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SHAMAN CHAOS MAGIC ART MOVEMENT

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 2, 2019 by FAUSTUS CROW

The beginnings of the Shaman Chaos Magic Art movement, which is otherwise termed as Chaos Art (Magick) Magik, or Surrealist Sorcery is rooted in the experiences of a British Sorcerer-Artist, Faustus Crow.

In his books, The Book Which Tells The Truth About Art Muse Lilith (1974) and Ultraterrestrial Art Muses Took Me to their Succubus Planet (1975), Crow describes experiencing encounters of the Sexagram kind with salacious female aliens since he was a very strange changeling childe.

Crow says that the alien nymphomaniacs abducted him into other realities, who are his Kamasutra Art Muses and spectral Dakini Art models, whom stem from other worlds, and historical times, as well as emanating from alternate Earth’s, who bestow multiverse knowledge via his quantum computing lucid dreams.

One of Crow’s Chaos Magic experiments was the knitted-together Frankenstein creation of a Coyote girl Tulpa construct, mantra named, Sally Tonopah in order to lucid dream remote-view Dreamland Area 51.

Or was it Area 52, Crow had conjured his Obsidian Butterfly to haunt? Can’t recollect… probably both flowery Chakra locales.

Of course, most people consider Faustus Crow to be a mere poser, and quite mad to boot, let alone being absolutely insane, or far worse. But who is this, Crow exactly? Some say that Crow looks a bit like Fifty Shades of Devito, Witches secretly adore as their Great Beast Valentine!?

One thing for sure, Crow isn’t a square jawed Hollywood actor looking like a photogenic Disney/Marvel eugenic superhero sporting oiled biceps, having a tight Baboon butt, nor does he look like Scientologist Tom Cruise having a fat Vatican bank account.

Crow doesn’t even drive around in a flashy phallic racing car having the cultic charisma of Claude Vorilhon, etc.

Who on Earth would then take Crow at all seriously? Crow hasn’t even got the aphrodisiac of materialism nailed down, which engenders the respect of the hypnotised masses, let alone having the necessary politically correct social media cred… So, one can thereby gather that all his followers must be deranged cultists.

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Whatever the case, the Chaos Art Magic movement traces its Surrealist Sorcery beginnings to a 1990 Art conference, which was situated under the pyramid of the Louvre Art gallery in Paris, France, which was entitled, Yoni Stargate Belphegor.

The Yoni Stargate Belphegor conference was attended by two thousand female Art students who were all dressed up as St Trinian’s schoolgirls, looking like Hogwarts Witches.

From amidst Belphegor’s Louvre pyramid, the Chaos Church Of Art Magic was born, which promotes the infernal worship of Faustus Crow.

The name, Crow is a veiled reference to the Faustian experience of hypnagogic trance, the alchemists termed as being the Nigredo stage of the Great Work, which is initiated by a bedroom invading Night-Mare Succubus.

There is a women only membership in the Chaos Church Of Art Magic, who term themselves as being the Chaos Unitarian Nuns Templar of Lilith’s Harem. The CUNT members often don the fetish costume of a leather Nun who are known as Nightgaunts, which is their Love-Craft moniker.

The Chaos Church Of Art Magic has a quasi-clerical structure of seven planetary Chakra levels, which has since become an anti-Art convent school, whose High Priestess is Molly Crabapple. She’s really hot!

Joining the Chaos Church Of Art Magic requires an official apostasy from other belief systems. One of the CUNT goals includes the striving towards the dissolution of the Military Industrial Complex via the nonviolent means of Art protest.

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There are also two anecdotes in the CUNT newsletter reporting female majorities joining the Asian Mongolian chapter of the Chaos Church Of Art Magic, which comprises of female (Udagan) Shamans who dress up as horned Babalon Nuns, whom worship Crow as their Animus fixation upon a Horny Great Beast.

Art Witches such as Mephistophina, the Chief Executive Officer of the Order Of The Obsidian Butterfly, otherwise known as the Nigredo lodge, plays a powerful role in the Chaos Church Of Art Magic.

There are two other major Pussy Riot groups of Art Witches in Crow’s Chaos Church Of Art Magic.

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The Order Of The Black Raven Tarot Dakinis, founded in the 1990’s, consists of over one hundred and forty-four thousand female Art students.

The Order Of The Black Raven Tarot Dakinis calls for the rebellious awakening  of the Fallen Anima and the freeing of all males from the deified Animus projection of protesting Queen Bee feminists, who have unwittingly created the Fifty Shades Of Grey patriarchy, stemming from out of the oily Beehive ziggurat of Sumerian UR.

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The Order Of The Black Raven Tarot Dakinis seek an animist balance between the Anima and Animus archetypes for all of humanity, who rebel against the deified Animus made as a God/Devil of the Orwellian New-World-Order matriarchy. The NWO matriarchy hides behind the illusory facade of its Animus projection of a female created patriarchy.

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The initiation rites include declaring a Chaos Art Magic oath, while masturbating as well as entering into a Coitus Pactum with the out-of-body form of Faustus Crow, in which a woman agrees to become an Art Witch defender of the Chaos Church Of Art Magic and its Sorcerer-Artist founder Faustus Crow.

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The Order Of The Black Raven Tarot Dakinis has its own Valkyrie hierarchy of “Rubedo Anima Angels” and “Albedo Anima Angels,” who are otherwise called (Succubi) Succubae, which, as of 2003, are 777 and 777 women, respectively.

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Crow’s, Goetia Girls is another major group of female Artists in the movement who are against the suppression of feminine acts of pleasure, including the sexual worship of Faustus Crow.

After the Goetia Girls human cloning announcement made the headlines, the Daily Telegraph wrote that the Art Witches of the order not only provided sexual pleasure for Faustus Crow, but also helped donate eggs for efforts towards human cloning.

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A few days later, Time magazine wrote that French chemist Brigitte Boisselier was an Order Of The Black Raven Tarot Dakinis member. Around this time, the scathing Art critic and cult investigator of the Vatican, Mike Kropveld called the Shaman Chaos Art Magic movement to be one of the weirdest and most transparent Art movements, he had ever witnessed; though he was utterly alarmed by the female Art student’s promise to defend Faustus Crow’s life with their own painted bodies.

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Kropveld has since disappeared, nobody has been able to find him. A number of Police investigations has led to the suspicion that he had been abducted and duly dispatched by hashish-high female assassins of the CUNT, who are known as Velvet Buzzsaws, which is slang for the vagina dentata, or as ‘Cats,’ being an abbreviation for ‘Concise Assassin Terminators.’

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It is said that the Velvet Buzzsaw felines dress up all in black looking like female versions of UFO-lore MIB’s, who are Crow’s personal bodyguard.

But there is yet no proof of any foul play. However there are lurid rumours that Kropveld underwent a sex change in order to infiltrate the Los Angeles branch of the Chaos Church Of Art Magic. But he was very quickly discovered by the Art Witches, whose tortured body has since been entombed in a wax-work sculpture, which now resides in a Scientologist owned Art gallery, somewhere in cult-central Hollywood.

Faustus Crow has instructed his Goetia Girls to play a pro-sex role in the Chaos Church Of Art Magic, who declare that their bodies are his altar of an Anima canvas to orgasmic easel alter as he pleases.

Some researchers have noted that Crow’s Goetia Girls solely consists of beautiful young female Artists who once worked in the film and sex industry. The women of Crow’s Goetia Girls say there is no reason to repent for being a nigh religious sex icon, performing the Tantric Performance Art of striptease or being a sacred prostitute, who are now Crow’s Art models and inspiring Art Muses.

The Goetia Girls organization was set up “to support the choice of women who see themselves as being the personification of the Anima, which resides within the inner temple of the male psyche. These female Artists also devoutly worship Crow as their sexual liberator.” Crow’s Goetia Girls and their Chaos Church Of Art Magic founder Faustus Crow were featured in a pictorial in the October 13th Necronomicon issue of Playboy, 2004.

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“Article written by Eggbard Soth, an ex Catholic, Illuminati Freemason and a one time devoted Scientologist. Soth is an investigative journalist for the Abrahamic Ralien Movement, which is merely an Arkham Asylum cover. He is in fact an intelligence operative who is involved with the Psy-Op arm of DARPA, whose subversive social-engineering of society via varying subversively patronised political cult groups has presently molded your cultic perception of reality; whereupon you are living within a Matrix.”

NOTE: On a more serious note, the discordian tongue-in-cheek Heyoka article was adapted from a description of the Raelian cult. So, should you think what I wrote, sounds totally barmy, it is not as crazy as the reality of the tax-dodging big-business Raelian cult, which has innumerable devotees, most of whom are women. What’s more, I have rejected the focus on a tax-dodging cult, to otherwise describe a Surrealist ‘Art Movement’ comprising of crazy Artists paying their taxes.

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As for the satirical over-the-top ego-eccentricity of Faustus Crow, it is an Avadhuta case of me laughing at myself Heyoka wise. Look to Claude Vorilhon to see the reality of an overblown cult ego. The Raelian cult, which is in competition with the L. Ron Hubbard’s Scientology movement, is just one example, there are numerous examples of even stranger cults, which seek to warp the perceptions of the populace, whether they be religious, or political, or both, having many members as their automatons across the globe.

The more members a small-business cult has, it gradually starts to gravitate towards becoming a tax-dodging big-business religion, which will invariably seek to own material assets, such as owning land, having control over water, food and fuel supplies in order to survive as a hierarchical feudal entity, along with influencing two-party dictatorship politics, since politicians often whore themselves for money; hence owned as puppets.

The symbol systems a religion and its politics employs are essentially the Artistic expression of a particular culture from which it stems. Alas, the employed symbol systems are not seen as being Art, they are are usually considered to be unchangeable dogma, which does not allow for the questioning imagination to flourish.

This is especially the case if a religion utilises a feudal hierarchy and its pyramidal politics of control; those few puppeteers atop of the ziggurat run the puppet show, who easily do so via money, while a religion is used as a mind-control tool, like that of an opiate, which dulls the questioning of the masses.

When a religious/political construct starts to lose its big-business hold over the masses, chemical means are resorted to such as fluoridating the water supply with a known sedative and a neurotoxin, to even add lithium to the mix, as well as using more technical means by introducing a cashless society, in which everyone is being 5G watched.   

An established religion and its ensuing politics, which has been around for a very long time, uses the same mind-control tactics as a cult does, it is just more Psy-Op subtle about it; wherefore you are in a cult without even realising it. 

NOTE: This satirical cult mandala article does not invalidate the experiences of lucid dreaming, and that of inner conjurations, which of an altered-state phenomenon is ‘Very Real,’ Shamans and Artists are very much aware of. As for the Succubus visitations, they are based upon actual experiences, I have experienced since a changeling Childe.

It is just a case of not making the employed symbolism a cult focus, nor creating a new-religion to add to the growing tax-dodging list. Wherefore my focus is that of an ‘Art Movement.’

Hence the utilisation of underground comic Art, which of Pop-Surrealist symbolism is ‘Anti-Cult.’ Although religious or politicized cults can become financially lucrative for their Claude Vorilhon – Anita Sarkeesian founders, should they be of a subversive social-engineering use to the Big-Brother elite, whereas an Anti-Cult does not bring in the Orwellian Shekels.  

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WITCH NUN SACRED AND PROFANE

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 10, 2017 by FAUSTUS CROW

The above Pop-Occulture Art Print, which is available from Saatchi Art is an alternative version of the Fifty-Sixth Succubus archetype of the Fallen ‘Anima,’ who is Mantra named Gremory. She is seen to emanate from the planetary Chakra sphere of Venus. (Click the Artwork above for the Saatchi Art Print.)

Gremory is usually described as being a male entity who assumes a female form. Gremory is specifically listed in the medieval Playgirl Grimoire, entitled the Goetia, which of a Patriarchal focus lists ‘all male’ archetypes of the deified ‘Animus’ made as a God/Devil.

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(Note: One of these listed spirits is called ‘Valak,’ the Viral-Meme media machine of Holy-Wood depicted as a pasty-faced transgender Marilyn Manson Nun, in the film, ‘The Conjuring.’ However, Valak is classically depicted as a little Choir Boy, the closeted Monks to have conjured in their sweaty cloisters.)  

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I have otherwise depicted Gremory as a Succubus archetype of he Fallen ‘Anima,’ who is of similarity to what a Tibetan Tantric Buddhist terms as a Dakini.

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(Note: The utilisation of the Nun (High Priestess) motif is in accordance with the classical description of Gremory, apart from the common Playgirl grimoire emphasis on depicting Gremory as being a transgender Marilyn Manson Nun. In other words, ‘The Conjuring’ film got the conjured symbolism wrong, and what’s more, when to reverse the ‘Animus’ fixated Valak symbolism to that of an ‘Anima’ (as in a Playboy grimoire) expression,’ Valak would then manifest as a salacious Catholic Schoolgirl!)

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A Dakini is seen to have vampire tendencies, who as a ghostly Witch haunts the periphery of your Surrealist dreams.

Witch Nun Sacred And Profane by MARDUN

The psychologist Carl Jung would term the (Succubus) Dakini as being an inspiring Art Muse emanation of the ‘Anima.’

However, Tibetan Buddhist Shamans practice conjuring (Succubi) Dakinis into their eroticised (introverted five senses/inverse pentagram) dreams, wherein a Dakini enables a Shaman to become (sixth-sense/sexagram) lucid of awareness.

Wherefore, Dakinis are considered to be personifications of inner Wisdom, and when they visit a dreamer, upon awakening, the dreamer notes down their (Wisdom [lucid] Dream) visitations within a dream diary.

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When conjured into a lucid dream, Gremory manifests as a Pop-Surrealist Nightgaunt Nun, who is an Entartete Kunst Art Muse stands betwixt the hynagogic trance pylons of the Sacred and the Profane.

If you are interested in acquiring the shirt designs, etc, Check Out my Redbubble shop. Please Click The Link Below.

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LUCID DREAM SUCCUBUS GOETIA GIRLS OF FAUSTUS CROW

Posted in Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 8, 2014 by FAUSTUS CROW

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Over the arid steppe of Leng unto Siberia, the shamans speak of spirit wives with whom they interact, within their dreams; it is said that it is from these female Genies, the shamans derive their shamanic abilities.

The technique is ancient, which had no doubt influenced the ‘lucid dream’ Yoga practice of Tibetan Buddhism and that of Hinduism, whose spiritual practices involve female entities called Dakinis. The Dakinis are none too dissimilar to the Valkyries of ancient Norse mythology, whom are described as being the handmaidens of the shaman deity called Odin, the Saxon’s named as Woden. However, over time these female entities were forgotten and cast aside in Europe, to be classed as demonic Succubae.

It being somewhat analogous to the Great Old Ones, who were cast beyond the Angel angles of space-time by the Elder Gods, as described by the author, H.P Lovecraft, who was nightly assailed by the bedroom invading Old Hag syndrome, which he classed as being hypnagogic trance visitations of Nightgaunts.

Alas, Lovecraft never learnt how to out of the body ride the night-Mare, of which the shamans to speak of as being an eight-legged female centaur whom weaves an associative web, interconnecting all things, to thence glide over of browsing.

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Lovecraft’s superb literary creation of a grimoire, entitled the Necronomicon, he to surrealistically describe as being a banned tome, like many another book of the arcane shadow, which are said to have been penned by the so called rebellious Devil; well, going by Polanski’s film, Ninth Gate, anyhow.

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But, in reality, as Lovecraft was well aware, these banned books can be found of viral-meme preponderance, which, of a most curious historical fact, they do not list female entities at all, apart from one singular grimoire, which is commonly known as the Goetia.

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However, the Goetia only mentions a few, scant female entities out of its 72 listed spirits, which are described as being male spirits in disguise. Suffice to say, should Lovecraft’s Necronomicon to have really existed, it would list Succubae; for it would surely have been banned of Entartete Kunst censorship, burnt upon a pyre along with a Witch, or to be deeply buried under a Sphinx, since there is no historical evidence of such a tome ever being penned and illustrated.

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Nor have there been any modern grimoires listing Succubae; as if there is a symbolic blind-spot; probably because such a tome would be considered as being very Entartete Kunst dodgy, even by the shocked Devil himself, who to panic stricken scream, “reptilian agenda!”

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So, Faustus Crow has entered the fray, by creating a rebel grimoire illustrating Succubae, who be the true Great Old Ones, whom to have ‘factually’ been cast beyond the Angel angles of the symbolic framework of the patriarchy, upon which the ‘Matrix’ of your culture is based. (Music used in the Video, by: Partners In Rhyme.)

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OUIJA BOARD ZOZO PHENOMENON

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 21, 2014 by FAUSTUS CROW

Ose is the fifty-seventh Succubus archetype of the Fallen Anima, listed in the Goetia, who is a Great President of the eighth dimensional planetary sphere. She rules over thirty Anima legions of (Succubi) Succubae.

Other authors mentioned three legions; whereas the Pseudomonarchia Daemonum gives no number of Anima legions.

(As you will probably know, the classical Playgirl grimoires, which populate many a Hogwarts bookshop, only list the all male Angel/Demon Incubi archetypes of the deified Animus, made as a God/Devil, whose monotheistic pantheon has castigated the politically-incorrect female archetypes of the the fallen Anima into Hell. Hence, there are no historical examples of Playboy grimoires listing [Succubae] Succubi. Whereby a very real Necronomicon would list the Succubi archetypes of the fallen Anima.)

Ose makes the conjurer of her Fallen Anima archetype wise in all liberal sciences and gives true remote viewing answers concerning divine and secret things via her seal of a spirit board.

She also brings insanity to any person who afflicts her conjurer with their malign maledictions, making them believe that they are the creature, or thing her conjurer desires. (In other words, when the conjurer realises what the Animus and Anima means of a biological reality, the religious/political indoctrination of the deified Animus is seen for what it actually is. Whence, those who push a religious/political agenda are promptly seen as brainwashed cultists wearing Mickey Mouse eared hats!) 

Ose at first manifests as a vision of a black Panther or as a Cat; but after a while she transforms amidst the Triangle of Art imagination into a beautiful woman, who is very much a Valkyrie due to her name, which is derived from fourth Norse Rune name, of ‘Os’, meaning mouth, as in to chant or sing of spell-casting.

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Wherefore, you can imagine Ose to be a singer of Runic songs, like that of a bird. The technique of using a song refers to the monotonous chanting of a (Mantra) by a shaman, which facilitates hypnagogic trance, of similarity to that of an Icaro.

An Icaro (or Ikaro) is a song sung in Shipibo healing ceremonies, or by Vegetalistas. The word Icaro is believed to be derived from the Quechua verb Ikaray, which means, “to blow smoke in order to heal”. Shipibo shamans relate that the spirits, particularly plant spirits, teach them their Icaros.

The Icaros are used to bring about the Mareación (the visionary effects of the Ayahuasca), take Mareación away, call in different plant spirits, call in the spirits of others, or the deceased, take away dark spirits and negative emotional energies, for protection and to manage the ceremony. Experienced shamans are able to recite hundreds of Icaros as well as knowing how to be Heyoka wise as a Crow or a Coyote Clown in order to overcome negative influences via contrary wise humour.

Icaros are either whistled or sung, as well as being expressed in any language. The shamans generally sing in a (language of the birds) spirit dialect, which is a mixture of their native language (i.e. Quechua, Shipibo-Conibo, Asháninka, etc.), Spanish, and different evocative sounds. Icaros represent a system of communication between the shaman and the spirits as well as the participants in the ceremony.

The shamans believe that every living thing has its own Icaro and that these icaros can be learned. The singing of Icaros is sometimes accompanied by the Chakapa, rattle of bundled leaves, which is used to carry the rhythm of the ceremony. The shaman will use his Chakapa to direct the emotional energy of the Icaros, as well as send away dark or unwanted emotional states.

Other spellings of Ose’s name are: Osé, Oze, Oso, Voso or Zoso and Zozo. The Rune of Os, is also that of the German word, Ose, which means eyelet, small hole, loop or noose. You also have the word, Oz, which is very likely derived from, Ose, and therefore, Os, being the title of L. Frank Baum’s Wizard of Oz. The word Oz specifically refers to the fourth Rune of Os, which is sacred to the shamanic deity of Odin; one of whose power animals is a mercurial Crow. Odin is described as having a singular eye, as in a (third eye) small hole of an eyelet, who is also the lord of the hanged; hence you have a loop of a noose.

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Wherefore, Ose is a (Dakini) Valkyrie Witch (Nightgaunt Succubus) daughter (Anima) of Odin. Many of the Valkyries assume the shapeshift forms of birds, such as Crows as well as predatory felines and other animal forms, which of a Skinwalker power the Valkyries bestow upon a shaman to whom they are attached as his (Succubus/Spirit Wives) Allies, so that he can travel about in animal forms when to trance and lucid dream.

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The Crow is traditionally associated in occult lore with the planetary sphere of Saturn, whose sigil of lead leads you to the Zoso symbol from page 51 of an 1850 reprint of a 1521 French grimoire, entitled: Dragon Rouge and Poulet Noire (The Red Dragon and The Black Hen), which is also to be found on page 31 of Frinellan’s 1844 book Le Triple Vocabulaire Infernal Manuel du Demonomane.

When to look into such works of the deified Animus, just remember that during the 16th century, many a Witch was tortured, raped, beheaded, stoned, crucified, let alone being burnt at the stake by insane closeted worshippers, whom be far worse than their Demonic archetypes, whose poisonous legacy has a repetitive tendency to rear its religious fundamentalist head again of a repeat.

So, it is entirely probable that there are indeed legions of angry ghosts who desire to return back their pain to those whom blindly dance around a three faced deity of a deified Animus, whose cloned Rabbis, Priests, Mullahs, and their numerous brainwashed flocks tend to repeat their indoctrinated ways, since they act out a Bronze age script like programmed automatons.

Whereby a follower of the deified Animus, made as a God/Devil has to beware a spirit board, otherwise he or she will conjure up Munnin memories. A variation of the Zoso symbol also appears in Jerome Cardan’s 1557 grimoire, De rerum varietate (page 789 of this 1580 reprint). However the symbol reads, Oso, with what looks like a lightening streak, ‘Zorro,’ shaped sigil before Oso, being one of the alternate names of Ose; wherefore it is generally interpreted as Zoso, leading thence to Zozo.

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It just so happens that in the language of the Basque and (Haitain Vodou) Creole, Zozo (Zoso) is a name applied to a Crow, which is seen to be a ‘sacred fool’ of similarity to the Native American Heyoka clown of a Crow.

In other words Ose empowers a shaman to assume the Skinwalker shapeshift dream form of a Crow who is Avadhuta Monty Python contrary wise. You could cojecture that the Zozo phenomenon is an expression of the howling collective unconscious, which is seeking to initiate a rebellion against a religious brainwash of a viral-meme by creating an anti-viral-meme.

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The motif of hanging concerning Odin is not literal, it symbolically refers to the reptilian brainstem of the throat area having governance over hypnagogic trance ingress; whereas the loop of a noose is associated with the Ouroboros of eternal recurrence, being that of a ‘closed timelike curve’ symbolically represented by a (noose) Torc (Ouroboros) around the neck or that of a nine-fold ring. Ose can reveal the nature of eternal recurrence and that it repeats of a (Karmic) leaden repeat until it is transmuted into (Dharma) gold, which can be in part attained via a Heyoka understanding around a Runic Ouija board of a rebellious Mantra conjuration.

This is more so the case, when to thereafter observe ensuing synchronistic phenomena. But, if you become far too exorcist serious, allowing your indoctrinated fears to overcome you, your own Inquisitional shadow of a leaden deified Animus cult Demon will be duly reflected back at you of monotheist Hell fire. Wherefore you will blindly play into the damned repeat of history as the numbered, where religious fundamentalism returns under the guise of the theocratic New World Order, whose all male pantheon of Animus Angels, Demons dancing around an egregore God and Devil will promptly upend your anus to possess.

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However, should you learn to laugh at your self, you will otherwise win a Discordian Pussy Daemon of an anarchistic Ose Ally, whom be a very feline Zozo Succubus archetype of the Fallen Anima.

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NECRONOMICON NIGHTGAUNT LEATHER NUN GREMORY

Posted in Alien, Art, Chaos Magic, Comics, Cosplay, Goetia Girls, Love Magic, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 10, 2014 by FAUSTUS CROW

The above Artwork depicts the 56th Succubus archetype of the Fallen Anima, who is called Gremory. The symbolism of the Artwork is alluding to the Sheela na gigs, which are figurative carvings of naked women displaying an exaggerated vulva above church ‘doors’ and ‘arches.’ They are architectural grotesques found all over Europe on churches, castles, and other buildings.

The highest concentrations of Sheela na gigs can be found in Ireland, Great Britain, France and Spain. One of the best examples may be found in the Round Tower at Rattoo, in County Kerry, Ireland. There is a replica of the Round Tower Sheela na gig in the County Museum in Tralee town. Another well-known example may be seen at Kilpeck in Herefordshire, England.

Ireland has the greatest number of surviving Sheela na gig carvings; McMahon and Roberts cite 101 examples in Ireland and 45 examples in Britain.

Sheela na gigs are said to ward off death and evil. As mentioned, they are often positioned over doors, arches or windows, which symbolically represent the vulva. In ancient times the vulva was seen as representing the (door/window) hypnagogic trance gate, which allowed conscious ingress into the womb domain of the (spirit world) dream.

Gremory is a rarity in the Animus fixated Goetia, who is described manifesting as a woman; although the Goetia makes mention that Gremory is a male entity assuming the form of a woman. The reason for this symbolic conundrum is due to the grimoires having a fixation upon the deified Animus.

The number 56, may be that of occult blind, which of numerology reduces down to 11 and 2. The number 11 alludes to the 11th hidden Sephiroth (sphere) of the Cabbala, being Da’at, which means, ‘belief.’

The number 2 points at the Tarot card of the High Priestess II, which is generally considered to be associated with the 13th path of Gimel, which passes through the sphere of Da’at. The Hebrew letter Gimel is seen by some to be associated with a Camel.

The runic correspondence with Gimel is that of Gebo, whose ‘seventh’ Rune is that of the ‘X,’ crossbones, which equates with the English ‘G’ you to find used by Freemasonry, as in ‘X’ marks the (hypnagogic trance) spot and that of a seventh (seal) secret not to be told, unless it is to your sister. The motif of the sister symbolically alludes to the Fallen Anima.

Gremory is described as riding a Camel, wherefore alluding to the High Priestess and the sphere of Da’at.

The Tarot traditionally depicts the High Priestess being seated between two pillars, who holds a scroll or a book upon her lap, which is a (Necronomicon) Grimoire. (H.P. Lovecraft wrote that the title, Necronomicon, as translated from the Greek language, meant ‘an image of the law of the dead,’ or a book of images.)

It is very likely that the name of Gremory is derived from the term Grimoire, which is essentially a tome of ‘beliefs.’ (The tome [scroll] the High Priestess has on her lap is commonly interpreted as being the Torah [Tarot] of the deified Animus.)

The sphere of Da’at is accessed via the twin pylons of the High Priestess, who symbolises hypnagogic  (Sheela na gig/vulva) trance, which is represented by the ‘X’ Rune of ‘Crossbones.’

Whatever you experience internally (Out Of Body Experience/Hawk/Horus) amidst the dream will be determined by the Da’at beliefs, which are housed within your Grimoire temple of a ‘Skull.’ The domain of the dream will reflect back your beliefs about yourself, and how you perceive (Eye) reality.

However, you will find that many of your beliefs have been influenced and moulded by influences around you, wherefore determining your perception of reality since childhood.

Wherefore, Gremory reveals how the Matrix of symbolism all around you and within you of an internal dialogue, incarcerates your ‘Skull,’ so that you can free yourself via self-analytical metaprogramming, which allows you to tune into other dream realities, and in turn consciously engineering synchronicities.

The symbolism of the High Priestess has a symbolic correlate with the Nun, Carl Jung would equate with an aspect of the ‘Anima.’ Since the Anima and her Succubus archetypes have been entirely expunged from the symbolic paradigm of the deified Animus, you can thereby fathom that a very real Necronomicon would list the Succubus Great Old Ones of the Fallen Anima, which of a banned grimoire would contain their much maligned images, the worshippers of the deified Animus would consider to be pornographic!

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H.P LOVECRAFT’S NIGHT-GAUNT WITCH SUCCUBUS

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

The writer H.P Lovecraft very likely experienced night terrors, otherwise termed as the Old Hag Syndrome when he was a child, which inspired the creation of his monstrous Nightgaunts.

The experience of the Old Hag Syndrome involves an individual experiencing involuntary sleep paralysis, which leads to a sensation of a growing pressure upon the body as well as strangulation, along with being afflicted with terrifying hallucinations.

The initial phase of the experience often involves the sensation of an intrusive presence entering the room at the point of sleep paralysis; whereupon an individual experiencing this invisible presence around him/her feels utterly helpless.

The individual will sometimes experience hearing the creeping of echoing footsteps of the approaching entity before the intrusive presence leaps upon him/her, or to sweep down like some kind of predatory creature blown in on a wind, which leads to a mounting pressure upon the body, usually on the chest area, solar-plexus or navel area.

Sometimes, other sensations are experienced, which is interpreted as being a sexual violation. As the individual becomes absolutely terrified the pressure upon the body mounts in increasing magnitude to the point he/she may also sense being strangled by the presence.

As the fear mounts, the individual might see the presence take on a distinct form, which often looks to be quite monstrous of a usual humanoid form looking like an old Hag.

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Although it can also take on animal or hybrid forms as well, or even to appear, looking like some alien.

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In very rare cases this experience of an ‘amphibious’ state of (hypnagogic) consciousness can lead to an out-of-body-experience, or otherwise described astral journey into a vivid lucid dream, whose content will be determined by the individual’s interaction with the presence during the initial phase of the experience.

Lovecraft appears to have attained an out-of-body-experience, which had been induced by his Old Hag Syndrome visitations, which later inspired the creation of his Nightgaunts in the Cthulhu Mythos.

These creatures appear in Lovecraft’s poem, Night-Gaunts as well as his surrealist novella The Dream-Quest of Unknown Kadath.

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Lovecraft describes his Nightgaunts as having a vaguely human shape, who are thin, black, and faceless. He also describes the texture of their skin as being slick and rubbery.

The Nightgaunts are also described as having a pair of inward-facing horns atop of their heads with clawed hands and a long barbed tail which is used to tickle their victims into submission. They can fly using a set of membranous wings who make no sound.

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The Nightgaunts are associated with one of the Cthulhu Mythos’ deities in Lovecraft’s writings, notably, in his story ‘The Strange High House in the Mist,’ lists them as being the servants of Nodens, Lord of the Great Abyss, (a relatively benevolent entity, although still an incredibly alien intelligence among Lovecraft’s pantheon).

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The Great Abyss refers to the Cabbalistic hidden sphere of Da’at, which is associated with the reptilian brainstem of the throat area.

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Hence the acute sensation of strangulation, which is to do with the activation of the Reticular-Activation-System; whereas the pressure upon the body is associated with the Autonomic-Nervous-System.

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However, the experience of strangulation and the associated pressure upon the body can be overcome if the individual does not fear the visitation of the entity, which is then otherwise transformed of an experienced manifestation; whereupon for a heterosexual male it can manifest as a Succubus.

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A Succubus is usually seen to be a female demon or a supernatural entity in folklore, which can be traced back to medieval legend. The Succubus appears in vivid lucid dreams in the form of a human woman in order to seduce men, usually through a sexual interaction, which can lead to an out-of-body-experience.

However, the Succubus is usually seen to be rather negative due to a very peculiar religious indoctrination, which has negated sexuality and in turn the feminine (Anima) principle from the spiritual equation.

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The Succubus In German folklore is otherwise called, a Drude (pl. Druden) Other names for Drudes include Trutmahr (“Nightmare”) and Walriderske. Drudes typically take on the form of an ugly, old, withered woman, who is, at the same time, very heavy. This old woman creeps into homes at night through the smallest of cracks and openings. Once in the room, the Drude sits upon the person’s chest. Drudes are also shape-shifters and can appear as feathers, clouds of smoke, bumblebees, snakes, toads, dogs or cats.

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According to old German belief, Drudes are virgin Witches who have the ability, to split off a Drude from their spirit. This was known as the Drudenfluch or ‘Drude’s curse.’ Sometimes they voluntarily chose to do so, while in other cases it is forced upon them. Although this can have either a benevolent or malevolent effect on others around them.

Women suffering from the Drude’s curse will keep this a secret from their fellow human beings. The only way to free themselves from the curse is by being given a very tame and important domestic animal to pass the Drude onto, which kills the animal in the process. It was believed that amongst seven daughters there would be one Drude.

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In elder European lore the Drude was also called an Elf (Alp/Alb) or a Kobold (a Dwarf/Hag), basically the Elves and Dwarves were originally seen to be all female entities.

The Drude are very much associated with inducing the Old Hag Syndrome, which of an experience inspired the word ‘nightmare,’ as in ‘night’ and ‘mare.’ The motif of the mare represents the increasing pressure upon the body, but the mare can also be ridden by a shaman.

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A Drude is always female but it is often confused with the Trude, a half-human, half-birdlike being, which shares some features with the Drudes. The term Trude or Trut is thought to be derived from the Middle High German word Trut or the Gothic word mini Trut, both in the sense of, to be Trut. Supporting this are names for Drudes, which are also based on the root to Trut from the Alpine region such as Trut or Romansh Trut and a Bavarian word for a wizard, Truderer.

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The Truderer (wizard/sorcerer or shaman) is in fact the Trude who has the ability to conjure up the Drudes as his Succubae.

The (Succubae) Drudes enable the Truderer’s spirit to travel out of his body to fly ecstatic like a ‘bird’ across space and time via an ‘internal’ vaginal-star-barrelled-portal travelled through of a Stargate, which  is associated with a particular (Witch) Succubus, who has been conjured by the Truderer from within his lucid dream.

Whereupon you have the half-birdlike being of the Trude. The Truderer conjures up the Drudes amidst a Hexagram, which is otherwise called the Hex-sign or Sexagram whose number ‘six’ of a six pointed star is traditionally seen to be associated with sex, being that of the Coitus Pactum union of a Truderer and a Drude.

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The conjuration of the Drudes is of similarity to the techniques used in Western ‘Ritual Magic,’ which enables the Truderer to ride the Drudes as his Nightgaunt night-Mares just as Lovecraft described his Nightgaunts as being used as steeds by the ghouls of the deeper dreamlands.

The symbolism of the mare is associated with the shamans trance horse, which the Mongolian Kams (shamans) call the Himmori, the Tibetan’s call the Lung-ta, Wind-Horse. The Himmori represents the power of trance, which is seen to reside within the chest area of your heart (Central-Nervous-System). Whereupon you have the pressure upon the chest when experiencing sleep paralysis, of an initial phase of trance ingress, which is technically termed as the hypnagogic state.

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The experience of trance can be quite terrifying to the uninitiated whose fear will block them from attaining internal ingress into the dream; whereupon, the fear has to be overcome. This understanding led to spiritual techniques being devised by shamans, which revolved around the initial ritualistic conjuring of female entities, the Tibetan’s call Dakinis who are otherwise known as Druden in German folklore.

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Basically, the technique involved introverting the sexual impulse in order to transform the terror of trance ingress. The reason why an individual experiences acute terror when attaining trance is because the physical body as well as the ego instinctively reacts to the possibility of its demise. Once the fear has been ‘reined’ in by the shaman, he can then ride the Dakini as his mare into far deeper levels of the dream.

The folklore concerning the Drude is especially prevalent in Southern Germany, where the Druden are also seen to be Valkyries who are the Witch wives of the shamanic deity called Woden (Norse: Odin) Lovecraft otherwise called Nodens. The Druden are said to participate in the Wild Hunt like Lovecraft’s Nightgaunts, who were seen to be a particular class of Demon in Alfonso de Spina’s hierarchy; but what do you expect, Spina was a Christian. The word Druden also came to be used as a generic term for a ‘Witch’ during the 16th century.

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The Drudenfuss literally ‘Drude’s foot,’ also Alpfuss, Elf’s foot, is Lovecraft’s Elder Sign of a pentagram, which is believed to ward off (Necronomicon) Demons, as explicitly named in Goethe’s Faust (1808). However, the Drudenfuss represents the (Explicate Order) Macrocosm of the waking world when upright and the (Implicate Order) Microcosm of the (spirit world) dream when inverse; whereupon it was believed that the upright pentagram had the power to dispel the creatures of the dream.

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The Drudenfuss has been in use since at least the 17th century, which was recorded by Justus Georg Schottelius (as drutenfusz, glossed omnis incolumitatis signum ). Its use is apparently well-recorded in 18th to 19th-century folk beliefs as practiced in Bavaria and the Tyrol.

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Drudenfuss is also the German name of the pentagram used as a heraldic device (alternatively Drudenkreuz drude’s cross, elf-foot” or Alpkreuz, elf-cross, besides the more descriptive term of the Pentalpha or Fünfstern.

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Another ritualistic item of interest is the Drudenstein (also known as Hascherlit), which is a pebble with a naturally-formed hole in the centre of its (Earth) sphere. The Drudenstein was used as a means to see the Drude when to peer of singular eye through the hole. In Bavaria, such pebbles were hung in rooms, on cradles or in stables to ward off nightmares, or to protect shamans spider mares against matted webbed manes or twisted-helix tails.

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A Truderer would use a (phallic) knife called a Drudenmesser or ‘Drude’s knife’ in his conjurations of a Drude, which has nine half moons and crosses on its blade. The Drudenmesser is said to have the power to collapse a whirlwind when needed, which is one of the initial manifestations of a Drude. The knife is thrown into the whirlwind in order to take control over the Drude, who will then become the Truderer’s most loving Ally.

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The term Ally was first coined by the anthropologist and author Carlos Castaneda who said that he had been initiated into the practice of sorcery by the Yaqui sorcerer Don Juan Matus.

The Ally is described as being an inorganic-feminine-intelligence, which enables a sorcerer to accomplish his tasks or deeds however pure or unsavoury just like the Truderer of Germanic wizardry.

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Don Juan’s teacher was a shaman-sorcerer known as a Diablero, a powerful occult spell-master who is said to have the ability to shape-shift. In his works Castaneda writes that a sorcerer’s power, is ‘unimaginable.’ Castaneda goes on to say in an interview in Time Magazine (March 5, 1973):

“The full use of power can only be acquired with the help of an “Ally”, a spirit entity which attaches itself to the student as a guide. The Ally challenges the apprentice when he learns to see. The apprentice may duck this battle. For if he wrestles with the ally – like Jacob with the Angel – and loses, he will, in Don Juan’s slightly enigmatic terms, “be snuffed out.” But if he wins, his reward is “true power the final acquisition of sorcery membership, when all interpretation ceases.”

Some twelve years before the Time magazine article Castaneda wrote in his first book The Teachings Of Don Juan: A Yaqui Way Of Knowledge (1968) from information gathered in the field from Don Juan Matus in 1961:

“The idea that a man of knowledge has an Ally is the most important of the Seven Component Themes, for it is the only one that is indispensable to explaining what a man of knowledge is. In my classificatory scheme a man of knowledge has an Ally, whereas the average man does not, and having an Ally is what makes him different from ordinary men.” 

An Ally is a power, which is capable of transporting a man beyond the boundaries of himself; that is to say, an Ally is a power which allows you to transcend the realm of ordinary reality. Consequently, to have an Ally implies having power; and the fact that a man of knowledge has an Ally is by itself proof that the operational goal of the teaching is being fulfilled.

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You could thereby determine that Lovecraft’s Nightgaunts are one and the same as the Drude and Don Juan’s Ally, which is a spirit entity that attaches itself to the student. The Old Hag Syndrome is experienced when the Ally challenges the apprentice.

However, a student is, not a fully fledged sorcerer or shaman at this point, since the Ally is challenging the apprentice to transform his fear, which the student may never achieve. The apprentice is the one that is challenged, who thereby experiences night-terrors; whereas a fully fledged sorcerer or shaman is otherwise enabled to travel into other realities with the aid of the Ally.

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As an aside Don Juan’s name is derived from the mythic character of Don Juan, who is usually portrayed as a wealthy, seductive libertine, whom devotes his life to seducing women; he takes great pride in his ability to seduce females of all ages and stations in life; whereupon Don Juan is used synonymously for a ‘womanizer,’ especially in Spanish slang, and is often utilised in reference to hypersexuality.

The sorcerer Don Juan Matus otherwise seduces the feminine-Inorganic-Intelligence of the Allies, who collects (Drudes) Succubae, which refers to the introversion of the sexual impulse to do so. Whereas Lovecraft admitted that he had big emotional problems concerning the opposite sex, who had an avid dislike for the sexual act due to his puritanical religious upbringing; whereupon his Nightgaunts reflected back his fears, which he was unable to transmute.

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This invariably led to a development of a physical condition, which eventually brought about his demise. Lovecraft’s Nightgaunts actually indicated within his dreams, what was to occur, many years before when he was a child. Lovecraft described the Nightgaunts clutching him around the area of his stomach. He was later diagnosed with cancer of the small intestine, and as a result Lovecraft suffered from malnutrition.

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He lived in constant pain until his death on March 15, 1937, in Providence. His night-mare born work lives on, which has inspired many to dream beyond the Angel-angles of space-time where Nightgaunt Succubae await sorcerers to chose as their lovers. But, once a Coitus Pactum is knowingly entered into with a Nightgaunt of an Ally, a sorcerer you will become, from which there is No Turning Back!

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NIGHT-GAUNT LEATHER NUN SUCCUBUS

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

Out of what Chakra crypts of the Fallen Anima, the Succubae to Bat wing fly, I cannot tell,

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But every night I see the felines make their planetary sphere way across the abyss; over the desert they to swarm as Night-Mares,

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Their obsidian butterfly mistresses, horned Nuns, so sensuous, with membranous leathery wings,

They come in Night-gaunt legions on the North wind’s swell over Rome’s temples, remembering Diana-Lucifera,

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With obscene caresses, which titillates of lustful stroking,

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Snatching me off on monstrous voyaging,

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Travelling through their moist vaginal star barrelled Tarot hallways,

To other worlds hidden deep within their pyramidal harem of seven fold hierarchy.

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Over the sacrificial jagged peaks of Thuk they to sweep predatory,

I heedless, of all their crucified groans they to make, while painting themselves menstrual red of bloodshed,

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And down towards the nether pits of our carnal Coitus Pactum union, they take me,

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Where the brazen harlots then to gather around my erect brazen serpent, to feast upon its venom, of all consuming worship.

But ho! If only they would tell more of their delightful Anima Sabbat.

Alas, I to awaken too soon, until next Night-Mare to ride of Ouroboros round!

NIGHT-GAUNT LEATHER NUN SUCCUBUS 

Freely adapted from Fungi from Yuggoth & Other Poems by H.P. Lovecraft whose severely afflicted navel chakra brought about his eventual demise.

Although, had he otherwise transformed his Bedroom-Invading Nightgaunts via the symbolic alchemy of Tantra to become as ‘Anima’ emanation (Succubi) Succubae, his leaden Ouroboros of a torc would have been transmuted into gold.

Lovecraft was otherwise the Artist whose symbolic alchemy had masterfully fused the Occult with Science Fiction, who had transformed a deified ‘Animus,’ made as a God, Devil, Demons and Angels into aliens.

Most others had just created new gender based deities, whom frequented their fanciful grmoire fictions; whereas Lovecraft looked to the depths of space and other dimensions, wherein he imagined other forms of intelligence existing, which are far superior to anything that humanity can ever comprehend, whose alien existence outstrips the age of the Earth, solar system and even this universe. It was essentially Lovecraft’s artistic rebellion against a dogmatic paradigm of a religion. 

Lovecraft pointed out the obvious of a pre-space-age Surrealist vision. But his artistic visions were ahead of his time, which was still coming to terms with the aftermath of the industrial revolution birthing new technologies. It was only much later that Lovecraft’s work started to come more to the fore during the Hippie era, which has since influenced popular culture along with ensuing Occult practices, whose practitioners habitually forget that the Occult is an Art form, Not a dogmatic religion. The Art of Magic is Art!

Alas, the sexual impulse was Lovecraft’s truest horror due to his Puritan tastes, which to have made women faceless.

Look to Lovecraft’s Salem to know the totalitarian/fascist truth of its deified ‘Animus’ made as a God/Devil, where closeted Puritan’s slaughtered many a native in the name of their appropriated Cult, whose ‘Love’ had no ‘Craft’ when to have burnt Witches at the stake because of their Craft.

 

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