Archive for night terrors

MR ROBOT ILLUMINATI

Posted in Art, Chaos Magic, Conspiracy Theory, Demon, Lucid Dreaming, Occultism, Psychology, Shamanism, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 27, 2016 by FAUSTUS CROW

When becoming ‘aware’ within the Zipf Law realm of the blind, you might just see, that 80% of the wealth of the world is owned by just 62 people, or maybe it is 72; the majority of them can be found in America, who ‘habitually sustain’ the ‘delusion’ that the rest of the Earth’s population are 20% free.

Think of it, 62 people are worth as much as the planet’s poorest 3.6 billion put together; the richest one per cent on the planet is now worth more than the rest of everyone else populating the globe.

“It is no longer good enough for the richest to pretend that their wealth benefits the rest of us.” (Mark Goldring, Oxfam)

When to ‘see’ the inequality, you are invariably tarred and feathered as being ‘Paranoid.’ It is then very difficult to feel that you can fit in with such a robotic society, unless you lie to yourself in order to avoid the overwhelming solitude. But when to do so, ‘Anxiety’ soon follows, with ‘depression’ biting its heels. Many are afflicted by these considered maladies, but then they are starting to become aware that something is very much amiss!

As you become aware of the illusory facade, your Reticular-Activating-System (RAS) kicks in of a self ‘Hack,’ which of a subconscious response is that of re-programming yourself to be free of the 20% illusion.

The problem: the prior-programming, will fight tooth and nail to stay as it is. The prior-programming is that of ‘belief,’ which in Hebrew, is called Da’at; when to become aware that you are essentially programmed by your ‘beliefs,’ you then attain ‘Knowledge’ of your self.

However, such Knowledge is considered most sinful by those who seek to control the populace via the political tool of ignorance. Hence, when to become aware you will soon find yourself being cast out of the New World Order theocracy of a totalitarian Eden, which is essentially sustained by all those who believe in its illusory construct.

Many to speak of horrified viral-meme whispers that the entire world is run by a shadowy elite called the Illuminati, whose symbol is that of a triangle with an eye at its centre, or otherwise depicted as a pyramid. The truth of the matter is actually all around them, who find themselves incarcerated by their passed down religious programming, which binds them to three monotheistic ‘belief’ systems of a trinity. Should you decide to seer beyond their wrought ill-usion, you will see a truth hidden in plain sight.

This trinity has a symbolic fixation upon the deified ‘Animus,’ made as a YHVH/God-Jesus/Allah and a Satan/Devil-Lucifer/Shaitan.

The ‘bearded’ founder of the trinity is Abraham, whose eye, had first stemmed from out of Ur in war torn Iraq, where you can find an Oily Ziggurat, which is usually represented as a Petrodollar pyramid or a Masonic Beehive.

You will no doubt know that a Beehive has a Queen Bee, which will then lead you to seeing the ziggurat of the monotheistic triad is actually the Animus creation of the Queen Bee’s, who otherwise Babalon protest that its patriarchy has been created by their Beastly male worker Bee’s.

Should you point this out to the numerous believers who are gathered as a bound triangle around Abraham’s Orwellian eye, they of preference will become deaf, dumb and blind; for in ignorance, they can stay within their mind-controlled Oily Eden.

Such is easy to do when being perpetually bombarded by religious propaganda, whether it is in your face, or subversively orchestrated; it is everywhere.

Those who start to see, might just observe that the three Illuminati faces of Abraham’s monotheistic faiths has a fundamentalist extreme, which can turn the world upside down; they have done so before on many an occasion, who of a shared suicidal impulse consistently seek out their self-fulfilling prophecy of an End Of Days, in order to validate their Oily ‘beliefs.’

They all work to three scripts likened to that of pre-programmed automatons, who are quite oblivious that they have been entirely brainwashed.

What makes them think they can label the creative principle as being male of an Animus fixation, or even to see it having human form, let alone believing they have any ownership over morality or to see that the Middle East is the centre of the world, let alone the cosmos? It is their religious programming, which empowers the few atop of an Oily Ziggurat of skulls!

Although consciously unaware of the gathering danger, your RAS, of the Reptilian-Brain-Stem is geared towards surviving, which is in turn tied up with the Autonomic-Nervous-System (ANS), whose ‘two nerve channels’ are on either side of your spine.

The surrounding information, which is tuned into by your ANS will be subconsciously sifted through, whose summation will at first manifest within your troubled dreams.

However, what is tuned into of gathered information may be at odds with your prior-programming; this is especially the case, if your prior-programming is leading you, and others towards a very shadowy future.

The tuned into information may in certain instances induce the Old Hag Syndrome of night terrors, about being pursued by Demonic reptilians out of Hell, or otherwise that of being abducted by alien entities, etc. Such symbolism are subconsciously wrought viral-memes, which of a collective grasping, is seeking to understand what is wrong; yet avoiding the patently obvious.

Although symbolic, these memes will become very real within your virtual-reality lucid dreams, which will reveal what you, let alone others are attempting to avoid… seeing.

In the Cabbala, the Reptilian-Brainstem of the ‘throat’ area determines the depth of hypnagogic trance ingress into your dreams, which is associated with the 13th path of Gimel.

It is upon this (spinal column) path, the prior programming is confronted within the dream, in order to re-program it into another (Da’at) ‘form,’ such as facing a strangling Daemon, to transform it into a loving Ally. Sounds absolutely crazy, doesn’t it.

However, it is a self-hack means to reprogram ones beliefs, which in the main are inflicted upon you by the controlled mass-media.

When observing the controlled mass-media, you will invariably notice symbolic triggers, such as the number 9, for example, you could otherwise associate with the Cabbalistic sphere of Yesod, which also corresponds with the hidden sphere of Da’at, numbered 11.

And then to seer two towers falling into their own footprint as being the Cabbalistic blow-job pillars of Boaz and Joachim.

Another media insight is Mr. Robot, which is an American drama–thriller about a character called, Elliot Alderson, a cybersecurity engineer and hacker who sees through the illusion, which leads to him being seen by others to be suffering from social anxiety disorder and clinical depression.

Alderson is recruited by an anarchist, who is known as Mr. Robot. But is he real? Mr Robot is more like a ghostly apparition, who is somewhat akin to Mephistopheles of an ‘Animus’ fixation.

Whereupon Alderson is like Goethe’s and Marlowe’s vision of Faust. Mr Robot is essentially a Faustian tale, which of a classical formula, leads to a pre-programmed conclusion.

You could otherwise see Mr Robot as an updated Homer’s tale of the strange, wherein Anderson would be a shaman ‘Hacker,’ of an Odysseus.

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Although, Odysseus had a Mercurial Succubus called, Athena, who… guided him… as his inspiring Muse of the Fallen ‘Anima.’

You could otherwise equate the Fallen ‘Anima’ with what is termed as the (HGA) Holy Guardian Angel, which is said to be associated with the sphere of Da’at.

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As for Faustus Crow, he to have conjured up Mephistophina of a fallen ‘Anima’ manifestation within his lucid dreams, who did so of a self ‘hack,’ in order to re-program his own subconscious mind to seer beyond the symbolic Matrix of the Animus establishment.

The symbolic reprogramming within the dream negates the subversive influence of the deified ‘Animus,’ the numerous believers call God, Jehovah and Allah of an Illuminati triangle, around their Oily Abrahamic NSA eye.

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LILITH’S HAREM OF NIGHTMARE SHADOW TERRORS

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 20, 2015 by FAUSTUS CROW

The experience, which assailed me the most when as a child was what is commonly known as the Old Hag Syndrome or otherwise called the Bedroom Invader Experience, or Night Terror. It was akin to what the author H.P Lovecraft wrote about when describing his Nightgaunts, which abducted his conscious awareness into the realm of Nightmare. Although, I otherwise learnt to ride the Nightgaunt Nightmares as my salacious Night-Mare Witches.

I began to become aware that the Nightgaunt visitations was an initial phase of internal ingress into conscious dreaming. I found out much later that it was technically termed as lucid dreaming.

This experience was deepened much further due to, what can be considered as being my rather acute depressive tendencies. In other words, I did not externalise the condition, I instead internalised it to activate the Hellraiser puzzle box of the dream; whereupon I entered into a far deeper level of dreaming, where the term dream is no longer applicable.

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The Nightgaunt visitations led to out of body experiences; however, the experience evolved further of a total shift into another reality.

This had occurred after I had a number extreme Old Hag visitations, where I felt as if I was being strangled by an invisible entity at the point of sleep.

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It was at this juncture, prior to my early teens, I started to desperately research similarities of experience, which led me to the books of Colin Wilson, such as his tomes, Occult, Mysteries and Poltergeist, whose works pointed at a particular book by the psychologist and medium, Stan Gooch, who wrote about the Old Hag Syndrome, entitled: Creatures from Inner Space.

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The research led me to using certain occult symbol systems for meditation purposes, as a means to overcome my total terror, when being strangled every night by some unknown shadow creature leaping out of the darkness.

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Much of the material I had researched pointed to the queen of Succubae called, Lilith in one form or another, of a mythic description concerning the experience. However I had my own insight concerning the sensation of the reptilian-brainstem strangulation, which of an initiatory phase, required one to become as a trusting innocent, like that of a babe; for the fear increased the pressure upon ones body and throat area. But such information is communicated in highly coded in form, veiled behind layers of fear laden folklore, through which I saw the truth of it, because I was enduring its experience in actuality.

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This insight was taken to another level because of a synchronistic gathering of material concerning the works of Carlos Castaneda in particular. Castaneda spoke of a feminine inorganic intelligence, he termed as the Allies, which are attracted to the four F’s (Flight, Fight, Food, Fuck) of an elemental emotional ‘charge’ of (Karmic dream) energy.

The charge of emotion determines their ‘spin,’ and in turn determining the manifestation of the Allies into particular visionary (Tulpa) forms within the dream. Once understood of a (Wisdom dream)  fifth element ‘lucid’ emotion, this will then lead to the Ally carrying the ‘conscious awareness’ of a sorcerer to a dream locale, which corresponds with its assumed form.

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I noted that my experience was like a key, which was unlocking veiled references in other works; although, such works did not mean that the authors themselves had the experience, who, being scholarly types were just copying numerous other previous scholars down through the dusty grimoire ages.

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The external research balanced out what was going on internally, which I transformed into artworks at the time, as well as poetry; though brief of a creative period due to mundane pressures. However I ritualistically prepared myself, prior to the strangulation occurring again, which I came to understand was not physically happening as such, it was being caused by my (reptilian brainstem) fear response.

This eventually led to a transformation of the internal experience; it was no longer that of a monstrous entity strangling me, it was otherwise that of a woman, lovingly caressing my throat to the back of my head. I couldn’t see her, but I was aware she was there. The experience was highly erotic, which induced a shift of my consciousness towards the back of my head, where I became aware of a yawning abyss, into which I fell, falling, yet carried by the female presence.

As I fell into the blackness, the female presence indicated to me, not to be afraid; whereupon I called out her name as a mantra. I duly found myself falling into my bed, after the hypnagogic ingress through her (Vesica Pisces) vaginal void, via the Ida, Pingala pylons, black and white.

I awoke, feeling exhilarated that I had overcome my dire terror, which had transformed the experience into something quite other of the blissful erotic. But I felt disappointed that, there was nothing else to follow. I then got out of the bed, my room was illuminated by the glow of the Moon flooding through the window, over my Art table.

I decided to look out of the window; when I did so, I experienced utter total shock mixed with absolute awe. I did not see the usual urban jungle of a concrete sprawl outside; but instead I saw rolling hills, illuminated by the glow of the Moon, under a clear night sky filled with bright stars, and in the far distance there were cottages, out of whose chimneys blue plumes of smoke arced into the vault of the night.

I then looked around my room, noticing that my bedroom door had mysteriously opened. I did not feel I was in a dream. It was much more real, in fact, more real than real. What I often do, to test out if I am dreaming is that of leaping into the air, to test its physics, to find myself usually floating. Let’s just say, it didn’t work, it was real. As I was testing what I was experiencing I kept my eye on the open door, which became increasingly unnerving. I felt as if I was being watched by something, testing to see what I would do next.

I became aware of the possibility that I could have physically died, and somehow transited into another realm of existence. When I started to think upon this possibility, I became increasingly afraid. I then decided to lie upon my bed, to see if I could awaken back into the reality I had left behind. But no such luck. I just lay there on my bed, stuck somewhere totally other, which could’ve been in the distant past, or an alternate Earth, or both for all I knew.

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I considered going out of the door, but I felt if I did so, I would never be able to leave. As I lay on my front, pondering how the hell I was going to return, as well keeping my growing terror at bay, a female presence entered my bedroom, whom then sat astraddle my back. She didn’t put her full weight upon me, But I did sense she was naked of a probable petite build. I couldn’t see her, since my face was buried in my pillow.

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I then sensed the woman drawing intricate sigilic designs of an arcane nature upon my back down to my buttocks with what I sensed to be her finger tip, the sensation of which was highly erotic. As she drew two spiral designs on each of my buttocks, I suddenly awoke back into the reality I had left.

When I awoke I nearly fell out of my bed; I felt I had been in this other place for some hours. But in fact I had only been asleep for about half an hour or less. This particular experience was awesome in its magnitude for me as a youth. Further experiences followed of growing intensity and high strangeness, which later revealed that my childhood experiences and other situations in my life was a set-up, and that my internal experiences were a teaching method, in order to remind me of something, symbolised as the Ouroboros.

The visitation of the entities, absolutely terrified me as a child, whose initial forms looked like ancient misshapen dwarfs of rubbery cracked skins, dark brown to sheer black of colour, or creatures of similarity to the later termed Greys, along with others of equally terrifying humanoid forms, as well as other hybrid manifestations, and wild animals.

As a young child, I initially considered that I was being abducted by aliens, for a time; but this soon passed; although, I did experience observing associated UFO phenomena as well as some of the entities indicating that they were discarnate personalities. I later learnt that most of these creatures from inner space were being sent back by my future self; somewhat akin to time travel, which was made possible by my future self attuning himself with another form of intelligence, being that of a symbiotic relationship.

This other intelligence is feminine of nature; it was assuming the differing forms in accordance with my emotional charge at varying stages of my life, which spun her and that of others, similar, whom are aspects of her, one could otherwise term as her sisters. It was only when a sexual awakening kicked in, to thence be introverted into the dream, rather than that of the emotive charge of fear, that they were spun into an erotic ‘Anima’ manifestation of the divine feminine in all her myriad forms.

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What I have written above, ‘is in general,’ only a very small part of what I have experienced down the years. I wrote this as an answer to those individuals who have queried what I have written about, and wrought of Art, whom question whether it is primarily based upon my own personal experiences, or just made up.

Much of my work is based upon personal experiences, and when to merge them of sorcery practice with what is considered to be imaginative two-dimensional explorations via (Mandala) Art in particular, and that of (Spell) writing, it is a furtherance of inducing interactive three-dimensional lucid dreams along with observing corresponding synchronistic occurrences and other associated phenomena, which can be construed as being paranormal. Dreams reflect back your emotively charged beliefs; change your beliefs of creative ‘artistry,’ you can then tune into a different dream. As I have mentioned elsewhere before, Art is Sorcery, Sorcery is Art, both are indivisible of practice, one and the same of an Ouroboros… Singularity.

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SLENDER GIRL HORROR MUSE

Posted in Addams Family, Alien, Art, Chaos Magic, CREATIVE WRITING, Discordianism, Extraterrestrial, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 28, 2015 by FAUSTUS CROW

Wednesday Addams

The Slender Shadow Girl resembles a thin, unnaturally tall nigh anorexic fashion model with a blank and usually featureless face, or to be otherwise wearing a veil, under which she has many faces of desire, who wears a tight clinging Wednesday Addams black dress. Some to say, she looks like a Goth Ghost girl and  that her feline eyes are like black mirrors.

The Slender Shadow Girl has a voracious sexual appetite, who stalks her victims, who are usually male; although, it is said she also has lesbian tendencies. As her victim falls asleep, she leaps out of the shadows, pouncing upon her prey, who then abducts her quarry into a surreal dream world, so that she can sinfully play with her new toy.

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The Slender Shadow Girl is of course based in part upon the supernatural character of the Slender Man, to thence transform into a knitted together Frankenbabe Tulpa, of an exquisite corpse anti-viral meme.

The Slender Man, also known as Slenderman is an entirely fictional creation, which had originated as a popular Internet meme.

The gathered focus upon Slender Man is of similarity to the experiment conducted by a group of Toronto parapsychologists back in the 1970’s, who created a (Tulpa) Ghost of a male character, which generated poltergeist phenomena; it is shame that they did not investigate the archetypal character of a Witch.

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The Toronto group creation of a Ghost can be easily applied to the creation of a Slender Shadow Girl, which lends an insight into the collective creation of Slender Man, who haunts the internet, and in turn the dreams of those whom are susceptible to its sublminal symbolic intrusions into their subconscious minds. It is easy to achieve; for the fear acts as a carrier wave, which empowers the charged symbolism to implant its self into the spun electron dream. But the sexual charge can also be utilised of a potent carrier wave.

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The creation of the Slender Man is like that of the childlike alien Greys, whose eyes are described as being black of obsidian mirrors. The alien Greys can otherwise be seen as being akin to the Black Eyed Children of urban folklore, which leads you to the Succubus of the Slender Shadow Girl.

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However, as for the character of Slender Man, he was initially created by the Something Awful forums user Eric Knudsen (a.k.a. Victor Surge) back in in 2009. In an interview with the website Know Your Meme, Knudsen related that he had been inspired to create the Slender Man from the urban legends of the shadow people, the writings of H. P. Lovecraft, Zack Parsons, and Stephen King (particularly The Mist), and the surrealism of William S. Burroughs. Knudsen’s artistic intention was, as he claimed, “to formulate something whose motivations can barely be comprehended, and [which triggered] unease and terror in a general population.”

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The Slender Man soon went viral, of numerous works of fanart, cosplay and online fiction, which has since become known as, Creepypasta: scary stories, which are told in short snatches of easily copyable text, spreading from site to site. Like the mythic Tulpa, divorced from its original creator, the Slender Man has become the subject of myriad stories, covered by a multiple number of authors within an all encompassing modern mythos. Whether the character would have had the same impact if it had been created as being female, is debatable. Though, probably not, due to the prior media influences, which led to Slender Man’s development of an evolving infatuation with fear.

Stories of the Slender Man commonly feature him dressed in a black undertakers suit with a white silhouetted face. He is sometimes depicted floating, or that of walking with elongated legs, as tall as a tree, which had no doubt been inspired by the ‘Tall Man’ undertaker out of the 1978 cult horror movie, entitled Phantasm. From his reptilian, almost insect like body, several long-stretching limbs, emanate like Cthulhu tentacles, who is said to lurk in Evil Dead film forests, of an archetypal underworld theme, where he stalks, people. As for tangled pubic hair forests, they tend to be the symbolic vaginal haunt of wild Witches dancing Widdershin wise of a blood Moon lit Sabbat.

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But the particular predilection of Slender Man is that of abducting children, of most disturbing sexual overtones, like the 1985 horror movie, Nightmare of Elm Street character, Freddie Krueger, merged with the man in black (MIB) out of UFO lore. You could of course have a (MIB) female version of a Time Travelling WIB strutting her Vogue catwalk out of a Vril saucer, whose dominatrix predilection is that of otherwise abducting male UFO researchers, to whisk away of astral journeying to her underworld womb city of Agartha.

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The Slender Man is not confined to a single narrative, but, as mentioned appears in many disparate works of fiction, mostly composed online, whose elaborate back story has since been developed further to give it the air of chilling authenticity.

This has led to the development of an in depth fictional history for the character, which is said to encompass centuries of global folklore, along with ensuing folktales concerning the Devil, shadow people, vampires, reptilians, UFO’s and extraterrestrials, as well as science fiction themes of an imaginative synthesis.

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For example, you can base the Slender Shadow Girl upon the Leannán sí, Fairy-Lover of Celtic lore, who in Scottish Gaelic is the, Leannan sìth, and in Manx, the Lhiannan shee. She is perceived to be a most beautiful Ghost woman of the Aos sí (people of the barrows) who abducts a human lover. Lovers of the Leannán sídhe are said to live brief, though highly inspired, lives. The name comes from the Gaelic words for a sweetheart, lover, or concubine and is also used as a term for a tumulus or (Agartha) burial mound.

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One of the fictional histories of the Slender Man, describes his fiendish character as being known as Fear Dubh (The Dark Man), in Scotland; whereas the Dutch dubbed him, Takkenmann (Branch Man), and in Germany he is referred to as Der Grosse Man (Tall Man); all of which sounds genuine of adapted folklore, but it is entirely fictional. Although, what is interesting, is that journalists covering the Slender Man of a modern urban myth utilise this fictional folklore as being historical fact, without realising it is all made up.

It just so happens that a beauty spot in the United Kingdom, which has a history of supernatural sightings is said to be haunted by the Slender Man. Its haunt was originally plagued by ghostly sightings of the notorious Black Eyed Child, but it is now being spooked by the more popular Slender Man. Perhaps this due to his viral meme character of a Tulpa creation being fed into by many minds over the ritual web to tremble, which is still evolving of a conjured archetype. One to wonder as to what would have manifested instead of a Triangle of Art haunting, if the cohered focus was otherwise that of a salacious Slender Girl Succubus.

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The tall spectre of the Slender Man has been spotted in Cannock Chase in Staffordshire by several terrified residents of the onetime British mining town. The locals reported seeing the shadowy form of the lean spirit, which had pinprick bloodshot red eyes, wearing Victorian dress, haunting the nearby forest as well as their homes. There are even photographs the entity; though heavily distorted of an unrecognisable form; the photos are more like blurred images.

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One of the residents of Pye Green had reported that she was visited by an entity. She explained: “I was awoken just before 2am by an odd scratching noise in my bedroom. To my astonishment, there was what seemed like a sphere-shaped shadow by the edge of my wardrobe. As I tried to get out of bed and investigate further, the shadow began to stretch towards the ceiling. It was at that point I found myself faced with the most disgusting and horrific creature imaginable. It was about eight feet tall and had a white face with razor-sharp fangs.”

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Another local, from Rugeley, said: “As my eyes opened, I saw a man floating over me. I could see into his eyes, they were a fierce red colour that shook me to my very core. The ordeal ended when the man, who was completely dressed in black with a hat to match, floated higher and higher until he hit my ceiling and disappeared.”

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An investigator going by the name of Lee Brickley is trying to X File fathom why the child-snatching Slender Man, who is feared across the internet of a viral meme creation, has suddenly started haunting Cannock instead of the Black Eyed Child of a prior focus. One of his theories is to do with prior Pagan rites conducted by an ancient Celtic tribe, which he duly dices up with Hammer House of Horror human sacrifice, of an ongoing Romano-Christian fiction, of mere viral-meme propaganda.

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Although the two appear to be connected of a symbolic theme, which is curiously similar to a creature, called the Tokoloshe of Zulu lore. The Tokoloshe is also very much akin to the spirits, which are described in medieval grimoires of varying two-dimensional illustrated forms.

However, the Tokoloshe is usually described as manifesting looking like a dwarf or Gremlin, even like a child at times with sunken black eyes, but it can also assume other forms, such as a Slender Man or even a Slender Shadow Girl, if desired; and what is more, it is purposefully created by a shaman, like that of the Tibetan Tulpa.

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But, going by the Toronto Ghost creation experiment, such creatures may also be inadvertently created by a mass-mind focus, if they are led that way of a religious sentiment tinged with fear, which initiates a sustained fixation; whereby becoming as a viral-meme manifestation.

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Lee, related: “To get so many sightings at roughly the same time is unusual. One theory is that this has nothing to do with the supernatural and eye-witnesses are experiencing sleep paralysis, where individuals’ eyes are open but they are still in a state of sleep, and therefore unable to move. There are reports of Slender Men seemingly pinning victims down, as if sitting on their chest. That could well be down to sleep paralysis.”

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It is indeed associated with (Old Hag Syndrome) sleep paralysis, of an initial phase of hypnagogic trance ingress int the dream. Your unbridled fear determines what you tune into via the dream; wherein your fears can take on ‘lucid dream’ flesh, which is more so the case when it is of a collective focus; whereby you transform your fear into something else; otherwise, you will end up being abducted into a collective (viral meme) nightmare, to then believe it is all for real, when to awaken out of the horror.

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The viral meme creation of the Slender Man, has inadvertently inspired a religious sentiment to develop, which of a habitual consequence leads to horrific crimes being committed, because of a blind belief in its reality. One example being that of two girls from Wisconsin, USA, who stabbed a 12-year-old classmate 19 times, whom claimed they wished to commit murder so they could impress their Slender Man incubus like it was some kind of deity.

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It is of a similar religious phenomenon, concerning the myriad believers who seek to impress their deity, who have committed numerous atrocities throughout history; such as the Witch burnings, to that of the holocaust, all because of a scripted viral meme, which has been passed down the Biblical generations.

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Hence the ensuing wars, which has and still is afflicting their so called Holy Land of the Middle East, of continual slaughter. So, should those of a religious bent of mind castigate your conjurations of a Slender Shadow Girl Succubus, such as Faustus Crow conjuring up his ‘Anima,’ Mephistophina, as depicted in the watercolour (please click for details) painting, above, as being morally perverse of mere pornography…

You just point out that their own ritualistic conjurations of a deified ‘Animus’ of an egregore, has led to the sacrifice of myriad numbers of innocent Lambs across the globe, behind its ‘Faceless’ physiognomy of a monotheist altar. But they will invariably say, “he loves you;” or should one more accurately say, “loves to eat you,” Slender Man style!

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REPTILIAN RAPTOR CHICK DINOSAUROID

Posted in Alien, Art, Chaos Magic, Goetia Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 20, 2015 by FAUSTUS CROW

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Ronovea, who be the 27th Succubus archetype of the Fallen ‘Anima,’ whose Lucid Dream manifestation was that of appearing as a Time-Travelling Palaeontologist, looking like Lara Croft, revealed the Goetia reasoning behind why the feminine principle in ancient lore, is often associated with reptilian symbolism, such as Snakes, along with affiliated Witches Toads, and black eyed Falcons, to that of Owls, or being otherwise depicted as Mermaids, weaving Wyrd webs like Spiders.

She to have said of a necromantic clairaudient whisper; “Do you know why Lilith and Eve are both associated with the Serpent, my Horny Faustus? Well, if you don’t, I will tell you; it is because women are evolving back into tetrachromats around the Zodiac wheel of ages, which of an evolutionary trait, is demonstrated among several ancient species of Raptors and their dinosaur kin of Reptiles, stemming from Amphibians, Fish, and prior Insects.

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“It was the original condition of most mammals in the far distant past of a dinosaur survival; alas, a genetic change, in league with environmental catastrophes, made the majority of mammalian species eventually lose two of their four cones. A human female can only become a tetrachromat Sphinx, who will have the Raptor Chick edge over others.”

Ronovea smiled smugly to herself, before I answered upon a Casillero del Diablo burp; “kind of explains why Raptor Chicks spend so long shopping for clothes, they are hypnotised by all those colours; little wonder then, that they be so fucking crazy!”

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Suffice to say, Ronovea was none too pleased by what I said, who later of Old Hag Syndrome shadow presence, invaded my bedroom, to have thence pulled me through her hypnagogic hymen veiled Yoni vortex into a Lucid Dream.

Wherein of an infernal descent towards the back of my Agartha head, of a ‘pit’ bull terrier cerebellum, I to have found myself Howling amidst a necropolis city of Succubae tombs, whose tetrachromacy enhances their black eyed vision within the twilight realm.

It was amidst this harlot city of Necronomicon memories I rapidly made my erect penetration into Ronovea’s reptilian brainstem abode of a museum, built from the twisted bones of the Great Old Ones.

When approaching its vaginal door to knock thrice upon, I was ushered into the uterine womb tomb by two feline Maids, one black, the other white of Ida and Pingala pussy riot pylons, becoming Grey.

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The feline eyed Greys then guided me to Ronovea’s inner sanctum of a Palaeontologists library. I found her lying upon a sumptuous Victorian fainting couch awaiting our ensuing Coitus Pactum of ultimate union; she loves her ugly boy.

While engaged in astral Sabbat coupling, Ronovea’s face suddenly transformed into a feral intensity, when becoming orgasmic, whose skin became translucent, revealing a skull, which was no longer recognisably human.

Her skull had become that of a reptilian, as her head bobbed up and down between my legs, as she hungrily pumped me off. Ronovea can’t help herself, she’s addicted to me, since she thinks I am really Addams Family Freeky.

As I observed her elongated skull being impaled by my Vlad Dracul lingam, it reminded me of a most curious fact that two of the ear bones in mammals, such as Vampire Bats, are the same as those parts of the jaw bones, which are found in reptiles. In short, two of the ear bones in mammals including Homo Sapiens, originally came from the gill arch, which formed the jaw of a reptile.

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Suffice to say, her teeth were very sharp, who could have quite easily drained me dry. But I wasn’t there to fuck her up, like many another Beastly pit-bull terrier fucking up Babalon reptiles. She instead, just playfully bit through the membrane of my right thumb with her fang, being that of a reminder as to what I had said about Raptor Chicks being fucking crazy.

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I then awoke from the dream, with said very deep indentation, clearly seen. It took several months before Ronovea’s love bite, healed of its own accord. I must say though, she is very good at tetrachromat multi-tasking of poltergeist activity, just like her physical counterparts, who are enamoured with the colourful plumage of fashion.

Afterword: Some may ask, “Is all the above real?” Yes! It happened of a Lucid Dream love bite, becoming manifest; such experiences are very much tied up with how you perceive your self of an assumed guise within a microcosmic Lucid Dream, which determines what you Stargate tune into of an inner reality; whereby expanding your consciousness. 

Although, much of the time, what you unconsciously tune into is often determined by cultural indoctrination, via which of an established symbolic paradigm certain self-proclaimed authorities tether your subconscious minds to their own agendas. So, cultivate a sense of Discordian humour, in order to acquire a perspective on the crazy macrocosmic circus of life, into which you was born, to later leave, when becoming micocosmic incorporeal. 

However, Ninja, who is the lead vocalist of Die Antwoord best sums up the answer:”People are unconscious, and you have to use your Art as a shock machine to wake them up. Some people are too far gone.”

“They’ll just keep asking, “Is it real? Is it real?” That’s dwanky. That’s a word we have in South Africa, “dwanky.” It’s like lame. “Is it real?” You have to be futuristic and carry on. You gotta be a good guide to help people get away from dull experience.” 

What Ninja to have communicated of a one time Max Normal is very much what an ancient Shaman would have said, who was the first Artist, whom reprogrammed himself of Thrice Born Hermes rebirth. Although such would require the Shaman to reprogram his reptilian brainstem via trance and dreaming to see himself anew.

ART IS SORCERY; SORCERY IS ART, BOTH ARE INDIVISIBLE OF PRACTICE.

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THE CONJURING OF JURASSIC PARK DINOSAUR GIRL RONOVE

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 19, 2015 by FAUSTUS CROW

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The initial Goetia conjurations of the 27th Succubus archetype of the Fallen Anima, called Ronovea, were somewhat surreal of visionary material, which involved a number of symbolic influences intruding into my active-imagination visualisations of this Succubus Art Muse.

The classical grimoire descriptions of this spirit is depicted as manifesting as a hideous monster, although, never defined as to what its actual appearance is, apart from being seen as male archetype of the deified Animus, as of a per usual indoctrinated perception, which is otherwise named Ronove.

The monster aspect came through as a vision of a prehistoric creature, looking like a Tyrannosaurus Rex at first, which quickly assumed the Lovecraftian form of a Godzilla.

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Although, not of the rubber suit variety trashing Tokyo.

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As the evocation continued of conjuring up symbolic associations, the creature triggered off memories of childhood nightmares, wherein I had been continually pursued by a Godzilla, from out of the infernal depths of my psyche.

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I decided to visualise myself as a child once again; and rather than running away from the Jurassic park terror, as of previous dream memory, I otherwise confronted it.

The monster suddenly shrank in size, when I turned to face it, to then see a woman riding the back of the Dragon.

The woman was young and very attractive, who appeared at first to be naked; though stiff of movement, like that of a lifeless doll, whose knitted together film star features flickered between that of Caroline Munro and Angelina Jolie, to then fuse into one, of an exquisite corpse.

She then assumed clothing, whom looked very much like the iconic video game character of Lara Croft.

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It was at this point of a visualisation that her back-story started to formulate; though disjointed at first of cinematic influences in the main, such as the 70’s film, At The Earth’s Core featuring pre- Jurassic park movie dinosaurs, starring Caroline Munro, along with reptilian references to alien Greys.

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The developing story, started to rapidly take shape around her conjured archetype amidst my triangle of art imagination; who related she was a Time-Travelling Palaeontologist, which led to me drawing ‘two-dimensional’ images of a further meditation exercise.

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As her back-story became more stable, she then started to manifest a distinctive personality. The initial stiffness of a prior doll like rubbery appearance, became alive of a fleshed out reality within my imagination.

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She spoke to me of things I hadn’t yet consciously thought about; while I visualised myself having a dialogue with her of creative day-dreaming.

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The emotional intensity of the conjuration had made an impression upon my ensuing dreams; wherein I observed numerous trigger-symbols pertaining to misty childhood memories of visiting the natural history museum, along with noticing a female Palaeontologist giving a lecture, who looked remarkably like the actress Angelina Jolie.

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Then one night, I experienced what is technically termed as the Old-Hag Syndrome. As soon as I laid my head down to rest, due to feeling mentally and physically exhausted after working upon an art commission; I rapidly found myself not being able to move of sleep paralysis.

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Due to previous experiences of the Bedroom Invader phenomenon since changeling childhood, I instinctively knew that I should not indulge in fear, otherwise my fearful reaction would manifest into a shadow people nightmare.

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However the automatic reaction of fear had been prior negated by the introversion of the sexual impulse, when to have ritualistically meditated upon Ronovea as a Succubus, to ride as my Night-Mare.

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I noted that there was a gathering presence around me; though invisible at first, it felt monstrous, as if there was some huge creature looming over my art studio.

This initially initiated a great pressure upon my body of an instinctive fear reaction, which had otherwise became that of an erotic sensation, since I had introverted the sexual impulse, to thereby negate my fear.

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I then proceeded to call out the mantra name of Ronovea, as well as visualising her mandala of a seal; as I did so, the oppressive presence was rapidly transformed into seeing a ‘three-dimensional’ manifestation of a ravishingly gorgeous woman, looking like Lara Croft, standing at the foot of my bed.

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At this point, I was then able to lift myself up from my supine position to thence walk into the ‘electron’ dream, fully lucid.

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I then went over to Ronovea, with whom, of an ensuing Coitus Pactum, she guided me through the bedroom doorway, which had become that of her vaginal vortex leading to an age of ancient memories, where Godzilla of the Great Old Ones reign over the Earth, that once was, and still is, of a parallel realm, just next door to one’s own.

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