Archive for Viking

SKULL AND CROSSBONES SOCIETY OF THE SEVENTH RUNE

Posted in Chaos Magic, Conspiracy Theory, Occultism, Sex Magic, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 30, 2015 by FAUSTUS CROW

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The symbol of the Skull and Crossbones conjures up images of Caribbean Pirates hunting the ‘seven’ seas for plunder, just like their Viking and Saxon forebears, seeking out buried treasure to unearth of daring X-File adventure, let alone that of horned carousing with buxom wenches amidst X-certificate taverns, when to have robbed Conquistador Rome of its Amerindian gold.

But the symbol of the Skull and Crossbones and the associated symbolism of the crossed keys is also utilised by shadowy others, who have acquired the skull of a legendary Apache warrior to place upon an ‘X,’ of genocide marking out their slaughtering dominance over the land of buried native bones.

Since the times of the cross keyed Conquistadors the Apache have fought for their land; the most famous Apache is Geronimo, (June 1829 – February 17, 1909) who was a prominent leader of the Bedonkohe Apache. He made war against the might of Mexico, as well as Arizona’s expansionism into Apache tribal lands for several decades during the Apache Wars. The name of Geronimo was given to him during a battle with Mexican soldiers; whereas Geronimo’s Chiricahua name is often rendered in English as Goyathlay or Goyahkla.

Geronimo has since become inextricably linked with the Skull and Crossbones Society at Yale university, which is one of the most elitist secret societies in America, whose society has set up presidents and other powerful figures, such as presidents George W. Bush and his father, George H. W. Bush, as well as Massachusetts Sen. John Kerry and many other men in powerful government and industry positions, who are all members of the society.

Geronimo, died in 1909 after two decades being a prisoner of war at Fort Sill, Okla, where he met his eventual demise. Nine years after Geronimo’s death, Skull and Crossbones members who had been stationed at the army outpost dug up the Geronimo’s grave and stole his skull, including other remains and personal relics. They then took the skull of Geronimo as a trophy for the society’s clubhouse situated in the Skull and Bones Tomb at Yale.

Legend also has it that the grave-robbers included Prescott Bush, father of George H.W. and grandfather of George W.

On the hundredth anniversary of Geronimo’s passing, the descendants of  Geronio sued the Skull and Crossbones Society at Yale University for the return of his remains. Geronimo’s great-grandson Harlyn Geronimo said his family strongly believes that Skull and Crossbones members had stolen his ancestor’s remains in 1918 from a burial plot in Fort Sill, Okla, to keep in its New Haven clubhouse when WWI came to an end.

“I want them to understand we mean business,” said Harlyn Geronimo, who lives in New Mexico. “We’re very serious. We’re tired of waiting and we’re coming after them.”

The lawsuit also named President Barack Obama, Defence Secretary Robert Gates and Army Secretary Pete Geren as defendants.

“I believe strongly from my heart that his spirit was never released,” Harlyn Geronimo said.

Others believe that the grave-robbing is just a conspiracy myth, a mere hoax perpetuated by Yale viral-meme Creepypasta merchants; but if it is a myth, it indicates total disrespect meted out to the indigenous peoples. However, it has gained some validity with the discovery of a letter from a club member who described the theft, just as the US practice of eugenics, which inspired the right-wing Christian Nazis has been revealed to be all too true.

There is a letter, which was sent to F. Trubee Davison by Winter Mead, who said that Geronimo’s skull and other remains were taken from the leader’s burial site, along with several pieces of tack for a horse.

“The skull of the worthy Geronimo the Terrible, exhumed from its tomb at Fort Sill by your club and Knight Haffuer, is now safe inside the T — together with is well worn femurs, bit and saddle horn,” Mead wrote.

The controversy doesn’t end there, the United States military used the code name of Geronimo for the raid, which supposedly killed the al-Qaida leader Osama bin Laden in 2011; but its use outraged the Native Americans. It was subsequently referred to as, Operation Neptune’s Spear. Harlyn, said to the Senate Commission on Indian Affairs:

“Use of ‘Geronimo’ in the raid that killed Bin Laden either was an outrageous insult or mistake. And it is clear from the military records released that the name Geronimo was used at times by military personnel involved for both the military operation and for Osama Bin Laden himself.”

The choice of evocative names is never a mistake, including the usage of certain symbols, such as the Skull and Crossbones, nor the acquisition of Geronimo’s skull, but how the symbolism is interpreted is another matter.

The symbol of the Skull and Crossbones is said to have originated from the symbolism of the Danse Macabre, which is an artistic genre of late-medieval allegory on the universality of death; no matter one’s station in life, the dance of death unites all.

The Crossbones is also associated with the symbolism of the ‘crossed keys’ of ecclesiastical heraldry, papal coats of arms (those of individual popes) and those of the Holy See and Vatican City State. All of which include an image of crossed keys representing the metaphorical keys of the office of Saint Peter, the keys of heaven, or the keys of the kingdom of Heaven, according to the Roman Catholic teaching of the Conquistadors.

The Danse Macabre originally alluded to the trance-dance, the experience of trance was seen as the little death, which allowed conscious ingress into the land of the dead, symbolised as the skull. The crossbones refers to a Norse/Saxon Rune, being the ‘seventh’ Rune of (Gyfu) Gebo, which looks like an, ‘X.’

There are twenty-four Norse Runes, which are of similarity to the Runes of the Saxon’s and the Olkhon Runes of Siberia. These Runes were seen to be etched along the shaft of a spear (trisula) called Gungnir, which was wielded by the Norse shamanic deity named Odin, the Saxon’s knew as Woden, who wore a patch over one eye.

The seventh Rune of Gebo means, self sacrifice; for you sacrifice yourself when accessing trance. As you access trance, you will experience great terror, since your body will instinctively react that it is dying. The terror of trance was negated by introverting the sexual impulse.

A heterosexual male practitioner would focus upon contacting a female (Valkyrie/Succubus) spirit, so that the terror was transformed into an ecstatic (heavenly) union; wherefore the seventh Rune is also commonly associated with sex magic. The crossed keys being phallic of symbolism, whereas the lock represents the ‘Vesica-Pisces’ vaginal doorway into heaven.

The seventh Rune of Gebo, equates with the English letter of ‘G,’ which is also utilised in Freemasonry. The Skull and Crossbones Society uses the numbers 322 in league with its Skull and Crossbones, which on a mundane level refers to the demise of Aristotle in 322 BC. Aristotle placed great emphasis upon politics, in which he expounded his view on the naturalness of the city and his claim that man is a political animal by nature, as for woman, she knows how to ride the Alpha-male beast.

At another level, when you employ numerology, 322 is reduced down to the single digit of seven, which again refers to the seventh Rune of Gebo. It is commonly believed that the Skull and Crossbones had developed into its familiar form by the 15th century; however, the seventh ‘X’ Rune of Gebo indicates that it is far older.

The Skull and Crossbones is often used in military flags or insignia, expressing the recklessness or ferocity of a unit displaying it; this recklessness actually alludes to the ecstatic fury of trance, which is that of self-sacrifice upon the battlefield of life; whereupon you have the association with Geronimo who was a fearsome Apache warrior, whose people knew all about the power of trance, when the inner fire illuminates your skull.

Since at least the 15th century the Skull and Crossbones becomes associated with piracy, which is especially the case during the 18th century, whose Pirates, when displaying the flag were indicating they bore no allegiance to any country and ruling elite.

Unlike many of the monarchy ridden Western societies at the time, most Caribbean Pirate crews of European descent operated as limited democracies. Pirate communities were the first to instate a system of checks and balances similar to the democratic system, which is supposedly used by the present-day United States and many other countries. The first record of such a government aboard a Pirate sloop dates back to the 17th century, some would construe it as being a form of Freemasonry.

Pirates were operating in Connecticut during the 18th century, sailing through Long Island Sound who were supposedly burying their treasure all over the place. Pirates were welcomed in Connecticut, they were not feared by the merchants of the shoreline communities, such as New London and New Haven. The seamen who became known as Pirates were generally considered to be black-market traders, whose practice was seen to be a necessary evil by the local economy due to British trade restrictions, which the colonists believed to be unfair.

It is very unlikely that the Skull and Crossbones members are into the covered associations concerning the employed symbolism, apart from being aware of Aristotle’s demise to remember; for he is an influential spectre of an elitist Yale of a Hogwarts. Like most rich kids, they take the utter total piss. All you have to do is to look at Francis Dashwood wannabe David Cameron getting bestial fresh with a Pig, snorting cocaine and smoking pot, of Hell Fire Club University shenanigans, who then sees it as his holier than thou duty to make the rich even richer, at the expense of the poor. Well, what do you expect, his family fortune was originally derived from owning, buying and selling slaves.

Little wonder then that many people see pirates as folk heroes, whether fictional or real; since the Pirates rebelled against the ancestors of these bloated hypocrites, who have inherited their inbred family-blood money and a passed down feudal influence, of an illusory construct of gangster power, which would no doubt aggravate Aristotle’s vision of a hierarchal utopia. They have no claim on being anti-establishment Pirates just as the so called Bohemian’s of Bohemian Grove are not, and never were Bohemian, let alone being David Icke’s reptilians; they are just inane gangsters.

The situation concerning Geronimo’s stolen skull is a Puritan continuance of their founding father’s perceived superiority over the stolen land, which was and still is seen to be their new Israel.

The unseen conspiracy is that so many have been indoctrinated into the ancestral-self-identity of the Hebrew’s, which of a religious construct had been appropriated by Rome’s Empire.

So, if you are into a triad of secret societies to unearth of an Illuminati three faced deity, look to every big-business synagogue, church and mosque of a trinity, whose rabbis, priests and mullahs dance a triangle around their tax-exempt eye of Abraham atop of a petrodollar Ur ziggurat, situated in oily Iraq.

Their establishments have been around for a very long time, and all three work to a shared script, from which they do not Banker deviate of an endgame New World Order theocracy, and what is more, their numerous minions blindly perpetuate it down the generations, without even realising what they are doing.

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Should you singular-eye seer the truth of it, you may just then decide to become an anti-establishment Bohemian Pirate, wearing an Odinic eye patch, to start up your own Brethren Of The Coast society, honouring Geronimo’s sacrifice; at least you will be a real Pirate wielding Neptune’s spear, to otherwise name Gungnir!

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GHOST GIRLS OF EASTERN EUROPEAN SHAMANISM

Posted in Alien, Chaos Magic, Demon, Demonology, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 31, 2015 by FAUSTUS CROW

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Rusalki, ‘plural: Rusalka was perceived as a female Ghost, Water Nymph, Succubus or Mermaid of an Inorganic Feminine Intelligence, who often dwelled in a waterway.

According to most pre-Christian Slavic traditions of Eastern Europe, the Rusalki ghost girls were usually seen as being of an amphibious nature, which indicates reptilian characteristics.

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The Rusalki ghost girls primarily live at the bottom of torque whirlpools, which is somewhat reminiscent of what the Yaqui Sorcerer called Don Juan told the author Carlos Castaneda about the Inorganic Feminine Intelligence called the Allies, which also frequents whirlpools.

A salacious Rusalka was seen to stalk the depths of the humid night as a ghost, walking upon the river bank naked or to dance amidst the meadows sky-clad. Should a Rusalka see a handsome male, she would mercilessly hunt him down, fascinating her quarry with erotic songs filling his head.

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He would also be tormented by visions of the Rusalka ghost girl sensually dancing before him, so that to mesmerise her prey, leading him away towards the river floor, to live with her; that, or she to haunt his watery astral dreams wherever he goes, such as haunting Faustus Crow as Mephistophina.

There are are also Russian folktales concerning the Rusalki, which have parallels with the Germanic Nix, Irish Banshee and the Glaistig; but most especially in regards to the Hindu/Tantric female faerie sorceresses called Dakini’s, who are also known by the Tibetan Buddhist as Khadomah.

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Visual descriptions of the Rusalki reflect their environment, varying in form from region to region, wherein to find Rusalki of fertile areas such as in Belorussia manifesting as seductively beautiful naked maidens who live without men amidst them.

However, In Greater Russia, whose environment is much harsher, the Rusalki appear as lithe gymnastic Scythian Amazons of warrior predilection. But then, they are a fusion between the Valkyries of the (Rus) Vikings and the female spirits of Slavic elder lore.

While in the Ukraine they were often linked to water. In Northern Russia, the Rusalki manifest as hideous hags, who are very hairy wild-women; whereas others of this region describe the Rusalki as being sinfully wicked young ghost girls, who manifest as very attractive Ice maidens of carnally perverse wanton wiles, with wild dishevelled hair.

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One folklorist discovered tales, which described the Rusalki ghost girls as being similar to Vampires: “They were naked, wan, and cadaverous, like drowned corpses, and their eyes shone with evil green fire.” (Johnson, Kenneth. Slavic Sorcery: Shamanic Journey of Initiation. St. Paul, MN: Llewellyn Publications, 1998: page: 155)

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The Vampire aspect of the Rusalki ghost girls is very much like the nature of the Viking (Rus) Valkyries who, as death angels, are attracted to conflict; they can either protect a warrior from harm, or determine his fate in battle.

The Rusalki ghost girls are usually perceived as beautiful fish-women or as Mermaids who are commonly portrayed in Slavic folk-art and fairytales as stunningly seductive creatures, whose beauty is unrivalled by any mortal woman.

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Another folklorist related: “In her outward appearance, the Rusalka matched the natural beauty amid which she lived. Her fair tresses flowing in an eddying endless stream, her fine features framing her fathomless eyes; simply to see her was to ache with desire.” (Phillips, Charles. “Spirit Masters and Little Demons.” Forests of the Vampire: Slavic Myth. Myth and Mankind Ser. Amsterdam: Time-Life Books, 1999: pages: 58-77.)

While other informants describe the Rusalki as: “their faces are pale like the moon, and they wear robes of mist or green leaves, or perhaps a white robe without a belt. Their hair is green, or brown, decorated with flowers” (Johnson 155). The ethereal beauty of the Rusalki can only be tarnished by the windows to their inner beings, which are as their spiral eyes, of gold flecked green flame, telling of their tragic beginnings.

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The Rusalki ghost girls are most commonly perceived to be the spirits of young women who have met their dire fate by drowning in deep waters, whether by accident, suicide or by malicious intent, or to have been murdered by their own mothers. However, the motif of ‘drowning’ may actually allude to trance Induction of which the feminine is most adept at. The Rusalki have since been transformed into aliens emanating from another dimension, or to have otherwise descended from the starry ocean of the cosmos as blond haired Vril Angels, who are mistakenly described as being Nordics extraterrestrials. But then as Tesla Muses, they did beat the Operation Paperclip ‘Nazi Assisted Space Agency’ to get into space.

“Belief in them is most widely spread among the Russian’s (the Christian practitioners of Dvoeverie), who hold that they are children who have died un-baptised, or have been drowned or suffocated, or else that they are girls and young wives who have met an unnatural death, or have been cursed by their parents” (Máchel, Jan. “Slavic Mythology” The Mythology of All Races. Vol. 3. Celtic & Slavic. Eds. Louis Herbert Gray and Consult. Ed. George Foot Moore. Boston: Marshall Jones Co., 1916: 13 vols: pages: 214-312.)

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These ghosts of drowned girls are perceived to spend some time in a purgatorial limbo state before becoming a Rusalki, as if to allude to an Initiatory period of training. During this time of Initiation the young Rusalki are known by the Russian as a Navki, or in Polish as Látawci Navki who are reputed to appear in the form of birds, which cry out wailing cries like forlorn infants. The Navki continuously comb the countryside in search of their former mothers, who would be quite shocked by what their daughters are becoming of a Pussy-Riot rebel generation. But what do you expect; there be a commonality of Playgirl Grimoires listing butch ‘Animus’ Angels and Demons; whereas Playboy Grimoires are not to be found of conjuring the ‘Anima’ manifestations of the Succubae Rusalka, such as the one time Succubus, named Astarte, who be otherwise known as Astaroth.

The young Navki ghost girls are usually seen to be rejected by the mother Church of Rome, whose patriarchs greatly fear them with deep dread, due to their malign reputation of jealously attacking those Christian women who are said to be close to the time of childbirth. Although this has more to do with attempting to stop a child from being brainwashed into the appropriated ancestral-self-identity of another people, whose cultural construct of a Abrahamic religion had been stolen by Rome.

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The initiatory period of wandering for these angry ghosts of the Navki lasts for seven long years, which seems to indicate an elder tradition of training young girls by some form of ancient matriarchal religion. The chosen girls were no doubt highly adept at trance (drowning) induction, who left their natural mothers in order to be trained. However, those of a Christian disposition perceive the Navki as begging anyone of the Abrahamic monotheist faiths, who will listen to their sad ghost tale, to baptize them. But if the Navki cannot find a Christian cultist to take pity on their wailing voices, to utter Biblical prayers, they are doomed to spend the rest of their days as Pagan (Succubae) Rusalki. As rebellious Pussy-Riot Rusalki, their predatory nature is to seek out Alpha males with one time Order Of The Dracul fast horses to that of Illuminati sports cars, both of which denote big Vatican wallets to suck dry.

It is those quiet spots out of the way ‘power-places’ along woodland brooks and rivers where the Rusalki are seen to live, who also deeply dwell within the bottom of still lakes and ponds, or under the continual turbulence of sharp rapids. There are certain times under stars, revolving as a Zodiac clock, when they eventually emerge from out of their underwater world. The Rusalki are then found to be sitting upon their shores near ‘spiral’ engraved standing stones. Or to be otherwise found perching within sanctified ritual world-trees of prayer offerings, wearing nothing but feathered cloaks, where the Rusalki attempt to, “attract young people by imitating the crying of infants or laughing, giggling, and clapping their hands.” (Máchel: 253).

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Many of the Eastern European folk stories describe the Rusalki realm of their underwater Harem abode as, “a place of entrancing beauty, its vast marbled chambers hung with crystal chandeliers, its walls and floors set with gold and precious stones.” (Phillips, Charles. “Spirit Masters and Little Demons.” Forests of the Vampire: Slavic Myth. Myth and Mankind Ser. Amsterdam: Time-Life Books, 1999: pages: 58-77.)

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But as beautiful as these underwater dream Harems of trance realm be, the amphibious Rusalki between and betwixt realities yearn to return to the land when summer approaches whereby, “the waters are warmed by the rays of the life-giving light, they have to return to the trees, the houses of the dead.” (Johnson: 155).

The Rusalki ghost girls were believed to be at their most sexually dangerous during the Rusalye, Rusaliia ‘Rusalki Week’ of early June for at this time, they to have left their watery uterine depths so that to seductively swing upon branches of sacred Birch of forest and Willow trees, near waters at night, chanting out their hypnotic Spell-formulae. The honouring of the Rusalki’s sacred tree is usually that of the Birch.

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The Slavic peoples of pre-Christian Eastern Europe used to believe that trees are highly evolved beings, which are far more connected to humans than other plants and animals. This belief is not too dissimilar to the ancient Celtic perspective of sacred trees. The Birch tree is one of the primary holy trees of the Siberian Shaman, which is perceived to be the ‘World-Tree.’ The Birch tree, in particular, is seen as being, “the locus for the coming together of the living and the dead, the communion of animal, plant and human life.” (Hubbs, Joanna. Mother Russia: The Feminine Myth in Russian Culture. Bloomington: Indiana UP, 1988: page: 33).

During Rusalki Week of partying, Birch Trees are usually decorated with flowers and other offerings such as prayer bundles, where they stand naturally, or branches of the tree may be brought into the home to be made into birch-garlands. Other village communities have been known to send young men into their local forest to fell a Birch, “which the girls dressed in women’s robes decorated with bright ribbons and pieces of cloth.” (Johnson: 157).

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The Birch tree was then duly carried into the village, while songs were sung over it and the arrival of the Birch into the village was heralded by a ritual meal. This sacred effigy of the Birch was then erected in a specially made ritual house at the centre of the village, where she presided over the week’s festivities as a deity. This ritual is reminiscent of another Russian deity and powerful Sorceress called Baba-Yaga of a similar type to that of the Scottish Highlands, Cailleacch Bheur, whose nature is akin to Hindu Kali who lives in a ‘hut’, which stands on Bird legs amidst a Birch tree forest; whereby the Rusalki are as her faerie sorceresses.

Swimming during this week was strictly forbidden especially to for pubescent young girls and boys just entering maturity, lest Mermaids would drag the girls down to the river floor to make like themselves; while the boys are seduced by wet dream torments. Some folklorists have noted that the word Rusalka originally referred to the dances of girls at Whitsuntide. The word is conjectured to have been derived from the Greek, and that of ‘Rosalia’, the Latin term for Whitsuntide week, which originally meant ‘the festival of Roses’.

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The Rusalki ghost girls are seen to spend their time combing their long luxurious braided hair, where their power to be, playing amongst themselves, dancing circles to lure female seekers to their little deaths, drowning into trance so that to initiate them into their arcane pre-Christian mysteries, while the men they to seduce.

The Rusalki are also known for being spinners of webs, who hang the results of their labours within sacred trees, or to draw spirals upon banks near flowing waters, where anyone passing should be wary of stepping upon. The Rusalki are also known for being the spinners of ‘time’ and that of your fate, who possess the power to affect the lives of local inhabitants, they, “decided who died and who would be reborn, who prospered and who perished, who married and who would be barren.” (Hubbs: 33).

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The Amphibious natured Navki and Rusalki ghost girls are in essence a folktale memory of ancient priestesses of a matriarchal Religion, who were adept at trance (drowning) Induction. The Rusalki were very likely female Shamans due to their close proximity with other North-Central Asian Shamanistic traditions such as those found in Siberia. The coming of Christianity could not handle the elder focus upon a ‘feminine Inorganic Intelligence;’ but most especially in regards to the predatory sexual orientation of an alternate Grimoire listing Succubae, which made the Christian priests to go around Cross-legged, fearing that their manhood would be enticed into a deep moist Slavic maw, forever hungering of an all female Goetia.

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VALKYRIE SHIELD MAIDENS RIDING A RUSSIAN UFO

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 8, 2015 by FAUSTUS CROW

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The Valkyries of Norse mythology are described as being the handmaidens of the shaman God Odin, whose name is very likely derived from the Altaic fire spirit called Odqan. The name of Odqan means, fire king: Od, being fire, which is symbolic of ecstasy; this altered state of consciousness induces an experience of an inner light or fire within the head of the Qan/Khan/King, shaman. This is also communicated by the name of Odin, which means Od: ecstasy/light, In: master, whose shaman character, riding an eight-legged-Night-Mare called, Sleipnir, later influenced the creation of Doctor Who riding his TARDIS.

The inner fire is associated with the Valkyries, who also have a symbolic affinity with horses. The Valkyries are very similar of nature to the Tibetan Buddhist (Succubae) Dakinis; wherefore some Siberian shamans describe their (Succubus) spirit wives as being Valkyries, since their culture had been in part influenced by the Viking Rus, who had made their exploratory way into the far North; whereby their title of the Rus, eventually gave rise to the name of Russia.

However, going by the Norse name of Odin, which means the same as Odqan, it appears that the Vikings were returning back to the mythic birthplace of their deity, who was essentially a deified shaman from the Altai region of Siberia.

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Some of the UFO fraternity may see Odin as being an alien, who was around when the frost giants succumbed to a great flood, during an interstellar conflict. Although you could otherwise imaginatively conjecture that he might have been a wise elder who was privy to a technology of a lost civilisation, which may have experienced its own industrial revolution.

Said civilisation was eventually wiped out by a comet striking North America, around the time of the last Ice Age, when the giant mammals disappeared off the face of the Earth.

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As for Odin’s female counterpart, she was the Goddess of sexual love called Freyja, who is also described as being the mistress of the Valkyries and Witchcraft (shamanism) as well as Cats. She is depicted in a medieval wall painting found in Schleswig cathedral in Germany riding what looks to be a Siberian Tiger.

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She is also shown alongside an image of the Goddess Frigg riding a broomstick in the same cathedral. Freyja’s Valkyries are also described as being ‘shield maidens,’ since they offered (Amazon) protection to chosen (shaman) heroes, which is also tied up with the Northern European tradition of women making the shields for their warrior men folk; whether this was literally the case, or being primarily symbolic, is a case of conjecture.

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There does seem to be a connection between the Norse myths and Siberia, which is summed up by the mythic descriptions of Odin, who is very much akin to a Siberian shaman; this is especially the case concerning the Altai.

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When looking at the Altai region of Siberia, its influence was far reaching; for example, an archaeological expedition of Novokuznetskiy pedagogical institution discovered a burial mound in the Tashtagolsky district of the Kuznetsk basin, which dates back to the VI century B.C. (The Bronze Age).

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The expedition was headed by the associate professor of history Yuriy Shirin who conducted the dig in the district near the river Mrassu, which was divided into squares; shortly thereafter archaeologists found the burial mound.

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Professor Shirin had carried out a lot of expeditions in the Kuznetsk basin region, but it was the first time he had discovered a burial mound. According to his words the burial mound is similar to the burial mounds, which are also found in the Khakasia and Altai regions of Siberia. He also mentioned that it is an obvious mix of their probable shared cultures.

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As an aside of sorts a most intriguing circular object, looking like an ancient shield was discovered by a coal mining company called Kuzbassrazrezugol in Siberia’s Kuznetsk Basin, during excavation work. However, there is a mystery of how a shield like object became buried 40 metres under the ground. Archaeologists were called in to examine the man-made looking object.

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An excavator going by the name of Boris Glazkov, who discovered the shield like find, said: “I have to say it wasn’t hard to see as it was really distinctive and large. I’ve never seen anything like this object, which is obviously man-made, here in the middle of nowhere before. It is a real mystery.”

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A colleague of Glazkov, Arthur Presnyakov, remarked: “There were actually two similar objects, but the first one broke as it was being pulled out of the ground by the excavator bucket. We thought we saw something sure, because it broke into pieces, but then when the second one appeared we stopped work and carefully removed it from the bucket.”

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The shield like object has a diameter of around 1.2 metres; and with all the dirt still encased on it weighs roughly 440lbs, or 200 kilograms; when cleaned up it will probably be far easier to carry, unless, likened to many a fosslised dinosaur bone, the shield like object has long ago disintegrated, leaving behind a mold, which has been filled by another mineral. If so, it is very ancient.

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The curious thing is, the shield like object was found buried 40 metres underground, deeper than that of mammoth bones, which have been discovered in the same area at a depth of 25 metres.

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Such an anomaly doesn’t sound too strange now, since archaeology has to be rewritten after the discovery of Göbekli Tepe, which has been dated to 11,600 years ago, seven millennia before the Great Pyramid of Giza. However, as always, many are attempting to fit Göbekli Tepe into a Biblical paradigm just as the UFO fraternity see the Russian shield as being an extraterrestrial flying disk created by aliens.

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One has to wonder if the discoveries of ancient finds, which knock the Biblical stranglehold over history is being duly buried under the morass of the UFO mystique and its numerous alien interventions. Whenever an anomaly is discovered, or should I say, an artifact, which cannot be fitted into the established archaeological model surrounding Biblical Mesopotamia, it is promptly hijacked by the UFO cultists looking for extraterrestrial Angels.

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Although, the Norse myths do communicate that the Valkyries did fly through the astral sky as void-going-women, far-travelling through inner space, just like the Tibetan Buddhist Dakinis, whom are conjured into the lucid dreams of Yogins practicing dream Yoga.

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Should the object not be a fake, it could possibly be an ancient shield of similarity to others, such as those of far later design, which is almost perfectly circular; if so, you can forget about Göbekli Tepe, since you would have a shield that should not exist, which had been used when the great mammals were still walking the Earth.

Humanity were supposedly living in caves at the time, who no doubt considered themselves to be ant or snake people. But then again, they may have taken refuge in the caves in order to survive a catastrophe, some of whom may have created underground cities, like Derinkuyu in Turkey, where you also find mention of an ancient King called Yima, the Hindu’s and Tibetan Buddhist’s call Yama, the Norse to know as Yimir of the Ginnungagap.

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If the object is indeed a shield, you shouldn’t completely ignore Göbekli Tepe, since the animal motifs of Göbekli Tepe, are somewhat reminiscent of Scythian animal designs, of similarity to the tattoo’s found on the frozen Altai mummies of Pazyryk; maybe it indicates a continuum of an ancient tradition, which was probably their own version of writing, involving intricate animal forms as letters, forming words; whether depicted in stone or as tattoos.

One also should not forget the Chinese mummies of the Tarim basin along with their conical hats and ritual broomsticks, which have been genetically traced back to the Altai.

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Anyway, the archaeologists will probably reveal that the object is in fact perfectly round Mammoth dung, whose giant depositor did a quick sprint after its expulsion, when catastrophic climate changes occurred, which initiated a great inland flood hitting the Altai along with bringing about a mass extinction event of a prior Ragnarok; wherefore no more frost giant Mammoths and other great mammals.

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Russian geologists discovered the biggest inland flood had occurred in the Altai, at the fringes of human occupation in Siberia, which no doubt scattered their tribes into Europe, China, India, and across into America as well as the Middle East. Hence the ancient British, Eurasian’s, Finns, Basque’s, North Chinese, Mongolian’s and Native American’s all share the same genetic cradle of a Siberian locale ranging from the Altai to lake Baikal, amidst whose Ginnungagap waters is a Midgard island called Olkhon, found betwixt the Northern ice sheets and the fiery Volcanic fields of the South.

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The geneticists have determined that many of the genetic lineages of these peoples can be traced back to a Siberian peoples of the Ket who originated from central and Southern Siberia. The Ket language has also been linked to the Na-Dené languages of North America in the Dené–Yeniseian language family. Some researchers even believe that the Sumerian’s were possibly an Altai colony, since there are ‘odd’ language similarities between the Siberian’s, and the Sumerian’s, who also remembered a… great flood.

But the tangled weave will probably be ever fathomed when a time travel technology is developed, whose time travelling archaeologists, riding sentient time machines called Valkyries, will at times make a Doctor Who mistake by leaving an anomaly behind, or to have done so, by TARDIS design.

NOTE: The Valkyries are archetypal female aspects of the Fylgja, which is of similarity to what is termed as being the Soul. In pre-Christian Europe the Soul was considered to be of the opposite gender of the physical self.

For example, the Fylgja of a heterosexual male would be female; whereas the Fylgja of a heterosexual female would be male. Those of other sexual orientations would perceive the Fylgja in accordance with their nature. 

The psychologist Carl Jung would term the Flylgja of a heterosexual male as being the Anima, which has been entirely castigated out of the symbolic equation as the Fallen.

The present symbolic focus is upon the deified Animus, made as a God and Devil. 

The archetypal aspects of the Anima, which manifest as Valkyires does not mean they are not real. At a dreaming level they are very real indeed, when a dreamer attains a Lucid Dream; wherein the Valkyries manifest as an interactive reality of the Fallen Anima. 

NOTE: The warrior expression of the Valkyries has been heavily influenced by the symbolic representation of the ancient Greek Goddess Athena. The Valkyries are often seen to be nine of number, which not only alludes to the Nine worlds of Yggdrassil, but also to the Nine Muses, some of the classical poets saw as being led by (Fallen Anima) Athena, many an Artist still remembers.  

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