Archive for mind control

OUT OF BODY LUCID DREAMS

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on April 1, 2016 by FAUSTUS CROW

The driving force behind much of my art and writing is the number of ongoing personal experiences I have had concerning the Out Of Body phenomenon and lucid dreaming, which of inner experiences also correlate with the observation of concordant synchronistic phenomena, along with what can be construed as being paranormal events.

I have the tendency to utilise the technical term hypnagogic trance when to speak of attaining conscious ingress into the dream. The hypnagogic state is not a mysterious occult force.

Hypnotherapists seek to induce hypnagogic trance in their patients, which is an altered state of consciousness, shamanic practitioners are highly adept at inducing in their own selves of auto-hypnosis.

A number of artists throughout the ages have also engaged in inducing hypnagogic trance, whether knowingly or unknowingly, of varying degrees of intensity when creating works of art, since the nigh meditative creative process can induce a theta brainwave in the artist, which is associated with the inducement of hypnagogic trance.

TAROT: HIGH PRIESTESS II: How To (Hypnagogic) Hypnotise All, Via ‘False Flag’ Shock Hypnosis.If you are interested, Please Check out the Succubus Art Book Grimoire: Click Here.

Hypnagogic trance can also be induced via shock hypnosis at the collective level, should there be a mass focus upon a shocking occurrence, which can be prior orchestrated of a subversively engineered false flag event, let alone being able to engineer an associated End-Of-Days mass-media focus on 2012.

When to inadvertently access hypnagogic trance at the point of sleep, it sometimes involves the experience of sleep paralysis as well as the Old Hag Syndrome, or otherwise called, the Bedroom Invader experience.

The Old Hag Syndrome of an assailing nightmare can be otherwise transformed into a Night-Mare Succubus to ride, as your Mind-Doll Dakini, whence she to carry you, without moving, Out Of Body, wherever you desire to go, throughout space and time within a lucid dream.

Whatever is experienced when accessing hypnagogic trance will be determined by what you take in with you of an inner narrative of beliefs, which is often subliminally influenced by your culture. An analogy is somewhat akin to your beliefs determining what you tune into of a TV program, which you will then enter into as a fully interactive lucid dream. The dream reflects back your inner narrative; wherefore if you transform the narrative, you can reprogram your dreams.

Numerous others have also experienced this phenomena throughout the ages, such as the author and researcher Michael Raduga, who otherwise brands the hypnagogic state as being what he calls, The Phase. Raduga has come to the realisation that the hypnagogic state has been hijacked by various religions; most notably by the trinity of Abrahamic faiths, whose shared symbolic dialogue determines the narrative of the inner experience for many across the globe, which can be further manipulated via orchestrated false flag events.

Raguga has also noted that the religious narrative has been transmuted into the viral-meme arena of science fiction, where machismo Angels and butch Demons have been transformed into Aliens, which is essentially a continuation of the religious programming.

In other words, whoever controls the symbolic narrative can thereby determine the programming of many minds; this would be subversively engineered in order to sustain the established religious structure, which is very much entwined with the present New World Order centralist politics of society; wherefore, those who control the narrative will not want the masses questioning it. The primary means of negating the questioning masses is to make them fear the inner reality of their own minds; hence the war on drugs for example.

The question is, how far would the controllers go in sustaining their symbolic Matrix, wherein many a mind is being subversively programmed and thereby imprisoned, without ever realising it?

Well, you would need to look into a possible physiological factor involving dreaming in order to determine how far the controllers would go, such as looking at the pineal gland for example, which is otherwise known as the third eye by ancient mystics.

The scientist Rick Strassman MD has determined that the pineal gland is inextricably entwined with dreaming and other associated altered states of perception, which may be due to the pineal gland alchemically producing the schedule 1 drug, N,N-Dimethyltryptamine (DMT or N,N-DMT)  within its one time vestigial eye of an amphibian ancestor.

This is the reason why ancient shamanic adepts of hypnagogic trance inducement were symbolically represented as being amphibious creatures such as toads or as reptiles of varying kinds, as well as fish.

It just so happens that the mass fluoridation of the water supply with the known neurotoxins and mutagenic compounds, fluorosilicic acid, sodium fluorosilicate, and sodium fluoride specifically targets the pineal gland.

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Whereby you then have a number of neurological disorders afflicting the industrialised nations, who practice fluoridation since the end of WWII.

Unlike the fluoride compounds found in toothpaste or supplements, fluoridation chemicals are not pharmaceutical grade quality.

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They are, instead, unpurified industrial by-products, which are collected in the air pollution control systems of certain industries.

The fluoridation chemicals calcifies the pineal gland over time, whereby leaving it inoperable; hence potentially cutting you off from experiencing what Raduga brands as The Phase.

You could thereby conjecture that the ruling elite are attempting to transform the mass populace into easily programmed robots who will not question the symbolic Matrix, which imprisons their minds. If you consider such conjecture to be just a crazy conspiracy theory, you are still left with the unavoidable fact that a criminal mistake has been made!

NOTE: Michael Raduga and Rick Strassman MD have their own symbolic narratives, which influences their research into the nature of consciousness. On one side of the coin, you have the Russian entrepreneur, Michael Raduga, who takes a Newage approach to his investigation of The Phase phenomena; he utilises the scientific method as much as possible, which is of similarity to much of the prior Soviet psychotronic research; his particular symbolic narrative is summed up by his scientific sounding brand term, The Phase. 

On the other side of the coin you have the American scientist, Rick Strassman MD, whose symbolic narrative is heavily influenced by Judaism in particular, and in turn the Bible, who is on a personal quest in order to determine what the Biblical prophets had tuned into of an inner reality, which is very popular among a number of Judaeo-Christian American’s; his brand term is the religious sounding, The Spirit Molecule. 

As mentioned prior, your own personal narrative determines what you internally access, which can be subversively influenced by your surrounding culture; hence, whoever controls the collective narrative of your culture on either side of the coin can thereby influence the mass population’s perception of reality; this is very much the case when brand terms are aligned with already established archetypal influences. 

In order to determine who is promoting a symbolic narrative at a collective level, you follow the associated strands of an underlying money trail to find those who own and run the mass-media show, which is somewhat self-evident when looking into the media machine of America. 

For example, Rick Strassman MD is part of a bigger narrative web of associative correspondences, which hearkens back to the psychedelic hippie era, of a more cohered form, whose orientation is nigh Gnostic of a symbolic paradigm. 

The evocative branding of an altered state of abstract consciousness, whether it be The Phase or Spirit Molecule, is that of an art form. The form the symbolic narrative takes on either side of the coin of an open-ended or closed system is determined by the creative potential of humanity, which is essentially that of art. 

The practice of art is indivisible to the practice of magic, they are one and the same. So, if you do not want to be programmed by subliminal influences, or to otherwise transform them of symbolic alchemy, you need to become aware of the inner Artist within you; for it was the shamanic practitioner of trance who was the first Artist, who knows how to lucid dream. 

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DEVIL GIRL CONTRACT

Posted in Art, Chaos Magic, Demon, Demonology, Devil, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 2, 2015 by FAUSTUS CROW

A contract with the Devil is very much at the forefront of the Faustian folklore. But, if you reverse its symbolic focus upon an ‘Animus’ manifestation of a Devil, named Mephistopheles, to otherwise have an ‘Anima’ manifestation of a Devil Girl Succubus, to name, Mephistophina, then the relationship will generally be construed as being sexual. Hence a contract can be transformed into a ‘Coitus Pactum.’

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The reversal of the symbolism will then indicate that the original tale was not about a Sorcerer named Faust, but that of a Witch, called Faustina, who had entered into a Coitus Pactum with her horny ‘Animus,’ Mephistopheles.

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In fact, there is an ancient Roman plaque, which depicts the Empress Faustina being carried into heaven by the Goddess Diana-Lucifera; perhaps Faustina was a lesbian?

In pre-Christian Rome, being gay, or bisexual was not a crime, Rome didn’t even bat an eyelid.

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The popular Roman Goddess Diana-Lucifera was later transformed into a butch Lucifer by the homophobic Christian’s.

Basically, the perception of the masses can be easily influenced by the manipulation of sexually charged symbolism.

For example, the symbol of the Swastika, was once considered to be sacred by the pre-Christian European’s, who saw the Swastika as representing Thor’s hammer. Numerous other ancient peoples saw the Swastika as being holy, just as the Hindu’s and Buddhist’s still see the Swastika as being sacred to them.

This soon changed when the Nazi’s utilised the pagan symbol of the Swastika/Thor’s hammer to promote their right-wing Christian politics.

Another example is the ancient Egyptian Goddess Isis, whose promiscuous pagan cult was very popular in pre-Christian Rome. No doubt the early Christian’s considered Isis to be sexist.

Isis was later transformed into the politically correct Virgin Mary of an Animus fixated faith.

The name of Isis has since been used for manipulating the perception of the masses via the highly controlled mass media, which uses neuro-marketing, to zap your reptilian brain-stems with its political product.

This involves using certain symbolic stimuli, such as utilising an unemployed Caucasian female, of a one time Punk Rocker dressed up as a Nun of the Virgin Mary, whose Roman Catholic cult had appropriated the Animus fixated cult of the Hebrew’s, hook line and sinker. The Nun then runs off to Syria with an Islamic version of a Christian Grey, to become a fucking Isis Jihadist, which of an Arabic Wahabi cult has also appropriated Judaism hook line and sinker!

That aside of cultic insanity, if you stick to the original Faustian tale of a Christian viral-meme, then it will reveal why Marlowe’s version of Faust has a far more intimate relationship with his Mephistopheles of a hidden meaning; for Marlowe was homosexual of inclination. Marlowe used the Faustian tale to communicate his inner turmoil, and despair, of being castigated as one of the damned, by his society, which Goethe, had perhaps, misinterpreted, who did not fathom its underlying symbolic reasoning, or to have ignored.

During Marlowe’s and Goethe’s time, homosexuality was outlawed across Europe by the church of Rome’s own totalitarian/fascistic Sharia law, up until recent times.

So, may be Goethe had not missed the underlying relationship dynamic between Faust and Mephistopheles, which for Marlowe’s and Goethe’s Animus fixated audience, would make Faust even more heinous in their eyes, of an unsaid interaction.

There is historical evidence that many a theological scholar disdainfully considered Faust to have been homosexual due to his interaction with Mephistopheles, But they did not explore its symbolism too much, since they knew where it would lead them; for the Fallen Anima does haunt their Animus fixated theology.

Whereas now, of a so called enlightened and civilised perspective, most do not see the original symbolic meaning of the Contract.

If they do see it, many may just start to question their own Devil’s Contract with the ‘Animus’ fixation of the three monotheistic cults of an oily monotheistic ILL-uminati trinity, which seeks to propaganda convert the souls of the masses, to their Orwellian New World Order agenda.

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As for heterosexual Faustus Crow, he has entered into a lucid dream Coitus Pactum with his Succubus Art Muse of an ‘Anima’ manifestation to name as Mephistophina.

The Anima manifestation of Mephistophina represents a rebellion against the monotheistic commonality of a Playgirl ‘Animus’ fixation.

However, due to the politically-correct perspective of the present brainwashed society, Crow’s Coitus Pactum interaction with his Fallen ‘Anima’ is considered to be Entartete Kunst.

Crow has noticed that his conjurations of Mephistophina, along with her (Succubi) Succubae sisterhood, whom populate his Playboy Grimoire has caused an emotionally reactive stir, since it is considered as being merely pornographic by the politically-correct thought-police, whether they be of the Totalitarian left or of the Fascist right.

Faustus Crow doesn’t give a toss what the brainwashed herd mind of the zombies say, at all!

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GENIE GIRL REBEL

Posted in Art, Chaos Magic, CREATIVE WRITING, Demonology, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , on November 2, 2015 by FAUSTUS CROW

The Ninth Succubus archetype of the Fallen Anima is called, Paimona. She is a Great Witch Queen, and very obedient unto DIANA-LUCIFERA. She sometimes appears as a woman sitting upon a Dromedary, with a Crown most glorious upon her head.

There goes before her also a host of Succubus Great Old Ones, who be female Genies, with loud trumpets and well sounding cymbals, and all other sorts of musical instruments, which cause a stir of protest music.

She has a most seductive voice, and seduces at her first coming, and her hypnotic speech is such that the Sorcerer cannot well understand, unless he can compel her to explain, who will reveal, what has been established of a patriarchal symbolic matrix by the minions of the deified Animus, made as a God and Devil, is actually the biologically driven creation of the Queen Bees.

This Succubus of the Fallen Anima can teach all Arts and Sciences, and other secret things to relate concerning the elite few who control all, whose monotheistic triangle of the deified Animus cults stem from oily UR.

She will reveal that your perception of reality is being managed for the benefit of the elite few atop of their ziggurat Beehive of patriarchal skulls, and why they do so; and to reveal how they control your mind via the controlled media.

Such as making heterosexual males feel guilty about their own sexuality by attacking the Fallen Anima, and where it is all going; or any other thing you may desire to know.

She gives Dignity, and confirms the same. She binds or makes any of the elite few subject unto the Sorcerer, by revealing who they are, if he so desires it. But alas, most Sorcerers are into egocentric role playing games, who fight among one another, rather than fighting against the insanity of the elite few.

She gives good Anima Familiars, and such Muses can teach all Arts; for the practice of Art is indivisible to the artistry of Sorcery; they are one and the same of shamanic practice.

She is to be observed towards the West, due to the fact that she has migrated, because of all the insane religious wars, and slaughter over the petrodollar, which afflicts her original homeland.

She is of the Order of Dominations who has under her 200 Anima Legions of Succubae Genies, and part of them are of the Order of Angels, and the other part of Potentates. Now if you call upon this Succubus, Paimona alone, you must make her some ejaculatory offering; and there will attend upon her two Witch Queens called LABALA and ABALI who are most salacious twin sisters, and also other Succubae who be of the Order of Potentates in their host of 25 Legions.

And those Succubae Genies which be subject unto them are not always with them unless the Sorcerer do compel them. Her Character is depicted amidst her bottle, which must be prior meditated upon, before conjuring her within your lucid dreams, etc.

NOTE: The classical grimoires, which primarily list an Animus fixated pantheon of fallen male Angels, depicted them as being part of an aristocratic hierarchy, who ‘symbolically’ represented the ‘Rebellious Anti-Thesis’ of the ruling (Angelic) aristocratic elite. You could see the Daemonic hierarchy of the grimoires as being an artistic form of prior Protest against the (Angelic) establishment. This tradition has carried over into David Icke’s Reptilian Agenda, although, its surrealistic theory is seen as being a literal conspiracy by Icke and his followers, just as many believe that humanity is in thrall to Biblical Demons spewing out of their Middle Eastern Hell hole; however, they are all too human, who make out that they are more than what they are!

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THE GREAT BEAST OF BETHLEHEM

Posted in Art, Chaos Magic, Occultism, Sorcery, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 31, 2015 by FAUSTUS CROW

William Butler Yeats (3rd June 1865 – 28th January 1939) was an Irish poet and one of the foremost figures of 20th century literature. During March 1890, Yeats became a member of the Hermetic Order of the Golden Dawn. Yeats had a life-long interest in mysticism, spiritualism, occultism and astrology.

He read extensively on these arcane subjects throughout much of his life. Previous to his Golden Dawn membership he had joined the paranormal research organisation, The Ghost Club, in 1911. He was especially influenced by the writings of Emanuel Swedenborg. As early as 1892, Yeats wrote: “If I had not made magic my constant study I could not have written a single word of my Blake book, nor would The Countess Kathleen ever have come to exist. The mystical life is the centre of all that I do and all that I think and all that I write.” 

Yeats interest in mysticism was also inspired by an in depth study of Hinduism, under the Theosophist Mohini Chatterjee. His infatuation with the occult arts formed much of the basis of his later poetry, via which of nigh automatism he may have foreseen the future, of a present unfolding? Or did he merely intuitively deduce that the mass populace will bring about a self-fulfilling prophecy due to their religious indoctrination.

Then again, Yeats extensively mixed with those of political machinations, who utilise the collective religious indoctrination for their own ends; for in order to have control over the masses you subversively create a crisis and then offer a solution. For example, you have three big business Animus cults dancing a triangle around Abraham’s eye, who create their prophesied war; this monotheistic fascist trinity, of theocratic centralist politics then ushers in a (Falcon/Eagle) peacemaker, who be their ‘Petrodollar’ OSIRIS ‘Messiah,’ HORUS ‘Lord‘ and Prophet of ‘ISIS’ lording it over their Orwellian New World Order heaven on Earth.

THE SECOND COMING

TURNING and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;

Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;

The best lack all conviction, while the worst
Are full of passionate intensity.
Surely some revelation is at hand;

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Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi

Troubles my sight:  somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,

Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know

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That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born? 

The Second Coming by William Butler Yeats

Christianity and Islam appropriated their Animus cults from the cult of Judaism, which in turn had appropriated the cultic beliefs of the ancient Egyptian’s, more specifically that of the monotheism of the pharaoh, Akhenaten. Their ILL-uminati trinity of the deified Animus have no power whatsoever, apart from what is given to them by their blind followers.

As for their big-business influence, it is purely based upon owning assets, such as oil! These big-business Animus cults will do anything to survive; hence the never ending slaughter in the Middle East!

So, if you observe symbolic associations, which are tied up with a religious indoctrination, whether it be Abrahamic or that of its prior Egyptian foundation, leading thence to Aleister Crowley’s New-Age focus upon (Animus) Horus, the blatant correspondences have been engineered that way.

The symbolic set up has been designed to subversively manage the perceptions of the religiously inclined, who have been programmed since ‘childhood’ to expect the ‘birth’ of a ‘Second Coming’ out of the Middle Eastern Rose-‘Mary’ womb of ‘Isis;’ wherefore they blindly allow for the insanity to continue.

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BABALON WITCH BRIDE OF CTHULHU ANIMUS

Posted in Art, Chaos Magic, CREATIVE WRITING, Film, Goetia Girls, Horror, Occultism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , on October 30, 2015 by FAUSTUS CROW

“What Dragon of cement and aluminium bashed open their skulls and ate up their brains and imagination?

Cthulhu! Solitude! Filth! Ugliness! Ashcans and unobtainable oily dollars! Abandoned children screaming under the stairways! Boys sobbing in monstrous armies! Old men weeping in the lonely parks! 

Cthulhu! Cthulhu! Nightmare Babalon, of Cthulhu! Cthulhu the loveless! Mental Cthulhu! Cthulhu the deified ANIMUS judger of men! 

Cthulhu the incomprehensible prison! Cthulhu the crossbone soulless jailhouse and Congress of sorrows! Cthulhu whose buildings are judgement! Cthulhu the vast stone of WAR! Cthulhu the stunned governments!  

Cthulhu whose Babalon mind is pure machinery! Cthulhu whose Babalon blood is running money! Cthulhu whose phallic tentacles are ten armies! Cthulhu whose patriarchal breast is a cannibal dynamo! Cthulhu whose controlled media mouth is a smoking tomb! 

Cthulhu whose eyes are a thousand blind windows! Cthulhu whose skyscrapers stand in the long migrant streets like endless Jehovahs! Cthulhu whose factories dream and choke in the fog! Cthulhu whose smokestacks and antennae crown the cities! 

Cthulhu whose Babalon love is endless OIL and stone! Cthulhu whose Babalon soul is electricity and petrodollar banks! Cthulhu whose poverty is the specter of Babalon genius! Cthulhu whose Feminist fate is a cloud of sexless hydrogen! Cthulhu whose ANIMUS name, is within the Babalon Mind! 

Cthulhu, against whom I rebel! Cthulhu, against whom I rebelliously dream of Succubae angels! ANIMA crazy against Cthulhu! Pussy-eater against Cthulhu!

Lacklove and manless in third-wave Feminist, Cthulhu ANIMUS! 

Cthulhu who programmed our souls early! Cthulhu in whom I am a consciousness without a body! Cthulhu who frightened me out of my natural ecstasy! Cthulhu whom I abandon! Wake up in the ANIMA, against Cthulhu! Light streaming out of the sky! 

Cthulhu! Cthulhu! Robot apartments! invisible suburbs! skeleton treasuries! blind capitals! demonic industries! spectral nations! invincible madhouses! crucified granite pricks! monstrous bombs! 

They broke their backs, lifting their deified ANIMUS Cthulhu to a New World Order Heaven! Pavements, trees, radios, tons! lifting the city to Holy-wood Heaven which exists and is everywhere about us! 

Visions! Omens! Hallucinations! Miracles! Ecstacies! gone down the American river! 

Dreams! Adorations! Illuminations! ANIMUS Religions! The Seventh Seal ANIMA unsealed reveals a whole boatload of sensitive bullshit! 

Breakthroughs! over the Babalon river, menstrual red! flips and crucifixions! gone down the bloody flood! Highs! Epiphanies! Despairs! Ten years’ animal screams and suicides! Minds! New loves! Mad generation! down on the rocks of Time! Forgotten! 

Real holy laughter in the Euphrates! They saw it all! the wild eyes! the holy yells! They bade farewell! They jumped off the twin tower roof! to solitude! waving! carrying flowers! Down to the BABYLON river! into the migrant street!” 

BABALON WITCH BRIDE OF CTHULHU ANIMUS

Freely adapted in part, from part II of the poem, entitled: Howl! By Allen Ginsberg  (1926-1997) Ginsberg once called his protest poem, “an emotional time bomb, which would continue exploding in U.S. consciousness in case our military-industrial-nationalist complex solidified.” 

Howl was originally banned for its Entartete Kunst obscenity; customs officials seized 520 copies of the poem on March 25th, 1957, being imported from the printer in London.

On June 3rd Shig Murao, a ‘Dark City’ bookstore manager, was arrested and jailed after an Orwellian sting operation for selling Howl and Other Poems to an undercover San Francisco police officer. City Lights Publisher Lawrence Ferlinghetti was subsequently arrested for publishing the book. At the obscenity trial, nine literary experts testified on the poem’s behalf. Supported by the American Civil Liberties Union, Ferlinghetti won the case when California State Superior Court Judge Clayton Horn decided that the poem was of “redeeming social importance.”

The greater obscenity is war; nothing has changed; Ginsberg to have foreseen the present insanity. The case was widely publicized. (Articles appeared in both Time and Life magazines.) An account of the trial was published by Ferlinghetti’s lead defense attorney Jake Ehrlich in a book called Howl of the Censor. The 2010 film Howl depicts the events of the trial. James Franco stars as the young Allen Ginsberg and Andrew Rogers portrays Ferlinghetti. It just so happens, the term: Goetia, means, Howl!

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NIGHT NURSE SUCCUBUS MEDICATION

Posted in Alien, Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Devil, Discordianism, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 20, 2015 by FAUSTUS CROW

Should you vigorously rub up a bottle of Night Nurse medication, upon the striking, of the thirteenth hour, during the twilight time of Halloween, you might just find that a Night-Mare Nurse will erupt forth from her slippery Genie bottle.

But due to her infernal origin, since the Fallen ‘Anima’ and her archetypal legions of salacious Succubae have been cast into the depths of Hell by the trinity of the deified ‘Animus’ cultists, whom insanely dance betwixt their God and Devil, she will look like an Exquisite Corpse, of a knitted together Frankenstein’s Witch Muse.

She might just reveal why you feel so ill, to thence tell of what the Ill-uminati cults of the deified ‘Animus’ are up to, which of an unholy trinity, worship the Orwellian eye of their three faced ‘Animus’ God amidst an Oily UR ziggurat.

You will probably believe that you are hallucinating all of this, while your fluoridated brain is being revived, by remembering a passing, video in which women protest against their own Animus creation of the patriarchy, to understand of greater clarity, as you lie paralysed upon your sweaty bed.

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Out of the shadows, the Succubus archetype of the Fallen ‘Anima’ to then leap upon you, finding yourself crucified, as she mounts your nailed down body; she be no celibate Virgin Mary.

Like a predatory Sphinx she assails you, with her weighted presence, whose feline nature is that of a Lioness, going for your reptilian brain-stem throat, to arouse into rebellious activation.

She will then appear to be in the company of two surrealist Cenobite Dakinis, who be highly Hellraiser versed in the Tibetan ritual of Chöd, whose flaying knives deftly cut away the mind-control layers of your brainwashed brain.

Maya Matrix Shock Hypnosis Animation.

But should you fear these Dakini pylons of the Ida and Pingala nerve channels on either side of your ‘Da’at’ Adams’s Apple, you will find yourself being operated upon by monstrous alien entities looking like Spielberg extraterrestrials, out of the controlled media machine of Hollywood, who will duly probe your ‘Yesod’ anus.

But then what do you expect when having an indoctrinated focus upon the deified ‘Animus;’ although, those of other sexual orientations will consider the probing to be pleasurable.

The elitist few atop of their oily ziggurat seek to manage your neural-net perception via the neuro-advertising media, whereby controlling your mind; hence shafting your 9/11 piggy body in turn, of collective shock hypnosis; for that is how the elite see you, all as common as muck swine, to fuck up the arse within their Masonic Beehive Bohemian grove clubs.

When to overcome your fear through Discordian laughter, to thence seer through the Ill-uminati ill-usion, to ask her name, she may just reply of clairaudience, that she is the Fifth Succubus archetype of the Fallen ‘Anima,’ listed in the Goetia, whose name is Marbasi.

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Her office covers neurology and cybernetics, which of disciplines, has led to the elite devising means to scientifically brainwash the mass population to become as servile robots.

If you be an Artist, of inclination, Marbasi will inspire your Frankenstein interest in anatomy, as well as to vividly visualise your Artistic creations to assume an exquisite corpse Frankenhooker Tulpa reality, likened to knit-together computer game characters.

But at first, you will seer them, looking like shapeless blobs darting around your third eye inner vision, hovering around like bubble Witch UAV’s.

Then they will take the the forms of mechanical Mind-Dolls, manifesting amidst your Triangle Of Art Imagination, until they assume interactive ‘sentience,’ within your virtual reality lucid dreams, all as Fallen ‘Anima’ fluctuation Succubae.

You will then come to awareness, that many around you are programmed like blind, deaf and dumb three monkey automatons who are allowing themselves to be led by an insane few, atop of their Oily Petrodollar ziggurat of skulls.

When you see beyond the controlled media illusion of the NWO ziggurat of ‘Animus’ fixated UR, you might just then fathom that the observed technology around you, is far more advanced behind the military industrial complex scenes, which is the ‘Animus’ Beast that Babalon rides as her own Patriarchal creation. In other words, the technological ‘Singularity’ has already sentient ‘AI’ occurred.

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SUCCUBUS ANIMA HOWLING

Posted in Art, Chaos Magic, Devil, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 8, 2015 by FAUSTUS CROW

The grimoire entitled the, Goetia, means, howl, which of a word, the poet Allen Ginsberg had used for his 1955 poem of protest, titled: Howl. Ginsberg’s, ‘Howl And Other Poems,’ was published as part of his 1956 collection of poetry, which was dedicated to the writer Carl Solomon at a counterculture time when feminism came to ascendancy. Ginsberg wrote that:

“In publishing ‘Howl,’ I was curious to leave behind after my generation an emotional time bomb that would continue exploding in U.S. consciousness in case our military-industrial-nationalist complex solidified into a repressive police bureaucracy.” 

Ginberg’s Howl utilised the name of a God that was once worshiped by the Phoenicians and Canaanites called Moloch, which Ginsberg saw as representing a repressive police state as well peoples blind submission to it.

The Swiss psychiatrist Carl Jung would probably whimsically see Moloch as representing the masculine principle of a Fifty Shades Of Grey Animus residing within the psyches of all women.

The counterpart of the Animus is the Anima, which in Carl Jung’s school of analytical psychology, is the primary female archetype residing within the unconscious mind of a male.

The Anima is described by Jung as being an influential force within the collective unconscious, which transcends the unconscious of the personal psyche of an individual male.

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However, due to the mass indoctrination into the monotheistic paradigm of the deified Animus made as a God/Devil, the expression of the Anima has been systematically erased or otherwise incarcerated into the symbolic form of a celibate Virgin Mary.

The Virgin Mary masks the one time ancient Egyptian Goddess Isis, whose name has since become a buzz-word of the highly controlled mass-media, when describing Animus fixated Wahabi extremists.

The Anima and Animus are archetypes of the collective unconscious; they are not personal aggregates of a father, or mother, brothers, sisters, aunts, uncles, or teachers, etc; although their imprints upon the personal unconscious can influence an individual.

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The Animus in particular is symbolically expressed as the all male pantheon of Angels and Demons.

These all male Angels and Demons are commonly listed within the monotheistic grimoires, who dance around a God and a Devil; wherefore the fixation upon the male is that of the Animus residing within the unconscious psyches of all women.

You can thereby conclude that the symbolic construct of the monotheistic religions, upon which these grimoires are primarily based has been forged by women, due to an overriding fixation upon the Animus, made as a God and Devil.

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Hence, when women berate what is termed as being a male dominated paradigm, they are inadvertently berating their own Animus projection, which has been personified as an All-Father God, enthroned between a crucified Beta-Male Good-Guy Christ and an Alpha-Male ‘Bad-Boy’ Devil.

However, every personification of the unconscious has a light and a dark aspect, such as the Animus, which can bring life-giving development and creativeness to the personality, or it can cause an individual to reactively erase its influence, which leads to insanity, the eventual death of a personality, becoming like that of a soulless automaton.

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Should this reaction be applied to the collective, it manifests as hypocritical political-correctness, totalitarian thought-control and fascistic politics.

The religious symbolism of the monotheist faiths mirrors the relationship dynamic between women and those men they choose as their mates, whether in actuality or that of fantasy.

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For example, many a woman is infatuated with a crucifying Bad-Boy Christian Grey, of fifty-shade Twilight desires, who desire being nailed by his conservative necrophilia of bestial dogma.

This fixation upon the Animus is genetically hardwired, of a biological imperative, which of an unconscious influence within the psyches of all women, over the Zodiac ages, has forged the present monotheistic focus of Piscean age society.

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As you are no doubt aware, the present monotheistic society of an Animus fixation is becoming progressively more fascist of a totalitarian orientation.

Those who argue that such is not the case, are faced with the unerring fact that the creative principle behind the entirety of existence has been symbolically personified as a (Animus) God, whose ‘three’ religious constructs of an all male paradigm is derived from a particular cultural perspective, stemming from the war torn Middle East out of UR’s petrodollar ziggurat of Abraham.

Logic would dictate that the creative principle behind the entirety of existence cannot be personified by a religious focus upon a singular gender, of human form, let alone being based upon a cultural construct. Hence, the overriding monotheistic focus upon the male points at something else, being that of the Animus.

As for the symbolic expression of the Anima within the Playgirl grimoires, it is none existent.

But then, the religious construct upon which these grimoires are based, has castigated the Anima out of the spiritual equation.

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Should a male presently explore his Anima, he will duly find himself being tarred and feathered as being a misogynist, or a sexist pornographer, merely because he plays video games, involving sexy female characters.

This is more so the case, if a male artist expresses his explorations of the Anima via his Art, which can potentially lead to his work being shunned, censored, let alone banned as being Entartete Kunst.

Artistic renditions of the Anima often manifest within the art-form of video games, which are being presently targeted by social engineers, who invariably utilise the emotively charged front of feminist politics to do so.

When to investigate the Anima, a male practitioner of symbolic alchemy has to keep in mind what Jung had termed as, ‘invasion,’ of the conscious by the unconscious archetype of the Anima, which can then lead to him being easily manipulated by the emotional politics of his female partners, upon whom he unknowingly projects his Anima.

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Women are generally more emotionally astute than men; this is because their emotional intelligence develops at an earlier age than males do. This is not a sexist remark, it is actually a biological fact.

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Jung insisted that: “A state of Anima possession…must be prevented. The Anima is thereby forced into the inner world, where she functions as the medium between the ego and the unconscious, as does the persona between the ego and the environment.”

Because a man’s sensitivity is usually repressed, the Anima is considered to be one of the most significant autonomous complexes of all within the psyche of a male, which influences a man’s interactions with women as well as his attitudes towards them.

If he is not aware of his Anima, he will duly find himself being manipulated by the controlled media machine manipulation of women, upon whom he unknowingly projects his Anima; just as women are likewise influenced by their Christian Grey Animus.

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Jung related: “the encounter with the shadow is the ‘apprentice-piece’ in the individual’s development…that with the Anima is the ‘masterpiece.”  

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Jung saw the Anima as being the interface with the collective unconscious. Hence, she is the doorway into the collective dream; whereby, those who seek to influence the unconscious minds of individuals will target the Anima via subversively stirring up the women, which is easy to achieve since most males are totally unaware of the archetypal existence of the Anima within their own psyches.

The established symbolic paradigm of an Animus fixation has castigated the Anima out of the spiritual equation. Wherefore Faustus Crow summons up his Anima, Mephistophina, in order to negate the viral-meme brainwashing of the establishment, by conjuring her Muse sisterhood of Succubae amidst his Triangle Of Art lucid dreams, to thence list within his howling Skull and Crossbones pirate grimoire, of artistic anarchy.

NOTE: I am not saying that the Bene Gesserit Sisterhood are the unseen cause of all the woes of this world, that would be plain stupid, which would be just as crazy as saying that the Illuminati Brotherhood are the cause of every woe afflicting society.

It is more of a case of the many who blindly give over their power to a few who have sway over unlimited finances, whom delude themselves, that they are the elite.

This is due to them suffering from an inbred superiority-complex. The insanity of the brain-dead puppeteers is plain for all to see when to look at the petrodollar Middle East of mass-sacrifice, should you not be distracted by a PsyOps engineered conflict between the genders, which has nullified any anti-war protests.

The guilty party who have engineered the suffering of war, can be seen by all; for the insane few are the ones who ‘benefit’ from the orchestrated confusion and mass slaughter!

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