Archive for Medicine Wheel

AT THE EARTH’S CORE CAVE WOMAN BIFRONS

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 27, 2017 by FAUSTUS CROW

The woolly Mammoth Cave women made most of the oldest-known cave art paintings, suggests a new analysis of ancient hand-prints. Most of the square headed scholars of the deified ‘Animus’ fixation made as a God, had assumed these ancient artists were predominantly male, due in the main to the explicitly erotic content of many of the Entartete Kunst cave paintings, which disturbs Middle Eastern theological sensibilities; so the new findings overturns decades of religiously hewn archaeological dogma.

Archaeologist Dean Snow of Pennsylvania State University analyzed snowy ice age hand stencils found in eight cave sites in France and Spain.

By comparing the relative lengths of certain fingers, Snow determined that three-quarters of the hand-prints were female who had having sex with their ‘Animus’ on their brain.

“There has been a male bias in the literature for a long time,” said Snow, whose research was supported by the National Geographic Society’s Committee for Research and Exploration. “People have made a lot of unwarranted assumptions about who made these things, and why?”

Archaeologists have found hundreds of hand stencils on cave walls across the world. Because many of these early paintings also showcase game animals—bison, reindeer, horses, woolly mammoths and erotic imagery—many researchers have proposed that they were made by male hunters, perhaps to chronicle their kills and sexual conquests as some kind of “hunting magic” to improve success of an upcoming hunt for game, or a mate to hunt down.

The new study suggests that much of the cave art and its erotica was created by female artists; this isn’t to say a male artist did not carve away to create a Venus figurine of his ‘Anima,’ like a proto-Hans Bellmer, who eventually fell foul of the feminist Entartete Kunst.

Experts expressed a wide range of opinions about how to interpret Snow’s new data, attesting to the many mysteries still surrounding this early art: “Hand stencils are a truly ironic category of cave art because they appear to be such a clear and obvious connection between us and the people of the Palaeolithic.” Said archaeologist Paul Pettitt of Durham University in England.

Pettit continued, “we think we understand them, yet the more you dig into them you realize how superficial our understanding is.”

Another inner Earth gallery of prehistoric cave paintings has also been found in South-Western France, including a drawing of a 12ft long bison along with erotic sketches.

The find, at Cussac, in the valley of the Dordogne, is regarded as almost as important as the celebrated Lascaux cave paintings in the same area. This discovery was made by Marc Delluc, an amateur archaeologist, but the richness of his finds were not known until later.

French anthropologists said the site was important because it contained “monumental” drawings of animals in friezes of up to 25 yards long. These are sketches rather than paintings, more primitive, almost certainly older than the Lascaux pictures, and perhaps up to 37,000 years old.

The caves also contain erotic drawings of women, which have been found previously only in the art gallery caverns that were discovered in 1994, in the Ardèche region.

The boundaries of art and sex have been blurred for some time – be it increasingly explicit content or the familiar practice of male artists being inspired by their erotic Art Muse, while in an altered state of consciousness.

But then, sex is a sacred mystery, which is very much intertwined with the spiritual impulse. However, as stated earlier. the new studies show, the erotic content of cave paintings were not only created by male artists.

There are a series of erotic drawings, which were discovered on the roof of caves amidst the inaccessible wilderness in Arnhem Land, Australia, in the country’s North; the cave art clearly depicts a couple engaging in sex 28,000 years ago.

Other sections of the wide-ranging artwork in white and red shows other figures engaged in other explicit sexual activities, which would be considered to be mere porn by many a modern observer, who would Entartete Kunst censor it as being politically incorrect.

In fact, this is exactly what has happened, that is why you do not hear much about the erotic cave art. Although, if it is proven that the erotic cave art was primarily created by female artists then the feminists will no doubt hard-sell push for it to be made widely known across the worldwide media as high art.

Then again, there are also many other feminists who will not want it to be known they have sex on their brains. When the proof is eventually discovered, it will prove to be quite humorous.

However, since the erotic cave art is presently seen to be created by male artists, it is generally considered to be lowly pornographic material.

Hence not talked about, nor is it publicly exhibited to any great extent, if at all.

It’s almost as if they’re saying that your ancestors never got it together under the Bifrons Mammoth rug!

It is obvious that the cave artists would depict sexual activity in their ‘Once In A Lifetime’ Westworld art, who asked the eternally recurring question, ‘how did they get here?’

But it appears that it is the ‘same as it ever was,’ concerning the religious-construct of the New World Order Eden authorities who habitually dictate that you cannot taste of the inner Tree of Self-Knowledge.

Irrespective of religious morality concerning sexuality and modern day sexual politics – it’s what archaeologist Bryce Barker, a professor at the University of Southern Queensland, and his team have been discovering underneath the erotic cave art of an ‘Apple’ core, which indicates a spiritual dimension, the so called modern world entirely lacks, due to its indoctrinated perception of sexuality.

For example, David Lewis-Williams and associated archaeologists have rehabilitated the interpretation of Palaeolithic cave art as a form of magic by focusing on the geometric images. The geometric images appear in great numbers on the cave walls, instead of the realistic depiction of animals that was the focus of Henri Édouard Prosper Breuil (28 February 1877 – 14 August 1961) in his prior hunting magic theory.

Lewis-Williams argues that the geometric images are spatial variations on a set of “form-constants” that the neurologist, Heinrich Kluver, identified in the visionary experiences of experimental subjects under the influence of the hallucinogenic drug, mescaline. An expert on the San Bushman people of South Africa, Lewis-Williams argued, in a series of well-documented papers, that the transfigured form constants are present on cave walls painted by Bushman shamans.

From these considerations, Lewis-Williams draws the conclusion that the paintings and engravings of the Old Stone Age European caves were the result of shamanic ceremonies conducted in dark caverns deep within the labyrinthine ‘Maze’ of the Earth.

As Breuil had suspected, their purpose was magical, a Native American shaman would associate with the ‘West’ of the Medicine Wheel ‘Maze.’

The ‘West’ of the Medicine Wheel symbolically corresponds with the experience of lucid dreaming. But the established orthodoxy of a present ‘Mad World,’ do not like his ‘Westworld’ insight.

What he did not know was that the magic occurred in the context of shamanic trance, wherein of a then induced lucid dream the myriad archetypes of the ‘Animus’ and ‘Anima’ can be consciously conjured into eroticised dreams.

Hence the reasoning why the creation of art is associated with the attainment of sentience; for the practice of art deals with the manipulation of the inner reverie archetypes of memories, which is indivisible to sorcery.

(This article was originally published on another site, I had to re-publish of a rebellion, since it was unpublished by an aggravated male/female religious femi-nazi as being Entartete Kunst. If you are offended by this article, due to your cultural-religious-construct of entwined political whoring; take note, I don’t give a toss about your fixation upon a deified ‘Animus,’ and its cult politics! The utilised material is an adapted synthesis of associated articles, whose sources are: The National Geographic, The Independent, The Daily Mail and The Faculty/Education who habitually suck up to the present Entartete Kunst.)

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TRIANGLE OF ART CONJURATION

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 31, 2017 by FAUSTUS CROW

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If Faust was a present day Artist, he might just utilise a Pintrest photo for his Sorcery Art, which has verily become a collective Hyper-Sigil focus for many a shopping Witch.

(The painting is presently being sold on Saatchi Art, if you are interested, Please Click Here.)

Faust will probably howl out in his Magic Circle Art studio, while standing in front of his erect easel of an altar to alter, “I do conjure thee, Mephistophina into my creative trinity, of charged Emotion, associative Thought and correspondences of Memory, amidst whose triadic configuration is the Eye of the Imagination, that be my ‘Triangle Of Art.”

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Faust to further howl, “By this neuro-marketing photo of Succubus Street Style Black Loubies, found on Witch heaven, Wachabuy, I will bind thy feminine quintessence of the ‘Anima,’ to my lowbrow artistry. This photo I will transmute of symbolic alchemy into planetary sphere coloured oils; for I know thy reptilian-brainstem desire to wear such cloven hooves of a Pop-Surrealist trigger-symbol.”

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He to ecstatically rage, while painting, “Now, thee to Catwalk strut your mandala stuff upon my canvas, so as to hypnotise the arisen Beast within me. I to rip aside thy hypnagogic hymen veil of seven rainbow Chakra planetary sphere seals, to open unto thine Yoni stargate of Surrealist visions to impregnate.” 

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Faust to also say, “Later, when to sleep, my spermatazoic seed of consciousness will slide betwixt thy sheathed Nigredo nylon pylons into thine High Priestess womb, to dream lucid, so as to browser ride thee, Horned Shaman style, as my Night-Mare of an inspiring Art Muse.” 

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But Faust to no doubt wonder as to how the Hell she can walk in her painted Loubies, as an animated archetype of a knitted-together exquisite corpse, without tripping over her visualised tail. Then, of an active imagination vision, the Babalon Mind-Doll Tulpa takes on manifested form within Faust’s imagination, wherein he to seer Mephistophina clicking her Loubies together of Dorothy Red heels, like a Kung Fu poise ballerina.

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Though two dimensional of painted meditation image, Mephistophina takes on three-dimensional interactive flesh within a lucid dream at the South of the Medicine Wheel, which is the first gate of watery Rubedo dreaming, where unto rebellious Red Tribe Datura Dakini chicks be.

She to thence dream reveal of a Coitus Pactum seduction, whose silken voice is comprised of all the coven voices of the Witches across the inter-Wyrd-Dream-Web unto Northern conceptualisation.

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Faust heard her to Sophia say: “This is thy last chance Faust. After this, there is no turning back. If thee to take the Sodium Fluoride Blue path—the dream Yoga story ends, thee to wake up in thy bed and believe whatever thee want to Maya Matrix believe.” 

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She then said, “If thee to take me forcibly by my Dakini heels, gripping my Red arches, to penetrate my sopping wet Ninth gate—thee to stay within my electron dream Wonderland, which be illuminated by the bio-photon fire of Diana-Lucifera, and then I will show thee how deep my hungry rabbit worm-hole goes, when spinning me orgasmic as a star barrelled vaginal tunnel.”

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Mephistophina to have continued. “Remember! All I’m salaciously offering is the pineal gland DMT spice of my Tantric Melange. Nothing more, at the moment. But later, we’ll see what others of my Succubi sisters thee to penetrate of planetary sphere Yoni gates, whose hymen seals to UFO spin open by thy charged impregnations.” 

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Faust, said to him-SELF,“Whoa! Is a quantum computing God to live in a Dog! I’ think not; though a Dog does have a Buddha nature. I’m going to be a Halluci-Nation world-walker Slider flying eye, winged as a Don Juan Dr Who Crow.”

Then, Faust to think out aloud, muttering, “she, or should I say they, whose ‘Fallen Anima’ names are legion, all as grimoire Allies, sound just like the ‘serious’ multiverse Silver Stargate High Priestesses of the Chaos Unitarian Nuns Templar, who are all very Blue Star Kachina ‘Sirius’ sensuous!”

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Faust to then return back to waking from the microcosmic West of Kachina star lucid dreaming. He awoke in the macrocosmic East, where lady Maya to dance Heyoka synchronicity around his Art studio, encircled by an Ouroboros of a Magic Circle Medicine Wheel.

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Whether an alternate Earth character of a Faust completes his parallel universe painting of Tarot card XXI, who is to say; for in his mad Orwellian world, oily Donald Trump is married to oilier Hilary Clinton who of a two party political dictatorship whore themselves to oil companies, riding roughshod over the natives, desiring forever war, mass sacrifices to their deified ‘Animus’ made as a petrodollar God. Hence an alternate Earth Faust rebels by conjuring up his ‘Anima’ as Mephistophina.

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The ensuing political madness will invariably stir up rebellious mass civil unrest across Faust’s alternate Earth, that’s if the Muggles ever unite, rather than being misdirected by inane media-machine gossip, to otherwise Halluci-Nation seer that the two whoring politicians are the muppet puppets of oil companies, who are out to Entartete Kunst censor the questioning ‘internet’ voice of the collective.

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For example, the Muggles will come to a greater understanding when to look into the devastating wars afflicting Iraq, Libya and Syria, etc, unto a Dakota pipeline, whose oily gangster owners use extremist feminist politics, racial friction, terrorism and an ‘Animus’ fixated religion as mind-control tools.

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As for myself, on this Earth, I proceeded to complete the A3 size Oil Painting on Canvas, which measures 29.7 x 42.0cm, 11.69 x 16.53 inches.

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Provisionally entitled: ‘Triangle Of Art Conjuration.’ The painting as mentioned is being sold on Saatchi Art, Please Click Here for further information. 

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NOTE: In Hebrew, Da’at means ‘belief, such as religious beliefs, which are moulded by a culture via varying artistic expressions. For example, the establishment of the monotheistic cult ‘brands’ alternate symbol systems, which are seen to be questioning its cultural construct of an Animus’ fixated religion as being evil, whence alternate symbolic paradigms are charged with a negative emotion.

This negative ‘branding’ of alternate symbol systems is engineered to zap your Reptilian-Brain-Stem, which in turn influences your subconscious mind by using the potent emotional state of fear. This negative ‘branding’ was also utilised by the Nazi regime, which castigated those Art forms that were anathema to its right-wing religious-politics as being the Entartete Kunst

Whereupon the symbolic paradigms of other peoples, which have been nigh erased by the ‘three’ monotheistic cults out of Ur, are ‘branded’ as being mere detritus, peels, shells or husks. These husks in Hebrew are known as the Qliphoth/Qlippoth/Qelippot or Kelipot, which can be otherwise termed as being Entartete Kunst; for the same methodology is being employed. 

The lore concerning Solomon binding the demons of the Qliphoth to build his temple, actually points at enslaved peoples building the temple, not demons. The names of the various demons were the one time deities of those enslaved peoples who built Solomon’s temple.

The demonised deities symbolically represent the ancestral -self-identities and cultural constructs of other peoples, which have been consumed by the monotheistic trinity of cults and their centralist politics of empire building.

So, should you ‘believe’ the religious propaganda of the ‘Animus;’ fixated monotheists concerning Lilith, for example, who is deemed to be one of the Qliphoth, you have been duly indoctrinated into a continuing brainwash through fear. However, the brainwash can be negated by remembering, when to Triangle Of Art Conjure, that Lilith symbolically represents the ‘Fallen Anima.’   

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