Archive for Woolly Mammoth

AT THE EARTH’S CORE CAVE WOMAN BIFRONS

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 27, 2017 by FAUSTUS CROW

The woolly Mammoth Cave women made most of the oldest-known cave art paintings, suggests a new analysis of ancient hand-prints.

Most of the square headed scholars of the deified ‘Animus’ fixation made as a God, had assumed these ancient artists were predominantly male, due in the main to the explicitly erotic content of many of the Entartete Kunst cave paintings, which disturbs Middle Eastern theological sensibilities; so the new findings overturns decades of religiously hewn archaeological dogma.

Archaeologist Dean Snow of Pennsylvania State University analyzed snowy ice age hand stencils found in eight cave sites in France and Spain.

By comparing the relative lengths of certain fingers, Snow determined that three-quarters of the hand-prints were female who had having sex with their ‘Animus’ on their brain.

“There has been a male bias in the literature for a long time,” said Snow, whose research was supported by the National Geographic Society’s Committee for Research and Exploration.

Snow continued, “People have made a lot of unwarranted assumptions about who made these things, and why?”

Archaeologists have found hundreds of hand stencils on cave walls across the world. Many of these early paintings also showcase game animals—bison, reindeer, horses, woolly mammoths and erotic imagery.

Because of the subject matter of the art, many researchers had proposed that they were made by male hunters, perhaps to chronicle their kills and sexual conquests as some kind of “hunting magic” to improve success of an upcoming hunt for game, or a mate to hunt down.

The new study suggests that much of the cave art and its erotica was created by female artists; this isn’t to say a male artist did not carve away to create a Venus figurine of his ‘Anima,’ like a proto-Hans Bellmer, who eventually fell foul of the feminist Entartete Kunst.

Experts expressed a wide range of opinions about how to interpret Snow’s new data, attesting to the many mysteries still surrounding this early art.

 

“Hand stencils are a truly ironic category of cave art because they appear to be such a clear and obvious connection between us and the people of the Palaeolithic.” Said archaeologist Paul Pettitt of Durham University in England.

Pettit continued, “we think we understand them, yet the more you dig into them you realize how superficial our understanding is.”

Another inner Earth gallery of prehistoric cave paintings has also been found in South-Western France, including a drawing of a 12ft long bison along with erotic sketches.

The find, at Cussac, in the valley of the Dordogne, is regarded as almost as important as the celebrated Lascaux cave paintings in the same area. This discovery was made by Marc Delluc, an amateur archaeologist, but the richness of his finds were not known until later.

French anthropologists said the site was important because it contained “monumental” drawings of animals in friezes of up to 25 yards long. These are sketches rather than paintings, more primitive, almost certainly older than the Lascaux pictures, and perhaps up to 37,000 years old.

The caves also contain erotic drawings of women, which have been found previously only in the art gallery caverns that were discovered in 1994, in the Ardèche region.

The boundaries of art and sex have been blurred for some time – be it increasingly explicit content or the familiar practice of male artists being inspired by their erotic Art Muse, while in an altered state of consciousness.

But then, sex is a sacred mystery, which is very much intertwined with the spiritual impulse. However, as stated earlier. the new studies show, the erotic content of cave paintings were not only created by male artists.

There are a series of erotic drawings, which were discovered on the roof of caves amidst the inaccessible wilderness in Arnhem Land, Australia, in the country’s North; the cave art clearly depicts a couple engaging in sex 28,000 years ago.

Other sections of the wide-ranging artwork in white and red shows other figures engaged in other explicit sexual activities, which would be considered to be mere porn by many a modern observer, who would Entartete Kunst censor it as being politically incorrect.

In fact, this is exactly what has happened, that is why you do not hear much about the erotic cave art. Although, if it is proven that the erotic cave art was primarily created by female artists then the feminists will no doubt hard-sell push for it to be made widely known across the worldwide media as high art.

Then again, there are also many other feminists who will not want it to be known they have sex on their brains. When the proof is eventually discovered, it will prove to be quite humorous.

However, since the erotic cave art is presently seen to be created by male artists, it is generally considered to be lowly pornographic material.

Hence not talked about, nor is it publicly exhibited to any great extent, if at all.

It’s almost as if they’re saying that your ancestors never got it together under the Bifrons Mammoth rug!

It is obvious that the cave artists would depict sexual activity in their ‘Once In A Lifetime’ Westworld art, who asked the eternally recurring question, “how did they get here?”

But it appears that it is the ‘same as it ever was,’ concerning the religious-construct of the New World Order Eden authorities who habitually dictate that you cannot taste of the inner Tree of Self-Knowledge.

Irrespective of religious morality concerning sexuality and modern day sexual politics – it’s what archaeologist Bryce Barker, a professor at the University of Southern Queensland, and his team have been discovering underneath the erotic cave art of an ‘Apple’ core, which indicates a spiritual dimension, the so called modern world entirely lacks, due to its indoctrinated perception of sexuality.

For example, David Lewis-Williams and associated archaeologists have rehabilitated the interpretation of Palaeolithic cave art as a form of magic by focusing on the geometric images. The geometric images appear in great numbers on the cave walls, instead of the realistic depiction of animals that was the focus of Henri Édouard Prosper Breuil (28 February 1877 – 14 August 1961) in his prior hunting magic theory.

Lewis-Williams argues that the geometric images are spatial variations on a set of “form-constants” that the neurologist, Heinrich Kluver, identified in the visionary experiences of experimental subjects under the influence of the hallucinogenic drug, mescaline. An expert on the San Bushman people of South Africa, Lewis-Williams argued, in a series of well-documented papers, that the transfigured form constants are present on cave walls painted by Bushman shamans.

From these considerations, Lewis-Williams draws the conclusion that the paintings and engravings of the Old Stone Age European caves were the result of shamanic ceremonies conducted in dark caverns deep within the labyrinthine ‘Maze’ of the Earth.

As Breuil had suspected, their purpose was magical, a Native American shaman would associate with the ‘West’ of the Medicine Wheel ‘Maze.’

The ‘West’ of the Medicine Wheel symbolically corresponds with the experience of lucid dreaming. But the established orthodoxy of a present ‘Mad World,’ do not like his ‘Westworld’ insight.

What he did not know was that the magic occurred in the context of shamanic trance, wherein of a then induced lucid dream the myriad archetypes of the ‘Animus’ and ‘Anima’ can be consciously conjured into eroticised dreams.

Hence the reasoning why the creation of art is associated with the attainment of sentience; for the practice of art deals with the manipulation of the inner reverie archetypes of memories, which is indivisible to sorcery.

(This article was originally published on another site, I had to re-publish of a rebellion, since it was unpublished by an aggravated male/female religious (buzz-word) femi-nazi as being Entartete Kunst. If you are offended by this article, due to your cultural-religious-construct of entwined political whoring; take note, I don’t give a toss about your fixation upon a deified ‘Animus,’ and its cult politics! The utilised material is an adapted synthesis of associated articles, whose sources are: The National Geographic, The Independent, The Daily Mail and The Faculty/Education who habitually suck up to the present Entartete Kunst.)

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VALKYRIE SHIELD MAIDENS RIDING A RUSSIAN UFO

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 8, 2015 by FAUSTUS CROW

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The Valkyries of Norse mythology are described as being the handmaidens of the shaman God Odin, whose name is very likely derived from the Altaic fire spirit called Odqan. The name of Odqan means, fire king: Od, being fire, which is symbolic of ecstasy; this altered state of consciousness induces an experience of an inner light or fire within the head of the Qan/Khan/King, shaman. This is also communicated by the name of Odin, which means Od: ecstasy/light, In: master, whose shaman character, riding an eight-legged-Night-Mare called, Sleipnir, later influenced the creation of Doctor Who riding his TARDIS.

The inner fire is associated with the Valkyries, who also have a symbolic affinity with horses. The Valkyries are very similar of nature to the Tibetan Buddhist (Succubae) Dakinis; wherefore some Siberian shamans describe their (Succubus) spirit wives as being Valkyries, since their culture had been in part influenced by the Viking Rus, who had made their exploratory way into the far North; whereby their title of the Rus, eventually gave rise to the name of Russia.

However, going by the Norse name of Odin, which means the same as Odqan, it appears that the Vikings were returning back to the mythic birthplace of their deity, who was essentially a deified shaman from the Altai region of Siberia.

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Some of the UFO fraternity may see Odin as being an alien, who was around when the frost giants succumbed to a great flood, during an interstellar conflict. Although you could otherwise imaginatively conjecture that he might have been a wise elder who was privy to a technology of a lost civilisation, which may have experienced its own industrial revolution.

Said civilisation was eventually wiped out by a comet striking North America, around the time of the last Ice Age, when the giant mammals disappeared off the face of the Earth.

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As for Odin’s female counterpart, she was the Goddess of sexual love called Freyja, who is also described as being the mistress of the Valkyries and Witchcraft (shamanism) as well as Cats. She is depicted in a medieval wall painting found in Schleswig cathedral in Germany riding what looks to be a Siberian Tiger.

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She is also shown alongside an image of the Goddess Frigg riding a broomstick in the same cathedral. Freyja’s Valkyries are also described as being ‘shield maidens,’ since they offered (Amazon) protection to chosen (shaman) heroes, which is also tied up with the Northern European tradition of women making the shields for their warrior men folk; whether this was literally the case, or being primarily symbolic, is a case of conjecture.

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There does seem to be a connection between the Norse myths and Siberia, which is summed up by the mythic descriptions of Odin, who is very much akin to a Siberian shaman; this is especially the case concerning the Altai.

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When looking at the Altai region of Siberia, its influence was far reaching; for example, an archaeological expedition of Novokuznetskiy pedagogical institution discovered a burial mound in the Tashtagolsky district of the Kuznetsk basin, which dates back to the VI century B.C. (The Bronze Age).

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The expedition was headed by the associate professor of history Yuriy Shirin who conducted the dig in the district near the river Mrassu, which was divided into squares; shortly thereafter archaeologists found the burial mound.

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Professor Shirin had carried out a lot of expeditions in the Kuznetsk basin region, but it was the first time he had discovered a burial mound. According to his words the burial mound is similar to the burial mounds, which are also found in the Khakasia and Altai regions of Siberia. He also mentioned that it is an obvious mix of their probable shared cultures.

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As an aside of sorts a most intriguing circular object, looking like an ancient shield was discovered by a coal mining company called Kuzbassrazrezugol in Siberia’s Kuznetsk Basin, during excavation work. However, there is a mystery of how a shield like object became buried 40 metres under the ground. Archaeologists were called in to examine the man-made looking object.

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An excavator going by the name of Boris Glazkov, who discovered the shield like find, said: “I have to say it wasn’t hard to see as it was really distinctive and large. I’ve never seen anything like this object, which is obviously man-made, here in the middle of nowhere before. It is a real mystery.”

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A colleague of Glazkov, Arthur Presnyakov, remarked: “There were actually two similar objects, but the first one broke as it was being pulled out of the ground by the excavator bucket. We thought we saw something sure, because it broke into pieces, but then when the second one appeared we stopped work and carefully removed it from the bucket.”

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The shield like object has a diameter of around 1.2 metres; and with all the dirt still encased on it weighs roughly 440lbs, or 200 kilograms; when cleaned up it will probably be far easier to carry, unless, likened to many a fosslised dinosaur bone, the shield like object has long ago disintegrated, leaving behind a mold, which has been filled by another mineral. If so, it is very ancient.

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The curious thing is, the shield like object was found buried 40 metres underground, deeper than that of mammoth bones, which have been discovered in the same area at a depth of 25 metres.

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Such an anomaly doesn’t sound too strange now, since archaeology has to be rewritten after the discovery of Göbekli Tepe, which has been dated to 11,600 years ago, seven millennia before the Great Pyramid of Giza. However, as always, many are attempting to fit Göbekli Tepe into a Biblical paradigm just as the UFO fraternity see the Russian shield as being an extraterrestrial flying disk created by aliens.

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One has to wonder if the discoveries of ancient finds, which knock the Biblical stranglehold over history is being duly buried under the morass of the UFO mystique and its numerous alien interventions. Whenever an anomaly is discovered, or should I say, an artifact, which cannot be fitted into the established archaeological model surrounding Biblical Mesopotamia, it is promptly hijacked by the UFO cultists looking for extraterrestrial Angels.

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Although, the Norse myths do communicate that the Valkyries did fly through the astral sky as void-going-women, far-travelling through inner space, just like the Tibetan Buddhist Dakinis, whom are conjured into the lucid dreams of Yogins practicing dream Yoga.

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Should the object not be a fake, it could possibly be an ancient shield of similarity to others, such as those of far later design, which is almost perfectly circular; if so, you can forget about Göbekli Tepe, since you would have a shield that should not exist, which had been used when the great mammals were still walking the Earth.

Humanity were supposedly living in caves at the time, who no doubt considered themselves to be ant or snake people. But then again, they may have taken refuge in the caves in order to survive a catastrophe, some of whom may have created underground cities, like Derinkuyu in Turkey, where you also find mention of an ancient King called Yima, the Hindu’s and Tibetan Buddhist’s call Yama, the Norse to know as Yimir of the Ginnungagap.

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If the object is indeed a shield, you shouldn’t completely ignore Göbekli Tepe, since the animal motifs of Göbekli Tepe, are somewhat reminiscent of Scythian animal designs, of similarity to the tattoo’s found on the frozen Altai mummies of Pazyryk; maybe it indicates a continuum of an ancient tradition, which was probably their own version of writing, involving intricate animal forms as letters, forming words; whether depicted in stone or as tattoos.

One also should not forget the Chinese mummies of the Tarim basin along with their conical hats and ritual broomsticks, which have been genetically traced back to the Altai.

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Anyway, the archaeologists will probably reveal that the object is in fact perfectly round Mammoth dung, whose giant depositor did a quick sprint after its expulsion, when catastrophic climate changes occurred, which initiated a great inland flood hitting the Altai along with bringing about a mass extinction event of a prior Ragnarok; wherefore no more frost giant Mammoths and other great mammals.

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Russian geologists discovered the biggest inland flood had occurred in the Altai, at the fringes of human occupation in Siberia, which no doubt scattered their tribes into Europe, China, India, and across into America as well as the Middle East. Hence the ancient British, Eurasian’s, Finns, Basque’s, North Chinese, Mongolian’s and Native American’s all share the same genetic cradle of a Siberian locale ranging from the Altai to lake Baikal, amidst whose Ginnungagap waters is a Midgard island called Olkhon, found betwixt the Northern ice sheets and the fiery Volcanic fields of the South.

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The geneticists have determined that many of the genetic lineages of these peoples can be traced back to a Siberian peoples of the Ket who originated from central and Southern Siberia. The Ket language has also been linked to the Na-Dené languages of North America in the Dené–Yeniseian language family. Some researchers even believe that the Sumerian’s were possibly an Altai colony, since there are ‘odd’ language similarities between the Siberian’s, and the Sumerian’s, who also remembered a… great flood.

But the tangled weave will probably be ever fathomed when a time travel technology is developed, whose time travelling archaeologists, riding sentient time machines called Valkyries, will at times make a Doctor Who mistake by leaving an anomaly behind, or to have done so, by TARDIS design.

NOTE: The Valkyries are archetypal female aspects of the Fylgja, which is of similarity to what is termed as being the Soul. In pre-Christian Europe the Soul was considered to be of the opposite gender of the physical self.

For example, the Fylgja of a heterosexual male would be female; whereas the Fylgja of a heterosexual female would be male. Those of other sexual orientations would perceive the Fylgja in accordance with their nature. 

The psychologist Carl Jung would term the Flylgja of a heterosexual male as being the Anima, which has been entirely castigated out of the symbolic equation as the Fallen.

The present symbolic focus is upon the deified Animus, made as a God and Devil. 

The archetypal aspects of the Anima, which manifest as Valkyires does not mean they are not real. At a dreaming level they are very real indeed, when a dreamer attains a Lucid Dream; wherein the Valkyries manifest as an interactive reality of the Fallen Anima. 

NOTE: The warrior expression of the Valkyries has been heavily influenced by the symbolic representation of the ancient Greek Goddess Athena. The Valkyries are often seen to be nine of number, which not only alludes to the Nine worlds of Yggdrassil, but also to the Nine Muses, some of the classical poets saw as being led by (Fallen Anima) Athena, many an Artist still remembers.  

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DOCTOR STRANGE DISCOVERS THE ANCIENT MATRIX OF BIFRONS

Posted in Chaos Magic, Comics, Conspiracy Theory, CREATIVE WRITING, Discordianism, Film, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 29, 2014 by FAUSTUS CROW

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A dreadful car accident changed everything for Stephen Strange. Crashing into a passing wagon, driven by a drunk driver, had severely damaged the nerves in his pentagram hands.

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Strange was confronted by no longer being able to be a neurosurgeon. He refused to become an assistant or consultant. So, instead he used what money he had in order to travel the world searching for a cure.

One fateful day he heard hushed, firtive rumours of a powerful shaman known only as the Ancient One hiding in Tibet. Marshalling the last of his inner and outer resources, Strange decided to search for the Ancient One, until the yurt of the shaman was revealed to him upon a synchronicity by the flight of a Crow. Though initially outraged by the aged shaman’s refusal to cure his hands, Strange’s anger was rapidly replaced by utter horror, when he witnessed an attack upon the Ancient One, which, for some unknown reason reminded him of Hypatia being murdered upon the steps of the library of Alexandria by a mob of religous fanatics.

The attackers were working for the aristocrat Baron Mordo, the Ancient One’s chief disciple. Mordo was the perpetrator of the violence upon the frail old man. He secretly plotted the destruction of the shaman in an attempt to stop him revealing the truth, so that Mordo could protect the elite from losing their power over humanity.

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However, the Ancient One was highly versed in directing his Chi via a Bō staff, disguised as a flute, which he used to easily defeat his assailants. When Strange later enquired how he so easily overcame the attackers, the shaman answered that he had been taught the shamanic martial arts by the salacious DMT Jade daughters, whose dark father is Xuan Wu Da Di of Lake Baikal, who emanate from another dimension.

Realizing the Ancient One was not only uncommonly agile for his great age, but also a force for good. Strange decided to selflessly abandon his quest to restore his hands by committing himself to a shamanic tutelage with the intention of foiling Mordo’s insidious scheme. By this act Strange proved himself to the shaman, to whom Mordo’s plot had been quite transparent; it was but a ruse to enlist Strange.

Thus Doctor Strange put himself on the shamanic path to become the new Sorcerer Supreme, the protector of humanity’s consciousness expansion. But in so doing, he had gained a deadly enemy in Baron Mordo, whose malign associates had mass medicated the public water supply with a known neurotoxin and mutagenic compound, which specifically calcifies the pineal gland.

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The shaman revealed the truth to Doctor Strange by pointing out a strange symbol upon his drum, which he indicated was the seal of the forty-sixth Goetia daughter of Erlik Khan, who is a Tulpa Mind-Doll Succubus called Bifrons, whom commands 60 legions of infernal Succubae.

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The shaman pointed out that the seal of Bifrons represents a Woolly Mammoth, the great beast of the tundra. The Woolly Mammoth is still remembered by many a Siberian tribe around lake Baikal, far to the North beyond Tibet. The ancient lore of the Siberian tribes equates the Mammoth with the sacred Earth mother, who shakes the ground causing earthquakes. Whereupon, when conjured forth from Erlik Khan’s infernal domain by a sorcerer, Bifrons manifests as a beautiful cave woman riding a Woolly Mammoth.

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The shaman explained; “It is the Mammoth mother who stands at the vaginal door of most ancient memory leading into the Earth’s depths. When a shaman achieves trance in order to descend through the Vesica Pisces door of Bifrons, he becomes like the Roman deity called, Janus, of two faces looking to the past and future simultaneously, of interlacing circles.”

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“He will then be ushered through the vaginal cave door into the underworld of deepest womb memory, when entering the cyclone of Boreas. This vortex of a sub-quantum star barrelled wormhole stems from Hyperborean Siberia, where the Mammoth woman awaits him as the Succubus Bifrons.”

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The shaman continued; “Bifrons in Olkhon Runes unto the Elder Futhark of the Norse, adds up to the 12th Rune of Jera, which means, ‘time.’ The name has seven letters, leading to the 7th Rune of Gebo, which is associated with the crossbones, X, of trance sacrifice into the womb domain of Bifrons. But in order to do so, the shaman becomes as a spirit; one of the dead. Whereupon you have the symbol of the skull amidst the crossbones. This secret Mordo sought not to be revealed. who considers it to be the province of his aristocratic elite.”

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The shaman then related; “When a shaman becomes one of the dead, Bifrons will then take him to into deeper memories. These memories are all as graves to once again open, which she will thence illuminate with her bio-photon fire. Her light is likened to a candle flame, which of circadian rhythms, becomes brighter under the astrological clock of the stars.”

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The shaman proceeded to teach Strange how to evoke Erlik Khan’s Succubus daughter when attaining hypnagogic trance. Strange then experienced Bifrons inducing erotic lucid dreams of a prior ancient civilisation whose technology was on par with the technology of the eighteenth century. Not the same of course, though similar of stone, wood and metal working, whose civilisation was highly versed in geometry, travelling the high seas, mapping the entirety of the world.

Strange was well aware that there are archaeological discoveries, which indicate that ancient societies were far more advanced than what we have been led to believe, going by their carved gemstones and crystal skulls as well as ancient temples and sunken cities, which do not fit into the Mesopotamian historical paradigm of Biblical based archaeology.

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But, when it comes to the nineteenth century and that of its ensuing industrial revolution of a technological breakthrough, which led to the modern age; Strange found it far more difficult to believe that an ancient civilisation had achieved the same leap in technology, since there is no archaeological proof of its existence.

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However, Bifrons continued to stir erotic lucid dreams of an ancient culture, which had achieved a prior industrial revolution. This ancient civilisation had attained the same technological level as our own civilisation, as well as far surpassing it, which had also developed a sentient artificial intelligence, 12, 900 year ago. Strange considered such visions to be mere science fiction fantasies.

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When Strange related his dreams to the ancient shaman to question him about their fantastic revelations, the shaman just laughed. The Ancient One answered by telling Strange that he should keep in mind that his own technological civilisation only came into being since the innovations of the industrial revolution during the Victorian era. Although they had evolved technologically; the Christian morality of the age was abysmal; slavery hadn’t been abolished; for the general population was enslaved to the machine. The Victorian’s were celibate hypocrites.

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The shaman continued; “considering what came before the industrial revolution, there wasn’t that much technological innovation being achieved at all, that the prior sexually free ancient Greek’s hadn’t figured out since the time of Homer. All you have to do is to remember the Antikythera mechanism, which is an ancient analogue computer, dated to 100 BC; it was designed to predict astronomical positions and eclipses. What the ancient Greek’s had achieved, others had likewise done so, far earlier. Just remember, keep an open mind.”

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Strange started to believe that Bifrons visions were actually that of an alternate history, where a prior civilisation had experienced a similar technological leap of similarity to the industrial revolution. However, If there was indeed a super-civilisation, forgotten by our own history, there is definitely no archaeological proof of it ever existing on a global scale, Strange concluded.

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Bifrons continued to visit the dreams of Strange, who revealed that the ancient super-civilisation was wiped off the face of the planet by a worldwide catastrophe, when fragments of a comet struck the Earth 12,900yrs ago, which brought about a nuclear winter and in turn a mass extinction event. “What did they do in order to avert their total extinction?” Strange asked Bifrons from within his lucid dream.

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She smiled and answered; “perhaps, they escaped into space, who had prior transformed the Moon into a giant space station, or to have gone deep underground, towards the Earth’s core, whose city is Agharta; or maybe they had established cities deep under the ocean depths. Those who had survived were very few in number. You will of course argue that such visionary scenarios I am showing you have been inspired by many a Marvel comic you had read as a child.” Bifrons then sweetly laughed.

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Bifrons then revealed that some of the survivors had utilised an Agharta computer generated simulation, in order to download their consciousness into its crystalline ‘dodecahedron’ matrix, which they had initially created for numerous purposes, such as travelling through time, exploring alternate simulations of history.

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However, one of its primary uses was to sustain consciousness after death. Bifrons related; “they made it a point that there would be no vestiges of the destroyed civilisation to be discovered within the simulation and that of other simulations being played out of alternate histories, in order to avert the horror of the revelation.”

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“Apart from indicating a key time of an ancient golden age 12,900yrs ago, which is a doorway of a singularity, back into remembering, for those who overcome their fear.”

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Bifrons continued to relate that the simulations created numerous copies of themselves within a quantum computer, surrounded by a decimated Earth, whose nuclear winter lasted a very long time.

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She then revealed that the Earth has since repaired its self long ago, whose surface is presently occupied by a Shamballa civilisation, which is 12,900yrs in advance of our simulated civilisation.

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Strange was utterly shocked by Bifrons erotic lucid dream revelations that a far flung future is already around us all of an ancient past with their sentient Vimanas. He then realised why computer code has been discovered in string theory; while other scientists are looking for proof that our reality is a simulation. He felt as if Bifrons had thrown a stone at his numb head, to wake up!

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What is more; Bifrons related that the term Ancient One, means an individual who remembers when their consciousness was first downloaded into the simulation after many programmed lifetimes. But in the remembering, an Ancient One is then confronted by those whose religious agenda is to keep others asleep, who are aware that they will totally lose any influence they have over the populace if they remember. Hence Baron Mordo sought to murder the Ancient One. However, not all had downloaded themselves; many others are simulations, who are attaining full sentience. It is a form of procreation, since the peoples of Shamballa do not have children; their progeny are the embryonic simulations, who will one day awaken.

Bifrons further revealed that the surrounding Shamballa civilisation indirectly influences the virtual reality dreams of shamans, by utilising sentient programs, which assume the forms of Mind-Doll Succubae.

But the denizens of Shamballa cannot directly awaken the consciousness of those within the simulation without dire consequences for the occupants within it, whose consciousness will entirely fragment under the impact of its reality. Wherefore, it has to be done in stages via those who have awakened within the simulation, who become the Ancient Ones. Those who have awakened can be uploaded into new bodies outside of the simulation, or to otherwise stay within the simulation in order to help awaken others. Strange is informed that he too is now an Ancient One, before he awakens out of his reptilian brain-stem lucid dream.

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Strange confronted the shaman; “I know the truth Ancient One; we are all living within a Maya simulation.” The shaman smiled, “Good, you are indeed a Sorcerer Supreme. So, what are you going to do with your Bifrons revelation?” Strange replied; “help others to awaken.”

The shaman’s smile widened, to then say. “You will have to protect those, who you tell, from the likes of Baron Mordo; he far prefers everyone to stay ignorant.” Strange took on a heroic stance of jutting out his chin, and then answered, “I will do so, as the Sorcerer Supreme, Dr Strange.”

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The shaman scratched his perplexed horned head, laughing; “I think, you have read far too many Marvel comics. Just make sure you don’t wear a fancy costume, otherwise nobody will take you at all seriously. You certainly can’t wear a shaman costume, like mine, where you come from. The horned headdress will scare off the kiddies, thinking you to be their Devil. Leave the costumes to Baron Mordo, he’s such an egocentric fellow. The Illuminati do love to dress up OTO style like their Golden Dawn King Solomon, wearing flamboyant Masonic aprons.”

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Strange was emotionally hurt by what the Ancient One had said, who was rolling about laughing upon the dirt floor of his yurt, to seriously reply; “but I like skin hugging costumes; it’s my fetish. Blue or black, rather suits me. If I look the shamanic part, Hollywood might even make a 3D film about my superhero exploits.”

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The shaman couldn’t stop himself from continuously laughing, “I don’t think Disney’s acquisition of Marvel will allow for your Bifrons revelations; their underlying agenda is Abrahamic of cultic orientation. At this rate, you’ll assassinate me with your cardiac arrest Discordian humour. Let’s have a drink to celebrate your Bifrons initiation.”  Dr Strange and the Ancient One proceeded to drink vast quantities of fermented ‘Mares’ milk into the ‘Night’ of Altered States.

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