Archive for Manga

H.P. LOVECRAFT CTHULHU CHILD OF HENTAI TENTACLE PORN

Posted in Alien, Art, Chaos Magic, Goetia Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 17, 2015 by FAUSTUS CROW

H.P. Lovecraft was a surrealist visionary of the highest calibre, and like most surrealist artists he derived his inspiration from impulses, which stemmed from the deepest recesses of his subconscious mind. However, Lovecraft was a rarity, whose dreams were vivid of a lucid reality, which guided his hand to write of nigh automatism.

His dreams were somewhat moulded by shadowy predilections concerning his disdain for intimate human relationships; more so that of the sexual act.

Lovecraft was quite honest about his difficulty forging relationships with women, who had otherwise channelled his base biological drives into his creativity.

Many have noted that Lovecraft’s Necronomicon creations have Freudian overtones, concerning slimy tentacles of a phallic propensity along with gaping vagina dentata maws dribbling ichor. Little wonder then that Lovecraft’s Cthulhu Mythos inspired the vore fetish of Hentai.

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Although, the tentacle porn of many a Hentai comic depicting monstrous entities consuming their writhing female prey, are primarily based upon ancient Japanese fertility deities, which have been warped all out of shape.

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For example, you have the popular Japanese folktale of the Dream of the Fisherman’s Wife, also known as Girl Diver and Octopi, Diver and Two Octopi, etc., which inspired a Zoophilia-associated woodcut design of the Ukiyo-e genre by the Japanese artist Hokusai.

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The woodcut is derived from the book Kinoe no Komatsu (English: Young Pines). It is a three-volume book of Shunga erotica first published in 1814, which is the most famous Shunga, Hokusai ever produced. Playing with themes popular in Japanese art, the prior Hentai image depicts a young female Ama diver entwined sexually with a pair of octopuses.

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The Dream of a Fisherman’s Wife was a very popular subject in Ukiyo-e art. The artist Utagawa Kuniyoshi produced a number of works based upon it, which often include octopuses among other creatures being teased by the bare-breasted female diver.

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The Dream of the Fisherman’s Wife is not the only work of Edo-period art, which depicts erotic couplings between a woman and an octopus. A number of early Netsuke carvings show cephalopods having intercourse with nude girls. Hokusai’s contemporary Yanagawa Shigenobu created an image of a young woman receiving cunnilingus from an octopus, which is very similar to Hokusai’s Hentai depictions in his collection Suetsumuhana of 1830.

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The prior works of Hentai has influenced a number of later artists such as Félicien Rops, Auguste Rodin, Louis Aucoc and Fernand Khnopff. Pablo Picasso painted his own version of the Japanese tale during 1903, which has been shown next to Hokusai’s original in various exhibits on the influence of 19th-century Japanese art on Picasso’s work.

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In 2003 a derivative work was created by the Australian painter David Laity, also titled The Dream of the Fisherman’s Wife, which sparked a minor obscenity controversy among shocked Christian’s when it was shown at a gallery in Melbourne. After receiving multiple complaints, the Melbourne police were forced to investigate the artwork. But the police determined that it had not broken the city’s pornography laws. Hokusai’s print has had a big influence on the modern Japanese-American artist Masami Teraoka, who has created a number of erotic images of girls, including a recurring ‘pearl diver’ character, being pleasured by cephalopods, which symbolises the female sexual power over the (tentacle) phallus, who empowers its erection.

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My own rendition of The Fisherman’s Wife ‘depicts her with a reptilian type creature fused with a cephalopod, of a Cthulhu, which is also a play on words, concerning the text, which can be found accompanying Hokusai’s image, where the big octopus says, he will bring his captured girl to Ryūjin’s undersea palace, you can otherwise see as Lovecraft’s undersea city of Ryleh.

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It is very likely that Lovecraft was aware of the tale of The Dream of the Fisherman’s Wife, since he was a well read fellow, whose horror, was of the sexual act its self.

If however, you do not believe that the Hentai fixation upon Cthulhu tentacle sex, which mostly involves Geisha (Dakini/Succubus) Schoolgirls frequenting many an Anime and Manga has anything to do with ancient Japanese fertility cults, perhaps there is a psychological reason behind the voyeuristic fetish of Hentai bestiality, involving a number of vore beasts.

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If so, the motif of the monster, whether it be a cephalopod, insect, reptile, mammal or an alien, etc, can be generally summed up as representing a negative inner self-image, of a Cthulhu, which is housed in your reptilian brain of Ryleh.

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The inner self-image is generally influenced by what the opposite sex finds most attractive in a potential partner. Wherefore the inner self-image of heterosexual men in particular is influenced by the Animus projections of women; whereas the men project their Anima upon women.

These Animus and Anima projections are often symbolised as varying mythic characters in books, films, comics and video games, etc. Whereby the Animus and Anima role-models can be subversively manipulated by the controlled Mass-Media in order to influence and control the masses, which is essentially the psychological warfare tool of mass Mind-Control.

An example of this is the reversal of Animus-male role-models in films, comics and video games into females, which is engineered to make the males feel negative about their inner self-image. Such as transforming Dr Who into a woman, or having an all female Ghostbusters team, along with having a female James Bond, etc; the Social Engineering list is growing.

The reasoning behind it, is to divide and conquer the populace at the sexual level, who are otherwise tied up with protesting about gender issues. Gender politics is a PsyOps means to distract the masses from Anti-War protesting against what the Military Industrial Complex is up to.

Should an individual be afflicted with having negative self-image, it will invariably engender an inability to forge normal ’emotional’ relationships with the opposite sex. Such an individual is not alone, there are numerous others who have been similarly affected by a PsyOps campaign to engender mass confusion amidst the populace since 9/11.

The populace have been subversively engineered to be in conflict with one another at the most fundamental level and therefore negated from seeing who has actually orchestrated the discord. This is easily achieved when the engineer of the discord has large sums of money at its disposal; hence, Go Woke Go Broke, means absolutely nothing.

You also have Socially Engineered Population Control, which uses Orwellian Psychological Warfare to achieve this totalitarian/fascist end by weaponising unknowing minorities. Should the unknowing weaponised minorities become the invariable target of any adverse reactions from the populace, the government will then utilise the civil strife to bring in Orwellian laws, which leads to the erosion of civil liberties.

As for having a negative self-image, it will ultimately lead to an extreme inner frustration; whereupon the sexual impulse becomes all consuming, which is expressed as the Lovecraftian vore fetish in varying Hentai fantasies.

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Or otherwise being symbolically represented as cannibalism, involving the Ghasts and Gugs of Lovecraft’s underworld dreamlands, or otherwise that of Zombies and Ghouls etc.

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Whatever the case, these dark impulses can be symbolically transmuted and healed via Art, which Lovecraft took much further into imaginative realms, where they became nigh spiritualised.

Though dark of visionary insight, Lovecraft did not allow himself to fall into the lower depths where present Hentai tends to frequent of meaningless pornography. Whereas prior of Hokusai Hentai, the erotic imagery concerned the symbolic transmutation of the sexual impulse in order to evoke the inner-self-image of the observer coupling with his ‘Anima,’ which is none too dissimilar to the European fairytale motif of a Dragon entwining its self around a Princess bound to a ‘tree,’ before consuming her.

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As for Lovecraft, he could have crossed over into the more meaningful domain of the erotic, and in so doing tackled his emotional disconnection, if he had rebelled against his puritanical upbringing.

His acute emotional turmoil, though inspiring his Art, very likely led to him developing an illness over time, which afflicted his navel Chakra and in turn bringing about his eventual demise.

He himself, had many years earlier communicated that his stomach was gripped by the talons of faceless creatures he named as Nightgaunts, at the hypnagogic point of dreaming, which then carried him into the depths of tormenting nightmares. May be he foresaw his own death?

As mentioned prior, the Lovecraftian creatures of Hentai were originally based upon ancient Japanese fertility deities, which have since lost their ‘navel Chakra’ meaning in a culture, afflicted by a fear of the female. This is probably due due to Judaeo-Christianity having an Animus influence in Japanese culture, which, like its patriarchal source of Judaism and kin of Islam are extremely adverse to the feminine principle of the Fallen Anima.

It is somewhat strange that the depiction of the penis is allowed in Japanese art, such as having Lovecraftian phallic tentacles of ‘Biblical proportions.’ Although this is to do with the deification of the Animus, made as a God and Devil.

But when it comes to the vagina of the Fallen Anima it is taboo of a pixelated smudge, like that of having a faceless Nightgaunt, or should one say… a SUCCUBUS.

NOTE: The Fallen ‘Anima’ and her Succubus archetypes, which are investigated in my anti-cult Art book grimoires, etc, is NOT associated with the PsyOp engineered gender politics, which is Mass-Media Machine orchestrating the reversal of ‘Animus’-male role-models into females. 

It appears to be rather strange indeed that the Mass-Media Machine is engaged in such a practice, since it invariably leads to a hefty financial loss, unless it is seen in context with the bigger picture concerning the forever war antics of the Military Industrial Complex.

It would have made far more sense that the Mass-Media Machine created new and original female (role-model) characters for women, rather than churn out endless remakes of iconic late 60’s-80’s movies whose zeitgeist male characters have been turned into females.

But instead the Mass-Media-Machine is reversing iconic male characters into women, whose ‘Animus’ archetypes are primarily attractive to the females, by which of role-models the males define themselves. In other words, the success of the ‘Animus’-male characters were made financially successful by female fans.

The reversed ‘Animus’-male characters are not transformed into ‘Anima’ archetypes, since the female characters have assumed masculine traits as well as being made to be nigh sexless, which many males find unattractive; whereas women are led to believe that they are being empowered by assuming male characteristics.

It is essentially a PsyOp planned reversal of the ‘Make Love, Not War’ zeitgeist of the Hippie era.

Overall, this leads to an invariable conflict between the sexes, which is the whole point of the PsyOp campaign in order to divide and conquer the populace, and thereby negating any Anti-War Protests, since the populace is otherwise distracted by protesting about their Base Chakra… Genitals!

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SUCCUBUS HOUSE OF THE HUNGRY GHOST GIRLS

Posted in Chaos Magic, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 8, 2015 by FAUSTUS CROW

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Do spirits live in houses within their otherworldly domain, just like the living? Many have conjectured that they do, which is especially the case, if they be discarnate; who would have memories of those houses where they once lived, to later repeatedly haunt.

It is one of the reasons why some shamans build spirit doll houses as their altars, whose ‘meditation’ aid dolls, looking like sexy Anime/Manga kit model icons are macrocosmic repositories for their microcosmic spirit wives of the dream.

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Sounds all rather odd, doesn’t it. But should you observe your dreams, you will find that the motif of the house is somewhat of a habitual constant, along with its surroundings of a city, whose spectral abodes are occupied by numerous denizens of the dream.

These entities who may be manifold (Tulpa) creations of your own psyche, all as mind-dolls; or being otherwise discarnate spirits, then again, they could be other dreamers; perhaps all of the above, and far more besides.

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Your dreams are definitely made of layered memories; much of them are personal to you at one level, which of an analogy, is like you being in your surrealist house, surrounded by the symbolic possessions of varying memories, becoming jumbled into differing surreal scenarios.

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But as soon as you go out of your front door within a dream, of an out of body experience, it is a distinct possibility that you will then find yourself engaging with a mind-map, which is collectively created by the many minds of others, along with your own, where time flows in both directions, from past to future, future to past.

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So, ghosts of the past are presently living, along with ghosts of the future, and you too are as a ghost, yet alive simultaneously like a Schrödinger’s Cat.

Of course, the collective mind-map is not just a creation of other human minds, but also of all those creatures who too share your world; some of them being discarnate; while others primarily exist within the informational realms of the dream, which of the quantum domain, unifies everything between the ‘binary code’ horns of sex and death, the (Alpha) living and the (Omega) dead. But the Alpha of birth and Omega of death are as the head and tail of an Ouroboros; they are both the same of  a superimposition (vaginal) door.

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Your dreams are made of electrons, which can be in many places simultaneously, so say the physicists, which has led to successful experiments in quantum teleportation; whereby your dreams are not just in your quantum computing brain alone.

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It is conjectured that electrons are in fact mini wormholes, whose informational phenomena within the symbolic interface of the dream, would very likely manifest as virtual reality doorways, windows, hallways and stairways amidst your simulated dream house, populated by bound sentient programs.

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All of which of symbolism has been conjured up by your quantum computing brain. Or that of otherwise manifesting as tunnels, caves, whirlpools or bodies of water, whose primary symbolism is organically derived from the feminine principle of the vagina, via which your consciousness can slide through like an erect serpent.

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Whereby it is possible that you can gain spermatazoic ingress into alternate (womb) possibilities, just as the ancient shamans communicated, whom interacted with a feminine intelligence of these inner (vaginal) portals, they termed as their spirit wives, a European would call (Succubi) Succubae.

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The psychologist Carl Jung would otherwise term the Succubae as being manifold aspects of the Anima, which has Fallen out of the symbolic paradigm.

The established paradigm has an emphasis on the deified Animus, made as a God and Devil; hence the Playgirl grimoires both historical and modern only list Chippendale male archetypes of the Animus.

So, should you dream of a beautiful woman opening her (vaginal) door to then wantonly guide you into her (womb) bedroom, you might just find that you are no longer in Kansas anymore of a planetary sphere, when to leap of rebirth out of her Rose tinted window.

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That’s if you can pull yourself away from her hot embrace; for her vaginal star barrelled wormhole is forever hungering for your emotional charge to spin its uterine vortex.

When to become lucid within an electron dream, you are then enabled to conjure a particular Succubus; wherefore you are then able to slide into a desired dream (womb) locale of another mind-map underlying an alternate Earth next (vaginal) ‘door.’

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Should she let you into Lilith’s Harem, that is; since you will then be aware that she is a Succubus, along with knowing of the existence of her myriad legions of ever hungry ghost girl sisters, whom forever hunger for your introverted emotional ejaculations, in order to spin them into sentience.

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Whereby one has to then enter into a symbiotic Coitus Pactum with her as your Night-Mare to ride, otherwise she will become a Nightmare; for fear of an emotional charge will spin her too.

Hence she will manifest as a haunting Old Hag Syndrome night terror, rather than as a Succubus dream lover.

In order to negate the fear from arising, it would require the sorcerer becoming conscious within the amniotic watery domain of the dream, when to attain an ‘amphibious’ state of consciousness at the point of hypnagogic trance ingress; whereupon the Don Juan Matus sorcerer eats the (Anima) Succubus of a conscious seduction instead of him being eaten.

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Wherefore the sorcerer remembers his Coitus Pactum of a dream union with his Succubus when to awaken into a desired possibility, she to microcosmic birth as a macrocosmic synchronicity.

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NABERIUS DOG STAR WEREWOLF GIRL

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 23, 2014 by FAUSTUS CROW

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The twenty-fourth Succubus archetype of the Fallen Anima is called Naberius, who is an Art Muse of the ninth dimensional planetary sphere. Naberius can make a Sorcerer Artist highly adept in all manner of arts and sciences, who can disguise the conjuring Artist of shape-shift form, as well as enabling him to become a cogent speaker within a lucid dream.

The origin of Naberius’s name is determined to be mysterious; although Naberius was first mentioned by Johann Weyer in 1583 who was a follower of Cornelius Agrippa. It is very likely that he had created Naberius to be his personal egregore in order to psychologically test the blodthirsty gullibility of his Witchfinder audience.

At the time, many of his Christian audience believed that ‘demonic reptilians’ were taking over the Earth, which led to them burning Witches all over Europe, due to their religious insanity. So, Weyer no doubt attempted to determine the nature of this prior David Icke insanity by creating a literary invention of an entity, to see how it was assumed to be real, by a religious mind-set.

However Weyer’s egregore has since taken on a viral-meme life of its own due to its archetypal foundation, which of a technique, the science of neuro-advertising utilises in order to subversively influence your reptilian-brainstem.

Naberius is a composite name, which is comprised of the word ‘nab,’ like that of a Crow sweeping down to nab something quickly, in a way that is clever or humorous; whereas, ‘erius or erus,’ appears to be originally derived from the ancient Greek name for the three headed Dog of the underworld called Cerberus, which of a rebellious reversal can be transformed into an Anima bitch.

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So, let’s take this reversal further of an alternate grimoire to rename Weyer as Weird, who created Naberius as his personal Frankenhooker Tulpa of a Mind-Doll Succubus, whom considered the Naberius Crow, and the Cerebus Dog to be that of the same Golem girl; wherefore Weird to now claim:

“Naberius [Naberus], alias Cerberus, is a valiant marchioness, showing herself in the form of a Crow, when she speaks with a maids voice of seduction: she makes her master amiable and cunning in all arts, and especially in rhetoric, she procures the loss of prelacies and dignities, but only after she has salaciously fornicated with her master, within his dreams: she to have nineteen legions of most wanton Succubae who hear (and obey) her.”

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Naberius’s association with the ancient Greek multi-headed (usually three-headed: past, present and future) dog, or hellhound called Cerebus is quite intriguing, since it has an association with the Dog star Sirius, like many another canine entity howling unto the blood Moon.

Cerebus is described having a serpent’s tail, a mane of Snakes, and Lion’s claws, which guards the uterine entrance into the womb of the underworld in order to prevent the ancestral dead from escaping and the living from entering; basically, Cerebus stands at the hypnagogic (Sirius) gate of trance ingress into the dream.

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Now, it is easy enough to fearfully imagine an anthropomorphic creature of humanoid form fused with Cerebus, such as having three heads of a Dog, along with having the wings of a Crow sprouting from its back; but, how can you imagine Naberius to look like a girl?

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Well, for a start, you look into the background of Cerebus, whose symbolic reality refers to the archetypal guardian Dogs, which occur widely in shamanic otherworldly lore, such as the ancient Egyptian deity called Anubis. Although in this case, said Dog is a Succubus bitch, who will enable her conjuring Artist to fly as a third-eye Horus Hawk through space and time, via a blue Moon lucid dream, to thence remote-view the future as a Faustian psychonaut.

These spirit Dogs often become loyal shaman ‘guides’ into the underworld. Hence the Succubus Naberius can be seen as a Goth ‘girl-guide’ when taking on human form of Triangle Of Art vision, having Crow black hair with a Dog paw patch of a Sirius star on her left breast pocket.

In Siberian shamanism, when an Altaic shaman accesses trance he encounters a Dog, which guards the underworld realm of Erlik Khan.

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As the Yukaghir shaman follows the trance road into the kingdom of shadows, he often discovers an old woman’s house, which is guarded by a barking Dog, with one ‘eye’ burning as as a ‘Sirius’ star.

This is of similarity to the thirteenth Cabbalistic path of Gimel, via which a trance adept penetrates the hidden Sephiroth of Da’at. The Koryak shamans perceive the trance entrance into the land of the ancestral (Othala Rune) dead is guarded by Dogs.

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It all sounds rather dark and very serious doesn’t it; well, it is, if you like living in fear; wherefore you end up blocking your own self from attaining hypnagogic trance ingress into the dream.

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In Inuit shamanism, a Dog with bared teeth guards the trance entrance to the undersea (High Preistess II) land of Takakapsaluk, Mother of the Sea Beasts; when the shaman overcomes his fear of the Dog (Bitch) guarding the Da’at abyss, it then becomes his best Choronzon (Succubus) buddy.

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The custom of burying a pet Dog and the skin of a favourite Reindeer with a dead man was still current among Ugrian people of Siberia earlier this century.

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Scholars are well aware the name of Naberius and that of its branded symbolic form of a viral-meme has changed many times due to cultural transformations over the years. However, it is only recently that she has been eventually freed from her patriarchal bottle of an Animus male form, into which she was incarcerated of a prison by the Abrahamic exorcists, who believe sex is the first sin, when it should be that of… ignorance.

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After Weird’s egregore creation of Naberius established its self within the propagated tomes of the grimoire tradition, it soon came about that other listed spirits of viral-meme similarity manifested themselves, such as Naberus, Kaberon, Cerbere, and Serberius.

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When reversed of an artistic rebellion, in order to free the Succubae Great Old Ones out of the onetime male forms, of a symbolic prison, the Succubus, Naberus manifests as a noble, Crow/Raven headed woman; while Kaberon appears as a Bitch with a black Crane’s head. As for Cerbere, she manifests as a black Wolf Bitch with fifty heads and a tail of three entwined snakes. Whereas Serberius does appear as a black haired ghost girl, who be a Werewolf, surrounded by the corpses of those malign influences, who seek to harm her conjuring Artist, whose head is crowned by a cloud of fireflies.

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The symbolism of a Crane is also associated with Naberius; whereupon in the Goetia, Naberius is described as being a black Crane, which flies around the magic circle when conjured. In Celtic lore, the Crane is sacred to the triple Goddess. Wherefore it could be symbolically equated with the mitochondrial DNA, which is passed down from the mother to her children. It is also one of the most common symbols and themes in the folklore of East Asia, including Japan.

This leads you to an association with The Grateful Crane or the ‘Crane Wife,’ which is a particularly well-known tale in Japan. The symbolism of the Crane specifically refers immortality, which a future technology will no doubt achieve. The Crane features strongly among the myths of the Ostiaks of Siberia, as well as in ancient Chinese funerary rites, Okinawan harvest festivals and among the Ainu of Japan, suggesting the diffusion of a ritual complex from Northeast Asia.

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You then have a fusion of symbolic elements concerning the bird symbolism of a Crow, Raven and black Crane and that of a canine; whether it be a Dog or a Wolf.

In shamanistic practice, the symbolism of a bird usually refers to an ecstatic out of body experience out of the ‘cubic’ space of your simulated reality, which Naberius induces via a lucid dream, when to conjure her. Whereas the Dog and Wolf refers to her function as a girl-guide and protector into the underworld realms of the electron dream.

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You can otherwise rename Naberius, as Naberiusi of mantra, and when she manifests into human form amidst your Triangle Of Art imagination, you can see her as a girl-guide looking somewhat like the Manga character called Black Rock Shooter, who is highly versed in Crane Kung Fu, appearing as a mysterious Crow haired girl, with a blazing Werewolf bitch blue eye of a… Sirius Dog star.

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GOETIA GIRL BUNE, SHINTO SUCCUBUS OF WEALTH, FORTUNE AND LONG LIFE

Posted in Chaos Magic, Comics, Cosplay, Discordianism, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 7, 2014 by FAUSTUS CROW

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The twenty-sixth Succubus archetype of the Fallen ‘Anima,’ who is listed in the Goetia is called Bune or Bimé or Bim. She is a Duchess who governs over 30 legions of (Succubi) Succubae. The name of Bune could have been derived from the Old English Bune, for reed and that of an associated 15th Rune.

Although you have the word, boon, meaning luck and wealth, which is etymologically associated with the Spanish, Buena, which means, good. You also have the Eastern European, Bune, which is a term for a certain type of bun, along with a slang term for the perinium and bunny. As for Bimé and Bim, they appear to be derived from Bune.

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Bune is very likely derived from the Japanese word for, ship. This is further compounded when to look at Bune’s grimoire seals, which are an abstract representation of a Japanese ship, whose construction has a very distinctive shape of an uncanny similarity to Bune’s two seals.

One of the seals of Bune you could imaginatively associate with the Utsuro Bune of Japanese UFO lore, should you desire to take the associations further.

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Although the Utsuro Bune is described as being shaped like a bun; while Bune’s other seal depicts a horned dragon, which is traditionally considered to be Bune’s most powerful seal.

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The horned dragon motif of Bune’s seal is self evident, which also depicts what appears to be a humanoid figure steering a rudder, who is probably female, considering there was a bunny girl pilot piloting the Utsuro Bune, who was late for an important date; then again, maybe she wasn’t, if the Utsuro Bune was a time machine.

In Japanese lore the horned dragon is very much tied up with what is known as the Takarabune, which means Takara/treasure and Bune/ship.

The Takarabune treasure ship is often depicted as having the body of a dragon, with a horned dragon’s head as its prow, somewhat akin to a Viking ship.

The dragon symbolism often refers to the star constellation of Draco, which if you be so inclined you could even associate with the Dragon’s Triangle just off the coast of Japan; whose time maelstrom, 16th century Portuguese gun runners and slavers tended to avoid, by using Bune’s dragon seal in order to protect them from killer bunnies.

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Bune is also described in the Goetia to be associated with a Gryphon, which in Japanese lore would be otherwise depicted as a giant Eagle called a Garuda out of Hindu mythology; whereas in astronomy it is associated with the star constellation of Aquila. You could even relate the Eagle with the ‘Plumed Serpent’ of the Americas, where there be a Bermuda Triangle; whose time maelstrom, 16th century Portuguese gun runners and slavers tended to avoid, by using Bune’s less elaborate seal in order to protect them from viscious Sirens.

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A 16th century Jesuit priest returning back from a Portuguese slavery expedition to Japan, having the full blessing of the church of Rome; who, when attempting to describe a Garuda to his Christian audience, would probably describe it as being of a composite form, of similarity to a monstrous Gryphon. However, such a description would be due to the Garuda being a favourite trance mount of Mongol shamans, who frequent Genghis Khan’s steppe from where the Attila the Hun symbolism of the Gryphon had originally stemmed, which still haunts the nightmares of Rome. The Garuda is associated with the winds; wherefore in context of a dragon ship, it would probably be that of a symbolic code alluding to the sail of the Mermaid Takarabune.

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Another animal, which is associated with Bune is the Dog. In astronomy the Dog is associated with Canis Major and the star of Sirius. The Dog is extensively featured in Japanese myth, more so that of the Fox. Although, the Dog is not specifically associated with the Takarabune, there is another animal, which is very much involved with the Takarabune called a Baku. The Baku was seen to be a devourer of negative influences assailing the dreams of the Japanese, which, ironically, was a Chinese creature originally. Don’t tell Bune that, otherwise you will hurt her feelings, since she’s a Shinto priestess, who’s highly versed in the martial arts.

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The Baku was very likely mistaken by a 16th century Portuguese gun runner and slaver for a Dog. The Spanish, Dutch and British invasion forces likewise misinterpreted the Baku when taking over Nagasaki, who were later followed by the American’s, long prior to WWII, when Nagasaki was nuked. The Baku is actually a Tapir, whose Japanese character is often shown on the sail of the Takarabune.

The described functions of Bune can be summed up by the ancient Japanese ancestor worship of Shintoism, whose practices revere the ancestral dead, from which the Takarabune originates. Shinto, also kami-no-michi, is the indigenous religion of Japan.

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It is  commonly defined as an action-centred religion, which focuses on ritual practices to be diligently carried out in order to establish a spiritual connection between present-day Japan and its ancient ancestral-self-identity.

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Whereas the invading European cultures had entirely forgotten their own ancestors to otherwise appropriate the ancestral-self-identity of the Hebrew’s, who sought to likewise afflict the same insanity upon the Japanese.

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It is said that Shinto had been founded in 660 BC according to Japanese mythology. Shinto practices were first recorded and codified within the written historical records of the Kojiki and Nihon Shoki during the 8th century.

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Shinto is a term, which also applies to an animist religion, where public shrines are devoted to the worship of a multitude of deities, which are collectively called Kami.

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The Kami are defined in English as being ‘spirits,’ or essences as well as deities, referring to their informational reality, underlying phenomenal existence, beyond the infinite.

Since Japanese language does not distinguish between singular and plural, Kami refers to the divinity, or sacred essence, which manifests in multiple forms. The Kami coexists with people; they are not seen as being separate; whom exist within the same world and share its interrelated complexity.

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There are also references to certain spirits being associated with Bune, which are supposedly called Bunis by the shamanic Tartars of the steppe. A 16th century Portuguese gun runner and slaver had probably equated the Japanese practice of Shinto with the then maligned shamanic practices of the Tartars whom dallied with (Bunis) spirit wives.

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You can easily imagine how a Christian audience had reacted to early reports of Shinto, to see it as a dreadful Pagan religion of the dead, worshipping vile spirits. Wherefore it was not a sin to have acquired pagan slaves, more so Japanese slave women to serve the whims of their masters Hentai desires. Although the Bunis specifically refer to the spirits under Bune, which as a ship, are as its crew.

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The Takarabune is traditionally seen to have a crew of Kami, called the Shichi Fukujin, commonly referred to in English as the Seven Lucky deities, who are the seven deities of good fortune in Japanese mythology and folklore. The Shichi Fukujin are often the subject of Netsuke carvings and other artistic representations.

The reference to the number seven could be a an astronomical association with the seven stars of Ursa Major or the Pleiades, perhaps even the seven Chakras. Whereas a 16th century scholar had probably otherwise equated the seven lucky deities to the seventh Cabbalistic sphere of Venus.

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The Shinto tradition still holds that the seven deities arrive in town within their Takarabune, like some descending UFO of a Utsuro Bune Time Machine or that of a prior Star Trek Enterprise, on the New Year around the star clock. These seven deities then set about distributing fantastic gifts to worthy people.

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Children often receive red envelopes emblazoned with the Takarabune, which contain gifts of money during the New Year. The Takarabune and its celestial passengers are often depicted in art in varied locations, from the walls of museums to cuddly caricatures, whose monetary gifts is said to be also bestowed by the Bune of the grimoires.

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The ability of eloquence is one of the principle abilities Bune bestows along with wisdom. This eloquence specifically refers to Shinto’s emphasis on the power of words, which is termed as Kotodama or Kototama, literally ‘word spirit/soul.’ The term Kotodama refers to the Japanese belief that mystical powers dwell in words and names.

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English translations include, ‘soul of language, spirit of language, power of language, power word, magic word,’ and ‘sacred sound.’ The notion of Kotodama presupposes that sounds can magically affect objects, and that ritual word usages can influence our environment, body, mind, and soul. But then, when a word is consciously uttered of lucidity within an electron dream it does initiate instantaneous symbolic associations.

Wherefore you have to use such an informational domain ability wisely. This ability of inner eloquence is primarily bestowed by one of the seven lucky deities who is originally the Hindu Goddess Sarasvatî Devî. In Japanese Sarasvatî Devî is otherwise known as Benzaiten, who is the Goddess of everything that flows: water, words, speech, communication, eloquence, music and by extension, knowledge and monetary wealth.

The original characters used to write her name read ‘Biancaitian’ in Chinese and ‘Bensaiten,’ in Japanese. Benzaiten’s name reflects her role as the Goddess of eloquence. Because the Sutra of Golden Light promised protection of the state, she became a protector-deity in Japan, at first of the state and then of the people. Lastly, she became one of the seven deities of fortune when the Sino-Japanese characters used to write her name changed to Benzaiten, emphasizing her role in ‘bestowing Monetary Fortune.’

Benzaiten is also a Goddess of art, beauty and love, who is beloved of the Geishas, whom are very much of the planetary sphere of Venus, from where Bune classically emanates, as a seventh dimensional entity. The symbolism of the Geisha has since been translated via Manga and Anime into the evolving symbolic complex of the modern Japanese schoolgirl motif. These Manga and Anime schoolgirls are usually depicted wearing ‘sailor uniforms,’ who have taken on the role of the Buddhist Dakinis, time travelling around in their Utsuro Bune UFO’s.

Should you feel so inclined of a rebellious reversal, you could thereby perceive Bune as being similar to Benzaiten, who manifests as a Japanese schoolgirl, speaking with a most comely voice, whose symbol is the Takarabune.

She would also be a Shinto priestess, who enables the Kami to frequent your altars to alter via the ‘seventh dimension’ as well as being highly versed in wealth magic. (Bune’s two seals represent her manifestations as a [first seal] schoolgirl and a [dragon seal] Shinto priestess.)

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You could of course continue conjuring up Bune as being a monstrous blood drenched death metal entity amidst your branded Triangle Of Art Imagination. Such is your indoctrinated choice to do so, since many a brain down the ages have been brainwashed to worship the deified ‘Animus’ made as a Jehovah/God-Christ/Allah and a Satan/Devil-Lucifer/Shaitan.

But you will be invariably playing into what has been established of a 16th century Christian perception of animist Shinto.

The practices of animist Shinto absolutely horrified the patriarchal flocks frequenting their monotheist church, even though they were surrounded by the pyres of burning Witches at a time when a sweaty monk was drawing Bune’s seals, which no doubt kept the fleecy minded Sheep all nicely ignorant, and brain-dead zombie cult comfy.

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You will still have the shock factor should you conjure up Bune as a Japanese schoolgirl Succubus archetype of the Fallen Anima. Although you will probably be seen as being a Playboy grimoire wimp by the death metal mages, who like to habitually conjure up their machismo entities out of bisexual Crowley’s Playgirl Goetia.

However, you will certainly get the tongues of the flocks a wagging that you be a vile Satanist or worse, which would be especially the case should you suddenly win the lottery jackpot after an erotic precognitive dream involving a Japanese schoolgirl piloting a luxury yacht looking like a bun. In fact it would be far more Entartete Kunst shocking than conjuring up a demonic choir boy of Petrodollar Vatican commonality.

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Just remember, don’t take the hedonic Hentai piss out of Japanese schoolgirl Succubus Bune; for she will surely reflect you back within your lucid dreams. If you ignore this warning, you might just find yourself wearing a sailor uniform being pursued by phallic tentacles without a Baku in sight. But then she does give true answers unto your demands. So be careful of what questions you to ask. In the recognition of this Shinto fact, of an eloquent conjuration of one of the Kami, you will then attain the Takarabune wealth of inner wisdom, as well as Bune gifting you a tasty Nikuman Bun of an apport, in the shape of your own skull, housing your ‘Quantum Computing’ brain.

NOTE: Most psychologists of varying psychological disciplines are very much aware of the Animus and Anima, which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.

However, said psychologists, and even Jung, himself usually describe the Animus and Anima in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.

But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the likes of politically motivated social-engineers utilise what is habitually not self-observed in order to influence and ultimately have total control over the quite oblivious masses.

The personal observance of how the Anima and Animus can be subversively manipulated by others of mundane emotional politics can be observed in ones everyday relationship dynamics, which can then be applied to the bigger picture.

Jung was probably aware that the Animus had become deified by the religious cultural constructs of the three monotheistic faiths, whose shared symbolic paradigm permeates all levels of your culture.

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