Archive for neuro marketing

ART IS MAGIC, MAGIC IS ART

Posted in Art, Chaos Magic, Comics, Occultism, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2017 by FAUSTUS CROW

There is some confusion as to what Magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of Magic. Magic in its earliest form is often referred to as “The Art”.

Because I am a bearded Wizard of the Comici Arcanum Guild, knowing Wizard stuff, I know this is completely literal. I know that Magic is Art, and that Art, whether it be Painting, Writing, Music, Sculpture, or any other form of Art is literally Magic.

Art is, like Magic, the science of manipulating symbols, words, or images, to achieve changes in consciousness. The very language about Magic seems to be talking as much about Writing or Art as it is about supernatural events.

For example, an illustrated proto-comic book of spells, called a Grimoire , is simply a fancy way of saying grammar. Indeed, to cast a spell, is simply to spell, to manipulate words, to change people’s consciousness.

And I believe that this is why an Artist and a Writer of a comic book Grimoire is the closest thing in the contemporary world that you are likely to see to a Wizard.

I believe that all culture must have arisen from cult. Originally, all of the faucets of our culture, whether they be in the Arts or Sciences were the province of the Wizard.

The fact that in present times, this Magical power has degenerated to the level of cheap entertainment and manipulation, is, I think a tragedy.

At the moment the people who are using Shamanism and Magic to shape our culture are neuro-advertisers. Rather than try to wake people up, their Shamanism is used as an opiate to tranquilize people, to make people’s reptilian-brain-stems more manipulable.

Their Magic box of television, and by their Magic words, their jingles can cause everyone in the country to be thinking the same words and have the same banal thoughts all at exactly the same moment.

In all of Magic there is an incredibly large linguistic component. The Bardic tradition of Magic would place a Bard as being much higher and more fearsome than a Magician.

A Magician might curse you. That might make your hands lay funny or you might have a child born with a club foot.

If a Bard were to place not a curse upon you, but a satire, then that could destroy you. If it was a clever satire, it might not just destroy you in the eyes of your associates; it would destroy you in the eyes of your family.

It would destroy you in your own eyes. And if it was a finely worded and clever satire that might survive and be remembered for decades, even centuries.

Then years after you were dead people still might be reading it and laughing at you and your wretchedness and your absurdity. Writers and people who had command of words were respected and feared as people who manipulated Magic.

In latter times I think that Artists and Writers have allowed themselves to be sold down the river. They have accepted the prevailing belief that Art and Writing are merely forms of entertainment.

They’re not seen as transformative forces that can change a human being; that can change a society.

They are seen as simple entertainment; things with which we can fill 20 minutes, half an hour, while we’re waiting to die. It’s not the Wizard job of the Artist to give the audience what the audience wants.

If the audience knew what they needed, then they wouldn’t be the audience. They would be the Artists. It is the Wizard job of Artists to give the audience what they need.

The above excerpt was slightly adapted from an article by the Wizard Artist

– Alan Moore

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DINOSAUR GIRL LARA CROFT RONOVE

Posted in Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Dinosaur, Film, Goetia Girls, Lucid Dreaming, Occultism, Paleontology, Psychology, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 25, 2015 by FAUSTUS CROW

The twenty-seven year old professor in palaeontology, whose name is Ronovea, became rather notorious when she was featured in the Playboy Grimoire entitled the Goetia. Ronovea decided to become a whistleblower, who revealed that the British Natural History museum has a Stargate in its infernal basement.

Her revelations did not go down at all well with the shadowy curators of the museum, whose secretive agenda is to influence the past so that they can control the present, whereby owning the future.

The shadowy curator’s were further aggravated, since Ronovea allowed some photographs of her self to be published, which depicted her raunchily riding a raptor, during one of her time-travelling escapades back into the prehistoric past.

Ronovea is often equated with the iconic video game character, Lara Croft by many a male paleontologist, whose erotic ‘Anima’ manifestation inspires their scientific endeavours; for she knows of their deepest reptilian brain-stem desires.

For example, John R. ‘Jack’ Horner, born June 15, 1946, has a signed art print of Ronovea riding Godzilla, which he has placed above his altar of fossils in his office.

Horner is an American paleontologist who discovered the first clear evidence that some dinosaurs cared for their young. Horner is one of the best-known paleontologists in the United States.

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In addition to his many paleontological discoveries, Horner has served as the technical advisor for all of the Jurassic Park films, and even served as partial inspiration for one of the lead characters, Dr. Alan Grant. Horner had studied at the University of Montana and was awarded an Doctorate in Science honoris causa.

Horner related, “Ronovea is like a Goddess to me, she is my inspiring muse of the Great Old Ones. Like the Hindu, Shakti, her sacred colours are that of red and white, along with black, which too equates with blue, like the colours of the Union Jack, which incorporates the X Rune crossbones of trance and that of the solar cross of consciousness. She is an aristocrat, who is a Marchioness, although my fellow Masons call her the Countess.”  

“What! You’re a Freemason?” The interviewer enquired; Horner deftly sidestepped the inquisitive question as he poured himself a glass of Jack Daniels, who then said, “she doesn’t like the title, Countess; though she takes it all in good humour. Ronovea is more than just a time-travelling palaeontologist, she is also a Witch, who has taught me how to time-travel within my lucid dreams into the far distant past of prehistory, via which I can contact my reptilian ancestors.”

The interviewer observed Horner putting a fossilised insect, incarcerated within a small piece of amber into his glass; “that is how I make so many amazing discoveries in my field; but then we are all imprisoned within amber time. The ability of lucid dreaming is where you awaken the ‘sixth’ sense. The dinosaurs weren’t wiped out, they live on, within us all. Ronovea pointed out to me that a remnant of our dinosaur kin, is our reptilian brain-stems, which is very much involved in language; for much of the neural processes concerning our use of language is subconsciously automatic, over which your reptilian brain-stem has governance.”

Horner eventually answered the interviewers initial question after gulping down his drink, without swallowing the amber; “yes, I am a Mason of the X Rune raptor crossbones. We are taught that whenever a word is spoken or read, it instantaneously ‘conjures’ up an associative ‘web’ of corresponding symbols within your subconscious mind, of which you have been taught to associate with the sound of a word. Wherefore, when to speak, read or write, you are conjuring up spirits, which are all as ‘nailed down’ symbols, to make manifest, amidst your Triangle Of Art Imagination, without even realising it.”

Horner continued. “Hence we are all practicing Ritual Magic everyday; more so at night, when to conjure up associative symbols within our dreams of Sorcery. Although, my poster of Ronovea, is just a two-dimensional image at a conscious level; she can become as a subconscious interactive three-dimensional reality, within my virtual reality lucid dreams, as an inspiring Succubus aspect of the fallen ‘Anima.’ That is why I play Tomb Raider, of a symbolic meditation tool, concerning Ronovea, which greatly facilitates my lucid dream conjurations of her.”

Horner further related. “You may find it all rather odd, but the utilisation of iconic symbolism, is very much what the science of neuro-advertising is geared towards understanding.”

Horner then said, “Ronovea is at war with the those who misuse neuro-advertising, whose intention is to subversively influence your reptilian brain-stem for political ends; it’s basically mind control. This is achieved via the manipulation of an established symbolic language form, which is invariably religious of nature.”

“Can you also tell our audience about what Ronovea revealed about a Stargate,” the interviewer asked. Horner was silent for a moment, before answering,the Stargate, exists within you; it is the ability to travel through time, within your lucid dreams, of an inner museum, which intersects all periods of time and that of other worlds.”

“So, the Stargate is not a hard-technology; it otherwise symbolises a psychic ability.” The interviewer to question, which made Horner slyly smile. Horner answered; “it is both. If you have an ability, which science will one day understand, to thereby translate into a hard technology; then you also have a physical Stargate.”

NOTE: Most psychologists of varying psychological disciplines are very much aware of the Animus and Anima, which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.

However, said psychologists, and even Jung, himself usually describe the Animus and Anima in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.

But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the likes of politically motivated social-engineers utilise what is habitually not self-observed in order to influence and ultimately have total control over the quite oblivious masses.

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GODZILLA GIRL RONOVE

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, Cosplay, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

The psychic Übermensch Aaron C. Donohoo experienced a revelation concerning the Goetian (Succubi) Succubae archetypes of the Fallen Anima.

he discovered that the 27th Succubus archetype of the Fallen Anima, called Ronove, otherwise known as Ronovea, is associated with the workings of the reptilian brain-stem.

The reptilian brain-stem is the oldest part of the human brain, which connects all of us with our dinosaur ancestors.

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The dinosaurs did not die out, they live on through us; they are our most ancient kin. Whereupon Donohoo’s remote viewing vision of Ronovea revealed her manifesting riding a dinosaur, which at surrealist times looked like a Cthulhu Godzilla.

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Ronovea’s mount also manifested of vision as a Velociraptor, which in real life, was a genus of dromaeosaurid theropod dinosaur from the Late Cretaceous period, which inhabited what is now the Gobi desert. However, a Velociraptor was no bigger than a Wolf.

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The Velociraptor had feathers, of a very bird-like appearance. It had a long claw (terrible claw) on the second toe of both feet, 8 cm (3 in) long, which was probably used intelligently as a weapon.

Velociraptor was the first dromaeosaurid to be discovered in 1923, and is still the most well known to Ronovea inspired Palaeontologists, with over a dozen recovered fossil skeletons; the most of any other member of its family.

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Since the Velociraptor is no bigger than a Wolf or a large Turkey turned carnivorous, Ronovea’s mount could actually be a Achillobatoris, which is of the same genus as the Velociraptor, though much larger. Achillobatoris lived roughly 98 to 83 million years ago during the Late Cretaceous in what is now Mongolia.

The Archillobatoris was among the largest dromaeosaurs; the holotype and only known individual of Achillobatoris is estimated at 5 to 6 m (16.4 to 19.7 ft) long. Achillobatoris was a moderately-built, ground-dwelling, bipedal carnivore. It would have been an active predator, hunting with an enlarged, sickle-shaped claw on the second toe like the Velociraptor.

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You also have Deinonychus (terrible claw), which is a genus of the carnivorous dromaeosaurid ceolurosaurian dinosaurs. There is one described species, Deinonychus antirrhopus. This species could grow up to 3.4 metres (11 ft) long, which lived during the early Cretaceous Period, about 115–108 million years ago (from the mid-Aptian to early Albian stages).

Fossils have been recovered from the U.S. states of Montana, Wyoming, and Oklahoma, in rocks of the Cloverly Formation and Antlers Formation, though teeth that may belong to Deinonychus have been found much farther east in Maryland.

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The Ronovea inspired Palaeontology study of Deinonychus by John Ostrom during the late 1960’s revolutionized the way scientists thought about dinosaurs, leading to the ‘dinosaur renaissance,’ which ignited the debate on whether dinosaurs were warm-blooded or cold blooded.

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Before this, the popular conception of dinosaurs had been one of plodding, reptilian giants, which still initiate fear within the reptilian brain-stems of the scientists who cannot yet as yet figure out the gravity problem. As for Ostrom, he noted the small body of Deinonychus, having a sleek, horizontal posture, ratite-like spine, and especially the enlarged raptorial claws on its feet, which suggested an active, agile predator.

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Then you have the American dromaeosaurid theropod dinosaur, called the Utahraptor, (meaning Utah’s predator) whose fossil specimens date to the upper Barremian stage of the early Cretaceous period (in rock strata dated to 126 ± 2.5 million years ago). The Utahraptor, rather than the Velociraptor was probably featured in the Holy-wood blockbuster Jurassic Park, which has since become an iconic viral meme haunting the twilight dreams of mammalian girls, loving the Illuminati bad-boys of their deified Animus, made as a patriarchal God and a Devil.

Anyway, Ronovea indicated that there are many a monster with a forked tongue around us, such as slimy priests, conniving politicians, maverick salesmen and carnival pitch men the ladies have the hots for. Women can’t help themselves loving Great Beast Bad-Boys, they’ve been genetically hardwired to be attracted to reptiles down the ages.

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These monsters with forked tongues use their golden words to evoke emotional responses from the reptilian brain-stems of their fleecy minded flocks. This forked tongued word entrancement lulls the Sheep into a hypnotic trance, which leads to the Sheep being sacrificed upon the political alters of the monsters hidden agendas.

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There are numerous forked tongued monsters preying upon the gullible; such as a psychic selling snake oil pseudo philosophies about a deified ‘Animus’ made as a Abrahamic God and his bottom buddy Lucifer, or that of a remote viewer spewing Biblical end of the world predictions, who to otherwise rant on about machismo Angels and butch Demons to verily transform into humanoid Aliens. All of them are hucksters, who draw upon their charismatic talents in order snake charm the indoctrinated reptilian brain-stems of their fleecy minded victims, which keeps the religious brainwash rolling on, of a word entrancement continuance.

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The 27th Succubus archetype of the Fallen Anima had once been captured by the Altay shaman called Wodkhan when to reptilian brain-stem trance into conscious dreaming, wherein he conjured Ronovea’s ‘Anima’ fluctuation as his Mind-Doll Tulpa. Wodkhan lived near unto the Gobi desert of Leng where he had discovered Ronovea’s terrible claw to have thence tethered this Goetia Girl Tulpa to his Sleipnir drum.

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She not only protected him as his Godzilla Goetia girl Valkyrie of an Ally, against all malign intent, but also greatly empowered her conjurer to overcome the hypnotic influence of all those monsters who sought to build their big-business Temples of the deified Animus God cults, by enslaving minds.

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These monsters achieved their forked tongued agenda through the symbolic ‘language’ of religion, which evokes fear amidst the reptilian brain-stems of the Sheep to thereby easily brainwash.

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The first impressions you will have when to gaze upon Donohoo’s remote viewed drawing of Ronovea is that she is a lithe gymnastic woman looking like a very sexy Lara Croft riding the back of a Velociraptor as well as what appears to be some kind of Vesica Pisces portal, somewhat akin to a spiraling vaginal wormhole behind her.

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She is also surrounded by sketchy images pertaining to the classic Grey alien and a blue skinned humanoid, which Donohoo felt to be both female. However, he didn’t see these entities as being extraterrestrials, but instead, being some kind of reference to the evolution of future humanity.

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The raptor is however most troublesome, even from the simplicity of Donohoo’s crayon sketch; it’s gaze of eye, and of twisted lips, suggests an impish grin. It is as if the raptor is enjoying its exposure to the world of the hominid brain after many millions of years within the primordial darkness, of the infernal underworld.

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You will also notice the suggestion of a shadow in the drawing, looking like a Crow, as if something other is remote viewing the remote viewer. Although this greatly worried Donohoo, he was more concerned with those monsters with forked tongues who habitually cloud the minds of Sheep, by stirring emotional responses amidst their reptilian brain-stems, who utilise a symbolic language to do so.

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In his commentary Donohoo writes about his impressions as he confronted this Succubus in his remote viewing session: “I became aware of a grotesque figure shadowing my mind’s Eye. I felt that this shadow was a male who was riding Ronovea as his Nightgaunt Witch. This Succubus was giving off a distinct smell of a rose; she was sexually aroused to do so, by the shadowy male riding her, as has already been noted.”

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“I also have the feeling of a specific kind of verse and tone being used by forked tongue monsters. These monsters are very much aware that their carefully constructed verses must be used in a religious way of symbolic subversion, or of a neuro-advertising manner, so that they can persuade the subconscious minds of others, even against their conscious will,” he writes. 

“Ronovea is thought to be associated with Rhetoric, which is the art of discourse, an art, whose aim is to improve the capability of writers or speakers to inform, persuade, or motivate particular audiences in specifically emotionally charged situations, which can be engineered of false flag events.”

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“As a subject of formal study and a productive civic practice, rhetoric has played a central role in the Western tradition. Its best known definition comes from Aristotle, who considers it a counterpart of both logic and politics, and calls it: “the faculty of observing in any given case the available means of persuasion.”

“It just so happens that Aristotle is the patron saint of the Skull and Crossbones society whose beehive lodge number 322, is a reference to Aristotle’s demise. In 323 BCE Alexander died; in the resulting outbreak of anti-Macedonian feeling in Athens, Aristotle left for Chalcis, on the island of Euboea, where he died in 322 BCE under strange circumstances, perhaps he was assassinated by a… Daimon?”

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“The science of rhetoric typically provides heuristics for understanding, discovering, and developing arguments for having control over particular emotionally charged situations, which as mentioned prior, can be subversively engineered. Rhetoric often employs Aristotle’s three persuasive audience appeals, logos, pathos, and ethos. The five canons of rhetoric, which trace the traditional tasks in designing a persuasive speech, were first codified in classical Rome: invention, arrangement, style, memory, and delivery, which was also utilised by the ascendancy of Christian Rome’s big-business brainwashing monsters, who did so through inflicting guilt and fear upon the mass populace in order to sell their religious product.”

“Along with grammar and logic; rhetoric is one of the three ancient arts of discourse. Basically, rhetoric is a scientific means to use words, which instantaneously evokes symbolic stimuli amidst the subconscious minds of the populace. This in turn directs their reptilian brain-stem emotional responses, which is achieved without them ever realising what is going on; wherefore Ronovea is out to eradicate the monsters.”

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“It is interesting to note that while attending an in-house program at The Monroe Institute, I met and spoke with a man who had recently been to dinner with former President burning Bush at the White House.”

“While This man was in the White House, he had clairvoyantly observed a man in black, striding out of a vaginal shaped portal, who seemed to be a misshapen shadow man, or looking like an anthropomorphic Crow.”

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“This Crow man appeared to be watching the Skull and Crossbones President, and my informant nervously suspected, that all those to follow would also be watched, and perhaps other presidents have been observed in the past.”

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“As I listened to this very odd story, I felt somewhat subconsciously convinced, although at a conscious level, deeply skeptical. However this was before the twin asbestos towers of Boaz and Joachim got struck down of a Crucifying false flag event, around which you had the dancing Israelis making high fives and the Wahabist Saudis raking in the cash. This invariably led to a most bloody Petro-Dollar war around the pyramidal oily ziggurat of UR, amidst which be the Orwellian eye of the deified Animus. The Wall Street petrodollar to have also instigated a great depression against the Euro for dominance in the Middle East; one or the other of the monetary ILL-usions had to survive.”

“Years later this image of a misshapen shadow man appeared to me while (out of the body) watching former Skull and Crossbones President Clinton. I distinctly felt that this shadow man was laughing at Clinton, who was accessing all his secrets of dream inception, as well as being very much aware of my own presence, which he ignored. It is not unusual to find principalities and other forms of energy within the ‘astral’ although this one image is for me, is quite novel, being that those people independent of me are also ‘seeing’ the shadow man similarly described.”

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“Now it may seem clear although far from conclusive just what this shadow man may be, who looks like an undertaker scarecrow. At one juncture I had the clear image of seeing a Crow of flame being lit up upon the ground, which possibly indicates that this shadow man is a rebellious Ante-Christ.”

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“I believe that this shadow man of a Crow is riding Ronovea as his Nightgaunt Succubus, a Hindu, Bon-Po Tibetan Buddhist or Tantric would otherwise call a Dakini. Ronovea is classically known for giving insight into the scientific art of rhetoric and political persuasion to those Sorcerers who evoke her Anima archetype.”

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“But it also appears she enables the ability to travel through time via the electron dream. Should you achieve lucidity within the electron dream, she can take you back to the age of the Necronomicon Great Old Ones, when the dinosaurs ruled over the Earth, since she manifested as a Tetrachromat Palaeontologist who is being ridden by a Crow man.”

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“Only women can be Tetrachromats, by the way. It does appear that this Crow man is her beastly time travelling lover.” Donohoo concluded.

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As for Ronovea’s rank she is a sexy Marchioness as well as a Countess who governs over 19 legions of Tetrachromat Reptilian Girl Succubae archetypes of the Fallen Anima.

The Psychic Übermensch Aaron C. Donohoo by Erin C. Donohoo (2012)

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