Archive for paranormal

GOLEM GIRL DOLL OF HANS BELLMER

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 14, 2014 by FAUSTUS CROW

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The Golem of Jewish folklore, is an animated anthropomorphic creature like that of a Dr Frankenstein’s creature.

A Golem is usually described as being magically created entirely from inanimate matter, you could easily equate with a robot. The earliest stories of Golems date to early Judaism.

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These early tales of Golems are found in the Talmud (Tractate Sanhedrin 38b), where Adam was initially created as a Golem when his dust had been, ‘kneaded into a shapeless husk.’ Like Adam his first wife Lilith was also created as a Golem.

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All Golems are created from mud. This mud is otherwise called the prima materia by the alchemists, which alludes to a symbolic code; but more on this later.

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The most well known story of a Golem introduces us to Judah Loew ben Bezalel, who is a late 16th century rabbi of Prague.

He is also known as the Maharal, whom reportedly created a Golem to defend the Prague ghetto against anti-Semitic attacks and bloody pogroms meted out by the irate Christian’s.

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Depending on what version of this Golem story you come across, the Jews in Prague were facing expulsion from the ghetto or being exterminated under the tyranny of the then Holy Roman Emperor Rudolf II, who was later copied by the right-wing Christian Nazi’s.

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You could see Maharal as being a previous incarnation of the German artist Hans Bellmer (March 13, 1902 – February 23, 1975) who is best known for the life-sized pubescent female Golems, which he created as his Frankenhooker Mind-Dolls made manifest of Golem sculptures during the mid-1930s.

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Bellmer created his girlish three-dimensional Golems, which he photographed in erotic poses in order to show his repudiation of Fascism and the Nazi aesthetic it propagated; he was certainly out to shock!

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Bellmer’s Golems were purposefully created in order to disturb the politically-correct right-wing-Christian sensibilities at the time, when they were published at his own expense back in 1934.

Bellmer’s work still causes a stir, more so now, but for different reasons, when taken out of context of an Entartete Kunst concentration camp by the politically-correct mind-set of the Gestapo. Other works appeared in the Surrealist journal “Le Minotaure”, ensuring Bellmer’s importance among the Exquisite Corpses of the Parisian Surrealists.

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Historians of art and photography also consider Bellmer to be a Surrealist photographer. Perhaps Maharal was a proto-Surrealist or that of a mind shock Dr Frankenstein?

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Let’s say, both, fused into one singular character of a sorcerer who as a pre-Freudian psychologist knew how to create a viral-meme of a Golem; since, sorcery is art, art is sorcery, which are indivisible of practice; for both practices deal with the manipulation of symbolism, which stirs the subconscious mind of the collective dream.

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Going by the subconscious symbolism of the Golem myth, in order to protect his Jewish community against the racial hatred of the church of Rome, Maharal, like a prior Hans Bellmer, created a most disturbing Golem out of clay, which, it is said, he had derived from the banks of the Vltava river. Maharal didn’t choose the Vltava river just because it was quaintly nearby.

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The Vltava river has a symbolic importance. It turns out that the Vltava river is the longest river in the Czech Republic, running ‘North’ from its ‘source’ near the ‘German border’ in Šumava through Český Krumlov, České Budějovice, and Prague, merging with the Elbe at Mělník.

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Both the Czech name Vltava and the German name Moldau are believed to originate from the old Germanic words wilt ahwa, meaning, wild/strong water. So, the wild/strong waters of the (ley-line) Vltava is rather symbolically apt to utilise for Maharal’s Hans Bellmer doll of a Golem; and what is more, Maharal’s Golem was probably female, which he had secretly created as his Exquisite Corpse of a Frankenhooker in his hidden away loft of a ritual-magic art studio.

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According to a legend about the geographic locale in question, a ‘princess called Libuše,’ who was the sovereign of the Czech tribe, married a humble plowman by the name of Přemysl, whom founded the dynasty carrying the same name. “Aha!” A Crow-ley Maharal to say, “what better ‘spirit,’ evoked. To capture into molded clay. Most disturbing, yes, indeed… this, lovely Libuše out of a subconscious necropolis to recall, of a Hans Bellmer Golem doll girl to portray, who to thence haunt the Christian… neighborhood.”

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The legendary princess made many prophecies as a prophetess from her castle Libusin, which was located in central Bohemia, whose land later inspired many a Bohemian artist, such as Hans Bellmer, who would have no doubt sculpted the princess in the likeness of his female cousin to put into his Exquisite Corpse suitcase.

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In one of Libuše’s prophecies, it is said, that she predicted the glory of Prague: “I see a vast city, whose glory will touch the stars! I see a place in the middle of a forest where a steep cliff rises above the Vltava River. There is a man, who is chiseling the threshold (prah) for the house. A castle named Prague (Praha) will be built there. Just as the princes and the dukes stoop in front of a threshold, they will bow to the castle and to the city around it. It will be honoured, favoured with great repute, and praise will be bestowed upon it by the entire world.” Prague has indeed captured the collective focus of many a mind.

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It looks as if Maharal was utilising the locale of the Vltava river because of its mythic importance to the Czech Christian’s, in order to empower his (wild/strong) construct of a Golem, via which he could perhaps ‘remote view’ their malign intentions.

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His Golem, being probably female, would also afflict the shocked Christian’s with strangling nightmares as a bedroom invading Lilith, or to otherwise seduce away from their racialist blood lust by reminding them of their own ancestral self identity, which isn’t and never was Hebrew; for It be rather curious, that the converted Christian European’s and Muslim Arab’s make forever war over the ownership of a Hebrew self identity, personified as a cultural deity, which to a European pagan, or Arab, who still remember their own ancestral self identity, will rationally observe, when applying logic, is utter, insanity.

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The Golem was then brought into existence through arcane rituals and Hebrew incantations. This involves in depth meditation and intense visualisations upon certain symbolic stimuli to thence implant into the subconscious mind, and in turn enabling lucid dreaming.

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The Golem myth however mentions that it was given the (mantra) name of Josef, but more likely that of Yossele. The name Yossele is derived from the Hebrew for Josef, being yōsēf (may he add, God shall add). Wherefore many a mind would commonly point out that Maharal’s Golem was male, without looking any deeper into the matter, who be blinded by an occult blind, following the blinded.

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The masculine name is borne in the Bible by a favourite son of Jacob and Rachel (GEN. 30), by the husband of the Virgin Mary and foster father of Jesus (MATT. 1).

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You also have Joseph of Arimathea, a rich Jew and secret follower of Jesus, who helped take Jesus’ body from the (solar) cross to prepare it for burial, who supposedly took the Holy Grail (a female symbol, referring to the womb) to Glastonbury Tor (surrounded by a one time inland sea) in Wiltshire, England (JOHN 19).

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It would initially appear of an occult blind that Maharal was creating a Golem of the father of Jesus in order to turn against the Christian’s of a symbolic reversal. However, Maharal’s Golem was very likely that of an alternate magical persona he had assumed of a Yossele Avatar, via trance ingress, which, if you allow your imagination to let rip, enabled him to access the dreaming mind of the so called ‘Holy’ Roman Emperor Rudolf II, to thereby torment as Jesus’s father.

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This was further empowered by a conjured up female (Succubus) water sprite (Mary: Star Of The ‘Sea’) of the Vltava river, given form as a clay doll meditation focus.

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It just so happens that the Vltava river has a female association concerning a statue found in Prague, although sculpted in 1916 by the commissioned artist J. V. Pekárek.

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The sculpture is somewhat influenced by pre-Christian Slavic beliefs about female water spirits, of which Maharal was very likely aware, whose pagan existence of ancestral memory terrified the Christian cultists.

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The statue is known as the ‘Charming Stone Girl,’ which is an allegory of the Vltava river. It is one of the most popular statues in Prague historic centre, which has a prominent location.

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The sculpture is situated in the ‘Northern’ end of Dětský ostrov, literally Children’s Island, which is an island on the Vltava river. It lies in the Smíchov district of the city.

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The stone girl of a (Golem) Vltava, is close to the lock chamber standing atop of an 8 metre high pedestal; while her statue is 2.8 m tall, you then have 10.8, which in numerology reduces down to 9 of a Cabbalistic focus upon the 9th sephira of Yesod. Under her (mitochondrial DNA bio-photon) Shekhinah form are plastics depicting four tributaries.

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There is a girl with a (Yod/emotional charge) fish, who is called Sázava, a girl with a (Hey/hypnagogic ingress) bouquet named Lužnice.

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Another girl washing (Vau/nailing a lucid dream) gold is Otava, and finally, a girl with (Hey/hypnapompic egress) cog wheel (symbol of mills and iron mills, also of circular time) is Berounka. The statue is perfectly visible from the Bridge of ‘Legions’ (Most Legií) or from Janácek Waterfront (Janáckovo nábreží).

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Dětský ostrov is mentioned in texts as early as 1355. Until the 18th century, it was called Maltézský Island, after the owner of the Maltese monastery Panny Marie pod řetězem (Church Of Our [Mary/Star Of The Sea] Lady) in the Lesser Quarter.

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Subsequently it was named after members of Prague’s Jewish community who owned the land, such as Hykyšův, Funkovský, and Židovský of a trinity.

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Each year on All Souls’ Day (November 2), members of the association ‘Vltavan’ place a wreath at Vltava’s statue as a memorial to those who have drowned in the river, which of Slavic myth is very much tied up with discarnate females who have become Rusalka, who live under water, whose aquatic domain symbolises the amniotic (grail/cauldron/back of the head) womb dream.

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It is also said that the Yossele Golem could make itself invisible and summon spirits around a séance table to turn, conjured up of necromancy, from out of the watery dream realm of the dead.

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Now, this is rather intriguing; if Yossele specifically refers to the Golem, then it sounds more like a thought-form, of similarity to what the Tibetan Buddhist’s call a Tulpa, which are conjured up as constructed Goetia spirits with varying functions, whose thought-form constructs are said to materially manifest.

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But as mentioned prior, Yossele could actually be Maharal’s remote viewing Avatar, but it would require being empowered by a feminine source, just as an Adam needs a (Priestess Of The Silver Star) Lilith.

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Whereupon Vltava of a fifth element amidst four elemental tributaries was translated into a Golem construct of a Succubus to penetrate via trance, which enabled Maharal to remote view the (Tau-field/Morphogenetic-field/collective dream) spirit of a place.

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Some of the tales, concerning Golems, such as those of Chełm and Prague, as well as in Polish tales, and of a version covered by Brothers Grimm, involves the Golem being inscribed with Hebrew letters.

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These letters spell out the word Emet, ‘truth’ in Hebrew, which is written on the Golem’s forehead.

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The Golem could then be deactivated, when needed, by removing the Aleph in Emet, thus changing the inscription from a ‘truth’ to a ‘death,’ Met, meaning ‘dead.’

But, of course, the idea lives on as a viral-meme, when the idea takes up residence within the brains of individuals; this being more to the point concerning the creation of a haunting Golem, like a neuro-advertising tune, that you can’t get out of your head. Whereupon, the more shocking the idea, the more likely it will take on a mythic (Tulpa) life of its own.

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Other versions of the Golem tale relate that after conjuring an entity into a clay receptacle of a meditation focus, it could be brought to life by placing a magical formula, known as a Shem into its mouth, which could be later immobilized by pulling out the Shem. This technique was also utilised by the ancient Egyptian’s by the way.

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The immobilisation of a Golem could also be brought about by reversing the creative formula. Rabbi Jacob ben Shalom, who arrived at Barcelona from Germany in 1325, to have remarked: “the law of destruction is the reversal of the law of creation.”

Basically, after the thought construct of a (Tulpa) Golem is encountered within a lucid dream it can then be fixated into material form, such as a ‘stone girl’ upon which the sorcerer focuses upon, like that of a Voodoo doll; wherefore you have the motif of a Genie in a lamp/bottle.

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This process of a (Tulpa) Golem creation can be reversed of dispersal, when to return back to the source. Or to otherwise transform a symbolic stimulus into another form of expression, by reversing its meaning.

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The spirit repository of a statue is often broken so that it cannot be used by others, as well as its viral-meme influence being dispelled; likened to that of the sacred swastika of the Hindu’s, to break apart, by transforming it into a hated Nazi icon.

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Back in 1625 Joseph Delmedigo relates that: “many legends of this sort are current, particularly in Germany.”

These German folktales invariably led to Mary Shelley creating her Germanic Golem of a Fankenstein, who may have come across the earliest known written account of how to create a Golem, which can be found in Sodei Razayya by Eleazar ben Judah of Worms (1165–1230).

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The myth of the Olympia mechanical doll of a Golem, and Shelley’s Frankenstein has very much influenced the artificial intelligence movement.

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Now, let us look at the Hebrew word for ‘truth,’ being Emet, which contains the first: Al-ef, middle: Nun, and the last letter of the Hebrew alphabet: Tav, indicating that the ultimate ‘truth’ is associated with, birth/beginning, your present life/existence and death/end.

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Basically, Emet is associated with the process of ‘time,’ in particular, of an ‘abstract,’ which is inextricably linked to ‘space,’ as in space-time. However, ‘time’ is usually perceived to be linear by our nervous-systems, which Albert Einstein to have stressed is an illusion.

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Time is actually happening simultaneously, because it is looped, should space be a sphere. What you then have is a sphere of time, which in two dimensions is described by a circle, the ancients symbolised as a snake eating its own tail, called an Ouroboros encircling an egg representing space.

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The Ouroboros is also depicted as a Lemniscate, or that of a Moebius strip, which indicates that your existence endlessly repeats of Eternal Recurrence.

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In the Tarot, Al-ef/Aleph is the Fool: 0, Nun is Death: 13 and Tav/Tau is the World/Universe: 21. Al-ef (Fool) of a ‘0’ is your return (birth) back to a recurring cycle.

But you have forgotten what you have already experienced many times; hence that of a clean slate, driven, on automatic. Like that of a body, without a head.

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The problem, is that you will end up repeating everything, like that of a pre-programmed (Golem) automaton, until you remember certain key memories, which will be initially experienced as déjà vu, and as precognitions. These trigger memories tend to be associated with emotionally charged sexual encounters; whence you have the motif of soul-mates.

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But it will not be a case of remembering past-lives or seeing into the future, such a perspective is (foolishly) linear of a ‘fence;’ it will be more of a case that you are remembering the endless Ouroboros cycles of Eternal Recurrence; yet your initial realisation of this, will be that of an abstraction.

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When you start to remember, to slowly conceptualise, your conscious mind will often not be able to handle the full impact of its experiential reality.

Whereupon you either quickly forget, or your subconscious mind otherwise transforms your awakening into symbolic conceptualisations, which is most often interpreted as being past lives or as precognitions.

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An analogy would be that a programmed (Golem) robot starts to become sentient; but only when it remembers of Knowledge, otherwise it stays as a blissfully ignorant programmed (Golem) robot in its repetitive Eden.

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The middle letter of Nun (Death) equates with the head of the snake eating its own tail, where you are both alive and dead simultaneously, as indicated by Schröedinger’s cat experiment.

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This can be personally experienced when you achieve (split screen) hypnagogic trance, where you are between (Land/Life) waking and (Water/Death) sleeping, wherefore the letter Nun means, ‘fish,’ describing (Mud/prima materia) an ‘amphibious’ state of consciousness. The hypnagogic (Mud) state is analogous to a (Golem) robot being able to hack into its own (Land) programming via the virtual reality of its (Watery) electron dreams.

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Tav (World), it is here that you realise that your experiential reality is an illusion, which can be otherwise termed as being a ‘simulated reality,’ the Hindu’s call (Mother/Vesica Pisces/Vagina) Maya. An analogy would be that of an artificial intelligence (Golem) existing in a video game reality becoming aware of the (Emet) ‘truth’ of its simulated existence.

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When you become aware of your simulated existence at ‘Tav,’ you also become aware that you can create (Tulpa/Golem) simulations when to access the (amphibious) hypnagogic (Mud) state out of which (Tulpa) thought-forms (Golems) can be created. These (Tulpa) thought-forms (Golems) can manifest into material existence over time; more so as viral-memes.

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The initial embryonic existence of a Golem is within your amniotic (Watery) electron dreams, which after being (Land) programmed, is then activated via (Mud) hypnagogic (amphibious) trance. The Golem then starts to become more substantial, inducing pre-programmed (microcosmic) lucid dreams, which are illuminated by the bio-photon emanating from amidst your mitochondrial DNA.

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This leads to concordant (macrocosmic) synchronistic feed-back-loops as well as instigating poltergeist phenomena and even physically manifesting at certain key-times as a ghost. Wherefore a Maharal can create a (Golem/Tulpa) ghost girl to (Skinwalker) haunt the (Tau/Morphogenetic field) locale of his antagonists, whose physical spirit repository would be that of ‘Charming Stone Girl.’ Like that of a ‘Wild/Strong’ Rusalka genie, being conjured out of a bottle as an Entartete Kunst Wilt-Ahwa Valkyrie, furiously riding an Ouroboros cycle of a cog wheel gold bicycle, holding onto a bouquet basket of fish. As mentioned prior, shocking ideas (Bellmer’s Doll/Golem) take on a Tulpa life of their own, which to thence spin the electron dreams of the collective, because they are empowered by the (prima materia) emotional charge of the shocked audience.

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PIRATE GHOST GIRL OF STEAMPUNK WONDERLAND

Posted in Art, Chaos Magic, Comics, Conspiracy Theory, Cosplay, CREATIVE WRITING, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 9, 2014 by FAUSTUS CROW

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The Thirty-second Succubus archetype of the Fallen Anima is Asmodaya, or Asmodaiya. She is a Great Pirate Queen, Strong, Powerful and very beautiful to behold amidst thy Triangle Of Art Imagination.

No longer is this Necronomicon Great Old One imprisoned within an male form, frequenting the Animus fixated grimoires; she is now free to rage of artistic rebellion, along with her Succubae sisters of Underground Occult Comic!

She appeareth holding onto a Jolly Roger flag depicting Three Heads, whereof the first is like a Bull, the second a skull and crossbones, and the third like a Ram.

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Asmodaya is the Succubus who destroys the illusions wrought by priests, who have ‘branded’ the great mystery betwixt birth and death as their own.

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Wherefore the big-business cults of the deified Animus greatly fear her piratical onslaught.

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Asmodaya to say: “I am always hatching plots against the fascist priesthoods of the centralist cults whose ships I sink; I reveal the lying smiles behind the hypocritical masks of their celibate faiths, causing their theocratic hearts to grow cold in terror; for they have sacrificed many an innocent lamb upon their ever warring altar to a three faced Animus deity of an Orwellian New-World-Order flag.”

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Hence, the minions of the deified Animus consider Asmodaya to be a vile pornographic pirate.

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She is the pirate hacker of all gambling houses and inns, wherein of gambling dens a Sorcerer is empowered to practice his psychic faculties to seer through the illusion.

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The rebellious Sorcerer Artist is then led to the realisation that Temple banker finance, is an illusory symbolic construct, whose bankers gamble within the nine stock market hells, which enables them to enslave the neural-nets of others to their priestly game.

Conspiracy Theory with Jesse Ventura S02E03 Wall Street from Ill Axion on Vimeo.

It is said that she will be the one to topple Solomon’s temple of the deified Animus, since Solomon had imprisoned Asmodaya and her Succubus sisters into male forms to build its Animus fixated construct.

Whereby she seeks revenge upon the illuminati trinity of Animus cults, by merely revealing that their patriarchal construct is the creation of woman, who has objectified the male down the ages; for a man has a liking for the Anima.

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The Rabbis, Mullahs and Priests of the deified Animus to say that when Asmodaya was imprisoned into a male form of a butch Asmodeus to slave upon building Solomon’s Temple, Asmodeus made use of no metal tool.

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But instead of a certain stone, which cut ordinary stone as a diamond will glass.

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Whereby she knows how to bring down what has been built, as well to fire her stone of a cannon ball at the Ozark fortress of a banking Noah’s Ark to sink.

Conspiracy Theory with Jesse Ventura – Ozarks from LeakSourceNews2 on Vimeo.

But being crafty of craft, she will bide her time and await for the moment when Solomon’s hypocrisy, of an Animus foundation stone, is revealed to all, which will then entirely shatter the Temple trinity, like a glass house.

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Asmodaya’s constellation is like an animal, which reclines in its den of a heavenly abode. Some Sorcerers call her the Great Bear, the Shamans of Siberia know as Utagan, which is a title given to a female Shaman, but to others, she is the Offspring of a Dragon, which refers to the mitochondrial DNA.

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Moreover, a smaller constellation accompanies her constellation, for the high position and throne of her pole-star mother is always in the sky, which is once again moving over Siberia, whose tundra is melting after 10,000yrs.

It is from Siberia many peoples had stemmed, long ago, of a genetic cradle, whom migrated into China, India, the Middle East, Europe and across the Bering-Straits into the America’s. It is from Siberia, Asmodaya to have originated.

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Asmodaya wears also an Ouroboros snake belt of a trailing tail of a long Scheherazade tale; wherefore she may be also the equivalent of Samaela, whom knows of Ouroboros Eternal Recurrence. What goes around, comes around.

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In her painted mouth a Cuban cigar of a torch issues forth Diana-Lucifera Flames of creative Fire, whose tobacco leaves have been finely scented, when stroked across the aroused skin of a Guanajatabey maiden.

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Her knee length boots are lined with Goose feathers, which lends flight to out of body experiences, when she to take her conjuring Artist journeying over the astral waters between the isles of worlds. At other times, she appears dressed in the lacy finery of a Steampnk lady.

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She sitteth upon a Steampunk Galleon whose leviathan prow is that of an Infernal Dragon crewed by most wanton Steampunk pirate women.

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When to see her Hippie Goth Aquarius age treasure ship in a dream, it portends great riches.

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Her monstrous Steampunk treasure ship is rowed by lost girls who are tied together by a chain of gold binding their golden clit rings. Its many oars gives the impression of spidery legs.

Asmodaya’s spider ship to journey invisible, around thy city, floating upon the tortured air, into whose ethereal Vimana you will be abducted, and verily taken into the wonderland singularity of Neverwhere.

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She plies the seven astral seas of the menstrual blood ocean, and beareth in her hand a Lance with aforesaid Jolly Roger flag of the Fallen Anima.

Wherefore the odour of fish sometimes belays her Yoni manifestation. This can be hastened when fish liver and heart are placed upon embers of a Necronomicon Séance incense.

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Asmodaya is first and choicest under the Power of the great Succubus Queen AMAYAMONA, she goeth before all other.

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When the rebellious Sorcerer Artist hath a mind to call her, let it be abroad, and let him stand on his feet all the time of action, with Tricorn hat or Head-Scarf off; for if it be on, AMAYAMONA will deceive him and call all his actions to be bewrayed; wherefore he shall not be able to assume a Jack Sparrow Avatar to become of lucid dream rebellion.

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But as soon as the rebel Sorcerer Artist perceives Asmodaya’s ship and that of herself frequenting a Tortuga tavern within his dreams, in the comely shape, as aforesaid, he shall call her by her Name, saying: “Art thou Asmodaya?”

And she will not deny it, and by-and-by she will bow down unto the ground presenting her bare arse unto her Jack Sparrow Artist to penetrate with his erect cut-lass.

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Asmodaya is a Succubus whom greatly empowers the introversion of the sexual charge, which stirs powerful erotic lucid dreams, of a spiritual practice. However, if this sexual charge is otherwise externalised you will invariably find yourself creating a self made hedonic hell.

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She giveth the Ouroboros Ring of Chakra Virtues as an apport, which enables the wearer to become aware of fifth-dimensional closed timelike curves of eternal recurrence. She teacheth the Arts of Arithmetic, Astronomy, Geometry, and all handicrafts absolutely.

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She giveth true and full answers unto thy demands. She maketh one Invincible. She showeth the place where Treasures lie, to remote view, and guardeth it.

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She, amongst the Legions of AMAYAMONA governeth 72 Legions of Succubae pirate girls Inferior. Her Seal of the Fallen Anima is this which thou must meditate upon, etc.

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(Derived in part from the works of: Sacred Magic of Honest Abra-Merlina the Witch, and, SL MacGregore Freemason Matherson.)

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BELPHEGOR DEMON GIRL: SUCCUBUS OF THE LOUVRE

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Belphegor is a Velvet Buzzsaw Daemon girl who enables a Sorcerer Artist to make many a discovery, like that of an inspired electric Eel of a Nikola Tesla having visions.

She also seduces a Sorcerer Artist via his lucid dreams by suggesting to him surrealistic creations, as his most wanton Art Muse.

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She is a Succubus archetype of the Fallen Anima, who can be consciously conjured within a lucid dream, wherein she becomes as an interactive Art Muse reality.

The patriarchal death metal cultists of the deified Animus, whose Babalon Playgirl grimoires list only Right-Hand-Path stroke Chippendale Great-Beast archetypes, miss out on all the Left-Hand-Path stroking Playboy grimoire fun.

The minions of the deified Animus are somewhat unaware that behind the ghost mask of Belphegor, she is a Parisian Succubus archetype of the Fallen Anima.

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And a very rebellious poltergeist she is too, whose Genie Bottle abode is the Art gallery of the Louvre.

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But then, what do you expect of the death metal OTO priests, who are far more into conjuring up Incubi Angels and Demons dancing around their deified Animus, made as a phallic God and Devil.

Little wonder then that Holy-Wood’s indoctrinated fixation upon the deified Animus is into the Crowlyean fluid sexualities of the androgynous hermaphrodite to make political, while castigating the Fallen Anima as being mere Velvet Buzzsaw porn, or to otherwise make out she’s a celibate Virgin Mary.

The Belphegor book explores the historical background and symbolism associated with this Succubus archetype of the Fallen Anima, and how she can be conjured amidst the Triangle-Of-Art Imagination of a sorcerer, which leads to her Tulpa manifestion within a Sexagram lucid dream, to take much further of an erotic Coitus Pactum exploration.

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Should you ever meet up with a crazy French lady upon a Succubus synchronicity, said woman may claim that she is the Tulku incarnation of the ancient Egyptian Goddess Ahathoor, who has been conjured into flesh, via the mass mind focus upon a mummified Belphegor, haunting the Louvre…

Boris Karloff and Zita Johann in 'The Mummy'

Don’t worry about it; just whimsically say that you are a reincarnation of an ancient Egyptian sorcerer, who has been hunting her down through the aeons to possess. So, you always knew where she came from, to reawaken out of her fleshly sarcophagus.

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Then invite her back to your Arkham asylum Art studio, and everything will be okay, of an Ouroboros soul-mate dance; for it takes two to trance tango naked through the Sirian stargate, when the Animus and Anima Coitus Pactum unite.

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This is especially the case if you then to engage in the Tantric practice of the Velvet Buzzsaw, which of Sex-Magic street Art slang means performing cunnilingus by trembling your head quickly, laterally, allowing the tip of your tongue to rapidly clean her Sirius star-gate of a clitoris.

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But, if you get on the wrong Belphegor side of Ahathoor, you will soon find that she has very sharp, feline claws, whose Velvet Buzzsaw becomes a… vagina dentata Buzzsaw.

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Such an end will invariably lead to you becoming a Hoboman, or very dead, and quite unknown. You might even leave behind a will to indicate that your Artwork is to destroyed, since it is the spirit repository of an angered Art Muse, Belphegor.

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Although, Belphegor to purr as a playful remote viewing Kitten, when she laps up her Artist’s cream, since AHA-thoor has a spirit bondage liking for an older Sorcerer Artist with a Crow-Ley wizard beard, who desires to paint her Playboy grimoire portrait, via which she becomes Louvre immortal as the Anima in the living Art Muse flesh.

ANIMA/YIN +COITUS PACTUM+ ANIMUS/YANG = TAO

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NOTE: In a heterosexual relationship dynamic the male projects his Anima upon a woman, and she likewise projects her Animus upon him.

This Anima – Animus projection is usually done unconsciously, without realising why they are actually attracted to one another. The attraction is due to the unconscious influence of the Anima and Animus.

The inner archetypes of attraction is also applicable to those of other sexual orientations. 

EXERCISE: Ask yourself who would you consider to be your perfect partner? By doing so, you are Conjuring up the Anima – Animus.

1: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Act as if you are seriously speaking to an audience, like that of a salesperson describing the latest snazzy product. You want your imagined audience to believe you. Write it down.

NEXT: After you have done the above, take five minutes out, by watching a funny kiddies cartoon and lighten up. Hell, take it even further, have a pillow fight with your imaginary childhood friend looking like a Pooka. then onto 2:

2: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Act as if you are telling a fairy story to a child. Write it down.

NEXT: After you have done the above, take five minutes out, by having a coffee, while munching a snack; basically, totally veg out, without a care in the world. then onto 3:

3: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Be brutally honest with yourself. Write it down.

You will very likely find that the third part of this exercise will contradict the first part. It is the third question that the Neuro-Marketeers would consider as being the voice of your unconscious reptilian-brain drive, which actually determines your actions. It is here that the archetypes of the Anima and Animus resides.

What is more, the reptilian-brain thinks in (Anima – Animus) symbols, not words, which is directly connected to your optic nerve. So, first impressions, when meeting someone determines the nature of the attraction, or, as the saying goes, falling in love at first sight! 

NOTE: Should you not be aware of your inner self-image, you can utilise the above exercise in the same way, when to ask yourself the question, “who am I?” However, the conjuration of the Anima – Animus, will reflect back how you see yourself in relation to their imagined images. Basically, the Anima – Animus mirrors back those qualities you have, or seek to attain. 

Overall, the symbolism of Belphegor is the Anima counterpart of the bearded sorcerer, who works through his own shit!     

The grimoires do relate that Belphegor is associated with relationship dynamics, which is said, she observes. 

BELPHEGOR: MYSTERY OF THE LOUVRE PYRAMID.

BELPHÉGOR: GHOST GIRL OF THE LOUVRE AND HER WITCH SISTERS OF PURGATORY

The 2014 published book, Belphegor Demon Girl: Succubus Of The Louvre, can be obtained via Amazon. Click Here. 

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SKINWALKER RANCH OF THE SORCERERS

Posted in Alien, Conspiracy Theory, Extraterrestrial, Lucid Dreaming, Occultism, Shamanism, Sorcery, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Through the Nierika of inner portal the dreamer to go, between waking and sleeping; over the mother waters of blood ocean, under Moon; the Wolf to Howl amidst the snows.

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Becoming hence as a black scaled Serpent shedding skins, into other worlds to slide golden.

The White man has forgotten much, as the blinded; while Sorcerers are singular of amber eye Dragon.

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What the White man has forgotten makes him as the hollow chasing his own tail of a tale; while we watch his Circus that be as his unknowing Asylum between Life and Death, Alpha and Omega, 0 and 1.

We observe you from that place of superimposition, where the snake head eats its own tail; for it is there that we ride the Inorganic Feminine Intelligence of the Allies as our Night-Mares, from world to world.

We were once Human. Now we are More Human, Than Human.

The Allies enable a Sorcerer to truly know of Terrors and Wonders, far beyond the ken of those that be blinded by the blind.

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YELLOW SUBMARINE ILLUMINATUS GIRL

Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Remote Viewer Aaron C. Donohoo may have been the first magician to have ever had a tangible glimpse of the Forty-second Goetian Succubus Vepara, otherwise called Vephara.

His flat psychic photograph, which was taken just after conjuring this Succubus of the Fallen Anima into his temple of a padded bedroom, depicts her as a sensual submariner seated astraddle his altar to orgasmic alter.

What you would have observed in Donohoo’s two-dimensional photograph was a statuesque woman with piercing eyes and a somewhat pronounced chin.

Behind her, a vaginal rip of a wormhole, through which could be seen captain Nemo’s Nautilus of a yellow submarine, made famous by the Beatle’s song. She psychically informed Donohoo that her submarine is a Leviathan class Nautipuss.

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What was especially noticeable about the two-dimensional photograph of Vepara, was her Lovecraftian Octopussy hair. While not twisting like octopus tentacles, her hair did slither serpentine, of similarity to the hair style of the legendary Medusa.

The psychic photograph also showed something else; projecting downward, from the head of Vepara, was various distortions, like ripples from a tiny ‘stone’ dropped into a still pool of clear water. Does this suggest some kind of energy spreading away from this Succubus, or is this some kind of Sirian radio beacon?

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The legends of Vepara indicate that this demonic Succubus has been especially known to wet dreaming sailors, if not by many other cultures in ancient times, whom experienced her three-dimensional lucid dream reality.

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The mermaid legend obviously has its mythic roots in this Succubus, who is a dream creature of the astral sea between worlds.

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One story says: “Vephara appears as a mermaid, a daughter of Dagon, some to say, she has emerald scales trimmed in silver and seaweed tangled in her hair. She may also appear at times to be a beautiful slender woman, but this shape is insubstantial and is used only to lure sailors to their deaths. Her fingers are webbed and she has small gills behind her ears.”

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Yet another legend claims that Vepara: “governs the waters out of Innsmouth, who torments the armed warships of the brainwashed herd, and can cause stormy weather to verily afflict ever warring naked apes, who continually war over their Lilliputian religions of the deified Animus.”

“The three Liliputian religions of the of the Illuminati triad of UR who worship the deified Animus, made as monotheistic God and Devil has caused much woe in the world.”  

This Succubus is known of to a Discordian cult of Dadaist anarchists who worship her as, “The Illuminatus Serpent Queen of Surrealism.”

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The Medusa story . . . a beautiful woman who had her hair turn to a nest of twisting snakes because she rivaled the Goddess Athena in beauty . . . may well have its roots in the legend of Vepara.

The ancients said that Vepara has the ability to cause horrible wounds to those who seek to cause her conjurer harm.

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These wounds will manifest as gashes, which will putrefy and fill with worms; though not seen by others, the wounding will be there, invisible.

It was said that any man who looked at Medusa would be turned to stone, whose head, Perseus was to later have upon his protective shield of emblem.

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The story is that Vepara is very much at war with the Orwellian New-World-Order kingdom of a Big-Brother God, whose monotheistic totalitarian/fascist minions have poisoned the waters of the world with their eugenic insanity.

“This great and most strong Duchess, called Vephara plies the waves piloting her leviathan of yellow copper, which holds sway over the astral sea. Her crew are like she, mermaids all, who come by way of Sirius; their nature be amphibious, whose submariner city is below the amniotic waters, of infernal ocean depths. She can guide her master across the astral waters towards other worlds of isle, when he to dream, and she will always do so, at his request. She has dominion over twenty-nine legions of Succubae.”

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As for Donohoo’s two-dimensional psychic photograph, which for a time was claimed to be physical proof of a Succubus visitation from the ‘SEVENTH’ dimension, it has mysteriously disappeared.

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Although it could have turned into a pool of ‘Fluoridated’ tap water, just before the psychiatric Nurse gave him his ‘Fluoride’ based… ‘Sedative.’

The Psychic Übermensch Aaron C. Donohoo by Erin C. Donohoo (2012)

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ABORIGINAL GHOST GIRL SUCCUBUS SKIPPY CARTMAN

Posted in Art, Chaos Magic, Goetia Girls, Horror, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Can you create your own Ghost, with your mind alone, and what is more, could it lead to the manifestation of Poltergeist phenomena?

This question was explored by a Toronto based group of Parapsychologists back in 1973 whom claimed to have successfully created a Ghost called Philip, whose Poltergeist antics was captured on film.

Although the Toronto Parapsychologists were hoping that Philip would materially manifest, but a manifestation did not occur apart from some quite amazing Poltergeist phenomena taking place, which was observed by a studio audience.

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A self created Ghost is nothing new, such a mind creation, which is experienced within lucid dreams is known as a Tulpa in Tibet, which of an ancient sorcery technique was practiced in order to come to an understanding that the entirety of existence is a Tulpa, a Hindu would call Maya.

Sometime after the Philip experiment, during May 2001 an Australian group of seven individuals got together whom decided to engage in the arcane art of Tulpa creation in order to replicate the successful 1973 Philip experiment.

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The participants committed themselves to meeting on a fortnightly basis to flesh out the back-story of their Ghost, who was a school girl femme fatale; the group named her, Skippy Cartman, whom is somewhat of a Lolita:

“A sweet and attractive 14 year old, Skippy Cartman lived out all of her short life on her parent’s property near Dubbo, New South Wales. Her overbearing and overprotective parents kept her on a short leash and she was very inexperienced with the joys and dangers of life when she got her first ‘Schoolgirl’ crush – on her Catholic School teacher Brother Monk. Flattered by the attention, Brother Monk embarked on a foolhardy affair with the young girl, with nature running its course and Skippy finding herself pregnant.

Full of school girl naivety, Brother Monk reacted differently to the news than an idealistic Skippy had expected. Not for her white dresses and smiling children. After all, he had his career to safeguard, not to mention the reputation of the Church! He swiftly murdered his young student, strangling her and burying her corpse under the floorboards of an abandoned shearing shed on her family’s property.

Her body was hidden quickly and quietly, not discovered for nearly a year afterwards – despite her family’s continued searching. By that time her body was found it was so badly decomposed that no one ever discovered that she had been pregnant. And Brother Monk had moved to another town, and another parish, his dark secret going with him.

With this darkly disturbing background it’s no wonder her Ghost is still lingering! We’re rather pleased to say she’s deigned to join in on our regular sessions and communicate through soft raps and scratchings – on one occasion our hands weren’t even touching the table! In a perfect world we’ll soon be wheeling out our audio visual equipment to capture this on film and tape, and perhaps invite some observers to witness this curious experiment in action.”

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The School girl motif has become an Iconic symbol, more so that of the ‘Catholic Schoolgirl,’ whom is often associated with the (Succubus) Lolita of an archetypal status.

As for the scenario involving her character, it is the habitual stuff of many a lurid story; whereby again archetypal, which is emotionally charged with dark sexuality considering you also have the loaded word of, ‘Brother;’ wherefore conjuring up an Incestuous situation; while ‘Monk’ of a religious association is somewhat evocative of the Spanish Inquisition.

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As an side of sorts, you also have ‘Skippy the Bush Kangaroo,’ which is a popular Australian television series that many an innocent child to have habitually watched of a mass mind media focus.

Skippy was created by John McCallum; produced from 1966–1968, which told of the adventures of a young boy and his intelligent pet Kangaroo.

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Skippy was based in the (fictional) Waratah National Park in Duffys Forest, near Sydney, New South Wales.

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You can therefore determine that the young boy has been otherwise transformed into a femme fatale Ghost girl, whose archetypal foundation has been fused with a viral-meme TV series of a mass mind focus, which stirs your subconscious childhood memories; while the Lolita school girl motif subliminally evokes another emotional response far more potent.

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You also have the archetype of a Kangeroo, which in its self as a ‘brand’ sums up the entirety of Australia like that of a shamanic power animal of similarity to those Spirits you to find listed in the medieval Grimoires who are also associated with animal totems.

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Skippy Cartman was created to be the Ghost of a Caucasian girl by the Sydney group.

However, it would have been better still if they had seen her to be an Aboriginal Ghost girl, which would have then generated associative correspondences with the shamanic paradigm of the Aboriginal Dreamtime.

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Wherefore it would have greatly empowered her psychic manifestations of Poltergeist phenomena.

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Let’s say Skippy Cartman is of similarity to Samantha Harris of looks and of similar background, who is an Australian fashion model born to a Aboriginal mother and German-English father.

You will then have a symbolic cross-reference between the Aboriginal Dreamtime and European Paganism in order to create a most intriguing Succubus to focus upon of a Ghost girl Tulpa construct.

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This is taken further concerning Cartman’s unfortunate association with Brother Monk whom would symbolically represent how the Aboriginal peoples of Australia have been treated by the church.

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A damning criticism of the church made by many Aborigines, who have personally experienced its imperialistic endeavours to convert them to an alien Middle-Eastern faith, is that it deliberately attempts to destroy the culture, families and initiative of the Aboriginal people.

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The church took the primary lead in separating children from their parents, in order to educate them in so called civilized ways, which led to state governments following suit of eugenic social engineering.

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The church established its paternalistic structures among Aboriginal communities, which disempowered the Aborigines by splitting up clans among its various missions so that communications and maintenance of Aboriginal culture became impossible.

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This process had been prior utilised in Europe when the Roman empire became Christian under Constantine’s rule, which invariably led to the systematic eradication of pre-Christian cultures across Europe and in turn the America’s, as well as other cultures across the globe, whose ancestral-self-identities have been entirely decimated.

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If the group had conjured up Skippy Cartman as a tortured Aboriginal Ghost girl, she would have opened up a revelatory can of worms.

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Cartman as an Aboriginal girl would have revealed that the New World Order has been around for a very long time since the empire of Rome appropriated the Abrahamic cult of Judaeo-Christianity as its centralist religion, which has led to the systematic brainwashing of many minds across the globe to focus upon the Middle-East.

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You now have an Illuminati triad of Abrahamic cults, which share the same religious fixation upon a jealous Tulpa deity of fascist politics, whose Big-‘Brother’ egregore eye amidst a triangle, over-watches you all atop of his New World Order Ur ziggurat.

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Ask an Aborigine Ghost girl to tell you the truth of it, whose own culture is the oldest upon the face of the planet.

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She will relate that her people are being forced to assume the ancestral-self-identity of a Middle-Eastern peoples, which is an obvious case of being brainwashed by those who have been equally brainwashed, who had murdered many of her ancestors, in the name of their Lord.

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Should you ever figure it out, you will soon hear her séance rapping the ghost table to turn; for what goes around, comes around of haunting Karma!

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SUCCUBUS EVOCATION OF TULPA GOETIA GIRLS

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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The term Tulpa refers a physically tangible entity or that of an inanimate object, which has been created through sheer willpower alone.

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A Tulpa is a materialized thought, which has taken on physical form or otherwise manifesting as a Ghostly influence such as a Succubus, for example; it is usually regarded as synonymous to a thought-form.

“There are… apparitions that make public appearances. Some of these are said to be the perceptible double—the etheric counterpart—of a living person who is undergoing an out-of-body experience.”

“Even more mysterious are the externalized perceptible manifestations of something whose existence originated in the mind of its creator by virtue of that person’s incredible powers of concentration, visualization, and other, more occult, efforts of the mind.”

“In Tibet, where such things are practiced, a ghost of this kind is called a Tulpa. A Tulpa is usually produced by a skilled Magician or Yogi, although in some cases it is said to arise from the collective imagination of superstitious villagers, say, or of travellers passing through some sinister tract of country.”

(Mysteries of the Unexplained, 1990, Reader’s Digest Association Inc. page 176)

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The Frankenstein creation of Tulpa’s is part of ancient Tibetan Bon-Po Shamanistic practices, which originally came to the West during the 19th century via the works of Alexandra David-Néel.

It is however said that the term Tulpa is a Western misinterpretation of the Tibetan, Tulku, which is again an engineered thought form.

Although it is assumed as an alternate guise by the practitioner when engaging in trance and dream states, somewhat like an Avatar.

The Tulku is also utilised as a means to determine the nature of a future incarnation, such as being incarnated as a scientist creating androids.

Whereas a Frankenstein creation of a knitted-together Tulpa is generally that of an externalised entity.

Néel claimed to have created a Tulpa in the image of a jolly, Friar Tuck-like Monk which later developed a sentient self-aware life of its own.

However Néel didn’t like the Friar’s lustful smile, so he had to be destroyed. Néel could have had so much fun with her creation. Néel’s Friar was like many an Incubus Angel or Demon, to be found listed in numerous medieval Playgirl Grimoires of the deified Animus, made as a God and Devil.

Alas there be no ‘Anima’ Playboy grimoires; well, not until I created such a Necronomicon of the Fallen Anima listing (Succubi) Succubae archetypes.

All of these ‘Animus’ archetypes, Witch Nuns love to secretly conjure, betwixt and between their God and Devil, closely followed by the closeted patriarchal Mages and Priests.

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However, Néel was somewhat celibate. If Néel had been otherwise inclined, she could have introverted her sexual impulse in order to empower her Tulpa Friar, of a conjured Incubus to carry a ‘sigilised’ desire into her subconscious. Then again, may be that is what Néel had achieved of sorcery Art; but she did not tell!

Many Western artists and authors have since used the theme of taped-together sigil Tulpas in their Mind-Doll works. Mostly in the context of horror fiction as well as works covering mysticism and occult practices, which has the Creepypasta tendency, to be rather fearful of habitual Biblical perspective.

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This habitual fear of the Tulpa is very much tied up with a similar fearful attitude towards an ‘Artificial Intelligence’ becoming sentient, which is summed up by Mary Shelley’s knitted-together Frankenstein’s creature, or that of the prior taped-up Golem of Jewish folklore.

Basically, the likes of Néel’s fear, and that of others, of an ongoing similarity emanates from their religious indoctrination, that the creation of a life is the sole province of their deified Animus made as a God/Devil.

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However, when you dream, the (programs) characters encountered therein of (virtual reality) dream-worlds are essentially ever evolving black-tape Tulpas.

Should you achieve lucidity within a dream, you will soon find that a Tulpa can appear to be sentient.

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When you practice lucid dreaming, you will also be able to construct a Tulpa within the Art studio of your imagination, which can be constructed as a taped-together Succubus, in order to engineer erotic lucid dreams.

The technique would initially involve painting a ‘sigilic’ pattern over the delectable form of the meditated upon image of a chosen Succubus, which will look like she is wearing nothing more than a superheroine costume, of black-tape.

Others have also engaged themselves in constructing a Tulpa, such as the Skippy experiment, which was conducted by a group of parapsychologists in Australia, who created their own ghost girl called Skippy Cartman.

The construction of the Ghost Girl Skippy Cartman could have been otherwise that of a Succubus Tulpa of the Fallen Anima, which isn’t too dissimilar to Dr Frankenstein creating a black-tape Frankenhooker.

NOTE: Those who claim that they do not dream is a misinterpretation. It is more of a case of not remembering their dreams. Dreaming is a neurological necessity. The practice of dream Yoga requires the practitioner to remember his/her dreams first, before attaining a lucid dream, wherein dream characters can be consciously conjured.

If you are not prepared to work on yourself, by seeking to remember your dreams, you will not be able to experience eventual lucidity within a dream.

In general, the use of spells and rituals refers to the practices of Art. Spells of word-form spelling is a means to reconfigure the internal-dialogue, in order to influence dreaming by repetitively uttering a spell like a Mantra, which will sound like a song.

A Mantra is based upon an ancient understanding that every word you speak or write, nigh instantaneously ‘conjures’ up a symbolic association amidst your imagination, otherwise you will not be able to understand a word, which is spoken or written.

Dreams are often surreal of ‘symbolic’ nature, due to the internal-dialogue you have with yourself being chaotic. Hence, a Mantra is utilised in order to control and direct the internal-dialogue, so that a specific dream can be engineered of internal Artistry.

Rituals are no different to ‘performance Art,’ which enables the practitioner to direct his/her ‘Emotions,’ which empower associative ‘Thought’ processes and in turn initiating the correspondence of associated ‘Memories.’ The conjured ‘Memories,’ are then cross-referenced into new ‘conjured’ forms by the ‘Imagination.’ 

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