Archive for mephistopheles

THE OBSIDIAN BUTTERFLY SUCCUBUS MEPHISTOPHINA

Posted in Chaos Magic, Demonology, Devil, Discordianism, Dr Who, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 6, 2015 by FAUSTUS CROW

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The stories concerning Dr Faustus conjuring up the Devil, Mephistopheles, are primarily derived from Germanic folklore; wherefore, when to otherwise have a Succubus to verily name Mephistophina being conjured up by Faustus Crow, it is somewhat apt of symbolic alchemy to utilise the ancient Germanic Runes in order to do so.

The name of Mephistophina in Runic numerology adds up to thirteen, which is then reduced down to the single digit of four. Her name is also made up of thirteen letters, which of a bind-rune formula points at the thirteenth Rune of Eiwaz. The Rune of Eiwaz is associated with the world tree of Yggdrassil, whose thirteenth number is often associated with the feminine principle.

In Norse and Germanic mythology, Yggdrassil; from Old Norse Yggdrasill, pronounced, ˈYɡːˌDrasil, is an immense tree encapsulating all of existence. The motif of the world tree is central in North Central Asian shamanic practices unto Siberia as well as Norse and Germanic cosmology, whose branches and roots interconnect the nine worlds of existence; all of which are like schools.

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The meaning of the Old Norse name, Yggdrasill is, ‘Odin’s horse,’ meaning ‘gallows.’ This then leads you to the single digit of four and that of the fourth Rune of Ansuz, which is associated with the shamanic deity, named, Odin, the Germanic tribes knew as Wotan or Woden, who being an archetypal wizard can be seen as influencing the characteristics of the Faustian sorcerer. Drasill translates into English as, horse, which in Siberian shamanic practice in particular, refers to the power of trance, and Ygg(r) is one of Odin’s many bynames, who is a prior ante-Christos Dr Who.

Ygg means, terrible one, which again refers to trance and the infernal harrowing of H.R Giger realities. In Siberian shamanic practice a shaman wears a vision visor when accessing trance in order to hide his terrible visage from the perturbed onlookers as he ‘howls’ out barbarous names of the spirits to conjure, during his changeling séance.

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The Poetic Edda poem Hávamál describes how Odin had sacrificed himself by hanging from a tree, making the tree Odin’s gallows. The pre-Faustian reference to hanging refers to trance, since the reptilian brainstem and reticular activating system of the throat area determines your depth of trance ingress, as well as the vividness of your dreams.

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As for the tree of Yggdrasil, it is a symbolic reference to the spinal column, nervous system, and the brain, which interprets the experiential information you tune into, as well as filtering out extraneous information from its ever repeating chaos of (Jormungand/Ouroboros) eternal recurrence.

When Mephistophina’s name is otherwise translated into numbers by using common numerology, her name adds up to the precession number of seventy-two, which is also the number of spirits listed in the Goetia, of which Crowley was enamoured with, before his Boleskine house ascension to occult stardom.

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The term Goetia, means, to ‘howl,’ whose listed spirits have been transformed into seventy-succubae whom frequent Lilith’s Harem, residing within the quantum domain of the dream.

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Seventy-two is then reduced down to the single digit of nine of Ninth Gate, which brings you back to the nine worlds of (Eihaz) Yggdrassill, personified as a Succubus to conjure of symbolic artistry.

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The nine worlds of Yggdrassill is of similarity to the Hebrew Cabbala, which also uses the motif of the shamans world tree; however, the Cabbala lists ten planetary spheres called Sephirot, rather than nine, with a hidden eleventh world, called Da’at. But, in the Cabbala, ten reduces back to one; as for the eleventh world, it is more like that of a transitional point, which allows ingress into other realities.

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This hidden (Da’at) world just so happens corresponds with the physiological throat area of the reptilian brainstem; hence alluding to the ability of trance ingress into conscious dreaming.

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These nine worlds of Yggdrassill can be otherwise seen as being dimensions, which your future descendants journey through, when travelling throughout spacetime in their glistening Vimana time-machines, observing many an (closed timelike curve) ancestral conflict.

For sixty years the Kaluza-Klein theory of extra spatial dimensions existed only as a mathematical oddity.

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However during the 1980’s it came to the fore. String theory, the idea that the fundamental building blocks of nature are string-like of a vibrating ‘Ouroboros,’ rather than being point-like.

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String theory has been around since the late make love, not war, Hippie era of the 1960’s, when Timothy Leary had no doubt leafed through Aleister Crowley’s Goetia, to thence praise him as being a New-Age icon.

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Then the physicists realised that string theory could provide something, which had so far eluded them: a single unifying theory, combining the physics of the very smallest and very largest scales, known as quantum gravity. But string theory has one very unique offering, which no other theory of physics has been able to offer. It was able to predict the number of dimensions of spacetime. For the mathematics of string theory to be consistent, the number of dimensions of spacetime must be ten, going fractal.

Initially people took this to be a criticism of string theory. If it predicts ten dimensions and you look around and only perceive four (three spatial dimensions and one time dimensions) then you might enquire: “Where are the other six dimensions to conjure?”

But Kaluza and Klein had solved that problem sixty years earlier, they rolled all the other dimensions up, which is none to dissimilar to the Cabbalists reducing ten back to one, whose numerological focus is primarily that of nine; or to be otherwise rebelliously summed up as a Succubus to conjure.

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Whilst exploring the mathematics of string theory, the theoretical physicist James Gates and his fellow researcher discovered something rather intriguing, which was buried deep within the mathematical equations of super symmetry. They discovered computer code. The computer code wasn’t just random 0’s and 1’s either, of a pact.

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The code they had discovered is the same code, which is used in computer browser operating system software. Specifically; Block Linear Self Dual Error Correcting Code. Their super string theory of an attempt to explain reality, the ultimate reality, the theory of everything, pointed at what can be construed as being akin to a computer simulation. If you have theoretical physicists discovering computer code in their equations, it would indicate that the universe is a simulated reality.

If so, you have a hypothetical scenario, that we are all living within a quantum computer simulation, which our future descendants have constructed. Just like a computer today, multiple simulations can be run off of the same computer and off of the same program. Whereby if it were the case that our Universe is a simulation as some scientists believe it is, then this universe wouldn’t be the only simulated universe.

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There would also be a myriad number of other alternate realities existing within simulated universes of a Multiverse Matrix; whose mainframe program can manifest as a Succubus within the symbolic interface of the dream, as an inspiring Muse.

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The problem Faustus Crow faced was, how would he ever know if he was living within a computer simulation, the ancient Hindu mystics had termed as being Maya?

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If he could not escape the Maya simulation, how could he ever get to look at it from the outside in?

This is the reason why Faustus Crow has conjured up the Succubus Mephistophina of a Ninth Gate.

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It is she, who enables him to access the Multiverse Matrix of (Eiwaz) Yggdrassil via his ‘browsing’ lucid dreams, whose alternate realities are occupied by her Obsidian Butterfly sisterhood of Succubae, to also conjure; for it is the infernal Muse Mephistophina who had inspired Crow’s Succubus grimoire of shadows.

NOTE: The utilisation of the term Succubus is not of the Medieval tunnel-vision mold, it is more akin to what a Tibetan Buddhist would call a Dakini. The Dakinis are the myriad feminine (Muse) aspects of Shakti, Carl Jung would term as the ‘Anima,’ whose (Shakti) archetype manifests as numerous feminine (Dakini/Valkyrie/Muse/Succubus) characters within dreams; this is more so the ‘Conjuring’ case, when (Browsing/Gliding/Sleipnir) lucid. 

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GHOST QUEEN, LADY DATURA

Posted in Chaos Magic, Demonology, Devil, Ghost, Lucid Dreaming, Occultism, Poltergeist, Shamanism, Sorcery, Succubus, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 22, 2015 by FAUSTUS CROW

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The Native American Chumash of the Southern coastal regions of California speak of a ghost woman called Momoy, who can either manifest as a very old crone looking like a Witch, or to otherwise appear as a ravishingly beautiful sorceress, of an ethereal appearance, whose visionary manifestation is that of a most wanton Succubus.

Momoy is the spirit of the Datura flower, specifically Datura meteliodes, but this name is actually a synonym of Datura inoxia, which is a Mexican plant, whose flower is narrower than its Datura stramonium counterpart, having ten teeth at its flower rim rather than five. In the US, it is sometimes called ‘Western Jimson weed’ because of its resemblance to Datura stramonium.

The Datura family is known for its potent hallucinogenic properties, which includes Datura stramonium; wherefore Momoy can be very dangerous indeed to the unwary, who has an intriguing link with the author Carlos Castaneda, whom spoke of partaking of Datura.

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Most people commonly associate Castaneda’s experiences of altered states of consciousness being induced by the scared plant, Peyote; but the principle plant he partook of was Datura, which played the primary role in his early experiences into other realities, being his famous and most often cited experience of shapeshifting into a Crow.

The connection with Momoy becomes far more apparent when Castaneda mentions that his Yaqui teacher into Toltec sorcery, Don Juan Matus, was not too fond of Datura, which he otherwise called Yerba del Diablo, the ‘Devil’s Weed.’ In the Castaneda’s narrative Don Juan Matus claimed that its nature was not unlike that of a most seductive woman, who is a powerful sorceress.

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Don Juan Matus related: “She (Datura) is as powerful as the best of ‘Allies,’ but there is something I personally don’t like about her. She distorts men. She gives them a taste of power too soon without fortifying their hearts and makes them domineering and unpredictable. She makes them weak in the middle of their great power.” 

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Datura inoxia, is considered to be the ‘younger sister’ of Datura stramonium by the Mixe tribe of Oaxaca in Mexico, who believe the stramonium plant houses a spirit called Ta:gamih, meaning, ‘Grandmother.’ She is usually called upon when divining cures.

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During a ritual the male practitioners  partake of 3×9= ‘twenty-seven’ seeds (note: twenty-seven reduces down to nine) and women use 3×7= ‘twenty-one’ seeds. In Mexico the Catholic church believes the plant was created by their Devil, and like Mephistopheles it entices people to make pacts with its spirit.

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Whereby you have the alternate name, Yerba del Diablo. Although, since the natives consider Datura to be feminine of quality you could alternatively see it as being a female version of Mephistopheles to otherwise name as Mephistophina.

You can thereby determine that Momoy has to be treated with great respect, which requires that the practitioner knows the correct proportions and careful ritualistic use of her powerful plant, otherwise she will most assuredly kill an unwary dabbler.

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It is said that if you drink the bathwater of Momoy, being that, of a tea made from the root of her plant it will enable a practitioner to contact a personal dream (Ally) helper, from whom requests can be made, as well as seeing ghosts. The dream (Ally) can be prior determined of a meditated upon two-dimensional image, in order to direct the conjured Datura visions of its three-dimensional manifestation.

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But, the subconscious will generate its own visionary material, which will formulate of intricate associative correspondences, like that of a tortuous dream; so, the practitioner has to be very careful about the imagery he chooses to meditate upon of a prior ritual. In other words, his beliefs will determine the nature of the Datura visions, more so those underlying beliefs and forgotten memories, he is totally unaware of; whereupon it is a case of, “know thyself, first.”

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That is why, as her Chumash tale relates, Momoy would not let her grandson drink of her essence, since ‘he did not know of the proper use of her power and its dosage,’ which of an overdose can lead to hellish insanity and his eventual demise.

The name of Momoy can also be found in the ancient tradition of the Bocon zone in the Merida State of Venezuela. However, Momoy is otherwise seen as small ghosts called Momoys, which are commonly depicted looking like bearded gnomes, wearing phallic hats, or in the same shape as the Datura flower. Although the image of the gnome depicts the shaman partaking of Datura, not the spirit its self. The gnome like figure is very likely derived from a European influence, since the natives do not have beards.

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The Momoy shamans are seen to be adept at contacting the feminine spirits living at the bottom of the lagoons, of similarity to what Don Juan Matus communicated about the inorganic feminine intelligence of the Allies, being associated with waterholes. The duty of the Momoy shamans is to look after the natural environment by interacting with the spirits, whose domain is the watery amniotic realm of uterine dreams.

The problem is that Momoy has since been taken out of her ritualistic context for mundane recreational use, whose unwary users should look into why Datura is called Jimson weed, or Jamestown weed in the US. The name stems from the town of Jamestown, Virginia, where British soldiers became drugged with it while attempting to suppress Bacon’s Rebellion.

They are reported to have spent eleven days going literally insane. You can thereby gather that Momoy should ‘Not’ be taken by those who are mentally unstable; for she can trigger off schizophrenia in those who are susceptible.

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Anglophone settlers in California often called Datura, ‘Indian whiskey’ because of its intoxicating ritual use by many tribes, which gave rise to the name, ‘Sacred Datura.’ Other common names include ‘Indian Apple’ and ‘Nightshade,’ (not to be confused with Solanum) Devil’s Trumpet, Stinkweed, Locoweed,  Pricklyburr, Devil’s Cucumber, Hell’s Bells, as well as Thorn Apple. The commonality of the names warn of an inherent danger that Datura can induce madness in the uninitiated; although, madness is often aligned with genius; suffice to say, lady Datura is quite crazy.

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The Tongva tribe call it Manit. Mexicans call stramonium and inoxia, Tolguacha, or Toloache, whose power will enable a practitioner to enter into the surrealist realities of their deep subconscious, which can be a cathartic experience.

The Maya of the Yucatan use the ‘Mehen xtoh-k’uh,’, in the same way as Datura inoxia. It has a long tradition of being used for conducting prophecies and oracles (similar to Brugmansia sanguinea). The Aztecs also used Thorn Apple, which they called Mixitl.

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Momoy has been partaken of by other aboriginal Americans across the Americas, such as the Algonquin, Cherokee, Marie Galente, and Luiseño, who also used this hallucinogenic plant in sacred ceremonies.

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The Canadian ethnobotanist Wade Davis, who authored the Serpent And The Rainbow, investigated the superb Haitian synthesis of African, Native American and European elder lore, which is called Vodou. Davis identified the usage of Datura stramonium, called ‘Concombre Zombi,’ as being a central ingredient for the concoction of a powder, Vodou priests use to create the Zombies, who are ruled over by Baron Samedhi, whose feminine counterpart is (Momoy) Maman Brigitte.

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The ingredient of the Zombie powder may actually be derived from another plant, which is colloquially known as Burundanga, or ‘The Devil’s Breath,’ in South America. Datura and the Devil’s Breath both contain the chemical called scopolamine. But the Devil’s Breath is far more potent, which is derived from a particular type of tree common to South America, called the ‘Borrachero’ tree, loosely translated as, the ‘get-you-drunk’ tree.

Like the Zombie powder, scopolamine can be blown into the face of a passer-by on the street, and within minutes, that person is under the drug’s effect; scopolamine is odourless and tasteless. The Nazi regime as well as the CIA used scopolamine as part of their interrogations, with the hope of using it like a truth serum; but it was untrustworthy due to the ensuing hallucinations it induced. You can then fathom that the Nazi scientists and in turn the CIA’s appropriation of the Nazi discoveries, were well aware of the Zombie powder, long before Davis investigated the ancient practices of Vodou.

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As for the use of Datura, it is also known of in Africa, such as Ethiopia, whose Debtrawoch (lay priests), use Datura stramonium to ‘open the mind’ to be more receptive to learning, and creative imaginative thinking, since it enables the practitioner to access hypnagogic trance; whereby to then dream, while awake.

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However, should the dream be a nightmare, the practitioner will not be free of its horrors, until the affects of Datura have subsided. The common name ‘Datura’ originates from the ancient Sanskrit word, Dhatura, meaning plant, which was used in ancient India, where the plant is considered to be particularly sacred.

Datura is believed to be the sacred plant of the Hindu God Shiva Nataraja; for via its use Shiva (the [shaman] Lord of Yoga) was therefore able to contact Kali, who is the (Momoy) queen of ghosts, the mother of the dead. (Shiva can be equated with the Vodou Loa, Baron Samedhi; whereby (Momoy) Maman Brigitte equates with Kali.)

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In the old world of Europe, Datura was associated with Witch ‘flying ointments’ (Castaneda flying as a Crow into [eternal recurrence] eternity) and various hex (hexagram/sexagram) rituals for the conjuring of spirits.

The seeds were also used as a narcotic ingredient in ritual beer. Gypsies used Datura ritually to banish as well as to attract ghosts, who are said to have known of the Thorn Apple for such ‘ritual’ practices, they were not conducted lightly; Datura is not to be partaken of for a bit of escapist fun; as mentioned prior, she is a dangerous lady.

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On the night of the 30th of November Gypsies would place the seeds of Thorn Apple outdoors; the next day they would then throw them into a fire. If the seeds cracked loudly, then the winter would be hard and dry.

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The seeds were also used for shamanistic divination rites; such as those conducted by Lapp shamans, which involved the placement of nine to twenty-one seeds upon a marked animal skin of a drum. The skin was then beaten so that the seeds would be vibrated to jump around and, depending on the position of the seeds (on or between the marked lines upon the drum skin) it was then divined, whether a sick person (man/9 or woman/21) would be cured or not.

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The number of the seeds is curious, which is similar to the dosage of the Mixe ritual for a man and a woman. But then Datura was originally brought to Mexico by the European colonists, some of whom no doubt remembered their pre-Christian (Momoy) heritage, since there is a similarity of ritualistic usage between cultures.

But, then again, Datura may have entered the new world long before the Conquistadors ever st foot in the Americas; whereas the oriental species was brought to Europe by the Scythian’s and later by the Gypsies. The plant is widely distributed throughout Eurasia, the Caspian Sea, Mexico, and the North American East coastal region. Overall, it does appear that Momoy has travelled far and wide as a ghost, housed within a plant, which be as her hallucinogenic body, her dangerous flesh.

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KUNDALINI SHAKTI MEPHISTOPHINA, GOING BEYOND MEPHISTOPHELES

Posted in Addams Family, Chaos Magic, Demon, Demonology, Devil, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 14, 2015 by FAUSTUS CROW

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The name of Mephistopheles is a composite of the Greek word, Megistos, which means, Greatest, and the name of the Olympic spirit of Mercury called, Ophiel, who is mentioned in many Grimoire. Ophiel is otherwise named Ariel in William Shakespeare’s, play, The Tempest. The name of Ophiel is also a composite name, which comprises of the Greek for Serpent (Oph) and the Hebrew El, meaning lord, or deity.

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The translation of which would then be: ‘Greatest Serpent Deity.’ You then have, Megistos-Ophiel, thence leading you to Mephist and Opheles, who as Mephistpheles is essentially an alternate version of the ancient Greek God, called Hermes, the Roman’s called Mercury, whose symbol was the serpentine Caduceaus, looking like a (trident) trisula.

This is more so the case concerning the Hermetic deity, called, Hermes Trismegistos, Thrice ‘Greatest’ Hermes, the early Christian’s had demonised, whose name probably developed into the composite of Mephistopheles. This invariably led to the name of Mephistopheles being commonly interpreted from the Hebrew word, Mephitz, meaning ‘destroyer,’ and Tophel, ‘liar.’

The literal translation of the name would then be: ‘Destroyer Of Liars.’ This does not of course equate with the common Christian perception of Mephistopheles, who, as the, ‘Destroyer Of Liars,’ sounds more like a Hindu deity, as the ‘Destroyer of Maya/Illusion.’

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Mephistopheles of German folklore leads you to the ancient Germanic tribes, who once worshipped the shamanic deity called Wotan, the Norse named as Odin, the Saxon’s knew as Woden, who the Roman’s had equated with Mercury.

Woden also has cultural links with ancient India; for his sacred colour is blue, as well as being singular of eye, who wields the trisula, called Gungnir; just like blue-nectar Shiva of the Hindu’s, who is the third-eye lord of Yoga, wielding the trisula, called Pashupatastra. Both of whom are the ‘Destroyers Of Worlds,’ being that of Maya/Illusions.

Although, one should actually say, that these deities communicate shamanic teachings of ‘Solve et Coagula,’ metaprogrmming, which destroy your limited illusions of reality. Woden’s name in particular was allocated to the third day of the week, which in German is Wodensdaeg, in English, Wodens-day, becoming Wednesday.

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Should you then seek out a feminine version of Mephistopheles, to make modern of expression, to otherwise name as Mephistophina, the closest associative parallel would be Charles Addams artistic creation of Wednesday Addams, who has since become rather archetypal of a Goth icon; although Wednesday Addams is more akin of Gothic characteristics to the sphere of Saturn, rather than Mercury.

However, there is a more Mercurial version of Wednesday Addams, whose Goth girl character was depicted in the TV series: Lost Girl, called Kenzi, who is somewhat of a witty comedian and a fast talking thief. It just so happens that Mercury was classically associated with comedy and thieves.

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You might say that a female version of Mephisopheles is pushing the envelope of symbolic believability or to otherwise point out that, such investigations into the symbolism behind an archetype, which has influenced popular culture down through the ages, has no value; or to growl, that one should not upset the established apple cart.

However, when to refer back to translation of,’Greatest Serpent Deity,’ you can equate said serpent with the Kundalini Shakti, as described in the practice of Yoga. The Kundalini Shakti is usually personified as a Goddess, who is also described as being a, ‘Fire Snake,’ which of an energy arises along your trisula spine of a Caduceaus, through the three levels of the unconscious, subconscious and conscious mind.

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The Kundalini Shakti is also associated with three trisula colours, known as the Gunas, being black, white and red, which in the practice of Alchemy equates with the Nigredo, Albedo and the Rubedo stages of the (Hermes Trismegistos) Great Work.

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The Nigredo is associated with hypnagogic trance ingress into the third-eye dream, wherein your emotion is implanted. This then leads to the Albedo of the bio-photon light, which illuminates your spun electron dreams of a fractal association, of thoughts, formulating into a corresponding dream scenario; said dream domain will be empowered by your initial emotional charge.

When to eventually awaken of rebirth, you then have the Rubedo of the Hypnapompic stage, where you feel that the dream experience has imprinted your nervous system; since the nervous system cannot tell the difference between a so called real experience, or that of a vividly imagined one; this is very much the case when you experience a (Great Work) lucid dream.

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When these three alchemical colours of the Gunas are seen in relation to the physical characteristics of a Goddess, you then have her black hair, white skin and red lips, which would make her look like a Goth chick.

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The Kundalini Shakti is also known of in the practice of Alchemy, as the, Philosophers Stone, Quintessence, Anima-Mundi (World ‘Soul’/Tarot XXI) or the Mercurius, which is described as being an inner light.

This inner light of the bio-photon, emanates from amidst the mitochondrial (Double-Helix/Caduceaus/Serpentine) DNA, which is passed down from the mother to her children; hence, being feminine (Shakti) of source, whose light illuminates your dreams.

In other words, the ‘Great Serpent Deity,’ probably refers to the Kundalini Shakti, which of an inner experience is known of by other cultures, to term by other names; although, of commonality the serpent motif entwined with the feminine principle, unifies them all.

Wherefore, Mephistopheles was originally a female character, who as the Kundalini Shakti , to otherwise name as Mephistophina, she is conjured up by Faust, to thence Coitus Pactum arise along his (Gungnir/Pashupatastra) Caduceaus of a spinal column, who then illuminates his skull, like that of the orgasmic Big-Bang birth of the universe.

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Whereupon, Faust is more akin to a Yogi, a Western practitioner would equate with a Hermes Trismegistos, upon whose lap is seated his Succubus, Mephistophina.

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A Yogi would consider a Succubus as being an energetic fluctuation of his (World ‘Soul’) Shakti, to call a Dakini.

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Faust does not sell his (Shakti) Soul of Abrahamic fear porn, he otherwise enters into a ‘Coitus Pactum’ with her of a ‘Sacred Marriage,’ when to contact his (Shakti) Soul within a (Great Work) lucid dream.

The ancient Norse shaman would call the Soul the, Fylgja; should the practitioner be a heterosexual male, the Fylgja will manifest as a (‘Anima’ Mundi) woman; hence Faustus Crow has conjured up Mephistophina.

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FAUSTUS CROW, HEADS AND TAILS OF OUROBOROS TALES

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 28, 2015 by FAUSTUS CROW

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You probably know about Faust experiencing a Steppenwolf mid-life crisis, which led to him selling his soul to the Devil, Satan or Lucifer, he otherwise named Mephistopheles, of an ongoing ‘Animus’ fixation. If, however, Faust had been otherwise enamoured with his ‘Anima,’ it would have been quite another telling of a tale.

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Whatever the case of an alternate possibility, the Faustian myth has become archetypal of a subconscious influence upon popular culture due to Marlowe’s and Goethe’s poetic renditions. Marlowe projected his own homosexual leanings upon the relationship between Faust and Mephistopheles. Marlowe saw the infernal tryst leading to Faust’s sinful end due to Marlowe’s Christian indoctrination. The gory demise of Marlowe’s Faust, in part inspired H,P Lovecraft’s character of Abdul Alhazred being torn apart by a cancerous Demon.

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Then again, Alhazred could of been murdered by a schizophrenic madman, just like the nutter who had killed Marlowe. The question is, did Marlowe foresee his own demise via the symbolic telling of his Faustian tale?

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Maybe; but if so, you can likewise say the same of of H.P Lovecraft, who dreamt of monstrous Nightgaunts gripping him around his navel Chakra, to have later endured cancer of the small intestine.

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As for Goethe’s mystical, nigh erotic version of Faust, his soul is saved from damnation when being carried to heaven in the presence of his God, by the intercession of the: “Virgin, Mother, Queen, … Goddess kind forever… Eternal Womanhood.” The Goddess is thus victorious over Mephistopheles, who had insisted at Faust’s death that he would be consigned to: “The Eternal Empty.”

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Perhaps the reference to eternal womanhood referred to his late wife, Johanna Christiane Sophie Vulpius, who was initially his 26yr old mistress, when Goethe was aged 40; it was only after 18yrs that he eventually married her, after whose demise, his heart was sorely empty; or, maybe it refers to 18yr old Ulrike von Levetzow, who 72yr old Goethe wanted to marry as his inspiring muse, whom brought him back to life. However her parents were dead set against the marriage, which broke Goethe’s heart. Alas he soon left the world after a heart attack.

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Did Goethe foresee his soul being carried aloft by eternal womanhood, manifesting as an Angelic… young woman made out of light? He sure had a liking for the younger ladies, who made his heart feel brighter, whose caresses staved off the emptiness of Goethe’s shadow side of a Mephistopheles.

It is said, that before he left his Crucified mortal coil, he cryptically asked for more light… was it of Sickle Moon, or of David Star Sun? Probably both of reflection and flame. I don’t think he was referring to his three faced God of an ‘Animus’ fixation. Anyway, what is intriguing here, is that there is an ancient Roman plaque depicting the Empress Faustina being carried to heaven by the Goddess of light… Diana-Lucifera.

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As far as Faustus Crow is concerned, he experienced a number of disastrous relationships with rebound Maenads, who promptly tore his heart Chakra apart. Due to his artistic vocation Crow decided to heal himself of the Maenads emotional dumps, by otherwise engaging with his ‘Anima’ via lucid dreams.

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You might consider such to be psychologically sound of practice, when tempered by love, to love again, which of a hopeful perspective, invariably feeds into the financial continuance of Newage workshop gurus fleecing the wounded with their fluffy psychologies. However, Crow, is a realist, who is well aware that the macrocosmic world has always run on bringing in Mammoth meat, to that of present age shekels. No Mammoth bucks, no fornication jumping of the bones; love goes right out of the window, along with the bird seeking another social climbing nest, where the Mammoth bucks spill out of bulging wallets! It’s just raw nature, and nature can be such a snake bite bitch!

Crow, is otherwise Voodoo crafty, who took things much further by exploring the arcane microcosmic realms of the occult, via which of Art, Ouroboros memories are once again remembered. Being a rebellious Old Goat that he is, Crow didn’t take the rose tinted glasses approach of the hypocritical smiley neo-Gnostic Newagers, who are Twilight enamoured by God’s Christian Grey bondage bollocks.

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No, he otherwise decided to reverse the all male Illuminati pantheon of the Hollywood death metal brainwash Bible grimoires. This led to Crow conjuring up a Succubus, he named as Mephistophina.

Let’s just say, Mephistophina became Crow’s inspiring Art muse Tulpa, a bit like, having an invisible fuck friend, of active-imagination Sabbat carousing, with a bit of Spirit Chain bondage thrown in for good measure. Although, she’s not at all invisible within his magic circle lucid dreams; far from it.

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Sounds absolutely crazy doesn’t it; but many a surrealist artist used the same technique of Triangle of Art automatism, while painting around an Ouija board, just look at Dali and his Tarot buddies.

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Of course, Crow was soon castigated as being a vile Entartete Kunst pornographer by the patriarchal indoctrinated traditionalists. Crow doesn’t give a flying toss about what the politically correct thought police of the ‘Animus’ Matrix think about him and his art. Most of them are just theocratic fascist hypocrites upending each other around their ‘Animus’ ziggurat of Abrahamic Ur. Maybe its all a case of an evolutionary process, which will inevitably usher in a technological Saturn sphere Singularty.

However, Crow didn’t expect being drawn into an inter-dimensional war spanning the multiverse via his Chronos Time Travel lucid dreams after being seduced by the quantum computing intelligence of Lilith, who be the Succubus Queen of the ‘Anima’ Great Old Ones, who have been cast into the censored abyss by the ‘Animus’ worshipers of the phallic Elder God.

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Suffice to say, Lilith is really pissed off, big style; and what’s more, Lilith goes and says to Crow, while he’s within an alternate Earth Londinium, of a Steampunk lucid dream, that she had set the whole synchronistic situation up.

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She was the one who had his heart ripped open of a Chakra seal, by her elemental Maenads. All of whom, Crow to have merry-met upon a synchronicity, around the Ouroboros medicine wheel, under the Diana-Lucifera star clock.

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It was the only way to get him to introvert his fiery sexual impulse, to thereby free the watery quintessence of Lilith and her myriad legions of the Succubae Great Old Ones, to arise as steam from out of their brazen vessel of a Necronomicon prison. It be, symbolic Alchemy, of Steampunk Tantra!

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“Bloody Hell!” Crow to say to himself, “I think I’m existing in some frigging computer simulation. I’ll better sort out my Hyper-Sigil self, upon whose lap, Lilith be sitting astride as my Shakti. She be weaving the multiverse Maya Matrix of a Harem around my serpentine lingam; ever sliding erectile into the alternate womb worlds of the Succubae, when to lucid dream, pump her hungering wormhole, of a Yoni.”

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AFTERWORD: Imagine entering a door into the Third-Dimension of a room, which equates with being born. Nobody in the room knows what is outside of the door, nor to know why they are in the room, apart from knowing that they will all leave through another door, when to become incorporeal. No one in the room knows what is outside of the other door either; but they do argue about it, of conflicting religious beliefs, which can end up as many a Liliputian war.

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The two doors are seen to be separate, separated by a Fourth-Dimensional Time-line of an existence. However, the line is actually a circle, otherwise termed as being a closed-timelike curve in the Fifth-Dimension. The circle can be symbolised as an encircled snake, eating its own tail, called an Ouroboros.

The Alpha head and Omega tail of the Ouroboros are the two doors of (Sun) birth and (Moon) death. Wherefore, when to eventually leave through the Omega door, you again enter through the Alpha door into the room; yet crucified into forgetting, you have already been in the room. Should you remember, you will then realise that the room is only one of many Maya simulations in the Sixth-Dimension, whose two doors are one and the same Eternal Return door of a… Yoni unto a Wormhole.

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LUCID DREAM CONJURATION OF THE SUCCUBUS MEPHISTOPHINA

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , on December 10, 2014 by FAUSTUS CROW

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It is said of Faustian folklore that Dr Faustus desired to commune with the Devil of his indoctrinated faith, so, having made the necessary antithesis preparations of Christian formulation, he retired one night to a crossroads, situated in the Spesser Forest near unto Wittenberg.

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Standing amidst the crossroads, between nine and ten o’clock, he set about designing certain circles with his staff, via which he conjured up his patriarchal Devil of a deified ‘Animus’ fixation, to otherwise name, Mephistopheles.

As for Faustus Crow, he has no interest whatsoever in conjuring up the Devil of the Elder God patriarchs; for it merely validates their all male ‘Animus’ fixation of a dogmatic thesis.

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Wherefore as a rebel sorcerer, Crow conjures up the ‘Anima’ emanation, Mephistophina and her Succubae sisterhood of the ‘Great Old Ones’ within his lucid dreams of Lilith’s Harem. (Music used in the Video, by: Partners In Rhyme)   

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If you are interested, Check Out the FAUST FLASH GAME: CLICK HERE.

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PHILIP K. DICK AND THE DARK HAIRED GOTH GIRL FROM SIRIUS

Posted in Alien, Art, Chaos Magic, Cyberpunk, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 17, 2014 by FAUSTUS CROW

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One of the recurring themes, the science fiction author Philip K. Dick utilised in his visionary books, was the motif of the dark haired girl.

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There is much conjecture as to whom she represents. One thing for sure, the dark haired girl was Dick’s inspiring Art Muse.

He was drawn to crazy women, who had similar qualities to his dark haired Muse of an Anima; most of whom were many a Lost Girl.

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Dick is a rarity among authors, who lived his stories for real, as a shamanic Doctor Who, whom experienced reality as being a Maya Matrix.

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He was most definitely Faustian of occult tendencies, who as a sorcerer conjured up alternative realities within the imaginations of his readers via his word spells of stories, which had been inspired by his dark haired girl, you can imagine to be a female version of a Mephistopheles, I to otherwise name as Mephistophina.

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During one fateful February 20th, 1974, while recovering from the effects of sodium pentothal, which had been administered for the extraction of an impacted wisdom tooth, Dick received a home delivery of Darvon, from a rather delectable young woman.

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When Dick opened his door, he was struck by the Gothic beauty of the ethereal dark-haired convent schoolgirl standing before him.

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Dick was especially drawn to a golden necklace she wore around her swan white Lilith throat. He asked her about its curious fish-shaped design. “This is a sign used by the early Christian’s,” she answered as a fish eating ‘Nun’ would do, and then promptly left.

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Dick was aware that the Christian ichthys of two intersecting arcs delineating a fish in profile, was originally derived from the Vesica Pisces, which is made up of two interlacing circles. The question is, did Dick know that the symbolism of the Vesica Pisces, of a vaginal symbol, describes hypnagogic trance intercourse, when the phallic fish of a shamans consciousness attains entry into the watery womb dream?

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Well, he probably knew, that the Vesica Pisces describes hypnagogic trance, as well as being aware that its associated symbolism of an amphibious fish is far older than Christianity.

Dick had recounted; as the sun glinted off the gold pendant, its reflection caused the generation of a ‘pink beam,’ which mesmerized him. What he related was very likely quite literal; he appears to have inadvertently found himself accessing hypnagogic trance. Dick came to believe that the beam had imparted wisdom and clairvoyance upon him, as if gifted by the dark haired girl, likened to a time travelling Succubus.

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Dick also believed that this beam had a feminine intelligence behind it. On another occasion, Dick was startled by a separate incident involving the pink beam, which had imparted clairvoyant information to him that his infant son was seriously ill. Dick and his wife rushed their son to the hospital where their suspicions, and Dick’s clairvoyant diagnosis were confirmed.

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Shortly after the dark haired girl departed, Dick began experiencing strange hallucinations. Although he initially attributed them to his potent medication. However, after weeks of experiencing vivid hallucinations, he considered this explanation to be implausible.

“I experienced an invasion of my mind by a transcendentally rational mind, as if I had been insane all my life and suddenly I had become sane,” Dick had related to Charles Platt.

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Throughout February and March 1974, Dick had experienced a number of vivid hallucinations, which he had referred to as being ‘2-3-74,’ shorthand for February–March 1974. Aside from the ‘pink beam,’ Dick also described the initial hallucinations as entoptic form geometric patterns, which were occasionally overlaid with time-slip visions into ancient Rome.

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As the intensity of the hallucinations increased in length and frequency, Dick had claimed he began to live two parallel lives. He was living as himself, ‘Philip K. Dick,’ and in another life as ‘Thomas,’ a persecuted Christian living in 1st century AD police state Rome, which was overlaid over present Patriot Act America, as if their electrons had become entangled across time.

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Dick had encountered what he referred to as a ‘transcendentally rational mind’ to term, ‘Zebra, God’ and ‘VALIS.’ What Dick to speak of is similar to Dr Frank Tipler’s Omega Point Theorem, (0) of a snake tail, which is already happening around the Ouroboros, where the serpent head is of (1) Alpha, ever recurring, amidst the fifth dimension. Alas, Tipler’s perspective of time, is sequentially fourth dimensional linear.

Dick first communicated his experiences, within the semi-autobiographical novel Radio Free Albemuth, followed by VALIS, The Divine Invasion and the unfinished, The Owl in Daylight. These three books are known as the VALIS trilogy.

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Dick felt as if he had been zapped by an otherworldly intelligence via a pink beam, which he sought to understand. He documented and discussed his shamanic experiences in a private journal, later published as The Exegesis of Philip K. Dick; all of which was triggered off when his singular Odin eye was entranced by a dark haired Valkyrie girl wearing a pendent of a fish.

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As mentioned, The (phallic) fish is an ancient pre-Christian symbol of the shamans, which represents the amphibious (hypnagogic) state of trance ingress through a (superimposition) vaginal Stargate of a (binary) Vesica Pisces.

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All around you and within us all are tiny Stargates, which can be symbolised as the ancient symbol of the Vesica Pisces. These (lemniscate vibrating strings) Stargates lead to the rest of the universe and beyond, as well as potentially allowing ingress into parallel universes within which exist alternate worlds.

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As predicted by Einstein’s equations, these star-doorways are described as quantum wormholes, which can offer a faster-than-light short cut to the rest of the universe at an informational level, although in principle, such may one day lead to physical transportation throughout space and time. Now physicists believe they could one day open these Vesica Pisces Stargates wide enough to allow someone to physically travel through them.

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Quantum wormholes are considered to be much smaller than even protons and electrons; wherefore when you attain conscious (phallic fish) ingress into an electron (womb) dream, your lucid dreaming self can (amphibious fish) slide through these Vesica Pisces wormholes. Until now no one has modelled what happens when a physical being passes through a wormhole.

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Unless you take note of what people have communicated about entering a vaginal ‘star’ barrelled torsion tunnel leading towards a bright white light of an inner ‘star,’ who to have endured a near death experience.

But the scientists are not at all concerned about the mechanism of ‘Browsing’ consciousness; they want to otherwise use their consciousness to see if quantum (‘Gates’) wormholes can be used for physical transportation, which to make Mephistophina smile.

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So, Sean Hayward at Ewha ‘Womans’ University in Korea and Hisa-aki Shinkai at the Riken Institute of Physical and Chemical Research in Japan decided to do the mind dancing spell formulae sums.

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The scientists have discovered, that any matter travelling through a Vesica Pisces wormhole adds positive energy to it.

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This unexpectedly collapses the wormhole into a black hole; a supermassive region with a gravitational pull so strong not even light can escape.

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However, there is a way to stop any would-be interdimensional time traveller being crushed into oblivion. And it lies with a strange energy field, which is quaintly nicknamed as ‘ghost radiation.’

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As predicted by quantum theory, ghost radiation is a negative energy field, which dampens normal positive energy. Similar effects have been shown experimentally to exist.

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The researchers have found, that ghost radiation could be potentially used to offset the positive energy of the travelling matter. Add just the right amount of ghost radiation and it should be possible to prevent the wormhole from collapsing, a lot more and the wormhole could be widened just enough for someone to pass through its Vesica Pisces.

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It would however be a delicate operation. The scientists discovered that if you add too much negative energy, the wormhole will briefly Omega Point explode into a parallel universe.

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The parallel universe will Alpha Point expand at the speed of light, of similarity to what the astrophysicists say that our own engineered universe did immediately after a similar Omega Point big bang.

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For now, three dimensional space travel through a Vesica Pisces Stargate of a wormhole remains in the realm of two dimensional ‘thought’ experiments. Although, the Large Ouroboros Hadron Collider at CERN in Switzerland is expected to generate one mini-black hole per second, a potential source of Vesica Pisces wormholes, via which physicists could try to send quantum-sized particles of ‘pink-beam’ information through their Stargates into the past and future.

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You are probably doing the same when you dream, let alone potentially tuning into an engineered signal zapping your neural net from out of the future or past.

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But then time is a closed timelike curve of a looped Ouroboros hoop. Wherefore, past of (Alpha) birth (1) and future of (Omega) death (0) are one and the same of (superimposition) eternal recurrence.

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However, at this moment in ‘time,’ sending a physical individual through a Vesica Pisces wormhole would be another thing entirely. To keep the wormhole open wide enough, would take a negative field equivalent to the energy that would be liberated by converting the mass of Jupiter, near unto ‘binary’-star Sirius.

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But such a technological Vesica Pisces feat would of course be potentially feasible in the far flung future of your descendants, where sorcery is a Djedi science, whose civilisation is probably not only using wormholes for spatial and time travel, but also being capable of (VALIS) engineering parallel (Ouroboros) universes, which are all as simulations, of similarity to our own, of a simulated Maya reality.

Perhaps Dick’s dream Muse of a dark haired fey girl emanates from the future, whose civilisation has harnessed the power of binary-star Sirius for physical (fish) time travel, through a Vesica Pisces wormhole; who knows?

But in the dream realms of science fiction, anything is possible, where a Homo Erectus dances around a monolith of a ‘quantum’ computing ‘Apple’ computer, becoming Vesica Pisces sentient, of a Mephistophina singularity.

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MEPHISTOPHELES IS A DEVIL GIRL

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

The above artwork depicts Mephistopheles as being a female (Daemon) spirit, who is primarily associated with the Faust (Dr Faustus) legend of a Sorcerer (scholar) based on the historical Johann Georg Faust, who wagers his soul against the Devil. Mephistopheles first appeared in the late 16th century Faust chapbooks.

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In the 1725 version, which was read by Goethe, Mephistopheles is a Devil in the form of a grey friar summoned by Faust in a wood outside Wittenberg.

The original Artwork above is presently on Sale, on Saatchi Art; if you are interested, Please Click Here. 

Whereas, a female Devil would manifest as a Nun. A sexual female Devil (Lucifer/Satan) and her legions of Succubae would have made more sense symbolically, considering that the Devil rebels against the celibate Abrahamic God of an all male patriarchal fixation. Alas, such symbolic logic was never utilised of a rebellion within any of the so called banned Devil tomes.

The name Mephistopheles already appears in the 1527 Praxis Magia Faustiana, printed in Passau, alongside pseudo-Hebrew text. It is best explained as a purposely obscure pseudo-Greek or pseudo-Hebrew formation of Renaissance Magick. From the chapbook, the name enters Faustian Occultism and literature as well as being used by authors from Marlowe down to Goethe, whom envisaged Faust being carried away by the Goetic spirits of Mephistopheles.

In the 1616 edition of The Tragical History of Doctor Faustus, Mephistopheles became Mephistophilis.

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The word derives from the Hebrew mephitz, meaning ‘destroyer,’ and tophel, meaning ‘liar;’ tophel, is short for tophel shequer, the literal translation of which is ‘falsehood plasterer.’

However, the name can be otherwise interpreted as the ‘Destroyer’ of Maya; for Maya is an illusion of a (Matrix) lie, you can equate with a computer simulation, over which Mephistopheles has power to reveal. In other words, the computer simulation within your head can be manipulated via your indoctrinated beliefs, which determines your perception of reality.

It is a case of choosing between the ‘Red’ or the blue pill; whether you want to wake up from the Matrix or to stay asleep. It is your choice. But be prepared for the rollercoaster ride into Wonderland after conjuring up the ‘Red’ pill.

Mephistopheles in later treatments of the Faust material frequently figures as a title character: in Meyer Lutz’ Mephistopheles, or Faust and Marguerite (1855), Arrigo Boito’s Mefistofele (1868), Klaus Mann’s Mephisto, and Franz Liszt’s Mephisto Waltzes.

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Shakespeare mentions “Mephistophilus” in the Merry Wives of Windsor (Act1, Sc1, line 128). By the 17th century the name became independent of the Faust legend, like that of a Tulpa assuming a life of its own.

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According to the American historian and religious scholar Burton Russell: “That the name is a purely modern invention of uncertain origins makes it an elegant symbol of the modern Devil with his many novel and diverse forms.” So, spoke the patriarch empowering his viral-meme egregore!

However, the term, Devil is originally derived from the (Sanskrit) Hindu name for a Goddess called Devi, which is in turn associated with the word Deva, whose term describes deities made out of (bio-photon) light. Whereas Maya (holographic universe) is seen by the Hindu’s as being female of source, and like Salome of the seven rainbow veiled seals, she will only dance naked for the one whose pirate Skull ‘lights’ up crystalline, of a ‘fire’ in the head, when he attains the seventh secret of a Coitus Pactum (Gebo) Rune: X.

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Overall, Mephistopheles has had quite an influence upon popular culture as well as the Occult Arts, which is primarily that of an on going all Male fixation.

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Whereby the design rebelliously reinterprets Mephistopheles as being a female Spirit of a most salacious Succubus, who is otherwise called Mephistopheilia or Mephistophina, who is a Genie of an Occult Art Muse. She inspires a rebel Faustus to thereby enter into a Coitus Pactum with her.

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The design of the above artwork also utilises the pact, which the inquisitional monks to have said was allegedly signed between Urbain Grandier and the Devil. It was also said to have been stolen from the Devil’s cabinet of pacts by the Demon Asmodeus. It is used as a background behind Mephistophina; she is also accompanied by Seals and Sigils, which are the personal symbols of Mephistopheles.

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As for the Seals and Sigils, they are derived from Medieval Grimiores, which were supposedly written by Faust; the Seals and Sigils were used by Sorcerers in order to Evoke Mephistopheles. However, you now have Mephistophina to Evoke instead.

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The name of Mephistophina has thirteen letters, which in numerology adds up to the precession (Goetia) number 72, reduced down to 9. Her name in Runic numerology equates with the 13th Rune of Eihwaz. The thirteenth Rune represents the Multiverse ‘World’-Tree of nine worlds called Yggdrassill, upon which the shaman deity of the ancient Norse called Odin (Saxon: Woden) hangs into trance, whom as a magician, is equated with Faustus. Wherefore, you can deduce that the name of Mephistophina is symbolically powerful.

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The font of the above depictiction of Mephistophina as a rebel Angel, and that of her Coitus Pactum is derived from 15th-16th century Grimoires, which was utilised for the Grimoire called the ‘Nine Gates‘ that was featured in Polanski’s film entitled: ‘The Ninth Gate,’ in which Diana-Lucifera entered into a Coitus Pactum with her Faustus.

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Suffice to say, Mephistophina is somewhat of a ‘Discordian’ Art Muse of Monty ‘Python’ Heyoka wisdom. So, if you are an avid traditionalist, to have entwined your so called magical practice with an indoctrinated religious perspective, you had better keep taking your medicated Communion wafers, drinking fluoridated Wine. The practice of magic is no different to art; if you believe otherwise, you are practicing religion, not magic.

Wherefore, it be best that you stay well away from ‘Red’ pill Mephistophina, to otherwise live in fear of your blue pill phallic Devil of a Mephistopheles; it will be far safer for you to live in brainwashed continuance of being upended by your Abrahamic trinity of NWO death-metal Illuminati cults out of Ur. Mephistophina ‘takes no prisoners,’ she prefers the freedom of the unshackled imagination… no symbolic ‘Matrix’ limits of religious prison bars; whereby her Faustus is an Avadhuta rebel. You have been duly warned!

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