Archive for Spirit Horse

SHAMAN DRUM SIBERIAN TRANCE

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 22, 2017 by FAUSTUS CROW

The design features a Finno-Ugric Siberian shaman. The word Shaman originates from Siberia, which is said to be derived from the Evenki word “šamán,” most likely from the South-Western dialect spoken by the Sym Evenki peoples. If you are interested in the Art pint, shirt design, etc, Check Out my Redbubble shop, Please Click Here.

The Tungusic term, Shaman, was subsequently adopted by Russian explorers interacting with the indigenous peoples in Siberia. The word, Shaman can also be found in the memoirs of the exiled Russian churchman Avvakum.

The term Shaman has since been adopted by anthropologists as a coverall term for numerous other cultures who share similar shamanic techniques, which enable a practitioner to alter his/her (brain wave) states of consciousness.

The Siberian shaman in particular utilises the drum. The drum is often referred to as being an eight-legged-mare; which is in turn is associated with the abode of a (Anima emanation) Spirit Wife, somewhat like a genie in her (drum) bottle. In other words, the drum, Mare and Spirit Wife are seen to be the same. (The Eight legs of the Mare, being the eight compass directions of a symbol painted upon the skin of the drum, which is also associated with the motif of the World Tree.) 

The shamanic motif of the Mare and the Spirit Wife leads to the term ‘Nightmare,’ which originally referred to the Old-Hag Syndrome.

The Old Hag Syndrome is otherwise known as the Bedroom Invader Experience, which is experienced when an individual inadvertently accesses hypnagogic trance.

An unprepared individual will invariably become terrified when accessing hypnagogic trance, wherein he/she will experience the manifestations of his/her deepest fears, which often involves sexual scenarios.

Whereupon the term, Old-Hag Syndrome refers to the visitation of a Succubus, whose initial manifestation is nightmarish, which induces the experience of intense pressure upon the body, the sensation of being (Sphinx) strangled, sleep paralysis, vivid hallucinations, and eventual lucid dreams.

Wherein an individual will feel as if he is being abducted by otherworldly (Alien) entities as well as experiencing out of body experiences.

The Shaman learns to control his fear, in order to ride the (inner TARDIS) ‘Night-Mare,’ rather than being ridden by her.

Whereupon she becomes his (Ally) Spirit Wife; hence the carved (World Tree/Axis-Mundi) handle of the Shamans (Mare) drum in the design, which represents his (trance) Spirit (Anima-Mundi) Wife.

(NOTE: The Mare/drum [trance symbol and tool] is seen to be tethered to the World Tree, which symbolically represents the spinal column of the Shaman. The Spirit Wife refers to what Yoga practitioners call the Kundalini Shakti, which is experienced as a liquid energy that is aroused to arise along the (World Tree) spinal column. the Kalahari Bushmen of South Africa call this inner energy, Num, which is aroused when a practitioner accesses hypnagogic trance, which the Bushmen call, Kia. In ‘trance dance’ culture of the [Rave] dance clubs, this inner energy is known as ‘The Rush!’)  

The monotonous beat of the drum stimulates the Theta brain wave, which induces hypnagogic trance. The experience of hypnagogic trance is basically hypnotic induction.

The Theta brain wave is also associated with anxiety reduction, the active (day dreaming) imagination, lucid dreams and Zen meditative states.

The Theta brain wave is depicted in the design, which is also known as the hyper-suggestible state.

The inducement of the Theta brainwave allows for mental programming via the use of repetitive Mantas, such as the ecstatic songs (and trance dancing) of a shaman are effective at dispersing fear states, when sung in conjunction with the (Spirit Wife/Mare/Pony-Girl) drum.

The above Art and information is covered in my Art books, ‘Goetia Girls,’ which are available from Createspace and Amazon, under my author’s name, Faustus Crow.

If you are interested in the Art print or shirt design, etc, Check Out my Redbubble shop, Please Click the Image Link above.

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SUCCUBUS EVOCATION OF THE DR WHO GOETIA GIRL, OROBAS

Posted in Art, Chaos Magic, Dr Who, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 15, 2014 by FAUSTUS CROW

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Dr John C. Lilly of ‘Altered States’ fame, out of body ‘rode’ the mathematical symbol of the Brownian Operator as if it was a ‘Horse,’ while within an altered state of consciousness.

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Lilly’s psychonaut journey into inner space could be construed as being a vivid lucid dream:

“My consciousness was placed inside the right angle of the large inverted capital ‘L’ as it was written, as if it was a ‘vehicle.’ This is a rather dangerous procedure. This meant that I was identified with the marked state, i.e. I existed. I was now riding the marked state as if it was a ‘vehicle,’ but at the same time, I was the marked state.

This means I was the consciousness, the signal that was being fed through the marked state outside myself. As soon as this happened, I transited explosively into the void. My consciousness was still intact, but there was no universe at all. I suddenly realised that this was the first step in the infinite series of marked state, unmarked state, unmarked state and so forth. So my consciousness then reassembled a marked state, got into the right angle and came out in another domain, i.e. came out in a new marked state.”

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Lilly experienced journeying from one universe into another within his lucid dream, when to have ridden the Brownian Operator, which of an inverted ‘L’ is none too dissimilar to the symbol of a Horse head.

Ancient shamans had their prior version of the Brownian Operator, which was otherwise symbolised as an eight-legged Mare to trance ‘ride’ into other worlds from within their lucid dreams.

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This technique also enabled a shaman to travel through time; whence acquiring retrocognitive and precognitive abilities; whereby the shaman horse can be symbolically equated with a Time Machine, such as Dr Who’s TARDIS.

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In the grimoire of the Goetia, the Succubus called Orobas, whom emanates from the fourth dimensional planetary sphere initially appears as a small Mare, amidst the triangle of art imagination of a sorcerer, before assuming human form. After she has been conjured via intense active imagination exercises, she will then initiate lucid dream time travel experiences, when her symbol of the Mare is recognised within the dream.

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The symbolism of the shaman Horse of trance is very much tied up with the term Nightmare. The word Nightmare was originally derived from a night terror, whose technical term is the Old Hag Syndrome, which is otherwise known as the Bedroom Invader Experience. The Old Hag refers to an invisible presence of an entity, which leaps upon an individual at the point of sleep. The individual experiencing this phenomena will experience great pressure being brought to bare upon their body, whom is unable to move.

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The inability to move is that of sleep paralysis, which is experienced at the point of consciously accessing ‘hypnagogic trance’ ingress into the dream. The experience can be quite terrifying for the unprepared. Shamans overcome the Nightmare by transforming it into a ‘Mare’ of the ‘Night’ to otherwise ‘ride’ rather than being ‘ridden’ by it.

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For a heterosexual male practitioner, this was achieved by introverting the sexual impulse, by prior focusing upon the visiting entity as being a Succubus; wherefore negating their fear; for it is their fear, which determines what form the entity assumes. By transforming the fear into another potent emotion, the entity then takes on another form. Whereby the entity becomes the shamans familiar, which will empower the shaman to attain an out of body experience, whom will then carry him into other realities as his ‘Mare’ to ‘Night’ ride.

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How do I know this? I have experienced it for myself; whether you believe me or not as the case may be; I really do not care.

(Music used in the Video, by: Partners In Rhyme.)

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