Archive for magick

CHAOS MAGIC COMIC ART 2: Austin Osman Spare

Posted in Art, Chaos Magic, Comics, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , on May 11, 2019 by FAUSTUS CROW

The above Artwork is an example of some of the Art I have done for a Chaos Magic comic, which depicts the Sorcerer Artist, Austin Osman Spare.

The Artwork was done in pen and ink on A4 Bristol Board. If you are interested in seeing the Full Comic strip, Please Click Here.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

SORCERY ART COOL WORLD LUCID DREAMING

Posted in Art, Chaos Magic, Film, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 18, 2016 by FAUSTUS CROW

goetia_girls_liliths_harem_triangle_of_artstargate_witch_succubus_of_faustus_crow

Visualising a mind-doll to sculpt of consummate thought form amidst the triangle of Art Imagination, to thence conjure, of manifest painting, is an act of sorcery.

This is more so the case when the imagined Artist’s model indulges in an Active Imagination intercourse of an internal dialogue, with her conjurer, who as a Muse, inspires the Artist as his created ghost.

goetia_girls_liliths_harem_triangle_of_art_conjuration_mephistophina_succubus_of_faustus_crow

Should this sound far too strange, it is because you have not, as yet realised your potential as being, an Artist, perhaps such is never to be your arena of exploration. You will find that most Artists create imaginary characters, and other imagined creations of varying degrees of visionary intensity in order to manifest them of artistry; it is essentially what magic is about.

goetia_girls_liliths_harem_mephistophina_succubus_of_faustus_crow

Those who say otherwise are just followers of the Artists creations who indulge in religion. The Artists imagination is unfettered, like that of a child looking upon the world for the first time, which of Art manifests as bright incandescent colours, nigh abstract of non consceptualised form; some believe this to be the unsullied source, unblemished by the morass of life experiences, being the first language of a symbolic perception.

goetia_girls_liliths_harem_mephistophina_succubus_of_faustus_crow

But it isn’t; though that of the foundation stone, it is not the temple. The problem however, is that the foundation stone of the first language is forgotten as the temple of further conceptualisations is built over time.

Whereupon, the temple becomes that of a fixed tunnel reality of a mundane perception, which afflicts many an adult and society in general who feel as if they are in a Plato’s cave of a drab prison.

This state of being is often exacerbated by religious perceptions, which are nigh unchangeable of a Matrix of symbolic prison bars, whose hold over the mass populace is perpetuated by the indoctrinated generations over great stretches of time; hence brainwashed.

There are those who believe that their temple needs to be totally pulled down so as to return back to the first language of the abstract child, likened to that of returning back to the blissful ignorance of an innocent abstract Eden before sentience was attained. Alas, the perception of a child cannot survive for long in this world; hence the sentient creation of the temple in the first place.

The answer lies in the Da’at Apple lore ‘Knowledge’ to question how the temple of further conceptualisations was created of sentient observations over time, which leads you to the first shaman of the painted cave who as a horned Artist knows that the way out of Plato’s cave is to go internal.

The shaman is aware that a two-dimensional image can become as a three-dimensional interactive reality within a ‘Cool World’ lucid dream.

For a shaman an image symbolically encapsulates the spiritual (energy/informational) essence of what the shaman is focusing upon of artistic creativity, which of a conceptualisation is a living reality within the symbolic interface of the dream.

Those who do not understand that a two-dimensional image can become as three-dimensional reality within a lucid dream will invariably misunderstand Palaeolithic cave Art; for they have forgotten how to dream, which invariably leads to labyrinthine intellectualisations about cultural influences, that reveals they do not have any personal experience of the internal reality.

The same can be said for the present practice of Art, whose creations are religiously pumped out for the mass consumption of the worshipping masses; much of which has become totally disconnected from the internal reality of the dreaming shaman.

The shaman is not a child, but he/she is very much aware of the first language form of the child, which is that of the unfettered imagination; whereupon, what artistic conceptualisations are further created know no limits.

Whence, the shaman Artist conjures up two-dimensional creations into a three-dimensional-reality within his/her dreams, which enables the expansion of consciousness to go beyond the established conceptualised limits, by creating new concepts; many of which can potentially lead to Art movements and ensuing social changes.

For example, a sorcerer Artist can personify a concept as being his Art Muse, of a conjured Succubus, who visits him within his lucid dreams; whereupon he attains ingress into her Art studio of a painted Parisian cave.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

In other words, if the sorcerer Artist had created a Succubus to personify another temporal place or epoch of time, to time-travel remote-view, or to be of some other planetary sphere or alternate Earth, etc, he will be able to access what she symbolically represents within a lucid dream, when to conjure her, of an ‘Anima’ fluctuation.

Some to say, that you should not dally with entities; but you do so whenever your quantum computing brain dreams up its created virtual realities, populated by your creations, a Tibetan Buddhist would term as being Tulpas, which, when becoming lucid, you can consciously engage with.

Others will argue that the entities of the dream are discarnate personalities, that, or other dreamers, or even another order of intelligence, etc. All can be true, or not as the case may be of varying concepts, which of a personal truth will be determined by the (Da’at) beliefs you have.

Your Da’at beliefs will in turn determine what you tune into within the dream of ring-pass-not limits. But if you so choose to of artistry, you can seer beyond them, by metaprogramming your own brain.

But if you otherwise worship your programmed concepts to not question, of a religious fixation, you will be ‘imprisoned’ by your own beliefs, which, should you ever decide to fathom how they were first formulated of a temple creation, you will duly find the horned shaman Artist.

Suffice to say, a conjured Artist’s model of an exotic otherworldly Succubus does not require any Shekels to hire her rather expensive services. Although, it does require the Artist to hone his Visualisation skills as well as exercising his Active Imagination, let alone remembering his ‘Cool World’ dreams. But then, such a skill set is part and parcel of his sorcerer vocation as a shaman Artist.

Basically, Art and Sorcery are indivisible from the other, they are one and the same of Shamanic practice, which is otherwise termed as Magic, Witchcraft or the Occult, etc.

You only see pigeonholed differences between these terms because the terminology commonly conjures up a symbolic language of trained associations.

goetia_girls_liliths_harem_dracula_witch_succubus_of_faustus_crow

But it is that of the shared ‘techniques’ of consciousness expansion they employ of a ‘foundation stone,’ which unifies them into Art; wherefore a sword is a pencil, a wand is a paint brush, your pentacle, the canvas, of a one time cave wall.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

SLYTHERIN SCHOOLGIRL SUCCUBUS VALAK

Posted in Art, Chaos Magic, Demon, Demonology, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 24, 2015 by FAUSTUS CROW

“Valak is high-president of Hell’s boarding school of most wanton Witches and commands 30 legions of salacious Succubae. She appears as a rebellious student with angel’s wings and riding on a two-headed dragon who rebels against the dominion of Abraham’s teachings, the protesting suffragettes have unknowingly created. She tells of the classroom positions of the planets and where to find those suffragette serpents.”

Dictionnaire Succubae Infernal – Cummin de Plancie (1863) (paraphrased)

“Valak is a great president, and commeth abroad with angels wings like a sinful leetle gurl, riding on a two headed dragon.”  

“Shee be damned in her leerning; leetle gurls should be seene, not heerd. But in Hell shee be; caste out by the erect rod of thine goode church. God be the hed of man; the hed of man govurns woman who chose the hed.” 

“Shee hates the holy scripture of our goodly God, our Princely Lord, and most loving King in heaven. Love him, my brethren… Now, she be only called on by those damnned sorcerers.” 

“Shew perfectlie answereth of treasure hidden, and where slivvery serpents may be seene, which shee delivereth into the conjurors hands, void of anie force or strength, and hath dominion over thirtie legions of dreadful semen eating shee divels.” 

Pseudomonarchia Succubi daemonum – Johann Weird (1583) (quoted)

goetia_girls_hermione_granger_emma_watson_hogwarts_slytherin_schoolgirl_witch_succubus

“The Sixty-second Succubus archetype of the Fallen ‘Anima’ is Valak, otherwise called, Valaka, Volaca, or Valaki, or Valuna.” 

goetia_girls_emma_watson_hermione_granger_witch_hogwarts_occult_witchcraft_lucid_dream_evocation_succubus copy

“She is a President Mighty and Great, and appeareth as a mercurial Schoolgirl with Angel’s Wings.” 

goetia_girls_hermione_granger_schoolgirl_witch_succubus_occult_lucid_dream_witchcraft_hogwarts_sorcery

“She rides on a Two-headed Dragon of a Hermes caduceus, as her slippery broomstick, likened to the ancient Greek, Hermione. She rebels against the deified ‘Animus’ residing within the psyches of all women.”

“It be the women who have truly created the patriarchy; for woman be Babalon, and she to ride the Beast of her deified ‘Animus,’ made as a patriarchal God and Devil. It is always woman who ‘chooses’ a man as her Beast, all suffragettes to intutively know as a truth of nature, but they do deny its reality.”

“The Office of Valak is to give True Answers of Hidden Treasures, and to tell where slithering Serpent Girls may be seen, who will reveal the Moon lodge ‘Animus’ secrets of their Babalon Magick.” 

goetia_girls_succubus_witch_hermione_granger_hogwarts_schoolgirl_emma_watson_lucid_dream_evocation

“The which she will bring unto her conjuring Artist without any Force or Strength being by him employed, for him to then open their eyes to seer their own ‘Animus’ creation of a patriarchy they to ride.” 

“She governeth 38 Legions of Succubae schoolgirl Witches of the Fallen ‘Anima,’  who to haunt the inner school of the Surrealist dream.

“Her Seal is to be meditated upon before conjuring her ‘Anima’ manifestation into a lucid dream.” 

“But beware; for her gifted Apple of the Fallen ‘Anima’ will open thine eye. Although, it is said, that in the kingdom of the blind, the singular of eye, are as Sorcerers.”

Goetia – S. L. MacGregore Freemason Matherson (1904) (quoted)

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

HORROR ACTRESS OF PSYCHOMAGIC

Posted in Art, Chaos Magic, Film, Goetia Girls, Lucid Dreaming, Sex Magic, Shamanism, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on June 4, 2015 by FAUSTUS CROW

goetia_girls_lilith's_harem_ipos_witch_actress_film_cat_woman_succubus_of_faustus_crow

The Twenty-Second Succubus archetype of the Fallen Anima is Ipos, otherwise called Iposi. She is a Great Countess and a Mighty Princess and appears in the visionary form of a most beautiful and noble Woman.

She will speak of her ‘Lioness’ Objective, her ‘Goose’ of an Obstacle and that of her Hares ‘Method’ in regards to her Acting, for she is an Actress who can make her Director of a conjurer witty and bold.

But only when she to ride and be ridden by him upon the Casting Couch within those most Erotic lucid dreams she will induce after evoking her Succubus archetype of the Fallen Anima. She also knows of all things Past, Present and to come of Futures beckoning back. She Governs over Thirty-Six Legions of Anima archetypes likened to herself of Actresses.

goetia_girls_lilith's_harem_addams_family_uncle_fester_succubus_evocation_art_book_grimoire_by_faustus_crow

When a heterosexual male practitioner conjures Iposi, he can assume the alternate persona of a famous Actor within a lucid dream, which Iposi will empower. Those of other sexual orientations will change the gender of the archetype as required, who will note that the classical Playgirl grimoire depiction of Ipos is an archetype of the deified Animus made as a God and and a Devil.

What is required in order to achieve the assumption of an alternate persona is that you have to see yourself as a famous Actor, strutting the stage of life, between the entrance of birth, and the exit of death. This is engaged in of a prior active imagination exercise. You are essentially engaging in visualising yourself via your third eye of a camera, Acting within an inner film you are in turn directing as its Director.

Whereupon you first construct your character to Act out, by researching those successful Actors who you admire, in regards to their Acting abilities corresponding to your seven planetary sphere Chakras of emotional armoured seals to unseal, to thereby assume, as an archetype, ruling over one of the ten Cabbalistic domains.

goetia_girls_lilith's_harem_hellrasier_cube_succubus_of_faustus_crow

Iposi will then weave a corresponding lucid dream around you, which will then reflect back the assumption of your character, to Act out, with whom she is intimately engaged. Should your lucid dreams be intense enough, the dream experiences will then imprint your subconscious mind, and in turn your nervous system.

Your nervous system cannot tell the difference between a real or a vividly imagined experience; wherefore, an intensely experienced conjuration of the Succubus Iposi within a lucid dream will imprint your nervous system, whereby awakening your own Acting skills to come to conscious fruition.

goetia_girls_lilith's_harem_faustus_crow_succubus_evocation_grimoire_occult_demon

You can likewise utilise the character of a Director to assume, if you prefer; wherefore you see yourself directing a big budget movie, which in essence, is that of your own life story to thereby transform by your psycho-magic conjuration of Iposi.

Iposi will inform her Director of a conjurer in depth about the Stanislavski ‘system’ approach to Acting, which the author Carlos Castaneda otherwise termed as the ‘stalking’ procedures of a sorcerer, whereby Iposi fuses the two approaches together of exercise.

goetia_girls_lilith's_harem_sasha_markina_lucid_dream_succubus_of_faustus_crow

The term of stalking is used in various different ways in Castaneda’s work. Castaneda uses stalking in reference to the warrior’s virtues as a sorcerer who has consummate forbearance and timing, which is a prerequisite for an Actor playing the part of an archetype.

Whereby you have the meaning of ‘Waiting for the Opening,’ which is implied by Castaneda’s understanding of stalking. This becomes quite clear within the context of confronting those ‘Petty Tyrants’ of your life to overcome; whether it be that of negative situations within society, to that of individuals who cause you grievance.

goetia_girls_agares_schoolgirl_tank_ girl_rusalka_succubus_of_faustus_crow

The ensuing adversity facilitates the evolution of your personality and character,  if you become aware of its existence, betwixt and between the Ida and Pingala nerve channels of your Autonomic Nervous System.

goetia_girls_lilith's_harem_Alejandro Jodorowsky_sorcerer_holy_mountain_succubae_of_faustus_crow

Stalking implies far more than a hunter’s skill and patience in relation to any external situation. The same, or similar approach can be taken towards that of the Internal predator of an addiction. You can deliberately irritate this part of yourself by not giving into its habits and demands. Your ‘predator’s mind’ becomes quite obvious under stress, whereby you stalk your own self in order to transform of symbolic alchemy.

Stalking is also used to describe Death, which constantly ‘stalks’ your awareness. Death as a predator stalks humanity, setting it up, and keeping all stressed, of highly reactive mode, whereby you are faced with constant new crises in order to stay one step ahead, which elicits a predictable emotional reaction from your animal self, stalked by a predator.

goetia_girls_succubus_evocation_trance_skull

The only release is to be within the ‘eternal moment’ to perceive death as your advisor, like that of a martial artist who is thereby not afraid of entering the stage of life’s gladiatorial arena in front of a mortal audience.

The Stanislavski ‘system’ of pre-Castaneda Sstalking procedures was developed by Constantin Stanislavski, a Russian Actor, Director, and Theatre administrator at the Moscow Art Theatre founded in 1897, around the same time that Karl Marx’s, Das Kapital was published, which made the workers to dance, the aristocracy to fear.

goetia_girls_wednesday_addams_acid_succubus

Stanislavski’s system is the result of many years of intensive research, observations, and efforts to determine how a human being can control in their performance the most intangible and uncontrollable aspects of human behaviour, such as emotions, and artistic inspiration.

The most influential Acting teachers in America, including Lee Strasberg, Stella Adler, Harold Clurman, Robert Lewis, Sanford Meisner and Uta Hagen have all traced their pedigrees back to Stanislavsky, his theories, and that of his numerous disciples who ‘stalk’ their own selves upon a mirroring synchronicity.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

NECRONOMICON SUCCUBUS ART BOOK GRIMOIRE

Posted in Alien, Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 4, 2015 by FAUSTUS CROW

goetia_girls_lilith's_harem_faustus_crow_succubus_art_book_colour

Book One of the Goetia Girls: Succubus Art Book is available on Amazon in paperback. Book Two is also available; the details of book Two, which can acquired in colour or black and white versions can be found below.

goetia_girls_lilith's_harem_sasha_markina_lucid_dream_succubus_of_faustus_crow

Book One, is printed on white paper, with a full colour matte cover, as well as being fully illustrated with 38 illustrations, numbering 166 pages.

goetia_girls_lilith's_harem_addams_family_uncle_fester_succubus_evocation_art_book_grimoire_by_faustus_crow

The above cover design, at the top of this page is for the Colour version of book One.

goetia_girls_faustus_crow_succubus_art_book_a

There is also a cheaper Black and White version of the book available. Please CLICK on the PHOTOS of the Paperback books for more Detail.

goetia_girls_faustus_crow_succubus_art_book_b

Goetia Girls book ‘One’ illustrates the first Twelve Succubae of an alternate Goetia. There are two other books in the series, illustrating the rest of the 72 Succubae. Book Two illustrates the next Twenty Four Succubae.

goetia_girls_faustus_crow_succubus_art_book_c

Each of the books will be created in Colour and Black an White versions. The artwork below features Mephistophina, who is depicted in the Goetia Girls book One.

goetia_grls_mephistopheles_mephistophina_succubus_of_faustus_crow

The paperback book of Goetia Girls book ‘One’ is very different of page layout and design to the present Kindle book.

goetia_girls_lilith's_harem_book_angelina_jolie_succubus_of_faustus_crow

The Kindle book is more graphic of a comic strip illustrative style; whereas the paperback books are designed along the lines of a classical grimoire.

goetia_girls_lilith's_harem_hellrasier_cube_succubus_of_faustus_crow

This may raise Hell with some readers, but due to the time and effort involved, the paperback books of Book Two and Three will ‘NOT’ be converted into Kindle versions.

As mentioned, there will be two versions of the Goetia Girls paperback books. For example Book One has different covers, in order to differentiate the Colour and Black and White versions from each other.

goetia_girls_lilith's_harem_succubus_art_book_demon_girl_grimoire_of_faustus_crow_1a

goetia_girls_faustus_crow_succubus_art_book_d

goetia_girls_faustus_crow_succubus_art_book_e

goetia_girls_faustus_crow_succubus_art_book_f

goetia_girls_lilith's_harem_faustus_crow_succubus_evocation_grimoire_occult_demon

goetia_girls_faustus_crow_succubus_art_book_g

goetia_girls_faustus_crow_succubus_art_book_h

goetia_girls_faustus_crow_succubus_art_book_i

goetia_girls_lilith's_harem_succubus_artbook_demon_girl_grimoire_of_faustus_crow_2a

The cover for the Black and White version of the Goetia Girls paperback book ‘One’ is depicted below, whose style, as prior described is in keeping with the classical grimoires, which tended to not be in Colour.

goeta_girls_lilith's_harem_faustus_crow_succubus_art_book_black_and_white

The books can be acquired from from Amazon. (CLICK on the ‘Book Cover‘ images above for further details.)

goetia_girls_lilith's_harem_witch_succubus_of_faustus_crow

Please Note: The Amazon digital Book previews for the paperback are not high quality due to the large file sizes of the artwork and the book its self. Hence the photographs of the printed books themselves.

GOETIA GIRLS: SUCCUBUS ART BOOK I: COLOUR VERSION: CLICK HERE FOR AMAZON.

goetia_girls_lilith's_harem_succubus_artbook_demon_girl_grimoire_of_faustus_crow_10a

GOETIA GIRLS: SUCCUBUS ART BOOK I: BLACK AND WHITE VERSION: CLICK HERE FOR AMAZON.

goetia_girls_lilith's_harem_succubus_artbook_demon_girl_grimoire_of_faustus_crow_11a

goetia_girls_lilith's_harem_succubus_art_book_demon_girl_grimoire_of_faustus_crow_8a

goetia_girls_lilith's_harem_succubus_artbook_demon_girl_grimoire_of_faustus_crow_9a

goetia_girls_lilith's_harem_magic_grimoire_book_witch_succubus_of_faustus_crow

GOETIA GIRLS BOOK I

GOETIA GIRLS SUCCUBUS ART BOOK ‘II’ IS NOW AVAILABLE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR BOOK AVAILABLE ON AMAZON, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

Book Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Amazon, which has taken over Createspace BORG style.

The Goetia Girls Tarot Is Now On Sale, Which Can Be Bought Via PAYPAL, etc. If you are interested in the Tarot Deck, The Drivethrucards Website On Which The Tarot And Book Is Being Sold Will Require You To Join/Log-In.

The Drivethrucards Requirement To Join/Log-In Is Because The Tarot And Book Is For An Adult Audience.

The Tarot Deck Is Entitled The Black Raven.

The Tarot Features All 72 Of The Goetia Girls, Their Seals, Hierarchical Offices, Decan Positions, Zodiac Signs And Corresponding Runes. Each Tarot Card Has An Associated Key-Word For Divinatory Purposes.

The Black Raven Tarot Also Features The Four Elements.

The Fifth Element, The Alchemists Called The Quintessence Or The Anima-Mundi Is Equated With The Tarot Card Of The World/Universe/Multiverse XXI. The Tarot Card Of Fool Is Associated With The Triangle Of Art. 

The Tarot Cards Has An Associated Underground Art Book-Comic Grimoire, numbering 77 Pages.

The Book Explains The Background Of The Black Raven Tarot, Its Use For Divination As Well As How To Play The Lilith’s Harem Sorcery Game With The illustrated Cards.

The Black Raven Tarot deck Has 80 cards, Printed On Premium Stock, Having A Semi-Gloss Finish. There Are 2 Cover Cards, Which Briefly Describe The Divinatory Meaning Of The Runes And How To Play Lilith’s Harem On Their Backs. 

The Tarot Cards Have A Specially Designed Tuck-Box.

The Book ‘Can Be Bought Separately,’ Which Is A PDF. For Further Details, Please Click Here.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

ZEPPELIN GIRL SUCCUBUS OF THE WIZARD OF OZ

Posted in Art, Chaos Magic, CREATIVE WRITING, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 28, 2014 by FAUSTUS CROW

wenona, feb 17 2008

The Forty-first Succubus archetype of the Fallen Anima is Focalor, or Forcalor, or Furcalor. She is a mighty and strong Duchess who emanates from the seventh dimensional planetary sphere. She appears in the form of a most beautiful woman wearing little else than a pickelhaube with Gryphon’s wings or to be in the company of Hanuman’s winged monkey’s.

Her office is to slay the enemies of her Surrealist Wizard of OZ Art conjurer, whether they be temporal or otherwise psychic, and to drown them in their own watery miasma of astral torments, as well as to overthrow ships of war, for she hath power over both winds and seas.

Her name is derived from the word, ‘focal,’ as in focussing solar energy towards a certain point.

She to further relate of clairaudience that her gifted name is due to her inspiring  the Syracuse Wizard of OZ, called Archimedes, as his Succubus dream Muse.

Archimedes was an ancient Greek mathematician, physicist, engineer, inventor, and astronomer, whom is regarded as one of the greatest mathematicians and leading scientists of classical antiquity.

Focalor inspired Archimedes to create defensive war machines via his dreams, which were utilised to protect his native Syracuse from invasion, such as using mirrors in order to focus solar energy towards a certain point.

These mirrors acted collectively as a parabolic reflector, directing sunlight into a heat ray, which burnt any ships of war attacking Syracuse.

Image result for archimedes mirror

Hell! If you be so predisposed to dispose of a bothersome neighbour you can make your own Wizard of OZ Green-Power death ray.

During the 2nd century AD the author Lucian reported that during the Siege of Syracuse (c. 214–212 BC), Archimedes destroyed enemy ships with fire. Some centuries later, Anthemius of Tralles mentions burning-glasses as Archimedes’ weapon.

Image result for archimedes mirror

This device, is sometimes referred to as the ‘Archimedes heat ray; it was often described as focussing sunlight via ‘lenses’ onto approaching war ships, which caused them to catch fire.

goetia_girls_archimedes_mirror_death_ray

Whereupon, Archimedes entered the lore of the ensuing dark ages to be nigh forgotten, who was otherwise named as Lucifuge Rofocale by the fearing Christian’s who saw him as being none other than a demon.

The name ‘Lucifuge’ comes from two Latin words: lux, light; genitive lucis, and fugio, to flee. As for Rofocal it is considered to be an anagram of “Focalor”, being the name of Archimedes dream Muse, who inspired his creation of a death ray.

zeitgeist photography

Focalor reveals many inventions within those erotic lucid dreams she induces as well as enabling her master to remote view military secrets, as well as remote viewing ancient technologies.

Your ancient ancestors, just like Archimedes had no doubt discovered the Vimana technology of hot air balloons, and that of other technologies to devise, which were invariably forgotten due to ensuing worldwide catastrophes.

Focalor has since inspired the development of the laser, which is a device that emits light through a process of optical amplification based on the stimulated emission of electromagnetic radiation.

Another Wizard of OZ she has also inspired is an American theoretical physicist, academic, and author called Ronald Mallett who taught physics at the University of Connecticut since 1975. He is best known for his scientific position on the possibility of time travel.

OLYMPUS DIGITAL CAMERA

Mallett has been working on plans for a time machine whose technology would be based upon a ring laser’s properties within the context of Einstein’s Theory of Relativity. Mallett first argued that the ring laser would produce a limited amount of frame-dragging which might be measured experimentally.

Mallet related: “In Einstein’s General Theory of Relativity, both matter and energy can create a gravitational field. This means that the energy of a light beam can produce a gravitational field. My current research considers both the weak and strong gravitational fields produced by a single continuously circulating unidirectional beam of light. In the weak gravitational field of an unidirectional ring laser, it is predicted that a spinning neutral particle, when placed in the ring, is dragged around by the resulting gravitational field.”

goetia_girls_focalor_flying_monkeys_wizard_of_oz_succubus_art_muse_of_faustus_crow

In a later paper, Mallett argued that at sufficient energies, the circulating laser might produce not just frame-dragging but also closed timelike curves (CTC), allowing time travel into the past:

“For the strong gravitational field of a circulating cylinder of light, I have found new exact solutions of the Einstein field equations for the exterior and interior gravitational fields of the light cylinder. The exterior gravitational field is shown to contain closed timelike lines. The presence of closed timelike lines indicates the possibility of time travel into the past. This creates the foundation for a time machine based on a circulating cylinder of light.”

What is most curious here is that the twisted-double-helix of the mitochondrial DNA emits photons with such regularity that researchers compare the phenomenon to an ‘ultra-weak laser’.

goetia_girls_shaman_ecstasy_trance_lucid_dream

Perhaps you have a Ron Mallet ring-laser time machine within your cells? If so, it might just be the ‘Ouroboros’ mechanism of an ‘O’ behind precognitive dreams, which, when made lucid of a primary Bardo white light Big-Bang lightning streak ‘Z’, you are enabled to travel through time, forwards and backwards, as a Wizard of OZ time traveller. Big-Bang science copies nature, not the other way around.

goetia_girls_focalor_wizard_of_oz_flying_monkeys_witch_succubus_art_muse_of_faustus_crow

It goes without saying that a time machine would very likely be utilised by the naked apes of the military industrial complex, let alone using lasers for weather modification, which can be used as a devastating weapon.

Hence Focalor is sometimes seen to be dressed in a military uniform amidst the conjurers triangle of art imagination or otherwise dressed as a pilot, who is a captain of a fearsome time-travelling Vimana zeppelin, which is supported by a whirlwind.

goetia_girls_focalor_lemegeton_sky_captain_zeppelin_girl_psychic_dream_assassin_succubus_of_faustus_crow

But whatever she to inspire of a vast array of energy weapons, these creations do not need to hurt anyone or anything, if her Surrealist Wizard of OZ Art conjurer decides otherwise; for such inventions can be utilised for other far more benign and creative purposes.

Focalor also has hopes to return to the ‘seventh Rune’ throne after 1,000 years. She governs over 30 Valkyrie Legions of zeppelin girls, and her seal is to be meditated upon prior to conjuring her into your lucid dreams. As for Focalor’s pickelhaube, its point, points at an ‘Os’ Rune, of an Ouroboros ring-laser ‘O’ and an ‘S’ of a lightning streak snake, becoming as a ‘Z;’ whereas her zeppelin of a Vimana be as her ‘chariot’ of another Rune.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

ALICE OF NECRONOMICON WONDERLAND

Posted in Art, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 5, 2014 by FAUSTUS CROW

goetia_girls_samiginia_gamgin_alice_in_wonderland_shaman_art_muse_succubus_of_faustus_crow

The fourth Succubus archetype of the Fallen Anima is Samigina, or Gamigin. She is a great marchioness of the fourth Rune, who is listed in the Goetia. She emanates from the ninth (dimensional) planetary (Yesod) sphere of the Moon. She at first appears looking like a Steampunk Alice in Wonderland riding a Sleipnir rocking horse, which is tethered to the multiverse world tree of her Yggdrassill seal, interpenetrating the globe of the Earth. She is of Sami descent whose name means: high (elevated status) Queen.

She speaks with a most seductive voice, who teaches all arcane sciences and arts, whom is a surrealist art muse. It is also said, that she gives Ouija board accounts of those spirits whom reside in the surrealistic realm of the Moon, whose Wyrd domain the ancient Babylonian’s associated with their deity called Sin. She governs over 30 legions of (Succubi) Succubae.

Samigina as a Steampunk Art Muse inspires the creative ‘madness’ of the Paranoiac-Critical Method, which is a surrealist technique that was developed by Salvador Dalí during the early 1930s.

Dalí employed its shamanistic methodology when producing his paintings and other artworks of Goetia W-underland genius.

goetia_girls_samigina_gamgin_alice_in_wonderland_madness_returns_succubus_art_muse_of_faustus_crow

Especially those, which involved optical illusions and other multiple images, which of a similar Paranoiac-Critical Method, you can imagine Samigina Wyrd Alice asking a creeping Gnat to demonstrate Dalí’s technique.

“All right,” said the Gnat, “half way up that bush, you’ll see a ‘Rocking-Horse-Fly,’ if you look. It’s made entirely of wood, and gets about by swinging itself from branch to branch.”

goetia_girls_samigina_gamgin_alice_in_wonderland_steampunk_succubus_art_muse_of_faustus_crow

Samigina acted confused; but she wasn’t really befuddled at all, she’s crafty. “Let me explain further, sweet Samigina,” the Gnat continued. “The surrealists related theories of psychology to the infernal processes of subconscious driven creativity and the production of Art, which is indivisible to the practice of Sorcery.”

“During the mid-1930s André Breton wrote about the ‘fundamental crisis of the object.’ The object began being thought of not as a fixed external object, but also as an extension of our subjective self.” Samigina looked bright eyed at the Gnat, to then beg the question, “What does it live on?” She asked with great curiosity.

goetia_girls_gamgin_samigina_alice_in_wonderland_critical_paranoiac_method_madness_returns_art_muse_succubus_of_faustus_crow

“Food of course, you silly little Rune sprite,” the Gnat answered. But she’s just being tricky, Samigina Wyrd Alice is well aware that one of the types of ‘food’ objects manifested in surrealism is the ‘phantom object,’ such as dancing flames, ink spills, scribbles and cracked pavements, for example.

The Gnat explained further, “according to Mad Hatter Dalí, these objects have a minimum of ‘linear mechanical’ meaning. But when viewed by your mind it evokes ‘phantom images,’ amidst your Triangle of Art imagination, which are the result of instantaneous subconscious associative correspondences.”

goetia_girls_samigina_gamgin_alice_in_wonderland_madness_returns_critical_parnoiac_art_muse_succubus_of_faustus_crow

“The Paranoiac-Critical arose from similar surrealistic experiments with psychology and the creation of images, such as Max Ernst’s frottage technique.”

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

Samigina then interjected, “Ernst’s technique involves rubbing pencil or chalk on paper over a textured surface, and interpreting the phantom images visible in the texture on the paper.” The Gnat, didn’t look too impressed, “these be all two-dimensional, ‘sap and sawdust,’”said the Gnat, “since you think yourself surreal, go on with the list.”

goetia_girls_samigina_alice_in_wonderland_gamgin_madness_returns_succubus_of_faustus_crow

“Alright Gnat, don’t get your wings all twisted up into a Gordian knot!” Samigina answered, who continued with her list, “the aspect of Paranoia that Dalí was interested in, which helped inspire his shamanic method of a technique is the ability of your brain to create ‘associative correspondences’ between things of the illogical.”

“Even though they are not rationally or logically linked. Dalí described the Paranoiac-Critical Method as a: “spontaneous method of irrational knowledge based on the critical and systematic objectivity of the associations and interpretations of delirious phenomena.”

goetia_girls_madness_returns_samigina_gamgin_critical_paranoiac_method_art_muse_alice_in_wonderland_succubus_of_faustus_crow

Samigina then looked up at the Rocking-Horse-Fly with great interest, and made up her mind that it must have been just repainted, it looked so bright and sticky; and then she went on. “And there’s the Dragon-fly.”

goetia_girls_samigina_gamgin_art_muse_surreal_alice_in_wonderland_madness_returens_succubus_of_faustus_crow

“Yes; of course Samigina, what a very surreal Valkyrie you are,” the Gnat answered, to further explain. “Employing the Paranoia Critical Method when creating a work of art uses an ‘active’ process of your imagination to visualise separate images, such as a Chinese ‘dragon’ and a household ‘fly’ in your work, to thereby incorporate these apparently disassociated objects into the final product of a sharp pointed fusion.”

goetia_girls_alice_madness

“An example of the resulting work is a ‘Double-Image’ or ‘Multiple-Image’ in which an ambiguous Image can be interpreted in different ways. André Breton hailed the method, saying that Dalí’s Paranoiac-Critical Method was an: “instrument of primary importance” and that it; “has immediately shown itself capable of being applied equally to painting, poetry, the cinema, the construction of typical surrealist objects, fashion, sculpture, the history of art, and even, if necessary, all manner of exegesis.”

goetia_girls_samigina_gamgin_alice_madness_returns_surreal_wonderland_succubus_art_muse_of_faustus_crow

“The technique can of course be applied to occult practice, when to rebelliously visualise the grimoire spirits to be otherwise Succubae, without indoctrinated limitations. However, the methodology its self is nothing new; shamans have been utilising split-screen-vision perception to sorcerer seer into other multiverse world tree realities since the dawning of humanity.”

“But it does require you to perceive in a different way. Look on the branch above your head,” the Gnat continued, “and there you’ll find a snap-dragon-fly. Its body is made of plum-pudding, its wings of holly-leaves, and its head is a raisin burning in brandy.”

goetia_girls_samigina_gamgin_american_mcgee_alice_succubus_of_faustus_crow

Samigina looked up at some spectral object; while the Gnat went on to explain. “Critical Paranoia is a method of establishing a creative state of self-induced psychosis, which initiates the hypnagogic state of trance.”

goetia_girls_alice_in_wonderland_dark_side

“Consider the process as being akin to forcing a waking dream; a conscious transformation led by paranoid scrutiny of what presents itself in the surroundings.”

goetia_girls_alice_madness_surreal

“The simplest version, hardly critical, hardly paranoid, begins with a child’s daydreaming game.”

goetia_girls_madness_reyrns_alice_wonderland

Samigina started to stare into banks of clouds, looking for the chariot riders, along with giants populating floating islands and other phantasms of tortured humidity, whose associative snap-dragon-fly reasoning needs to be fed, “and what does it live on?” She to again enquire.

goetia_girls_succubus_samigina_gamgin_madness_returns_alice_in_wpnderland_art_muse_of_faustus_crow

“Frumenty and mince pie,” the Gnat replied; “and it makes its nest in a Christmas box. And when to open the Pandora’s box of your Imagination to set it free of its indoctrinated larvae of beliefs, you can thence utilise elementary exercises.”

goetia_girls_madness_returns_alice_in_wonderland_samigina_gamgin_succubus_of_faustus_crow

“Such Avadhuta exercises involve practicing prolonged staring at ink blots and scribble drawings, which will generate an array of Heyoka optical illusions.”

goetia_girls_alice_madness_returns_wonderland_lucid_dream_samgina_gamgin_art_muse_succubus_of_faustus_crow

“A sketchbook is handy for this enterprise, which often sell themselves in many a new-age shop, as self-help manuals, which are fluffily designed to prove that you are on your depressive way to a happier existence as a Caterpillar. But then, you’ll smash through any artistic blocks with your inspiring lucid dream visitations, won’t you, my dearest Samigina.”

goetia_girls_madness_returns_alice_samigina_gamgin

She to widely smile, and said, “of course I will,” to then sweetly say, along with her hair suddenly turning blond. “And then there’s the Butterfly,” Samigina went on, after she had taken a good look at the insect with its head on fire, and had thought to herself, “I wonder if that’s the reason insects are so fond of flying into candles—because they want to turn into snap-dragon-flies!”

goetia_girls_alice_in_wonderland_1

Then Samigina imagined Snap-dragon-flies flying around a Mad Hatter’s head of an Artist, all aflame; while he walks those crumbling cracks in the sidewalk, which look like an outline of the West coast of Mexico.

goetia_girls_alice_in_wonderland_2

In fact those cracks in the sidewalk are indeed the West coast of Mexico. “Can’t you seer it buddy? No doubt about it, that’s for sure.” Samigina to have Muse whispered into the Mad Hatter’s left ear.

goetia_girls_alice_in_wonderland_3

“And those Ants are all tourists in the middle; they are eating up the Yucutan of an asteroid wound, remembering the demise of the dinosaurs; to be later followed by the invasion of the dark haired pony-girls from Spain.” Samigina to say upon a clairaudient giggle.

goetia_girls_madness_returns_alice

“I’m a Samigina Wyrd Alice of hitched up skirt, manifesting within your surrealist dreams, becoming one with my hop-scotch rocking-horse galloping across Panama, leaving red menstrual smudges all along the Pacific; ensnaring all within my coquette skipping rope, for my conjuring Artist.”

goetia_girls_alie_madness_returns_samigina

“Your advancement of Mad Hatter practice will invariably find the Spielberg poltergeist intricacies of my television static a delight to behold. The onset of migraine headaches a resounding flourish to perceive such things.” The Gnat decided to cut in, “Crawling at your feet,” said the Gnat (Alice drew her feet back in some alarm), “you may observe a Bread-and-Butterfly. Its wings are thin slices of bread-and-butter, its body is a crust, and its head is a lump of sugar.”

goetia_girls_alice_madness_returns_samigina_gamgin_wonderland_succubus_of_faustus_crow

The Gnat continued, “there are no preconceptions, no paranoia to influence what you perceive. The careful acquisition of Critical Paranoia requires continued practice until it becomes a part of your bread-and-Butterfly subconscious way of thinking. But you may ask your Mad Hatter of a conjuring Artist for further insights, you to inspire as his conjured Muse, rather than asking any more questions of myself. Samigina decided to otherwise ask the Gnat, “and what does it live on?”

goetia_girls_alice_madness_returns_gamgin_samigina_wonderland_succubus_of_faustus_crow

“Weak tea with cream in it.” The Gnat to answer. “My egg of an ego may have been cracked by you asking your Mad Hatter Artist rather than me; but what’s another cracked egg; I will just ramble on. After you have indulged your fill of weak tea, to bloat of bladder, find a bathroom with tile floors and subdued fluorescent lighting. Masonic bathroom tiles one half inch by one half inch are far preferable. Those tiles with the speckles are the type to spy out with your split-screen vision.”

goetia_girls_samigina_gamgin_pony_girl_alice_madness_returns_succubus_art_muse_of_faustus_crow

“Find an empty stall within your Beehive lodge and sit on your throne of a toilet. Sit so you are comfortable to 33 Degree Freemason crap out weapons of mass destruction over Babylon. Stare at the floor in front of you, through the bottom edge Da’at gap of the closed stall door. Ritualistically stare until columns of tiles oscillate rapidly back and forth like the changeable Gimel dunes of the desert sea; chaotically at first, but more rhythmically in passing.”

goetia_girls_alice_madness_returns_samigina_gamgin_wonderland_succubus_art_muse_of_faustus_crow

“Move your Illuminati eye towards your feet to perceive rows of tiles, liquidly moving of crashing waves against the columns of a now warped Masonic chessboard. Observe the speckled patterns for amphibious Nommo insights, so as to determine the Anunnaki flux of evoked subconscious images. These images, all as Queen Bee Succubae, will erupt forth Through the Looking Glass Triangle of Art, at whose trance centre the Sirius star third-eye imagination will seer their bio-photon G-string Bunny-girl manifestations.”

goetia_girls_alice_madness_returns_gamgin_samigina_art_muse_succubus_of_faustus_crow

A new difficulty came into Samigina’s head. “Supposing it couldn’t find any weak tea?” The Gnat to have answered; “remember what Mad Hatter Dalí said, my dear Samigina; I quote: “Paranoia makes use of the external world to impose the obsessive notion with the disturbing particularity of making valid the reality of this notion for others. . . The reality of the external world serves as an illustration and a proof, and is put in the service of the reality of our mind.”

goetia_girls_alice_madness_returns_samigina_gamgin_succubus_art_muses_of_faustus_crow

Samigina stared, looking at the Gnat, quite entranced, as it was slowly evolving into a bug eyed alien Grey out of a neo-Gnostic newage UFO pantheon; while doing so, the Gnat continued; “Breton also said: “It is a question of speculating ardently on that property of uninterrupted transformation of any object on which the Paranoiac activity seizes; in other words, the ultra-confusional activity which takes its source in the obsessive idea… This uninterrupted transformation permits the Paranoiac to regard the very images of the external world as unstable and transitory, if not as suspect, and it is, disturbingly, in his power to impose the reality of his impression on others. . .”

goetia_girls_art_muse_alice_madness_returns_samigina_gamgin_witch_succubus_of_faustus_crow

“What I am trying to tell you my sweet Samigina is that, if you do not exercise your innate childlike ability of Critical Paranoia perception, which you to naturally know, that shamans have utilised for aeons…” the Gnat, suddenly Howled. “Then it would die, of course.”

“But that must happen very often,” Samigina Wyrd Alice remarked thoughtfully. “It always happens,” said the Gnat.

goetia_girls_alice_madness_returns_witch_samigina_gamgin_art_muse_succubus_of_faustus_crow

The Gnat to continue, “such to happen when the Art of Magic is habitually tethered to a religious constraint of a tradition. For example, a Satanist see’s Satan as a rebel of a horned Devil, to glorify as a Biblical Luciferian Angel; when in fact he was the first Mad Hatter Artist of a horned shaman.”

“Oh! I now seer,” said Samigina, to then say. “So If a religious sentiment is indulged in of thesis or antithesis, the practitioner is not practicing the fluidity of Sorcery, but instead practicing a static religion. Whereby validating its symbolic Matrix of constraints. These types of individuals will invariably consider those who exercise their imaginative freedom of rebellious (synthesis) Yesod artistry to be Entartete Kunst, ‘SINFUL.”

(Quotes: Lewis Carroll’s, Alice’s Adventures ‘Through The Looking Glass’, Chapter III)

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire