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THE THIRTEENTH DOCTOR WHO

Posted in Art, Chaos Magic, Dr Who, Occultism, Shamanism, Sorcery, Succubus, Time Travel, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 17, 2017 by FAUSTUS CROW

The science fiction TV series Doctor Who is a significant part of British popular culture as well as elsewhere, which has gained a cult following, that was named as being TV’s longest-running science fiction show, after forty-three years and seven hundred and twenty three episodes, according to the Guinness Book of Records.

Doctor Who has influenced generations of British television professionals, many of them had grown up watching the series.

The actress Jodie Whittaker, whose Yorkshire surname is of Anglo-Saxon origin, will be remembered as being Doctor Who’s ‘thirteenth’ Time Lord, the first woman to be given the role. (Many a Yorkshire Witch who is aware of the ancient Indo-European Triquetra [Mother, Maiden, Crone] symbol will know of the occult significance of the number thirteen.)

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The Thirteenth Doctor’s identity was prepped to be revealed on the 15/07/17, and then shown in a trailer on the 16/07/17, which had been broadcast at the end of the Wimbledon ‘Men’s’ singles final. (The number 16 is rather curious, concerning the association with the Tarot card of the Tower XVI, which is associated with a shocking revelation.)

Not long before, Andy Murray, a champion of equal pay in women’s tennis ‘strung up’ a sexist reporter on the 12/07/17, which was covered by extensive Hanged Man XII media attention on the BBC, etc. (It’s almost as if the media hype about Murray hanging a sexist journalist was a set-up, just prior to the Doctor Who revelation. Then, not long after the BBC was hit, when it was revealed that their actresses were getting far less money than their male counterparts. As for myself, I have never got my head around why women who do the same jobs as their male counterparts are not given equal pay.)

Anyway, what is rather curious is that In ancient cultures, the number Thirteen represented the feminine principle, since it corresponded to the number of lunar (menstrual) cycles in a year (13 x 28 = 364 days). The usual theory of gender politics is seeing the solar calendar, which is generally considered to be associated with the male principle, had bulldozed its way over the lunar calendar of the feminine principle, this led to the number Thirteen becoming anathema; hence seen as an unlucky number. (As in the Tarot card XIII.)

However, the peoples of Northern Europe, such as the Norse and Saxon’s/Anglo-Saxon’s associated the feminine principle with the clockwise solar (Sunna) Swastika of the Sun; whereas the male principle was associated with the counter-clockwise Swastika of the (Mani) Moon. (The symbolic association between the Sun and the male principle is primarily derived from a Middle Eastern source.)  

As for the Doctor Who’s character, he was originally based upon the Norse shamanic deity called Odin, which is originally derived from the Southern Siberian name, Odqan. The Saxon’s knew Odin as Woden, the Anglo-Saxon Christian converts had named as Old Nick, which is a slang name for the Devil. (Tarot card XV)

Odin’s female shamanic counterpart was called Freyja, the Saxon’s called Freo. She was seen as being the ‘golden haired’ queen of Witches and the mistress of Cats, who is of similarity to the Hindu Goddess called Durga. The Goddess Durga has a retinue of female (Succubi/Succubae) spirits called Dakinis, and like Durga, Freyja is the mistress of female (Druden/Succubae) spirits called Valkyries.

Alas, the TV series Doctor Who did not have a female Time ‘Lady’ counterpart, apart from the Doctor having a number of female assistants, which is of similarity to Odin/Woden being surrounded by his Valkyries, who personify psychic (Dakini) powers, the practitioners of Yoga call Siddhis.

Odin/Woden has a singular eye, whose sacred colour is blue, just as Hindu deity called Shiva is associated with the colour blue, who has a third eye. Shiva’s female counterpart is Durga. The Roman’s associated Odin/Woden with the messenger God, Mercury who was originally the ancient Greek deity, Hermes. The Gauls called him Mercurius; whereas the Welsh knew him as Myrrdin, the Norman’s named as Merlin.

Odin/Woden is known as the lord of the Runes, who rode an eight-legged-Mare called Sleipnir, which can be equated with Doctor Who’s TARDIS. (Hence the TARDIS is seen to have a feminine [Mare] intelligence: ‘The Doctor’s Wife.’)

Odin/Woden hung himself into trance upon the world tree called Yggdrassil, which can be seen as representing the multiverse. Odin/Woden travelled the worlds of Yggdrassil throughout space and time, just like Doctor Who, while riding Sleipnir.

The world tree of Yggdrassil is associated with the ‘thirteenth’ Rune called, Eiwaz or Eihaz. When the number thirteen is reduced down to four, you then have the fourth Rune of Ansuz, which is the Rune of Odin/Woden.

The name of Odin/Woden was given to the third day of Wednesday, the cartoonist, Charles Addams named his female character Wednesday Addams after. In Spain, Wednesday Addams is called Merlina, being the feminised name of Merlin. Wednesday Addams is also called Odina and Wodena.

This leads us to the role of Doctor Who’s antagonist who is called the Master, whom returned in the eighth series in a new female incarnation called ‘Missy, played by Michelle “Gomez,” which is short for ‘Mistress,’ whose nigh dominatrix character is very similar to an elder Wednesday Addams.

Missy was eventually upended by her older male self, while she aided the twelfth Doctor, played by Peter Capaldi, whose female companion, acted by Pearl Mackie was the first openly gay sidekick called Bill Potts. But Potts reign on the show is set to be short-lived, which may be due to having a female Doctor Who. Suffice to say, Doctor Who is no longer for the wee kiddies anymore. The TV series has evolved into more adult fare apart from competing egos projecting their own issues onto Doctor Who.

But then again, was Doctor Who, really a children’s program? The children’s slot, severely constrained its story-lines. Whatever the case, many would construe that the escapism of Doctor Who is becoming entangled in present gender politics, which has also been observed creeping into films, comics and video games, etc.

What is often left out of the equation is how female viewers feel about the mythic character of the Doctor. The twelfth Doctor, played by Capaldi, lost a lot of viewers, which was put down to his age. Whereas the previous more youthful Doctor’s played by Matt Smith and David Tennant had higher ratings.

This is very likely due to the heterosexual female viewers fancying the pants off of the eleventh and tenth incarnations of the (Odin/Woden) Doctor’s, while imagining themselves to be their (Valkyrie) companions. As for the heterosexual male viewers they were attracted to their corresponding female (Valkyrie) companions who imagined themselves to be (Odin/Woden) Doctor Who.

I am aware that such an observation of the ‘Animus,’ and ‘Anima’ archetypes and that of media ‘role models.’ will cause a lot of aggravation to the feminist extremists; as well as stirring emotionally charged reactions from those who consider themselves to be social justice warriors.

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All of them will very likely scream, that this is a sexualisation of a kiddie TV show; well, what about Potts then, let alone Jack Harkness, played by John Barrowman, who was the first openly homosexual character in the history of televised Doctor Who!

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Potts and Jack are cool characters, whose sexuality was emphasised. Although, when it came to the eleventh Doctor’s romantic tryst with his ‘Impossible Girl,’ called Clara ‘Oswald,’ played by Jenna Coleman, there was a moralistic outcry from certain sections of the audience, which led to the twelfth Doctor being non-sexualised, having Potts as his companion, and an ensuing big dip in the TV ratings. (Oswald, by the way is derived from the fourth Norse/Saxon Rune, Ansuz, As, Os, Os-wald/weald-rule. Clara means, bright/famous.) 

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Biology always wins concerning the attraction between the sexes. It’s nature, and she’s a bitch! Let’s be entirely honest here, as mentioned, little boys don’t just watch (Odin/Woden) Doctor Who because he represents a ‘male role-model,’ they also fancy his female (Valyrie) companions, just as the little girls fancy (Odin/Woden) Doctor Who, whom liken themselves to be as his (Valkyrie) companions. Another example is that of the girls chasing after (Odin/Woden) Harry Potter, and the boys getting hot and bothered over (Freyja/Freo) Hermione Granger; however, the Hogwarts characters never got it together.

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The main problem here is that there was no female (Freyja/Freo-Durga) role-model counterpart of (Odin/Woden-Shiva) Doctor Who. This could have been easily remedied by having a female (Freyja/Durga) Doctor Who popping in from an alternate universe, who has the (Tantric) hots for the male (Odin/Woden-Shiva) Doctor, and now vice versa, of a present female (Freyja/Durga) Doctor encountering an alternate male (Odin/Woden) Doctor, to have a tumultuous (Yin/Yang) relationship dynamic across (Tao/TARDIS) space and time. If you believe in equality, there you go!

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You cannot socially engineer nature out of existence, otherwise you will invariably engender a huge backlash from the core audience; the majority of them are not gay. The BBC is well aware of this fact just as Hollywood is; the loss of viewers will invariably lead to the demise of Doctor Who, and in turn losing their monetary revenue.

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Many of the Hollywood films featuring male actors, are not, and never were aimed at a male audience; they are specifically targeting the heterosexual female audience in particular, just as the spandex superhero genre of comics does so, and likewise video games, etc. But such usually goes totally under the radar; nothing is really said about it at all.

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However, when an actress gets the limelight, it is self evident who the target audience is, which has become heavily politicised by feminist politics. This is entirely understandable concerning equal pay for actresses; but it is not all about wages, is it; much of it is to do with a protest against seeing women as sex objects; this is very much the case when it comes to comics and video games. What about male sex objects?

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For example, Hollywood would lose a lot of money if they had James Bond looking like an everyday pot-bellied balding male. The male audience will be able to bond with a Bond looking like them, who are getting rather collectively pissed-off that they have to live up to a machismo media image. But the female audience will be running for the cinema exit to Oprah Winfrey watch Fifty Shades Of Sharia Law Grey instead, just as they ran off when the twelfth Doctor turfed up.

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Doctor Who can be utilised to explore various social issues and differing sexual persuasions, such as having energetic Potts revealing her sexual leanings, Jack winning over the audience with his show stealing charisma, let alone introducing other characters swinging both ways. The childlike innocence that TV series once had is now no longer the case. But there has to be an equal balance, otherwise the core audience will be lost.

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The gender politics of Doctor Who is part of a far bigger political push, which is rapidly engulfing other media and the Arts; it is becoming the new Entartete Kunst. The difference being that Doctor Who’s rebellious (Odin/Woden) character exists within a (Yggdrassil) multiverse, which allows for the diversity of differing cultures, beliefs, ethnicities and sexual persuasions, etc, whereby having a never-ending stream of mythic story-lines going ad-infinitum.

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Having a female (Anima) Doctor Who (Freyja/Freo) will thereby need to attract the males, in other words, she will have to be ‘SEXY,’ just as a (10th/11th) male (Animus) Doctor Who (Odin/Woden) attracted the females. In this case, the usual formula is reversed; the female viewers will find themselves being presented with a (Animus) male (Lord) companion of a female (Lady) Doctor Who; that, or a male (Animus) Doctor Who (Odin/Woden) pops in from an alternate universe. If not, the BBC is purposefully intending to sacrifice the longest running science fiction TV series on the face of the planet, upon the rather lop-sided politically correct altar of present gender politics, which in the main, is stemming from media machine ‘Borg’ America. Do you think the BBC would be stupid enough to do that? WHO knows!

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At the end times of the day, Shekels talk far louder than words, which is habitually Dalek short-sighted, who to cry (Tarot card XIII) Exterminate!

NOTE: As a kid, watching Doctor Who, I imagined myself being like him, like a lot of other boys did. What is honestly not covered is the important role of the Doctor’s female companions, many of whom young boys dream of being with, while imagining themselves as their male-role-model Doctor Who.

A number of my female friends, are honest about their infatuations with certain male actors who have played various incarnations of Doctor Who, who imagined themselves as being his companions.

For example, a Trekkie ex-girlfriend of mine had the hots for Picard out of Star Trek, another had a crush on Spock, since she was a girl, who are not at all interested in female versions of them; whereas I liked Deanna Troi, but especially T’Pol out of the Enterprise.

So, you can gather that a lot of heterosexual female viewers of Doctor Who will not be at all pleased with a female version of the Doctor, unless she has an attractive (Animus) male companion.

That is, the novelty of having a female Doctor will last for but a short time, unless a balance can be established, of having a ‘female-role-model’ with a (Animus) ‘male companion.’

Should the writers introduce a male companion into the show, due to the present political climate, I can easily predict what will be done, which will be a very big mistake, if the ‘Social Engineering’ writers go there… 

As for the heterosexual male audience, a female Doctor Who, will need to be (Anima) ‘Sexy,’ while having a corresponding ‘male-role-model.’ When I say, sexy, I do not mean getting her kit off, posing as a Venus!

If the writers make the character of a female Doctor Who to be like a mother figure espousing feminist politics, then you can say good bye to Doctor Who.

When it comes to politics in general, in the Doctor Who UK, the referendum revealed the politicians for what they truly are, to all those who voted remain or leave.

None of the politicians had a back-up plan, since none of them imagined that it would go the way it did.

Why? Because ‘none’ of the politicians are in control, who are instead in the pay of Brussels; they are just a load of pompous self-serving whoring puppets.

The government intends to censor the questioning internet via the backdoor, saying that they are protecting your children, while every Siri ‘Iphone’ is watched. It is the inverse Yoni ‘triangle’ sign of the Orwellian times shafting the mother of parliaments; but from where it to have stemmed, of having your ‘Liberty’ eroded between the lightening struck asbestos ‘Towers’ of Boaz and Jachim XVI?

It goes to the front ‘door’ of a whoring government, of IRA conflict Margret Thatcher, Libyan war Hilary Clinton unto Syrian war Theresa May, who, like their male counterparts use the war on terror to control the masses, fearing Wahabis nutters, whose brain-dead minions are no different to Nazis assailing the Vera Lynn ‘white cliffs of Dover.’

Where are the anti-fascists facing off the black flags of the Wahabis and other theocratic fascist extremists? None to be seen… at all; for the anti-fascists see all Nazis as being white males. No they are not! The anti-fascists are too, but puppets on an end of an Oily string!

The government puppets, even unto Brussels, whore themselves to the Oily petrodollar Sharia Law desert sands, where little ‘Saharan’ girls have no rights!

So, you had better hope that a real Doctor Who is out there somewhere, who doesn’t look anything like ‘blondie’ York & Lincs Thatcher, Clinton or May, because May’s whoring government is planning to fluoridate the whole of the UK, with China’s excess neurotoxins and mutagenic compounds: fluorosilicic acid, sodium fluorosilicate, and sodium fluoride.

Sounds like a scenario right out of Doctor Who, doesn’t it. However, it is for real! 

The mass-medication practice of fluoridating the public water supply was banned in Communist China due to their Doctors finding that it dumbs down the children’s brains, to rot.

You will not hear about it on the BBC, or the mainstream, which is owned by the mothering government. The mainstream media is totally under their control!

You will have to look for the information elsewhere, from Doctors, scientists and researchers; this is not a conspiracy theory. You will have to educate yourself before the government censors them across the internet under the misdirection pretext of protecting your children’s innocent brains to duly dope up with neurotoxin fluoride, which is used in sedatives. It is the real reason why the water is fluoridated.

They’ll be putting lithium in the water next! You think I’m kidding. No I am not! The government is planning to mass-medicate your children with lithium, they are already doing it Ireland.

Some mother states can be very controlling, which is especially the case when they do not have children of their own, who, like a superiority complex ridden Dalek treats everyone else like a mass-medicated child to smack down, chipping they’re fluorosis afflicted teeth.

Little wonder then that many seek to escape into the escapism of Doctor Who, whose female incarnation is to make her entry onto your Orwellian TV screens, during the Christmas festivities, around the over-watched world tree of Yggdrassil. 

But it be far better that the protesting feminist female Doctor Who’s save the children from the totalitarian fascist Daleks.

The female Doctor Who’s have shown their influence over politics, let’s see where they can truly wield their sonic screwdriver power, where it actually ‘Counts The Most.’

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SHAMAN SPIRIT DRUM LUCID DREAMING

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 27, 2017 by FAUSTUS CROW

The Artwork depicts a Yakut Shaman, whose trance drum is symbolically seen to be the genie bottle abode of the his Spirit Wife, who visits him within his lucid dreams.

The Artwork is available as an Art print or a shirt design, etc; if you are interested, Check Out my Redbubble shop, Please Click Here.

The European classification of the Spirit Wife is usually based upon a medieval perception, which considers the Spirit Wife to be a demonic entity, called a Succubus.

Western psychology, during the Soviet era, once considered the Spirit Wife complex of Siberian shamanism and that of other shamanic cultures to be a mental aberration, or that of fantasy prone individuals indulging themselves in erotic delusions. However, the psychologist Carl Jung otherwise saw the Spirit Wife/Succubus as being an archetypal aspect of the ‘Anima.’

Jung saw the feminine archetype of the ‘Anima’ as being the personified intermediary with the psychic powerhouse of the subconscious, whose myriad female forms are encountered within ‘lucid’ dreams, from whom a Shaman derives his psychic abilities, an Artist is inspired by as his Art Muses.

The motif of the Spirit Wife is known to the Yoga practitioner as Shakti, whose numerous feminine aspects are called Dakinis, which is also very much part of Tibetan Buddhist dream Yoga practices as well as Siberian shamanism.

For example, the Goldi tribe of Siberia clearly distinguish between a female tutelary spirit, known as an Ayami, which in Western occult practice is of similarity to the (HGA) Holy Guardian Angel, (Jung would also see the HGA as being the ‘Anima,’) who chooses the shaman.

Whereas the helping spirits, (Jung would see as being the myriad aspects of the ‘Anima’) the Goldi call Syven, an occultist would call (Succubae/Succubi) Demons, which are subordinate to the Ayami. The Syven are granted to the Shaman by the Ayami herself. The Altaic name, Ayami means, ‘Silk Twisted In Beauty,’ as in a horse’s mane. The Siberian shaman in particular sees the drum as his Mare, who too is his Spirit Wife, whom he trance rides as an eight-legged female centaur into conscious dreaming.

According to the ethnologist and anthropologist, Leo Sternberg, the Goldi explain the relations between the Shaman and his Ayami by a complex sexual emotion. Below is an experience related by a Goldi shaman:

“Once I was asleep on my sick-bed, when a spirit approached me. It was a very beautiful woman. Her figure was very slight, she was no more than half an arshin (71 cm.) tall. Her face and attire were quite as those of one of our Gold women.

Her hair fell down to her shoulders in short black tresses. Other shamans say they have had the vision of a woman with one half of her face black, and the other half red. She said: ‘I am the “Ayami” of your ancestors, the Shamans. I taught them shamaning. Now I am going to teach you. The old shamans have died off, and there is no one to heal people. You are to become a shaman.’

Next she said: “I love you, I have no husband now, you will be my husband and I shall be a wife unto you. I shall give you assistant spirits. You are to heal with their aid, and I shall teach and help you myself. Food will come to us from the people.”

I felt dismayed and tried to resist. Then she said, “If you will not obey me, so much the worse for you. I shall kill you.”

She has been coming to me ever since, and I sleep with her as with my own wife, but we have no children. She lives quite by herself without any relatives in a hut, on a mountain, but she often changes her abode. . . . Sometimes she comes under the aspect of an old woman, and sometimes under that of a wolf, so she is terrible to look at.

Sometimes she comes as a winged tiger. I mount it and she takes me to show me different countries. I have seen mountains, where only old men and women live, and Villages, where you see nothing but young people, men and women: they look like Golds and speak Goldish, sometimes those people are turned into tigers.

Now my ‘Ayami’ does not come to me as frequently as before. Formerly, when teaching me, she used to come every night.’

She has given me three assistants-the ‘Jarga’ (the Panther), the ‘Doonto (the Bear) and the ‘Amba’ (the Tiger).

They come to me in my dreams, and appear whenever I summon them while shamanising. 

If one of them refuses to come, the ‘Ayami’ makes them obey, but, they say, there are some who do not obey even the ‘Ayami.’ When I am shamaning, the ‘Ayami’ and the assistant spirits are possessing me; whether big or small, they penetrate me, as smoke or vapour would.

When the ‘Ayami’ is within me, it is she who speaks through my mouth, and she does everything herself.

When I am eating the ‘Sukdu’ (the offerings) and drinking pig’s blood (the blood of pigs is drunk by shamans alone, lay people are forbidden to touch it), it is not I who eat and drink, it is my ‘Ayami’ alone.”

NOTE: The quoted material concerning the Ayami is derived from: Mircea Eliade, Shamanism, op. cit., PP. 72-3, quoting Leo Sternberg, ‘Divine Election in Primitive Religion’ (1924), PP. 476 ff. cf.. Shamanism, PP. 42l ff., for autobiographies of South-Indian Savara male shamans and female shamans, whose marriages to (Anima – Animus) spirits are in striking parallel to the documents collected by Sternberg.

If you are interested in an Art print or the shirt design, etc, Check Out my Redbubble shop, Please Click the image link above.

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SHAMAN DRUM SIBERIAN TRANCE

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 22, 2017 by FAUSTUS CROW

The design features a Finno-Ugric Siberian shaman. The word Shaman originates from Siberia, which is said to be derived from the Evenki word “šamán,” most likely from the South-Western dialect spoken by the Sym Evenki peoples. If you are interested in the Art pint, shirt design, etc, Check Out my Redbubble shop, Please Click Here.

The Tungusic term, Shaman, was subsequently adopted by Russian explorers interacting with the indigenous peoples in Siberia. The word, Shaman can also be found in the memoirs of the exiled Russian churchman Avvakum.

The term Shaman has since been adopted by anthropologists as a coverall term for numerous other cultures who share similar shamanic techniques, which enable a practitioner to alter his/her (brain wave) states of consciousness.

The Siberian shaman in particular utilises the drum. The drum is often referred to as being an eight-legged-mare; which is in turn is associated with the abode of a (Anima emanation) Spirit Wife, somewhat like a genie in her (drum) bottle. In other words, the drum, Mare and Spirit Wife are seen to be the same. (The Eight legs of the Mare, being the eight compass directions of a symbol painted upon the skin of the drum, which is also associated with the motif of the World Tree.)

 

The shamanic motif of the Mare and the Spirit Wife leads to the term ‘Nightmare,’ which originally referred to the Old-Hag Syndrome.

The Old Hag Syndrome is otherwise known as the Bedroom Invader Experience, which is experienced when an individual inadvertently accesses hypnagogic trance.

An unprepared individual will invariably become terrified when accessing hypnagogic trance, wherein he/she will experience the manifestations of his/her deepest fears, which often involves sexual scenarios.

Whereupon the term, Old-Hag Syndrome refers to the visitation of a Succubus, whose initial manifestation is nightmarish, which induces the experience of intense pressure upon the body, the sensation of being (Sphinx) strangled, sleep paralysis, vivid hallucinations, and eventual lucid dreams.

Wherein an individual will feel as if he is being abducted by otherworldly (Alien) entities as well as experiencing out of body experiences.

The Shaman learns to control his fear, in order to ride the (inner TARDIS) ‘Night-Mare,’ rather than being ridden by her.

Whereupon she becomes his (Ally) Spirit Wife; hence the carved (World Tree/Axis-Mundi) handle of the Shamans (Mare) drum in the design, which represents his (trance) Spirit (Anima-Mundi) Wife.

(NOTE: The Mare/drum [trance symbol and tool] is seen to be tethered to the World Tree, which symbolically represents the spinal column of the Shaman. The Spirit Wife refers to what Yoga practitioners call the Kundalini Shakti, which is experienced as a liquid energy that is aroused to arise along the (World Tree) spinal column. the Kalahari Bushmen of South Africa call this inner energy, Num, which is aroused when a practitioner accesses hypnagogic trance, which the Bushmen call, Kia. In ‘trance dance’ culture of the [Rave] dance clubs, this inner energy is known as ‘The Rush!’)

 

The monotonous beat of the drum stimulates the Theta brain wave, which induces hypnagogic trance. The experience of hypnagogic trance is basically hypnotic induction.

The Theta brain wave is also associated with anxiety reduction, the active (day dreaming) imagination, lucid dreams and Zen meditative states.

Shaman Drum Siberian Trance by MARDUN

The Theta brain wave is depicted in the design, which is also known as the hyper-suggestible state.

The inducement of the Theta brainwave allows for mental programming via the use of repetitive Mantas, such as the ecstatic songs (and trance dancing) of a shaman are effective at dispersing fear states, when sung in conjunction with the (Spirit Wife/Mare/Pony-Girl) drum.

Shaman Drum Siberian Trance by MARDUN

The above Art and information is covered in my Art books, ‘Goetia Girls,’ which are available from Createspace and Amazon, under my author’s name, Faustus Crow.

If you are interested in the Art print or shirt design, etc, Check Out my Redbubble shop, Please Click the Image Link above.

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STEAMPUNK TIME MACHINE

Posted in Art, Chaos Magic, Dr Who, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 11, 2017 by FAUSTUS CROW

The Artwork is available as an Art print and a shirt design, which concerns Time Travelling within a lucid dream, such is indeed possible, since much of the reported precognitive and retrocognitive phenomena occurs when attaining hypnagogic trance ingress into a lucid dream. (If you are interested, I have written an account of a personal experience about riding the Night-Mare. Click Here.)

In ancient shamanic cultures, such as those of North Central Asia unto Siberia, the state of hypnagogic trance was symbolised as a Mare. Hence you have the European term ‘Nightmare,’ which was associated with the shamanic spirit wife complex, or otherwise known as a, Succubus, whose hypnagogic state visitations initially induce what is called the Old Hag Syndrome, also known as the Bedroom Invader Experience, the ancient Greek’s termed as the Sphinx. (I have written a personal account of the Sphinx experience. Click Here.)

As for the Artwork, it depicts a Steampunk poster from an ‘Alternative Locale III Earth,’ during the Great Exhibition of 1851, where the Sorcerer Artist, Faustus Crow has presented his Necronomicon Time Machine of a psychic installation.

“When the author H.G. Wells to have conjured The Fifty-fifth spirit called Orobas from out of Crow’s Necronomicon, Orobas manifested amidst his Triangle Of Art Imagination as a Night-Mare.

“She to have then descended upon Well’s sleep paralysis afflicted corporeal frame as a strangling ‘Sphinx’ as he inadvertently accessed hypnagogic trance.” 

“But after Well’s had attained a lucid dream, Orobas then manifested as a Pony Girl Art Muse, he to have ridden as his Witch ‘Mare’ of the ‘Night’ Time Machine, who enabled Well’s to remote-view browse the Zodiac Ages of the vibrating Ouroboros.”

When practicing Surrealist dreaming, the dreaming Artist will also have to make it a H.G. Wells habit of noting down his/her TARDIS dream adventures in a personal Necronomicon; for the Zodiac Ages have dead names to Howl out, of barbarous Mantra.

Wherefore the dreamer attains the Secret of the Sphinx, whose symbolism the ancient Egyptian’s and Greek’s associated with remote-viewing the Ouroboros of time within lucid dreams, H.G Wells later alluded to with his Time Machine.

The Artwork was used in my Art book Grimoire, entitled, ‘Goetia Girls: Book Two,’ which is available from Createspace and Amazon, under my author’s name, Faustus Crow.

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SUCCUBUS MULTIVERSE DREAMING

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 9, 2016 by FAUSTUS CROW

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Mephistophina, standing betwixt the Ida And Pingala (Autonomic Nervous System) pylons, Black And White as Mares, becoming as the dapple Grey eight-legged Night-Mare of Mercurial quick ‘silver’ Mercurius, arising along the (Central Nervous System) Sushumuna as the Anima-Mundi.

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She be the ‘Da’at’ (Reptilian Brainstem) Sirius Star Girl Guide to trance ride into Lilith’s Harem Of The Multiverse Dream, wherein her Nightgaunt Succubae Witch Sisters govern over womb worlds to…lovingly… conjure as Jinn, made of bio-photon fire.

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Though such be not that of Newage Hollywood love, of internalised relationship dynamics fueled by fantasies of unrealistic perfections.

A Succubus like a woman does the Valkyrie choosing; it is what the subconscious mind to know of a biological truth, the ‘Anima’ to reveal.

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Although this be harsh upon those who have been rejected by a woman, leaving behind a broken heart; it is at such a time that the wounded of (Central Nervous System) heart be ‘opened’ to the ‘Anima,’ whose predatory dream fluctuations of the Succubus do then hunt down the fallen to choose upon the battlefield of life, likened to that of the carrion Crow of a Morrigan, who to rip through the seals of the Chakras to open.

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But the chosen then has to control her, so as to microcosmic ride astral as the Night-Mare; otherwise, the ‘Anima’ to then take over of indulged in fantasies of a Ring-Pass-Not. If not controlled, the rider indulges in religious sentiments to worship the ‘Anima;’ hence becoming as the ridden, to never know of the rough magic along the Ley of lady sychronicity, who to Maya dance upon the mirrored path Ouroboros.

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The dreamer may come to a realisation that the Succubus allows a dreamer to tune into alternate selves, who to be in relationships upon some other alternate Earth, which to reveal that when becoming incorporeal, the consciousness of an individual naturally slides into an alternate self of a Tulku to fuse with, and what was known of a life before, becomes as an ethereal half remembered dream.

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Or that of knowing of inner Mind-Doll Tulpas, whose conjured microcosmic spin does weave macrocosmic synchronicities along the Leys, via which the dreamer can hunt down the, hunter, of another woman to meet at a place of bio-photon flame attraction.

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The Succubae can reveal many a dream secret to a chosen… shaman… Siberian shamans to know of, as well as those practitioners of other, still surviving elder shamanic cultures; whereupon in the Tantric Buddhist practice of Tibet the Succubae are called Dakinis who are manifold aspects of Shakti. The Dakinis are seen to be Wisdom Holders of dream Yoga.

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Before the ascendancy of the ‘Animus’ worshippers of the patriarchy the ancestors of the European’s also had a shamanic understanding, which had investigated the ‘Anima.’ Alas, after five hundred years of a totalitarian inquisitional purge, the shamanic legacy of the European’s was nigh eradicated of genocide, spreading towards other cultures across the globe, which to still continue of imperialistic empire building.

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Perhaps it is all part of a process of dismemberment, like that of DNA self replication, wherein of 23rd angstrom, periodic mutations occur. But over the long stretches of time what goes around, comes around, Ouroboros, when the dismembered shaman is put back together into another form of a return.

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So, beware of the politically correct thought police who to trickster twist your words around, preferring candyfloss fairytales to promote; more so that of the Abrahamic worshippers of the deified ‘Animus,’ made as their Orwellian God and Devil, whose machismo Angels and butch Demons are listed in many a patriarchal ‘Playgirl’ grimoire.

The ‘Animus’ worshippers will duly castigate thee as being a vile pornographer, who to thence burn your ‘Anima’ conjurations upon their Inquisitional mind-control pyres of a moralistic Enartete Kunst!

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“Why would they do so?” You might ask; well, it does appear that there is an underlying sex war behind it all, due to a deified gender focus, which can be seen as being an expression of an evolutionary flux, concerning the evolution of consciousness.

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Wherefore, the rebellious focus upon the symbolic expression of the ‘Anima’ is also part of this process, which might eventually lead to a balance occurring of inner space, lucid dream conjuring.

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But this will be dependent on others observing the obviously out of balance focus upon a deified ‘Animus,’ which of a religiously hewn patriarchal symbolic paradigm permeates all levels of culture, spreading world wide.

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Should you consider this analysis to be rather far fetched, all you have to do is to look at the fundamentalist scourge of the Middle East and that of home-ground to find Abrahamic mind-sets of a shared funda-mental insanity.

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SUCCUBUS EVOCATION OF THE DR WHO GOETIA GIRL, OROBAS

Posted in Art, Chaos Magic, Dr Who, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 15, 2014 by FAUSTUS CROW

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Dr John C. Lilly of ‘Altered States’ fame, out of body ‘rode’ the mathematical symbol of the Brownian Operator as if it was a ‘Horse,’ while within an altered state of consciousness.

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Lilly’s psychonaut journey into inner space could be construed as being a vivid lucid dream:

“My consciousness was placed inside the right angle of the large inverted capital ‘L’ as it was written, as if it was a ‘vehicle.’ This is a rather dangerous procedure. This meant that I was identified with the marked state, i.e. I existed. I was now riding the marked state as if it was a ‘vehicle,’ but at the same time, I was the marked state.

This means I was the consciousness, the signal that was being fed through the marked state outside myself. As soon as this happened, I transited explosively into the void. My consciousness was still intact, but there was no universe at all. I suddenly realised that this was the first step in the infinite series of marked state, unmarked state, unmarked state and so forth. So my consciousness then reassembled a marked state, got into the right angle and came out in another domain, i.e. came out in a new marked state.”

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Lilly experienced journeying from one universe into another within his lucid dream, when to have ridden the Brownian Operator, which of an inverted ‘L’ is none too dissimilar to the symbol of a Horse head.

Ancient shamans had their prior version of the Brownian Operator, which was otherwise symbolised as an eight-legged Mare to trance ‘ride’ into other worlds from within their lucid dreams.

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This technique also enabled a shaman to travel through time; whence acquiring retrocognitive and precognitive abilities; whereby the shaman horse can be symbolically equated with a Time Machine, such as Dr Who’s TARDIS.

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In the grimoire of the Goetia, the Succubus called Orobas, whom emanates from the fourth dimensional planetary sphere initially appears as a small Mare, amidst the triangle of art imagination of a sorcerer, before assuming human form. After she has been conjured via intense active imagination exercises, she will then initiate lucid dream time travel experiences, when her symbol of the Mare is recognised within the dream.

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The symbolism of the shaman Horse of trance is very much tied up with the term Nightmare. The word Nightmare was originally derived from a night terror, whose technical term is the Old Hag Syndrome, which is otherwise known as the Bedroom Invader Experience. The Old Hag refers to an invisible presence of an entity, which leaps upon an individual at the point of sleep. The individual experiencing this phenomena will experience great pressure being brought to bare upon their body, whom is unable to move.

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The inability to move is that of sleep paralysis, which is experienced at the point of consciously accessing ‘hypnagogic trance’ ingress into the dream. The experience can be quite terrifying for the unprepared. Shamans overcome the Nightmare by transforming it into a ‘Mare’ of the ‘Night’ to otherwise ‘ride’ rather than being ‘ridden’ by it.

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For a heterosexual male practitioner, this was achieved by introverting the sexual impulse, by prior focusing upon the visiting entity as being a Succubus; wherefore negating their fear; for it is their fear, which determines what form the entity assumes. By transforming the fear into another potent emotion, the entity then takes on another form. Whereby the entity becomes the shamans familiar, which will empower the shaman to attain an out of body experience, whom will then carry him into other realities as his ‘Mare’ to ‘Night’ ride.

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How do I know this? I have experienced it for myself; whether you believe me or not as the case may be; I really do not care.

(Music used in the Video, by: Partners In Rhyme.)

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GOETIA GIRL SUCCUBUS SEERE

Posted in Chaos Magic, Conspiracy Theory, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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The Seventieth Succubus is Seere, Sear, Seir or ‘Seiðr.’ She is a Mighty ‘Princess,’ and Powerful, under AMAYAMONA, Queen of the East.

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She appears in the visionary Form, as a most Beautiful woman, riding upon a Winged Horse, who be of the Nineteenth Rune of Ehwaz, drawn like an ‘M.’

Or she to be otherwise part horse, part woman likened to that of a Winged Hobbyhorse, looking like Pegasus, upon whose back, of a shaman Rune, her master, numbered four of Ansuz, to thus ride her as a Seer, to far-sight ‘travel without moving.’

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She to guide her master into a quantum-wormhole within a lucid dream, which of manifestation will not be that of a hole, but more like that of a sphere, looking like a bubble.

Her Office is to go and come; and to bring abundance of things to pass on a sudden, and to carry anything wherever her master would have it to go, or from whence he would have it derived, or to any place taken, throughout space and time.

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She can pass over the whole multiverse tree of worlds, in the twinkling of an Eye. She gives a True relation of all sorts of Theft, and of Treasure hid across the Earth of a Circus, and of many other things arcane.

She is of an indifferent Good Nature, and is willing to do anything which her master desires of her. She governs 26 Legions of Succubae. And her Seal is to be meditated upon, before conjuring her into a lucid dream.

Goetia Surreal – S. L. MacGregore Freemason Mathers (1904)

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