attract more women and girls to read superhero comic books, which of a pandering politically correct feminist frontage makes sense. But in reality, it doesn’t quite make sense at all.

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Let’s be honest here. In general, there are a lot of heterosexual males who like reading comics with female characters in, because they enjoy lapping up scantily clad females wearing spray on ultra vixen superheroine costumes.

Whereas heterosexual women like comics populated with protective butch machismo alpha males, bristling with muscles looking like an oiled up Greek God or a rough neck Thor, wearing spray on superhero costumes with a tight butt.

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Basically, the Marvel comics have based their superheroes and anti-heroes upon the already established Biblical archetypes of Angels, Demons, God and Devil for sometime, which is primarily that of a female fixation upon the male, which is basically their deified Animus.

It is essentially biologically driven, masked by the religious symbolism of a facade, which has since been translated into the superhero genre.

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The female archetypes didn’t get much coverage for a long time because Marvel was constrained by the Biblical comics code, whose Inquisitional thought police were well aware that female characters are archetypes of the Anima, which would get a lot of little boys reading ‘good-girl’ comics under their sweaty bed sheets.

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Of a present marketing ploy, this is perfect, since the depictions of the Fallen Anima is a yet untapped market. But Marvel can’t say that Lady Thor is every little boy’s wet dream cum true.

No, instead, Marvel to otherwise say, with hand on Disney wallet, a Lady Thor will attract more females to read comics.

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But the reptilian brain market indicates otherwise. All you have to do is to look into the success of Harry Potter and Twilight, whose Animus orientated franchises are primarily awash with female groupies dreaming of a Beta-male Harry Potter Christ, caught between Vampire necrophilia and Werewolf bestiality, of an Alpha-male bad-boy Devil.

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Whereas the huge success of the video game character Lara Croft was mainly due to a large male following who lust after Lara’s gymnastic body, let alone her ‘strong Valkyrie persona.’ in other words, Lara is a virtual pixel babe with Anima substance, who, as a conjured Succubus inspires many a Tulpa wet dream.

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You can thereby guess who Marvel is actually neuro-targeting of an untapped market. The artwork by Russell Dauterman reveals the once muscle bound bearded Thunder God as a buxom blonde looking like a Wagnarian Valkyrie, clad in a caped costume. One has to note the buxom. Boy, is she buxom. Although she is not as buxom as the cosplaying Lady Thor’s. But then, Marvel comics do not deal in reality.

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Marvel’s brand of Thor first appeared in a comic adventure back in 1962 as well as becoming the testosterone pumped up star of two blockbuster movies. However, there was a problem; Marvel’s Thor wasn’t too much of a hit with the ladies. The reason why, is because Marvel made Thor far too clean cut, like some surfer boy off a sunny Californian beach, or is it Australia? But then, most surfers all look the same in Hollywood, don’t they.

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Marvel should have made Thor a bad-boy type, just as he is depicted in ancient myths, who is covered by the boxing scars of lightening; a bit like Marv out of Frank Miller’s Sin City, that is why Norse women loved him so much, to adore of deified Animus worship. Women just can’t help themselves loving a Thor type male, because they feel protected by him, as well as desiring to change his rough ways, within whom they see a wise soul.

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The New York-based Marvel described the transformation of their Thor brand as “one of the most shocking and exciting changes ever to shake one of the ‘big three’ of Captain America, Iron Man and Thor. No longer is the classic Thunder God able to hold the mighty hammer, Mjolnir, and a brand new female hero will emerge worthy of the name Thor,” they said in a quaint news article.

This symbolic transformation of a male archetype into that of a female character, will give you an insight into what had previously occurred, of viral-meme marketing, concerning those spirits listed within the patriarchal grimoires, many of which were originally female.

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The writer for the female Thor series is Jason Aaron, who said in a statement: “This is not She-Thor. This is not Lady Thor. This is not Thorita. This is Thor.” The actress Whoopi Goldberg related on the ABC’s The View; “It’s a huge day in the Marvel universe. Thor, the God of Thunder, he messed up. He is no longer worthy to hold that damn hammer of his. And for the first time in history that hammer is being held by a woman.” Another host to mention; “the story behind her is she created herself. She was saved by Thor and she came down to Earth, followed him, and made herself look like Thor and so now she’s taking over.”

The other hosts on The View, also commented on the hero’s physical features. “She’s got super-powered boobies,” said Jenny McCarthy. “She is actually in better proportion than a lot of the female comic superheroes,” said Goldberg. “It gives girls something to look up to,” said Sherri Shepherd, without realising that she looks like a Wagnarian wet dream.

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So, mummy porn Whoopi Goldberg wants super powered booby women to take up the hammer of Thor does she. Well, let us look into what Thor’s hammer actually represents. In pre-Christian Europe Thor’s hammer of lightening was symbolically represented by the ancient symbol of the swastika.

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Scholar Hilda Ellis Davidson (1965) comments on the usage of the swastika as a symbol of Thor’s hammer: “The protective sign of the hammer was worn by ‘women,’ as we know from the fact that it has been found in ‘women’s’ graves. It seems to have been used by the warrior also, in the form of the swastika.”

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Davidson continues: “Primarily it appears to have had connections with light and fire, and to have been linked with the sun-wheel. It may have been on account of Thor’s association with lightning that this sign was used as an alternative to the hammer; for it is found on memorial stones in Scandinavia besides inscriptions to Thor. When we find it on the pommel of a warrior’s sword and on his sword-belt, the assumption is that the warrior was placing himself under the Thunder God’s protection.”

Swastikas appear on various Germanic objects stretching from the Migration Period to the Viking Age, such as the 3rd century Værløse Fibula from Zealand, in Denmark; the Gothic spearhead from Brest-Litovsk, in Belarus; numerous Migration Period bracteates; cremation urns from early Anglo-Saxon England; the 8th century Sæbø sword from Sogn, in Norway; and the 9th century Snoldelev Stone from Ramsø, in Denmark.

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Thor’s popularity among the European populace was exemplified by the use of the swastika, which was later utilised by the Nazis, who re-branded Thor’s symbol for their own warped political agenda. A number of white supremacist right-wing Christian neo-Nazi nutcases in the USA were up in arms at the news that Marvel comics was doing a Thor movie in which some of their ancestral Norse Gods were to be played by black actors. Apparently, the ethnic identity of the archetypes from antiquity, is of a real political lightning bolt for the sort of person, who eugenically believes that humans can be subdivided into branded races.

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The ancient Norse didn’t have any problems with other peoples skin pigmentation. There are no racialist statements in their sagas. Such racialist sentiments didn’t come to the fore until the Christian’s entered Africa, India, China, the far East and the Americas, who had determined that the African’s, Asian’s, Chinese and Native American’s didn’t have souls, so it was perfectly okay to enslave them.

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The followers of the monotheistic faiths always had a big problem with seeing un-baptised Pagans as being human. Hence the Pagan Norse did not like Christian Rome, whose priests sought to convert them to the appropriated faith of Animus fixated Judaism.

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The Norse couldn’t figure out why they had to assume the ancestral-self-identity of the Hebrew’s. They thought it was absolutely crazy, let alone evil, since they had to forget their own ancestral-self-identity in the process, of Borg conversion. This being one of the reasons why the Norse held Thor in high esteem, who was seen as a protector against the encroachment of the Christian cult.

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But there was a problem, the Church started to systematically target the Pagan women folk to burn at the stake as Witches. The reason why the Church did this, is because the ancient lore of the elder faith was traditionally passed down the female line, which invariably led to the elder faith being nigh eradicated throughout Europe.

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However, the likes of Dan Brown spread the fairytale that the Witch burnings was to do with the Church seeking to terminate the bloodline of their deified Animus Jesus, they couldn’t have him coming back to overturn the tables in their temple banks. Many a Christian fell for Dan Brown’s myth of a hard sell, and likewise the comic reading public will succumb to Marvel’s hard selling of Lady Thor. But then the elder faith no longer exists of an ancestral-self-identity; so, no one will protest too much.

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Will the right-wing Christian neo-Nazis have their noses put out of joint by a female Thor who has super-powered boobies and being of a superior Nordic proportion than a lot of the other female comic superheroines. I doubt it. The Christian neo-Nazi nuts will see a female Thor giving white American girls something to look up to, who will be more prone to toning themselves up in the gym, rather than becoming obese on McDonald burgers, as well as inspiring them to dye their hair blond, of eugenic Nordic looks, when to join the army. If Jason Aaron is seeking to piss off the right-wing Christian neo-Nazi nutters, he would make Lady Thor into a raging lesbian.

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Going by the Marvel mythology, when Thor’s hammer, Mjolnir was damaged, Doctor Strange bound Thor’s soul into Mjolnir, meaning that if the hammer were to be ever broken again, Thor would most assuredly die. In ancient Norse legends, the soul of an individual was seen to be a contra-sexual counterpart, which was called the Fylgja.

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Whereupon Thor’s soul would be female, which going by the Marvel myth, resides within his hammer. You then have a story possibility where Thor’s hammer is broken, which then releases Thor’s soul at his death. Thor’s soul would then be Lady Thor, who essentially personifies the power of Mjolnir.

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Should you have a return of Thor, then his Lady Thor soul would seek him out amidst the infernal domain of Hela in order to revive Thor back to life, by uniting with him again of a nutcracker suite. In the meantime, prior to Thor’s soul seeking to reunite herself with him, she would have many a Marvel adventure as Lady Thor, who would very likely be a raging lesbian due to her previous heterosexual male existence.

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This scenario could potentially lead to Marvel reaping in the dollars, since you would then have a number of other superheroine characters of differing ethnic types intimately interacting with Nordic Lady Thor, all of whom will be wearing spray on costumes, and what interracial cosplay fun to be had!

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Overall, a Lady Thor of a Fallen Anima archetype would enable a healing of the wounded European psyche concerning the misappropriation of the Northern myths by the white-supremacist right-wing Christian Nazis, who have an overriding fixation upon the Biblically indoctrinated masculine principle of the deified Animus. This would of course be but a side issue concerning Marvel’s big-business agenda. whose media empire is primarily targeting the male market in order to sell Lady Thor to, as their Asgardian wet dream.

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A practitioner of sorcery, who has an interest in the four elemental colour comics of his present age to thence transform into grimoires listing superheroine Succubae, could utilise the archetype of a Lady Thor as a Succubus, to evoke amidst his lucid dreams. But first, like many another spirit listed within a grimoire, a sorcerer has to determine what type of powers and abilities a Lady Thor could bestow upon him, when she sexually empowers his assumed guise of a lucid dream Thor Avatar.

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Lady Thor, will enable the conjurer to be is incredibly long-lived, who will relate that his nigh ageless state is due to the golden apple of Idunn. The golden apple of Idunn symbolically represents the pineal gland. However, Lady Thor will indicate to her master that his pineal gland is being calcified by sodium fluoride intake. Whereby aging him, which is being subversively employed by the minions of the New-World-Order Kingdom of a Big-Brother Abrahamic God, who have mass medicated the water supply with a known neurotoxin and a mutagenic compound, in order to control the population.

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Being a daughter of Odin and the elder goddess Gaea, she is physically the strongest of the Asgardians who will protect the conjurer against all harm meted out by the Abrahamic cultists. If her master is pressed into battle, Lady Thor will induce a state known as the ‘Warrior’s Madness’ (“berserkergang” in Norwegian), which will temporarily increase his strength and stamina tenfold, although in this state he might attack the brainwashed flocks, let alone an Orwellian Big-Brother alike.

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Lady Thor will enable the conjurer to have a very high resistance to physical injury, which approaches invulnerability, should he be beaten up by the police; while protesting against the New World Order. She will also bestow the ability of possessing keen senses, which will allow her master to remote-view objects travelling faster than the speed of light, and to listen into the Bohemian Grove secrets from the other side of the planet of clairaudience. Lady Thor will bestow the remote viewing ability to travel through time, as well as increasing the stamina of her master to fuck an entire Frost Giant army of Fifty Shades Of Grey Troll women for nine months, without having any sustenance or rest; suffice to say, such an ability would turn on a Whoopi Goldberg orgasmic style!

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Lady Thor can also regenerate wounded portions of the conjurers body, including entire limbs or organs via arousing the Kundalini Shakti ‘Lightning Snake’ within him, via the meditation aid of Mjolnir; whereupon he will avoid being dumped in an old peoples home. Lady Thor has superhuman speed, agility, and reflexes, which will enable her to deflect the psychic-warfare curses of the Abrahamic cultists away from the conjurer by using her hammer. She will enable the conjurer to have immunity to all biological warfare diseases and other malign mind-control influences via her most loving influence.

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As a Norse Succubus archetype of the Fallen Anima representing the power of thunder, Lady Thor can summon the elements of the storm (lightning; rain; wind; snow) and uses Mjolnir as a tool to focus this ability; whereas the US military utilise HAARP to do likewise.

Jesse Ventura vs HAARP from AudieTerra on Vimeo.

She can cause these weather effects over the whole world and destroy the conjurer’s enemies wherever they are.

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By whirling her hammer she can lift entire buildings within a whirlwind, turning them into dust, to fall in their own footprint as if they have been struck by Tesla’s death ray; in fact, they are not too dissimilar to each other.

Conspiracy Theory with Jesse Ventura – Death Ray from LeakSourceNews2 on Vimeo.

As the daughter of the Earth Goddess Gaea, Lady Thor also has some control over the Earth, who can create earthquakes, which HAARP has also replicated. Although, when it cums to crotch quakes at comic conventions, Lady Thor rules!

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Lady Thor will instruct the conjurer via vivid erotic dreams in psychic combat; whereupon he will excel in the use of the war hammer of spirit, sword of intellect, axe of emotion and mace of body, against religious fundamentalists. Lady Thor possesses two items, which assists the conjurer in psychic combat: the enchanted Jormungand Belt of Ouroboros Strength, and her signature weapon, the mystical hammer, Mjolnir.

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The first item doubles the strength and endurance of Lady Thor’s conjurer, because her belt enables him to remember of eternal recurrence; while the second is used to control weather abilities, flight, energy projection and absorption, dimensional travel, as well as matter manipulation, along with the most powerful of her bestowed abilities, the Goddess Blast of bright white light phenomena, which cleanses all Karma.

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When Lady Thor’s conjurer conjures her from out of his grimoire comic to do an errand for him, such as finding out what the military industrial complex is up to on the other side of the globe, or even to remote view the colonised planets of the Secret Space Program, she uses Mjolnir to do so.

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This is achieved by throwing Mjolnir in the desired direction and then holding on to the handle’s leather noose of a lemniscate loop, whereby enabling Lady Thor to fly at supersonic speeds within the Earth’s chem-trail polluted atmosphere or to travel faster than light in space.

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When Lady Thor has to transport her master to a destination by herself, she has a chariot of a quantum computing Mitochondria starship.

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Her starship is accessed via her two horned Goat priestesses at the point of hypnagogic trance called Toothgnasher and Toothgrinder. These two Goat priestesses will test him as he enters Lady Thor’s inner womb of an astral starship. When Lady Thor’s conjurer consciously accesses her trance chariot, she is then enabled to teleport him, wherever he desires to go, almost as easily as with Mjolnir. She can throw a fascist ingrate out of Earth’s atmosphere using her poltergeist strength, and throw her hammer to crown Chakra Asgard from which it will return.

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In other words she is a hot Succubus superheroine to conjure amidst your Triangle Of Comic Art Imagination.

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However, this will require you being dressed up in your cosplay outfit as Thor, because only Thor can handle a synchronistic meeting with a mead drinking Lady Thor at a ritualistic comic convention, otherwise she will most assuredly drink you under the altar table.

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NOTE: The above was in part written tongue in cheek, sometime before Marvel’s lady Thor was published. But now to a more serious side. There is an intriguing painting, painted by Raja Ravi Varma (1848-1906) depicting the Hindu deity called Ganesh who is surrounded by Eight Goddesses, who are personified Siddhis.

The Siddhis are spiritual, paranormal, supernatural, or otherwise magical powers, abilities, and attainments, which are the products of spiritual advancement through Sādhanās such as Meditation and Yoga. The term Rddhi (Pali: Iddhi, “psychic powers”) is often used interchangeably in Buddhism.

One of the Siddhis is the ability to expand your body to an infinitely large size. This does not mean the physical body, but otherwise that of the dream body, when accessing a lucid dream. This particular Siddhi can be attained by assuming the Avatar of Thor within a lucid dream, when ‘meditating’ upon the Mjolnir symbol of Thor’s Hammer, or that of the third (Thurisaz) Rune.

In this case the Hammer/Rune Siddhi is personified as a (Goddess/Succubus) Valkyrie, whose conjured manifestation within a lucid dream, enables the conjuring dreamer to attain the inner experience of becoming like that of a giant, to thence stride over the clouds as if it is land. I am not talking about you assuming the guise of Marvel’s gaudy Thor here. This is something quite other, which is an exhilarating experience to say the least.

In Hinduism Thor would be equated with Indra. In the Vedas, Indra is the king of Svarga (Heaven) and the Devas. He is the god of lightning, thunder, storms, rains and river flows. Indra is the most referred to deity in the Rigveda. He is celebrated for his (Siddhi) powers, and the one who destroys the great symbolic evil named Vritra who obstructs human prosperity and happiness. The guise of Indra would be (hypnagogic trance) assumed as an Avatar when attaining a lucid dream by Yogins and shamans.

As for the symbol of the Swastika, it is considered as being sacred by Hindu’s and Buddhists as well as numerous other peoples, just as it was once seen to be sacred by the pagan ancestors of the European’s. In Hinduism the left-hand counterclockwise spinning Swastika is seen to be associated with the Moon, whereas the right-handed clockwise spinning Swastika is associated with the Sun. Both of these Swastikas correspond with the left and right nerve channels of the Autonomic Nervous System running alongside of your spine, which are called the Ida and Pingala.

When the two Swastikas overlap, you then have a wheel having eight (Siddhi) spokes, which is associated with the central nerve channel of the spine called the Sushumna, belonging to the Central Nervous System. The Yogic trick is to bring the two Ida and Pingala nerve channels into overlapping balance via in depth meditation, which then enables the practitioner to attain hypnagogic trance as well as conscious ingress into an attained lucid dream.

The utilised symbolism of the Moon and Sun is commonly seen to represent the female and male principles, many a researcher uses, without ever considering that in the far Northern countries of Europe and across the steppe unto Siberia, the symbolism of the Sun and Moon Swastikas are reversed. This is due to the climate of the far North. For example, the Germanic tribes associated the counterclockwise Swastika of the Moon (Mani) with the male principle, whereas the clockwise Swastika of the Sun (Sunna) represents the female principle.

When lucid within the dream, the (bio-photon) light quality of the dream is associated with an inner Sun, which is termed as being the ‘Sun behind the Sun,’ or otherwise called the ‘Black Sun.’

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