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CRAZY HORSE ART VISIONS

Posted in Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 21, 2017 by FAUSTUS CROW

Should the Oglala Lakota warrior and visionary mystic, whose name is Tȟašúŋke Witkó (‘His-Horse-Is-Crazy’ or ‘His-Horse-Is-Spirited’) generally known as Crazy Horse (ca. 1840 – 1877) had foreseen that his name was to be later adopted by Le Crazy Horse Saloon, or Le Crazy Horse de Paris, his Black and White pinto Mare named Inyan, may have become even crazier.

Then again, perhaps that is why Crazy Horse’s Surrealist Night-Mare was Chaos Magic Art Muse crazy.

Crazy Horse is a Parisian cabaret known for its artistic stage shows, performed by nude female dancers, a Tibetan Bonpo Tantric Buddhist would equate with Dakinis who to dance around the four elemental quarters of their medicine wheel, which is curiously similar to the native American medicine wheel.

Crazy Horse also features a diverse range of magical acts and esoteric variety ‘turns’ between each Tantric show.

Its visionary owners have helped to create related shows in other power place cities around the dodecahedron globe , followed by unrelated businesses who have used the name of Crazy Horse as well.

The Crazy Horse of Art central Paris occupies former wine cellars (12 in all of Zodiac number, which have been knocked together) of an impressive Haussmanian building at 12 Avenue George-V (from the British king George V, in French “George Cinq”).

Suffice to say it is situated at a power place of historical importance, which isn’t too far away, as the Crow flies, from the Belphégor pyramid of the Musee du Louvre.

Should the Crow to fly a little further along the Yoni Rose line, you will duly find the rubedo door of the grand Art lodge of the Les Humanoïdes Associés, which is a French publishing house specialising in comics and graphic novels.

The Art lodge was founded in December 1974 by the sorcerer Artists, Mœbius Giraud, Jean-Pierre Dionnet, Philippe Druillet and Bernard Farkas in order to publish their highly influential grimoire, Métal Hurlant, which quickly expanded to include a variety of erotic orientated science fiction work. Métal Hurlant in English means, Howling Metal, by the way, just as the Greek term, ‘Goetia’ means, Howling, as in to Howl out barbarous mantras, just as Allen Ginsberg Howled out his performance Art, Howl poem.

Métal Hurlant was considered to be not only rebellious, but also revolutionary of the ninth Art Muse comic book artform at the time, chiefly due to its adult focus on the sci-fi genre, which was an Entartete Kunst rebellion against the spandex superhero media empire of America.

The Entartete Kunst grimoire inspired many generations of authors and filmmakers, such as Ridley Scott for his film Blade Runner.

Not too long after Métal Hurlant’s debut, the American’s created their own Howling grimoire version of Métal Hurlant, which was renamed, Heavy Metal, whose Art lodge is based in the H.P Lovecraft landscape of Easthampton, Massachusetts.

However, top-shelf Heavy Metal has since become a politically correct thought police morass of lower shelf Disney/Marvel fare, whose present editor is the superhero industry giant, Grant Morrison. Gone are the days, when Heavy Metal had the Entartete Kunst Métal Hurlant edge.

It isn’t too hard to imagine the original rebellious Métal Hurlant Artists frequenting the Crazy Horse, which had been opened by Alain Bernardin along the Yoni Rose Line in 1951, who personally run it for decades until his death by suicide in 1994.

The Crazy Horse Tantric Dakinis may have been deliberately chosen to be indistinguishable upon the medicine wheel stage in height, breast size and Palaeolithic Venus figurine shape in the past.

But now they have a more diverse group of Goetia Girls, all of whom are gymnastic of Dakini form and very Necronomicon skilled in their grimoire Muse Art.

Along with its Dakinis, the Crazy Horse has also been a popular coven venue for many other Performance Artists, including Avadhuta magicians, Heyoka jugglers, and Yogic mimes.

Bernardin, like a sorcerer, explained that he loved magic because it corresponded with his ‘mystical vision’:

“Magic is a dream. There is no show that is more dreamlike than a magic show. And what we do with the girls is magic, too, because they aren’t as beautiful as you see them onstage. It’s the magic of lights and costumes. These are my dreams and fascinations that I put onstage.”

Under new shareholders, and new management from 2005, Crazy Horse started to feature prestigious Artists Performance Art stripping, for a limited number of Tantric shows, including Dita Von Teese, Carmen Electra, Aria Cascaval, Arielle Dombasle or Pamela Anderson.

The new management also hired Philippe Decouflé as choreographer; Kelly Brook became a Métal hurlant Crazy Horse Dakini in the fall of 2012.

Perhaps Bernardin was originally seeking to spiritualise the symbolism of various fetish costumes worn by his ‘Anima’ Mares of the Night, who as Dakini Art Muses would inspire Tantric lucid dreams, wherein they are ridden as shaman Crazy Horses into other Métal hurlant realities.

Whether such was the actual case of symbolic Alchemy, is of course debatable; but a ridden Crazy Horse Art Muse knows no Night-Mare visionary limits, who as a Coyote spirit girl knows how to Tantric dance around the Dakini dream wheel.

As for (Tȟašúŋke Witkó) Crazy Horse he was very likely Coyote wise to the fact that the European invaders weak spot is their insane belief in a jealous God, which of an ancestral-self-identity had been appropriated from another people, Carl Jung would term as an ‘Animus’ fixation.

Whereby Crazy Horse’s Heyoka ghost would Coyote conjure the Fallen ‘Anima’ and her (Succubae) Succubi Dakini emanations of an artistic rebellion, around the dodecahedron globe, who might just relate via a Ouija board, “the wand of a virile paint brush is mightier than the castrated gun.”

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WITCH NUN SACRED AND PROFANE

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 10, 2017 by FAUSTUS CROW

The Pop-Occulture design is an alternative version of the Fifty-Sixth spirit, Mantra named Gremory, who is seen to emanate from the planetary Chakra sphere of Venus.

The Fifty-Fifth spirit is listed in the medieval Playgirl Grimoire, entitled the Goetia, which of a Patriarchal focus lists the ‘all male’ entities of the deified ‘Animus’ made as a God/Devil.

(Note: One of these listed spirits is called ‘Valak,’ the Viral-Meme media machine of Holy-Wood depicted as a pasty-faced transgender Marilyn Manson Nun, in the film, ‘The Conjuring.’ However, Valak is classically depicted as a little Choir Boy, the closeted Monks to have conjured in their sweaty cloisters.)  

I have otherwise depicted Gremory as a Succubus, who is of similarity to what a Tibetan Tantric Buddhist terms as a Dakini.

(Note: The utilisation of the Nun (High Priestess) motif is in accordance with the classical description of Gremory, apart from the common Playgirl grimoire emphasis on depicting Gremory as being a transgender Marilyn Manson Nun. In other words, ‘The Conjuring’ film got the conjured symbolism wrong, and what’s more, when to reverse the ‘Animus’ fixated Valak symbolism to that of an ‘Anima’ (as in a Playboy grimoire) expression,’ Valak would then manifest as a salacious Catholic Schoolgirl!)     

A Dakini is seen to have vampire tendencies, who as a ghostly Witch haunts the periphery of your Surrealist dreams.

The psychologist Carl Jung would term the (Succubus) Dakini as being an inspiring Art Muse emanation of the ‘Anima.’

However, Tibetan Buddhist Shamans practice conjuring (Succubi) Dakinis into their eroticised (introverted five senses/inverse pentagram) dreams, wherein a Dakini enables a Shaman to become (sixth-sense/sexagram) lucid of awareness.

Wherefore, Dakinis are considered to be personifications of inner Wisdom, and when they visit a dreamer, upon awakening, the dreamer notes down their (Wisdom [lucid] Dream) visitations within a dream diary.

When conjured into a lucid dream, Gremory manifests as a Pop-Surrealist Nightgaunt Nun, who is an Entartete Kunst Art Muse stands betwixt the hynagogic trance pylons of the Sacred and the Profane.

If you are interested in acquiring any Art prints, or other shirt designs, etc, Check Out my Redbubble shop. Please Click The Link Above.

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THE DEVIL GIRL OF DOCTOR FAUST

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 17, 2016 by FAUSTUS CROW

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The above watercolour painting is provisionally entitled: Mephistophina. The artwork is A4 in size, which was initially drawn in Derwent and Caran Da’che watercolour pencils on 300g/m Aquafine watercolour paper, then painted, involving some burnishing.

The original Artwork is presently on Sale, on Saatchi Art; if you are interested, Please Click Here. 

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The artwork depicts a female version of Mephistopheles, who is commonly considered to be a name of a male spirit in the Faustian legend, who in return for his assistance, Faust signs away his soul as depicted in Marlowe’s and Goethe’s grandiose Church plays. The origin of the conception and name of Mephistopheles has been the subject of much learned debate among numerous scholars down the ages, whose all male pantheon of a deified ‘Animus.’ has entirely negated the feminine principle of the ‘Anima,’ yet none to really question, why?

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As of per usual commonality in the numerous Playgirl Grimoires frequenting many a Hogwarts bookshop, you will find in Dr Faust’s Höllenzwang that (Mephistopheles) Mephistophiel is considered to be one of the seven great phallic princes of hell, who is seen standing under the planet Jupiter. The regent of the planet Jupiter is called Zadkiel, an enthroned machismo angel of the deified ‘Animus,’ made as an all-father-fixation God, named Jehovah.

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The artwork is loosely based upon an illustration of Mephistopheles, as found in the Grimoire, entitled the, Threefold Coercion of Hell; also called, Cabalae nigrae, or the Magia naturalis et innaturalis as well as the Black Raven, which is said to have been authored by Doktor Johannes Faust.

The Grimoire illustration is listed as being plate 10 in the Threefold Coercion Of Hell, which depicts the first appearance of Mephistopheles, manifesting as a ‘fiery Bear.’ He then later manifests of fairer appearance as a little man with a black cape, having a bald head like a monk, who could be seen as a Bonpo Tibetan Buddhist practitioner of Tantric dream Yoga, since its ancient practice would most definitely piss off the worshippers of the deified ‘Animus,’ made as a Jehovah/God/Allah – Devil/Lucifer/Shaitan.

However, if Faust was truly a rebel, of a ‘heterosexual’ orientation, he would have no doubt noted, just like the psychologist Carl Jung, that the all male pantheon of a patriarchal ‘Animus’ fixation has castigated the feminine principle of the ‘Anima’ out of the spiritual equation.

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Wherefore, as a rebel, he would seek out to conjure what has been cast into the abyss, whence to discover a real Necronomicon.

Hence, Faust would reverse the polarity, by conjuring up a Succubus ‘Anima’ fluctuation to name Mephistophina, who would then be in Faust’s mind one of the rebel Succubae of the seven planets, you could equate with the seven Chakras of Yoga practice.

To Faust himself, being a somnambulist and medium, Mephistophina has a real existence; she would be the personification of the transcendental  ‘Anima’ subject of Faust, an experience familiar in dreams, and more especially in the visions of Siberian shamans. Many of the Siberian shamans practice Nigredo trance and Albedo (fiery) lucid (cave) dreaming, via which they engage themselves with the ‘fiery’ Bear (female shaman) spirit, named Udagan, who Rubedo rebirths them back into the world, renewed.

Mephistophina would thus be a familiar spirit, akin to the Udagan of the Siberian shaman, who is of similarity to the inspiring ‘daemon’ of Socrates; and being an Entartete Kunst archetype, censored by ‘closeted’ theologians, Mephistophina would also represent a rebellion against the all male, Right-Hand-Path paradigm of a deified ‘Animus,’ made as a God.

It is suggested, then, in the light of modern research into lucid dreaming, that Mephistophina, though being a two-dimensional Grimoire image of a meditative aid, becomes as a three-dimensional interactive reality within a (sexagram/sixth-sense) ‘Coitus Pactum’ lucid dream; whereby the ‘Osculum infame,’ takes on a whole different meaning. The Osculum infame is the name of a supposed ritual greeting upon meeting with the Devil. The name means The Shameful Kiss, or The Kiss of Shame since it involved kissing the anus and genitalia of the (Mephistopheles) Devil.

A heterosexual male mage kissing the butt end of the’Animus’ archetype of a Mephistopheles, would find the Osculum infame, to be a very shameful act indeed, unless his sexual preference is otherwise of orientation. Not too sure about how heterosexual Witches feel about kissing the behind of their ‘Animus.’ Although it is said that 47% of women read superhero Grimoire comics, which feature chiselled chinned, sculpted males, wearing colourful skin tight leotards, revealing their tight Baboon butts. Apparently women, like tight Baboon butt males… a lot, ever since we were all apes. As for their Sapphic sisters they would be none too pleased, who would far prefer Mephistophina presenting up her arse.

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As for bisexual Aleister Crowley mages and their Babalon kin, they have no need to rebel against the all male paradigm of the deified ‘Animus;’ it suits them just fine.

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Mephistophina would then be Faust’s familiar, who is simply an aspect of his ‘Anima,’ manifesting in various guises, as a (Udagan) Bear, as an Elfin girl, as a Nun, as an invisible poltergeist presence ringing a bell, thrice; but always recognizable as the same familiar, who is his ‘Anima’ fluctuation of a Succubus, a Tibetan Buddhist would otherwise term as being a Dakini, who is a fluctuation of Shakti.

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Mephistophina is depicted partly dressed as a noblewoman, all in ‘Rubedo’ red, with an astral flight feather in her hat. The tattoo on her left shoulder is a Native American ‘heart-line’ Bear claw, referring to the power of hypnagogic (Nigredo) trance, which in shamanistic practice is experienced as residing in the (heart) chest area, where most of the nerve fibres of the Central-Nervous-System are to be found. The skull and crossbones on Mephistophina’s stockings, also refers to hypnagogic (Nigredo) trance.

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The crossbones is associated with the seventh Rune of Gebo, looking like an ‘X,’ whose symbolism refers to self-sacrifice into hypnagogic (Nigredo) trance as well as the introversion of the sexual impulse. The Gebo Rune has its equivalent Hebrew letter, being Gimel of the Cabbalistic 13th path interpenetrating Da’at, and Tarot card of the High Priestess Of The Silver (Sirius) Star, a Siberian shaman would equate with Udagan. In other words, the sexual impulse is introverted by prior meditating upon (High Priestess) Udagan, in order to overcome the terror of hypnagogic (Nigredo) trance ingress into conscious Coitus Pactum dreaming.

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The Gebo Rune equates with the English, G, which is utilised in Freemasonry. The ‘X’ also equates with the Latin numeral for (Occult blind) 10. The experience of hypnagogic (Nigredo) trance is otherwise termed as the ‘little death,’ whereupon you have the motif of the skull. As for the sigils, they have been adapted of symbolic alchemy for Mephistophina. Though hinted at, Mephistophina also has a little cape of remote viewing red silk swept behind her and a long pointed Chöd sword on her right side; for she be Left-Path-Handed.

Scene IV: The Art Studio (Faustus & Mephistophina)

Mephistophina: Ah, now, you please me greatly, indeed.

I hope we’ll get along together:

To drive away the gloomy weather, from around thy heart,

As you to seer, I’m dressed like young nobility,

In a scarlet gold-trimmed coat,

In a little silk-lined cloak,

A cockerel feather in my hat,

With a long, pointed sword,

And I advise you, at that,

To do as I do, in a word:

So that, footloose, fancy free,

You can experience Life, with me.

Slightly adapted from Johann Wolfgang von Goethe’s, Faust 

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NOTE: Some would classify my work as being Occult Pornography of adolescent fantasies, merely because I have reversed the symbolism of an all male symbolic paradigm of the deified ‘Animus,’ towards that of the female, of ‘Anima.’ But if so, they would be entirely missing the symbolic point.

The all male gender focus upon the deified ‘Animus’ has an underlying sexuality behind it’s symbolic influence upon all levels of culture; hence, it can also be construed as being Pornographic. When you have a biological gender focus, it will invariably involve sexuality; it is nature, which cannot be denied! However, the underlying sexual orientation is generally not seen, due to the sexual impulse being castigated out of the symbolic equation along with the ‘Anima.’

Most of the religiously hewn patriarchal grimoires are primarily populated by male archetypes of the ‘Animus,’ which frequent the heterosexual female psyche; whereupon said patriarchal grimoires are the PlayGirl stroke Bibles of conjuring Witch Nuns dancing orgiastic around their God and Devil, Angels and Demons, whose mantric spells often utilise the terminology of King, Lord, Master or Prince, etc. Some of the conjuring Witches are no doubt bisexual.

As for those Mages who conjure up the archetypes of the ‘Animus’ out of the patriarchal PlayGirl grimoires they may be sexually predisposed to do so of preference, such as Aleister Crowley for example, who was bisexual of leanings, writing erotic poems about Satan, etc. At least Crowley was honest about his androgynous bisexuality, many of the closeted bigots at the time considered to be… Wicked!

If, however, you be a heterosexual Mage, bisexual or a lesbian Witch, who decides to conjure up the ‘Fallen Anima’ and her archetypal (Succubi) Succubae Legions, you will soon find yourself being castigated as being a vile Pornographer peddling adolescent fantasies by the Politically Correct Thought Police; this is more so the case if you are a heterosexual Mage, to be duly seen as being… Wicked!

A heterosexual male who conjures up male archetypes amidst his Triangle Of Art Imagination is doing so in order understand aspects of his own masculinity. In other words, the conjured male archetypes are not external entities, they are otherwise ‘role-models,’ and in turn alternate guises of himself, which can be assumed within lucid dreams, of similarity to an actor acting as a character on stage.

Each of the alternate-guises are empowered by a feminine counterpart, you can term as a Succubus, who as an external entity, is an aspect of the Fallen ‘Anima.’ Whereupon heterosexual Faustus Crow rebelliously conjures up Mephistophina out of his PlayBoy grimoire.

Whereas the classical Faustian myth points at another sexual orientation, Christopher Marlowe to have had a preference for, which he communicated via his Judaeo-Christian Faust kissing the backside of Mephistopheles. Savvy!    

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GOETIA GIRLS OF LILITH’S HAREM

Posted in Art, Chaos Magic, Comics, Dr Who, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 16, 2016 by FAUSTUS CROW

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Artists often engage themselves in the ‘derangement’ of their senses in order to mutate their perception, to thence attain another inspired perspective. One example being Salvador Dali, who developed a surrealist technique of creative derangement, he termed as the paranoiac-critical method during the 1930’s. (The watercolour painting above depicts Mesphistophina. Click the image for further details.)

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However, Dali’s paranoiac-critical method has been utilised by shamans for ages, whose psychonaut techniques of lucid dream inducement involved the creation of dream characters, a Tibetan Buddhist would term as being Tulpas.

I am aware that a number of dry scholars have pompously pointed out that the word Tulpa is a misinterpretation of the Tibetan term, Tulku, which is essentially a self-constructed Avatar. However, when assuming the alternate guise of a Tulku within a lucid dream, it is like that of an actor playing a part in a film, whose other supporting characters are Tulpas, who reflect back the assumed guise of a constructed Tulku.

For example, if you assume the Tulku guise of Vincent Price, you might just find yourself having a dream of being in a horror film, whose other actresses and actors are Tulpas. Why would you assume the guise of Vincent Price, you might ask? Well, it may be because you seek to empower your acting ability, should your profession be that of an actor; or to otherwise assume the guise of Austin Osman Spare, if you are an artist. Perhaps you might decide to fuse these influential personages together with Henry Miller, to thereby create a Tulku; and like a time-travelling Doctor Who writer would do, whose TARDIS brain to travel around the Succubae Decans of the Zodiac ages, you can also imaginatively assume the star-sign guise of Vincent van Gogh.

Should this sound rather ‘deranged’ to you, consider the intriguing experiments conducted by Vladimir Raikov who is a Russian psychotherapist, head of the Laboratory for Hypnosis at the State Scientific and Research Centre for Preventive Medicine. In general Raikov hypnotised his subjects to believe that they were the reincarnations of Rembrandt or Mozart, etc. Evidently after a period of doing this, his subjects brought back from their induced trance state the abilities of the personages with whom they had identified. For example, someone who had identified himself with Rembrandt had awakened his or her own artistic ability to eventually make a career out of Art; others may prefer to identify themselves with Aleister Crowley.

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“There is also a third kind of madness, which is possession by the ‘Muses,’ enters into a delicate and virgin soul, and there inspiring frenzy, awakens lyric….But he, who, not being inspired and having no touch of Madness in his soul, comes to the door and thinks he will get into the temple by the help of Art–he, I say, and his poetry are not admitted; the sane man is nowhere at all when he enters into rivalry with the Madman.”

― Plato, Phaedo

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If you consider all of this to be quite mad, keep in mind that children subconsciously learn from any influential role-models around them. Raikov’s technique is just an adaption of what children naturally do. However, the barriers of accumulated belief of an adult, blocks him or her from fluidly learning as a dreaming child. Hence, the beliefs of an adult requires the need to be broken down by believing that the assumed persona is a reincarnation, even if it is an artificially constructed Tulku, which could just as well be that of a future incarnation.

However, you do not need to be hypnotised by another individual, such can be potentially very dodgy; you can attain the same experience via lucid dreaming, which of dream Yoga, will enable you to assume a desired guise of a particular Tulku.

A Tibetan Buddhist would otherwise assume the Tulku guise of one of his many Buddhas via meditative and auto-hypnotic (trance) practices, in order to empower his spiritual progression. You will also find that each Buddha is depicted copulating with a female representing the power of a corresponding dream domain, who is termed as being Shakti, Carl Jung would call the ‘Anima.’

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The Anima can manifest as differing female characters, each of which can be seen to be a female Tulpa, who empowers a corresponding Tulku.

The female Tulpa can be ‘artistically’ constructed as a mind-doll means to empower lucid dreaming, which a Tibetan Tantric Buddhist would call a Dakini.

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Although the medieval mind-set of the West, a Dakini is otherwise called a Succubus, the prior ancient Greek’s knew as a Muse, who to remind that Art is Sorcery, Sorcery is Art, they are indivisible from each other, one and the same of shamanic practice.

When to see a Succubus as a constructed Tulpa, it is none too different to a computer program, like that of a web-bot browsing your informational dreams, which then initiates a virtual reality lucid dream, created by your quantum computing TARDIS brain.

The Succubus has lost its deeper meaning since the medieval mindset of the West has castigated sexuality and the feminine principle out of the spiritual equation, whereupon becoming purely demonic of hedonism, having no meaning whatsoever beyond that of blindly copulating.

The male counterpart of a Succubus is an Incubus, whose ‘Animus’ manifestations of God, Devil, angels and demons are commonly listed in many a Grimoire, who are known as Daka in Tibetan Buddhist dream Yoga practice.

The reasoning behind the focus upon a (Dakini) Succubus is that of introverting the sexual impulse in order to overcome what is technically termed as the Old Hag Syndrome, when accessing the hypnagogic state of trance, at the point of sleep. The hypnagogic state and the ensuing sleep paralysis can be quite terrifying, which of Bedroom Invader nightmare terrors can be otherwise transformed into a Night-Mare Succubus to ride into conscious dreaming.

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This can be achieved when the sexual impulse is introverted, via a prior meditation upon an erotic image of a particular Succubus, in order to negate the fear of the practitioner; for it is the reactive state of fear, which makes the experience of hypnagogic trance so horrifying.

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DOCTOR STRANGE AND THE ANCIENT ONE OF AN ANIMA

Posted in Art, Chaos Magic, Comics, Film, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 10, 2016 by FAUSTUS CROW

The Marvel comic character of Doctor Strange was forged during the rebellious Hippie era, which of an underlying Newage Zeitgeist fixation since the mid to late twentieth century had an alternative focus upon the spiritual disciplines of the far East. Hence you have Faustian Doctor Strange seeking to become the sorcerer apprentice of an old Tibetan shaman known as the Ancient One.

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There are still many a Hippie around of rebellious attitude, remembering the 60’s-70’s anti-war  protests, who as fans of Faustian Doctor Strange, consider the nigh psychedelic sorcerer supreme as representing their bygone youth, when to have first read the books, written by Carlos Castaneda, about his sorcerers apprentice experiences with the Ancient One called Don Juan Matus.

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Many of the present comic fans are unaware of the Hippie zeitgeist roots of Doctor Strange, but as an archetypal Faustian mage, he would be generally associated with the likes of Lord Of The Rings, Gandalf and Harry Potter. As for the non comic fans, they are unconcerned about the social engineering machinations of Marvel and Disney, concerning the transformation of the Ancient One into a female Celt, using Kung Fu.

Let’s say that the transformation of the Ancient One into a Celt, may be referring to the genetic findings of the Human Genome Project, which has recently discovered that the Celts originally came from Siberia, not Europe as first thought. Whether the Doctor Strange script writers are referring to the Human Genome Project findings is debatable, though unlikely. Whatever the case,  the Stone Age ancestors of the Celts apparently lived in the region of Lake Baikal to the Altai region more than 30,000 years ago.

For example the historians had previously believed the early Britons were mainly made up of Celtic incomers from Europe a few centuries ago. But study of Celtic DNA indicates a strong connection with the nomadic people known as the Kets of Siberia, rather than anywhere in Europe. Wherefore the ancient ancestors of Doctor Strange are Siberian migrants, whose original homeland is the realm of the shaman.

As for the Altai region of Southern Siberia and central Mongolia its locale has been identified as the point of origin of a cultural enigma termed the Seima-Turbino Phenomenon. It is conjectured that changes in climate in this region around 2000 BC and the ensuing ecological, economic and political changes triggered a rapid and massive migration westward into Northeast Europe, Eastward into China (Tarim basin mummies) and Southward into Vietnam, Thailand and even Japan, whose animist culture gifted the world its Manga and Anime.

There are also indications of far earlier migrations from the Altai region unto Lake Baikal, when a great inland flood afflicted the area, around the time of the demise of the Great Mammals. Whether there were any migrations into Tibet, is of course open to imaginative conjecture, right out of the highly innovative film Inception.

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You also have fabled Tibetan land of Shambala, which some to believe is actually situated in the Altai; although Shambala primarily appears as a mystical conception, rather than a geographical location, which of a mystique has since been used in many a film.

Curiously, although the tale is known now as a Tibetan myth, it seems that it was first recorded in AD 966 in India, where the nomadic Aryans had long ago flocked into.

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The Buddhist Kalachakra tale tells of a (Shangri-la) land behind the Himalayas, ruled by a gracious King Sucandra, who was the first to learn the Kalachakra doctrine from Buddha Sakyamuni himself. A number of European believed Sucandra was a Celt. May be the Doctor Strange writers are alluding to a Celtic Sucandra who they have transformed into a female Ancient One?

No! Probably not, since a Celtic Sucandra dates back to Madame Blavatsky’s infatuation with root-races, which inspired the Nazi regime’s infatuation with finding a white, blond haired, blue-eyed Nordic super-race in Tibet, looking like Tilda Swinton.

If the Nazis had known of the Altai burial sites, it would have given them the dire shits. The Altai burials revealed mummies, whose DNA are of a most colourful ethnic mix, of similarity to those of the Tarim basin site; so, the eugenic perspective of a distinct ethnic identity, such as a Celt, or even Aryan does not, and never did apply, when looking back into the far distant past. Both the Celts – Aryans were nomadic tribal people who liked to wildly party, mixing a lot with other peoples genes they had come across, which would piss off Baron Mordo.

Should you deem that the Doctor Strange script writers are referring to the Human Genome findings that the Celts were in fact Siberians, which then leads to the Tarim basin mummies of China, etc; It will be very difficult to communicate these ideas without getting tied up in the ugly knot of racial politics, which to have afflicted the so called modern age. One thing for sure, it  will not go down at all well with the Chinese authorities, who might interpret Marvel and Disney to be saying that the European’s were in Tibet before China.

Whatever Marvel and Disney to say to the contrary of slippery tongue twisting, it is somewhat obvious that they are attempting to appease China by not having the Ancient One as a Tibetan, to then use the neuro-marketing balm of political correctness by transforming the Ancient One into a female.

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The reasoning for the gender change is that of negating any potential protest from the fans, whose protesting will be rapidly drowned out by Bible thumper Oprah Winfrey, and her Fifty Shades Of A Dormammu ‘Animus’ Grey sisterhood. Their growing P.C. brigade multitude are no doubt jumping up and down in joy, for their feminist cause, wielding Thor’s hammer, whirling as a pink Swastika.

However, the Chinese authorities will probably not be too impressed by Marvel and Disney transforming a Tibetan into a Celt, which might be seen as being far worse than their political pandering. The Chinese audience might just question, “why did you not have Doctor Strange go to Britain, Scotland, Wales or Ireland, since you have transformed the Ancient One into a Celtic female?” But said Celtic migratory locales are probably considered to be not exotic enough by Marvel and Disney.

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It thereby would have been better to have had the Ancient One as an Altaic Siberian; alas, Marvel and Disney’s idea of diversity, gave the role to Tilda Swinton; who as a female symbolically represents the ancestral (Anima) Soul of Dr Strange that the Dormammu ‘Animus’ worshipper, Baron Mordo and his minions seek to destroy.

Then again, may be that is exactly what the writers of Doctor Strange are attempting to indicate, as to an Altaic soul source of the Celts; whereupon you have him journeying to the far East to discover an ancient Altaic ancestor who had migrated into Tibet, due to a prior flood hitting the Altai. Although, if to go more esoteric, it would be unlikely Marvel and Disney will allow for the Ancient One being depicted as the ‘Anima’ soul of Doctor Strange, since it would be just too succubus sexy for them to handle.

NOTE: “I would like to point out that I am not a Social Justice Warrior whose general P.C. attitude I find to be distinctly Enatarte Kunst Fascist; and what is more, the third-wave feminist politics of Social Justice Warriors can be very easily used against them, such as having a female actress playing the part of a male character, behind which a primarily monetary driven decision is hidden.

I am far more interested in C. Robert Cargill’s comment, who compared the process of casting The Ancient One to Star Trek’s ‘Kobayashi Maru,’ which I find intriguing. The Kobayashi Maru is an unwinnable test, which was first depicted in the opening scene of the film Star Trek II: The Wrath of Khan and also appears in the 2009 film Star Trek.

As for the name, Khan, it is the shortened version of Khan Noonien Singh, whose fictional Star Trek character alludes to the historical, Ghengis Khan, who achieved eventual domination over China; yet for some Chinese he is considered to be a heroic figure, even though he was Mongolian. In the fictional universe of Star Trek, Khan is depicted as once controlling more than a quarter of the Earth during the Eugenics Wars of the 1990’s.

World War II can be seen as being am actual Eugenic War due to the Nazi’s having a infatuation with eugenics, which of a warped pseudo-science, was first extensively practiced in America, during the early nineteenth century. Many at the time considered the blond, blue eyed Aryan to be the racial ideal, which of a self-inflicted Kobayashi Maru curiosity, you have an Aryan looking Tilda Swinton, playing a Celtic Ancient One, even if she is bald. 

In Star Trek, James T. Kirk took the Kobayashi Maru test three times while at Starfleet Academy. Before his third attempt, Kirk surreptitiously reprogrammed the simulator so that he could beat the unwinnable test. Despite having cheated, Kirk was awarded a commendation for ‘Original Thinking.’

So, if Cargill was to otherwise translate the ‘Kobayashi Maru’ into that of a script, it would have mean’t, like Kirk, that he would have had to totally (reprogram) rewrite the Ancient One. Let’s work with Cargill’s Celtic depiction of the Ancient One; since Cargill has transformed a Tibetan male into a Celtic female, it would then lead to a further ‘reprogramming’ of the original story-line by having Doctor Strange finding himself instead in Britain, Wales, Ireland or Scotland rather than… Tibet. 

Heck! Cargill could have done a tricky Kirk number, by using the Newage mystique of Glastonbury Tor being associated with Shambhala; he could have had a forlorn depressed Strange finding himself amidst Glastonbury festival on his travels, to then be dragged off by a wild eyed Druidess, up and around the Serpentine spiral of Apple isle Glastonbury Tor. That would have been really way out, with all those glowing Ley-line dream roads webbed out around ancient stone circles, lit up like exploding stars going Matrix style; though far more psychedelic of innovative Doctor Strange visuals, having no reference to Inception whatsoever.  

Instead, Cargill’s Celtic female, played by a blond haired, though bald, blue eyed, Tilda Swinton is discovered in Tibet. This is somewhat of a self inflicted Kobayashi Maru, since it will be associated with the Nazis swarming all over Tibet, who were seeking out a blond haired, blue eyed super-race, while being best buddies with the then Japanese Empire, whose military might was causing total havoc in China.

Wherefore, if Cargill is attempting to appease the Chinese authorities by transforming a Tibetan into a Celt… in Tibet, he has very likely stuffed himself up his own Kobayashi Maru. The Chinese authorities will be really pissed off, big style. 

Would Cargill make such a silly creative mistake, which could cost Marvel and Disney very dearly, or was the trailer an Occult-Blind? I guess the only way to determine this is to see whether Marvel and Disney are making any prior cut-backs to their business empire, in order to nullify any potential business losses concerning China’s backlash.

No! Cargill wouldn’t have made such a big mistake, his script would have been gone over with a fine tooth comb by the hierarchy of Marvel and Disney, since it is historically well known that the Nazis were searching for a Tilda Swinton super-race in Tibet, which of a eugenic agenda will really piss off the Chinese. Therefore, the trailer, must be an Occult blind!? 

Perhaps Cargill has assumed the mantle of Carlos Castaneda, to have instead depicted the Ancient One as a female version of Don Juan Matus, who just so happens is a wannabe Navajo; she is actually a Celt living on the Four Corner reservation selling trinkets to tourists. The Ancient One had been prior apprenticed to an ancient Toltec Skinwalker, who bestowed immortality upon her, which is also a curse; so that she will never forget the near genocide of a prior holocaust the natives had suffered, whose children had been forced into missionary schools to learn the ways of the foreign invaders.

Let us go even further; the Ancient One is a Chinese sorceress who had long ago emigrated from China to America around 1,300 BC – nearly 2,800 years before Christopher Columbus arrived at the New World in 1492. Said scenario is based upon highly controversial ancient Chinese styles of the scripts, which have been discovered in North America. Or you could have the Chinese sorceress sailing with the fleets of Admiral Zheng, who is conjectured to have visited the Americas prior to Columbus, and that the same fleet circumnavigated the globe a century before the expedition of Ferdinand Magellan. 

These scenarios would really get the Yuan flowing into the Marvel and Disney coffers. let alone greasing up the smiles of the Social Justice Warriors, who will also be writhing in ecstasy at the thought of the Ancient One being gender bent into a female. 

But what of a backlash from the European market? There wouldn’t be too much protest if at all; but if so, a middle ground can be found. The Chinese sorceress can be otherwise seen to have emigrated to America during the 1850’s, at the time of the California gold rush. San Francisco was only a transit station on the way to the gold fields in the Sierra Nevada. According to estimates, there were in the late 1850’s 15,000 Chinese mine workers in the ‘Gold Mountains’ or ‘Mountains of Gold.’ You also have the transcontinental railroad, which was mostly built by Chinese labour.

The Chinese Ancient One is a Huli jing (狐狸精; literally: “Fox Spirit”), Huxian (狐仙; literally: “Fox Immortal”), or Jiuweihu (九尾狐; literally: “Nine-Tailed Fox”), basically she is a Succubus, who as a Tantric Wu (shaman), takes up residence in San Francisco’s Chinatown, where a psychologically wounded Doctor Strange stumbles into her upon a synchronicity.     

May be Marvel and Disney have utilised the expensive trailer to make the audience believe that the Ancient One is a female Celt in Tibet, using rejected Inception outtakes, knowing full well that it will stir up an ongoing controversy and in turn a buzz; whereas, a few among the Chinese movie hierarchy know the truth. This is of course totally implausible.

But, if Cargill had depicted the Ancient One living on an American Indian reservation as a Tilda Swinton European seeking redemption, or as a Chinese sorceress in America, the authorities in China will lap it up, wanting more. He would have then beaten the Kobayashi Maru, smiling all the way to the bank.      

But, let’s say that Cargill has stuffed himself up his own Kobayashi Maru; how will it then affect the rest of the Marvel movie franchise, concerning a Doctor Strange tie in with their other MCU characters? Well, if Cargill has indeed stuffed it up, the MCU franchise could crumble very quickly indeed, should China back out of the equation. But, China, being very business savvy, might just use the situation in order to take over Marvel and in tun Disney, whose media empire spans the entire globe.

Should Cargill have Kobayashi Maru stuffed it up; Marvel and Disney could potentially avert total MCU disaster by having the Ancient One as being the ancestral ‘Anima’ (female) soul of Doctor Strange, and that its Celtic source originates from the Altai, which had long ago been afflicted by an inland flood. The prehistoric catastrophe led to those few survivors migrating into other lands, some of whom found themselves in Tibet; one of them being… the Ancient One. 

Anyway, if Marvel and Disney are Over-Watching, I am available for any ‘financially lucrative’ creative work put my way.” 

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SUCCUBUS MULTIVERSE DREAMING

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 9, 2016 by FAUSTUS CROW

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Mephistophina, standing betwixt the Ida And Pingala (Autonomic Nervous System) pylons, Black And White as Mares, becoming as the dapple Grey eight-legged Night-Mare of Mercurial quick ‘silver’ Mercurius, arising along the (Central Nervous System) Sushumuna as the Anima-Mundi.

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She be the ‘Da’at’ (Reptilian Brainstem) Sirius Star Girl Guide to trance ride into Lilith’s Harem Of The Multiverse Dream, wherein her Nightgaunt Succubae Witch Sisters govern over womb worlds to…lovingly… conjure as Jinn, made of bio-photon fire.

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Though such be not that of Newage Hollywood love, of internalised relationship dynamics fueled by fantasies of unrealistic perfections.

A Succubus like a woman does the Valkyrie choosing; it is what the subconscious mind to know of a biological truth, the ‘Anima’ to reveal.

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Although this be harsh upon those who have been rejected by a woman, leaving behind a broken heart; it is at such a time that the wounded of (Central Nervous System) heart be ‘opened’ to the ‘Anima,’ whose predatory dream fluctuations of the Succubus do then hunt down the fallen to choose upon the battlefield of life, likened to that of the carrion Crow of a Morrigan, who to rip through the seals of the Chakras to open.

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But the chosen then has to control her, so as to microcosmic ride astral as the Night-Mare; otherwise, the ‘Anima’ to then take over of indulged in fantasies of a Ring-Pass-Not. If not controlled, the rider indulges in religious sentiments to worship the ‘Anima;’ hence becoming as the ridden, to never know of the rough magic along the Ley of lady sychronicity, who to Maya dance upon the mirrored path Ouroboros.

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The dreamer may come to a realisation that the Succubus allows a dreamer to tune into alternate selves, who to be in relationships upon some other alternate Earth, which to reveal that when becoming incorporeal, the consciousness of an individual naturally slides into an alternate self of a Tulku to fuse with, and what was known of a life before, becomes as an ethereal half remembered dream.

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Or that of knowing of inner Mind-Doll Tulpas, whose conjured microcosmic spin does weave macrocosmic synchronicities along the Leys, via which the dreamer can hunt down the, hunter, of another woman to meet at a place of bio-photon flame attraction.

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The Succubae can reveal many a dream secret to a chosen… shaman… Siberian shamans to know of, as well as those practitioners of other, still surviving elder shamanic cultures; whereupon in the Tantric Buddhist practice of Tibet the Succubae are called Dakinis who are manifold aspects of Shakti. The Dakinis are seen to be Wisdom Holders of dream Yoga.

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Before the ascendancy of the ‘Animus’ worshippers of the patriarchy the ancestors of the European’s also had a shamanic understanding, which had investigated the ‘Anima.’ Alas, after five hundred years of a totalitarian inquisitional purge, the shamanic legacy of the European’s was nigh eradicated of genocide, spreading towards other cultures across the globe, which to still continue of imperialistic empire building.

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Perhaps it is all part of a process of dismemberment, like that of DNA self replication, wherein of 23rd angstrom, periodic mutations occur. But over the long stretches of time what goes around, comes around, Ouroboros, when the dismembered shaman is put back together into another form of a return.

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So, beware of the politically correct thought police who to trickster twist your words around, preferring candyfloss fairytales to promote; more so that of the Abrahamic worshippers of the deified ‘Animus,’ made as their Orwellian God and Devil, whose machismo Angels and butch Demons are listed in many a patriarchal ‘Playgirl’ grimoire.

The ‘Animus’ worshippers will duly castigate thee as being a vile pornographer, who to thence burn your ‘Anima’ conjurations upon their Inquisitional mind-control pyres of a moralistic Enartete Kunst!

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“Why would they do so?” You might ask; well, it does appear that there is an underlying sex war behind it all, due to a deified gender focus, which can be seen as being an expression of an evolutionary flux, concerning the evolution of consciousness.

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Wherefore, the rebellious focus upon the symbolic expression of the ‘Anima’ is also part of this process, which might eventually lead to a balance occurring of inner space, lucid dream conjuring.

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But this will be dependent on others observing the obviously out of balance focus upon a deified ‘Animus,’ which of a religiously hewn patriarchal symbolic paradigm permeates all levels of culture, spreading world wide.

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Should you consider this analysis to be rather far fetched, all you have to do is to look at the fundamentalist scourge of the Middle East and that of home-ground to find Abrahamic mind-sets of a shared funda-mental insanity.

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DOCTOR STRANGE TESLA FRANKENSTEIN

Posted in Art, Chaos Magic, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 31, 2015 by FAUSTUS CROW

The inventor Nikola Tesla is very similar in many respects to the fictional character of the mad scientist Doctor Frankenstein, since Tesla was a Doctor Strange mage of electricity who had captured the power of the Vajra lightning bolt; whereupon Tesla’s DNA Helix coil is often utilised in many a Frankenstein movie animating corpses; although in reality, Tesla’s Doctor Strange genius ushered in the science of robotics.

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You could then envisage Tesla as being like Doctor Frankenstein merged with Doctor Strange, who likened to a sculptor, he sculpts a Golem out of prima materia mud to give life unto; that or seeing him as a Palaeolithic Sorcerer Supreme sculpting a Venus figurine out of Mammoth bone, which of quintessential feminine form symbolises his proto-Hugh Hefner desire.

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Such a Playboy icon of a Venus figurine would of course require Tesla’s electrifying emotion to give life to her still lifeless corpse of sculpted clay, wood or bone, who will then manifest within his dreams as an interactive mind-doll Tulpa of lucid dream sorcery.

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If you allow your imagination to let rip, the Tibetan sorcery art of creating a Tulpa, would be taught to the Marvel comic character Doctor Strange, who, likened to Tesla, would apply his scientific mind to sculpting an inventors Muse of a Frankenstein Succubus out of his neurosurgeon thoughts to Mantra name, Clea.

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Alas, the Boaz and Joachim pylons of Marvel and Disney’s vast media empire will not allow for such an exploration of Tantric dream Sorcery.

This would be far too risky of a seven seal penetration into the shamanic lore of Bon-Po Buddhist Tibet, which might cause potential theological grief to the Abrahamic superhero audience, since occult Doctor Strange was born of the Carlos Castaneda Hippie era of LSD, going DMT.

Just as it was too risky having (Hellboy) Guillermo del Toro directing the film of Doctor Strange, with (Sandman) Neil Gaiman writing its esoteric script, whose occult leanings are well known.

Doctor Strange will instead be directed by (Sinister) Scott Derrickson with a screenplay, written by (Passengers) Jon Spaihts.

Although the actress Tilda Swinton of prior androgynous Gabriel fame, out of Abrahamic Hellblazer, will be playing the Aryan part of a Vril-ya Ancient One, of a sex change transformation into a probable Nordic dominatrix.

It is she, likened to Lord Of The Rings, Galadriel, who instructs Doctor Strange in the Holy-wood arts of reptilian brain-stem neuro-advertising magic, which of an art, Marvel and Disney are highly versed in of mass media hypnosis.

The question is, what is a Nordic Witch doing in snowy Tibet? Shouldn’t the Ancient One be played by an Asian actress, or better still, a Tibetan Dakini? Although, a Tibetan Witch would probably piss off the Chinese audience.

Perhaps the Caucasian Vril-ya dominatrix is a veiled Holy-wood reference to the Lioness Vril Society, whose war-drobe coven of Witches are said to have channelled information about a ‘Tesla’ flying disk of a time machine.

It is said of myth making conspiracy theory that Operation Paperclip later appropriated the ‘Tesla’ Vril disk from the Nazi’s, who were infatuated with finding an Aryan super-race in the icy hinterlands of Tibet.

Anyway, as for for Tesla’s Doctor Strange surname, it may allude to a (phallic) ‘wand’ like tool for woodworking, which could have been used for sculpting Mammoth bone of a prior age.

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Or maybe the name of Tesla refers an artists brush, painting a cave wall, or a later, pencil? Whatever the case, Tesla’s surname might have been an occupational (Shaman) title.

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Then again Tesla’s surname may have originally been derived from the book of Genesis, wherein one finds the Hebrew word ‘Tzela’ or ‘Tsela,’ whose term refers to the rib bone of Adam, from which the Venus figurine of Eve was sculpted.

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However, a Biblical scholar has put forth a controversial argument that Eve was in fact made from Adam’s ‘erect penis,’ not that of his rib; wherefore Eve was created from Adam’s electrifying erotic desires.

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The Biblical scholar and Golem Professor, Ziony Zevit of the American Jewish University in Maryland has suggested that Eve was made from Adam’s ‘baculum’ or penis bone, which of rabbinical logic is why man does not have a phallic bone, until experiencing a boner, around a Venus in Mammoth furs.

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Professor Zevit, explained that the Hebrew word ‘Tsela’, doesn’t actually translate as ‘rib,’ which is instead referring to the erect limbs sticking out sideways from an upright human body.

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Hence Eve’s surprising origin from Adam’s erection, which of course requires the consummate visualisation skills of a Doctor Strange as well as having a Playboy grimoire focus of a sculpted icon, for the left-hand path to go pumping, while to imagine Eve giving a ‘B-oaz and J-oachim.’

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The word ‘Tzela’ or ‘Tsela’ is used in several differing ways within the Old Testament, which Professor Zevit claims have invariably been misinterpreted by the numerous translators down the ages, who have quite forgotten all those Palaeolithic Venus figurines sculpted by shamans, which to have been the prior ‘Anima’ focus upon the altar, within the inner ‘temple’ of their consciousness to alter.

Zevitt claims that Tzela refers to any protruding part of the human anatomy, including feet, arms and penis. Zevit to have said, “Of these appendages, the only one lacking a bone is the penis.” 

Zevitt’s scholarly peers of Biblical symbolism are of course unconvinced by his claims; his critics to laughingly point out that the word ‘Tzela’ means rib in post-Biblical Hebrew. Although Zevitt’s critics to laugh, Adam’s rib, doesn’t make any symbolic sense at all, unless their Adam is into barbecued spare ribs of politically correct symbolism. But if ‘Tezla’ does in fact refer to penis, then it will give you an insight into an ancient practice of Tantric dream sorcery.

For example, Tesla was a highly adept lucid dreamer, who could sculpt his dreams into many a futuristic invention to then manifest of 1200 patents to his name, of a world record. It was his innate ability to consciously dream that set Tesla aside from other inventors.

Tesla ushered in the modern age, who invented A/C current, Radar, the Fluorescent light bulb, the Radio, Rotating Electro Magnetic field, the X-Ray, as well as many another futuristic invention, such as a supposed flying disk and even a time machine. Some of Tesla’s inventions were utilised by Reagan’s shadowy Star Wars project, let alone being the A.I. messiah of robotics.

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Perhaps Tesla had conjured up a knitted together inventors Muse of a ‘Tzela’ Succubus in order to spin his electrifying electron dreams to tune into futuristic possibilities of lucid dream time travel; just like a Palaeolithic shaman Sorcerer Supreme of a Doctor Frankenstein, sculpting a Playboy Venus figurine of a ‘Tsela’ Eve, to thence Doctor Who ride her as his Night-Mare TARDIS through time, via his eroticised dreams.

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