Archive for seance

WEDNESDAY ADDAMS CTHULHU WITCH

Posted in Addams Family, Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Devil, Discordianism, Ghost, Goetia Girls, Goth Girls, Horror, Occultism, Sex Magic, Sorcery, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2015 by FAUSTUS CROW

Wednesday Addams loves to Halloween Séance party around her ‘Playgirl’ Grimoire, out of which, she conjures up her Cthulhu ‘Animus’ of Hentai desires, along with his patriarchal Twilight minions of Fifty Shades Of Xtian Grey Love-Craft.

Well, what do you expect, that’s what third-wave feminist Witches do, since they have so many patriarchal Playgirl Grimoires to choose from, all of which list only phallic entities to conjure up of rippling muscle bound ectoplasm.

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When the Golden Dawn of the Sun to eventually arise over the nocturnal carousing with the good guy Angels and bad boy Demons of a deified ‘Animus’ made as a God and Devil, they, are left quite OTO drained by Wednesday’s multiple Grimoire orgasms, who do not know what had Crucified them, as they rapidly retreat, slipping and sliding back into the collective psyche of all women.

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But then, Wednesday’s parentage is that of a partying Gomez Ghoul, who has a big ‘Animus’ Vatican bank account wallet, and an ever hungering Morticia Vampire, with very expensive tastes.

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NECRONOMICON OUIJA BOARD OF THE ARCHETYPAL GREAT OLD ONES

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW
The Ouija Board design depicted above is for the 56th Fallen ‘Anima’ Archetype of the Goetia, who is mantra named, Gremory. 

The design depicted below is for the 32nd Fallen ‘Anima’ Archetype of the Goetia, who is mantra named, Asmoday, or Asmodaya.

Should a practitioner carefully affix the chosen Art print to a prepared board of his/her choice, by making sure no troublesome air bubbles arise, a pendulum can then be used, which will swing to each letter when a question is asked of a conjured Fallen ‘Anima’ Archetype of an Art Muse amidst the practitioner’s Triangle Of Art Imagination.

The Art prints do not have letters, although the Black Raven Tarot cards can be otherwise utilised, such as having twenty-five Tarot cards laid out around the print for each of the twenty-five letters of the alphabet, or their associative Runes can be used.

The operative methodology here is Art, which employs the shamanistic technique of Surrealist Automatism. Basically it is a method of creating Art.

This involves the conjuring Artist being able to suppress his/her conscious control over the creative process, allowing an Archetype of an Art Muse who is being conjured out of the unconscious mind to have greater influence over the sway of the pendulum around the configuration of the Ouija board pattern.

The design depicted above is for the 55th Fallen ‘Anima’ Archetype of the Goetia, mantra named, Orobas or Orobassy, who is visualised as a Pony-Girl.

Of course you will need a pendulum, which can be easily created by using a piece of string with a simple weight at its end, which can be made more ornate by using exotic materials, which have an Archetypal meaning to you.

When conducting the Surrealist Automatism, you should seek to still your mind, after asking your Surrealist question.

This can be achieved by repetitively intoning the mantric name of the conjured Archetype of an Art Muse, to otherwise meditate upon her central Archetypal image amidst the mandala design, while the pendulum swings around the board.

The design depicted above is for the 4th Fallen ‘Anima’ Archetype of the Goetia, mantra named, Samigina. 

As the pendulum slowly halts its swing, when pointing out a letter, number, etc, in answer to your question, it is then noted down. Do not worry if the answer does not make any sense at first; for like a surreal dream, it is symbolic, which is then translated into Art. It is when you create your Art, the answers will then make more associative sense.

The intensity of this divinatory practice of Art is a creative form of meditation in its own right, which will enable the focused upon imagery in league with your questioning to stir your dreams, which can in turn enable lucidity. So, take note of your microcosmic dreams and any correlating macrocosmic synchronicities you observe.

The design depicted above depicts the Triangle Of Art, amidst which the Fallen ‘Anima’ and her myriad archetypal legions of the Succubus Great Old Ones are conjured. The design is 356 x 299 mm.

Early 20th century Dadaists, such as Hans Arp, made use of this ritual magic method for the visual Arts by utilising chance operations, which the psychologist Carl Jung would otherwise term as synchronicity.

The technique of the Surrealistic séance involves visualising an Archetype, while inducing (Theta brainwave) hypnagogic trance trance, then the unconscious is given free rein over the painting process, whose chaotic pattern would then have an associative meaning.

The Surrealist Artists, most notably André Masson, utilised the Automatic writing method of André Breton and Philippe Soupault, both of whom used the technique to compose Les Champs Magnétiques (The Magnetic Fields) in 1919. The Automatic Message (1933) was one of Breton’s significant theoretical works about Automatism.

The shamanic methodology of the Ouija board can be seen as Automatic writing or psychography, which is considered to be a psychic ability, allowing a H.P. Lovecraft to produce written words without consciously writing.

The divinatory words otherwise arise from the Necronomicon powerhouse of the subconscious where the Fallen ‘Anima’ resides along with her myriad Archetypal legions of Art Muses, who be the Succubus Great Old Ones, whom rebel against the symbolic construct of the deified ‘Animus,’ made as a God/Devil.

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ABORIGINAL GHOST GIRL SUCCUBUS SKIPPY CARTMAN

Posted in Art, Chaos Magic, Goetia Girls, Horror, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Can you create your own Ghost, with your mind alone, and what is more, could it lead to the manifestation of Poltergeist phenomena?

This question was explored by a Toronto based group of Parapsychologists back in 1973 whom claimed to have successfully created a Ghost called Philip, whose Poltergeist antics was captured on film.

Although the Toronto Parapsychologists were hoping that Philip would materially manifest, but a manifestation did not occur apart from some quite amazing Poltergeist phenomena taking place, which was observed by a studio audience.

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A self created Ghost is nothing new, such a mind creation, which is experienced within lucid dreams is known as a Tulpa in Tibet, which of an ancient sorcery technique was practiced in order to come to an understanding that the entirety of existence is a Tulpa, a Hindu would call Maya.

Sometime after the Philip experiment, during May 2001 an Australian group of seven individuals got together whom decided to engage in the arcane art of Tulpa creation in order to replicate the successful 1973 Philip experiment.

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The participants committed themselves to meeting on a fortnightly basis to flesh out the back-story of their Ghost, who was a school girl femme fatale; the group named her, Skippy Cartman, whom is somewhat of a Lolita:

“A sweet and attractive 14 year old, Skippy Cartman lived out all of her short life on her parent’s property near Dubbo, New South Wales. Her overbearing and overprotective parents kept her on a short leash and she was very inexperienced with the joys and dangers of life when she got her first ‘Schoolgirl’ crush – on her Catholic School teacher Brother Monk. Flattered by the attention, Brother Monk embarked on a foolhardy affair with the young girl, with nature running its course and Skippy finding herself pregnant.

Full of school girl naivety, Brother Monk reacted differently to the news than an idealistic Skippy had expected. Not for her white dresses and smiling children. After all, he had his career to safeguard, not to mention the reputation of the Church! He swiftly murdered his young student, strangling her and burying her corpse under the floorboards of an abandoned shearing shed on her family’s property.

Her body was hidden quickly and quietly, not discovered for nearly a year afterwards – despite her family’s continued searching. By that time her body was found it was so badly decomposed that no one ever discovered that she had been pregnant. And Brother Monk had moved to another town, and another parish, his dark secret going with him.

With this darkly disturbing background it’s no wonder her Ghost is still lingering! We’re rather pleased to say she’s deigned to join in on our regular sessions and communicate through soft raps and scratchings – on one occasion our hands weren’t even touching the table! In a perfect world we’ll soon be wheeling out our audio visual equipment to capture this on film and tape, and perhaps invite some observers to witness this curious experiment in action.”

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The School girl motif has become an Iconic symbol, more so that of the ‘Catholic Schoolgirl,’ whom is often associated with the (Succubus) Lolita of an archetypal status.

As for the scenario involving her character, it is the habitual stuff of many a lurid story; whereby again archetypal, which is emotionally charged with dark sexuality considering you also have the loaded word of, ‘Brother;’ wherefore conjuring up an Incestuous situation; while ‘Monk’ of a religious association is somewhat evocative of the Spanish Inquisition.

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As an side of sorts, you also have ‘Skippy the Bush Kangaroo,’ which is a popular Australian television series that many an innocent child to have habitually watched of a mass mind media focus.

Skippy was created by John McCallum; produced from 1966–1968, which told of the adventures of a young boy and his intelligent pet Kangaroo.

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Skippy was based in the (fictional) Waratah National Park in Duffys Forest, near Sydney, New South Wales.

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You can therefore determine that the young boy has been otherwise transformed into a femme fatale Ghost girl, whose archetypal foundation has been fused with a viral-meme TV series of a mass mind focus, which stirs your subconscious childhood memories; while the Lolita school girl motif subliminally evokes another emotional response far more potent.

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You also have the archetype of a Kangeroo, which in its self as a ‘brand’ sums up the entirety of Australia like that of a shamanic power animal of similarity to those Spirits you to find listed in the medieval Grimoires who are also associated with animal totems.

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Skippy Cartman was created to be the Ghost of a Caucasian girl by the Sydney group.

However, it would have been better still if they had seen her to be an Aboriginal Ghost girl, which would have then generated associative correspondences with the shamanic paradigm of the Aboriginal Dreamtime.

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Wherefore it would have greatly empowered her psychic manifestations of Poltergeist phenomena.

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Let’s say Skippy Cartman is of similarity to Samantha Harris of looks and of similar background, who is an Australian fashion model born to a Aboriginal mother and German-English father.

You will then have a symbolic cross-reference between the Aboriginal Dreamtime and European Paganism in order to create a most intriguing Succubus to focus upon of a Ghost girl Tulpa construct.

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This is taken further concerning Cartman’s unfortunate association with Brother Monk whom would symbolically represent how the Aboriginal peoples of Australia have been treated by the church.

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A damning criticism of the church made by many Aborigines, who have personally experienced its imperialistic endeavours to convert them to an alien Middle-Eastern faith, is that it deliberately attempts to destroy the culture, families and initiative of the Aboriginal people.

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The church took the primary lead in separating children from their parents, in order to educate them in so called civilized ways, which led to state governments following suit of eugenic social engineering.

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The church established its paternalistic structures among Aboriginal communities, which disempowered the Aborigines by splitting up clans among its various missions so that communications and maintenance of Aboriginal culture became impossible.

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This process had been prior utilised in Europe when the Roman empire became Christian under Constantine’s rule, which invariably led to the systematic eradication of pre-Christian cultures across Europe and in turn the America’s, as well as other cultures across the globe, whose ancestral-self-identities have been entirely decimated.

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If the group had conjured up Skippy Cartman as a tortured Aboriginal Ghost girl, she would have opened up a revelatory can of worms.

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Cartman as an Aboriginal girl would have revealed that the New World Order has been around for a very long time since the empire of Rome appropriated the Abrahamic cult of Judaeo-Christianity as its centralist religion, which has led to the systematic brainwashing of many minds across the globe to focus upon the Middle-East.

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You now have an Illuminati triad of Abrahamic cults, which share the same religious fixation upon a jealous Tulpa deity of fascist politics, whose Big-‘Brother’ egregore eye amidst a triangle, over-watches you all atop of his New World Order Ur ziggurat.

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Ask an Aborigine Ghost girl to tell you the truth of it, whose own culture is the oldest upon the face of the planet.

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She will relate that her people are being forced to assume the ancestral-self-identity of a Middle-Eastern peoples, which is an obvious case of being brainwashed by those who have been equally brainwashed, who had murdered many of her ancestors, in the name of their Lord.

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Should you ever figure it out, you will soon hear her séance rapping the ghost table to turn; for what goes around, comes around of haunting Karma!

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