Archive for DC comics

BELPHEGOR: THE MYSTERY OF THE LOUVRE PYRAMID

Posted in Art, Chaos Magic, Comics, Film, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 23, 2016 by FAUSTUS CROW

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Belphegor is one of the few Grimoire entities who is said to appear as a young Velvet Buzzsaw girl. She is known as being a daemon of discoveries and of ingenious inventions who also bestows wealth.

But as per usual, the Velvet Buzzsaw female manifestation is seen to be but a ruse in the patriarchal Playgirl Grimoires of an ‘Animus’ fixation.

Whereupon Belphegor is commonly listed as being a butch male entity, who is disparagingly depicted as ‘bearded’ demon seated upon a (water convenience) lavatory.

Said demon is commonly classified as being once worshipped by the Moabites as Baalphegor on Mount Phegor where there be no spicy Velvet Buzzsaw girls in sight.

Whereby the classic Grimoire image of constructed political propaganda has been engineered as a cultural slur, which can of course be easily reversed of an anti-viral meme, to look like, say, Velvet Buzzsaw Kate Moss.

Although if you had done so during Aleister Crowley’s era, who to have otherwise conjured up the butch Incubi archetypes of the deified ‘Animus,’ made as a God and Devil, while at Boleskine House, you would most assuredly be considered to be far more wicked than Crowley ever was. Hence Crowley never went that far beyond a patriarchal Ring-Pass-Not!

Some of the ‘Animus’ fixated Rabbis even claim that Belphegor must be worshipped, when frequenting your bathroom, with offerings, being the residue of your digestive waste; failing that, accidentally, on purpose, cutting yourself, while shaving off your ‘beard’ over a chalice of a sink, to then watch your blood dribbling down the drain of an offering.

If you believe this to be true, then you have been well and truly shafted up your Abrahamic anal tract! So, on wards and upwards of a Néo Belphégor anti-viral Velvet Buzzsaw meme.

Let’s get this straight, it was never a case of worshipping crap; it has far more to do with thinking clearly via self-analysis in order to rid your mind of ‘crappy’ thoughts, which is engaged in so as to attain a creative state of a brainstorming Theta brainwave, to kick-start your ‘quantum computing’ brain to tune into alternate possibilities.

Although admittedly, on many an occasion you might just find yourself to Archimedes cry “Eureka” after dumping a base-Chakra battleship, rather than to do so, when sojourning in your floatation tank of a Kings sarcophagus, brimming over with murky soap bubbles, all looking like dodecahedron universes.

But, the obvious allusion to a technique is usually overlooked, which of a self-perpetuated tunnel-vision has led many a brainwashed ‘Animus’ fixated priest of Rome to conclude that Belphegor is the deity of Pet (Fart) or ‘Crepitus,’ while writhing Witch Nuns to believe that he is their Praipus wielding an ever erect blade.

Collin de Plancy mentioned in his 1863 Playgirl Grimoire, Dictionnaire Infernal, that Selden, who is cited by Bainier had reported that human victims were offered up to Belphegor, and that his priests partake of their blood; what a Hammer Horror laugh. Its just a load of Biblical Death-Metal crap, inspiring many a Hollywood Creepypasta movie!

Plancy also mentions that Wierus wrote that Belphegor always has an open mouth, attributing it to the name Phegor, which according to Leloyer means ‘crevice’ or ‘split,’ referring to when he was worshipped in caves wherein people threw offerings to his statue, through an air hole.

No! It has far more to do with an inner gateway of a crevice/split, which refers to hypnagogic trance ingress of your (Air element) mind into the cavernous Velvet Buzzsaw womb dream, a paleolithic Artist to have known, when he to have attained trance within the Lascaux caves.

The utilised symbolism of a crevice/split has an association with the Velvet Buzzsaw vagina, which the ‘bearded’ practitioner accesses of an inner trance gate, when to introvert his sexual impulse into the dream by prior focusing upon Belphegor as a Velvet Buzzsaw girl.

In other words, the symbolism alludes to Tantric dream Yoga, which is not seen due to the sexual impulse being entirely castigated out of the spiritual equation along with the Velvet Buzzsaw feminine principle of the Fallen ‘Anima.’

The female focus of a two-dimensional image is utilised in order to cohere the thoughts of the practitioner like a laser beam, which is further empowered by the introversion of the sexual impulse; this then negates any crappy thoughts from arising.

The goal of the exercise is to attain conscious ingress into a lucid dream, wherein Belphegor can be conjured as an interactive three-dimensional reality.

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Even though the ‘Anima’ has been cut out of the spiritual equation by the worshippers of the deified ‘Animus’ made as a God, Belphegor has over time become very much a Velvet Buzzsaw French Succubus, which is due in the main to the popularity of a 1927 crime novel, entitled: Belphégor, whose English title is, The Mystery of the Louvre.

The novel was authored by French writer Arthur Bernède, which is about a Velvet Buzzsaw female ‘phantom’ haunting the cavernous Musée du Louvre of many a painted cave wall.

However, the phantom is in actuality a gymnastic ballerina, masked as a Velvet Buzzsaw Cat burglar, who is trying to steal its Necronomicon treasures.

Belphégor was simultaneously adapted as a movie serial starring René Navarre as Chantecoq, Bernède’s fictional detective, and the Velvet Buzzsaw actress Elmire Vautier as the villainous Belphégor.

Bernède’s novel inspired several other adaptations, including an eponymous 1965 French television series starring Velvet Buzzsaw, Juliette Greco in the title role of Belphégor.

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 The TV series was duly followed by a 1965 daily comic strip sequel; it was not until later that you had the 2001 Belphegor film starring Velvet Buzzsaw, Sophie Marceau.

Although this time around, the Belphegor comic strip became a 2001 French-Canadian animated television series, which transformed Belphegor into a male, rather than the original Velvet Buzzsaw female character, it is a darn shame.

It appears that the creators of the very stylish animated series missed the ‘Anima’ point; but then they were more than likely pandering to an ‘Animus’ fixated audience who later became far more enamoured with the likes of the Da Vinci Code.

Whatever the case, Belphegor  has become immortalised in France, of a mass-mind focus, spinning her sensual Velvet Buzzsaw Tulpa.

She was even featured for a time in DC’s New Earth comics as one of the Global Guardians, whose base of operations is based in a United Nations-financed headquarters building called the Dome, which just so happens is located in the Artists capital of Paris.

You could otherwise see the Dome as the Musée du Louvre, when to ascend the dream escalator unto Belphegor’s seventh planetary sphere of her heavenly Velvet Buzzsaw delights, which only a Parisian girl can bestow.

Hence, she can be conjured amidst the Triangle Of Art imagination as an inspiring Velvet Buzzsaw Art Muse, who as a Parisian Art Student will reveal the very real masked mystery of the Musée du Louvre.

She might just lead you through her Velvet Buzzsaw Yoni stargate, into the cavernous temple precincts of the Musée du Louvre, to Remote-View its uterine galleries, within a lucid dream.

Belphegor will at first indicate that she has an association with ancient Egypt, whose culture the French are enamoured with, whereupon you have the Louvre… Pyramid.

Whereby, Belphegor’s sigil/seal is derived from the blueprint of the Musée du Louvre, of a one time fortress becoming a palace, which appears to be based upon the Edfu temple of ancient Egypt’s Isis child of a… Horus Hawk/Falcon.

Upon what the Louvre was originally built, is of course debatable; but it was very likely a pagan site, of a possible ancient temple.

You also have many a Neolithic Ley line pointing at its locale, which was no doubt symbolically aligned with a… Hawk.

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Said Hawk was not just any raptor, but that of a Hawk specifically flown from a (Belphegor) lady’s hand, known as a… Merlin… who as Belphegor’s Druid, knows about her Ouroboros Stargate, ringed by Gaulish standing stones, under the star clock of Zodiac ages.

When to see Merlin, you will then find that unmasked Belphegor alludes to Morgana la Fay, of (Da’at) Avalon isle (Lin/Din/Dun) hill/Tor/Cosmic-Mountain/Pyramid, at the centre of (Mer/Myr/Mar) menstrual blood (scarlet – Isis/Mary) waters, who to watch over a (Horus/Merlin) ‘Bearded’ Druid.

The ancient Gauls considered Britain to be a school of (Shaman) Druids, who had caused no end of bother to the Roman’s, before they then decided to invade Britain.

The mystery of the Louvre (Lin/Din/Don/Dun) pyramid amidst (Mer/Myr/Mar-y) waters is thereby revealed of a pre-Christian understanding, which has nothing to do with the Da Vinci Code.

But why the Musée du Louvre? Well, besides being an ancient power place, it is now the most visited Art museum in the world, which to hearken back to a painted womb cave from where the first Shaman (Druid) was born as an Artist, who knows how to ‘program’ his ‘virtual reality’ lucid dreams via symbolic stimuli.

The Artist to know that Art is Sorcery, Sorcery is Art; both are indivisible of shamanic practice, of which Velvet Buzzsaw Belphegor to inspire as an Art Muse; that is why most Artists are by nature, thinking outside of the box, crazy.

Belphegor symbolically represents the hypnagogic (phase) trance (Rose/Rhodora/Yoni/crevice) into the (grail/chalice) womb dream of astral waters, the Shamans bloody consciousness to enter.

The Shamans consciousness is likened to a blade penetrating the (Isis/Belphegor/Morgana la Fay) dream, wherein he then to ‘Out Of Body Experience,’ fly over the ever recurring Ouroboros of all existence, as a Remote-Viewing winged (Horus) eye, of a Time Travelling… Merlin.

NOTE: In the practice of Alchemy, you have the Prima Materia, which is essentially detritus. Some Alchemists saw this to be quite literal; whereupon their labs did reek of their boiled down urine and excrement. It just so happens, that your ‘body’ shits gold and other metals, but only in very small trace amounts.  

The body was symbolically represented as the cosmic mountain, which is interpenetrated by the tree of worlds, representing your spinal column. The cosmic mountain is otherwise symbolised as a… Pyramid. 

However, as to the Prima Materia, it refers to something else, which equates with the heavy metal of lead and that of a Torc, encircled of an Ouroboros around the throat area of the (Da’at) reptilian brain-stem. 

The leaden Torc represents the eternally recurring events of existence, which in regards to an unobserved life leads to repeating situations, a Hindu would term as being Karma. The practice of Yoga and that of Alchemy is to transmute the Karmic repeat into something else; whereupon you have the employed symbolism of lead being transmuted into gold. 

The process of transmutation requires that the practitioner becomes adept at inducing hypnagogic trance in order to thence attain conscious ingress into the dream. The reptilian brain-stem governs over the depth of your dreams and trance states; hence you have the serpentine symbolism of a lead Torc being transmuted into gold. 

When conscious ingress into the dream is attained of a ‘little death,’ the practitioner will start to become more aware of the Karmic repeats of his/her life; this leads to a sensation that certain key events have happened before, which is summed up by the ‘French’ term of déjà vu. 

The ‘Edge Of Tomorrow’ experience of déjà vu is often tied up with the observation of synchronicities, which have a symbolic correlation with scenarios prior encountered in dreams. As the practitioner becomes more aware of the repeat of leaden Karma, his/her Torc can be potentially transmuted into a golden understanding that the repeat can be changed; this then leads to what a Hindu terms as Dharma. 

Basically, shit can be changed into gold; but only when you start to déjà vu remember the repeating shit! 

Those who do not to remember, are just repeating their ‘programmed’ shit, having no free-will of their own; for everything has been fixed of a leaden Ouroboros Torc around their throats. 

An analogy being, those who as yet do not remember are nothing more than being programmed simulations existing within a simulated reality a Hindu mystic would term as being Maya. 

In ancient times, a lead Torc was worn by those who were considered to be slaves to their fate until they attained the (Belphegor/Morgana la Fay) Avalon (Da’at) ‘Knowledge’ that their leaden existence can be transmuted into gold. 

Whereby, Merlin wears a golden Torc, who is very much aware of the shit; such as knowing that in the New-World-Order of an Orwellian Eden, ignorance is bliss; whereas the (Da’at) Avalon ‘Knowledge’ is considered to be a sin!  

That is why the shits fluoridate your water supply in order to calcify your DMT producing pineal gland… third eye!

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BATGIRL HELL’S ANGEL BIKER BABE BATHIN

Posted in Art, Chaos Magic, Comics, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 30, 2014 by FAUSTUS CROW

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The Eighteenth Succubus archetype of the Fallen Anima is Bathin. She is a Mighty and Strong Duchess of the seventh planetary dimensional sphere, and appears like a most beautiful woman wearing a snake skin corset, whose belt trails like a tail of a Serpent, or to otherwise manifest looking like Bat-girl out of the DC comics.

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She knows the virtues of hallucinogenic herbs and what precious stones to use for scrying. She can also transport the ‘Ba’ of her conjuring Surrealist comic Artist suddenly from one place to another of ‘pure thrust’ throughout space and time, whom will be enabled to enter any place; for his ‘Ba’ be ‘Thin’ of an ethereal substance.

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She will be seen of an Artist’s vision as a Valkyrie biker sitting upon a pale-coloured Iron-Horse, or that of being part woman, part Bat bike, or shapeshifting into a motorcycle for her Surrealist Frankenstein Artist to ride as his Tulpa dream machine.

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She rules over 30 Legions of Bat-girl Succubae, whose protective temperament is that of Hell’s Angel Valkyries, all as Art Muse Witches.

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Bathin’s Succubus seal is to be meditated upon by the conjuring comic Artist prior to conjuring her within a lucid dream as a Bat-girl Art Muse.

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The composite name of Bathin is probably comprised of two words, being, ‘Ba’ and ‘Thin.’ The word Ba is derived from the ancient Egyptian term for the spirit of an individual, which was always portrayed as a human-headed bird, usually a human-headed falcon.

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The Ba bird represents an ecstatic out of body experience, just as the Bat symbolises the out of body phenomenon in other spiritual systems, such as that of the Toltec’s to the Aztec’s of ancient Mexico.

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In ancient Egyptian art, the Ba was often shown hovering over the deceased’s mummy or leaving or entering the tomb at will, of a ghostly ‘thin’ form, which in turn influenced the mystique of Vampire Bat. Hence you have ‘Ba’ and the word, ‘thin,’ as in, rarefied as air and without solidity or substance.

The word Ba is usually translated as, soul or spirit. However, the Ba can be otherwise seen as the dream body. In shamanistic systems, the dream body is also associated with the symbolism of the serpent, representing hypnagogic trance, via which the shaman can become amphibious of consciousness; hence achieving an out of body experience; whereas the symbolism of the ‘Horse’ represents the power of trance and the ability to out-of-body travel where the shaman desires to go, of erotic exploration, should he be so predisposed.

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In some shamanistic traditions, the out of body experience was facilitated by hallucinogenic herbs or that of intensely staring at crystalline structures, such as that of gemstones.

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The Ba is considered to be one of the specific components of the human being, as understood in Egyptian thought. In the New Kingdom, the Ba was a spiritual aspect of the human being which survived, or came into being, at death or when consciously accessing trance. It was endowed with the person’s individuality and personality. The Ba occasionally revisited the tomb of the deceased; for the dead body is its rightful home.

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Animals were sometimes thought to be the Bau (plural of Ba) of deities. At Heliopolis, the Bennu bird was called the Ba of Re. At Memphis the Apis bull was worshipped as the Ba of Ptah or Osiris. At times, Osiris himself was called the ‘Ba of Re.’ However, in the context of shamanistic practice, when the shamans (Ba) spirit leaves his body, he can also shapeshift into other forms, such as animals within his dreams; wherefore he can take on the alternate form of a Bat if he so chooses.

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The ancient Egyptian concept of the Ba could also represent anonymous deities or powers, which can be equated with an Avatar, as used within a virtual reality of a computer game. As such, they are occasionally represented in various mythological contexts; wherefore within a virtual reality of a dream, a conjuring comic Artist can assume the alternate guise of an Avatar, such as Batman.

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These Ba are shown greeting the Sun or travelling with it in its barque. In some illustrations of the Book of the Dead, Ba birds are shown towing the barque of the Sun during its nightly journey through the underworld. The Sun in this context not only represents the Sun of the macrocosm, but also alludes to the inner Sun of the microcosm, whose light is that of the bio-photon emanating from the mitochondrial DNA, which illuminates your electron dreams.

Should you otherwise equate Bathin with the modern slang term, which alludes to ‘bathing,’ you can then equate Bathin with the usage of a floatation tank, which of a simple, though highly effective technique the ancient Egyptian’s may have utilised, in order to initiate an out of body experience, such as the Kings sarcophagus found within the pyramid of Giza.

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You can then see Bat-girl Bathin initiating your out of body experience, while you float within a Kings sarcophagus of a floatation tank containing a ‘Hin’ of saline solution; Hin being an ancient Hebrew unit of liquid measure, which is equal to about one and one half gallons (5.7 litres); hence, you also have, Bat-Hin.

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DOCTOR DOOM CONJURES VAPULA OORO MUNROE, SHE’S SUCH A STORM

Posted in Art, Chaos Magic, Comics, Cosplay, CREATIVE WRITING, Discordianism, Film, Goetia Girls, Horror, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 6, 2014 by FAUSTUS CROW

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Within the rancid skull of castle Doom, surrounded by the Eastern European iron forest of Latveria, the black magician Doctor Victor Von Doom made his way down a shadowed spiral stairway of ancient crumbling stone into the castle’s ritual chamber.

Within the ritual chamber of an infernal mind laboratory, Doom’s chief Tulpa engineer of the necromantic arts was apparently knitting together a Tulpa for Doom’s Solomonic spectral army of demonic slaves; or so Doom thought.

Doom boomed out of an echoing voice as he entered the cavernous laboratory, which looked more like an arcane art studio, “I hear that you have accomplished the deed I set forth for you, doctor Frankenstein.”

Frankenstein turned around from the canvas slab to which was bound a knitted together exquisite corpse of an oil painting, whose layers of paint involved the writing of intricate sigilic formulae around the Moon phases. Over these twenty eight layers of tattooed skin, the final painting was done.

The finished work of ritual art was then covered by a silk black cloth depicting a copper coloured inverse pentagram.

“Yes, indeed, I have achieved what you asked of me, and far more.” Doom stared at Frankenstein; “more you say, most intriguing. But, I will be the judge of that. I desire to see this demonic grimoire Tulpa, I commissioned you to create, so that I will be enabled to control the weather systems of the whole world via its Necronomicon conjuration. With this catastrophic power I will destroy the old world, in order to initiate the return of the Golden Age under my New-World-Order dominion. Now, show me my new slave!”

“Of course.” Frankenstein answered, as he pulled away the black silk cover revealing a life size painting of a most beautiful African woman. Doom was at first taken aback; “What in the nine Hell’s is this? I was expecting a classical death metal demon of medieval temperament. This creation is just a modern day glamour pin-up of Ooro Munroe. She looks like a Marilyn Munroe peroxide blond topping Halle Berry’s head; no different to an explicit mandala jerk off photo shoot for capitalist Playboy. If I conjure this, whatever it is, I will be thrown out of the OTO.”

He started to laugh, which is a bit of a rarity to say the least; hardly anybody laughs in medieval Latveria, least of all, grim Doctor Doom.

Frankenstein then said; “You don’t quite understand, Doom, she is the very essence of Ooro Munroe. This knitted together exquisite corpse is that of Munroe’s captured quintessence, now bound into planetary metals suspended in oils, to have accordingly coloured of dream sorcery, whose secret mantra name is Vapula.”

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Doom inquisitively looked at Frankenstein through the skull eye sockets of his shiny metal mask; “the quintessence of Ooro… her secret name is Vapula? explain!”

Frankenstein answered; “when you meditate upon the painting you repetitively intone the mantra name of Vapula; while to intermittently visualise her seal. This will enable you to initiate a hypnagogic state of trance. When you achieve the trance state, you can then evoke Vapula amidst your triangle of art imagination, which will then lead to a sixth sense lucid dream conjuration of her Succubus essence; whereupon you can then fully engage with her sensory reality, involving all of your inverted five pentagram senses.”

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Doom looked very perturbed, almost nervous; sweating even, to itch under his steamed up armour; “Succubus? What do you mean by the usage of this loaded term?”

Frankenstein wirily smiled to himself; “well, it’s somewhat self explanatory isn’t it doctor. You have to introvert your sexual impulse of a an emotional charge so that you can bring her to electrifying orgasmic life within your spun electron dreams. Wherefore Vapula then becomes as your most loving Frankenhooker mind-doll servant, who as a microcosmic Succubus Genie will service your every megalomaniac whim upon a macrocosmic synchronicity.”

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Doom shook his head; “I should have had you thrown into the deepest pits of the netherworld, long ago, Frankenstein, which is still on the Tarot cards.

The activation of this Tulpa requires my… ” Doom then nervously coughed, attempting to continue; “my sanctified Dr Strangelove seed of machismo prowess, which has to be kept eugenically pure at all costs. I cannot allow for this. I commissioned you to create a real Biblical demon; all bristling muscles, jagged spikes and serrated horns, or at the very least looking like one of Aleister Crowley’s phallic illustrations, or that of a morose H. R Giger Lovecraftian beast of writhing tentacles, siring Biblical end of days slaughter, when I desire it.”

Frankenstein sighed in exasperation; “Your fixation upon the classical Abrahamic symbolic paradigm of a branded mind-set, will invariably lead to you becoming upended by conjured Incubi, who will duly possess your Biblical anus through your rusting ritual magic armour. But, if that is your indoctrinated Golden Dawn leaning, go right ahead of an OTO sexual orientation. Do what you wilt, as the saying goes. But you do realise that by conjuring the Succubus Vapula, she will empower you to assume the alternate guise of the Black Panther, within a lucid dream as your Buddha Avatar, and in so doing, you can access all of his abilities, when you bind her to your iron will.”

Doom went silent for a moment, pondering the delicious possibility of entirely dominating Vapula and via her total subservience, she will enable him to acquire the power of the Black Panther.

Then Doom said; “this word, Vapula is derived from Vapulate, which means to flog, beat, whip or to strike, which has now perked up my sadomasochistic tendencies to dominate her. Tell me more about this Succubus, Vapula.”

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Frankenstein then explained; “Vapula is the Sixtieth Goetia Succubus, who is otherwise known as Naphula. She is a great, mighty and strong Duchess of the seventh dimensional planetary sphere. She at first appears in the form of a black Cat with Bat’s wings or that of a Sphinx, before assuming the exquisite form of Oroo Munroe, who, as you know, is also called Storm.”

“Her Witch office is to make her master knowing in all handcrafts and professions; also in philosophy, and other Fantastic Four DARPA sciences, such as those of Nikola Tesla, via whose X-Men science we now have the Avenger weather control technology of HAARP, she to reveal all about of remote-viewing.”

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“She governs over thirty six legions of Wakanda Succubae who emanate from Lilith’s Harem; and her seal or character, is thus depicted in her two-dimensional painting of a spirit repository, upon which you meditate in order to conjure Vapula into your three-dimensional lucid dreams.”

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Doom again went silent of pondering thoughts, before saying; “Vapula at first assumes the visionary form of a Witches Pussy Cat or that of an Egyptian Sphinx, you say; interesting. Tell me more about why she assumes the form of a feline Sphinx?”

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Frankenstein answered; “The word Sphinx, actually comes from the Greek, meaning, ‘to squeeze, to tighten up.’ The name is a reference to the factual observation that the hunters for a pride of Lions are the Lionesses, which kill their prey by strangulation, biting the throat of prey and holding them down until they die. However, the utilised symbolism, is that of an occult blind, which refers to an experience, termed as the Old Hag Syndrome or that of the Bedroom Invader. The Old Hag Syndrome usually occurs when a dreamer experiences sleep paralysis at the point of hypnagogic ingress into the dream, who is then assailed by a predatory Succubus. The presence of the Succubus can inspire intense fear in the dreamer, who will sense he is being strangled by his own nighmare made manifest, which could potentially lead to his physical demise.”

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Doom then interjected; “she sounds really dangerous, I like her!”

Frankenstein continued; “yes, she can be highly dangerous to the uninitiated who do not know her riddle. But when the fear is otherwise negated by the prior ritualistic Tantric introversion of the sexual impulse, the strangulation of the reptilian brainstem transforms its self into a erotic caress of a feminine hand to the back of the head. This then initiates a shift of consciousness towards the ‘hall of records’ cerebellum, where the dreamer consciously accesses the dream, who will then encounter the Succubus as his informing lover.”

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Frankenstein further related. “In Greek mythology, a Sphinx is represented as a daemon with a head of a woman, the body of a Lioness, having the wings of an Eagle, you could otherwise see as Gryphon’s wings, as well as sporting a serpent-headed tail. This symbolic formula refers to the arousal of an energy along the spinal column, which the adepts of Yoga call the Kundalini Shakti. The Kundalini energy is seen to have a female source. Whereupon you have a woman, who is termed as Shakti. This energy is often aroused by a visitation of a predatory Succubus, the Hindu, Buddhist or Tantric calls a Dakini.”

“Wherefore you have the motif of a Lioness, who will initiate an out of body experience, which is symbolised as the wings of an Eagle or Gryphon. The out of body experience, which is initiated by the visitation of the Sphinx will allow the dreamer to travel through time via his quantum dreams. This is the reason why H.G Wells had a Sphinx depicted upon the front cover of the first publication of his novel, entitled, The Time Machine. The Kundalini is also known as the fire snake; hence you have the serpent-headed tail of the Sphinx.”

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Doom lustfully smiled behind his mask, saying; “I am most impressed indeed. I think I will have to commission you to knit together more of these Succubae Mind-Doll’s for my spectral army, Frankenstein. In fact, my spectral army will be entirely comprised of Succubae. In the meantime, I will have my Latverian minions collect the grimoire painting to place in my bedroom, this very night of a much looked forward to conjuration. Oh! by the way, can I flog the painting with my Cat of Nine tails, while I masturbate…”

Doom to Freudian slip, who then had a hacking cough, to rectify of continuance; “I mean, meditate upon Vapula’s image, while whipping her essence into total submission to my divine will?”

Frankenstein answered; “if it be your visualisation pleasure to do so of a Spirit Chain ritual, go right ahead, whip away, to your dark heart’s beating content.”

Doom stuck his mask nose up into the air of a perceived superiority to then flamboyantly turn away of dramatic sweeping cloak, leaving Frankenstein alone. Although, he wasn’t quite entirely by himself.

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Frankenstein was surrounded by his necromantic comic art works of erotic knitted together Mind-Dolls. He waited until Doom was entirely out of psychic sight and clairaudient earshot before lighting up a Camel cigarette, who then merrily sauntered over to a hidden alcove, within which was another covered painting.

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Frankenstein whipped off the cover to reveal a life size painting of a naked female version of Doctor Doom.

Frankenstein knowingly smiled, saying to himself; “when I conjure you amidst my lucid dreams, my dear knitted together tin girl, of a dark delight, playboy Jupiter sphere Succubus; I will assume the guise of Doctor Doom. And in so doing, I will acquire all his abilities and powers, having total control over a spectral army of Goetian Succubae, who be all grimoire comic Marvel superheroines to erotically conjure amidst my triangle of art. Whereby I will attain dominance over the entirety of the Marvel universe, when I assume the Avatars of all the Marvel superheroes, who are empowered by their corresponding superheroine Succubae.”

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Frankenstein to have continued; “but I will not stop there; after conquering the Marvel universe I will move onto the superheroine Succubae of the DC universe and that of others myriad, of a multiverse, to fuck my way through, to rule over.”

Suffice to say, castle Doom was soon renamed castle Frankenstein; but at least he knows how to really Heyoka party of imaginative conjurations, let alone laugh away the moroseness of the indoctrinated medieval mind-set of the Lilliputian Latverian’s.

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GOETIA GIRL CROCELL, SHE EMPOWERS THE AVATAR OF AQUAMAN

Posted in Art, Chaos Magic, Comics, Discordianism, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 4, 2014 by FAUSTUS CROW

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While playing with his Yellow Submarine in his bath, the psychic Übermensch Aaron C. Donohoo conjured the Succubus archetype of the Fallen Anima, who is mantra named, Crocell amidst his triangle of art imagination. Donohoo envisioned a dark clad woman, who at first seemed to have Bat wings. “She is distinctly human of a divine form, looking a bit like Queen Marella out of the DC comics, who is a counterpart of their superhero Aquaman. Although, I must say, she looks more like a Steam-Punkette,” he related of magical diary reportage.

Donohoo also noted, “As I imagined myself assuming the internal guise of Aquaman, as my Avatar, I did seer a darkly clad woman, who is a consummate contortionist of a superb female body, whom is wearing spray on latex, looking like a Steam-Punkette of artistry.”

“She appears to be looking downward at a Victorian bath within an Atlantean sphere, as if she is within a cell. The amniotic entirety of liquid space surrounds Crocell, around whose arousing contortions, many galaxies and planets orbit.”

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“A noticeable sound of water is flowing upon these other planetary spheres, which are attracting the attentions of icy comets. She is pointing out that there is even stockpiles of frozen water captured within the bowels of asteroids.”

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“She also points out that the water contained within every cell of our bodies is the lifeblood of the universe and that of other universes; whereby it is the communication network of the multiverse, which is considered to be very sacred by those elder races, whom commune via the watery realm of dreams, such as the ancient Atlantean’s of lore.”

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Johann Weird, the considered official historian and authority of the Goetian Succubae, wrote in 1583: “Procell (Crocell) is a great and a strong Duchess, appearing in the shape of an Angellic Nymph of Atlantis, but wantonly speaketh verie darklie of things hidden. The waters, she to say binds thee with other creatures and other worlds (sic).”

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Weird also noted that Crocell has special talents involving water: “She maketh great noises, and causeth the waters to rore, where are none, she warmeth the waters within the steeming bodie of a damned sorcerer with her hot harrlot presence, she be most salaciouss of sexuall intents. Bewarre of her, yea Godly children of Abraham’s laws, drink nott of the waters she has touched with her sinfull fornications; remember the fall of Atlantis (sic).”

Another source goes into more detail: “Crocell appears in the form of an Atlantean dark angel with flowing silver hair and yellow cat’s eyes. Her Aqua-woman voice is great and all-pervading and she ever speaks of things mystical and hidden. . . she has the power to influence the body by making its watery cells to heat or to cool of a healing capability via her intense lucid dream lovemaking. She can enable her master to assume the internal guise of DC comic superhero Aquaman in order to find water even in the desert, of similarity to the Aboriginal Australian’s shaman ability to intuitively divine underground water in the dry outback.”

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Crocell related via an Ouija board communication that she inspired the erotic dreams of the Japanese author and entrepreneur, Masaru Emoto to seer that ‘human consciousness’ has an effect upon the molecular structure of water.

Emoto’s dream inspired insights evolved over the years, guided by Crocell’s microcosmic influence, and his early work explored the theory that water could indeed react to positive thoughts and words, and that polluted water could be cleaned through prayer and positive visualization of a perceived perfection.

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However many of the subservient scientists who work for the fluoridation mafia, rubbish Emoto’s work as being mere pseudoscience. They certainly do not desire Emoto’s research taking root amidst public consciousness, since they have mass medicated the water supply with a known neurotoxin and a mutagenic agent. The unnatural chemicals used to fluoridate drinking water are derived from the manufacture of phosphate fertilizer.

Captured in the industry’s wet scrubbing systems, these noxious chemicals contain a number of contaminants (e.g. arsenic, lead) not found in pharmaceutical grade fluoride. Of greater interest is the fact that 2 recent peer-reviewed studies (Neurotoxicology, December 2000; International Journal of Environmental Studies, September 1999), have found an association between consumption of water containing hydrofluosilicic acid or sodium silicofluoride (the most commonly used fluoridation chemicals) and higher blood lead levels in children.

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Back in May 2007, approximately 67% of public water supplies in the United States are fluoridated. Of these water supplies, approximately 91% use hydrofluosilicic acid or sodium silicofluoride (together known as silicofluorides), while 9% use sodium fluoride. As with the silicofluorides, sodium fluoride is derived from the phosphate fertilizer industry.

Suffice to say, fluoridation is big business. But the attempts of the fluoride mafia to make Emoto look like a fool, did not stop his arcane penetrations into Crocell’s watery element of the feminine principle.

Since 1999, rebellious Crocell inspired rebel Emoto to assume the guise of Aquaman via his dreams, which led him to publish several volumes of a work entitled: ‘Messages from Water,’ which contain photographs of ice crystals and their accompanying experiments. Emoto’s experiments also appeared in the movie, ‘What the Bleep Do We Know!?.’

Crocell also Ouija board told of, water memory, which is the ability of water to retain a memory of substances previously dissolved even after an arbitrary number of serial dilutions. She claimed it is the mechanism by which homeopathic remedies work, even though they are diluted to the point that no single molecule of the original substance remains, apart from its ‘quintessence.’

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However, like Emoto’s investigation into the molecular structure of water, to freeze; water memory is said to defy present conventional scientific understanding of physical chemistry knowledge, which when needed by the fluoridation mafia, its elitist gangsters quaintly separate the physical from the nigh spiritual domain of quantum physics.

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Crocell further related via the Ouija board that she had also dream inspired Jacques Benveniste to assume the internal guise of Aquaman, who was a French immunologist, who sought to demonstrate the plausibility of homeopathic remedies, ‘independently of homeopathic interests,’ within a major scientific journal.

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To that end, Aquaman Benveniste and his team at Institut National de la Santé et de la Recherche Médicale (INSERM, French for National Institute of Health and Medical Research) diluted a solution of human antibodies in water to such a degree that there was virtually no possibility that a single molecule of the antibody remained in the water solution. Nonetheless, they reported, human Basophils responded to the solutions, just as though they had encountered the original antibody (part of the allergic reaction).

The effect was reported only when the solution was shaken vigorously during dilution. Benveniste stated: “It’s like agitating a car key in the river, going miles downstream, extracting a few drops of water, and then starting one’s car with the water.” At the time, Benveniste offered no theoretical explanation for the effect, which was later called, ‘water memory,’ by a journalist reporting on the study into its Rusalka fluidity, which the Russian scientists are of course also penetrating, I mean,  investigating.

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In 1988, Benveniste published a study supporting a water memory effect amid controversy in Nature, accompanied by an editorial by Nature’s editor John Maddox urging readers to, “suspend judgement,” until the results could be replicated. In the years following publication, the fluoridation mafia set about discrediting Benveniste’s research. Multiple heavily supervised experiments were run by Benveniste’s team, the United States Department of Defense, BBC’s Horizon program, and other researchers, but no team has ever reproduced Benveniste’s results in controlled conditions to nigh bind.

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When Donohoo asked Crocell why Benveniste’s research was not able to be replicated? She answered via the pendulum hovering over the Ouija board; “look to Emoto. Watery emotion contained by belief, is the Bruce Lee key.”

Crocell is the Forty-ninth Goetian Spirit of the seventh dimensional planetary sphere who commands Forty-eight legions of Succubae. Cro-Cell’s seal is to be mediated upon, while conjuring her fluid contortions, as you Aquaman bathe in your font of holy water; that’s if the fluoride mafia hasn’t poisoned it with their monstrous medication. If so, you will have to pray a lot, just like Donohoo does when to play with his aroused Yellow Submarine.

The Psychic Übermensch Aaron C. Donohue by Erin C. Donohue (2012)

NOTE: Donohue changed the spell of his surname to Donohoo; confusing isn’t it. But then, words do evoke symbolic associations of memory, which duly affects your bodily waters.

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GOETIA GIRL ZATANNA ZAGAN OF INTERDIMENSIONAL LUCID DREAM SEXUALITY

Posted in Alien, Art, Chaos Magic, Comics, Cosplay, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 23, 2014 by FAUSTUS CROW

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The Sixty-first Succubus archetype of the Fallen ‘Anima’ is Żagań. She is a Great Queen and President, appearing at first in the visionary form of a Buffalo with Gryphon’s Wings or having the wings of a Bat, whom is a loving sister of (Lamassu) Haagenti; though twinned, there are differences between them.

After a while she puts on the form of a most beautiful woman who has horns upon her head, or to otherwise manifest looking like Zatanna out of the alternate reality, DC comic grimoires.

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She makes her conjuring Artist, Avadhuta wise, when he attunes himself to his circadian rhythms, which are regulated by the light of the Sun, around whose Diana-Lucifera orb, the Earth follows Kepler’s planetary laws.

She can heighten her conjuring Artist’s erotic emotional states as if he is drunk upon Dionysian Wine, or to otherwise become mellow, like placid Waters, as well as making him hot Blooded of emotion, reaching once again for the Wine, as an ecstatic Dionysius.

Her conjuring Artist will thence become aware that his Watery emotions can be transmuted into ecstatic Wine of a highly charged erotic state under the orbit of the horned Moon. Her conjuring Artist will also realise that his emotional charge, empowers hypnagogic trance ingress into spun electron dreams, around the Zodiac ages, of a circadian rhythm star clock.

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She, as a most salacious Art Muse, who inspires Art-Sex, of symbolic alchemy, whom bestows an understanding of the Seven Sacred Rituals of how to mix all the planetary colours of Metals suspended in oils.

Thence her conjuring Artist to paint, of neuro-advertising Chakra Coinage upon cave wall of ancient memory, to alter, canvas upon an easel altar. While doing so, to chant of mantra, “make love not war, around the multiverse world tree, Yggdrassill.”

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Such erotic paintings she to Succubus Art Muse dream inspire of planetary metals suspended in oils to colour, subliminally influences those emotions of an endocrine system Dominion, that coloured Metal is in. Wherefore she can even make Fools wise to themselves, of Heyoka self observation amidst their Samsara existence of an imprisoning circus. She governs over 33 Legions of Succubae Art Muses, and her Seal is to be mediated upon, should you desire to conjure her amidst your Triangle of Art imagination unto a Coitus Pactum Sexagram, Lucid Dream.

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Żagań in French and German, is Sagan; in Upper Sorbian it is Zahań, while in Czech it’s Zaháň, and in Latin you have Saganum, which of a name means, Wise One. When made more feminised you have Żagańa or that of an alternate, Zatanna, whom will enable her master to escape the symbolic Matrix of religious indoctrination, whose minions are forever warring.

Whereas, Żagań is the name of a town on the Bóbr river, situated in Western Poland. The town is the capital of Żagań County in the historic region of Silesia where Stalag Luft III is situated, from whose WWII prisoner of war camp the Great Escape occurred. Żagań, was first mentioned in a 1202 deed, which then belonged to the Duchy of Lower Silesia at Wrocław under the rule of the Piast duke Henry I the Bearded.

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The German astronomer, mathematician and astrologer Johannes Kepler (1571–1630) lived in Żagań from 1628 to 1630, from where the American astronomer Carl Edward Sagan (/ˈSeɪɡən/; November 9, 1934 – December 20, 1996) derived his surname.

Carl Sagan was not only an astronomer, he was also a brilliant astrophysicist, cosmologist, author, science popularizer, and science communicator in astronomy and other natural sciences. His contributions were central to the discovery of the high surface temperatures of Venus. However, he is best known for his contributions to the scientific research of extraterrestrial life, including experimental demonstration of the production of amino acids from basic chemicals by radiation.

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Sagan assembled the first physical messages that were sent into space: the Pioneer plaque and the Voyager Golden Record, universal messages, which could potentially be understood by any extraterrestrial intelligence whom might find them. However, in relation to another sentient species sending a message to us, there are other ways of communicating information throughout space and time.

If there are highly advanced extraterrestrial civilisations frequenting the Angel angles of this dodecahedron universe or that of other universes parallel to our own, of alternate reality possibilities, they will very likely utilise quantum wormholes, via which to communicate with other sentient species. Alas, many a civilisation has a tendency to destroy themselves, whose myriad legions of cosmic ghosts, clairaudient whisper, “do not repeat our mistakes.”

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Wherefore, your (quantum wormhole) electron dreams, would be the perfect arena of (Vesica Pisces) communication throughout space and time. The nature of the communicated information tuned into will of course be dependent upon which Succubus the Sorcerer Artist to conjure amidst his Triangle of Art imagination to thereby erotically engage with, when to penetrate her vaginal Stargate via a lucid dream.

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