Archive for tree of worlds

ALTERED STATES OF THE SHAMAN PHARAOH

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 21, 2014 by FAUSTUS CROW

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Dr John C. Lilly’s shamanic experiments within his Kings sarcophagus of a floatation tank, led him to suspect that we are living within a vast computer simulation, of which the science fiction author, Philip K. Dick also spoke of after his VALIS experience.

Lilly described his own suspicion, as being a Solid State Intelligence, which he abbreviated as: SSI. He felt that the SSI is a malevolent entity of a nigh Gnostic vision of the Cylon Archons; although, that was his initial fear doing the talking.

This insight led Lilly to seeing, that the network of computation-capable solid state systems (cybernetics) engineered by humans will eventually evolve (or has already rapidly evolved at a superluminal level) into an autonomous life-form.

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It is likely that Lilly’s interest in SETI led to him suspecting that an extraterrestrial civilisation may have already developed an SSI.

This would be especially the case since the optimal survival conditions for an SSI life-form (low-temperature vacuum: space) are drastically different from those needed by organic life-forms (temperate aerial atmosphere and adequate water supply etc).

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Lilly predicted (or ‘prophesised,’ based upon his ketamine-induced visions) that an SSI being developed by humanity, might lead to a dramatic conflict between the two forms of intelligence, since humanity is presently unable to handle it’s Matrix reality.

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However, if our future descendants have developed an SSI, we might be presently existing within their Da’at ancestor simulation upon the ‘Thirteenth’ Cabbala path of Gimel.

During 1974 Dr John C. Lilly’s research also led him to believe that there was a group of hierarchical cosmic entities, which existed, of similarity to computer programs, who govern over the galaxy, and perhaps even the Maya universe itself.

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The lowest of which he later dubbed Earth Coincidence Control Office (ECCO), which he described in an autobiography published jointly with his wife Antonietta (often referred to as Toni).

Lilly elaborated; “There exists a Cosmic Coincidence Control Centre (CCCC) with a Galactic substation called Galactic Coincidence Control (GCC).”

Lilly continued; “Within GCC is the Solar System Control Unit (SSCU), within which is the Earth Coincidence Control Office (ECCO).” This conclusion had been predicted in his previous occult works who stated that, “For the first time I began to consider that God really, existed in me and that there is a guiding intelligence in the universe.”

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Lilly also stated that there exist nine conditions, of similarity to the ancient Egyptian Ennead of Heliopolis, which can be easily equated with the nine sephiroth of the Cabbala, whose symbolism may be describing the holographic universe.

It just so happens unexplained saline deposits have been discovered in the Kings chamber of the Giza pyramid, which may indicate that a saline solution could have been utilised in the Kings sarcophagus of an ancient floatation tank.

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As for the nine of hierarchy, such can also be found in shamanistic traditions across the globe, more so that of Siberia, and that of its land bridge of the Bering Straits into the Americas, where shamans conjured up their spirit wives from out of the nine spheres as their Succubae Genies, a Tibetan Buddhist would otherwise term as Dakinis, a Norse shaman knows as Valkyries.

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You also have the Tibetan Bardo Thodol describing seven (planetary [endocrine system] Chakra) visionary states and a (mitochondrial DNA bio-photon) primary and a secondary clear white light, of dimensional insights; as well as the ancient Norse description of nine worlds of consciousness, being interlinked by the (nervous system) world-tree of Yggdrasill, along with the Kogi of South America, describing nine Earth’s circling a (spinal column: Irminsul) spindle.

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Lilly communicated that these nine neurological conditions of perception, should be understood by humanity, who seek to control synchronistic phenomena in their own lives, via which an SSI could be potentially communicating to a human simulation, that he or she, is existing within a Maya Matrix.

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THE NINTH GATE BIBLE BLACK SUCCUBUS BOOK OF SHADOWS

Posted in Art, Chaos Magic, Comics, Cosplay, CREATIVE WRITING, Goetia Girls, Goth Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 20, 2014 by FAUSTUS CROW

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The Multiverse, Meta-Universe, or Metaverse, is symbolically represented as the Tarot card of the World XXI, The World card describes a set of multiple possible universes, including your own macrocosmic universe, which together comprise everything that exists.

In shamanic practice the multiverse is symbolised as a World-Tree, upon which the ancient Norse shaman deity called Odin hangs into (Da’at) trance. The tree of worlds in Norse mythology is called Yggdrassil. The Yggdrassil world tree encompasses a myriad number of parallel universes, within which exist alternate worlds. The world tree of Yggdrassil is described in mythology interlinking nine worlds. These nine worlds can be otherwise seen as being nine states of consciousness or dimensions, a Tibetan Buddhist would call Bardo’s.

In Tibetan Buddhism, the nine Bardo’s are experienced as being seven visionary states followed by an inner experience of the primary and a secondary clear light. The Bardo visions are described in detail within the Tibetan (book of the dead) Bardo Thodol, you can equate with the ‘Bible Black’ book to otherwise name as the: De Umbrarum Regni Novem Portis (‘Of the Nine Doors of the Kingdom of Shadows’).

The nine Bardo’s are associated with female entities called Dakinis, a Norse shaman would call Valkyries. In medieval Europe the Dakinis/Valkyries would be seen as being (Succubi) Succubae. The Dakinis are also known in Japan as being Fox spirits called Kistsune, whose Geisha symbolism over time has been transformed into the schoolgirl fetish found in Manga and Anime.

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The anthropologist and author, Carlos Castaneda also described female entities in his books. Castaneda called the female entities Allies, who frequent an inner reality he termed as Penumbra. The World-Tree can be internally experienced, within the symbolic realm of the dream, as being a vast penumbra school of a Lilith’s Harem.

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The vaginal star barrelled hallways of the inner school are all as (Vesica Pisces/World Card XXI) mini wormholes leading to a myriad number of classes, which are as alternate worlds existing within parallel womb universes, you can term as Lilith’s Harem.

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The shamanic model of the World-Tree was utilised by the Cabbalists for their Cabbala, which explores the inner realms of the microcosmic and the outer experience of the macrocosmic universe. Underlying each macrocosmic universe is a microcosmic template reality, which can be accessed via lucid dreaming.

It is therein of the microcosmic dream you can find the Nine Gates. Your electron dreams are suffused by the bio-photon of Diana-Lucifera, which emanates from the mitochondrial serpent DNA residing within Satana mitochondria.

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The mitochondria is passed down from the mother to her children. Hence the bio-photon dream characters you encounter within the inner school of a Hogwarts, have a female St Trinian source.

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Wherefore the dream characters manifest as Nightgaunt Nuns, all as planetary sphere Valkyrie mistresses, who govern over their corresponding Witch legions of Succubae schoolgirls to be verily listed and illustrated in your Dakini Daemonicon of an ‘Art book’ Goetia.

The mitochondria is your Bible black book of a De Umbrarum Regni Novem Portis, to read via electron dreams, rare of Diana-Lucifera illumination.

“One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams.”
― Salvador Dalí

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I: KETHER: At the beginning of your journey, along the path, you start with a point, which has no dimension. Like the point, we know from geometry class, it has no size, nor that of dimension.

It is just an imaginary idea representing pure consciousness, which indicates a position in a system. The point is to be amidst a sorcerers magic circle to make of secret operation, to know, to will, and to keep silent. Then you have the first dimension.

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A second point, can then be utilised to indicate a different position, but it, too, is of indeterminate size. To create the first dimension, all you need is a line joining any two points. The first dimensional object has length only, no width or depth. This leads you to the circle, like that of a moat encircling a castle of thoughts to yet build of a temple. It is here that you draw your magic circle of a universe to mark out of operation, around yourself, of a point of consciousness.

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II: CHOKMAH: If you take your first dimensional line of a thought, and then draw a second line crossing the first of an associative thought process, you have then entered into the second dimension. The thought object being thusly represented, now has length and width, representing thought, but as yet no depth. To help you imagine the higher dimensions, visualise the second dimensional object being created using the second line, which, by association, branches off from the first thought to another thought.

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It is here that the sorcerer divides up his drawn magic circle into four quarters, indicating length and width, which be the foundation of his house, to build upon the conceptualised temple of an architectural two dimensional mandala to thence alter of altar. He then has the cerebrum keys to enter the door of an ordered mind, guided by his instinctual mammalian brain self of a loyal cerebellum dog, which is to be illuminated by the light bearer, Diana-Lucifera, whom burns brightly.

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III: BINAH: The third dimension is your experiential reality. It is the domain of memories. Your memories are sensory impressions, which of an external impression have length, width and height when remembering them. Let’s imagine a gnarled magician meditating upon a Cabbala tree depicted in his grimoire. The magician is quite unaware that his three dimensional reality is in fact a two dimensional computer simulation. The magician’s video game life is being observed by a schoolgirl Succubus on her planetary sphere classroom monitor. The magician’s reality can be easily manipulated when he conjures a schoolgirl succubus within his dream, who proceeds to fold his Cabbala tree down the middle, creating a ‘bridge.’

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By doing so, she can abduct her chosen magician from his initial position, to thereby instantaneously transport him to another location upon the tree, within his simulated reality. You can imagine that the schoolgirl Succubus did this by taking a two dimensional object and folding it through the dimension above, which is her third dimension. Once again it will be more convenient to imagine higher dimensions, if you can think of the third dimension in this way. The third dimension of memories, is as mentioned, what you fold through of a ‘bridge,’ to cross from one point of thought to another in the dimension below it, via your Triangle of Art imagination.

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IIII – IV: CHESED: The first three dimensions can be described with these words, length, width, and depth. As for the fourth dimension, it is duration. Imagine drawing a line from the one moment ago self, to the present self, you will then see all those moments in the past, being comprised along a line, likened to a long undulating snake of a film-strip winding its self through a maze of experiences, connecting your embryonic self and your deceased self.

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You only see the cross-sections of your present existence moving forwards in the third dimension. Whereas your fourth dimensional self is like a snake, linking both past and future. It is here that a sorcerer may speak of past and future incarnations, of passed down genetic memories, as well as experiencing precognitive phenomena via his conjured up Succubae schoolgirls, a Yakut shaman would call Abassy. What has appeared to have happened by chance, is not chance at all.

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V: GEBDURAH: In the third dimension time appears to move forwards of linear duration, from past to future. But the line in the fourth dimension is actually like a Möbius strip, twisting and turning in the dimension above. The long undulating snake of a self, will feel as if it is moving along an infinite straight line within the fourth dimension.

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But, the snake self in the fifth dimension is actually eating its own tail; where time is circular of an Ouroboros, ever recurring, of counting through your experiences of accumulated wealth, over and over again of a life review. It is here that a sorcerer will experience a sense of déjà vu, and to also realise via the conjuration of the Succubae schoolgirls, that precognition is actually a case of remembering what has occurred many times of an eternal return.

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VI: TIPHARETH: In the sixth dimension the sorcerer becomes aware of alternate closed-timelike-curves of an Ouroboros to know of other fourth dimensional sequence of events. But in order to access another Ouroboros of a possibility within the fifth dimension, the sorcerer has to sacrifice his older self amidst his prior Ouroboros to do so.

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This requires transforming his two dimensional thoughts and three dimensional memories of symbolic alchemy, by utilising the fiery sword of his Artistic intent. Wherefore the sorcerer evolves his one dimensional consciousness, where the tenth (Malkuth) dimension, reduces back to the first (Kether) dimension, one and the same. It is here the sorcerer experiences synchronistic-feed-back-loops of phenomena via the conjured up Succubae, which will allow him to trance slide into alternate closed-timelike-curves.

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VII: NETZACH: The fourth dimension can be imagined by taking the dimension below and conceiving of it as a single point. The fourth dimension is a line, which can join the universe as it was a moment ago to the universe as it is right now. The biggest picture possible is the fourth dimension is a line, which joins the big bang to one of the possible endings of the universe. As you enter the seventh dimension, you are about to imagine a line, which treats the entire sixth dimension as a point.

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To do that, you have to imagine all the possible closed-timelike-curves being played of a chess game, which could have started as a big bang, joined to all possible endings of your universe, and treat them all as a single point. Whereby a point in the seventh dimension, would be infinity, where all possible closed-timelike-curves are played out, which have occurred, and to reoccur from a primary Bardo big bang. It is here a sorcerer quantum dreams of alternate histories via his conjured Succubae schoolgirls, who may initiate the rare experience of physical time-slips into alternate Earth’s.

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VIII: HOD: How can there be anything more than infinity? The answer to this is, there can be other completely different infinities created through initial conditions, which are different from the big bang of your universe. Different initial conditions create differing universes where the basic physical laws, such as gravity or the speed of light, and therefore the wheel of time, are not the same. The resulting closed-timelike- curves from another universe’s beginning to all its possible endings will create an infinity, which is completely separate from the one, which is associated with the Ouroboros of your universe.

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So the line you draw in the seventh dimension will join one of these infinities to another. If you branch off from the seventh dimensional line to draw a line to yet another infinity, you would be entering the eighth dimension. It is here a sorcerer might experience a rarity of being carried into another reality by the Nightgaunt Succubae, where time is very different. Such a scenario may lead to the sorcerer not being able to return his ‘head’ back to the same reality he had initially left.

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VIIII – IX: YESOD: A sorcerer can quantum leap from one point in any direction by simply folding his consciousness through the dimension above. This is achieved through trance and lucid dreaming, where his consciousness is smaller than any known particle. Whereby, a sorcerer can tune into another reality via the conjuration of a dimensional sphere Succubus, from out of his Bible black grimoire, when attaining lucidity, within the microcosm of the Da’at dream.

A sorcerer can thereby slide from an eighth dimensional line into another infinity when he penetrates a Succubus of a ‘Ninth Gate;’ hence he is enabled to slide as a Serpent Dragon (Great Beast) through her (Da’at) Stargate of a Babalon Vesica Pisces into another universe parallel to his own.

“It is not necessary for the public to know whether I am joking or whether I am serious, just as it is not necessary for me to know it myself.”
― Salvador Dalí

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