Archive for mongolia

LILITH’S HAREM OF A MAGIC THEATRE AGARTHA

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 31, 2015 by FAUSTUS CROW

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The Magic Theatre, is a major symbolic theme in Hermann Hesse’s surrealistic tenth novel entitled, The Steppenwolf (German: Der Steppenwolf), which was originally published in Germany in 1927, and soon thereafter translated into English in 1929. You could symbolically equate the Magic Theatre with Dr Who’s TARDIS.

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The novel is a surrealistic fusion of autobiographical personal experiences, Jungian symbolism and psychoanalytic elements, as well as also heavily utilising the philosophy of the far East, of which Hesse was enamoured with. The story can be seen as being a creative catharsis, which had been initiated by a profound suicidal crisis in Hesse’s spiritual life during the 1920’s.

The book is very Faustian of style, whose principle character of a Faust is otherwise called Harry Haller, who attends an Anarchist Evening at the Magic Theatre, which is For Madmen Only, the Price of Admission, Your Mind.

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When entering the Magic Theatre, Haller is soon ushered as an unwitting Dr Who into a number of alternate Earth’s, each of which he ‘slides’ into when opening a door within the Magic Theatre of a TARDIS.

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One of the alternate Earth’s, Haller explores is enduring a war with the machines, which could be seen as being akin to a science fiction fusion of Terminator merged with Mad Max.

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In yet another alternate Earth, Haller finds himself exploring an erotic world of women; where he once again experiences lost loves and unfulfilled desires, to transmute of sexual alchemy; whereupon fully fulfilling them of alternate possibilities.

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In each of these alternate Earth’s, Haller transforms himself anew within the Magic Theatre, which has been interpreted in many different ways by Hesse’s audience. The late Timothy Leary described The Magic Theatre as being an ‘Acid Trip.’

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Another principle character is a young woman called Hermine, (who is essentially Hermann’s Anima), and like a Succubus, she introduces the much older Haller to the hedonic indulgences of what he calls the, bourgeois.

Hermine teaches Haller to trance dance, introduces him to the casual use of psychedelic drugs, finds him an earthly lover, named Maria, and more importantly, she forces him to accept these material experiences as being a legitimate aspect of a full life; for the material and that of the spiritual are one and the same of Love Sex Intelligence, squared.

Hermine also introduces Haller to a mysterious saxophonist named Pablo, who appears to be the very opposite of Haller’s own self. Haller considers himself to be a very self-constained and serious, thoughtful person, who abides by the laws of the land, however insane they be.

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Whereas Pablo is what Haller could have been if he had allowed his inner Wolf to be free. After attending a lavish masquerade ball, Ebeneezer Goode Pablo leads a loosened up Haller to the Magic Theatre.

The Magic Theatre is described as being a long horseshoe-shaped corridor, likened of a vaginal form to that of the old European standing stones, with a vast wall-to-wall mirror on one side, and countless doors on the other of its cavernous womb enclosure.

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This feminine symbolism refers to the Cabbalistic sphere of Yesod, which is the Ninth Gate. Haller enters five of these labelled (vaginal) doors into their respective alternate (womb) Earth’s, which symbolically reflect back ‘elemental’ issues of Haller’s life.

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The title of Hesse’s book is named after the lonesome Wolf of the North-Central-Asian steppe stretching over Mongolia unto Tibet, where shamans still practice their art. Hesse was very interested in the esoteric practices of the far East, such as those of Tibet, from where the myth of a legendary underworld city, called Agartha stems from.

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Whether Hesse was aware of Agartha is debatable, though probable, should he have perhaps read Ferdynand Ossendowski’s book entitled: Beasts, Men and Gods, which was published in 1922. In the book, Ossendowski relates a story, which was imparted to him concerning a subterranean kingdom existing inside of the Earth. This inner kingdom within you was known to the crafty Buddhists as (Agartha/Agharta) Agharti.

Some believe that Agartha is tied up with the UFO phenomenon as well as being an actual physical locale; such is indeed the case, although, not in the way most Westerners think it is.

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Agartha’s origins stem from ancient shamanistic practices of trance induction, which influenced Tibetan Buddhism. You can gain greater insight into hypnagogic trance induction, when looking into the shamanic trance dance practices of the Kalahari Bushmen of South Africa.

The Kalahari Bushmen communicate that an energy is aroused within the body called Num, which arises along the spine; more so that of the back of the (nape) neck, whose energy, like that of an exhaled breath of a woman caresses the back of the head, as a sensuous kiss; this then initiates the hypnagogic state of trance, they call Kia.

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Hesse would have seen the Num of the Kalahari Bushmen as being the same experience of arousing the Kundalini Shakti, as described by the ancient practitioners of Yoga, which also initiates hypnagogic trance. When experiencing trance, the initial phase is that of feeling the distinct sensation that you are falling backwards into a yawning void towards the back of your Hyperreal head.

In the Hebrew Cabbala the back of the head is ascribed the letter of Qoph, which is tied up with the Luna sphere of Yesod. The sphere of Yesod is physiologically associated with the genital area of the body and in turn the autonomic-nervous-system. In other words, the Ninth Gate of Yesod is about introverting the sexual impulse, which erotically empowers the state of hypnagogic trance ingress into conscious dreaming.

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The origin of Qoph is uncertain. It is usually suggested that it originally depicted a sewing needle, specifically the (hole) eye of a needle; although in Hebrew it specifically means ‘hole,’ or the back of a head and neck. Qāf in Arabic means ‘nape.’ Qoph of a shamanistic understanding refers to a shift of consciousness towards the back of the head, when attaining hypnagogic trance. Although this is internally experienced as a falling descent towards the centre of the Earth’s core.

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As you descend into the void, it is very important that you do not not fear, otherwise your fears will determine what you will eventually access of a conscious dream destination. In North-Central-Asian shamanistic practice and that of Tibetan Buddhism, the dream destination is that of Agartha, wherein the (Succubi/Succubae) Dakinis are to be found, whom frequent Agartha, likened to that of a Harem city.

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If you are into Edward Bulwer-Lytton’s book: The Coming Race, you might meet up with a Vril-ya Nordic woman piloting her Vimana of a UFO from out of her primordial world; if you are more into the works of Edgar Rice Burroughs, you could perceive the inner descent as leading you to prehistoric Pellucidar where dark haired Dian the beautiful awaits your infernal intercourse into her hot Agartha womb core.

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Hell, if you want to continue believing that demonic Reptilians or Illuminati Alien Greys are living within a Nazi underworld base, go right ahead, if that be your Biblical sized anal probe preference of a CIA engineered mythos.

But why stop there, why not get into John A. Keel’s book: Visitors From Space, which covered the 1960’s UFO invasions of Asiatic aliens, when the Vietnam war to have raged around Mothman; whereas prior of aftermath WWII you had Aryan Nordics, and later, of 80’s Iraq conflict, onwards, you have Whitley Strieber’s Sumerian Grey’s.

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At least Keel had astutely figured, that some of the visitors were Agartha Tulpa creations of the coming race Phorever People who are becoming aware of their shamanic Vril.

You could instead have Manga trance girls flying around in their Anime UFO’s, wearing skintight Kinsune Grey jumpsuits; or to otherwise imagine Bedroom Invading entities manifesting as black eyed Slender Girl Dakini schoolgirls, out of an Omega point Agartha Hogwarts.

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As for Hesse, he otherwise termed Agartha as the Magic Theatre of many alternate worlds, into which of a multiverse he was initiated by his Succubus, Hermine, who in many respects is very much like the Queen of Succubae called Lilith.

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The out of body researcher Robert Munroe appears to have also accessed The Magic Theatre of Agartha when attaining lucid dream ingress into what he described as being a ‘hole,’ which led of a descent into an alternate Earth of a Steampunk reality, where he encountered a Succubus called Lea.

But, such internal ingress into Lilith’s Harem of a Magic Theatre Agartha is For Madmen Only, the Price of Admission, is Your Mind, or should one say, your beliefs about yourself and what you believe to be real, or not, as the case maybe. Just keep in mind, of a wrought Magic Circle, that you are only limited by the extent of your Triangle of Art imagination; it is your (Da’at) beliefs, which determines what you tune into of conjuring amidst the quantum computing (Qoph) Magic Theatre, of spun three-dimensional ‘electron’ lucid dreams.

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A rich man full of rigid dogmatic beliefs will not be able to pass through the eye of the needle; whom will fear letting go, fearing his death.

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But the innocence of an imaginative child can, who, like a sacred Fool, or as a Dr Who Mad Man is enabled to ride the Night-Mare Succubus as his pony-girl TARDIS , who then to Kwisatz Haderach leap into Lilith’s Harem of a Magic Theatre of an Agartha.

NOTE: There will be many who will find the above symbolism to be rather disconcerting, let alone disturbing to their politically correct sensibilities. However, should you investigate ancient shamanistic practices, such as those of North-Central-Asia unto Siberia, as well as elsewhere, you will duly find that the symbolism of the shamans (horse) Mare, which gave rise to the European term, ‘Nightmare’ is associated with Old-Hag Syndrome, a shaman has to learn how to (hypnagogic trance) ride as his (Spirit-Wife) Succubus, rather than being ridden by his own (sleep-paralysis) fear.

A shaman learns how to introvert his (9/Yesod) sexual impulse in order to transform the (11/Da’at)) terror of hypnagogic trance into an erotic impregnation of the Ninth Gate. This then leads to the attainment of (Kingdom Of Shadows) Agartha conscious dreaming, wherein of a bio-photon (Diana-Lucifera) illuminated information domain a heterosexual male shaman can enter into a Coitus Pactum with the (Succubi [Art Muses] Succubae) Dakinis, who are the manifold Tulpa aspects of his ‘Anima.’

A heterosexual female practitioner will dally with the Incubus (Tulpa) emanations of her ‘Animus.’ As for Homosexual, Lesbian and Bisexual practitioners they will erotically engage with their corresponding (Tulpa) dream characters.

Some will invariably point out that Agartha and its counterpart, Shamballah are commonly seen to be physical locales. This is primarily due to an externalised Western mind-set, which has forgotten how to dream, or should I say, been systematically trained over the religiously indoctrinated generations to fear the inner space of their own minds, as well as to consider the altered state of dreaming to be quite unreal, having no value at all. 

You might ask, why has the mass populace been systematically brainwashed over the generations to fear the inner reality? It is because the elitist few atop of the ziggurat hierarchy do not want you to question their pyramidal religious politics of centralist control, whose patriarchal symbolic paradigm is that of the deified Animus, made as a God and Devil. 

Should you ever attain a lucid dream, you will soon find out how very real it can be; in fact, you might just discover that a lucid dream can be far more real than what you consider your physical (Maya/Matrix) reality to be.

Agartha describes a shift of consciousness to the back of the (Qoph) head; whereas, Shamballah is associated with a shift of consciousness above the (Resh) head.

The head is associated with a four (compass points/also sub-directions) sided (pyramid) mountain, which is interpenetrated by the world tree representing your axis-mundi spinal-column. The head is symbolised as Mount Kailash. In other words, when you attain a (third eye/inner eye) lucid dream, you are then enabled to gain conscious access into Mount Kailash, whose secret (star-gate) doorway into Agartha and Shamballah is within yourself.  

So, if you are looking for the reality of Agartha/Shamballah, of a Magic Theatre, go inside your own mind; for everything you experience is processed by your ‘quantum computing brain,’ housed within your crystalline Skull amidst hypnagogic-trance Cross-Bones. Gebo Rune: X of a Seventh Seal secret, marks the spot! Savvy!

    

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GODZILLA GIRL RONOVE

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, Cosplay, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

The psychic Übermensch Aaron C. Donohoo experienced a revelation concerning the Goetian (Succubi) Succubae archetypes of the Fallen Anima.

he discovered that the 27th Succubus archetype of the Fallen Anima, called Ronove, otherwise known as Ronovea, is associated with the workings of the reptilian brain-stem.

The reptilian brain-stem is the oldest part of the human brain, which connects all of us with our dinosaur ancestors.

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The dinosaurs did not die out, they live on through us; they are our most ancient kin. Whereupon Donohoo’s remote viewing vision of Ronovea revealed her manifesting riding a dinosaur, which at surrealist times looked like a Cthulhu Godzilla.

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Ronovea’s mount also manifested of vision as a Velociraptor, which in real life, was a genus of dromaeosaurid theropod dinosaur from the Late Cretaceous period, which inhabited what is now the Gobi desert. However, a Velociraptor was no bigger than a Wolf.

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The Velociraptor had feathers, of a very bird-like appearance. It had a long claw (terrible claw) on the second toe of both feet, 8 cm (3 in) long, which was probably used intelligently as a weapon.

Velociraptor was the first dromaeosaurid to be discovered in 1923, and is still the most well known to Ronovea inspired Palaeontologists, with over a dozen recovered fossil skeletons; the most of any other member of its family.

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Since the Velociraptor is no bigger than a Wolf or a large Turkey turned carnivorous, Ronovea’s mount could actually be a Achillobatoris, which is of the same genus as the Velociraptor, though much larger. Achillobatoris lived roughly 98 to 83 million years ago during the Late Cretaceous in what is now Mongolia.

The Archillobatoris was among the largest dromaeosaurs; the holotype and only known individual of Achillobatoris is estimated at 5 to 6 m (16.4 to 19.7 ft) long. Achillobatoris was a moderately-built, ground-dwelling, bipedal carnivore. It would have been an active predator, hunting with an enlarged, sickle-shaped claw on the second toe like the Velociraptor.

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You also have Deinonychus (terrible claw), which is a genus of the carnivorous dromaeosaurid ceolurosaurian dinosaurs. There is one described species, Deinonychus antirrhopus. This species could grow up to 3.4 metres (11 ft) long, which lived during the early Cretaceous Period, about 115–108 million years ago (from the mid-Aptian to early Albian stages).

Fossils have been recovered from the U.S. states of Montana, Wyoming, and Oklahoma, in rocks of the Cloverly Formation and Antlers Formation, though teeth that may belong to Deinonychus have been found much farther east in Maryland.

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The Ronovea inspired Palaeontology study of Deinonychus by John Ostrom during the late 1960’s revolutionized the way scientists thought about dinosaurs, leading to the ‘dinosaur renaissance,’ which ignited the debate on whether dinosaurs were warm-blooded or cold blooded.

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Before this, the popular conception of dinosaurs had been one of plodding, reptilian giants, which still initiate fear within the reptilian brain-stems of the scientists who cannot yet as yet figure out the gravity problem. As for Ostrom, he noted the small body of Deinonychus, having a sleek, horizontal posture, ratite-like spine, and especially the enlarged raptorial claws on its feet, which suggested an active, agile predator.

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Then you have the American dromaeosaurid theropod dinosaur, called the Utahraptor, (meaning Utah’s predator) whose fossil specimens date to the upper Barremian stage of the early Cretaceous period (in rock strata dated to 126 ± 2.5 million years ago). The Utahraptor, rather than the Velociraptor was probably featured in the Holy-wood blockbuster Jurassic Park, which has since become an iconic viral meme haunting the twilight dreams of mammalian girls, loving the Illuminati bad-boys of their deified Animus, made as a patriarchal God and a Devil.

Anyway, Ronovea indicated that there are many a monster with a forked tongue around us, such as slimy priests, conniving politicians, maverick salesmen and carnival pitch men the ladies have the hots for. Women can’t help themselves loving Great Beast Bad-Boys, they’ve been genetically hardwired to be attracted to reptiles down the ages.

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These monsters with forked tongues use their golden words to evoke emotional responses from the reptilian brain-stems of their fleecy minded flocks. This forked tongued word entrancement lulls the Sheep into a hypnotic trance, which leads to the Sheep being sacrificed upon the political alters of the monsters hidden agendas.

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There are numerous forked tongued monsters preying upon the gullible; such as a psychic selling snake oil pseudo philosophies about a deified ‘Animus’ made as a Abrahamic God and his bottom buddy Lucifer, or that of a remote viewer spewing Biblical end of the world predictions, who to otherwise rant on about machismo Angels and butch Demons to verily transform into humanoid Aliens. All of them are hucksters, who draw upon their charismatic talents in order snake charm the indoctrinated reptilian brain-stems of their fleecy minded victims, which keeps the religious brainwash rolling on, of a word entrancement continuance.

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The 27th Succubus archetype of the Fallen Anima had once been captured by the Altay shaman called Wodkhan when to reptilian brain-stem trance into conscious dreaming, wherein he conjured Ronovea’s ‘Anima’ fluctuation as his Mind-Doll Tulpa. Wodkhan lived near unto the Gobi desert of Leng where he had discovered Ronovea’s terrible claw to have thence tethered this Goetia Girl Tulpa to his Sleipnir drum.

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She not only protected him as his Godzilla Goetia girl Valkyrie of an Ally, against all malign intent, but also greatly empowered her conjurer to overcome the hypnotic influence of all those monsters who sought to build their big-business Temples of the deified Animus God cults, by enslaving minds.

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These monsters achieved their forked tongued agenda through the symbolic ‘language’ of religion, which evokes fear amidst the reptilian brain-stems of the Sheep to thereby easily brainwash.

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The first impressions you will have when to gaze upon Donohoo’s remote viewed drawing of Ronovea is that she is a lithe gymnastic woman looking like a very sexy Lara Croft riding the back of a Velociraptor as well as what appears to be some kind of Vesica Pisces portal, somewhat akin to a spiraling vaginal wormhole behind her.

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She is also surrounded by sketchy images pertaining to the classic Grey alien and a blue skinned humanoid, which Donohoo felt to be both female. However, he didn’t see these entities as being extraterrestrials, but instead, being some kind of reference to the evolution of future humanity.

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The raptor is however most troublesome, even from the simplicity of Donohoo’s crayon sketch; it’s gaze of eye, and of twisted lips, suggests an impish grin. It is as if the raptor is enjoying its exposure to the world of the hominid brain after many millions of years within the primordial darkness, of the infernal underworld.

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You will also notice the suggestion of a shadow in the drawing, looking like a Crow, as if something other is remote viewing the remote viewer. Although this greatly worried Donohoo, he was more concerned with those monsters with forked tongues who habitually cloud the minds of Sheep, by stirring emotional responses amidst their reptilian brain-stems, who utilise a symbolic language to do so.

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In his commentary Donohoo writes about his impressions as he confronted this Succubus in his remote viewing session: “I became aware of a grotesque figure shadowing my mind’s Eye. I felt that this shadow was a male who was riding Ronovea as his Nightgaunt Witch. This Succubus was giving off a distinct smell of a rose; she was sexually aroused to do so, by the shadowy male riding her, as has already been noted.”

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“I also have the feeling of a specific kind of verse and tone being used by forked tongue monsters. These monsters are very much aware that their carefully constructed verses must be used in a religious way of symbolic subversion, or of a neuro-advertising manner, so that they can persuade the subconscious minds of others, even against their conscious will,” he writes. 

“Ronovea is thought to be associated with Rhetoric, which is the art of discourse, an art, whose aim is to improve the capability of writers or speakers to inform, persuade, or motivate particular audiences in specifically emotionally charged situations, which can be engineered of false flag events.”

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“As a subject of formal study and a productive civic practice, rhetoric has played a central role in the Western tradition. Its best known definition comes from Aristotle, who considers it a counterpart of both logic and politics, and calls it: “the faculty of observing in any given case the available means of persuasion.”

“It just so happens that Aristotle is the patron saint of the Skull and Crossbones society whose beehive lodge number 322, is a reference to Aristotle’s demise. In 323 BCE Alexander died; in the resulting outbreak of anti-Macedonian feeling in Athens, Aristotle left for Chalcis, on the island of Euboea, where he died in 322 BCE under strange circumstances, perhaps he was assassinated by a… Daimon?”

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“The science of rhetoric typically provides heuristics for understanding, discovering, and developing arguments for having control over particular emotionally charged situations, which as mentioned prior, can be subversively engineered. Rhetoric often employs Aristotle’s three persuasive audience appeals, logos, pathos, and ethos. The five canons of rhetoric, which trace the traditional tasks in designing a persuasive speech, were first codified in classical Rome: invention, arrangement, style, memory, and delivery, which was also utilised by the ascendancy of Christian Rome’s big-business brainwashing monsters, who did so through inflicting guilt and fear upon the mass populace in order to sell their religious product.”

“Along with grammar and logic; rhetoric is one of the three ancient arts of discourse. Basically, rhetoric is a scientific means to use words, which instantaneously evokes symbolic stimuli amidst the subconscious minds of the populace. This in turn directs their reptilian brain-stem emotional responses, which is achieved without them ever realising what is going on; wherefore Ronovea is out to eradicate the monsters.”

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“It is interesting to note that while attending an in-house program at The Monroe Institute, I met and spoke with a man who had recently been to dinner with former President burning Bush at the White House.”

“While This man was in the White House, he had clairvoyantly observed a man in black, striding out of a vaginal shaped portal, who seemed to be a misshapen shadow man, or looking like an anthropomorphic Crow.”

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“This Crow man appeared to be watching the Skull and Crossbones President, and my informant nervously suspected, that all those to follow would also be watched, and perhaps other presidents have been observed in the past.”

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“As I listened to this very odd story, I felt somewhat subconsciously convinced, although at a conscious level, deeply skeptical. However this was before the twin asbestos towers of Boaz and Joachim got struck down of a Crucifying false flag event, around which you had the dancing Israelis making high fives and the Wahabist Saudis raking in the cash. This invariably led to a most bloody Petro-Dollar war around the pyramidal oily ziggurat of UR, amidst which be the Orwellian eye of the deified Animus. The Wall Street petrodollar to have also instigated a great depression against the Euro for dominance in the Middle East; one or the other of the monetary ILL-usions had to survive.”

“Years later this image of a misshapen shadow man appeared to me while (out of the body) watching former Skull and Crossbones President Clinton. I distinctly felt that this shadow man was laughing at Clinton, who was accessing all his secrets of dream inception, as well as being very much aware of my own presence, which he ignored. It is not unusual to find principalities and other forms of energy within the ‘astral’ although this one image is for me, is quite novel, being that those people independent of me are also ‘seeing’ the shadow man similarly described.”

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“Now it may seem clear although far from conclusive just what this shadow man may be, who looks like an undertaker scarecrow. At one juncture I had the clear image of seeing a Crow of flame being lit up upon the ground, which possibly indicates that this shadow man is a rebellious Ante-Christ.”

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“I believe that this shadow man of a Crow is riding Ronovea as his Nightgaunt Succubus, a Hindu, Bon-Po Tibetan Buddhist or Tantric would otherwise call a Dakini. Ronovea is classically known for giving insight into the scientific art of rhetoric and political persuasion to those Sorcerers who evoke her Anima archetype.”

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“But it also appears she enables the ability to travel through time via the electron dream. Should you achieve lucidity within the electron dream, she can take you back to the age of the Necronomicon Great Old Ones, when the dinosaurs ruled over the Earth, since she manifested as a Tetrachromat Palaeontologist who is being ridden by a Crow man.”

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“Only women can be Tetrachromats, by the way. It does appear that this Crow man is her beastly time travelling lover.” Donohoo concluded.

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As for Ronovea’s rank she is a sexy Marchioness as well as a Countess who governs over 19 legions of Tetrachromat Reptilian Girl Succubae archetypes of the Fallen Anima.

The Psychic Übermensch Aaron C. Donohoo by Erin C. Donohoo (2012)

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