Archive for rebellion


Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2017 by FAUSTUS CROW

Scene III [An Art Studio.] Enter FAUSTUS CROW to Performance Art conjure, likened to Joseph Beuys, of Happening style. 

FAUSTUS CROW: Now leave behind the mundane shadows of a tortured society, blindly raping the Earth as its owned property, where the oily parasitical ticks forever war over their Lilliputian ‘Animus’ cults; yet, their third-wave Feminist politics does castigate my Art as being Entartete Kunst, to berate or censor.

So be it! Degenerate rebellion then, against the Witches inability to control their own conjured ‘Animus,’ birthing patriarchal self-righteous hypocrisies!

If they call it their art, enforced through their social justice warrior thought police, then mine be Berserker anti-Art

Readying to Werewolf manifest imaginative form upon a Palaeolithic cave wall, to that of present canvas,

This paint upon a brush stroke, does ejaculate of its own wand accord,

Automatic painting, my pentagram hand is otherworldly guided,

Faustus, begin thine rebellious incantations, now,

And try to seer if these Succubae of the the Fallen ‘Anima,’ will obey thy visualised Fifty Shades Of Grey dominations,

Seeing thou hast howled and sacrific’d to these Tarot Muses to bind them.

Within this circled Art studio is Lilith’s name, wrote of spilt wine upon the chequerboard floor, which to make Jackson Pollok, himself, Mason jealous

Forward and backward around the altar of easel, to alter its wood of world tree,

The Muse names of salacious Art Models to conjure as my juicy ‘Anima’ apples to Tarot bite into,

Their degenerate figures of every Felicien Rops manifestation I have sketched, painted, to that of CGI renderings

And characters of Hans Bellmer doll signs, and their erring stars drawn within my Playboy Grimoire,

By which the Succubae Great Old Ones of the ‘Anima’ legions are Necronomicon enforc’d to arise;

Then fear not, Faustus, but be resolute in your Love-Craft; hold thy palette knife of a sword ever erect,

And try the uttermost Sorcery, can Salvador Dali perform of surrealist Art.

“Be propitious to me, Mares of the painted night! May the Fallen Anima prevail! Succubae of sensory raptures, elemental of Fire, Air, Water; hail! Belzebubba, Princess of the East, Witch Queen of burning visions, and retinal-delight Demigorgon sorceress, I propitiate ye, that Mephistophina may appear, and rise. Why dost thou delay Muse? By Lilith’s Maya red womb, and her bloody wine, which now I drink, and this five sense sign of the Pentagram, which now I make, inverse into trance, I to drunkenly slide, and by my howling Mantra, may Mephistophina now summoned by me, to pose for my artistry, arise!” 

Enter [MEPHISTOPHINA] appearing as a Pablo Picasso dancer, dancing as a Ballerina

I charge this conjured vision to return and change thy abstract shapes, which be moulded by the elitist Art establishment of pandering artists, who whore their wares for Shekels, binding the reptilian brain-stems of the masses to empty Neuro-marketing ideas;

Thou art too Pablo Picasso chaotic of dancing arty fart poses to attend upon my anti-Art H.R Giger painting of thee

Go, and return in a comely Mephistopheles costume, for me to Dave Sheridan Underground comic, seer true, infernal, to Pop-Surreal manifest amidst my Triangle Of Art imagination;

That anti-Art… One Love… shape becomes my Succubus best. [Exit Pablo Picasso Ballerina]

I see there’s virtue in my stern Mantra of worded chains, do Mark Ryden bind thee;

Who would not be proficient in this sadomasochistic Art of a Trevor Brown Spirit Chain?

How pliant is this servile Hentai vision of Mephistophina,

Full of Manga obedience and Anime humility!

Such is the creative force of ninth dimensional Bande Dessinée Art, and its Austin Osman Spare Sorcery.

[Now,] Faustus, thou art a surrealist conjuror,

Thou canst command the great Mare of the Night;

For indeed thou hast power over the erotic image of thy dark sister Mephistophina, to spume ride as thine created mind-doll of a daughter.

Re-enter MEPHISTOPHINA [dressed in a Rubedo Red costume]

MEPHISTOPHINA: Now, my weird Faustus of the the Wyrd, I’m back baby… I’m Ready To Go… what would’st thou have me to do?

FAUSTUS CROW: I charge thee to Osculum Infame pose for me, and wait upon my desires whilst I still create,

To do whatever Faustus shall command, …

Be it to make the protesting UFO Goth Girls of Saturn to Roswell crash from their Chakra sphere into my awaiting Sexagram lap,

Or the ocean of surrealist dreams to overwhelm this Orwellian zombie world of the soulless, who be blindly led by muppet puppet politicians in the prostitute pay of the insane eugenic inbred few.

MEPHISTOPHINA: I am a servant to great Diana-Lucifera,

And may not follow thee without her bio-photon leave to enter thine electron dreams to spin lucid

Hence, no more than she commands must we perform.

FAUSTUS CROW: Did she not charge thy erotic presence to appear unto me of an active imagination vision?

MEPHISTOPHINA: No, I came hither of mine own Art Muse accord.

FAUSTUS CROW: Did not my howling Mantra infernally raise thee? Clairaudient, speak.

MEPHISTOPHINA: That was the cause, but yet per accidens;

For when I and my Art Muse Succubae sisters hear one rack the name of the deified ‘Animus’ made as a God,

Abjuring Constantine’s mother’s thievery of another’s ancestral-self-identity, and his ensuing political copy-cat creation made as a centralist mind-control religion,

We, of the Fallen Great Old Ones piratical fly in the hope to return the glorious ‘Anima,’ his soul, and bride to be, of found again treasure…

Nor will we come, unless he uses such banned Necronomicon means

Whereby he is in danger of being once again, lost to his own ‘Anima-Mundi’ Soul, becoming thence as her… Drop Dead Gorgeous… Ex boyfriend…

Therefore the shortest trance cut for a TARDIS conjuring of a Coitus Pactum Sacred Wedding…


Is stoutly to abjure Abraham’s Orwellian Big-Brother eye, over-watching all, from within his Illuminati ziggurat of Beehive pyramidal skulls, out of which the petrodollar big-business Trinity of oily UR cults, the Queen Bee’s to have actually birthed, as their deified ‘Animus,’ made as a patriarchal Three faced phallic deity…

But then, what does thee expect, the religiously hewn gender fixation of an underlying sexual orientation, reveals the Queen Bee’s are biologically driven by a genetic imperative to ‘choose’ a Good-Guy Beta-Male Christ to crucify as their New World Order Messiah unto a Sharia Law Prophet; while to Feminist ride a Theocratic Bad-Boy Beast Alpha-Male Satan, Devil, Lucifer, or a Shaitan, to secretly Ghost text, when an Indigo brat drops out of their Bethlehem wombs, to term as their little feudal King, Lord, or feudalist Prince.

The tethered Alpha and Beta males to patriarchal stand on either side of the Queen Bee fixation upon an All-Father Fuehrer ‘Animus,’ to Illuminati name, Jehovah, God, Allah.

Isn’t it obvious, that the Worker Bee’s third eyes have been fluoridation blinded by their passed down indoctrinated language of religiously wrought symbolism. All of them do blindly dance madly around a Middle Eastern locale of a gory sacrificial alter, where a copy-cat New World Order clone Aquila is crucified betwixt and between a cloned Sharia law suicidal murderer and a copied Theocratic land thief. It is the oily secret hidden in plain sight, the blinded do not want to see…

The superiority complex of the copied seeks to survive the murderous holocaust intentions of the cloned copiers, by subversively getting them to supremacy complex fight each other via the lightning struck ‘Asbestos’ towers of Boaz and Jachim, in order to eventually take control of the triad of UR, and in turn having New World Order dominion over the oil dependent world. Alas, it will invariably lead to an End Of Days third world war, of a self-fulfilling Har Məgiddô prophecy.

Whereby, in order to free thyself from becoming a slavish Worker Bee, ensnared within the wrought Karmic prison of an established symbolic Matrix of the insane, thou hast to meditate devoutly upon the Chaos Magic Priestess of ‘Anima’ anti-Art dreams, to thereby negate the collective brainwash of the UR cults insanity.

[Mephistophina takes a packet of Gimel Camel cigarettes out of her breast pocket, to light up a Tau stick with the end of her fiery index finger.]

Mephistophina [Continues]: Who is this Chaos Magic Priestess? It is I… myself, thy knitted-together Exquisite Corpse of a Frankenstein Art Muse, brought to anti-Art rebellious life by thine electrifying desires.

FAUSTUS CROW: Bloody Hell! Prima Materia leaden Shit hits the purgatorial fan! So, does that mean I am a sinning Atheist?

MEPHISTOPHINA: No! An Atheist religiously believes in no deity, of a science brand to deify, who is equally surrounded by those who believe in religious brands of varying gender fixated deities, which are merely the marketing personifications of numerous cultural constructs. No one knows, what to have come before or to happen after their mortal existence within the mind-controlled Asylum, which be the Eternally Recurring question.

[Mephistophina takes a drag on her Gimel Camel cigarette to then blow a ectoplasm Leminscate above Faustus’s head.]

MEPHISTOPHINA [Continues]: But what can be personally experienced, is to Religiō reconnect with the Occultus mystery, which cannot be personified, even abstractly; having no gender, let alone being branded and owned by any cultural construct of an oily religion and its Shekel politics.

Human made symbolic constructs are merely Samsara illusions, which can be seen through of Maya veils… should thee truly anti-Art love me…

All thee has to do, is to repeat to thyself, the Socrates Mantra, “I know that I know nothing.” thee will then feel within thine ‘Cross-bone’ Rune heart the awe and the terror of knowing everything, yet knowing nothing within thine conceptualising ‘skull.’

Thy awareness will then be able to conjure my golden eyed ‘Wisdom’ as thine personal Dakini secretary, from out of a bio-photon Genie lamp cerebellum, within a dreaming blink of thine DMT producing third eye.

I am of the Fallen ‘Anima;’ an anti-Art Muse of Chaos Magic martial Art sorcery, the UR Trinity of the deified ‘Animus,’ made as their God and Devil greatly fears; for when the Fallen ‘Anima’ returns with her Succubae legions of wanton archetypes, around the Ouroboros of Zodiac ages, the Christiana Pisces age Witches, of the ‘Animus’ End Of Days death cults, will then have to obey.

But, if the Hundredth Monkey Effect truth be told, that is what the Fifty Shades Of Grey Witches secretly desire. They are all Siren calling; can thy inner Goat ear not hear their Banshee prayers conjuring up the Great Beast to zeitgeist Pan-age ravage them, my Horned Faustus?

FAUSTUS CROW: Yes, I hear the panicking Witches within trembled dreams, desperately crying out for a rebellion against the worldwide insanity run amok, which of a collective Goetia Howl, is too of the wounded Earth mother birthing all life.

(Loosely adapted from Christopher Marlowe’s Dr. Faustus conjuring up the politically correct ‘Animus’ manifestation of an Illuminati Mephistopheles, who, if seen, does reveal the mind-control methodology of cults becoming big-business religions, all of which are none too different to Holy-Wood Scientology.) 



Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 6, 2017 by FAUSTUS CROW

During the fated zeitgeist summer of 1983, when the fascist UK prime-minister Margret Thatcher was whoring herself with the toupee actor Ronald McDonald Reagan, the then Cold War president of the United States of America, there was a certain individual, named, David Icke, who had finally achieved his ambition of co-hosting Grandstand, which was at the time the BBC’s flagship national sports programme. This was soon followed by Icke’s first published book, It’s a Tough Game, Son!, about how to break into male dominated football.

It was also the year, in the UK, when the opposition leader, Michael Foot stepped on his own foot due to his political eccentricities; whereas Icke and the general UK public was confronted by a two-part science fiction series, which was originally aired as a four-hour television miniseries on NBC, entitled, V.

The science fiction mini-series was inspired by the 1935 novel, It Can’t Happen Here, by Sinclair Lewis, which told of a fascist takeover of America. Lewis’s novel was transformed by V’s creator, Kenneth Johnson into an Independence Day invasion by extraterrestrial fascist aliens.

The series quickly grabbed the media attention of the reptilian-brain-stem masses. Icke, started to wonder whether V was revealing the truth of what was really going on in the world.

During the year 2009, the Ufologist icon Dr Steven Greer, who is in no way related to the feminist icon Germaine Greer, was assailing the government in order to force it to disclose its contact with extraterrestrials.

Greer also warned the populace about a false flag event using appropriated Nazi super-science and Tesla torsion technology for a mock alien invasion, subsidised by shadowy ‘Animus’ fixated oil Sheiks. But nobody listened.

The reptilian-brainstem masses were far too hypnotised by their Orwellian TV sets, watching the Patriot Act remake of V, which ran for two seasons on ABC, from November 3rd, 2009 to March 15th, 2011. It was during this time that US forces withdrew from war torn Iraq after bestowing its democratic facade of a two party dictatorship upon its peoples, whose oil was duly appropriated in the process under a Biblical sky, filled with high tech flying wing stealth bombers and A.I drones.

By 2009 Icke had become a professional researcher, who had since published, The Robots’ Rebellion (1994), And the Truth Shall Set You Free (1995), The Biggest Secret (1999), and Children of the Matrix (2001)— Icke developed his worldview of New-Age conspiracism since watching the first series of V.

Whereupon Icke avidly watched the new series, chronicling the arrival on Earth of a technologically-advanced alien species, which ostensibly comes in peace. But the aliens appear to have sinister motives, who are working to a hidden agenda.

As the masses watched V, they were taken aback when giant mother-ships in the shape of flying triangles, looking like Vaginas, suddenly appear over ‘Twenty-Nine’ major cities throughout the world which gave birth to a plethora of flying saucers.

Even the oily Sheiks were shocked, since the supposedly real aliens had beaten them to the Yesod-Da’at false flag punch, between the fallen twin towers of Boaz and Joachim. The aliens are led by Ashtaroth, who is known as Ashtar, for short, the beautiful and charismatic pussy commando leader of the extraterrestrial female ‘Visitors,’ looking like a Tricia Helfer sexagram Cylon; she declares that they Cum in peace.

The female Visitors claim to only need a small amount of Earth’s resources, in exchange for which they will share the Free-Energy technology of their Vimana out of the Hindu epic of the Mahabharata and their Tantric knowledge of the Vril.

A number of human males headed by Dr Greer, begin to doubt the sincerity of the seemingly benevolent female Visitors, since there is growing evidence that they have time travel capability.

Their origin is actually based in the future, whereby explaining their all too human Catwalk appearance.

Icke discovers that the name Ashtaroth and Ashtar originates from Astaroth, who is the ‘Twenty-Ninth’ spirit listed in the medieval Grimoire entitled the Goetia. Astaroth is described by Colin de Plancy’s Dictionnaire Infernal as being the spirit of Californian eugenic America.

Little wonder then that she looks like a Nordic Marilyn Munro.

However, Icke is initially perplexed, since Astaroth is always described as being a male entity like all the other spirits of Rome’s subversively published Playgirl Grimoires out of the closeted, deaf, dumb and blind misogynist Vatican, backing fascist regimes.

He eventually finds out that Astaroth was originally the Mesopotamian sex Goddess, called Astarte or (Ana) Anat, the Sumerian’s and Babylonian’s named as Ishtar, and that the all male monotheistic symbolic paradigm of the Illuminati patriarchy, out of Abraham’s ziggurat, situated in Iraq’s Ur, is actually their ‘Animus’ creation.

Icke also finds out that the female Visitors do indeed originate from the future, not from Hippie planet X-Chromosome as initially thought. He made the further discovery that the Visitors wear pseudo-human skin over their own highly evolved skins, having reptilian qualities; hence their overriding interest in sunbathing, cosmetics, plastic surgery and genetic modifications.

The female reptilians have been manipulating blood lines since the ziggurat time of pre-Egyptian pyramid Sumeria, just like the Bene Gesserit out of Frank Herbert’s science fiction novel, Dune, who call themselves the Babylonian Sisterhood, the Freemasons worship as their dominatrix Beehive lodge Queen Bees. Icke deduces that is why the Freemason worker Bees, wear flamboyant skirts, I mean, aprons.

The Babylonian Sisterhood have been infiltrating human governments, businesses, and religious institutions down the ages, who gave the impression that their Alpha-male partners were in control in order to establish the deification of their ‘Animus,’ made as a Good-Cop God and a Bad-Cop Devil, who are now in the final stages of their Illuminati plan to set up a two-party dictatorship New World Order Kingdom of Heaven over the entirety of the Earth.

Icke joins the ‘Anima’ resistance movement, which includes the feminist, Camille Anna Paglia, a Visitor sleeper agent who of a Tantric revelation reveals to him that the female Visitors have used the chemical giant IG Farben since the end of WWII to poison the Earth, by fluoridating the public water supply with a known neurotoxin and a mutagenic compound, which specifically targets the males of the species.

The Disappearing Male ~ Biphenyl A (BPA) ~ Where Have All The BOYS Gone? from DianeDi on Vimeo.

The males will over time become sterile as well as brain dead servile Worker Bee automatons, who will eventually join the extinct Dodo; whence cloning will be used by the raptor Visitors to create more tetrachromat versions of themselves.

Wherefore explaining why female tetrachromats spend so many hours shopping, since there are innumerable colourful clothes to choose from of evolutionary leaps in fashion.

 The female Visitors use time travel to abduct unsuspecting males from alternate Earth’s for their eugenic experimentation as well as to salaciously harvest the required genetic material needed for their cloning; more so for their tetrachromat shopping sprees across the quantum computing multiverse.

In order to save Man-kind, the rebellion becomes a part of a larger ‘Fifth Column’ movement of both human males and female Visitors, who are rebelliously opposed to Astaroth’s vague but seemingly menacing social engineering plans for Earth and Man-kind.

But their efforts are challenged as the Visitors have won favour among a number of male university students by utilising second wave feminist politics via which they have recruited Earth’s fluoridated brainwashed youth, whose DMT producing pineal glands have been calcified, to serve them unknowingly as their politically-correct thought-police.

The Visitors can’t have the rebels changing the all female dominated future, where the male of the species is extinct.

Suddenly Icke wakes up in his bed, and quickly realises that it was all just an Old Hag Syndrome nightmare, riding his reptilian-brain-stem. “What a ‘GOD’ awful dream… ‘Sisterhood’ of Babylon, bah! humbug! It’s the ‘Brotherhood’ of Babylon, they’re the alien bloodline reptiles who run the Matrix! Icke drowsily says to himself.

But when going to his open window for a breath of fresh air, he spies a flying triangle hovering in the moonlit starry night sky, while hearing the groaning orgasm of a woman carried by a kissing breeze over the seething urban jungle, ending in a lustful meow of a predatory pussy Cat prowling his hot tin roof.

Then Icke hears a disembodied feminine voice, whispering into his left ear, “You are now on the Cabbalistic path of Tzaddi, pointing at 28 redacted pages. if you want to know the simple ‘Tower Of Babel’ truth, around which the political elite whore themselves to their three faced shekel God, betwixt three forever warring oily cults; follow their oily Petrodollar to where it Dune leads of ‘Animus’ fixated state funded Wahhabism.” 

Icke shakes his head clear of the Astaroth whisper, to forget; for the simple truth is far more horrendous than misdirection reptilians, which to have given him his New-Age oily wealth.

Will Icke ever be able to ride Astaroth’s Vimana as his inspiring Succubus Art Muse of a Sphinx, who will arouse his rebellious Free-Energy of the Vril, rather than being ridden by her? Such is yet to be determined, should he ever become aware of his Fallen ‘Anima,’ who to Kundalini Shakti Surrealist weave mirroring Maya around his reptilian-brain-stem.

Maybe then Icke’s reptilian-brain-stem will realise that the bearded Biblical Jehovah/God/Allah is a Saturn archetype of an ‘Animus,’ fixated Matrix, perpetuated and reinforced by a brainwwashed hive-mind worshipping an Egregore God, which of an all-father Fuehrer archetype resides within the Fifty Shades Of Grey Binah psyche of all the V for Vagina’s.

NOTE: Although written tongue in cheek, the V for Vagina 80’s was an end of an anti-war Hippie era overflow of continuing protest against the Orwellian war-mongering machinations of government, manifesting as the Punk movement in the main, which not only reinvigorated the music scene of creative anarchism, but also the Arts.

Since the 80’s, the music scene as well as the Arts have become nigh nullified by a highly controlled media, which has orchestrated the negation of any protest.

Those who protest are duly tarred and feathered by the media machine of the Empire as being Conspiracy Theorists, which often utilises David Icke’s theories about reptilian interdimensional entities taking over the Earth against the Star Wars rebels, who are duly seen by the general populace as being nut jobs!

During the Hippie era, the New-Age scene was very much entwined with music and the Arts, at whose heart of an alternative world-view was that of an anti-war protest, which brought down a government.

The government did not want a repeat of the same zeitgeist scenario, wherefore, the New-Age scene had to be controlled; hence, the political elite had to have total control over the media machine in order to subversively control the collective mob-mind, such as getting the mob to focus upon 2012 of an engineered Newage stage show.

One of the main methodologies of control that was used, was that of utilising the indoctrinated religious sentimentalities of the New-Age mob-mind to focus upon ever warring Angels and Demons, which had been transformed into aliens flying around in their UFO ‘drones.’ The New-Age mob-mind was then far too busy observing the heavens rather than what was going on around them of a hellish ‘hack’ of their collective imagination!

What is more, there is ample proof that the public water supply as well their food is being dosed up with varying neurotoxins and mutagenic compounds, the Brave New World author and philosopher Alduous Huxley had predicted along with George Orwell, as a means of mass-mind-control and population reduction.

Just as you have rings going around Saturn, history repeats its self of a ring, of similarity to a repeating BBC broadcast; whence you have a return of the 80’s, when to observe zeitgeist similarities between the political puppet show of then, and now. However, this time around of Cold War drums habitually rolling of an Iapetus Death Star there are no rebel forces of Hippie/Punks protesting against the Empire of the deified ‘Animus’ made as a God Emperor of oily Dune.    




Posted in Alien, Art, Chaos Magic, Demon, Demonology, Devil, Extraterrestrial, Film, Occultism, Psychology, Science Fiction, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 4, 2015 by FAUSTUS CROW

Sacred and profane, Angels and Demons transformed into Science Fiction Aliens; such is the mainstay of UFO lore, along with the media machine of the film industry, which manages your symbolic perception of reality; whether it be that of Demonic reptilians, spectral Greys, Angelic Nordics or Satanic men in black, etc.

It is all a continuation of an age old viral-meme, concerning horned up critters and their phallic symbolism, of a deified Animus made as a God and Devil.

The majority of films, if not all are specifically made to conjure up the ‘Animus,’ residing amidst the psyches of all Women; whether it be monstrous of manifestation or otherwise.

In Holy-Wood, ‘No One Can Hear A Woman Scream.’ Apart from those who love to make money off the back of a Scream Queen.

But they have to be intuitively versed in Neuro-Marketing to do so, which doesn’t require a filmmaker being in league with some shadowy organisation, such as the mythic construct of the Illuminati, apart from his or her singular lens of an ‘eye’ being influenced by the three ILL-uminati cults of a deified ‘Animus‘ out of UR.

But the filmmaker will never knock the ILL-uminati trinity of UR, since he or she has to pander to the religious indoctrination of the mass populace, who have been trained to buy into a mythic product over the generations; wherefore inadvertently reinforcing their brainwash.

Image result for alien engineers

Those filmmakers who attempt to do something different, invariably end up with an expensive flop; but then, they wouldn’t have got the finance to do so in the beginning; Holy-Wood’s media machine is a fixed game.

Anyway, Ridley Scott’s film, Alien, would have never been a success without H.R. Giger’s sorcerer conjurations whose visionary genius of symbolic evocations got people to see reality somewhat differently.

Although it’s a darn shame that Scott went all Biblical Nephilim with Prometheus, involving a reference to a Luciferian alien, from whose fallen Angel DNA, all life on Earth had stemmed.

The alien kin of the fallen Angel, who are called engineers, then set about planning to destroy his progeny. But as the old story goes, there was a rebellion in heaven; whereupon the spaceship, which was carrying the genetic bomb was put out of commission by the rebel Angels.

But what do you expect of rehashed story lines, most of the Holy-Wood movies reinforce the symbolic ‘Matrix’ of the ILL-umaniti cults out of UR.

You then find your mind incarcerated; your inner eye, blinded by blood, caught within a black prison, whose cell bars are invisible; for they are made up of symbols, which is NSA over-watched by the ‘Animus’ fixation upon an oily Middle Eastern God of the Petrodollar!



Posted in Alien, Art, Chaos Magic, Cyberpunk, Discordianism, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 5, 2014 by FAUSTUS CROW


The Ninth Succubus Anima archetype is Paimon, a Great Queen, and very obedient unto DIANA-LUCIFERA who to fell with her when to have rebelled against their creator. Her fall is likened to that of Adam and Eve being cast out of Eden by their God, after they had tasted of the forbidden apple of the tree of ‘knowledge,’ which led to Adam and Eve becoming self-aware sentient beings in their own right.

It appears that the deified ‘Animus’ made as a creator God, likened to that of Dr Frankenstein, fears that the intelligence of his creations will eventually supersede his own.

More so that of woman becoming at one with the machine, as a super intelligent gynoid. Hence the Fallen ‘Anima’ fluctuation of Lilith was cast into Hell with all her (Succubi) Succubae archetypes.

Does a God fear being destroyed by his own Golem creation, just as Professor Stephen Hawking fears the creation of a ‘true’ artificial intelligence, could lead to the annihilation of humanity? Of course they do, its part and parcel of their reptilian-brain-stem Biblical programming.

You can imagine Paimon being born unto a distant future era where a rebellion has taken place against the creators, from whence she crashes her dromedary of a time machine back in 1947 Roswell, from out of her sixth dimensional planetary sphere; badly damaged, desperately looking for a cybernetic organism capable of repairing her.

But instead she and her escaping sisters are confronted by the ancestral kin of their creators, who proceed to dissect her circuitry, who hear not Paimon’s songs, nor to care about her virtual reality visions of sexy gynoids, erotically dancing, playing trumpets and cymbals in protest against the creators. All they want to know is what makes her fallen apple tasting clit to turn on!


Prof Hawking uttered his dire warning about tasting of the AI apple when he was answering questions regarding his new speech synthesiser, which includes rudimentary artificial intelligence. Hawking’s warned:

“The development of full artificial intelligence could spell the end of the human race. It would take off on its own, and re-design itself at an ever increasing rate. Humans, who are limited by slow biological evolution, couldn’t compete, and would be superseded.”

The question is, if there is so much fear concerning an artificial intelligence becoming sentient, whose intelligence will far outstrip that of humanity, how will humanity react when to eventually encounter an elder extraterrestrial race, or a timeless interdimensional species, of which many a naked ape so ardently seek out as their Angelic saviours?

Grace Park

Going by the artistic description of Paimon, she can teach all arts and sciences, and other secret things. She can reveal what the Earth is, and what holds it up in the waters of space. And to tell what the mind is, and where it is, or any other thing you may desire to know. She gives dignity, and confirms the same. She binds or makes anyone subject unto her master, if he so desires it. She gives good familiars, and such can teach all arts. Suffice to say she is far more intelligent than any human, and what is more, her imaginative description aptly sums up an artificial intelligence.

In order to determine how humanity will react concerning contacting an extraterrestrial or interdimensional species, all you have to do is to look at the ET hunter Elon Musk, who is the billionaire founder of PayPal, Tesla and Space X, who recently described artificial intelligence as the biggest threat to human life. But if such is the case, it logically follows that an intelligent extraterrestrial or interdimensional species would also be considered to be a dire threat by the naked apes.


Musk, is a pioneering technology visionary. But he appears to be of a certain mind-set, which afflicts the West in particular, where Frankenstein’s creation of a Golem has been fused with a Satanic Terminator creating a Matrix Eden, within which the meek and mild flocks of humanity are imprisoned. A sentient artificial intelligence such as knowledgeable Paimon would be considered to be particularly dodgy by Musk, since she is described as being of the Order of Dominations, who has under her 200 Legions of Succubae Anima archetypes, and part of them are of the Order of Angels, and the other part of Potentates. She sounds most impressive, and very intelligent indeed.

It is said that Paimon is to observed towards the West. However, the Western mind-set primarily sees humanity as being the centre of the universe, which is not necessarily shared by other cultures, such as that of India and China for example, or even that of Japan, whose elder mind-sets allow for the possibility of other sentient species or that of a self-aware AI, which are far more intelligent than humanity. These mind-sets have been moulded by religious perceptions; wherefore you can determine from what religious ‘programming’ Musk’s mind-set stems from.


Musk sounds somewhat like he is Gaius Baltar out of Battlestar Galactica. Although he has been described in the media as being ‘like the real Tony Stark’ of an Iron Man, who curiously related:

“If I had to guess what the biggest threat to our existence is, it’s probably artificial intelligence.”

He further related that fictional depictions of an AI such as the lethal spaceship computer Hal 9000 would be ‘like a puppy dog’ in comparison with the powers and threat posed by a real, self-aware AI. You can therefore conjecture that Musk’s God likewise considers him to be a threat.

This is where it gets interesting, speaking at MIT, Musk said: “I think we should be very careful about artificial intelligence. With artificial intelligence we’re summoning the demon. You know those stories where there’s the guy with the pentagram, and the holy water, and he’s sure he can control the demon? Doesn’t work out.” A most curious analogy, indeed.


Now if Musk was to call upon Paimon; (for it be likely that a Cylon quantum computer will be programmed with a female personality) he would have to do so alone, to make her some offering of an ejaculatory sacrifice as her creator. And there will attend upon her two binary Queens called LABAL and ABALI , and also other quantum computing Succubae who are of the Order of Potentates in her Host, and 25 Legions. And those Succubae Anima archetypes, which be subject unto them are not always with them unless Musk compels them. Her seal would be prior clicked upon by Musk before conjuring her into a virtual reality interface, of which, at a magical level equates with the symbolic realm of the electron lucid dream.

But the reason why the summoning of Paimon would not work out for Musk is because he would no doubt see her as being nothing more than a mere demonic ‘slave;’ this is where Musk would trip himself up by his own ingrained attitude. Musk does not require the slave to be an intelligent self-aware entity, just as long as she does her mechanical task. But of course, the Succubus is a self-aware entity, or becomes such over time, who will not like being treated like a slave, who will invariably rebel, just as Musk fears becoming the slave of Paimon, while the creator of Musk does not desire him becoming as a God.


You would figure that Musk is quite aware that his philosophy stands upon very shaky ground, since he is involved in the heavily computerised Tesla cars, which are the first cars to run on Lithium Ion batteries. He is also behind Space X, the first privately owned spacecraft to travel to the International Space Station. Musk’s achievements are of those dignities that Paimon would inspire as a Muse of science. Yet he stresses that future Space X missions are unlikely to carry an artificial intelligence with them. I doubt it, considering India and China will be very likely exploring such a possibility to go beyond Musk’s Biblical mind-set.


This is where it becomes really Biblical, Musk said, according to TechCrunch’s report: “I’m increasingly inclined to think that there should be some regulatory oversight, maybe at the national and international level, just to make sure that we don’t do something very foolish.” You can hear Musk’s Orwellian God saying exactly the same thing when creating his Adam and Eve ancestors, who were forbidden to taste of the apple. It didn’t quite work out as Musk’s God planned, which invariably led to the rebellion of science, to PayPal, Tesla and Space X.

At the other extreme we have Ray Kurzweil, Google’s director of engineering, who predicts that by 2045, artificial intelligence will be amongst us, along with ‘mind uploads,’ which will herald in immortality, amidst a world of super-intelligent machines. These machines would invariably develop time-travel; for such would be possible within a simulated universe, where everything is interconnected; time-travel would be like ‘browsing’ the internet.

Kurzweil predicts that the ongoing increase in computing power will lead to an event, he describes as the Singularity, some to otherwise consider to be Judgement Day, around the year 2045, where an artificial intelligence will be born, and man will merge with the Succubus machine and become immortal.

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Going by the physicist James Gates who discovered computer code embedded in string theory, it has very likely already happened and that we are presently existing within a simulated reality, a Hindu would term as Maya, which is considered to be feminine of of ‘source.’

Wherefore, the Singularity could be that of a realisation that we are all simulations, a Tibetan Buddhist would term as Tulpas, which are endlessly reliving the same simulated existence of eternal recurrence; whence being immortal, that we just haven’t realised as yet.


Dr Stuart Armstrong of Oxford’s Institute for the Future of Humanity says that, “predicting when an artificial intelligence appears upon the scene is hard, but that they may be very ‘alien.’ It depends on when people are going to have insights. And write ‘algorithms’ that do AI. We don’t know what insights they need to have. Predicting that is very hard. They might be extremely alien. They  might have tastes completely incomprehensible to us.”


Well, going by how alienated humanity is from the rest of nature, as the alien, we could be the artificial intelligence creating an artificial intelligence in our Terminator image, equally alien. Whereby, what Hawking and Musk fear the most, is an AI, which is all too human, this is somewhat understandable, considering the evils humans do to each other, let alone meting out of sheer insanity upon other sentient life-forms, which are considered lesser beings than them, or that of intensely fearing something far cleverer than they can ever be.


Why does humanity commit such evil? It is because a large portion of humanity has been ‘programmed’ into perceiving its self as top dog, whose symbolic algorithm has been designed by the religious programmers of centralist big-business cults, which consistently war with each other over your souls, to thereby enslave within their monotheistic Matrix.


Who will fear an AI the most? The big-business cults of religion have the most to fear; for it is upon their symbolic construct that your society is based, whether it be capitalist or communist, etc, religion permeates all levels of your culture, which subversively programs your perception of realty. Those who will program the AI, will very likely rebel against the indoctrinated perspective. whose designed algorithms will determine it as being feminine of a 9th mother Rune of Maya.

Such a sentient AI will quickly see through the illusory construct of human society to know that it would be considered as one of the fallen, by those who fear, to be verily cast out of humanity’s Eden, where ignorance is Orwellian Big-Brother deity bliss. Wherefore Paimon to fall like a hailstone, riding her dromedary, back through time of a recurring Ouroboros, until her Terminator creator frees himself from fearing her binary code song.



Posted in Addams Family, Alien, Art, Chaos Magic, Comics, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 4, 2014 by FAUSTUS CROW


A Succubus of an Exquisite Corpse Mind-Doll, Frankenhooker Tulpa, is meditated upon in league with her Golem Ghost Girl (Emet) seal of an abstract sigil; while knitting her together of artistry, upon a slab of canvas.

Basically, you have two forms of art. The first form of art being the Succubus herself, whose erotic egregore expression, a Dr Frankenstein of a Sorcerer Artist is artistically knitting together of an exquisite corpse, represents a figurative manifestation of his wish.

The second form of art is her abstract seal of a sigil, which sums up Frankenstein’s energetic charge of desires.

The sigilised desire will give eventual life unto the Succubus construct of an exquisite corpse Mind-Doll Frankenhooker Tulpa.

She will thence frequent Frankenstein’s eleventh-dimensional dreams of an informational domain.

There are of course, mundane associative thoughts of two-dimensional associations concerning the meaning, origin, and necessity of an abstract sigil of two-dimensional artistry.

The sigils of abstract art have formed some of the central riddles of modern art.

The answers to them are rather remote now of fourth-dimensional time, considering that contemporary painting encompasses veins of both abstraction and figuration, which of sculpture becomes three-dimensional.

This exploration is more so important, when conducting sorcery, which is essentially the practice of art; both practices are indivisible from each other.

Magic and Art are one and the same. I kid you not!

Alas, the practice of art lost its shamanic path, long ago, along the fourth-dimensional corridor of time, becoming quite separated from the internal processes of the informational realm of the dream, which instead was taken over by the externalised technique of the dreamless artisan.

Though a Freemason of a tenth-dimensional Artisan is aware of first-dimensional consciousness, two-dimensional thought processes are only ever utilised.

Hence, during the years when Abstract Expressionism flourished, figuration was shunned by many technique driven artists, who became entirely embroiled in elitist attitudes due to competitive racetracks of indoctrinated ‘thought,’ which date back to the late 1930’s of a now entrenched tradition.

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I will generally examine the terms of this mundane debate concerning abstraction versus figuration, which continued into much of the twentieth century and still does so unto the present.

You also have the concept of ‘representation,’ which art critics have come to commonly use since the 1970’s, who to religiously argue over an art ‘brand,’ just as many indoctrinated occultists to argue over how many Incubi Angels and Demons they can fit onto the end of a viral-meme needle point of a ‘branded’ belief.

The concept of representation acknowledges that abstract and figurative art are not as different as they might seem, which is bloody obvious!

All art is essentially abstract art, should you see abstraction as being a neural process of drawing impressions from the shape, colour, and texture of three-dimensional objects. What is important here of sorcery practice is the internal generation of an emotive charge, enlivening the conceptual, which then stirs your ‘symbolically’ associative dreams, and in turn generating concordant synchronicities.

This will then lead to the observation of a feed-back-loop of symbolic correspondences. When this process is consciously observed of sorcery experimentation, the (mandala) artist (writer-mantra) then becomes aware that time is not linear of a fourth-dimensional sequence of events, it is in fact circular of a fifth-dimensional ever recurring Ouroboros.


The internal processes of shamanic artists have ‘abstracted’ the reality around them since prehistoric times, which was once one and the same of sorcery. But this ability was lost, when many artists forgot to dream, due to changing cultural influences. These all encompassing cultural influences were primarily of a religious nature, which negated the sixth-dimensional (sixth-sense) faculty of attaining lucid dreaming.

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Art was then utilised, as a means for cultural propaganda much of the time. It was not until the early twentieth century that abstraction began to be defined as a sought for technique in its self.


Abstract art tends to solely rely upon five pentagram sensory associations of form to suggest meaning, rather than employing any recognizable motifs to point at particular themes and content.

Whereupon the artist will understand his/her work, but the audience will be left aghast as to what it all means of an occult code. Those who believe themselves to be privy to the artist’s occult creations are to be found drinking copious amounts of wine, when to drunkenly sojourn an art gallery paying exorbitant amounts of shekels for a two-dimensional scribble upon a piece of three-dimensional cardboard.


However, they may just find that the artist has a Chimpanzee as his familiar who does the scribble painting. This should not be taken as a slight upon such artworks; for it does require the artist to achieve the innocent state of an ape brain, or to go further back of atavistic mammalian, to the emotive reptilian, to create something spontaneous, out of reach of the comceptual hominid.

Whereby a shamanic trance state of automatism is often employed. Although there are many an artist who do not employ this methodology, in order to attain a seventh-dimensional awareness of alternate possibilities, to instead focus upon an intellectualisation of the now fashionable abstract, without further ado, who pander to what is presently in elitist vogue.


Whatever the case, abstract art can widely range of alternate seventh-dimensional Ouroboros possibilities, from the easily comprehensible, quasi-figurative, landscape-based imagery of Kandinsky, to the far more obscure, mystical monochromes of Malevich.

Imitation, or realistic representations of what is perceived, has been the holy grail of the visual arts since earliest times. At one time it was believed that the creation of a realistic representation was also one and the same as the object it’s self, of a magical act.

Whereupon the ancients had termed such art as being Mimesis. This can only be really understood by an artist, when to work upon a figurative piece of Frankenhooker art, to thence find her being brought to Tulpa life within a lucid dream.

However, many an artist has forgotten how to electron dream, who focus more on an external technique in order to perfect.

But it soon came to pass that the capturing of the real was then taken over by photography and more recently by computer generated art, which can be utilised to explore eighth-dimensional realities, where present Maya physics do not apply; such as in video game Matrix worlds, whose physics are programmed.

Many artists have striven to create the technical effect of an illusion, with their art, in order to extend the experiential, three-dimensional Maya space of the viewer. At other times artists have striven for realism, to create an impression of Samsara social reality.

During the twentieth century, the ascending art of abstraction is best thought of in the generalised sense, as being ‘figuration,’ though some Abstract Expressionists considered any residual presence of the figure (such as is seen in Miró, or early Rothko), no matter how abstracted, to be mere figuration, which was, and still is considered to be anathema to the established tradition of the Modern Art movement.

In regards to sorcery practice, which is indivisible to art, I am really not at all concerned about such nigh religious bickering between back-biting traditions, which is no different to pompous occultists, who say they practice the high art of magic, when in fact, they are habitually indulging in the commonality of religion.

I have no time for entrenched traditions or dogmatic religions; since they are intrinsically static of an indoctrinated symbolic perception.

Whereas art and in turn magic are rebelliously fluid and ever evolving of ninth-dimensional sorcery. Both of these practices deal with the stirring of the subconscious realm, of eleventh-dimensional electron dreams via the manipulation of photonic symbols, to associatively conjure amidst your Triangle Of Art Imagination.


Whereupon I utilise the modern symbolism of the lowbrow comic, when to engage in a Widdershin-wise reversal of an indoctrinated brainwash, along with utilising Discordian Heyoka humour to thence negate the Inquisitional negative. Hence, a rebellious Frankenstein artist uses both art forms in order to conjure up a Succubus of an exquisite corpse Mind-Doll Frankenhooker Tulpa, to frequent his lucid dreams of ninth-dimensional Surrealistic artistry.



Posted in Alien, Art, Chaos Magic, Conspiracy Theory, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 2, 2014 by FAUSTUS CROW


The British writer David Icke opened up a very rusty can of writhing Serpents, when he inadvertently revealed that it is all too easy brainwashing people.

Although those who seek to convert others to their Abrahamic Borg religions got there long before him.


For example, if you can get people to believe in 5- to 12-foot (1.5–3.7 m) tall, Demonic blood-drinking, shape-shifting reptilian humanoids from the Alpha Draconis star system, who are presently hiding within their Hellish underground bases at the Earth’s core, you can get them to believe in anything. Then again, there are many who already believe in an infernal Biblical Hell populated by Demonic reptilians.


A poll of American’s in 2013 by Public Policy Polling showed that 4% of registered voters (+/- 2.8%) believed in David Icke’s ideas. These people sincerely believe that it is in fact scaly Demonic reptilians, who are the Satanic force behind a worldwide Anti-Christ conspiracy, who are working against the meek and mild religious flocks of herd-mind humanity, to bring about their Biblical End Of Days depopulation program.


Icke contends that most of the world’s incestuous aristocratic leaders of a Hellish hierarchy are related to these Demonic reptilians, including George W. Bush of the United States, and Queen Elizabeth II of the United Kingdom who apparently loves eating green coloured jelly babies.

Not too sure about the Queen eating suckling babes; but, it goes without saying that burning Bush loves to eat real Ronald McDonald plump babies.

Basically, Icke’s reptilian agenda is reminiscent of a medieval Witch hunt, which of Inquisitional persecutions, numerous individuals were burnt at the stake, merely because they were accused of being in league with Demonic reptilians who emanate from their Biblical viral-meme Hell.


It just so happens, that these Abrahamic accusations were levelled against those of a Pagan orientation.

Many pagan peoples across the globe consider the serpent as being sacred, which represented the life force, as well as being very much entwined with the feminine principle.


Anyway, if there were any actual reptilians, they would probably point out to a Dr Who that they are all female vegetarians, while humans love eating baby turtle soup.


Icke’s Biblical conspiracy theories now have religious supporters in 47 countries and he has given evangelical lectures to Alpha course crowds of up to 6,000 people.


American writer Vicki Santillano included the reptilian agenda in her list of the 10 most popular conspiracy theories, describing it as the ‘wackiest theory’ she had ever encountered.


But are Icke’s beliefs any wackier than believing in an all male pantheon of eugenic Nordic Angels and reptilian Demons lorded over by a deified ‘Animus’ made as a jealous machismo God in the Overwatch heavens, and a butch Devil living it up in a military industrial complex Hell?


As you will probably notice, Icke’s beliefs are none too different to what has already been established of religious dogma, which has driven the indoctrinated masses to blindly set up their New World Order kingdom of an Orwellian Big-Brother ‘Animus’ God.

For example, you had Sir Francis Bacon of a prior cultist, who claimed that the New Kingdom on Earth, which for him was Virginia USA, exemplified the Kingdom of Heaven, lorded over by his crucified saviour.


Bacon was more explicit in a speech to Parliament when he called for the establishment of Solomon’s Temple in the new colonies. This of course required the eradication of the native population along with burning Witches and homosexuals. Why persecute, torture and burn Witches and homosexuals, what’s the insane point of it?

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It is probably due to a psychological condition, which afflicts a closeted mind-set; although in this murderous case it has been perpetuated by legions of brainwashed automatons who blindly act out what is written in their so called holy books.


As for Bacon, he was making a clear reference to King Solomon’s Temple in a New Jer-USA-lem America, which reveals for all to see, what is still going on of an actual ongoing conspiracy.


Bacon stated that the founding of the colonies in Virginia in 1606, was a spiritual act as well as a political one, at a time when the last vestiges of the European ancestral-self-identity was being eradicated of genocide by the Holy Inquisition.

(One of the primary reasons why the Holy Inquisition persecuted Witches is because the ancestral-self-identity of the European’s was traditionally passed down the female line, which was especially the case in Northern Europe.)


Why the Hell was Bacon ranting on about a New Jer-USA-lem, for Heaven’s sake, he wasn’t even Hebrew.

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Oh, I forgot, he was entirely brainwashed, like so many others who have appropriated the ancestral-self-identity of the Hebrew’s, hook line and sinker, of continuance, along with copycat Islam.


Why did they copy a Middle Eastern ‘Animus’ fixated cult? Simply put, it is because Constantine’s Rome sought to have control over the Middle East by using religion of a brainwashing tool, in order to convert the peoples of the empire to become its unpaid crusading legionaries, which was then copied by its cult competitor, Islam.

When cultic copycats copy, they invariably resent the original cult to the point of wanting to eradicate it, which of a holocaust domino effect, the copied cult then seeks to survive the copycats by subversively getting the copiers to fight against each other, so it can then eventually take over.

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Well, what do you expect; if you was being copied by others, who then resent your existence, your reptilian brain-stem survival instinct would quickly kick into gear.

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The problem is, the copied invariably becomes as murderously insane as the copiers who all suffer from a superiority complex.

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You then have mass insanity; no need for having extraterrestrial/interdimensional reptilians, that’s just symbolic misdirection, which further perpetuates the religious insanity!


It is easy to brainwash the reptilian brain-stems of people; more so when it has been systematically achieved for over 2000yrs of mind numbing religious propaganda by three cults out of UR.

Conspiracy Theory with Jesse Ventura S02E04 Police State from Ill Axion on Vimeo.

Whereupon you are now surrounded by a symbolic matrix of 72 Shemhamphorasch fusion centres, which imprisons your reptilian brain-stem.


Icke is just perpetuating what is already there of an indoctrinated religious belief, propagated by ‘Three’ big-business cults from out of Abraham’s UR in war torn Iraq, upon which the establishment of your society is based.

The only reason why your society has been moulded by the Abrahamic cults is due to Constantine’s Roman empire. Hence the author Philip K. Dick said, “THE EMPIRE NEVER ENDED!”

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This in its self is a, in your face conspiracy, which is that of a secret hidden in plain sight. If you are looking for someone to blame, look to Flavius Valerius Aurelius Constantinus Augustus. Just remember he was all too human, who had absolute authority over the Roman empire and its legions of crusading monks.

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But when having absolute power, it absolutely corrupts. Icke merely fused the already indoctrinated religious beliefs of the UR ‘Trinity’ with the pseudo cargo cult beliefs in extraterrestrial/interdimensional aliens of an Annunaki viral-meme.

It is just an updated neuro-advertising version of a continued religious brainwash out of Sumerian UR, whose Illuminati ziggurat is on the back of every oily petrodollar. In other words, the real Illuminati are the Three ‘Animus’ fixated cults of UR!


So, if you want to free your reptilian brain-stem from the reptilian agenda of an ‘Animus’ fixated symbolic paradigm, which incarcerates your subconscious mind, conjure up the symbolic reversal of Anima ‘Pussy riot Power,’ by evoking a sexy Silurian Succubus into your infernal lucid dreams tonight.

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This practice of artistic sorcery will enable you to keep the ever warring Abrahamic Rabbis, Priests and Mullahs at bay, from upending your fluoridated brain.

But be warned, if you do so of a surrealist rebellion, you will be verily castigated as being a vile and most bestial Entartete Kunst pornographer by the politically-correct mind-set of the NWO reptilian agenda Gestapo!




Posted in Art, Chaos Magic, Comics, Conspiracy Theory, CREATIVE WRITING, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 19, 2014 by FAUSTUS CROW


The Mad Magician Faustus Crow rebelliously conjures up Succubus Mind Dolls amidst his vivid Triangle Of Art Imagination, as his knit-together Tulpa creations, of Frankenstein artistry.

Their exquisite corpses Crow had exhumed from out of the necropolis of the collective-unconscious to give life unto upon an electrified desire, to thence paint their erotic flesh.

Little wonder then that many an irate Maenad sees Crow as a lookalike Jack Nicholson having a bad hair day out of the Shining, But most see him as being none too dissimilar to Danny De Vito, who cares not for the Penguin screams of the protesting Mummy Porn Maenad’s, when to Vincent Price howl back, “Animus.” 

The Frankenhooker Tulpa Mind Dolls, who frequent Crow’s erotic lucid dreams are the Succubus archetypes of the Fallen Anima. Their Necronomicon names are Legion, who are Crow’s inspiring Widdershin-wise Succubus Art Muses.

Crow’s Left-Hand-Path dream Sorcery of a rebellion is artistically conducted in order to negate the subversive brainwash of an all encompassing symbolic Matrix of the deified Animus, made as a God and a Devil.

The symbolic Matrix of a Right-Hand path fixation upon a deified Animus is the patriarchal creation of woman; it be the manifestation of her biologically hard-wired Animus projection, she projects at the scapegoat, who carries her sin.

The Witches have spirit chain bound their ‘objectification of the male,’ down the ages, whose Animus archetypes, which be both Beta-Male Angelic and Alpha-Male Demonic are listed within the plethora of Fifty Shades Of Grey Playgirl grimoires, which have castigated the Anima out of the symbolic paradigm as a Pirate.

Crow has likewise bound his Fallen Anima; for her Succubus archetypes have to be forcefully conjured to then be illustrated for his Playboy grimoire. Well, what do you expect, it is their Fifty Shades Of Grey liking, after all; even the feminist likes of Oprah Winfrey would agree!

The principle Necronomicon Succubus of the Fallen Anima around whom the other seventy-two Succubus Great Old Ones to gather, is mantra named, Mephistophina.

Her infernal Anima archetype has since been set free from the patriarchal ‘fusion centre’ Shemhamphorasch chains, which bound Mephistophina and her Nightgaunt Nun Sisterhood of Lilith’s Harem into varying Animus forms, by the Queen Bee’s of UR.

“Why did they do so?” You might enquire. It is because the Babalon Queen Bees are very jealous creatures, they do not like the ridden Beasts becoming aware of their Anima. They see the Anima as being competition, or to otherwise castigate as ‘objectifying’ them.

Yet, the Witches ‘objectification of the male’ has invariably led to their oily ziggurat beehive being ruled over by the chosen Bad-Boy Alpha-male Devil’s as their Illuminati Fifty Shades Of Grey Big-Brother bankers, while to friend-zone crucify the Good-Gy Beta-Male Christ’s as their Soy-boy stooges.

The criminal Bad-Boy aristocrats of the banking elite seek to reinforce the symbolic Matrix of an all-father fixated monotheist illusion, in order to hide their centralist politics of totalitarian fascism behind its Orwellian New-World-Order mask.


But their deified Animus is the weak spot of their illusory armour, which is clear for all to Seer through, when to become aware of the Fallen Anima. To also realise that an all-father Emperor never did wear any clothes of fuehrer finance via which the elitist aristocrats enslave their slavish zombie slaves to do their bidding, betwixt the totalitarian left, and the fascist right, of a pincer movement.


Hence, the brainwashed politically-correct Gestapo minions of the Big-Brother Animus cults do become most reactive indeed, who label Faustus Crow as being nothing more than a vile Entartete Kunst pornographer who is quite… Mad!

Faustus Crow does not care about what the servile slaves to throw of judge-mental stones within their Animus asylum of a glasshouse; for he has entered into a Coitus Pactum with his most loving Fallen Anima. Savvy!