VELVET BUZZSAW ART HORROR

Velvet Buzzsaw is a satirical American horror film written and directed by Dan Gilroy, featuring a supernatural entity haunting an Art gallery, which is unleashed after a series of spirit repository paintings created by an unknown Artist are discovered after his demise.

The entity then sets about enacting its revenge upon the leeches of the elitist Art establishment who have allowed their monetary greed to get in the way of Art. If the the truth be told, Artist’s don’t make Art history, it’s the elitist buyers with deep pockets, who determine what Artist makes it into the history books or not. In other words, it is all fixed! As far as the Art establishment is concerned, if you are not in the club, you’re a Hobo to rip off!

Velvet Buzzsaw is slang for the vagina/vulva as well as the practice of cunnilingus. The initial first letters of each, V and B, could be a Freudian slip reference to the next two letters of the alphabet, W and C, which is a British abbreviation for a toilet, otherwise quaintly called a ‘Water Convenience.’ Okay! I’m going way out on a extended limb of brain-storming symbol crunching there; although Art is a symbolic means to transmute the prima materia of experiential detritus into gold!

As another pop-surrealist aside, of sorts, there is a particular grimoire spirit called Belphegor, who is one of the very few grimoire spirits described manifesting as a young girl, looking like the Velvet Buzzsaw Mona Lisa, the French author Arthur Bernède immortalised as a spectral Velvet Buzzsaw phantom terrorising the Art gallery of the Louvre, which was later made into a highly popular 1965 French television miniseries, directed by Claude Barma.

The Velvet Buzzsaw actress who played Belphegor was Juliette Gréco.

In the classical grimoires Belphegor is as per usual depicted as being a ‘Bearded’ male daemon of a deified Animus fixation, whose female (Anima) manifestation is just a way to tempt a horny magician.

Said daemon is depicted seated upon a WC, ‘Water Convenience.’ Though a basic, everyday ‘invention,’ one’s foundation stone of a base Chakra will consider it to be one of the greatest inventions since the invention of fire, created by the likes of a goatee bearded inventive Artist looking like a Mercurial Leonardo da Vinci.

The Bishop and witch-hunter Peter Binsfeld believed that Belphegor tempts by means of laziness. Some to have considered da Vinci being afflicted with laziness due to his inability to complete many of his Artworks. Also as a daemon, Belphegor is described in Kabbalistic writings as the “disputer”, an enemy of the sixth Sephiroth “beauty,” da Vinci was somewhat of a disputer, who disputed church dogma, such as having an under-painting depicting an ancient Egyptian temple arising out of the rubble of a church.

Belphegor is classified as being a daemon of the month of April; it just so happens da Vinci was born on Friday, April 14th, in the year 1452, at 9:40 PM (Julian cal.) As for Belphegor being depicted seated on a toilet, if you did not have the commonality of basic sanitation, such as a WC, a Vatican city would quickly find its self drowning in its own holier than thou shit!

Anyway, in the 1965 French TV miniseries, Velvet Buzzsaw Belphegor is shown having an affinity for ancient Egyptian artifacts who wears a mask.

Belphegor later haunted the Louvre pyramid in the 2001 film, Le fantôme du Louvre, starring Velvet Buzzsaw actress Sophie Marceau.

Le fantôme du Louvre was directed by Jean-Paul Salomé, but it was not the first Belphegor movie. There was the prior 1927 film, Belphégor, directed Henri Desfontaines. The screenplay was written by Arthur Bernède. Belphegor was played by the Velvet Buzzsaw actress, Elmire Vautier.

Many a writer to know that the names for their characters are very important, which are often utilised as subconscious mnemonic devices that trigger off symbolic associations. Character names can be used to indicate influences, or to subversively credit, let alone satirising situations or other people, etc. Sometimes, character names are likened to symbolic codes, which the general public are not privy to, unless they dig a bit deeper.

In the film, Velvet Buzzsaw, the actor Jake Gyllenhaal plays the part of Morf Vandewalt. Morf is slang for being both male or female. Gyllenthaal plays a gay character in Velvet Buzzsaw. The Dutch surname, Vanderwalt, or Van Der Walt, is derived from Van Der Valk, which means ‘a soldier who worked a Falcon/Hawk.’

The Falcon (Valk) is a reference to a 16th century cannon, which like all early artillery was named after a bird of prey. Morf is also the reverse reading of FORM.

The actress Rene Russo plays the part of Rhodora Haze. The Rhodora is a common flowering shrub. You also have “The Rhodora,” which is an 1834 poem by American writer Ralph Waldo Emerson, a 19th century philosopher. Haze, means something such as heat or smoke in the air that makes it less clear, so that it is difficult for the ‘Eye’ to see well.

The actress Toni Collette plays the part of Gretchen. The name of Gretchen refers a willing victim of Faust’s seduction, who endures much woe, heartache and a horrendous demise in Johann Wolfgang von Goethe’s version of Faust.

The British actress Zawe Ashton plays the part of Josephina. The name of Josephina is the female variant of the Hebrew name, Joseph out of the book of (Gen-Isis) Genesis, who no doubt knew about the worship of the ancient Egyptian Goddess Isis. The Goddess Isis has another aspect as Ahathoor, who was worshipped at Aunnu, Heliopolis. Ahathoor is otherwise known as Velvet Buzzsaw Belphegor.

Josephina means, ‘God will add.’ The character of Josephina looks to be ‘Egyptian.’

The actor Tom Sturridge plays the part of Jon Dondon. The name Jon is an English name. In English the meaning of the name Jon is an abbreviation of Jonathan, meaning ‘Jehovah has been gracious or has shown favor. Dondon or Dundon, is a Gaelic surname. Don means ‘Brown, Chief and Noble,’ of similarity to Dun, which also means a hill-fort, such as Glastonbury Tor, which was once surrounded by an inland sea, of similarity to a pyramid surrounded by the sea of Nun.

The actress Natalia Dyer plays the part of Coco. The name of Coco is a Spanish nickname, which is derived from, Socorro, meaning, “succour, help, relief.” Socorro is taken from the title of the Virgin Mary María del Socorro meaning “Mary of Perpetual Succour.” Coco is also a French pet-name.

The ‘Bearded’ character, David/Daveed Diggs, whose first Hebrew name means ‘beloved,’ while Diggs is a name for someone who was a person who had a duck-like gait or bore some other resemblance to a duck. The surname Diggs is derived from Old English words duk, dukke, Duck, doke, and dook, which all mean Duck. Like a Duck takes to… Water/WC!? Or a Horus (Falcon/Hawk) takes to Velvet Buzzsaw Isis, Ahathoor, Belphegor.

The actor Peter Gadiot plays the part of Ricky Blane. The name Ricky in English is a nickname for Richard, which means, ‘powerful strong ruler.’ Blane is a Scottish surname meaning “the son of the disciple of Blaan (yellow) or Blane (the lean).”

The actor Billy Magnussen plays the part of Bryson. The name Bryson is an English surname meaning, “Son Of Brice.” The name of Brice, is Celtic, composing of bri (force, strength) or brígh (valor, strength). Variant Bryce. Short: Bri.

The actor Jon Malkovich of ‘Art School Confidential’ fame, plays the part of Piers. The name of Piers is the Medieval form of Peter. The name of Peter is derived from Greek “petros” meaning, “stone, rock.” Peter no doubt refers to St Peter, who is considered to be the rock, foundation ‘stone’ of the Church, or in the case of the Velvet Buzzsaw character of Piers, he is the Masonic foundation stone of the rich club Art establishment, which is no different to the big-business Church.

SUMMARY: This is just a ‘Wild Guess,’ just like much of the above Pop-Surrealist symbol crunching, which is no doubt completely and utterly wrong. Jake Gyllenhaal who plays the part of Morf Vandewalt, has a fling with Daveed Diggs. Morf indicates he can help Diggs with his Artistic career, or Diggs seduces Morf as a means to get into the elite Art club.Toni Collette, who plays the part of Gretchen, might have also been seduced by Diggs in his climb into the elite Art club. 

Zawe Ashton who plays the part of Josephina also has an intimate interaction with David Diggs, who reveals to him that she is not what she seems, as well as indicating she can help him with his Artistic career; somewhat like a Faustian pact, she had prior enticed another Artist to enter into, who was transformed into Hoboman. Rene Russo who plays the part of Rhodora Haze, was unable to ‘See’ through Josephina’s machinations, due to her greed.

The possible twist could be, Josephina turns out to be the Velvet Buzzsaw, who is a Tulpa, or that of an ancient Egyptian (Belphegor) spirit. Her fleshly manifestation had been conjured into being from out of an oil painting, which is her spirit repository. The painting had been created by the unknown Artist, who was pissed off with the elitism of the Art establishment.

However, he had become afraid of what he had conjured into being, who set about leaving a will that his Art should be destroyed. He was then snuffed out by his Art Muse creation. The Velvet Buzzsaw Art Muse has other ideas, who makes sure that his spirit repository paintings and turn her self survives by showing Rhodora Haze, the unknown Artist’s work. The Velvet Buzzsaw Art Muse then goes around slaughtering much of the elite Art club members, before she is eventually transformed back into a painting. The Velvet Buzzsaw painting mysteriously disappears… Diggs has it!? 

Actually, this summary of a wild guess is actually way off the mark; it turns out that the spirit of the dead Artist is the one who is seeking revenge upon the Art establishment. 

Strewth! I missed a very predictable and a rather cliché scenario, which is common knowledge… most Artists only make any money out of their Art when they are dead and buried; while, the ghoul gallery owners rake in their cash.

As mentioned, it isn’t the Artists who make Art history, it is the elitist buyers who determine those Artists who make it or not… the Art game is fixed by the Feudal Few!

Oh, well, a sexy Velvet Buzzsaw Art Muse sounded far more Jungian fun, to me!

Not too sure about the Freudian title, Velvet Buzzsaw, but then I can’t afford Netflix!

BELPHEGOR DEMON GIRL: SUCCUBUS OF THE LOUVRE. 

BELPHEGOR: MYSTERY OF THE LOUVRE PYRAMID.

BELPHÉGOR: GHOST GIRL OF THE LOUVRE AND HER WITCH SISTERS OF PURGATORY

The 2014 published book, Belphegor Demon Girl: Succubus Of The Louvre, can be obtained via Amazon. Click Here. 

BELPHEGOR: THE MYSTERY OF THE LOUVRE PYRAMID

Belphegor is one of the few Grimoire entities who is said to appear as a young Velvet Buzzsaw girl. She is known as being a daemon of discoveries and of ingenious inventions who also bestows wealth.

But as per usual, the Velvet Buzzsaw female manifestation is seen to be but a ruse in the patriarchal Playgirl Grimoires of an ‘Animus’ fixation.

Whereupon Belphegor is commonly listed as being a butch male entity, who is disparagingly depicted as ‘bearded’ demon seated upon a (water convenience) lavatory.

Said demon is commonly classified as being once worshipped by the Moabites as Baalphegor on Mount Phegor where there be no spicy Velvet Buzzsaw girls in sight.

Whereby the classic Grimoire image of constructed political propaganda has been engineered as a cultural slur, which can of course be easily reversed of an anti-viral meme, to look like, say, Velvet Buzzsaw Kate Moss.

Although if you had done so during Aleister Crowley’s era, who to have otherwise conjured up the butch Incubi archetypes of the deified ‘Animus,’ made as a God and Devil, while at Boleskine House, you would most assuredly be considered to be far more wicked than Crowley ever was. Hence Crowley never went that far beyond a patriarchal Ring-Pass-Not!

Some of the ‘Animus’ fixated Rabbis even claim that Belphegor must be worshipped, when frequenting your bathroom, with offerings, being the residue of your digestive waste; failing that, accidentally, on purpose, cutting yourself, while shaving off your ‘beard’ over a chalice of a sink, to then watch your blood dribbling down the drain of an offering.

If you believe this to be true, then you have been well and truly shafted up your Abrahamic anal tract! So, on wards and upwards of a Néo Belphégor anti-viral Velvet Buzzsaw meme.

Let’s get this straight, it was never a case of worshipping crap; it has far more to do with thinking clearly via self-analysis in order to rid your mind of ‘crappy’ thoughts, which is engaged in so as to attain a creative state of a brainstorming Theta brainwave, to kick-start your ‘quantum computing’ brain to tune into alternate possibilities.

Although admittedly, on many an occasion you might just find yourself to Archimedes cry “Eureka” after dumping a base-Chakra battleship, rather than to do so, when sojourning in your floatation tank of a Kings sarcophagus, brimming over with murky soap bubbles, all looking like dodecahedron universes.

But, the obvious allusion to a technique is usually overlooked, which of a self-perpetuated tunnel-vision has led many a brainwashed ‘Animus’ fixated priest of Rome to conclude that Belphegor is the deity of Pet (Fart) or ‘Crepitus,’ while writhing Witch Nuns to believe that he is their Praipus wielding an ever erect blade.

Collin de Plancy mentioned in his 1863 Playgirl Grimoire, Dictionnaire Infernal, that Selden, who is cited by Bainier had reported that human victims were offered up to Belphegor, and that his priests partake of their blood; what a Hammer Horror laugh. Its just a load of Biblical Death-Metal crap, inspiring many a Hollywood Creepypasta movie!

Plancy also mentions that Wierus wrote that Belphegor always has an open mouth, attributing it to the name Phegor, which according to Leloyer means ‘crevice’ or ‘split,’ referring to when he was worshipped in caves wherein people threw offerings to his statue, through an air hole.

No! It has far more to do with an inner gateway of a crevice/split, which refers to hypnagogic trance ingress of your (Air element) mind into the cavernous Velvet Buzzsaw womb dream, a paleolithic Artist to have known, when he to have attained trance within the Lascaux caves.

The utilised symbolism of a crevice/split has an association with the Velvet Buzzsaw vagina, which the ‘bearded’ practitioner accesses of an inner trance gate, when to introvert his sexual impulse into the dream by prior focusing upon Belphegor as a Velvet Buzzsaw girl.

In other words, the symbolism alludes to Tantric dream Yoga, which is not seen due to the sexual impulse being entirely castigated out of the spiritual equation along with the Velvet Buzzsaw feminine principle of the Fallen ‘Anima.’

The female focus of a two-dimensional image is utilised in order to cohere the thoughts of the practitioner like a laser beam, which is further empowered by the introversion of the sexual impulse; this then negates any crappy thoughts from arising.

The goal of the exercise is to attain conscious ingress into a lucid dream, wherein Belphegor can be conjured as an interactive three-dimensional reality.

Even though the ‘Anima’ has been cut out of the spiritual equation by the worshippers of the deified ‘Animus’ made as a God, Belphegor has over time become very much a Velvet Buzzsaw French Succubus, which is due in the main to the popularity of a 1927 crime novel, entitled: Belphégor, whose English title is, The Mystery of the Louvre.

The novel was authored by French writer Arthur Bernède, which is about a Velvet Buzzsaw female ‘phantom’ haunting the cavernous Musée du Louvre of many a painted cave wall.

However, the phantom is in actuality a gymnastic ballerina, masked as a Velvet Buzzsaw Cat burglar, who is trying to steal its Necronomicon treasures.

Belphégor was simultaneously adapted as a movie serial starring René Navarre as Chantecoq, Bernède’s fictional detective, and the Velvet Buzzsaw actress Elmire Vautier as the villainous Belphégor.

Bernède’s novel inspired several other adaptations, including an eponymous 1965 French television series starring Velvet Buzzsaw, Juliette Greco in the title role of Belphégor.

 The TV series was duly followed by a 1965 daily comic strip sequel; it was not until later that you had the 2001 Belphegor film starring Velvet Buzzsaw, Sophie Marceau.

Although this time around, the Belphegor comic strip became a 2001 French-Canadian animated television series, which transformed Belphegor into a male, rather than the original Velvet Buzzsaw female character, it is a darn shame.

It appears that the creators of the very stylish animated series missed the ‘Anima’ point; but then they were more than likely pandering to an ‘Animus’ fixated audience who later became far more enamoured with the likes of the Da Vinci Code.

Whatever the case, Belphegor  has become immortalised in France, of a mass-mind focus, spinning her sensual Velvet Buzzsaw Tulpa.

She was even featured for a time in DC’s New Earth comics as one of the Global Guardians, whose base of operations is based in a United Nations-financed headquarters building called the Dome, which just so happens is located in the Artists capital of Paris.

You could otherwise see the Dome as the Musée du Louvre, when to ascend the dream escalator unto Belphegor’s seventh planetary sphere of her heavenly Velvet Buzzsaw delights, which only a Parisian girl can bestow.

Hence, she can be conjured amidst the Triangle Of Art imagination as an inspiring Velvet Buzzsaw Art Muse, who as a Parisian Art Student will reveal the very real masked mystery of the Musée du Louvre.

She might just lead you through her Velvet Buzzsaw Yoni stargate, into the cavernous temple precincts of the Musée du Louvre, to Remote-View its uterine galleries, within a lucid dream.

Belphegor will at first indicate that she has an association with ancient Egypt, whose culture the French are enamoured with, whereupon you have the Louvre… Pyramid.

Whereby, Belphegor’s sigil/seal is derived from the blueprint of the Musée du Louvre, of a one time fortress becoming a palace, which appears to be based upon the Edfu temple of ancient Egypt’s Isis child of a… Horus Hawk/Falcon.

Upon what the Louvre was originally built, is of course debatable; but it was very likely a pagan site, of a possible ancient temple.

You also have many a Neolithic Ley line pointing at its locale, which was no doubt symbolically aligned with a… Hawk.

Said Hawk was not just any raptor, but that of a Hawk specifically flown from a (Belphegor) lady’s hand, known as a… Merlin… who as Belphegor’s Druid, knows about her Ouroboros Stargate, ringed by Gaulish standing stones, under the star clock of Zodiac ages.

When to see Merlin, you will then find that unmasked Belphegor alludes to Morgana la Fay, of (Da’at) Avalon isle (Lin/Din/Dun) hill/Tor/Cosmic-Mountain/Pyramid, at the centre of (Mer/Myr/Mar) menstrual blood (scarlet – Isis/Mary) waters, who to watch over a (Horus/Merlin) ‘Bearded’ Druid.

The ancient Gauls considered Britain to be a school of (Shaman) Druids, who had caused no end of bother to the Roman’s, before they then decided to invade Britain.

The mystery of the Louvre (Lin/Din/Don/Dun) pyramid amidst (Mer/Myr/Mar-y) waters is thereby revealed of a pre-Christian understanding, which has nothing to do with the Da Vinci Code.

But why the Musée du Louvre? Well, besides being an ancient power place, it is now the most visited Art museum in the world, which to hearken back to a painted womb cave from where the first Shaman (Druid) was born as an Artist, who knows how to ‘program’ his ‘virtual reality’ lucid dreams via symbolic stimuli.

The Artist to know that Art is Sorcery, Sorcery is Art; both are indivisible of shamanic practice, of which Velvet Buzzsaw Belphegor to inspire as an Art Muse; that is why most Artists are by nature, thinking outside of the box, crazy.

Belphegor symbolically represents the hypnagogic (phase) trance (Rose/Rhodora/Yoni/crevice) into the (grail/chalice) womb dream of astral waters, the Shamans bloody consciousness to enter.

The Shamans consciousness is likened to a blade penetrating the (Isis/Belphegor/Morgana la Fay) dream, wherein he then to ‘Out Of Body Experience,’ fly over the ever recurring Ouroboros of all existence, as a Remote-Viewing winged (Horus) eye, of a Time Travelling… Merlin.

NOTE: In the practice of Alchemy, you have the Prima Materia, which is essentially detritus. Some Alchemists saw this to be quite literal; whereupon their labs did reek of their boiled down urine and excrement. It just so happens, that your ‘body’ shits gold and other metals, but only in very small trace amounts.  

The body was symbolically represented as the cosmic mountain, which is interpenetrated by the tree of worlds, representing your spinal column. The cosmic mountain is otherwise symbolised as a… Pyramid. 

However, as to the Prima Materia, it refers to something else, which equates with the heavy metal of lead and that of a Torc, encircled of an Ouroboros around the throat area of the (Da’at) reptilian brain-stem. 

The leaden Torc represents the eternally recurring events of existence, which in regards to an unobserved life leads to repeating situations, a Hindu would term as being Karma. The practice of Yoga and that of Alchemy is to transmute the Karmic repeat into something else; whereupon you have the employed symbolism of lead being transmuted into gold. 

The process of transmutation requires that the practitioner becomes adept at inducing hypnagogic trance in order to thence attain conscious ingress into the dream. The reptilian brain-stem governs over the depth of your dreams and trance states; hence you have the serpentine symbolism of a lead Torc being transmuted into gold. 

When conscious ingress into the dream is attained of a ‘little death,’ the practitioner will start to become more aware of the Karmic repeats of his/her life; this leads to a sensation that certain key events have happened before, which is summed up by the ‘French’ term of déjà vu. 

The ‘Edge Of Tomorrow’ experience of déjà vu is often tied up with the observation of synchronicities, which have a symbolic correlation with scenarios prior encountered in dreams. As the practitioner becomes more aware of the repeat of leaden Karma, his/her Torc can be potentially transmuted into a golden understanding that the repeat can be changed; this then leads to what a Hindu terms as Dharma. 

Basically, shit can be changed into gold; but only when you start to déjà vu remember the repeating shit! 

Those who do not to remember, are just repeating their ‘programmed’ shit, having no free-will of their own; for everything has been fixed of a leaden Ouroboros Torc around their throats. 

An analogy being, those who as yet do not remember are nothing more than being programmed simulations existing within a simulated reality a Hindu mystic would term as being Maya. 

In ancient times, a lead Torc was worn by those who were considered to be slaves to their fate until they attained the (Belphegor/Morgana la Fay) Avalon (Da’at) ‘Knowledge’ that their leaden existence can be transmuted into gold. 

Whereby, Merlin wears a golden Torc, who is very much aware of the shit; such as knowing that in the New-World-Order of an Orwellian Eden, ignorance is bliss; whereas the (Da’at) Avalon ‘Knowledge’ is considered to be a sin!  

That is why the shits fluoridate your water supply in order to calcify your DMT producing pineal gland… third eye!