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VELVET BUZZSAW ART HORROR

Posted in Art, Chaos Magic, fantasy, Film, Goetia Girls, Goth Girls, Horror, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 17, 2019 by FAUSTUS CROW

Velvet Buzzsaw is a satirical American horror film written and directed by Dan Gilroy, featuring a supernatural entity haunting an Art gallery, which is unleashed after a series of spirit repository paintings created by an unknown Artist are discovered after his demise.

The entity then sets about enacting its revenge upon the leeches of the elitist Art establishment who have allowed their monetary greed to get in the way of Art. If the the truth be told, Artist’s don’t make Art history, it’s the elitist buyers with deep pockets, who determine what Artist makes it into the history books or not. In other words, it is all fixed! As far as the Art establishment is concerned, if you are not in the club, you’re a Hobo to rip off!

Velvet Buzzsaw is slang for the vagina/vulva as well as the practice of cunnilingus. The initial first letters of each, V and B, could be a Freudian slip reference to the next two letters of the alphabet, W and C, which is a British abbreviation for a toilet, otherwise quaintly called a ‘Water Convenience.’

As an aside of sorts, there is a particular grimoire spirit called Belphegor, who is one of the very few grimoire spirits described manifesting as a young Velvet Buzzsaw girl, the French author Arthur Bernède immortalised as a spectral Velvet Buzzsaw phantom terrorising the Art gallery of the Louvre, which was later made into a highly popular 1965 French television miniseries, directed by Claude Barma.

The Velvet Buzzsaw actress who played Belphegor was Juliette Gréco.

In the classical grimoires Belphegor is as per usual depicted as being a ‘Bearded’ male demon seated upon a WC, ‘Water Convenience.’

However in the 1965 French TV miniseries, Velvet Buzzsaw Belphegor is shown having an affinity for ancient Egyptian artifacts who wears a mask.

Belphegor later haunted the Louvre pyramid in the 2001 film, Le fantôme du Louvre, starring Velvet Buzzsaw actress Sophie Marceau.

Le fantôme du Louvre was directed by Jean-Paul Salomé, but it was not the first Belphegor movie. There was the prior 1927 film, Belphégor, directed Henri Desfontaines. The screenplay was written by Arthur Bernède. Belphegor was played by the Velvet Buzzsaw actress, Elmire Vautier.

Many a writer to know that the names for their characters are very important, which are often utilised as subconscious mnemonic devices that trigger off symbolic associations. Character names can be used to indicate influences, or to subversively credit, let alone satirising situations or other people, etc. Sometimes, character names are likened to symbolic codes, which the general public are not privy to, unless they dig a bit deeper.

In the film, Velvet Buzzsaw, the actor Jake Gyllenhaal plays the part of Morf Vandewalt. Morf is slang for being both male or female. Gyllenthaal plays a gay character in Velvet Buzzsaw. The Dutch surname, Vanderwalt, or Van Der Walt, is derived from Van Der Valk, which means ‘a soldier who worked a Falcon/Hawk.’

The Falcon (Valk) is a reference to a 16th century cannon, which like all early artillery was named after a bird of prey. Morf is also the reverse reading of FORM.

The actress Rene Russo plays the part of Rhodora Haze. The Rhodora is a common flowering shrub. You also have “The Rhodora,” which is an 1834 poem by American writer Ralph Waldo Emerson, a 19th century philosopher. Haze, means something such as heat or smoke in the air that makes it less clear, so that it is difficult for the ‘Eye’ to see well.

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The actress Toni Collette plays the part of Gretchen. The name of Gretchen refers a willing victim of Faust’s seduction, who endures much woe, heartache and a horrendous demise in Johann Wolfgang von Goethe’s version of Faust.

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The British actress Zawe Ashton plays the part of Josephina. The name of Josephina is the female variant of the Hebrew name, Joseph out of the book of (Gen-Isis) Genesis, who no doubt knew about the worship of the ancient Egyptian Goddess Isis. The Goddess Isis has another aspect as Ahathoor, who was worshipped at Aunnu, Heliopolis. Ahathoor is otherwise known as Velvet Buzzsaw Belphegor.

Josephina means, ‘God will add.’ The character of Josephina looks to be ‘Egyptian.’

The actor Tom Sturridge plays the part of Jon Dondon. The name Jon is an English name. In English the meaning of the name Jon is an abbreviation of Jonathan, meaning ‘Jehovah has been gracious or has shown favor. Dondon or Dundon, is a Gaelic surname. Don means ‘Brown, Chief and Noble,’ of similarity to Dun, which also means a hill-fort, such as Glastonbury Tor, which was once surrounded by an inland sea, of similarity to a pyramid surrounded by the sea of Nun.

The actress Natalia Dyer plays the part of Coco. The name of Coco is a Spanish nickname, which is derived from, Socorro, meaning, “succour, help, relief.” Socorro is taken from the title of the Virgin Mary María del Socorro meaning “Mary of Perpetual Succour.” Coco is also a French pet-name.

The ‘Bearded’ character, David/Daveed Diggs, whose first Hebrew name means ‘beloved,’ while Diggs is a name for someone who was a person who had a duck-like gait or bore some other resemblance to a duck. The surname Diggs is derived from Old English words duk, dukke, Duck, doke, and dook, which all mean Duck. Like a Duck takes to… Water/WC!? Or a Horus (Falcon/Hawk) takes to Velvet Buzzsaw Isis, Ahathoor, Belphegor.

The actor Peter Gadiot plays the part of Ricky Blane. The name Ricky in English is a nickname for Richard, which means, ‘powerful strong ruler.’ Blane is a Scottish surname meaning “the son of the disciple of Blaan (yellow) or Blane (the lean).”

The actor Billy Magnussen plays the part of Bryson. The name Bryson is an English surname meaning, “Son Of Brice.” The name of Brice, is Celtic, composing of bri (force, strength) or brígh (valor, strength). Variant Bryce. Short: Bri.

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The actor Jon Malkovich of ‘Art School Confidential’ fame, plays the part of Piers. The name of Piers is the Medieval form of Peter. The name of Peter is derived from Greek “petros” meaning, “stone, rock.” Peter no doubt refers to St Peter, who is considered to be the rock, foundation ‘stone’ of the Church, or in the case of the Velvet Buzzsaw character of Piers, he is the Masonic foundation stone of the rich club Art establishment, which is no different to the big-business Church.

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SUMMARY: This is just a ‘Wild Guess,’ which is no doubt completely and utterly wrong. Jake Gyllenhaal who plays the part of Morf Vandewalt, has a fling with Daveed Diggs. Morf indicates he can help Diggs with his Artistic career, or Diggs seduces Morf as a means to get into the elite Art club.Toni Collette, who plays the part of Gretchen, might have also been seduced by Diggs in his climb into the elite Art club. 

Zawe Ashton who plays the part of Josephina also has an intimate interaction with David Diggs, who reveals to him that she is not what she seems, as well as indicating she can help him with his Artistic career; somewhat like a Faustian pact, she had prior enticed another Artist to enter into, who was transformed into Hoboman. Rene Russo who plays the part of Rhodora Haze, was unable to ‘See’ through Josephina’s machinations, due to her greed.

The possible twist could be, Josephina turns out to be the Velvet Buzzsaw, who is a Tulpa, or that of an ancient Egyptian (Belphegor) spirit. Her fleshly manifestation had been conjured into being from out of an oil painting, which is her spirit repository. The painting had been created by the unknown Artist, who was pissed off with the elitism of the Art establishment.

However, he had become afraid of what he had conjured into being, who set about leaving a will that his Art should be destroyed. He was then snuffed out by his Art Muse creation. The Velvet Buzzsaw Art Muse has other ideas, who makes sure that his spirit repository paintings and turn her self survives by showing Rhodora Haze, the unknown Artist’s work. The Velvet Buzzsaw Art Muse then goes around slaughtering much of the elite Art club members, before she is eventually transformed back into a painting. The Velvet Buzzsaw painting mysteriously disappears… Diggs has it!? 

Actually, this summary of a wild guess is way off mark; it turns out that the spirit of the dead Artist is the one who is seeking revenge upon the Art establishment. 

Strewth! I missed a predictable scenario, which is common knowledge… most Artists only make any money out of their Art when they are dead and buried; while, the gallery owners rake in their cash.

It isn’t the Artists who make Art history, it is the elitist buyers who determine those Artists who make it or not… the Art game is fixed!

Oh, well, a sexy Velvet Buzzsaw Art Muse sounded more Jungian fun, to me!

Not too sure about the Freudian title, Velvet Buzzsaw, but then I can’t afford Netflix!

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BELPHEGOR DEMON GIRL: SUCCUBUS OF THE LOUVRE. 

BELPHEGOR: MYSTERY OF THE LOUVRE PYRAMID.

BELPHÉGOR: GHOST GIRL OF THE LOUVRE AND HER WITCH SISTERS OF PURGATORY

The 2014 published book, Belphegor Demon Girl: Succubus Of The Louvre, can be obtained via Amazon. Click Here. 

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ALIEN WITCH NUN OF THE CHAOS UNITARIAN NUNS TEMPLAR

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 15, 2017 by FAUSTUS CROW

The above Artwork is a mixed-media photo-montage digital painting, which of a Pop-Occulture (Occult Goth/Punk) design is an alternative version of the Fifty-Sixth spirit, Mantra named Gremory, who is listed in the medieval Grimoire, entitled the Goetia. The name of Gremory is derived from the French word, ‘grimoire.’

I have otherwise depicted Gremory as a Succubus Art Muse, who is of similarity to what a Tibetan Tantric Buddhist terms as a Dakini. 

A Dakini is seen to have vampire tendencies, who as a ghostly Witch haunts the periphery of you Surrealist dreams.

The psychologist Carl Jung would term the (Succubus) Dakini as being an inspiring Art Muse emanation of the ‘Anima.’ 

However, Tibetan Buddhist Shamans practice conjuring (Succubae/Succubi) Dakinis into their eroticised dreams, wherein a Dakini enables a Shaman to become (sixth-sense) lucid of awareness. Wherefore, Dakinis are considered to be personifications of inner (Sophia) Wisdom. 

When conjured into a lucid dream, Gremory manifests as a Pop-Surrealist Nightgaunt Nun, who is an Entartete Kunst Art Muse stands betwixt the hynagogic trance pylons of the Sacred and the Profane. 

The symbolism of the Artwork refers to the Tarot card of the High Priestess (Nun) of The Silver Star II. 

The Silver Star is a reference to the star of Sirius, which was considered to be sacred to the ancient Egyptian’s who associated the Goddess Isis with Sirius as well as her child, called, Horus. 

Isis and her child, Horus was later transformed into the Virgin Mary and her Christ child by the Christian converts of Rome. Horus as a Hawk represents an ecstatic Out Of Body Experience, which can be experienced when accessing an inner (Yoni/Vagina/Wormhole/Stargate) portal/doorway into a (womb) lucid dream.

Hence the abbreviation of ‘C-haos U-nitarian N-uns T-emplar,’ which of an Entartete Kunst banned word, was the one time name of an Anglo-Saxon Goddess, whose vaginal Stargate was later associated with a Church door, represented as a Sheela na Gig, the Hindu to also know as their Goddess (Kunda-lini/Yoni) Cunti.

The Dogon of South Africa are no doubt aware of lucid dreaming, who considered their ancient shaman trance adepts to be amphibious of awareness.

The trance adepts can freely shift their consciousness between the ‘watery’ domain of the dream and the waking state of ‘land;’ wherefore they are symbolised as being amphibians, having ‘Fish’ heads called Nommo who are well aware of the inner portal of the ‘Chaos Unitarian Nuns Templar. 

(Note: The Nommo [shaman] trance adepts are often symbolically depicted as being phallic headed ‘Fish,’ since the impregnated [hypnagogic trance portal] ‘Stargate’ into the [watery-womb] dream is seen to be feminine, which is symbolised by a planet of women orbiting a star in the Sirius system called Emme Ya. In other words, the Nommo are NOT Aliens; although the feminine quality of the bio-photon illuminated dream can be construed as being of an otherwordly Alien intelligence.) 

The Tarot card of the High Priestess (Nun) is also ascribed to the 13th (floor) path of Gimel (Camel) in the Cabbala, which interpenetrates a hidden sphere, called Da’at. The sphere of Da’at is physiologically aligned with the reptilian-brain-stem, which has governance over the depth of hypnagogic trance and your dreams. 

The term, Nun, is originally derived from the ancient Egyptian name for the primordial amniotic ocean, called Nun, which represents the inner (womb) space of the dream, from which all (Tulpa/Maya-Matrix) forms are believed to be born.

In ancient shamanic cultures, the (cave/womb) realm of the dream is experienced as having a feminine quality; this is probably due to your dreams being illuminated by the bio-photon, which emanates from the Mitochondrial DNA that is passed down from the (Isis) ‘Mother’ to her (Horus) ‘Children.’ 

So, when to lay down your head upon a pillow to sleep unto dreaming, during the key-time of the Dog Days, when Sirius to burn brightly during the pull of the Moon, ponder the following, at its hypnagogic precipice, to thence slip and slider slide as the serpentine Nommo through the ‘Chaos Unitarian Nuns Templar’ portal into Alien dreaming.

Some scientists believe that the ancient Earth had been seeded with life from out of the womb depths of space, riding the backs of asteroids and comets, carrying bacteria, the serpentine DNA or even the Mitochondria, (Mitochondrial DNA), which to have fallen from the heavens.

If such was indeed the Panspermia case, the Mitochondria, would then be an Alien, which to have originally swam as an organism within the primordial (Nun) ocean before uniting with another organism, to then create a Cell of all Carbon based lifeforms upon the planet, whose Atomic number is 6: Electrons, 6: Protons and 6: Neutrons.

Who knows, maybe the Alien within your serpentine Mitochondrial DNA is communicating a Necronomicon (Gremory/grimoire) code from another Star via your bio-photon illuminated dreams, wherein the (Succubi) Succubae to Dakini reveal their C-haos U-nitarian N-uns T-emplar (code) Wisdom.  

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SUCCUBUS ANIMA HOWLING

Posted in Art, Chaos Magic, Devil, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 8, 2015 by FAUSTUS CROW

The grimoire entitled the, Goetia, means, howl, which of a word, the poet Allen Ginsberg had used for his 1955 poem of protest, titled: Howl. Ginsberg’s, ‘Howl And Other Poems,’ was published as part of his 1956 collection of poetry, which was dedicated to the writer Carl Solomon at a counterculture time when feminism came to ascendancy. Ginsberg wrote that:

“In publishing ‘Howl,’ I was curious to leave behind after my generation an emotional time bomb that would continue exploding in U.S. consciousness in case our military-industrial-nationalist complex solidified into a repressive police bureaucracy.” 

Ginberg’s Howl utilised the name of a God that was once worshiped by the Phoenicians and Canaanites called Moloch, which Ginsberg saw as representing a repressive police state as well peoples blind submission to it.

The Swiss psychiatrist Carl Jung would probably whimsically see Moloch as representing the masculine principle of a Fifty Shades Of Grey Animus residing within the psyches of all women.

The counterpart of the Animus is the Anima, which in Carl Jung’s school of analytical psychology, is the primary female archetype residing within the unconscious mind of a male.

The Anima is described by Jung as being an influential force within the collective unconscious, which transcends the unconscious of the personal psyche of an individual male.

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However, due to the mass indoctrination into the monotheistic paradigm of the deified Animus made as a God/Devil, the expression of the Anima has been systematically erased or otherwise incarcerated into the symbolic form of a celibate Virgin Mary, masking the one time ancient Egyptian Goddess Isis.

The Anima and Animus are archetypes of the collective unconscious; they are not personal aggregates of a father, or mother, brothers, sisters, aunts, uncles, or teachers, etc; although their imprints upon the personal unconscious can influence an individual.

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The Animus in particular is symbolically expressed as the all male pantheon of Angels and Demons, which are listed in the monotheistic grimoires, who dance around a God and a Devil; wherefore the fixation upon the male is that of the Animus residing within the unconscious psyches of all women.

You can thereby conclude that the symbolic construct of the monotheistic religions of Abraham, upon which these grimoires are primarily based has been forged by women, due to an overriding fixation upon the Animus, made as a God and Devil.

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Hence, when women berate what is termed as being the patriarchy, they are inadvertently berating their own Animus projection, which has been personified as an All-Father God, enthroned between a crucified Beta-Male Good-Guy and an Alpha-Male ‘Bad-Boy’ Devil.

However, every personification of the unconscious has a light and a dark aspect, such as the Animus, which can bring life-giving development and creativeness to the personality, or it can cause an individual to reactively erase its influence, which leads to insanity, the eventual death of a personality, becoming like that of a soulless automaton.

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Should this reaction be applied to the collective, it manifests as hypocritical political-correctness, totalitarian thought-control and fascistic politics.

The religious symbolism of the monotheist faiths mirrors the relationship dynamic between women and those men they choose as their mates, whether in actuality or that of fantasy.

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For example, many a woman is infatuated with a crucifying Bad-Boy Christian Grey, of fifty-shade Twilight desires, who desire being nailed by his conservative necrophilia of bestial dogma.

This fixation upon the Animus is genetically hardwired, of a biological imperative, which of an unconscious influence within the psyches of all women, over the Zodiac ages, has forged the present monotheistic focus of Piscean age society.

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As you are no doubt aware, the present monotheistic society of an Animus fixation is becoming progressively more fascist of a totalitarian orientation.

Those who argue that such is not the case, are faced with the unerring fact that the creative principle behind the entirety of existence has been symbolically personified as a (Animus) God, whose ‘three’ religious constructs of an all male paradigm is derived from a particular cultural perspective, stemming from the war torn Middle East out of UR’s petrodollar ziggurat of Abraham.

Logic would dictate that the creative principle behind the entirety of existence cannot be personified by a religious focus upon a singular gender, of human form, let alone being based upon a cultural construct. Hence, the overriding monotheistic focus upon the male points at something else, being that of the Animus.

As for the symbolic expression of the Anima within the Playgirl grimoires, it is none existent; but then, the religious construct upon which these grimoires are based, has castigated the Anima out of the spiritual equation.

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Should a male presently explore his Anima, he will duly find himself being tarred and feathered as being a misogynist, or a sexist pornographer, merely because he plays video games, involving sexy female characters.

This is more so the case, if a male artist expresses his explorations of the Anima via his art, which can potentially lead to his work being shunned, censored, let alone banned as being Entartete Kunst.

Artistic renditions of the Anima often manifest within the art-form of video games, which are being presently targeted by social engineers, who invariably utilise the emotively charged front of feminist politics to do so.

When to investigate the Anima, a male practitioner of symbolic alchemy has to keep in mind what Jung had termed as, ‘invasion,’ of the conscious by the unconscious archetype of the Anima, which can then lead to him being easily manipulated by the emotional politics of his female partners, upon whom he unknowingly projects his Anima.

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Women are generally more emotionally astute than men; this is because their emotional intelligence develops at an earlier age than males do. This is not a sexist remark, it is actually a biological fact.

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Jung insisted that: “A state of Anima possession…must be prevented. The Anima is thereby forced into the inner world, where she functions as the medium between the ego and the unconscious, as does the persona between the ego and the environment.”

Because a man’s sensitivity is usually repressed, the Anima is considered to be one of the most significant autonomous complexes of all within the psyche of a male, which influences a man’s interactions with women as well as his attitudes towards them. If he is not aware of his Anima, he will duly find himself being manipulated by the controlled media machine manipulation of women, upon whom he unknowingly projects his Anima; just as women are likewise influenced by their Christian Grey Animus.

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Jung related: “the encounter with the shadow is the ‘apprentice-piece’ in the individual’s development…that with the Anima is the ‘masterpiece.”  

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Jung saw the Anima as being the interface with the collective unconscious. Hence, she is the doorway into the collective dream; whereby, those who seek to influence the unconscious minds of individuals will target the Anima via subversively stirring up the women, which is easy to achieve since most males are totally unaware of the archetypal existence of the Anima within their own psyches.

The established symbolic paradigm of an Animus fixation has castigated the Anima out of the spiritual equation. Wherefore Faustus Crow summons up his Anima, Mephistophina, in order to negate the viral-meme brainwashing of the establishment, by conjuring her Muse sisterhood of Succubae amidst his Triangle Of Art lucid dreams, to thence list within his howling Skull and Crossbones pirate grimoire, of artistic anarchy.

NOTE: I am not saying that the Bene Gesserit Sisterhood are the unseen cause of all the woes of this world, that would be plain stupid, which would be just as crazy as saying that the Illuminati Brotherhood are the cause of every woe afflicting society.

It is more of a case of the many who blindly give over their power to a few who have sway over unlimited finances, whom delude themselves, that they are the elite.

This is due to them suffering from an inbred superiority-complex. The insanity of the brain-dead puppeteers is plain for all to see when to look at the petrodollar Middle East of mass-sacrifice, should you not be distracted by a PsyOps engineered conflict between the genders, which has nullified any anti-war protests.

The guilty party who have engineered the suffering of war, can be seen by all; for the insane few are the ones who ‘benefit’ from the orchestrated confusion and mass slaughter!

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