Archive for voodoo

GHOST QUEEN, LADY DATURA

Posted in Chaos Magic, Demonology, Devil, Ghost, Lucid Dreaming, Occultism, Poltergeist, Shamanism, Sorcery, Succubus, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 22, 2015 by FAUSTUS CROW

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The Native American Chumash of the Southern coastal regions of California speak of a ghost woman called Momoy, who can either manifest as a very old crone looking like a Witch, or to otherwise appear as a ravishingly beautiful sorceress, of an ethereal appearance, whose visionary manifestation is that of a most wanton Succubus.

Momoy is the spirit of the Datura flower, specifically Datura meteliodes, but this name is actually a synonym of Datura inoxia, which is a Mexican plant, whose flower is narrower than its Datura stramonium counterpart, having ten teeth at its flower rim rather than five. In the US, it is sometimes called ‘Western Jimson weed’ because of its resemblance to Datura stramonium.

The Datura family is known for its potent hallucinogenic properties, which includes Datura stramonium; wherefore Momoy can be very dangerous indeed to the unwary, who has an intriguing link with the author Carlos Castaneda, whom spoke of partaking of Datura.

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Most people commonly associate Castaneda’s experiences of altered states of consciousness being induced by the scared plant, Peyote; but the principle plant he partook of was Datura, which played the primary role in his early experiences into other realities, being his famous and most often cited experience of shapeshifting into a Crow.

The connection with Momoy becomes far more apparent when Castaneda mentions that his Yaqui teacher into Toltec sorcery, Don Juan Matus, was not too fond of Datura, which he otherwise called Yerba del Diablo, the ‘Devil’s Weed.’ In the Castaneda’s narrative Don Juan Matus claimed that its nature was not unlike that of a most seductive woman, who is a powerful sorceress.

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Don Juan Matus related: “She (Datura) is as powerful as the best of ‘Allies,’ but there is something I personally don’t like about her. She distorts men. She gives them a taste of power too soon without fortifying their hearts and makes them domineering and unpredictable. She makes them weak in the middle of their great power.” 

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Datura inoxia, is considered to be the ‘younger sister’ of Datura stramonium by the Mixe tribe of Oaxaca in Mexico, who believe the stramonium plant houses a spirit called Ta:gamih, meaning, ‘Grandmother.’ She is usually called upon when divining cures.

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During a ritual the male practitioners  partake of 3×9= ‘twenty-seven’ seeds (note: twenty-seven reduces down to nine) and women use 3×7= ‘twenty-one’ seeds. In Mexico the Catholic church believes the plant was created by their Devil, and like Mephistopheles it entices people to make pacts with its spirit.

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Whereby you have the alternate name, Yerba del Diablo. Although, since the natives consider Datura to be feminine of quality you could alternatively see it as being a female version of Mephistopheles to otherwise name as Mephistophina.

You can thereby determine that Momoy has to be treated with great respect, which requires that the practitioner knows the correct proportions and careful ritualistic use of her powerful plant, otherwise she will most assuredly kill an unwary dabbler.

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It is said that if you drink the bathwater of Momoy, being that, of a tea made from the root of her plant it will enable a practitioner to contact a personal dream (Ally) helper, from whom requests can be made, as well as seeing ghosts. The dream (Ally) can be prior determined of a meditated upon two-dimensional image, in order to direct the conjured Datura visions of its three-dimensional manifestation.

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But, the subconscious will generate its own visionary material, which will formulate of intricate associative correspondences, like that of a tortuous dream; so, the practitioner has to be very careful about the imagery he chooses to meditate upon of a prior ritual. In other words, his beliefs will determine the nature of the Datura visions, more so those underlying beliefs and forgotten memories, he is totally unaware of; whereupon it is a case of, “know thyself, first.”

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That is why, as her Chumash tale relates, Momoy would not let her grandson drink of her essence, since ‘he did not know of the proper use of her power and its dosage,’ which of an overdose can lead to hellish insanity and his eventual demise.

The name of Momoy can also be found in the ancient tradition of the Bocon zone in the Merida State of Venezuela. However, Momoy is otherwise seen as small ghosts called Momoys, which are commonly depicted looking like bearded gnomes, wearing phallic hats, or in the same shape as the Datura flower. Although the image of the gnome depicts the shaman partaking of Datura, not the spirit its self. The gnome like figure is very likely derived from a European influence, since the natives do not have beards.

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The Momoy shamans are seen to be adept at contacting the feminine spirits living at the bottom of the lagoons, of similarity to what Don Juan Matus communicated about the inorganic feminine intelligence of the Allies, being associated with waterholes. The duty of the Momoy shamans is to look after the natural environment by interacting with the spirits, whose domain is the watery amniotic realm of uterine dreams.

The problem is that Momoy has since been taken out of her ritualistic context for mundane recreational use, whose unwary users should look into why Datura is called Jimson weed, or Jamestown weed in the US. The name stems from the town of Jamestown, Virginia, where British soldiers became drugged with it while attempting to suppress Bacon’s Rebellion.

They are reported to have spent eleven days going literally insane. You can thereby gather that Momoy should ‘Not’ be taken by those who are mentally unstable; for she can trigger off schizophrenia in those who are susceptible.

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Anglophone settlers in California often called Datura, ‘Indian whiskey’ because of its intoxicating ritual use by many tribes, which gave rise to the name, ‘Sacred Datura.’ Other common names include ‘Indian Apple’ and ‘Nightshade,’ (not to be confused with Solanum) Devil’s Trumpet, Stinkweed, Locoweed,  Pricklyburr, Devil’s Cucumber, Hell’s Bells, as well as Thorn Apple. The commonality of the names warn of an inherent danger that Datura can induce madness in the uninitiated; although, madness is often aligned with genius; suffice to say, lady Datura is quite crazy.

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The Tongva tribe call it Manit. Mexicans call stramonium and inoxia, Tolguacha, or Toloache, whose power will enable a practitioner to enter into the surrealist realities of their deep subconscious, which can be a cathartic experience.

The Maya of the Yucatan use the ‘Mehen xtoh-k’uh,’, in the same way as Datura inoxia. It has a long tradition of being used for conducting prophecies and oracles (similar to Brugmansia sanguinea). The Aztecs also used Thorn Apple, which they called Mixitl.

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Momoy has been partaken of by other aboriginal Americans across the Americas, such as the Algonquin, Cherokee, Marie Galente, and Luiseño, who also used this hallucinogenic plant in sacred ceremonies.

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The Canadian ethnobotanist Wade Davis, who authored the Serpent And The Rainbow, investigated the superb Haitian synthesis of African, Native American and European elder lore, which is called Vodou. Davis identified the usage of Datura stramonium, called ‘Concombre Zombi,’ as being a central ingredient for the concoction of a powder, Vodou priests use to create the Zombies, who are ruled over by Baron Samedhi, whose feminine counterpart is (Momoy) Maman Brigitte.

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The ingredient of the Zombie powder may actually be derived from another plant, which is colloquially known as Burundanga, or ‘The Devil’s Breath,’ in South America. Datura and the Devil’s Breath both contain the chemical called scopolamine. But the Devil’s Breath is far more potent, which is derived from a particular type of tree common to South America, called the ‘Borrachero’ tree, loosely translated as, the ‘get-you-drunk’ tree.

Like the Zombie powder, scopolamine can be blown into the face of a passer-by on the street, and within minutes, that person is under the drug’s effect; scopolamine is odourless and tasteless. The Nazi regime as well as the CIA used scopolamine as part of their interrogations, with the hope of using it like a truth serum; but it was untrustworthy due to the ensuing hallucinations it induced. You can then fathom that the Nazi scientists and in turn the CIA’s appropriation of the Nazi discoveries, were well aware of the Zombie powder, long before Davis investigated the ancient practices of Vodou.

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As for the use of Datura, it is also known of in Africa, such as Ethiopia, whose Debtrawoch (lay priests), use Datura stramonium to ‘open the mind’ to be more receptive to learning, and creative imaginative thinking, since it enables the practitioner to access hypnagogic trance; whereby to then dream, while awake.

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However, should the dream be a nightmare, the practitioner will not be free of its horrors, until the affects of Datura have subsided. The common name ‘Datura’ originates from the ancient Sanskrit word, Dhatura, meaning plant, which was used in ancient India, where the plant is considered to be particularly sacred.

Datura is believed to be the sacred plant of the Hindu God Shiva Nataraja; for via its use Shiva (the [shaman] Lord of Yoga) was therefore able to contact Kali, who is the (Momoy) queen of ghosts, the mother of the dead. (Shiva can be equated with the Vodou Loa, Baron Samedhi; whereby (Momoy) Maman Brigitte equates with Kali.)

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In the old world of Europe, Datura was associated with Witch ‘flying ointments’ (Castaneda flying as a Crow into [eternal recurrence] eternity) and various hex (hexagram/sexagram) rituals for the conjuring of spirits.

The seeds were also used as a narcotic ingredient in ritual beer. Gypsies used Datura ritually to banish as well as to attract ghosts, who are said to have known of the Thorn Apple for such ‘ritual’ practices, they were not conducted lightly; Datura is not to be partaken of for a bit of escapist fun; as mentioned prior, she is a dangerous lady.

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On the night of the 30th of November Gypsies would place the seeds of Thorn Apple outdoors; the next day they would then throw them into a fire. If the seeds cracked loudly, then the winter would be hard and dry.

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The seeds were also used for shamanistic divination rites; such as those conducted by Lapp shamans, which involved the placement of nine to twenty-one seeds upon a marked animal skin of a drum. The skin was then beaten so that the seeds would be vibrated to jump around and, depending on the position of the seeds (on or between the marked lines upon the drum skin) it was then divined, whether a sick person (man/9 or woman/21) would be cured or not.

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The number of the seeds is curious, which is similar to the dosage of the Mixe ritual for a man and a woman. But then Datura was originally brought to Mexico by the European colonists, some of whom no doubt remembered their pre-Christian (Momoy) heritage, since there is a similarity of ritualistic usage between cultures.

But, then again, Datura may have entered the new world long before the Conquistadors ever st foot in the Americas; whereas the oriental species was brought to Europe by the Scythian’s and later by the Gypsies. The plant is widely distributed throughout Eurasia, the Caspian Sea, Mexico, and the North American East coastal region. Overall, it does appear that Momoy has travelled far and wide as a ghost, housed within a plant, which be as her hallucinogenic body, her dangerous flesh.

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GOETIA GIRL OSE OF THE OUIJA BOARD ZOZO PHENOMENON

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 21, 2014 by FAUSTUS CROW

Ose is the fifty-seventh Succubus of the Goetia who is a Great President of the eighth dimensional planetary sphere. She rules over thirty legions of Succubae (other authors mentioned three legions; whereas the Pseudomonarchia Daemonum gives no number of legions). She makes her master wise in all liberal sciences and gives true remote viewing answers concerning divine and secret things via her seal of a spirit board. She also brings insanity to any person who afflicts her master with their malign maledictions, making them believe that they are the creature, or thing her master desires; or makes his enemies think they are pompously important wearing aristocratic crowns; though banker headless, they will spew judge-mental expletives, before becoming quite insane, thinking they be all knowing Guru’s, of a next Pope.

Ose at first manifests as a black Panther or as a Cat, but after a while she transforms of Triangle of Art vision into a beautiful woman, who is very much a Valkyrie due to her name, which is derived from fourth Norse Rune name, of ‘Os’, meaning mouth, as in to chant or sing of spell-casting.

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Wherefore, you can imagine Ose to be a singer of Runic songs, like that of a bird. The technique of using a song refers to the monotonous chanting of a (Mantra) by a shaman, which facilitates hypnagogic trance, of similarity to that of an Icaro.

An Icaro (or Ikaro) is a song sung in Shipibo healing ceremonies, or by Vegetalistas. The word Icaro is believed to be derived from the Quechua verb Ikaray, which means, “to blow smoke in order to heal”. Shipibo shamans relate that the spirits, particularly plant spirits, teach them their Icaros.

The Icaros are used to bring about the Mareación (the visionary effects of the Ayahuasca), take Mareación away, call in different plant spirits, call in the spirits of others, or the deceased, take away dark spirits and negative emotional energies, for protection and to manage the ceremony. Experienced shamans are able to recite hundreds of Icaros as well as knowing how to be Heyoka wise as a Crow or a Coyote Clown in order to overcome negative influences via contrary wise humour.

Icaros are either whistled or sung, as well as being expressed in any language. The shamans generally sing in a (language of the birds) spirit dialect, which is a mixture of their native language (i.e. Quechua, Shipibo-Conibo, Asháninka, etc.), Spanish, and different evocative sounds. Icaros represent a system of communication between the shaman and the spirits as well as the participants in the ceremony.

The shamans believe that every living thing has its own Icaro and that these icaros can be learned. The singing of Icaros is sometimes accompanied by the Chakapa, rattle of bundled leaves, which is used to carry the rhythm of the ceremony. The shaman will use his Chakapa to direct the emotional energy of the Icaros, as well as send away dark or unwanted emotional states.

Other spellings of Ose’s name are: Osé, Oze, Oso, Voso or Zoso and Zozo. The Rune of Os, is also that of the German word, Ose, which means eyelet, small hole, loop or noose. You also have the word, Oz, which is very likely derived from, Ose, and therefore, Os, being the title of L. Frank Baum’s Wizard of Oz. The word Oz specifically refers to the fourth Rune of Os, which is sacred to the shamanic deity of Odin; one of whose power animals is a mercurial Crow. Odin is described as having a singular eye, as in a (third eye) small hole of an eyelet, who is also the lord of the hanged; hence you have a loop of a noose.

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Wherefore, Ose is a (Dakini) Valkyrie Witch (Nightgaunt Succubus) daughter of Odin. Many of the Valkyries assume the shapeshift forms of birds, such as Crows as well as predatory felines and other animal forms, which of a Skinwalker power the Valkyries bestow upon a shaman to whom they are attached as his (Succubus/Spirit Wives) Allies, so that he can travel about in animal forms when to trance and lucid dream.

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The Crow is traditionally associated in occult lore with the planetary sphere of Saturn, whose sigil of lead leads you to the Zoso symbol from page 51 of an 1850 reprint of a 1521 French grimoire, entitled: Dragon Rouge and Poulet Noire (The Red Dragon and The Black Hen), which is also to be found on page 31 of Frinellan’s 1844 book Le Triple Vocabulaire Infernal Manuel du Demonomane. When to look into such works, just remember that during the 16th century, many a Witch was tortured, raped, beheaded, stoned, crucified, let alone being burnt at the stake by insane humans, whom be far worse than their Demonic archetypes, whose poisonous legacy has a repetitive tendency to rear its religious fundamentalist head again of a repeat.

So, it is entirely probable that there are indeed legions of angry ghosts who desire to return back their pain to those whom blindly dance around a three faced deity, whose Rabbis, Priests, Mullahs, and their numerous flocks tend to repeat their blind ways, since they act out a Bronze age script like programmed automatons. Whereby a follower of the Abrahamic faiths has to beware a spirit board, otherwise he or she will conjure up Munnin memories. A variation of the Zoso symbol also appears in Jerome Cardan’s 1557 grimoire, De rerum varietate (page 789 of this 1580 reprint). However the symbol reads, Oso, with what looks like a lightening streak, ‘Zorro,’ shaped sigil before Oso, being one of the alternate names of Ose; wherefore it is generally interpreted as Zoso, leading thence to Zozo.

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It just so happens that in the language of the Basque and (Haitain Vodou) Creole, Zozo (Zoso) is a name applied to a Crow, which is seen to be a ‘sacred fool’ of similarity to the Native American Heyoka clown of a Crow.

In other words Ose empowers a shaman to assume the Skinwalker shapeshift dream form of a Crow who is Avadhuta Monty Python contrary wise. You could cojecture that the Zozo phenomenon is an expression of the howling collective unconscious, which is seeking to initiate a rebellion against a religious brainwash of a viral-meme by creating an anti-viral-meme.

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The motif of hanging concerning Odin is not literal, it symbolically refers to the reptilian brainstem of the throat area having governance over hypnagogic trance ingress; whereas the loop of a noose is associated with the Ouroboros of eternal recurrence, being that of a ‘closed timelike curve’ symbolically represented by a (noose) Torc (Ouroboros) around the neck or that of a nine-fold ring. Ose can reveal the nature of eternal recurrence and that it repeats of a (Karmic) leaden repeat until it is transmuted into (Dharma) gold, which can be in part attained via a Heyoka understanding around a Runic Ouija board of Mantra conjuration.

This is more so the case, when to thereafter observe ensuing synchronistic phenomena. But, if you become far too exorcist serious, allowing your indoctrinated fears to overcome you, your own Inquisitional shadow of a leaden Abrahamic cult Demon will be duly reflected back at you of patriarchal Hell fire. Wherefore you will blindly play into the damned repeat of history as the numbered, where religious fundamentalism returns under the guise of the theocratic New World Order, whose all male pantheon of Angels, Demons, God and Devil will promptly upend your anus to possess.

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However, should you learn to laugh at your self, you will otherwise win a Discordian Pussy Daemon of an anarchistic Ose Ally, whom be a very feline Zozo Succubus.

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GOETIA GIRL KIMARIS, HAITIAN VOODOO QUEEN OF NEW ORLEANS

Posted in Addams Family, Chaos Magic, Cyberpunk, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 18, 2014 by FAUSTUS CROW

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Kimaris is the sixty-sixth Succubus of the Goetia, whose name is a composite of Ki, as in ‘Kia,’ and Maris. The word, Kia is derived from the language of the Kalahari Bushmen of South Africa, which is a term describing, trance.

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Whereas, Maris, is of the Latin, meaning, ‘of the sea,’ from the term Stella Maris, which refers to the Virgin Mary, the Sirius star of the sea, and the ocean of space, somewhat like the ancient Egyptian Goddess Nuit.

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Although, space in the context of Kimaris, refers to the amniotic astral ocean of inner space; hence her connection to trance.

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She is also known by the alternate names Cimeies, Cimejes and Cimeries, which could be construed as being misspellings of Kimaris.

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She manifests as a goodly Mambo riding a black ’58 Thunderbird; who may appear looking like the horror hostess, Elvira, wearing a black, gothic, revealing, cleavage-enhancing gown.

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Her wickedly vampish appearance is offset by her comical character, quirky and quick-witted personality, and Valley girl-type speech out of New Orleans.

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Or she may manifest as a female version of Baron Samedi, smoking a Cuban cigar. She possesses the abilities of locating lost or hidden treasures, teaching trivium (grammar, logic and rhetoric) as well as making her master into a powerful Houngan.

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It is said she carry her master over seas and rivers very quickly in her macabre Voodoo car, which symbolically refers to hypnagogic trance. She holds the rank of Marchioness, and is served by 20 legions of Succubae.

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Kimaris can be seen as being similar to, Maman Brigitte (Grann Brigitte, Manman, Manman Brigit, Manman Brijit) who is a death (trance) lwa and the female counterpart of Baron Samedi of the Vodou pantheon.

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She has a liking for drinking rum infused with hot peppers, whose power animal is a black Rooster. Although, Kimaris probably has a Dog as her psychopomp familiar called Sirius, or Gonk.

Like Samedi and the Guédé, Brigitte has a wicked sense of Discordian humour, which tends to be liberally peppered with outrageous sexual innuendos and various hilarious obscenities.

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The over the top Monty Python humour of Brigitte, Samedi and the spirit family of the Guédé’s is utilised to remind you not to take yourself too seriously, as well as making wiry social comments about the insanity of those in power.

For example Maman Brigitte would have exposed her right breast at a Super Bowl XXXVIII, which was broadcast live on February 1, 2004 from Houston, Texas on the CBS television network in the United States, just like Janet Jackson did.

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She might even say: “It’s truly embarrassing for me to know that 90 million people saw my breast, and then to see it blown up on the Internet the size of a computer screen …” “But there are ‘much worse things in the world,’ and for this to be such a ‘focus,’ I don’t understand.”

HOUSTON

It just so happens, while Jackson’s exposed Entartete Kunst breast shocked hypocritical church, synagogue and mosque leaders, along with whoring politicians, whom raged and frothed at the mouth, demanding an immediate crackdown, and widespread debate on Elvira indecency in broadcasting, there was an inquiry into the failure to find WMD’s in Iraq, which damaged the credibility of the US and Britain.

However, the general public had been otherwise whipped up to be far more concerned about Jackson’s baby feeder breast, of perceived pornography, than to be worried about the pornography of a war raging in Iraq. When you see the joke, you have to laugh, otherwise you will go quite mad.

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The humour of the Guédé’s is also utilised to offset a morose state of mind, which tends to afflict those whom explore the arena of the occult, which is primarily due to their dogmatic attitude of an indoctrinated religious sentiment.

The comical antics of the Guédé’s entered upon the worldwide stage, when they influenced the dark humour of the 1960’s sitcoms of The Addams Family and The Munsters, whose characters are akin to the Guédés.

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As a New World lwa, Maman Brigitte is syncretized with various saints, including: Saint Brigid, and Mary Magdalene who protects gravestones in cemeteries if they are properly marked with a ‘solar’ cross. Brigitte originally comes from pre-Christian pagan Britain of a Woad skinned Cimmerian.

Her name originates from Brigid, the Celtic ‘triple goddess’ of light, poetry, smithcraft, and healing. It is very likely that Brigitte entered into Haiti when pagan Europeans were fleeing the persecution of their elder faith by the inquisitional church, during the genocide of the Witch burning era.

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Brigitte’s origins is revealed by a Creole song, which is chanted in ceremonies: “Maman Brigitte, li soti nan anglete;” when translated is: “Maman Brigitte, she comes from England…”.

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Maman Brigitte is presently seen to be the wife of Baron Samedi, who is the Master of the Cemetery and chief of all the departed ancestors, who are collectively known as lwa Guédé. Hence Kimaris is described in the Goetia, ruling over the spirits of Africa; but as Brigitte she rules over the spirits of Europe as well; suffice to say, she has no time for racists. The connection between Brigitte and Samedi indicates a wedding of a sublime synthesis between the European and African pre-Christian elder faiths.

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It is traditional that the grave of the first woman buried in any cemetery in Haiti is consecrated to Maman Brigitte, upon which her ceremonial cross is erected. She is then invoked to ‘raise the dead,’ in order to cure and save those who are afflicted with a deathly illness caused by malign maledictions. Below is a song about Maman Brigitte sung in Vodou healing ceremonies in Haitian Creole:

“Mesye la kwa avanse pou l we yo! Maman Brigitte malad, li kouche sou do, Pawol anpil pa leve le mo (les morts, Fr.) Mare tet ou, mare vant ou, mare ren ou, Yo prale we ki jan yap met a jenou.” 

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English translation: “Gentlemen of the cross (deceased ancestors) advance for her to see them! Maman Brigitte is sick, she lies down on her back, A lot of talk won’t raise the dead, Tie up your head, tie up your belly, tie up your kidneys, They will see how they will get down on their knees.”

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The healing chant can be interpreted as meaning, “tie up your belly, ‘gird up your loins’ to prepare for the strain of the ritual, we will make the people who did this evil spell get down on their knees to beg pardon and receive their punishment.”

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The primordial practices of Haitian Vodou appears to be quite separate from the high tech futuristic world of cold cybernetics. However, the Cyberpunk author William Gibson sought to forge a Neuromancer bridge between these apparently separate realities in his novel Count Zero. The principle character of the novel is a hacker extraordinaire, going by the name Bobby Newmark, whose handle is Count Zero. Newmark encounters an artificial intelligence on one of his jaunts into the virtual realities of cyberspace, which manifests as a woman, surrounded by wind and stars who saves him from flatlining.

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Newmark does not why he had encountered the woman on the net, or why she had saved him from certain… death. Newmark’s journeying into cyberspace is none too different to that of a shaman attaining trance ingress into a lucid dream.

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Further on into Gibson’s mythic work of synthesis, we meet up with the mysterious girl, Angie Mitchell, whose head has been rewired with a neural network, which enables her to channel entities from out of Cyberspace without a deck, who is in essence, possessed, like a medium communing with the realm of the dead.

Newmark eventually meets Beauvoir, who is a member of a Vodou cyber sect, whom relates that in cyberspace the entity he actually met was Erzulie, and that he is now a favourite of Legba, the lord of communication. Erzulie is a lwa of love and sexuality, you can also fuse with Kimaris, since sex (1) and death (0) become one in superimposition state orgasmic trance.

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Erzulie’s full title is Erzulie Freda Dahomey. The name of, Freda is derived from the Norse Goddess of sexual love and Witchcraft called, Freyja, mistress of Cats, the Saxon’s knew as, Freo.

Catwoman Freyja is also a Goddess of the dead, who has similarities with the Celtic Goddess Brigid.

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Freyja’s male counterpart is the shamanic deity called Odin, the Saxon’s knew as Woden. Odin is seen to be very much akin to the ancient Greek shamanic deity called Hermes, who is the lord of communication; whereby similar to the African lwa Legba.

Odin is also the lord of the dead, who has similarities to Baron Samedi. Although, another lwa called Papa Ghede, who is similar to Baron Samedi wears spectacles with one lens missing, which appears to refer to Odin having a singular eye. In other words, the Northern European deities have been assimilated by African Vodou, which has led to a superb cross-cultural symbolic synthesis.

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Beauvoir explains to Newmark that Vodou is the perfect spiritual paradigm for this era, because it is pragmatic – “It isn’t about salvation or transcendence. What it’s about is getting things done .”

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Gibson’s book intuitively grasps that there is a need for a symbolic interface with the coming cybernetic technologies of virtual reality systems, which leads the reader into the organic symbolism of Haitian/New Orleans Voudou.

As a fan of jazz and other urban music, which Gibson knows is heavily influenced by African rhythms, he instinctively found a symbolic interface, which had the necessary fluidity to evolve alongside an ever evolving technology, whereby allowing the user to not forget their humanity in the process.

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There are many intriguing associations, which Gibson had discovered between the African-descended spiritual system of Vodou and an emerging high-tech future of cybernetics; these associations are shamanic of orientation. But, what do you expect, shamanism is all about altered states of consciousness, which requires you to have an in depth understanding of your own neurology. Gibson is tapping into the zeitgeist concerning the coming singularity, which fuses cybernetics with the science of neurology. Though at first seemingly unrelated, Gibson sees the synthesis of Vodou as providing us with one of the hidden keys to the Matrix, which is the need for a symbolic language form to be used by a virtual reality interface with the machine; this is in essence none too different to the symbolic language form of the dream.

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Kimaris empowers shamanic trance ingress into the amniotic astral ocean of inner space, which is technologically mirrored by Cyberspace, where a sorcerer can conjure the Succubae into his lucid dreams, who are all as sentient programs; with whom he can thence engage himself with, within their virtual reality dream worlds.

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Kimaris may make you wonder if the singularity has already occurred and that you are existing within a vast computer simulation.

When you come to this realisation, you might just hear Livivng Dead Girl Kimaris purring into your left ear of clairaudience, reminding you of a Schrödinger feline, along with smelling a waft of cigar smoke, mixed with the aroma of rum.

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VOODOO GIRL BARBIE DOLL

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Spirit Dolls have been used by many ancient cultures over the centuries as vessels for their respective deities.

Some of these Spirit Dolls are quite basic of construction or otherwise that of most elaborate works of sculptural art.

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In Sorcery practice, the ‘doll’ is used as a meditational tool in order to introvert its symbolic meaning into the subconscious mind of the Sorcerer.

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When the associated symbolism of the doll is recognised within the dream, the Sorcerer may attain a lucid state of awareness.

Whereby he is then able to conjure a Succubus who is associated with the prior focus of his meditation upon the doll.

The conjured Succubus within the dream is not only seen to be associated with the doll, but it thereby becomes her spirit repository of an abode, like that of the Genies Lamp or Bottle.

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The Spirit Doll is also utilised for healing and for love magic as well as being used for other less than savoury purposes should the doll be seen to represent an actual person.

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