Archive for nun

LUCID DREAM MACHINE PYRAMIDS

Posted in Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Time Travel, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 22, 2014 by FAUSTUS CROW

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The formula of Tetragrammaton is quite intriguing; you have the initial: Yod (Father), which is the emotional charge, followed by: Heh (Mother), of hypnagogic trance ingress; then you have: Vau (Son/Sun), where your consciousness is ‘nailed’ down within the bio-photon suffused electron dream. This then leads to awakening out of the dream of: Heh (Daughter), hypnapompic egress.

It is somewhat analogous to entering the ‘womb’ of a cave out of which you are reborn. Palaeolithic shamans very likely utilised caves for their initiation rites, which probably involved dream incubation. Although, I am not talking about normal dreams here, I am specifically talking about ‘lucid dreaming.’ The cave would act like a prior sensory deprivation tank, which forced the shamans consciousness to go inward of hypnagogic trance ingress into the dream.

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The utilisation of the cave for dream incubation was probably later translated into the usage of burial mounds for the same purpose, since the dream realm is considered to be the realm of the dead.

This then developed into a special ritual chamber being used for lucid dream incubation purposes within the bowels of a pyramid. The pyramid represented the shamans cosmic (body/head) mountain, whose symbolism is primarily derived from North Central Asian shamanic practices, more specifically that of Siberia.

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Whereas of present age, many a shaman goes under the guise of a scientist, whom uses an isolation (floatation) tank within his laboratory.

Although, said laboratory is no longer that of a pyramid, it can be an Alice in Wonderlad underground cave of Dreamland; if funded by the Area 51 military industrial complex.

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You might ask, “why would the military be interested?” Well, the most obvious, apart from other reasons, such as ‘Looking-Glass’ remote-viewing future technologies, etc, would be preparing Astronauts for space-travel.

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During the Hippie era of the 1960’s, the scientist, Dr John C. Lilly entered into his shamanic training when he was introduced to psychedelic drugs such as LSD and (later) ketamine, who began a series of personal experiments, in which he ingested his sacred sacraments, when either in an ‘isolation (womb) tank’ or in the company of larger brained Dolphins as his familiars.

These events are described in his books Programming and Metaprogramming in the Human Biocomputer: Theory and Experiments and The Centre of the Cyclone, both published in 1972.

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Following advice from Ram Dass, Lilly studied Patanjali’s system of Yoga (finding I. K. Taimni’s Science of Yoga, a modernized interpretation of the Sanskrit text, most suited to his shamanic goals).

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Lilly also paid special attention to Self-enquiry meditation advocated by Ramana Maharshi, and was reformulating the principles of this exercise with reference to his human biocomputer paradigm (described in Programming and Metaprogramming in the Human Biocomputer: Theory and Experiments and The Centre of the Cyclone).

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Lilly later travelled to Chile and trained with the spiritual leader Oscar Ichazo (whose attitude to metaphysical consciousness exploration Lilly characterized as ’empirical’ in his book The Centre of the Cyclone). Lilly claimed to have achieved the maximum degree of Satori-Samadhi consciousness during his shamanic training.

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Lilly’s maxim: “In the province of the mind what one believes to be true, either is true or becomes true within certain limits. These limits are to be found experimentally and experientially. When so found these limits turn out to be further beliefs to be transcended. In the province of the mind there are no limits. However, in the province of the body there are definite limits not to be transcended.”

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There is an intriguing Hebrew word: Da’at, which means belief. Your beliefs are ‘symbolic’ programs, which a shaman of a ‘first artist’ learnt to transmute and transcend via (Da’at) lucid dreaming. What you have been led to believe of an indoctrinated symbolic limit, will determine what you internally tune into of associative information. The ancient science of your ancestors was geared towards consciousness engineering, whom were very interested in enhancing their (inverse pentagram/microcosm/five senses) precognitive (remote-viewing dream) abilities as well as being aware of (upright pentagram/macrocosm/five senses) synchronistic phenomena etc. Wherefore, they put a lot of effort into their scientific prowess, such as building a sorcerers pyramid of a dream machine.

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Many may scoff at a pyramid being a dream machine; but such individuals have very likely never experienced attaining a (Implicate Ordered/Nagual) microcosmic lucid dream, let alone that of having an out-of-body experience or experiencing (Explicate Ordered/Tonal) macrocosmic synchronistic phenomena etc. These types of dreamless individuals demand proof, which is, of course, understandable. Alas, they will have to find out for themselves, if they ever bother to (Nommo) do so.

Such will require lots of (Anunnaki) practice on their part, which is a lonely path, Angels fear to tread. But by doing so, they will start to understand why their ancestors built dream machines, which enabled their (Nommo) consciousness, to remote-view touch, the far off stars and beyond, Ad Astra, Ad infinitum, when to fly into inner (Nun) space as a Hawk winged singular (Odin) Eye through a (Succubae/Valkyrie) Vesica Pisces, all as (Vaginal star barrelled) quantum wormholes to microcosmic conjure.

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THE NINTH GATE BIBLE BLACK SUCCUBUS BOOK OF SHADOWS

Posted in Art, Chaos Magic, Comics, Cosplay, CREATIVE WRITING, Goetia Girls, Goth Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 20, 2014 by FAUSTUS CROW

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The Multiverse, Meta-Universe, or Metaverse (Tarot: XXI) is a set of multiple possible universes, including your own macrocosmic universe, which together comprise everything that exists.

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The multiverse is symbolised as a World-Tree, upon which the shaman of an Odin hangs into (Da’at) trance; this tree of worlds encompasses a myriad number of parallel universes, within which exist alternate worlds. This tree of worlds can be represented as a Yggdrassill Bible black book to name: De Umbrarum Regni Novem Portis (‘Of the Nine Doors of the Kingdom of Shadows’).

The World-Tree is internally experienced, within the dream, as being a vast penumbra school of a Lilith’s Harem.

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The vaginal star barrelled hallways of the inner school are all as (Vesica Pisces) mini wormholes leading to a myriad number of classes, which are as alternate worlds existing within parallel womb universes, which you can term as Lilith’s Harem.

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Underlying each macrocosmic universe is a microcosmic template reality, which can be accessed via lucid dreaming.

It is therein of the microcosmic dream you can find the Nine Gates. Your electron dreams are suffused by the bio-photon of Diana-Lucifera, which emanates from the mitochondrial serpent DNA residing within Satana mitochondria.

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The mitochondria is passed down from the mother to her children. Hence the bio-photon dream characters you encounter within the inner school of a Hogwarts, have a female St Trinian source.

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Wherefore the dream characters manifest as Nightgaunt Nuns, all as Valkyrie mistresses, whom govern over legions of Succubae schoolgirls to be verily listed and illustrated in your Dakini Daemonicon of an ‘Art book’ Goetia.

The mitochondria is your Bible black book of a De Umbrarum Regni Novem Portis, to read via electron dreams, rare of Diana-Lucifera illumination.

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KETHER: You start with a point, which has no dimension. Like the point, we know from geometry class, it has no size, nor that of dimension.

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It is just an imaginary idea representing pure consciousness, which indicates a position in a system. The point is to be amidst a sorcerers magic circle to make of secret operation, to know, to will, and to keep silent. Then you have the first dimension.

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A second point, can then be utilised to indicate a different position, but it, too, is of indeterminate size. To create the first dimension, all you need is a line joining any two points. The first dimensional object has length only, no width or depth. This leads you to the circle, like that of a moat encircling a castle of thoughts to yet build of a temple. It is here that you draw your magic circle of a universe to mark out of operation, around yourself, of a point of consciousness.

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CHOKMAH: If you take your first dimensional line of a thought, and then draw a second line crossing the first of an associative thought process, you have then entered into the second dimension. The thought object being thusly represented, now has length and width of a thought, but as yet no depth. To help you imagine the higher dimensions, visualise the second dimensional object being created using the second line, which, by association, branches off from the first thought into another thought.

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It is here that the sorcerer divides up his drawn magic circle into four quarters, indicating length and width, which be the foundation of his house, to build upon the conceptualised temple of an architectural two dimensional mandala to thence alter of altar. He then has the cerebrum keys to enter the door of an ordered mind, guided by his instinctual mammalian brain self of a loyal cerebellum dog, which is to be illuminated by the light bearer, Diana-Lucifera, whom burns brightly.

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BINAH: The third dimension is your experiential reality. It is the domain of memories; all as sensory impressions, which have length, width and height. Let’s imagine a gnarled magician meditating upon a Cabbala tree depicted in his grimoire. The magician is quite unaware that his three dimensional reality is in fact a two dimensional computer simulation. The magician’s video game life is being observed by a schoolgirl Succubus on her planetary sphere classroom monitor. The magician’s reality can be easily manipulated when the schoolgirl folds his Cabbala tree down the middle.

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By doing so, she can abduct her chosen magician from his initial position, to thereby instantaneously transport him to another location upon the tree, within his simulated reality. You can imagine that the schoolgirl Succubus did this by taking a two dimensional object and folding it through the dimension above, which is her third dimension. Once again it will be more convenient to imagine higher dimensions, if you can think of the third dimension in this way. The third dimension of memories is what you fold through of a ‘bridge,’ to cross from one point of thought to another in the dimension below it, via your Triangle of Art imagination.

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CHESED: The first three dimensions can be described with these words, length, width, and depth. As for the fourth dimension, it is duration. Imagine drawing a line from the one moment ago self, to the present self, you will then see all those moments in the past, being comprised along a line, likened to a long undulating snake of a film-strip winding its self through a maze of experiences, connecting your embryonic self and your deceased self.

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You only see the cross-sections of your present existence moving forwards in the third dimension. Whereas your fourth dimensional self is like a snake, linking both past and future. It is here that a sorcerer may speak of past and future incarnations, of passed down genetic memories, as well as experiencing precognitive phenomena via his conjured up Succubae schoolgirls, a Yakut shaman would call Abassy. What has appeared to have happened by chance, is not chance at all.

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GEBDURAH: In the third dimension time appears to move forwards of linear duration, from past to future. But the line in the fourth dimension is actually like a Möbius strip, twisting and turning in the dimension above. The long undulating snake of a self, will feel as if it is moving along an infinite straight line within the fourth dimension.

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But, the snake self in the fifth dimension is actually eating its own tail; where time is circular of an Ouroboros, ever recurring, of counting through your experiences of accumulated wealth, over and over again of a life review. It is here that a sorcerer will experience a sense of déjà vu, and to also realise via the conjuration of the Succubae schoolgirls, that precognition is actually a case of remembering what has occurred many times of an eternal return.

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TIPHARETH: In the sixth dimension the sorcerer becomes aware of alternate closed-timelike-curves of an Ouroboros to know of other fourth dimensional sequence of events. But in order to access another Ouroboros of a possibility within the fifth dimension, the sorcerer has to sacrifice his older self amidst his prior Ouroboros to do so.

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This requires transforming his two dimensional thoughts and three dimensional memories of symbolic alchemy. Wherefore the sorcerer evolves his one dimensional consciousness, where the tenth dimension, reduces back to the first dimension, one and the same. It is here the sorcerer experiences synchronistic-feed-back-loops of phenomena via the conjured up Succubae, which will allow him to slide into alternate closed-timelike-curves.

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NETZACH: The fourth dimension can be imagined by taking the dimension below and conceiving of it as a single point. The fourth dimension is a line, which can join the universe as it was a moment ago to the universe as it is right now. The biggest picture possible is the fourth dimension is a line, which joins the big bang to one of the possible endings of the universe. As you enter the seventh dimension, you are about to imagine a line, which treats the entire sixth dimension as a point.

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To do that, you have to imagine all the possible closed-timelike-curves being played of a chess game, which could have started as a big bang, joined to all possible endings of your universe, and treat them all as a single point. Whereby a point in the seventh dimension, would be infinity, where all possible closed-timelike-curves are played out, which have occurred, and to reoccur from a primary Bardo big bang. It is here a sorcerer quantum dreams of alternate histories via his conjured Succubae schoolgirls, whom may initiate the rare experience of physical time-slips into alternate Earth’s.

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HOD: How can there be anything more than infinity? The answer to this is, there can be other completely different infinities created through initial conditions, which are different from the big bang of your universe. Different initial conditions create differing universes where the basic physical laws, such as gravity or the speed of light, and therefore time, are not the same. The resulting closed-timelike- curves from another universe’s beginning to all its possible endings will create an infinity, which is completely separate from the one, which is associated with the Ouroboros of your universe.

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So the line you draw in the seventh dimension will join one of these infinities to another. If you branch off from the seventh dimensional line to draw a line to yet another infinity, you would be entering the eighth dimension. It is here a sorcerer might experience a rarity of being carried into another reality by the Nightgaunt Succubae, where time is very different. Such a scenario may lead to the sorcerer not being able to return his head back to the same reality he had initially left.

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YESOD: A sorcerer can quantum leap from one point in any direction by simply folding his consciousness through the dimension above. This is achieved through trance and lucid dreaming, where his consciousness is smaller than any known particle. Whereby, a sorcerer can tune into another reality via the conjuration of a dimensional sphere Succubus, from out of his Bible black grimoire, when attaining lucidity, within the microcosm of the Da’at dream.

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A sorcerer can thereby slide from an eighth dimensional line into another infinity when he penetrates a Succubus of a Ninth Gate; hence he is enabled to slide as a Serpent Dragon (Great Beast) through her (Da’at) Stargate of a Babalon Vesica Pisces into another universe parallel to his own.

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SIRIUS NUN OF HYPNAGOGIC TRANCE

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 14, 2014 by FAUSTUS CROW

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A Nun is commonly seen to be a member of a religious community of women, typically one living under vows of poverty, chastity, and obedience. The term ‘Nun’ is not only applicable to Catholics (Eastern and Western traditions), Orthodox Christians, Anglicans and Lutherans, but also to Jains, Buddhists, Taoists, Hindus and some other religious traditions.

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The term of Nun is very likely derived from the fourteenth letter of many Semitic abjads, including Phoenician, Aramaic, Hebrew and the Arabic alphabet nūn (in abjadi order).

Nūn is also the third letter in Thaana, pronounced as ‘noonu.’ Its sound value is (n). The Phoenician letter gave rise to the Greek nu (Ν), Etruscan N, Latin N, and Cyrillic Н.

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The letter Nun is thought to have come from a pictogram of a snake (the Hebrew word for snake, nachash begins with a Nun and snake in Aramaic is nun) or eel. Some have hypothesized a hieroglyph of a fish in water for its origin (in Arabic, nūn means large fish or whale).

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The Phoenician letter was named nūn “fish”, but the glyph has been suggested to descend from a hypothetical Proto-Canaanite naḥš ‘snake,’ based on the name in Ethiopic, ultimately from a hieroglyph representing a snake.

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The Nun snake is referring to an amphibious creature, which was originally derived from the ancient Egyptian ‘Nu’ (nuː ‘watery one’), also called Nun (nʌn or nuːn ‘inert one’), which is the deification of the primordial watery abyss in Egyptian mythology. In the Ogdoad cosmogony, the word ‘Nu’ means ‘Abyss.’

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The Ancient Egyptians envisaged the oceanic abyss of the Nun as surrounding a bubble in which the sphere of all life is encapsulated, representing the deepest mystery of their cosmogony, which basically refers to the amniotic waters of the womb.

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In Ancient Egyptian creation accounts the original mound of land comes forth from the waters of the Nun.

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The Nun is the source of all that appears in a differentiated (Maya/simulation) world, encompassing all aspects of divine and earthly existence.

In the Ennead (nine dimensions) cosmogony Nun is perceived as transcendent at the point of creation alongside (mound of land) Atum the creator God, who is sometimes symbolised as a pyramid (cosmic mountain = physical body/hologram) of (bio-photon) light amidst the amniotic waters of Nun.

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Nu was usually depicted as a male, this is because he represents an adept of trance who is able to access the amniotic source of all form, which is basically the realm of the (womb) dream. Nunet (ˈnuːˌnɛt also spelt Naunet) is the womb of the feminine , which is the name of Nu with a female gender ending.

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The male aspect of Nun, is written with a male gender ending. As with the primordial concepts of the Ogdoad, Nu’s male aspect was depicted as a Frog, or a frog-headed man.

In Ancient Egyptian art, Nun also appears as a bearded man, with blue-green skin, representing water; while Naunet is represented as a snake (DNA) or snake-headed (mitochondrial DNA) woman.

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The symbolism of the amphibian refers to trance ingress into the amniotic waters (inner space) of the womb (electron) dream, which reflects back the internal issues of the dreamer. When to become conscious within the dream, the dreamer is then enabled to transmute the leaden symbolism of the dream into a golden understanding via the utilisation of symbolic alchemy, which is essentially the practice of art. Hence you have a painted cave wall, leading to canvas. The practice of art is inextricably linked with the evolution of consciousness, a Surrealist, in particular will understand, who is aware that the first shaman was an artist, dreaming surreal dreams.

The encountered symbolism of the dream is emanating from a deeper level of communication with an inner intelligence, since your electron dreams are illuminated by the bio-photon emanating from the mitochondrial (serpentine) DNA, which is passed down from the mother to her children.

Whereby you have the Naunet symbolism of the snake-headed woman. The symbolic information she imparts via your dreams is derived from the passed down genetic archives within each and every one of your watery cells. You will also find that serpentine symbolism often manifests in Ayahuasaca visions of the (eleventh dimensional/Da’at) Abyss.

The amphibious symbolism of Nu is also associated with the Nommo’s, who are mythological ancestral spirits (sometimes referred to as deities) worshipped by the Dogon tribe of Mali. The word Nommo is derived from a Dogon word meaning ‘to make one drink.’ The Nommo’s are usually described as fish-like, phallic headed, amphibious creatures.

Folk art depictions of the Nommo’s show creatures with humanoid upper torsos, legs/feet, and a fish-like lower torso and tail. The Nommo’s are also referred to as ‘Masters of the Water, the Monitors, and the Teachers.’

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The Nommo’s refer to ancestral shamanic adepts who are able to attain conscious trance ingress into the watery realms of the amniotic dream, which is associated with a (mitochondrial DNA) planet of women, called Emme ya, from where all souls come from.

Trance ingress into the electron (womb) dream (bio-photon) realm of Emme ya was conducted around the (Circadian rhythm) rising of Sirius. However, during the 1970’s a book by Robert ‘Temple’ entitled: The Sirius Mystery popularized the traditions of the Dogon concerning Sirius and the Nommo’s, for all the wrong bubblegum reasons, which was later shot down.

In The Sirius Mystery, Temple advanced the conclusion that the Dogon’s knowledge of astronomy and non-visible cosmic phenomenon could only be explained if this knowledge had been imparted to them by an extraterrestrial race, which had visited the Dogon at some point in the distant past.

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Temple associated an evocative science fiction species of humanoid amphibians, of similarity to Biblical Demons to the legend of the amphibious Nommo’s.

He contended that the Nommo’s were extraterrestrial inhabitants of the Sirius star system, who had travelled to Earth at some point when humanity was sill in its infancy, and that these extraterrestrial fallen Angels had imparted (sinful) knowledge about the Sirius star system, as well as our own Solar System to the Dogon tribes.

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The reason why Temple postulated such a notion is that he, like many others of an indoctrinated Abrahamic mind-set are quite unaware that conscious trance ingress into the dream can enable a shaman to (lucid dream) remote-view such information, which is sometimes facilitated by ingesting power plants. Although said power plants were banned by the ‘Roman’ Catholic church because the priests didn’t like the competition. Whereupon the church systematically persecuted the ‘horned’ shaman as their Devil.

Another author, named, Zecharia Sitchin  had postulated similar theories to those of Temple. Sitchin was on very good terms with the hierarchy of the Vatican. He proposed an explanation for human origins involving ancient (Angel) astronauts, which evolved the Biblical paradigm into the arena of UFO’s.

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Sitchin attributed the creation of the ancient Sumerian culture to the Anunnaki, which he states was a race of amphibious extraterrestrials of similarity to the Nommo who had come from a planet beyond (Cabbala: Kether) Neptune called Nibiru, the Dogon to otherwise call Emme ya.

Sitchin’s ideas heavily influenced David Icke’s theories concerning reptilian humanoids influencing human society, which invariably led to a New-Age Witch hunt for amphibian Demons.

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The symbolism of the amphibious reptilian, such as the Anunnaki actually refers to a shamanic trance adept, which as mentioned prior are symbolically represented as a serpent or a fish in ancient art.

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The fish symbolism was also utilised by the early Christian’s concerning their (crucified Oannes) Christ; however, their symbol of the fish is originally derived from the symbol of the (Vesica Piscis) Vesica Pisces.

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The Vesica Pisces is a shape, which is made up of the intersection of two circles with the same radius, intersecting in such a way that the centre of each circle lies on the perimeter of the other.

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The two circles represent, the amniotic waters of the ‘microcosmic’ dream, being one circle, and your waking reality of the ‘macrocosm,’ is represented as land, being the other circle.

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When the two circles of water (Microcosm/Implicate Order/Nagual/Inverted Pentgram) and land (Macrocosm/Explicate Order/Tonal/Upright Pentagram) are intersecting you then have the (superimposition) mid-point of (amphibious) hypnagogic trance, at the ‘almond’ shaped centre. Hence a trance adept of a shaman is symbolically represented as an amphibian, such as a Frog, Serpent, Fish or other reptilian creatures like that of a Dragon, for example.

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The name Vesica Pisces literally means the ‘bladder of a fish’ in Latin. The shape at its centre is called the mandorla, ‘almond’ in Italian, which refers to the ‘Vaginal’ orifice. The reasoning for this symbolism is because, when accessing trance at the hypnagogic point of sleep, you will sense your conscious awareness being ‘ejaculated’ out of your body into the domain of the dream, which is symbolised as the ‘womb.’

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Hypnagogic trance ingress through the Vesica Pisces portal can be equated with a (Vaginal) Stargate; this is more so the case, since the Dogon (Nommo/Phallic headed Fish) trance adepts journeyed into inner space around the rising of Sirius.

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The trance adepts did so, in order to access the planet of women, Emme ya, where the Succubae of ‘Lilith’s Harem’ can be encountered.

Sirius symbolically correlates with an inner Sun, which (bio-photon) illuminates your electron dreams. The symbol of the inner Sun, is also represented as the ‘black Sun,’ which is in turn associated with the God-Sun/God-Son, Crucified (Trance-Fish) Christ. Hence you have the symbolism of the Nun, who traditionally eats (crucified) Fish on (Venus-Pentagram) Friday’s.

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GOETIA GIRL NIGHTGAUNT LEATHER NUN GOMORY

Posted in Alien, Art, Chaos Magic, Comics, Cosplay, Goetia Girls, Love Magic, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 10, 2014 by FAUSTUS CROW

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The artwork depicted above is a modern reinterpretation of a spirit listed in the medieval grimoire entitled the Goetia. An art print of the artwork is available via Zazzle, just click the picture above to be taken to the art print.

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If you are unaware of what the Goetia is, it is a grimoire, which was utilised by Sorcerers in order to evoke sprits as servile Genie servants amidst their Triangle of Art, which is that of the Imagination stirring microcosmic dreams into macrocosmic flesh.

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However, most of the grimoires, whether they be medieval or modern list the spirits as being primarily all male of depiction, probably because the closeted scholars consider female spirits to be far too dangerous.

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The art print otherwise depicts the fifty-sixth Goetia spirit called Gomory, as a female spirit/Genie whom be a salacious Succubus.

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Those in the know may say, that Gomory is already depicted as being female in the Goetia. But, said grimoire does stress of ‘subliminal influence’ via worded spell, that Gomory only assumes a female guise in order to seduce a magician.

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Hence he is conjuring up a transvestite Demon, which I find to be quite hilarious; suffice to say, the patriarchal brainwash is upending many a heterosexual orientated mage without them realising it. So, in order to negate the patriarchal anal brainwash, you rebelliously reverse the symbolism.

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Whereby you take ownership of your own subconscious mind; otherwise you will soon find said spirit attempting to enter your orifice to possess, which is why traditionalist magicians take so many ritualistic protective measures, when conjuring up Incubi Angels and Demons, who be unknowingly imprisoned within a patriarchal Matrix.

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But then, when in prison, that tends to happen; ask any prison inmate, it goes with the turf.

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Although, if a mage be otherwise inclined of sexual orientation, it can be lots of priestly fun, who to smile alongside a heterosexual inclined Witch, for them to intimtely know Angels and Demons, God and Devil, of an overriding Anmus fixation.

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As for Gomory’s grimoire description: She is a strong and a mighty Duchess, who appears as a most beautiful woman whom be dressed as a Bat winged leather Nun, with a Duchesse crown of thorns about her middle or to be holding it within her hands, or otherwise that of holding a whip, while riding upon a Camel, which is her familiar.

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She be a Night-Gaunt Leather Nun of a Witch, whom resides upon the thirteenth Cabbala path of Gimel; she will not allow dead souls to pass into her domain.

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The thirteenth-path crosses over the abyss of the Reptilian-Brain-Stem Da’at desert, of very serious Sirius women, the author Frank Herbert would classify as being Bene Gesserit. Her Tarot Card is that of the High Priestess of the Silver Star.

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Hence you have the symbolic association with a Nun. She answers well and truly of all things Present, Past, and to Come concerning matters of Love, and of treasure hidden of Soul-Mate yet to be found, and where she abides beyond the hymen dream veil of Da’at to thereby Remote-View via lucid dreams.

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Gomory procures the love of women, especially that of maids whom she whips into her Kwisatz Haderach Master’s life upon a synchronicity, for him to thereby intimately know.

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She is also very protective of her master, whom will not allow any harm to afflict him. Hence her interest in guns firing psychic bullets and other elemental weapons she utilises, such as a dragon blade Katana.

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Since Gomory emanates from the seventh dimension, she also has this knack for manipulating time, to thereby engineer alternate possibilities. Whereby should her master unknowingly cross the path of an oncoming lorry of eternal recurrence, she will engineer it otherwise of a repeating occurrence, to thereby transform his video game life.

She has 26 legions of Bene Gesserit Succubae under her who belong to the arcane Coven of the ‘Kaos Unitarian Nun’s Templar,’ whom haunted H.P Lovecraft’s dreams as his Nightgaunts.

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Although Lovecraft had a number of navel Chakra emotional issues, which transformed the visiting Succubae into horrendous alien grey Nightmares. Whereby he was unable to Kwisatz Haderach ride the salacious Nightgaunts as his Night-Mares, to thereby fold 11th dimesional Da’at-hyperspace.

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This was probably due to him basing his Necronomicon upon the patriarchal grimoire of Aleister Crowley’s beloved Goetia, without reversing its symbolism, apart from transforming phalluses into Hentai tentacles. But then, Lovecraft honestly admitted that he had problems with the opposite sex; whereas traditionalist Crowley was bisexual.

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WITCH NUN OCCULT GOETIA LOVE MAGIC DREAM SUCCUBUS SHIRT
WITCH NUN OCCULT GOETIA LOVE MAGIC DREAM SUCCUBUS SHIRT by WODKHAN
Make cheap custom t shirts at zazzle.co.uk

NIGHT-GAUNT LEATHER NUN SUCCUBUS

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, UFO, Witchcraft with tags , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Out of what Chakra crypts the Succubae to Bat wing fly, I cannot tell,

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But every night I see the felines make their planetary sphere way across the abyss; over the desert they to swarm as Night-Mares,

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Their obsidian butterfly mistresses, horned Nuns, so sensuous, with membranous leathery wings,

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They come in Night-gaunt legions on the North wind’s swell over Rome’s temples, remembering Diana-Lucifera,

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With obscene caresses, which titillates of lustful stroking,

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Snatching me off on monstrous voyaging,

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Travelling through their moist vaginal star barrelled Tarot hallways,

To other worlds hidden deep within their pyramidal harem of seven fold hierarchy.

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Over the sacrificial jagged peaks of Thuk they to sweep predatory,

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I heedless, of all their crucified groans they to make, while painting themselves menstrual red of bloodshed,

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And down towards the nether pits of our carnal Coitus Pactum union, they take me,

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Where the brazen harlots then to gather around my erect brazen serpent, to feast upon its venom, of all consuming worship.

But ho! If only they would tell more of their delightful Sabbat.

Alas, I to awaken too soon, until next Night-Mare to ride of Ouroboros round!

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Freely adapted from Fungi from Yuggoth & Other Poems by H.P. Lovecraft whose severely afflicted navel chakra brought about his eventual demise. Although, had he otherwise transformed his Bedroom-Invading Nightgaunts via the symbolic alchemy of Tantra to become as Succubae, his leaden Ouroboros of a torc would have been transmuted into gold.

Alas, the sexual impulse was Lovecraft’s true horror due to his Puritan tastes, which to have made women faceless. Look to Lovecraft’s Salem to know the fascist truth of it, where Puritan’s slaughtered many a native, whose ‘love’ had no ‘craft’ when to have burnt Witches at the stake because of their Craft.  

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DEVIL GOTH GIRL GOETIA WITCH NUN SUCCUBUS GENIE PRINT
DEVIL GOTH GIRL GOETIA WITCH NUN SUCCUBUS GENIE PRINT by WODKHAN
Poster printing from zazzle