Archive for Tantra

VRIL GIRLS

Posted in Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 10, 2016 by FAUSTUS CROW

Goetia Girls: UFO Vril Girl by GHOSTCROW1

After WWI, of swinging twenties, and just prior to WWII there was an avid interest in far Eastern mystical disciplines, which was especially the case in Vienna. Many of those who were interested in the occult lore of the far East, were inspired by the work of Helena Petrovna Blavatsky. She was a Russian emigrant to America, who soon became the Queen Bee of the New York based Theosophical Society. Her larger than life influence initiated the later Newage movement.

A number of members who belonged to the Theosophical Society believed that Edward Bulwer Lytton’s 1871 novel, Vril: The Coming Race, was literally based on fact, who sought to discover the Pellucidar realm of the subterranean super-race called the Vril-ya.

However, much of the occult lore of the far East had been misinterpreted by the European mind-set, which of a habitual perception, due to its Conquistador religious indoctrination, has forgotten how to dream as a Horned Shaman. It is the Horned Shaman who knows the ‘Seventh’ Seal secret of the ‘X’ Rune of Gebo.

The ‘X’ Rune of Crossed-Key ‘Crossbones’ represents ‘Trance,’ of the little death ingress into the dream, whose inner light illuminates your ‘Skull.’ The key-secret of the ‘X’ Rune had been forgotten due to the ascendancy of the Church of Rome, which had nigh eradicated shamanistic practices across Europe, of a prior holocaust of Witch burning genocide.

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Your pagan ancestors fought back; but the Christian holocaust lasted for at least 500 yrs of inquisitional terror. Wherefore, the elder understanding was lost. Hence the underworld of Agharti, and the realm of Shamballa, which had been tied in with the Vril-ya, was misinterpreted by Conquistador Christian’s as being actual geographic locales. This has led to a number of Indiana Jones conspiracy theories, woven by Christian researchers, concerning the Nazi party attempting to discover their temporal reality, which is said to have been inspired by Blavatsky’s metaphysical theories concerning eugenic root-races preying on one another.

The truth of the matter was that the Nazi’s were aided and abetted in their eugenic agenda by the American eugenics movement. Eugenics was practiced in the United States many years before the eugenics programs in Nazi Germany; the U.S. eugenics movement provided much of the information and materials for the Nazi eugenics programs to create their super-race.

Blavatsky like many another during her time were influenced by eugenics, She, and her then peers had a disdain for anything they considered to be primitive; it was the common mind-set of the time. (NOTE: The Artwork below is available as an Art print. If you are interested, Please Click the Image Link.

Blavatsky either ignored, or did not understand that the far Eastern disciplines of Tibet have their ancient roots in what she considered to be the primitive practices of Shamanism, whose orientation concerns its self with trance induction and conscious dreaming, which enables a practitioner to experience shifts of consciousness into other realities.

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AGHARTI: is associated with a shift of consciousness towards the (Cerebellum) back of the head, which of a sensation is experienced as falling into the centre of the Earth via an initial (emptiness/void) phase of an abyss or tunnel. When to consciously awaken at a destination within the dream, the practitioner experiences being in another reality. Agharti is usually associated with past ancestral memories; whether they be human or non-human.

SHAMBALLA: is associated with a shift of consciousness above the (Cerebrum) head, where the practitioner feels as if he/she is flying up into a (emptiness/void) tunnel; when to consciously awaken at the dream destination; the practitioner will experience being in another reality, which is to do with accessing information in the future.

In many of the far Eastern disciplines and that of other shamanistic traditions there is mention of an energy, which is often described as being like liquid light or living flame, illuminating your dreams. This liquid light has many names, such as the Hindu, Prana, Chinese, Chi or Austronesian, Mana etc. The Kalahari Bushmen of South Africa call it Num, which initiates trance, they term as Kia.

In pre-WWII Vienna, it was called Odic force, which is named after the Shamanic Norse deity, known as Odin, whose name translates as Od/Light/Ecstasy/Trance – In/Master. Odin is equivalent to the ancient Greek deity called Hermes, the Roman’s knew as Mercury. The Saxon’s knew Odin as Woden, whose name lean’t its self to Wednesday. The name of Odin was originally derived from the Southern Siberian Altay name, Odqan, which means Fire King.

The Odic force is also associated with Wilhelm Reich’s Orgone energy. The term Od, gave rise to the word ‘Odd,’ which of an original meaning described an altered state of consciousness.

The word of Od, may have originated from the African root-word, ‘Odun,’ which means virtually the same as Odqan and Odin. Whereas others had utilised the term of Vril for the liquid light, which illuminates the inner reality of your dreams.

The liquid light, which illuminates your dreams is that of the Bio-Photon emission emanating from your Mitochondrial DNA. The Mitochondrial DNA is passed down from the mother to her children; wherefore the liquid light (Vril) has a female source.

This intuitive (Biospheric TV) understanding is communicated by Odqan’s female counterpart, called Yal-un eke, who is the mother of fire. As for Odin’s female counterpart, she is called Frigga, who is Goddess of the hearth, of similarity to the ancient Greek Goddess Hera. In ancient Rome she was called Diana-Lucifera, the Christian’s had transformed into their machismo Lucifer.

Diana is the Roman name for Artemis, whose twin brother is Apollo, both of whom are said to have come from the land of Hyperborea, beyond the North Wind. The ancient Greek poet Aristeas sought out Apollo, which led him as far as Mongolia. But he didn’t quite make it to the Hyperborean realm of the Altay to discover that Apollo was Odqan; whereby Artemis is Yal-un eke.

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Odqan is a term for a shaman, who has mastery over the inner fire of Yal-un eke. The Hindu’s called the female source of the inner fire, Shakti, whose myriad manifestations manifest as the Dakinis when to arouse the (fire snake) Kundalini, which arises through the seven Chakras along your spine.

The Dakinis were seen to reside within the seven (planetary spheres) Chakras as their (Endocrine System) abodes. They are often described as being faerie sorceresses, or Witches, who are associated with the dream domains of Agharti and Shamballa. The term Dakini is also given as a title to a physical woman; basically, she is a female shaman who is highly versed in Tantric magic.

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The Shakti of the Hindu, Carl Jung termed as the alchemical ‘Anima’ within the psyche of a male; whereas the female has her ‘Animus,’ which empowers her internal self-image as a Goddess. In Tibetan (Tantric) Buddhist practice a male practitioner mediates upon an ‘Erotic’ image of a (Succubus) Dakini, in order to conjure her up within his dreams, which is an initial stage of creating a Tulpa.

The internalisation of the sexual impulse negates the terror of hypnagogic trance. The conjured Dakini then empowers the male practitioner to assume the Avatar of a particular Buddha within a (Agharti/Shamballa) lucid dream.

The Dakinis are of similarity to the Valkyries, who are the handmaidens of Odin. which leads you to the temporal (Vril/Odic force) priestesses of Odin, you can otherwise term as the Vrilerinnen. The Vrilerinnen are said to be the Tantric Kama-Sutra priestesses of the Vril society who had seductively persuaded the big-business Masons of the Thule Society to build a flying disk.

You can’t have the Vril Society without the ‘Mercurial’ trance medium, Maria Orsic, who like Blavatsky, is said to be the Queen Bee Witch of the Vril Gesellschaft. She was no doubt highly versed in arousing the Vril along her axis-mundi spinal column, which the alchemists had otherwise termed as the ‘Mercurius,’ before initiating trance ingress into the (back-of-the-head) Agharti sphere of the ‘Moon.’

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Orsic’s name is rather intriguing of nigh Catholic connotations, being that of Mary, while Orsic, means Divine Ruler, which leads you to an Aryan Mary Queen Of ‘Seventh’ Heaven, having peroxide blond hair.

It appears that someone has attempted to create a German version of Helena Petrovna Blavatsky, whose Theosophical Society has been transformed into the Vril Society of a Witches Coven.

Most of the conspiracy tales about a Nazi occult society investigating the Vril is based upon what Willy Ley said, who was a German rocket engineer. Ley had emigrated to the United States in 1937. In ‘1947,’ he published an article in the science fiction magazine, Astounding Science Fiction, entitled: ‘Pseudoscience in Naziland’. Ley related:

“The next group was literally founded upon a novel. That group which I think called itself Wahrheitsgesellschaft — Society for Truth —and which was more or less localised in Berlin, devoted its spare time looking for Vril.” 

Ley did not utilise the terminology of the Vril Gesellschaft when describing the Wahrheitsgesellschaft, which appears to be none too different to a Berlin branch of the Theosophists, whose members were, and still are intrigued by the Vril.

Maria Orsic’s modern appearance of Creepypasta design, makes her out to look almost like an Aryan Marilyn Monroe of an archetypal Venus icon, who as a White Rabbit is said to have remote-viewed a Vimana Time Machine, which is commonly described as a flying disk. Her remote-viewed Time Machine, as mentioned prior, was then financed by the Thule Society. Perhaps it was of similarity to Nikola Tesla’s anti-gravity device? Orsic is somewhat likened to the ‘feline’ Norse Witch Goddess Freyja of the inner fire, who is the dream mistress of the Valkyries.

The photographs of Maria Orsic appear to be badly photo-shopped in order to illustrate the Creepypasta viral-meme of the Vril mystique, which of design may have been subversively orchestrated in order to divert attention away from discovering the lost ancestral-self-identity of the European’s, let alone to hide right-wing Christian atrocities behind a veil of Nazi UFO-lore.

But more likely it is a further elaboration of the Nazi UFO mystique, involving interdimensional (Incubi: manifestations of the ‘Animus’) Aliens dallying with orgiastic Witches. which is a potent archetypal mix.

As you may know, one of the abilities of a Witch is that of remotely viewing the future, which could be applied to accessing information about a futuristic technology. Such a ‘Stargate’ ability would be sought out by the Military Industrial Complex, whose scientists are intrigued by ‘Vimana’ Time-Machines.

So, if Maria Orsic had actually existed, or to otherwise creatively evolve the Creepypasta, she would have probably been abducted by Operation Paperclip, to then sojourn in an Aldebaran Area 51 underworld laboratory, of a Vril Gesellschaft Dreamland; wherein she to lucid dream of remote-viewed futuristic technologies, for the Industrial Military Complex, of the Star Wars Neuordnung.

Of course whatever futuristic technological information is accessed will have to be tested in the real world, just as the Nazis did, who were at least fifty years ahead of the Allies. Whereas now, behind the scenes, the appropriated technology may be at least a hundred years or far more ahead than what is publically known about, apart from observing UFO’s hovering all over the place, piloted by Valkyries, or to otherwise crash in remote places, with the United States army ‘always’ awaiting their angelic fall.

A time travel technology would be a prerequisite for deep space travel; whereby we are very likely surrounded by our time travelling descendants, who to freely journey between alternate realities within the ‘Seventh’ dimension. In other words a time travel capable civilisation of our future descendants completely envelops your own, just as your civilisation surrounds an unknowing stone age tribe in the Amazon jungle.

Many may consider remote viewing the future to be rather implausible, since this could potentially lead to generating ‘alternate realities.’ But you will find that Nikola Tesla experienced vivid lucid dreams via which he accessed technological information, whose inventions ushered in your modern age of a Coming Race, circled around the splitting of the WWII (Atum) Atom; wherefore you are all now as the Vril-ya.

NOTE: The Chevron/Vector of an ‘Arrowhead’ design is an ancient ‘archetypal symbol,’ which stirs the subconscious mind; wherefore, it is nigh instantaneously understood by many, as to what it is communicating without words. Hence its utilisation by NASA and other space agencies, along with its usage in Star Trek, whose technology may have already been attained in secret, let alone to be getting ever closer; that’s if we don’t destroy ourselves first, of a religiously ‘programmed’ suicidal-impulse, which is that of a self-fulfilling prophecy End Of Days!  

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DOCTOR STRANGE TESLA FRANKENSTEIN

Posted in Art, Chaos Magic, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 31, 2015 by FAUSTUS CROW

The inventor Nikola Tesla is very similar in many respects to the fictional character of the mad scientist Doctor Frankenstein, since Tesla was a Doctor Strange mage of electricity who had captured the power of the Vajra lightning bolt; whereupon Tesla’s DNA Helix coil is often utilised in many a Frankenstein movie animating corpses; although in reality, Tesla’s Doctor Strange genius ushered in the science of robotics.

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You could then envisage Tesla as being like Doctor Frankenstein merged with Doctor Strange, who likened to a sculptor, he sculpts a Golem out of prima materia mud to give life unto; that or seeing him as a Palaeolithic Sorcerer Supreme sculpting a Venus figurine out of Mammoth bone, which of quintessential feminine form symbolises his proto-Hugh Hefner desire.

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Such a Playboy icon of a Venus figurine would of course require Tesla’s electrifying emotion to give life to her still lifeless corpse of sculpted clay, wood or bone, who will then manifest within his dreams as an interactive mind-doll Tulpa of lucid dream sorcery.

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If you allow your imagination to let rip, the Tibetan sorcery art of creating a Tulpa, would be taught to the Marvel comic character Doctor Strange, who, likened to Tesla, would apply his scientific mind to sculpting an inventors Muse of a Frankenstein Succubus out of his neurosurgeon thoughts to Mantra name, Clea.

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Alas, the Boaz and Joachim pylons of Marvel and Disney’s vast media empire will not allow for such an exploration of Tantric dream Sorcery.

This would be far too risky of a seven seal penetration into the shamanic lore of Bon-Po Buddhist Tibet, which might cause potential theological grief to the Abrahamic superhero audience, since occult Doctor Strange was born of the Carlos Castaneda Hippie era of LSD, going DMT.

Just as it was too risky having (Hellboy) Guillermo del Toro directing the film of Doctor Strange, with (Sandman) Neil Gaiman writing its esoteric script, whose occult leanings are well known.

Doctor Strange will instead be directed by (Sinister) Scott Derrickson with a screenplay, written by (Passengers) Jon Spaihts.

Although the actress Tilda Swinton of prior androgynous Gabriel fame, out of Abrahamic Hellblazer, will be playing the Aryan part of a Vril-ya Ancient One, of a sex change transformation into a probable Nordic dominatrix.

It is she, likened to Lord Of The Rings, Galadriel, who instructs Doctor Strange in the Holy-wood arts of reptilian brain-stem neuro-advertising magic, which of an art, Marvel and Disney are highly versed in of mass media hypnosis.

The question is, what is a Nordic Witch doing in snowy Tibet? Shouldn’t the Ancient One be played by an Asian actress, or better still, a Tibetan Dakini? Although, a Tibetan Witch would probably piss off the Chinese audience.

Perhaps the Caucasian Vril-ya dominatrix is a veiled Holy-wood reference to the Lioness Vril Society, whose war-drobe coven of Witches are said to have channelled information about a ‘Tesla’ flying disk of a time machine.

It is said of myth making conspiracy theory that Operation Paperclip later appropriated the ‘Tesla’ Vril disk from the Nazi’s, who were infatuated with finding an Aryan super-race in the icy hinterlands of Tibet.

Anyway, as for for Tesla’s Doctor Strange surname, it may allude to a (phallic) ‘wand’ like tool for woodworking, which could have been used for sculpting Mammoth bone of a prior age.

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Or maybe the name of Tesla refers an artists brush, painting a cave wall, or a later, pencil? Whatever the case, Tesla’s surname might have been an occupational (Shaman) title.

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Then again Tesla’s surname may have originally been derived from the book of Genesis, wherein one finds the Hebrew word ‘Tzela’ or ‘Tsela,’ whose term refers to the rib bone of Adam, from which the Venus figurine of Eve was sculpted.

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However, a Biblical scholar has put forth a controversial argument that Eve was in fact made from Adam’s ‘erect penis,’ not that of his rib; wherefore Eve was created from Adam’s electrifying erotic desires.

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The Biblical scholar and Golem Professor, Ziony Zevit of the American Jewish University in Maryland has suggested that Eve was made from Adam’s ‘baculum’ or penis bone, which of rabbinical logic is why man does not have a phallic bone, until experiencing a boner, around a Venus in Mammoth furs.

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Professor Zevit, explained that the Hebrew word ‘Tsela’, doesn’t actually translate as ‘rib,’ which is instead referring to the erect limbs sticking out sideways from an upright human body.

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Hence Eve’s surprising origin from Adam’s erection, which of course requires the consummate visualisation skills of a Doctor Strange as well as having a Playboy grimoire focus of a sculpted icon, for the left-hand path to go pumping, while to imagine Eve giving a ‘B-oaz and J-oachim.’

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The word ‘Tzela’ or ‘Tsela’ is used in several differing ways within the Old Testament, which Professor Zevit claims have invariably been misinterpreted by the numerous translators down the ages, who have quite forgotten all those Palaeolithic Venus figurines sculpted by shamans, which to have been the prior ‘Anima’ focus upon the altar, within the inner ‘temple’ of their consciousness to alter.

Zevitt claims that Tzela refers to any protruding part of the human anatomy, including feet, arms and penis. Zevit to have said, “Of these appendages, the only one lacking a bone is the penis.” 

Zevitt’s scholarly peers of Biblical symbolism are of course unconvinced by his claims; his critics to laughingly point out that the word ‘Tzela’ means rib in post-Biblical Hebrew. Although Zevitt’s critics to laugh, Adam’s rib, doesn’t make any symbolic sense at all, unless their Adam is into barbecued spare ribs of politically correct symbolism. But if ‘Tezla’ does in fact refer to penis, then it will give you an insight into an ancient practice of Tantric dream sorcery.

For example, Tesla was a highly adept lucid dreamer, who could sculpt his dreams into many a futuristic invention to then manifest of 1200 patents to his name, of a world record. It was his innate ability to consciously dream that set Tesla aside from other inventors.

Tesla ushered in the modern age, who invented A/C current, Radar, the Fluorescent light bulb, the Radio, Rotating Electro Magnetic field, the X-Ray, as well as many another futuristic invention, such as a supposed flying disk and even a time machine. Some of Tesla’s inventions were utilised by Reagan’s shadowy Star Wars project, let alone being the A.I. messiah of robotics.

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Perhaps Tesla had conjured up a knitted together inventors Muse of a ‘Tzela’ Succubus in order to spin his electrifying electron dreams to tune into futuristic possibilities of lucid dream time travel; just like a Palaeolithic shaman Sorcerer Supreme of a Doctor Frankenstein, sculpting a Playboy Venus figurine of a ‘Tsela’ Eve, to thence Doctor Who ride her as his Night-Mare TARDIS through time, via his eroticised dreams.

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DREAM BOOK SUCCUBUS GRIMOIRE

Posted in Alien, Anime, Art, Chaos Magic, Comics, Demon, Demonology, Devil, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Manga, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 25, 2015 by FAUSTUS CROW

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A grimoire is a textbook of magic, which is the literary fare of Harry Potter. These books typically have instructions on how to create magical objects, like talismans and amulets, as well as to how to perform magical spells, charms and divination.

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A grimoire also lists supernatural entities, such as Angels, Spirits, and Daemons, which are sometimes liberally illustrated; they are somewhat likened to that of art books; although they are more like proto-comics in style.

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The illustrated entities, which populate a grimoire, are of similarity to a Yidam. A Yidam is essentially a two-dimensional image, which is seen to be a repository for a type of deity associated with Tantric or Vajrayana Buddhism.

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The Yidam usually depicts a deity, who is shown copulating with a female counterpart, called a Dakini; the imagery of which tends to be highly erotic. The term, erotic, is the operative word here, not pornographic! Those whom castigate this practice as being merely pornographic entirely miss the point of Dream Yoga, more so those who indulge in externalising it of base hedonism.

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The deity is considered to be a particular manifestation of Buddhahood, as well as the enlightened mind of the Yogi; whereas the Dakini represents the creative power of the deity.

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In medieval Europe a Dakini would otherwise be termed as being a Succubus; although, a Dakini is also like a Genie as well as being an inspiring Muse.

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During personal meditation (Sadhana) practice, the Yogi identifies himself with the focussed upon deity, which represents an attribute, power and state of mind the Yogi seeks to assume, of an inner-self-image, for the purpose of self transformation.

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The Yogi visualises himself copulating with the Dakini, as her deity, which is depicted in the Yidam; whereby he introverts his sexual impulse. This will enable the Yogi to implant his now sexually charged desire into his subconscious mind.

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The introversion of the sexual impulse will then empower the emotive spin of his electron dreams; the goal being to attain a lucid dream, within which the Yogi consciously experiences copulating with the Dakini, who is a bio-photon aspect of the Shakti (Electron) power of the dream.

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The Dakini will then enable the Yogi to assume the guise of the (strange attractor) deity, since the (informational associative fractal) dream, which is the (Shakti) power of the Dakini, will reflect him back as the deity.

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The Dakini is sometimes seen as a self created thought-form, which is termed as being a Tulpa. A Tulpa can be constructed from varying symbolic stimuli like that of knitting together a Frankenstein’s creation of a Golem, this is done consciously of artistry; there is nothing strange or unnatural about this creative process, since your dreams are already populated with Tulpas.

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The practice involves working towards the chosen Tulpa construct manifesting into three-dimensional form as a fully interactive reality.

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As mentioned, this is very much the case within a lucid dream, which is the initial phase of a Tulpa manifestation. It is also believed that a Tulpa can manifest into physical reality; although this only occurs on very rare occasions, for a brief time, as a kind of Ghost, which tends to be only seen by the operator. However, such a conjuration into physical reality usually manifests as associative synchronicities, which is sometimes followed by corresponding poltergeist phenomena.

When a lucid dream is achieved, the dream will be the three-dimensional experiential manifestation of the two-dimensional image of the Yidam.

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In other words, the three-dimensional experiential inner reality of the dream will be pre-programmed by the focused upon two-dimensional Yidam.

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The Yidam would equate with an illustration of a spirit in a grimoire. The term, Yidam is sometimes translated as meaning, meditational deity, or, tutelary deity.

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Examples of Yidams include the meditation deities of, Chakrasamvara, Kalachakra, Hevajra, Yamantaka, and Vajrayogini, all of whom have a distinctive iconography, with associated mandalas and mantra rites of conjuring them as Tulpas.

You can then see a grimoire being illustrated with Yidams of the spirits, which have accompanying mandala sigils and seals, as well as having mantra names, via which a practitioner can conjure the spirits as Tulpas within his/her lucid dreams.

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Not all Yidams depict a deity copulating with a Dakini; many of which just illustrate Dakinis, upon whom the Yogi meditates, while imagining himself sexually engaging with them of Dream Yoga.

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This is of course dependent on whether the Yogi is of a heterosexual persuasion or even of a bisexual orientation.

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A Dakini can be depicted of modern expression as a female character out of a comic, Manga or Anime who symbolically represents a psychic power or an ability the practitioner seeks to attain.

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A Dakini can even be seen as an alien girl, piloting a time travelling UFO of a TARDIS, who represents (Sleipnir) information pertaining to the Star Trek future, to thereby remote view via a lucid dream by the practitioner, who has assumed the (deity/Odin) guise of a ‘Dr Who’ shaman.

Whatever form the Dakini is depicted as, of a two-dimensional Yidam painting, it will determine the type of scenario the practitioner will access of a three-dimensional interactive reality within a dream.

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The male version of a Dakini is called a Daka, which is the primary focus of the patriarchal grimoires; hence, I have totally reversed their all male (Daka) paradigm, towards that of the female (Dakinis) of ‘Anima’ preference.

Although, if your sexual orientation is otherwise predisposed, you can stick with conjuring up Daka Angels and Demons of traditional commonality, betwixt and between your ‘Animus’ fixation upon a machismo God and a butch Devil seeking to enter unto your orifice.

This fact of symbolic logic can either put a broad smile on your knowing face when to become as the Shekhinah vessel for your God, or for you to rapine scream that you are being possessed, due to your sheepish ignorance. Well, what do you bloody expect, a male does enter into a woman, it’s ‘fucking nature!’

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GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON CREATESPACE, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: CREATESPACE PREVIEW, CLICK HERE

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

The COLOUR version of Book Two will soon be published. The cover artwork below is for the Black & White version of book Two.

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

Book Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Createspace and Amazon.

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BARBARELLA UFO SPACE CHICK ASTAROTH

Posted in Alien, Art, Chaos Magic, Comics, Discordianism, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 12, 2015 by FAUSTUS CROW

Jane Fonda stars in Roger Vadim's futuristic space adventure 'Barbarella'. The story is based on the comic strip created by Jean Claude Forest, 6th July 1967. Costumes by Paco Rabanne.

The 29th spirit of the Goetia is named Astaroth (also Ashtaroth, Astarot and Asteroth). The name of this spirit was originally derived from the Mesopotamian sex Goddess called Astarte, whose name means, Queen Of Heaven; she is essentially an interstellar space chick. However, the closeted medieval grimoires list her as being a male Demon suffering from a bad case of halitosis, which is somewhat laughable.

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Astaroth (Ashtaroth) evolved into becoming Ashtar, of Star Command. Ashtar (sometimes called Ashtar Sheran) is the name given to an extraterrestrial being or group of beings, some people claim to have channelled through their addled brains since the Roswell incident, involving a probable German Valkyrie flying wing of a first WWII stealth jet fighter, and George Adamski’s Californian visitations from eugenic Nordic aliens.

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UFO contactee George Van Tassel was the first to claim that he had received a brain zap message, from Ashtar during 1952.

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Curiously, you also have a supposed message from Ashtar Star Command, which interrupted a British TV broadcast during November 26th, 1977.

There have been other such channellings from busy Ashtar down the years, since 1952, who is usually described as being a Chippendale hunk male, looking like an Aryan Christ, which has led to the butch Ashtar movement being studied by academics as a prominent form of Gnostic Christian UFO religion.

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Astaroth has been featured in a couple of films, although, mostly of the horror variety; one of which was the stylish Hammer House of Horror movie: To The Devil A Daughter, which was loosely based upon a novel by Dennis Wheatley. The film features a group of practicing Satanists who have prepared the principle character named, Catherine to become the hot-star avatar of Astaroth upon her eighteenth birthday. However, it makes far more sense when Astaroth is seen to be Astarte, since sex is considered to be the first sin.

Although the first sin should be that of, ignorance. But, in order to avert the sin of ignorance, so that you can avoid being controlled by a tyrant, who uses ignorance as a tool of mind-control, you have to then taste of the tree of knowledge; or if you are so predisposed, to partake of Peyote.

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Alas, you might just find yourself being cast out of your Eden (Edom), by one of the 72 ‘Shemhamphorasch’ Fusion Centres, if you ask too many informed questions; more so if you nibble on Peyote.

Edom was originally a city situated in ancient Sumeria, to thence be followed by Babylon, to verily be buried under war torn Baghdad in Iraq, from whence Abraham first stemmed, where Astarte was prior known as the sex goddess, Ishtar. Hence you have Ashtar, before the habitual closeted sex change into an Abrahamic Animus fixation.

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Another movie, which mentions Astaroth; though briefly, is the innovative horror film: Ghoulies; the film features one of those very rare cinematic moments, in which a genuine ritual magic conjuration is featured, right out of the Goetia; so, if you want to conjure up Astaroth as a hot space chick Succubus, said film may lend inspiration to your ritualistic performance art.

Astaroth, who was originally Astarte, can be easily equated with the sexy science fiction Anima character of Barbarella. Her character has since become iconic; but only because she has been based upon an archetypal influence of a Venus focus.

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The artist Jean-Claude Forest first conjured up the character of Barbarella, for serialization in the French magazine V-Magazine, back in the Hippy spring of 1962. During 1964, Eric Losfeld later published Forest’s strips as a stand-alone book, under the title Barbarella. The stand-alone version caused a public scandal, due to its perceived politically incorrect sexuality, which became known as the first ‘adult’ comic-book.

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During 1968, Barbarella was translated into a French-Italian science fiction film, directed by Roger Vadim, The film starred Jane Fonda as Barbarella, who verily became an Astarte sex symbol.

Jane Fonda loves the fact that lots of little boys secretly whacked off their priapic meat during the 60’s, when to have ritualistically focused their sexual awakenings upon Anima images of sexy Barbarella: “I like the fact that boys of a ‘certain age’ of that time had their first fantasies from watching me in that movie. A lot of them told me about it,” Fonda said. “They still do from time to time. And now they’re grown up. I think that’s pretty cool.”

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There are still lots of boys of a ‘certain age’ who continue having the hots for Barbarella Fonda, whenever there is a rerun of her Astaroth movie. Another fact concerning Astaroth, I mean, Astarte, apart from being a sexy Tantra space chick from seventh heaven, she’s also into consciousness expansion, which can involve partaking of power plants, such as the aforementioned Peyote, for example; of which the author Carlos Castaneda spoke extensively about. It just so happens that Barbarella Fonda is into the shamanic use of Peyote:  “It’s pretty wild. You throw up a lot,” she to have said. Well, as Castaneda communicated, you have to purge yourself of the inner crap before you can transform your leaden consciousness into gold.

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Barbarella Fonda also related what she likes about Peyote: “Well, you have visions,” she explained. “It’s not my drug of choice; I’ve never had any profound visions, but many of my friends have. You see incredible shapes and colours and patterns, and sometimes you have cosmic breakthroughs. I haven’t.”

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There was going to be a movie remake of Babarella, the most serious planning of this began, back in early 2008. The Barbarella remake would have been produced and released by Universal Studios, with one-time James Bond screenwriters Neal Purvis and Robert Wade penning the script, and Dino and Martha De Laurentiis heading as producers.

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‘Sin’ City, director Robert Rodriguez was slated  for the director of Barbarella. Early candidates for the role of Barbarella were actresses Erica Durance of the WB’s Smallville, Sienna Miller, and Rodriguez’s Grindhouse Amazon star, Rose McGowan.

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Amazon McGowan was eventually confirmed for Barbarella as the new grindhouse sex symbol out of ‘sin’ heaven. Alas, Universal Studios eventually backed out of the movie, probably because it was far too… adult. If you have a politically correct Disney version, it is no longer Barbarella; although some news sources speculated that it was due to studio executives doubting McGowan’s Astaroth ability to carry a big budget Ishtar movie, and that the studio had slashed the Ashtar budget, after learning of McGowan winning the Astarte role.

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Anyway, It presently appears that Astaroth, I mean Astarte or Ashtar, Ishtar; sorry, I mean Barbarella is going to be translated into a TV series by Online retailer Amazon, which is set to use the directing talents of ‘Drive’ director Nicolas Winding-Refn’s to direct Barbarella. The project has apparently been in the pipeline for some time now; hopefully it will not pander to politically correct feminists who secretly read 50 Shades Of Grey. According to Deadline, Amazon’s burgeoning studio arm has now got on board.

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A script for the series has already been penned by Neal Purvis and Robert Wade, who had originally worked on the prior defunct movie remake. Both of whom have written a raft of the recent Bond films, including Casino Royale and Skyfall.

Perhaps they may derive some Barbarella inspiration from Taylor Swift’s fem-Bond type video, to otherwise have Guardians of the Universe Space Girls, wielding ray guns, fighting bad-boy super criminal alien gangsters, let alone each other, of interstellar Cat-fights.

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Most curious, the title, Skyfall, kind of sums up Astaroth falling from heaven, likened to a Roswell crash to Earth, who as Astarte would be a science fiction pole dancing chick in a Casino Royale, that, or they will transform space chick Barbarella into an Anima version of Animus James Bond travelling the multiverse in her flying triangle Vimana, she to ‘Drive’ hard. Well, what do you expect; as a Succubus she has lots of little boys to abduct into her moist lucid dream UFO, to thence astral journey unto her seventh heaven dimension.

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SUCCUBUS DAKINI LUCID DREAM YOGA

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 25, 2015 by FAUSTUS CROW

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A Dakini is a female entity of dreams, who is known of in Tantric practice; she is of similarity to the European Succubus.

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There are many differing Dakinis; each of whom is unified with various alternate-selves (Avatars) of the Yogi, he can assume within (alternate reality) lucid dreams, which are empowered by the conjured Dakinis.

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Whereupon, the same perspective can be applied to the Succubae, when to conjure them out of a grimoire.

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The Succubae can be seen as governess’s who have governance over a myriad number of dream worlds, likened to beads threaded by a superstring.

Although a Dakini is similar to a Succubus, she represents far more as a feminine (Anima) embodiment of enlightened energy within the watery domain of the dream.

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This indicates that the phenomenon of the Succubus can be better understood, of Old Hag Syndrome dream visitations, when looking into what the Dakini represents. In the Tibetan language a Dakini is known as a Khandroma, which translates as the following: ‘void going woman, she who traverses the sky, she who moves in space, sky walker, or sky dancer.’

The Dakini is called upon of conjuration when practicing dream yoga, which is orientated towards attaining lucid dream contact with her; wherein she is akin to a Genie of Succubus wiles, who initiates the conjurer into the associated knowledge, of which she personifies as a knowledge/wisdom holder.

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A Dakini is associated with the arousal of the Kundalini Shakti, of which she is an energetic fluctuation, of its fire snake energy, as it arises along the spinal column of the practitioner.

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As the Kundalini fire snake arises along the spine, its feminine energy of Shakti activates the seven (planetary sphere) Chakras out of which the Dakinis emanate of differing (seal) expressions. Their various dream (metal) characters pertain to what they individually personify of inner knowledge.

A Dakini is so central to a Tibetan Buddhist practitioner attaining full enlightenment as a Buddha, that she appears in a Vajrayana formulation of the Three Jewels Buddhist refuge formula, which is known as the Three Roots. (Three Roots – Triangle Of Art.) 

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A Dakini commonly appears as the Dharma protector, sensuously sitting astride the lap of a guru and Yidam, with who she copulates of a sacred union.

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But Judith Simmer-Brown, who is a Professor and past Chair of Religious Studies at Naropa University, as well as being a prominent Buddhist scholar, points out:

“The Dakini, in her various guises, serves as each of the Three Roots. She may be a human guru, a vajra master who transmits the Vajrayana teachings to her disciples and joins them in samaya commitments. The wisdom Dakini may be a Yidam, a meditational deity; female deity Yogas such as Vajrayogini are common in Tibetan Buddhism. Or she may be a protector; the wisdom Dakinis have special power and responsibility to protect the integrity of oral transmissions.” 

As a key Tantric figure the Dakini can also be found in other forms of Tantric Buddhism, such as the Japanese Shingon school, from where she was disseminated into Japanese culture, who evolved into Dakini-ten; whereby becoming inextricably linked with the (Fox) Kitsune (Succubus) of ‘erotic iconography.’

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The origins of the Dakini had originally stemmed from ancient shamanistic practices, such as that of Siberian shamanism, whose shamans derive their powers from their conjured spirit wives.

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The spiritual focus upon the Dakini continues to this day as a part of Indian folklore; though generally in wrathful forms, which of a meditation practice remains a part of Hindu Tantra.

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Although the Dakini appears in Hinduism and within the Bön tradition, Dakinis occur most notably in Vajrayana Buddhism, who play a particular role in Tibetan Buddhism.

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The Tibetan Dakini, is generally seen to be of a highly erotic form, of infernal looks; her nature is volatile of wrathful temperament whose abode of a haunt is often that of the charnel ground.

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She initially manifests as an Old Hag Syndrome ‘Nightmare’ until the practitioner learns to overcome his fear to then ride her as his Mare of the Night; whereupon she will then become as his spiritual Muse of an inspirational (Tulpa) thought-form, who guides him into the dream to make lucid of awareness.

Dakinis are energetic (Tulpa) beings of (archetypal) Succubus form, who are erotically evocative of the microcosmic movement of energy (information) within inner space.

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In this context, the macrocosmic sky of space indicates Shunyata, the insubstantiality of all phenomena, which, at the same time, represents the dream-time Dakini potentiality for all her possible (planetary sphere) Succubus manifestations.

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DOCTOR DOOM CONJURES GOETIA GIRL VAPULA OORO MUNROE, SHE’S SUCH A STORM

Posted in Art, Chaos Magic, Comics, Cosplay, CREATIVE WRITING, Discordianism, Film, Goetia Girls, Horror, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 6, 2014 by FAUSTUS CROW

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Within the rancid skull of castle Doom, surrounded by the Eastern European iron forest of Latveria, the black magician Doctor Victor Von Doom made his way down a shadowed spiral stairway of ancient crumbling stone into the castle’s ritual chamber.

Within the ritual chamber of an infernal mind laboratory, Doom’s chief Tulpa engineer of the necromantic arts was apparently knitting together a Tulpa for Doom’s Solomonic spectral army of demonic slaves; or so Doom thought.

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Doom boomed out of an echoing voice as he entered the cavernous laboratory, which looked more like an arcane art studio, “I hear that you have accomplished the deed I set forth for you, doctor Frankenstein.”

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Frankenstein turned around from the canvas slab to which was bound a knitted together exquisite corpse of an oil painting, whose layers of paint involved the writing of intricate sigilic formulae around the Moon phases. Over these twenty eight layers of tattooed skin, the final painting was done.

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The finished work of ritual art was then covered by a silk black cloth depicting a copper coloured inverse pentagram.

“Yes, indeed, I have achieved what you asked of me, and far more.” Doom stared at Frankenstein; “more you say, most intriguing. But, I will be the judge of that. I desire to see this demonic grimoire Tulpa, I commissioned you to create, so that I will be enabled to control the weather systems of the whole world via its Necronomicon conjuration. With this catastrophic power I will destroy the old world, in order to initiate the return of the Golden Age under my New-World-Order dominion. Now, show me my new slave!”

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“Of course.” Frankenstein answered, as he pulled away the black silk cover revealing a life size painting of a most beautiful African woman. Doom was at first taken aback; “What in the nine Hell’s is this? I was expecting a classical death metal demon of medieval temperament. This creation is just a modern day glamour pin-up of Ooro Munroe. She looks like a Marilyn Munroe peroxide blond topping Halle Berry’s head; no different to an explicit mandala jerk off photo shoot for capitalist Playboy. If I conjure this, whatever it is, I will be thrown out of the OTO.”

He started to laugh, which is a bit of a rarity to say the least; hardly anybody laughs in medieval Latveria, least of all, grim Doctor Doom.

Frankenstein then said; “You don’t quite understand, Doom, she is the very essence of Ooro Munroe. This knitted together exquisite corpse is that of Munroe’s captured quintessence, now bound into planetary metals suspended in oils, to have accordingly coloured of dream sorcery, whose secret mantra name is Vapula.”

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Doom inquisitively looked at Frankenstein through the skull eye sockets of his shiny metal mask; “the quintessence of Ooro… her secret name is Vapula? explain!”

Frankenstein answered; “when you meditate upon the painting you repetitively intone the mantra name of Vapula; while to intermittently visualise her seal. This will enable you to initiate a hypnagogic state of trance. When you achieve the trance state, you can then evoke Vapula amidst your triangle of art imagination, which will then lead to a sixth sense lucid dream conjuration of her Succubus essence; whereupon you can then fully engage with her sensory reality, involving all of your inverted five pentagram senses.”

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Doom looked very perturbed, almost nervous; sweating even, to itch under his steamed up armour; “Succubus? What do you mean by the usage of this loaded term?”

Frankenstein wirily smiled to himself; “well, it’s somewhat self explanatory isn’t it doctor. You have to introvert your sexual impulse of a an emotional charge so that you can bring her to electrifying orgasmic life within your spun electron dreams. Wherefore Vapula then becomes as your most loving Frankenhooker mind-doll servant, who as a microcosmic Succubus Genie will service your every megalomaniac whim upon a macrocosmic synchronicity.”

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Doom shook his head; “I should have had you thrown into the deepest pits of the netherworld, long ago, Frankenstein, which is still on the Tarot cards.

The activation of this Tulpa requires my… ” Doom then nervously coughed, attempting to continue; “my sanctified Dr Strangelove seed of machismo prowess, which has to be kept eugenically pure at all costs. I cannot allow for this. I commissioned you to create a real Biblical demon; all bristling muscles, jagged spikes and serrated horns, or at the very least looking like one of Aleister Crowley’s phallic illustrations, or that of a morose H. R Giger Lovecraftian beast of writhing tentacles, siring Biblical end of days slaughter, when I desire it.”

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Frankenstein sighed in exasperation; “Your fixation upon the classical Abrahamic symbolic paradigm of a branded mind-set, will invariably lead to you becoming upended by conjured Incubi, who will duly possess your Biblical anus through your rusting ritual magic armour. But, if that is your indoctrinated Golden Dawn leaning, go right ahead of an OTO sexual orientation. Do what you wilt, as the saying goes. But you do realise that by conjuring the Succubus Vapula, she will empower you to assume the alternate guise of the Black Panther, within a lucid dream as your Buddha Avatar, and in so doing, you can access all of his abilities, when you bind her to your iron will.”

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Doom went silent for a moment, pondering the delicious possibility of entirely dominating Vapula and via her total subservience, she will enable him to acquire the power of the Black Panther.

Then Doom said; “this word, Vapula is derived from Vapulate, which means to flog, beat, whip or to strike, which has now perked up my sadomasochistic tendencies to dominate her. Tell me more about this Succubus, Vapula.”

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Frankenstein then explained; “Vapula is the Sixtieth Goetia Succubus, who is otherwise known as Naphula. She is a great, mighty and strong Duchess of the seventh dimensional planetary sphere. She at first appears in the form of a black Cat with Bat’s wings or that of a Sphinx, before assuming the exquisite form of Oroo Munroe, who, as you know, is also called Storm.”

“Her Witch office is to make her master knowing in all handcrafts and professions; also in philosophy, and other Fantastic Four DARPA sciences, such as those of Nikola Tesla, via whose X-Men science we now have the Avenger weather control technology of HAARP, she to reveal all about of remote-viewing.”

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“She governs over thirty six legions of Wakanda Succubae who emanate from Lilith’s Harem; and her seal or character, is thus depicted in her two-dimensional painting of a spirit repository, upon which you meditate in order to conjure Vapula into your three-dimensional lucid dreams.”

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Doom again went silent of pondering thoughts, before saying; “Vapula at first assumes the visionary form of a Witches Pussy Cat or that of an Egyptian Sphinx, you say; interesting. Tell me more about why she assumes the form of a feline Sphinx?”

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Frankenstein answered; “The word Sphinx, actually comes from the Greek, meaning, ‘to squeeze, to tighten up.’ The name is a reference to the factual observation that the hunters for a pride of Lions are the Lionesses, which kill their prey by strangulation, biting the throat of prey and holding them down until they die. However, the utilised symbolism, is that of an occult blind, which refers to an experience, termed as the Old Hag Syndrome or that of the Bedroom Invader. The Old Hag Syndrome usually occurs when a dreamer experiences sleep paralysis at the point of hypnagogic ingress into the dream, who is then assailed by a predatory Succubus. The presence of the Succubus can inspire intense fear in the dreamer, who will sense he is being strangled by his own nighmare made manifest, which could potentially lead to his physical demise.”

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Doom then interjected; “she sounds really dangerous, I like her!”

Frankenstein continued; “yes, she can be highly dangerous to the uninitiated who do not know her riddle. But when the fear is otherwise negated by the prior ritualistic Tantric introversion of the sexual impulse, the strangulation of the reptilian brainstem transforms its self into a erotic caress of a feminine hand to the back of the head. This then initiates a shift of consciousness towards the ‘hall of records’ cerebellum, where the dreamer consciously accesses the dream, who will then encounter the Succubus as his informing lover.”

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Frankenstein further related. “In Greek mythology, a Sphinx is represented as a daemon with a head of a woman, the body of a Lioness, having the wings of an Eagle, you could otherwise see as Gryphon’s wings, as well as sporting a serpent-headed tail. This symbolic formula refers to the arousal of an energy along the spinal column, which the adepts of Yoga call the Kundalini Shakti. The Kundalini energy is seen to have a female source. Whereupon you have a woman, who is termed as Shakti. This energy is often aroused by a visitation of a predatory Succubus, the Hindu, Buddhist or Tantric calls a Dakini.”

“Wherefore you have the motif of a Lioness, who will initiate an out of body experience, which is symbolised as the wings of an Eagle or Gryphon. The out of body experience, which is initiated by the visitation of the Sphinx will allow the dreamer to travel through time via his quantum dreams. This is the reason why H.G Wells had a Sphinx depicted upon the front cover of the first publication of his novel, entitled, The Time Machine. The Kundalini is also known as the fire snake; hence you have the serpent-headed tail of the Sphinx.”

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Doom lustfully smiled behind his mask, saying; “I am most impressed indeed. I think I will have to commission you to knit together more of these Succubae Mind-Doll’s for my spectral army, Frankenstein. In fact, my spectral army will be entirely comprised of Succubae. In the meantime, I will have my Latverian minions collect the grimoire painting to place in my bedroom, this very night of a much looked forward to conjuration. Oh! by the way, can I flog the painting with my Cat of Nine tails, while I masturbate…”

Doom to Freudian slip, who then had a hacking cough, to rectify of continuance; “I mean, meditate upon Vapula’s image, while whipping her essence into total submission to my divine will?”

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Frankenstein answered; “if it be your visualisation pleasure to do so of a Spirit Chain ritual, go right ahead, whip away, to your dark heart’s beating content.”

Doom stuck his mask nose up into the air of a perceived superiority to then flamboyantly turn away of dramatic sweeping cloak, leaving Frankenstein alone. Although, he wasn’t quite entirely by himself.

Frankenstein was surrounded by his necromantic comic art works of erotic knitted together Mind-Dolls. He waited until Doom was entirely out of psychic sight and clairaudient earshot before lighting up a Camel cigarette, who then merrily sauntered over to a hidden alcove, within which was another covered painting.

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Frankenstein whipped off the cover to reveal a life size painting of a naked female version of Doctor Doom.

Frankenstein knowingly smiled, saying to himself; “when I conjure you amidst my lucid dreams, my dear knitted together tin girl, of a dark delight, playboy Jupiter sphere Succubus; I will assume the guise of Doctor Doom. And in so doing, I will acquire all his abilities and powers, having total control over a spectral army of Goetian Succubae, who be all grimoire comic Marvel superheroines to erotically conjure amidst my triangle of art. Whereby I will attain dominance over the entirety of the Marvel universe, when I assume the Avatars of all the Marvel superheroes, who are empowered by their corresponding superheroine Succubae.”

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Frankenstein to have continued; “but I will not stop there; after conquering the Marvel universe I will move onto the superheroine Succubae of the DC universe and that of others myriad, of a multiverse, to fuck my way through, to rule over.”

Suffice to say, castle Doom was soon renamed castle Frankenstein; but at least he knows how to really Heyoka party of imaginative conjurations, let alone laugh away the moroseness of the indoctrinated medieval mind-set of the Lilliputian Latverian’s.

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GOETIA GIRL FURFUR, SHAMAN SPIRIT REINDEER OF SIBERIA

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 28, 2014 by FAUSTUS CROW

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Many a child has been hypnotised by the Christmas story of Rudolph the ‘red’ nosed Reindeer, which of a tale the Thirty-fourth Succubus of the Goetia called Furfur, refers to, who initially manifests amidst the Triangle of Art imagination as a Reindeer with a fiery ‘red’ tail. When a bright eyed child to grow up, becoming as a square headed adult, Rudolph, becomes as a mere fable, just a childhood recollection of opening up branded presents around a brand of a Christmas tree. But at a far deeper level of the collective unconscious the Christmas tree alludes to the multiverse world tree of the horned shaman.

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The multiverse world tree in old Norse was called Yggdrassill, upon which the Norse shaman deity named, Odin hung himself into trance, so that he could travel the tree of worlds from within his lucid dreams. The Saxon’s knew Odin as Woden, who the Christian’s later equated with St Nicholas, or to otherwise castigate as being Old Nick of a fiery ‘red’ horned Devil of Yin and Yang horns, who as a Reindeer horned shaman; when attaining trance ingress, Yin and Yang becomes as the Tao of a Sahasrara crown.

St Nicholas of an Old Nick or Santa Claus, whom was originally Odin/Woden indicates an ancient shamanic legacy from out of North Central Asia unto Siberia. A Siberian shaman would recognise Furfur as a shamanic power animal, which in the Goetia is a powerful Great Countess of the fifth planetary dimensional sphere of volcanic Mars, who rules over twenty-nine legions of Succubae.

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She initially manifests as a Reindeer with the breasts and arms of a woman, having Bat-like Nightgaunt wings, which allows her to carry her master throughout the myriad parallel universes of the multiverse world tree; for she initiates an out of body experience.

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Her tail, as mentioned, is often described as being on fire of arcing electric sparks, whom speaks with a seductive voice.

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She then assumes the form of a most beautiful Reindeer horned woman, who will willingly make love to her master as his spirit wife within his lucid erotic dreams, whom is highly versed in love magic, stirring shamanic visions of Siberia.

She can also raise lightning, thunder and great tempestuous electrical storms against her master’s enemies, whether they be temporal or spiritual. When commanded, she answers, both of remote-viewed secret and also of divine matters.

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She will initiate surrealistic visions until she is compelled into the Triangle of Art vision of her master; though such visions will be inspiring of shamanic artistry. Her name of Furfur, of mundane meaning, and that of an occult blind, means dandruff, indicating an experience of itching all over the body, like a prickly heat. However, the name Furfur refers to her bestowing the ability of generating an internal heat, which is termed Tummo in Yoga.

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You can thereby gauge that such practice is integral to the shamanic practices of the far North, which enables a horned shaman to survive the freezing conditions, under the pole star crowning the neural-net world tree, of his axis-mundi spinal column. The practice of which, as previously noted, initially initiates a sensation of a dandruff itch all over the body. This initial phase is to do with the shedding of the ego, which then leads to a sensation of growing ‘fur,’ as if there is a ‘fiery’ energy pouring out of every pore of the skin, before the shaman senses that his body has become as pure light.

A 1982 study of the physiological effects of Tummo had been conducted by Herbert Benson who is an associate professor of medicine at the Harvard Medical School and president of the Mind/Body Medical Institute at Beth Israel Deaconess Medical Centre in Boston. He firmly believes that studying advanced forms of meditation, “can uncover capacities that will help us to better treat stress-related illnesses.” He extensively studied Indo-Tibetan Yogis in the Himalayas and in India during the 1980s.

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Benson’s research was conducted in Upper Dharamsala in India. Benson found that the subjects under investigation, being three monks, exhibited the capacity to increase the temperature of their fingers and toes by as much as 8.3 °C.

In a 2002 experiment reported by the Harvard Gazette, which was conducted in Norseman Normandy, France, two monks from the Buddhist tradition wore sensors, which recorded changes in heat production and metabolism. Another 2013 study by Kozhevnikov and colleagues showed increases in core body temperature in both expert meditators from Eastern Tibet and Western non-meditators.

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The fiery tail of Furfur symbolically refers to the activation of the Kundalini Shakti to arise from the base (perineum) Chakra along the spinal column of the practitioner, whose shamanic trance practice of Tummo, can be utilised for healing purposes as well, which involves the shaman directing his internal (fire) heat towards an afflicted area of a patient.

This inner heat is also experienced during intense lovemaking where you will sense yourself entirely melding with your partner of Tantric union. The technique was also utilised by the (Norseman) Berserker warriors, which enabled them to attain great (martial) strength via ecstatic (howling/raging) shaman rites, when they had conjured up their Valkyrie spirit wives within their visions. Furfur will inform her master about such shamanic secrets, when to conjure her within his Siberian lucid dreams.

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However, If you be otherwise inclined of a traditionalist sexual orientation, to be enamoured with Crowley’s Biblical Goetia, you can evoke Furfur as an OTO Rudolph the red nosed Hart, who bisexual Crowley viral-meme illustrated as being a phallic fellow; I’m sure he would be most pleased indeed to arouse your indoctrinated perineum to set alight of a continued patriarchal brainwash.

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But should you be rebellious, evoke a Succubus tonight, to keep the Abrahamic exorcist at bay, whose monotheistic egregore seeks to possess your anus with a limiting belief system of mind-control; wherefore negating your shamanic legacy, through fearing a Reindeer Horned shaman as a Devil!

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