Archive for neuro advertising

ART IS MAGIC, MAGIC IS ART

Posted in Art, Chaos Magic, Comics, Occultism, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2017 by FAUSTUS CROW

There is some confusion as to what Magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of Magic. Magic in its earliest form is often referred to as “The Art”.

Because I am a bearded Wizard of the Comici Arcanum Guild, knowing Wizard stuff, I know this is completely literal. I know that Magic is Art, and that Art, whether it be Painting, Writing, Music, Sculpture, or any other form of Art is literally Magic.

Art is, like Magic, the science of manipulating symbols, words, or images, to achieve changes in consciousness. The very language about Magic seems to be talking as much about Writing or Art as it is about supernatural events.

For example, an illustrated proto-comic book of spells, called a Grimoire , is simply a fancy way of saying grammar. Indeed, to cast a spell, is simply to spell, to manipulate words, to change people’s consciousness.

And I believe that this is why an Artist and a Writer of a comic book Grimoire is the closest thing in the contemporary world that you are likely to see to a Wizard.

I believe that all culture must have arisen from cult. Originally, all of the faucets of our culture, whether they be in the Arts or Sciences were the province of the Wizard.

The fact that in present times, this Magical power has degenerated to the level of cheap entertainment and manipulation, is, I think a tragedy.

At the moment the people who are using Shamanism and Magic to shape our culture are neuro-advertisers. Rather than try to wake people up, their Shamanism is used as an opiate to tranquilize people, to make people’s reptilian-brain-stems more manipulable.

Their Magic box of television, and by their Magic words, their jingles can cause everyone in the country to be thinking the same words and have the same banal thoughts all at exactly the same moment.

In all of Magic there is an incredibly large linguistic component. The Bardic tradition of Magic would place a Bard as being much higher and more fearsome than a Magician.

A Magician might curse you. That might make your hands lay funny or you might have a child born with a club foot.

If a Bard were to place not a curse upon you, but a satire, then that could destroy you. If it was a clever satire, it might not just destroy you in the eyes of your associates; it would destroy you in the eyes of your family.

It would destroy you in your own eyes. And if it was a finely worded and clever satire that might survive and be remembered for decades, even centuries.

Then years after you were dead people still might be reading it and laughing at you and your wretchedness and your absurdity. Writers and people who had command of words were respected and feared as people who manipulated Magic.

In latter times I think that Artists and Writers have allowed themselves to be sold down the river. They have accepted the prevailing belief that Art and Writing are merely forms of entertainment.

They’re not seen as transformative forces that can change a human being; that can change a society.

They are seen as simple entertainment; things with which we can fill 20 minutes, half an hour, while we’re waiting to die. It’s not the Wizard job of the Artist to give the audience what the audience wants.

If the audience knew what they needed, then they wouldn’t be the audience. They would be the Artists. It is the Wizard job of Artists to give the audience what they need.

The above excerpt was slightly adapted from an article by the Wizard Artist

– Alan Moore

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DINOSAUR GIRL LARA CROFT RONOVE

Posted in Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Dinosaur, Film, Goetia Girls, Lucid Dreaming, Occultism, Paleontology, Psychology, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 25, 2015 by FAUSTUS CROW

The twenty-seven year old professor in palaeontology, whose name is Ronovea, became rather notorious when she was featured in the Playboy Grimoire entitled the Goetia. Ronovea decided to become a whistleblower, who revealed that the British Natural History museum has a Stargate in its infernal basement.

Her revelations did not go down at all well with the shadowy curators of the museum, whose secretive agenda is to influence the past so that they can control the present, whereby owning the future.

The shadowy curator’s were further aggravated, since Ronovea allowed some photographs of her self to be published, which depicted her raunchily riding a raptor, during one of her time-travelling escapades back into the prehistoric past.

Ronovea is often equated with the iconic video game character, Lara Croft by many a male paleontologist, whose erotic ‘Anima’ manifestation inspires their scientific endeavours; for she knows of their deepest reptilian brain-stem desires.

For example, John R. ‘Jack’ Horner, born June 15, 1946, has a signed art print of Ronovea riding Godzilla, which he has placed above his altar of fossils in his office.

Horner is an American paleontologist who discovered the first clear evidence that some dinosaurs cared for their young. Horner is one of the best-known paleontologists in the United States.

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In addition to his many paleontological discoveries, Horner has served as the technical advisor for all of the Jurassic Park films, and even served as partial inspiration for one of the lead characters, Dr. Alan Grant. Horner had studied at the University of Montana and was awarded an Doctorate in Science honoris causa.

Horner related, “Ronovea is like a Goddess to me, she is my inspiring muse of the Great Old Ones. Like the Hindu, Shakti, her sacred colours are that of red and white, along with black, which too equates with blue, like the colours of the Union Jack, which incorporates the X Rune crossbones of trance and that of the solar cross of consciousness. She is an aristocrat, who is a Marchioness, although my fellow Masons call her the Countess.”  

“What! You’re a Freemason?” The interviewer enquired; Horner deftly sidestepped the inquisitive question as he poured himself a glass of Jack Daniels, who then said, “she doesn’t like the title, Countess; though she takes it all in good humour. Ronovea is more than just a time-travelling palaeontologist, she is also a Witch, who has taught me how to time-travel within my lucid dreams into the far distant past of prehistory, via which I can contact my reptilian ancestors.”

The interviewer observed Horner putting a fossilised insect, incarcerated within a small piece of amber into his glass; “that is how I make so many amazing discoveries in my field; but then we are all imprisoned within amber time. The ability of lucid dreaming is where you awaken the ‘sixth’ sense. The dinosaurs weren’t wiped out, they live on, within us all. Ronovea pointed out to me that a remnant of our dinosaur kin, is our reptilian brain-stems, which is very much involved in language; for much of the neural processes concerning our use of language is subconsciously automatic, over which your reptilian brain-stem has governance.”

Horner eventually answered the interviewers initial question after gulping down his drink, without swallowing the amber; “yes, I am a Mason of the X Rune raptor crossbones. We are taught that whenever a word is spoken or read, it instantaneously ‘conjures’ up an associative ‘web’ of corresponding symbols within your subconscious mind, of which you have been taught to associate with the sound of a word. Wherefore, when to speak, read or write, you are conjuring up spirits, which are all as ‘nailed down’ symbols, to make manifest, amidst your Triangle Of Art Imagination, without even realising it.”

Horner continued. “Hence we are all practicing Ritual Magic everyday; more so at night, when to conjure up associative symbols within our dreams of Sorcery. Although, my poster of Ronovea, is just a two-dimensional image at a conscious level; she can become as a subconscious interactive three-dimensional reality, within my virtual reality lucid dreams, as an inspiring Succubus aspect of the fallen ‘Anima.’ That is why I play Tomb Raider, of a symbolic meditation tool, concerning Ronovea, which greatly facilitates my lucid dream conjurations of her.”

Horner further related. “You may find it all rather odd, but the utilisation of iconic symbolism, is very much what the science of neuro-advertising is geared towards understanding.”

Horner then said, “Ronovea is at war with the those who misuse neuro-advertising, whose intention is to subversively influence your reptilian brain-stem for political ends; it’s basically mind control. This is achieved via the manipulation of an established symbolic language form, which is invariably religious of nature.”

“Can you also tell our audience about what Ronovea revealed about a Stargate,” the interviewer asked. Horner was silent for a moment, before answering,the Stargate, exists within you; it is the ability to travel through time, within your lucid dreams, of an inner museum, which intersects all periods of time and that of other worlds.”

“So, the Stargate is not a hard-technology; it otherwise symbolises a psychic ability.” The interviewer to question, which made Horner slyly smile. Horner answered; “it is both. If you have an ability, which science will one day understand, to thereby translate into a hard technology; then you also have a physical Stargate.”

NOTE: Most psychologists of varying psychological disciplines are very much aware of the Animus and Anima, which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.

However, said psychologists, and even Jung, himself usually describe the Animus and Anima in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.

But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the likes of politically motivated social-engineers utilise what is habitually not self-observed in order to influence and ultimately have total control over the quite oblivious masses.

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