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DOCTOR STRANGE CONJURES A SUCCUBUS FRENCH MAID

Posted in Art, Chaos Magic, Comics, CREATIVE WRITING, Film, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 16, 2016 by FAUSTUS CROW

The Sanctum Sanctorum of Doctor Stephen Strange’s brain felt like it was full of broken glass tearing away at the insides of his cracking skull. He needed some help with the messy thoughts, which cluttered the labyrinthine rooms of his memories.

But Strange’s psychic counsellor, named Wong, was no longer at the other end of the phone. Wong had discharged Strange as his client sometime prior, after a number of unpaid bills, who last mentioned that the tortuous folds of Strange’s brain really needed a woman’s touch.

Strange felt a panic attack coming on, before attempting to relax into his armchair, while listening to a cursed radio, which he knew was nigh fatal to the touch due to its bad wiring. His eyes drifted towards peering through the window, out of which it appeared to be constantly raining.

Strange thought that his wardrobe was winking at him as if it was a gateway to a demonic realm, whose inner shadows moved of half-lit forms by the red light of a flickering flame table-lamp, which seemed to be composed of actual serpents. The light of the lamp had a soothing affect upon Strange’s mind, which was accompanied by the fiery coils burning in his magical furnace of an electric heater, whose wrought iron work he imagined had been designed by the shaman smithy, Horguun, to contain the Vril-ya flames of the Faltine

Strange slowly sifted through his tangled memories, all of which were as a mystical library collection of scattered books, buried deep within his subconscious crypt of occult artefacts; such as the book of the Vishanti, the book of Morphesti, the book of Demonicus, the book of Eibon and the tome of Oshtur, as well the Scrolls and grimoire of Watoomb, the Kartkuthi, the Scroll of Eternity, the diary of Kenneth Ward and an unpublished manuscript by the occultist Dion Fortune.

After a time he remembered leafing through a gnarled grimoire, entitled the Goetia, written and illustrated by the mad sorcerer Faustus Crow, out of which he decided to conjure the sixth spirit therein described as being a mighty Succubus Duchess, called Valefora.

Strange considered Valefora would be fit for the task, to clear up his messed up thoughts, due to her being described as manifesting as a French maid.

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Strange’s conjuration of Valefora amidst his Triangle Of Art Imagination, involved him visualising the Window of the Worlds, which he termed as the Anomaly Rue, or the Seal of the Vishanti, which corresponds with his third eye. Strange imagined conjuring Valefora via the window by imagining her seal drawn upon its surface of liquid mercury, becoming thence as an inner Stargate.

As he did this, he also imagined holding the Orb of Agamotto in his left hand, while holding the Wand of Watoomb within his right hand; upon his index finger he wore the Ancient One’s ring called Dragonfang.

As Strange mediated of visualisation, he intoned Valefora’s name over and over again as a mantra, of a Tibetan dream Yoga technique, until he attained hypnagogic trance; whereupon he then slid into conscious dreaming, wherein of an induced lucid dream, Valefora manifested before him as described in Crow’s Goetia.

Valefora related to Strange within his lucid dream that she is not shy of any hard graft, who will work her ‘Ass’ off for him as her master. He found her to be a most loving Ghost Girl Familiar whose temperament is likened to that of a sharp clawed Lioness, who softly bit his lip, ever so feline, upon a kiss.

Strange was aware, that as a poltergeist she is often tempted to teleport valuable artworks from faraway places, as well manifesting coinage, which has been acquired across space and time. But in doing so it could potentially lead to Strange being accused by the law, of obtaining the rare artefacts via undue means, in order to desperately pay off his growing lawyers bills.

However, Valefora revealed, though a thief, she is more so, an Art Muse, who inspires of acquired ideas from other times and places, which are gathered from Strange’s own myriad alternate selves, who exist upon alternate Earth’s, occupying parallel universes. “Its all to do with gravitational waves,” she to have said, “it is how alternate selves communicate with each other, via electron dreams, who exist in parallel universes.” 

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Soon after Strange’s successful lucid dream conjuration of Valefora, she started to haunt his large and spacious townhouse situated at 177A Bleecker Street, New York City, NY 10012-1406, on the corner of Bleecker Street and Fenno Place in the art ghetto heartland of Greenwich Village.

Strange could hear her voice of clairaudience, “I am so very happy to be here master,” she said, “while cleaning up your house, which of an environment mirrors your quantum computing brain, housing your mind, I discovered that it is a focal point for mystical energies, whose nerve centre of twelve intersecting Dragon Ley lines runs deep beneath its reptilian brain-stem foundations.”

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Valefora continued with her ghostly revelations; “I also found that Years before any permanent Western European settlements, a powerful Native American Indian Shaman cursed this land to bind the great whore of Chaos Magic, called, Tyanon to this place and bar her full access to Earth, until a sorcerer, such as yourself, releases her to wreak justice upon the Abrahamic cultists who oppressed his people. This site continued to serve as a place for arcane Native American Indian rituals. Shamans of the Wappinger tribe were also known to journey here for vision quests.” 

Valefora then said, “with the arrival of European colonizers, the site became used for pagan sacrifices. Before any permanent structures were built upon the land, it was used as a Potter’s field; a mass grave for paupers and inmates from New York’s first penitentiary, Newgate Prison. Those European colonists who had first built on the site were the ancestors of Baron Mordo, which housed a Satanic cult, performing human sacrifices. The original structure was destroyed in a fiery blaze, as were the subsequent five buildings on the same plot of land. Over the years, the various buildings were again used as a lair by an ancestor of Baron Mordo, who was a Puritan Witchfinder, he abused innocent native girls in the basement; later it became a notoriously bacchanalian speakeasy, as well as being used as a flophouse for druggie beatniks.” 

Valefora to thence whisper,It was eventually transformed into a nunnery by the Chaos Unitarian Nuns Templar, who worship the Crow God; they still have psychic ties with this place, whose Grand Abbess initiated the building of the current structure, which is actually the seventh Chakra building constructed upon this site. The occult architect and details of its structure remain shrouded in intrigue due to the nuns mysteriously disappearing during a raging storm, when celebrating Walpurgis night.” 

Strange felt Valefora’s lips seductively caressing his left ear, as she said, “the building itself continues to grow and change of artistry; it ever seeks to express its Tyanon self; becoming as a gathering place for the Widdershin Wise kindred.”

“I know that Baron Mordo and his politically correct followers are attempting to stop your Entartete Kunst plans to artistically transform your house into a Tantric lap-trance-dance club, to call the… Succubus Club.” 

Valefora lustfully spoke. “Because I am in your head, as a Muse of your dreams, I know the real reasoning for the Succubus Club, which of an occult design was initially initiated by the Grand Abbess, who had magically summoned you to release Kali-ma Tyanon via her Dakini Familiar, who I be, of a Succubus sorority.” 

“Hence, you to have then conjured me. But Fighting Mordo in court is rapidly consuming all of your finances. Don’t worry master, I, myself, and my ten legions of Succubae Ghost Girls will lovingly help you with achieving your most sacred goal.”

Valefora to have then said. “Whenever you need me, just meditate upon my Seal prior to conjuring me into your lucid dreams, I will appear, whether you will continue having me as a French Maid Familiar, or not. I am your deepest desire.”  

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Strange then saw ghostly Valefora walk towards her warded Genie box of an abode, which he had created for her Seal, painted with his seed, upon parchment; before she left, to obediently return, whenever summoned, she said. “But as for all your enemies, such as hypocritical Bible thumper Baron Mordo, I will place a hanged-man’s noose around his Illuminati neck. It is they, your enemies, who will see another side of me, which is purest… Nightmare! Hear my Banshee scream, Mordo… I don’t like you.”

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FAUSTUS CROW AND HIS SUCCUBUS TULPA GOETIA GIRLS

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

I conjure Succubae to ride of Night-Mares; such salacious Mind-Doll Tulpa Art Muses, whom inspire vivid lucid dreams most wanton, do keep the brainwashing Exorcist at bay; for the Abrahamic Priests of Adam’s egregore deity greatly fear the daughters of Lilith, who be the true Great Old Ones of the real Necronomicon; of which I to conjure from of a Howling Goetia.

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And so, to howl now; to tell every Khara Kam Frankenstein that an Exquisite Corpse can be delicately dissected of a Dreamland Area 51 Alien cadaver; to knit its soft ectoplasm flesh back together, into another waxen Mind Doll form, to otherwise conjure of artistic rebellion.

During the 40’s to 50’s of eugenic era, you had Alien Nordics, whom were transformed into Asiatics when the Vietnam 60’s hit. Since the 80’s you had Alien Greys and their Annunaki associates out of Iraq.

When you dissect the Alien, you will see its CIA innards of a Memet truth. Why continue with Greys when you, as a God, having dominance over your own mind could imaginatively construct a viral meme Frankenhooker cyborg to look like an Angelina Jolie Mind Doll.

Such an autopsy, the French to term cadavre exquis, or to séance call, a rotating corpse, to verily table turn of a poltergeist lab slab, to cleanly slice, cut apart, sew together and to tattoo with arcane Runes of your own subconscious choosing.

It is a Surrealist sorcery method by which an association of mantric words and corresponding mandala images are collectively assembled to lend flesh to a wireframe anatomy, amidst your mind’s eye of a Mind Doll conjuration, within a lucid dream, of a Golem spell.

But, Frankenstein being a lone worker of the dark arts, that he is, to say to himself out loud, while drunk on Casillero del Diablo; “as you know my dear Frankenstein, this infernal operation usually requires a coven of gaggling collaborators, who add gory body parts to this neuro-advertising séance, which is then knitted together of a most bloody anatomical composition.”

Then Frankenstein, went silent for moment, pondering, to answer himself upon a burp. “This sorcery technique of the Surrealists is none too dissimilar to an old ritual, known as ‘Consequences,’ in which adepts write of séance turn, upon a piece of torn parchment, folded of papyrus concealment, hiding their sigils, to then pass to the next adept, for a further reptilian brainstem hewn contribution of reactionary hieroglyphics.”

Frankenstein looked at himself within the cracked obsidian scrying mirror; “yes, yes, I know all that; the principal founder of the Surrealists, André Breton reported that their sorcery operation started of a mundane jest, but it became rather serious of a séance and eventually revealing of subconscious automatism.”

Breton said that their ritualistic diversion occurred around 1925, but Pierre Reverdy had written that it all started much earlier, at least before 1918’s end, of world wide banker funded slaughter. Frankenstein, then to say to himself; “didn’t André Breton mention that the operation developed at the residence of lodged friends in an old house at 54 rue du Chateau?”

Frankenstein to answer; “yes, yes; the ninth house of numerological fusion no longer exists, which of Yesod memory was frequented by the sorcerers: Yves Tanguy, Marcel Duchamp, Jacques Prévert, Benjamin Péret, Pierre Reverdy, and of course André Breton.”

“There were other sephiroth sorcerers involved in the hexagram creation of their Exquisite Corpse, such as Max Morise, Joan Miró, Man Ray, Simone Collinet, Tristan Tzara, Georges Hugnet, René Char, Paul, and Nusch Éluard.”

Frankenstein took a swig of his Casillero del Diablo; “In my variant of an Exquisite Corpse, the erotic cadavers of women, all as hollow memory shells, are exhumed from out of their moistened graves, scattered amidst the necropolis of the deepest depths of my subconscious mind.”

“Their writhing limbs, sweaty torsos and porcelain heads are slowly knitted together by those sinew spells I to divine of words via an Ouija board of pendulum dowsing.”

“No need for a coven of conspirators to construct a robotic Hans Bellmer Mind Doll to frequent the collective unconscious, it is just me and thee Mr Faustus Crow, whom is presently assuming the guise of Dr Frankenstein.” Frankenstein took another gulp of Bacchus Merlot.

Frankenstein to then reminisce of memories. “My Mind Doll operation of constructing astral-web-bot Succubae Tulpas involves drawing, painting and collage; producing a result similar to comic books, somewhat akin to those children’s books translated into Playboy scrapbook Grimoires cut into thirds. The top third of their pages showing the head of a woman, middle third her torso, and the bottom third her long legs.”

“I must admit, I was a rather strange little changeling child, having a precoscious interest in the female anatomy; somewhat inspired by the Hans Bellmer Hammer horror flick: Frankenstein Created Woman.”

Frankenstein slurped more wine, and then continued; “I wondered whether I could create a dream woman of a Tulpa Mind Doll program to give life unto, and found that such could indeed be achieved of Golem sorcery. The premise being, your brain is an Emet computer, which can create sentient Tulpa programs, all as Genies, to conjure into lucid virtual reality dreams.”

“I used programming Runes to paint on the cut up limbs of their Frankenhooker Necronomicon pages. When to have howled out a barbarous chant to randomly choose three Runes, to scatter; the Runic pattern enabled me to ‘mix and match’ by turning the divined Succubae pages; and henceforth to give her sentient life by placing Emet into her gobbling mouth, to paint of ejaculatory intent; while saying upon release: Le cadavre exquis boira le vin nouveau.” (trans: The Exquisite Corpse shall drink the new wine.)

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Frankenstein peered out of his laboratory window, of a towered art studio, looking upon the world; his external vision drunkenly blurred, but internally clear, of remote viewing singular eye. “Those woolly minded Sheep out there think me completely mad, but I’m in good Werewolf company; Hell! Even Vampire Henry Miller partook of this Serpent operation in order to empower his Triangle Of Art Imagination; while hunting his prey among many a French café during the pre-cybernetic age of the 1930’s.”

Frankenstein gulped down some more lady Merlot, followed by Diablo girl Shiraz; “you also have William S. Burroughs, who investigated synchronicity, to speak of the 23 enigma, to Robert Anton Wilson, along with Brion Gysin whom used the cut-up technique of the Cadavre Exquis.”

Frankenstein then quickly answered himself; “don’t forget Apichatpong Weerasethakul’s 2000 film Mysterious Object at Noon who uses the same Frankenstein technique with a mixture of documentary and fictional film.”

Frankenstein became aggravated with himself to retort; “yes, yes, I know that already; you also have the Exquisite Corpse Project, which is a 2012 feature-length comedy, entirely written using the Exquisite Corpse technique, as well as the Ecuadorian rock band Cadáver Exquisito, who are renowned for using the Frankenstein operation in order to subconsciously create the hypnotic lyrics for many of their piratical viral-meme songs.”

Frankenstein to then say; “what about the Treepot Cliffhanger, a cinematic chain letter in five pentagram chapters created over the course of a year, whose pentagram scenarios are directed by a different filmmaking mage.” Frankenstein went momentarily silent; “so what; my astral films are fully immersive lucid dream evocations of knit together Frankenhooker Mind Doll Tulpa Succubae, whom be my personal sub-quantum automata starlet servitors.”

“Anyway, enough of this, I am presently knitting together a Frankenhooker Mind Doll of a Sleipnir Ponygirl Time-Machine to ride as my Goetia Night-Mare TARDIS. So, I’m rather busy right now of a psychonaut endeavour.” Frankenstein to then ask; “what? Are you assuming the guise of an Odinic Dr Who now?” Frankenstein smiled to himself, before answering; “what do you expect my dear Frankenstein, I am Faustus Crow; ‘who’ knows, I may decide to Skinwalk into a Skinwalker guise to thereby conjure up my Mind Doll, Sally Tonopah, who haunts Alien Dreamland, via whom I will remote view UFO… Secrets.”

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