Archive for Leannan sìth

THE TIME MACHINE SECRET OF THE SPHINX

Posted in Art, Chaos Magic, Dr Who, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 8, 2017 by FAUSTUS CROW

Did H.G. Wells know the secret of the Sphinx? Wells very likely knew that the ancient Greek word, Sphinx means to strangle. Wherefore the Sphinx was known as the strangler, which refers to the original meaning of the composite word, Night-Mare, which is experienced when an an individual inadvertently accesses hypnagogic trance at the point of sleep, who then feels a great weight bearing down upon the chest area of the body, leading to the sensation of being strangled.

In Hebrew folklore the experience of the strangling (Sphinx) Nightmare is associated with a Night-time Succubus visitation of ‘Lilith.’ Although the phenomenon of a Succubus visitation is documented by many another culture. Hence the reason why the female term, ‘Mare’ is used. The Nightmare is technically termed as the ‘Old-Hag-Syndrome’ or otherwise known as the Bedroom Invader Experience.

The initial hypnagogic trance experience of the Night-Mare is utterly terrifying, since it involves experiencing vivid visionary material, which can be that of pure horror made manifest, causing a ‘Flight, Fight’ response, this then induces your lungs to secrete endogenous DMT.

The (Sphinx) experience of hypnagogic trance is also the power of the Merkaba throne in the Hebrew mystical system of the Kabballah, which had been influenced by ancient Egyptian symbolism. The Pharaoh considered the throne as being feminine of source, which was personified as the Goddess, Isis, who is often depicted being winged, like a raptor.

The throne refers to the power of the dream, which is illuminated by the bio-photon, emanating from the mitochondrial DNA. The mitochondrial DNA is passed down from the mother to her children. When consciously accessing hypnagogic trance an individual might experience the sensation of horns sprouting forth from atop of the head, or that of the top of the skull opening up, or the head elongating. These sensations led to the symbolism of the crown, such as the elongated crown of the Pharaoh.

The experience of the head being elongated is spoken of by the Kalahari Bushmen, as well as the Dogon of South Africa, which is a common neurological sensation of accessing trance. In some societies it was taken much further by artificially deforming the skull of a child. There are those who believe the elongated skulls belong to alien hybrids; such is not the case.

In ancient shamanic societies, Shamans practiced consciously accessing (Sphinx) hypnagogic trance, which enabled them to attain conscious ingress into a lucid dream.

A Pharaoh is essentially a Shaman. When attaining ingress into a lucid dream via (Sphinx) hypnagogic trance the Pharaoh was enabled to attain an Out-Of-Body-Experience (OOBE), to thence fly as a disembodied winged Sun, or to Remote-View Time-Travel hover as a Horus Hawk over the Zodiac Ages.

As a sort of an aside, it is rather curious that Robert Munro OOBE accessed a steampunk alternate Earth via an inner (Stargate) ‘portal’ governed over by a female called, Lea.

Dr John C. Lilly also spoke of inner doorways, which lead to other worlds, who to have floated as a Pharaoh (Shaman/Nommo) within his floatation tank of a kings sarcophagus.

It just so happens that the name of Lea is etymologically connected to the name of a Celtic Faerie Lover (Art Muse) called a Leannan Sìth. It is with Lea, slider Monro becomes romantically attached, as his (Succubus) Dream Lover, when sliding into an alternate self of an Avatar.

Maybe H.G. Wells had done likewise, to ‘Sphinx dream’ of an Eloi Muse, named, Weena, when accessing (Sphinx) hypnagogic trance?

If So, then H.G. Wells had ‘Travelled Without Moving,’ when drifting off to sleep within his humble ‘Montauk Chair’ of gnarled wood and tatty Victorian leather as his ‘Night-Mare’ Time-Machine, to Remote-View know of other alternate Zodiac Ages, whose conjured Theta Brainwave ‘Art Muses,’ inspired his quantum computing lucid dreams.

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LILITH’S HAREM, PARALLEL UNIVERSES, ALTERNATE EARTH’S

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 30, 2015 by FAUSTUS CROW

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Did Robert Monroe, also known as Bob Monroe, (October 30, 1915 – March 17, 1995) experience accessing an alternate Earth, whose technology is right out of a Steampunk novel? Sounds like pure science fiction doesn’t it. Well, he did reveal, that he had actually done so, when consciously journeying into the quantum realms of the dream, who was an idiosyncratic pioneer of out-of-the-body experience (OOBE) research, which in turn encompasses lucid dreaming. His 1971 book, Journeys Out of the Body, is credited with popularizing the term, out-of-body experience.

Munroe’s full name is Robert Allan Munroe, who was originally a radio broadcasting executive who became best known for his research into altered states of consciousness and founding The Monroe Institute. Many an individual who has had an OOBE, invariably investigates Monroe’s experiences in order to come to some understanding of their own out of body experiences along with gaining an insight into lucid dreaming.

Munroe’s research into altered states of consciousness, began during the straight laced 1950’s, just prior to the psychedelic 60’s, when his shamanic work really took off. Munroe produced evidence that specific sound patterns have identifiable, beneficial effects upon our capabilities.

For example, certain combinations of frequencies appeared to enhance alertness; whereas others induce sleep; and still other (song/icaro/mantra) sound combinations evoke expanded states of your consciousness, which at the level of the ‘electron’ dream has the ability to ‘slide’ through inner doorways, into other realities.

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His extensive research was professionally assisted by specialists in psychology, medicine, biochemistry, psychiatry, electrical engineering, physics, and education, which led to the development of Hemi-Sync, a patented audio technology, which is claimed facilitates enhanced performance of your ‘quantum computing brain.’

Monroe was very precise when describing the methods, which he had developed for ‘Sliding’ into the astral worlds of the ‘Electron’ dream.

He assiduously described the dream realms in great detail of nigh scientific scrutiny, which he divided into three specific regions with differing properties, terming them as being, ‘Locale I’, ‘Locale II’ and ‘Locale III,’ of a shamanic cosmology.

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According to Monroe, Locale I is our present everyday Earth. It is here where the Old Hag Syndrome is often experienced of a prelude to an out of body experience.

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Should the nightmare, which rides your fear be instead transformed into a Night-Mare for you to otherwise ride, the astral body is then enabled to leave its corporeal vehicle behind; whereupon it can then hover around the collective-mind-map, observing faraway places, visiting the abodes of friends or loved ones, experiencing precognitive information, accessing the past or even exploring the depths of space.

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But the dreamer is still constrained to his/her present universe, which is basically that of remote viewing from within the informational domain of the quantum dream.

In Locale II, the dreaming reality becomes far more surreal. This is the region where varying alien entities exist of similarity to what the author Carlos Castaneda termed as the inorganic intelligence of the Allies.

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Castaneda described the Allies as being a ‘feminine’ inorganic intelligence, which exists in a dimensional domain outside of three-dimensional (Maya/Matrix) space and time he called Penumbra, which of a visionary manifestation appears as a vast desert dividing worlds.

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The symbolic motif of the desert is utilised in the Cabbala for its thirteenth path, whose ascribed Hebrew letter is Gimel, meaning (Ally) Camel. The thirteenth path of the Tarot Card: The (Ally) High Priestess of the Silver Star, penetrates the hidden 11th dimensional sphere of Da’at.

It is at Da’at that the magician experiences his consciousness accessing an Abyss, which is the space between worlds. The Abyss (mini-Worm-hole/Silver-Star) is experienced (folding space) prior to attaining (Kwisatz Haderach) ingress into an alternate world.

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When Monroe’s consciousness accessed Locale II he would sometimes experience being hassled by nightmarish beings, who reflected back his fear, and in doing so, attempted to drag his astral self back to Locale I; whereby impeding his progress, and generally made his inner experience unpleasant as if these entities were seeking to block him from accessing Locale III.

What Munroe experienced regarding the assailing entities, is what many Siberian shamans to have spoken of. The shamans communicate that they are initially impeded in their trance ingress into other realities by Erlik Khan’s daughters, whom can assume Nightmare forms, until the shaman overcomes his fear of their father, who is death; after which they then become as his (Allies/Succubae) Night-Mare spirit wives, to thence ride into other worlds.

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However, Munroe stated, that Locale II was the ‘natural environment of the Second Body’, where thought translates directly to ‘bodily’ motion. The second body its self, although appearing of apparent human form, in relation to the dreamers memory of his/her physical body, is not its true form.

Locale III is where Monroe accessed an alternate Earth, via what he termed as being a (mini-wormhole) hole, into which he slid into an alternate reality. The alternate Earth to all intents and purposes exists within a parallel universe. Monroe experienced this alternate Earth as being a material world, whose reality is almost identical to our own.

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But there were differences, as Munroe described: “There are no electrical devices whatsoever.” Munroe observed that the transport of this alternate Earth utilised steam-driven locomotives, which sounds like a Steampunk cross between an American motor-home and a High-Speed Train, which hauls wooden cars. The automobiles of this alternate Earth were twice as wide as Munroe’s own equivalents, which are driven along huge roads at a sluggish 15-20 mph.

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After several slides into a parallel universe of Locale III, Monroe discovered an alternate Earth inhabitant who was his (alternate-self) doppelganger. Monroe involuntarily enters into his double’s body; whereupon embarrassment and confusion ensues, which often involved a Steampunkette woman called Lea.

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It just so happens that the name of Lea is etymologically connected to the name of a Celtic faerie lover called a Leannan sìth. It is with Lea, slider Monroe becomes romantically attached, as his (Ally/Succubus) dream lover, when sliding into his alternate self.

Monroe’s dream slides into Locale III, he otherwise called, ‘intrusions.’ This alternate Earth has a three dimensional reality. As stated in part, earlier, Monroe related, that his intrusion into an alternate Earth as being, “a physical-matter world almost identical to our own. There are trees, houses, cities, people, artefacts and all the appurtenances of a reasonably civilized society.”

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However, Monroe observed that, Locale III had evolved along a different technological trajectory; there was no electricity or fossil fuels; its inhabitants relied instead upon a sort of alternative power source. Perhaps, it is where the ideas of Nikola Tesla had taken root, without any impediment from gangster bankers, along with the further development of steam power, which had engendered an alternate Hippie Steampunk reality.

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As for myself, I have dream slid into differing Locale III alternate Earth’s with the assistance of the (Priestess of the Silver Star) Locale II (Lilith’s Harem) Allies. The Allies assume the forms of Succubae, whom then usher my conscious awareness through their vaginal (Vesica Pisces) stargates into alternate Earth’s.

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Some of the Locale III alternate Earth’s can be described as being Steampunk realities, although the slides into different alternate Earth’s is determined by what type of Succubus one conjures into Locale I, when to become lucid of awareness.

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SLENDER GIRL HORROR MUSE

Posted in Addams Family, Alien, Art, Chaos Magic, CREATIVE WRITING, Discordianism, Extraterrestrial, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 28, 2015 by FAUSTUS CROW

Wednesday Addams

The Slender Shadow Girl resembles a thin, unnaturally tall nigh anorexic fashion model with a blank and usually featureless face, or to be otherwise wearing a veil, under which she has many faces of desire, who wears a tight clinging Wednesday Addams black dress. Some to say, she looks like a Goth Ghost girl and  that her feline eyes are like black mirrors.

The Slender Shadow Girl has a voracious sexual appetite, who stalks her victims, who are usually male; although, it is said she also has lesbian tendencies. As her victim falls asleep, she leaps out of the shadows, pouncing upon her prey, who then abducts her quarry into a surreal dream world, so that she can sinfully play with her new toy.

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The Slender Shadow Girl is of course based in part upon the supernatural character of the Slender Man, to thence transform into a knitted together Frankenbabe Tulpa, of an exquisite corpse anti-viral meme.

The Slender Man, also known as Slenderman is an entirely fictional creation, which had originated as a popular Internet meme.

The gathered focus upon Slender Man is of similarity to the experiment conducted by a group of Toronto parapsychologists back in the 1970’s, who created a (Tulpa) Ghost of a male character, which generated poltergeist phenomena; it is shame that they did not investigate the archetypal character of a Witch.

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The Toronto group creation of a Ghost can be easily applied to the creation of a Slender Shadow Girl, which lends an insight into the collective creation of Slender Man, who haunts the internet, and in turn the dreams of those whom are susceptible to its sublminal symbolic intrusions into their subconscious minds. It is easy to achieve; for the fear acts as a carrier wave, which empowers the charged symbolism to implant its self into the spun electron dream. But the sexual charge can also be utilised of a potent carrier wave.

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The creation of the Slender Man is like that of the childlike alien Greys, whose eyes are described as being black of obsidian mirrors. The alien Greys can otherwise be seen as being akin to the Black Eyed Children of urban folklore, which leads you to the Succubus of the Slender Shadow Girl.

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However, as for the character of Slender Man, he was initially created by the Something Awful forums user Eric Knudsen (a.k.a. Victor Surge) back in in 2009. In an interview with the website Know Your Meme, Knudsen related that he had been inspired to create the Slender Man from the urban legends of the shadow people, the writings of H. P. Lovecraft, Zack Parsons, and Stephen King (particularly The Mist), and the surrealism of William S. Burroughs. Knudsen’s artistic intention was, as he claimed, “to formulate something whose motivations can barely be comprehended, and [which triggered] unease and terror in a general population.”

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The Slender Man soon went viral, of numerous works of fanart, cosplay and online fiction, which has since become known as, Creepypasta: scary stories, which are told in short snatches of easily copyable text, spreading from site to site. Like the mythic Tulpa, divorced from its original creator, the Slender Man has become the subject of myriad stories, covered by a multiple number of authors within an all encompassing modern mythos. Whether the character would have had the same impact if it had been created as being female, is debatable. Though, probably not, due to the prior media influences, which led to Slender Man’s development of an evolving infatuation with fear.

Stories of the Slender Man commonly feature him dressed in a black undertakers suit with a white silhouetted face. He is sometimes depicted floating, or that of walking with elongated legs, as tall as a tree, which had no doubt been inspired by the ‘Tall Man’ undertaker out of the 1978 cult horror movie, entitled Phantasm. From his reptilian, almost insect like body, several long-stretching limbs, emanate like Cthulhu tentacles, who is said to lurk in Evil Dead film forests, of an archetypal underworld theme, where he stalks, people. As for tangled pubic hair forests, they tend to be the symbolic vaginal haunt of wild Witches dancing Widdershin wise of a blood Moon lit Sabbat.

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But the particular predilection of Slender Man is that of abducting children, of most disturbing sexual overtones, like the 1985 horror movie, Nightmare of Elm Street character, Freddie Krueger, merged with the man in black (MIB) out of UFO lore. You could of course have a (MIB) female version of a Time Travelling WIB strutting her Vogue catwalk out of a Vril saucer, whose dominatrix predilection is that of otherwise abducting male UFO researchers, to whisk away of astral journeying to her underworld womb city of Agartha.

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The Slender Man is not confined to a single narrative, but, as mentioned appears in many disparate works of fiction, mostly composed online, whose elaborate back story has since been developed further to give it the air of chilling authenticity.

This has led to the development of an in depth fictional history for the character, which is said to encompass centuries of global folklore, along with ensuing folktales concerning the Devil, shadow people, vampires, reptilians, UFO’s and extraterrestrials, as well as science fiction themes of an imaginative synthesis.

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For example, you can base the Slender Shadow Girl upon the Leannán sí, Fairy-Lover of Celtic lore, who in Scottish Gaelic is the, Leannan sìth, and in Manx, the Lhiannan shee. She is perceived to be a most beautiful Ghost woman of the Aos sí (people of the barrows) who abducts a human lover. Lovers of the Leannán sídhe are said to live brief, though highly inspired, lives. The name comes from the Gaelic words for a sweetheart, lover, or concubine and is also used as a term for a tumulus or (Agartha) burial mound.

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One of the fictional histories of the Slender Man, describes his fiendish character as being known as Fear Dubh (The Dark Man), in Scotland; whereas the Dutch dubbed him, Takkenmann (Branch Man), and in Germany he is referred to as Der Grosse Man (Tall Man); all of which sounds genuine of adapted folklore, but it is entirely fictional. Although, what is interesting, is that journalists covering the Slender Man of a modern urban myth utilise this fictional folklore as being historical fact, without realising it is all made up.

It just so happens that a beauty spot in the United Kingdom, which has a history of supernatural sightings is said to be haunted by the Slender Man. Its haunt was originally plagued by ghostly sightings of the notorious Black Eyed Child, but it is now being spooked by the more popular Slender Man. Perhaps this due to his viral meme character of a Tulpa creation being fed into by many minds over the ritual web to tremble, which is still evolving of a conjured archetype. One to wonder as to what would have manifested instead of a Triangle of Art haunting, if the cohered focus was otherwise that of a salacious Slender Girl Succubus.

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The tall spectre of the Slender Man has been spotted in Cannock Chase in Staffordshire by several terrified residents of the onetime British mining town. The locals reported seeing the shadowy form of the lean spirit, which had pinprick bloodshot red eyes, wearing Victorian dress, haunting the nearby forest as well as their homes. There are even photographs the entity; though heavily distorted of an unrecognisable form; the photos are more like blurred images.

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One of the residents of Pye Green had reported that she was visited by an entity. She explained: “I was awoken just before 2am by an odd scratching noise in my bedroom. To my astonishment, there was what seemed like a sphere-shaped shadow by the edge of my wardrobe. As I tried to get out of bed and investigate further, the shadow began to stretch towards the ceiling. It was at that point I found myself faced with the most disgusting and horrific creature imaginable. It was about eight feet tall and had a white face with razor-sharp fangs.”

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Another local, from Rugeley, said: “As my eyes opened, I saw a man floating over me. I could see into his eyes, they were a fierce red colour that shook me to my very core. The ordeal ended when the man, who was completely dressed in black with a hat to match, floated higher and higher until he hit my ceiling and disappeared.”

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An investigator going by the name of Lee Brickley is trying to X File fathom why the child-snatching Slender Man, who is feared across the internet of a viral meme creation, has suddenly started haunting Cannock instead of the Black Eyed Child of a prior focus. One of his theories is to do with prior Pagan rites conducted by an ancient Celtic tribe, which he duly dices up with Hammer House of Horror human sacrifice, of an ongoing Romano-Christian fiction, of mere viral-meme propaganda.

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Although the two appear to be connected of a symbolic theme, which is curiously similar to a creature, called the Tokoloshe of Zulu lore. The Tokoloshe is also very much akin to the spirits, which are described in medieval grimoires of varying two-dimensional illustrated forms.

However, the Tokoloshe is usually described as manifesting looking like a dwarf or Gremlin, even like a child at times with sunken black eyes, but it can also assume other forms, such as a Slender Man or even a Slender Shadow Girl, if desired; and what is more, it is purposefully created by a shaman, like that of the Tibetan Tulpa.

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But, going by the Toronto Ghost creation experiment, such creatures may also be inadvertently created by a mass-mind focus, if they are led that way of a religious sentiment tinged with fear, which initiates a sustained fixation; whereby becoming as a viral-meme manifestation.

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Lee, related: “To get so many sightings at roughly the same time is unusual. One theory is that this has nothing to do with the supernatural and eye-witnesses are experiencing sleep paralysis, where individuals’ eyes are open but they are still in a state of sleep, and therefore unable to move. There are reports of Slender Men seemingly pinning victims down, as if sitting on their chest. That could well be down to sleep paralysis.”

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It is indeed associated with (Old Hag Syndrome) sleep paralysis, of an initial phase of hypnagogic trance ingress int the dream. Your unbridled fear determines what you tune into via the dream; wherein your fears can take on ‘lucid dream’ flesh, which is more so the case when it is of a collective focus; whereby you transform your fear into something else; otherwise, you will end up being abducted into a collective (viral meme) nightmare, to then believe it is all for real, when to awaken out of the horror.

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The viral meme creation of the Slender Man, has inadvertently inspired a religious sentiment to develop, which of a habitual consequence leads to horrific crimes being committed, because of a blind belief in its reality. One example being that of two girls from Wisconsin, USA, who stabbed a 12-year-old classmate 19 times, whom claimed they wished to commit murder so they could impress their Slender Man incubus like it was some kind of deity.

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It is of a similar religious phenomenon, concerning the myriad believers who seek to impress their deity, who have committed numerous atrocities throughout history; such as the Witch burnings, to that of the holocaust, all because of a scripted viral meme, which has been passed down the Biblical generations.

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Hence the ensuing wars, which has and still is afflicting their so called Holy Land of the Middle East, of continual slaughter. So, should those of a religious bent of mind castigate your conjurations of a Slender Shadow Girl Succubus, such as Faustus Crow conjuring up his ‘Anima,’ Mephistophina, as depicted in the watercolour (please click for details) painting, above, as being morally perverse of mere pornography…

You just point out that their own ritualistic conjurations of a deified ‘Animus’ of an egregore, has led to the sacrifice of myriad numbers of innocent Lambs across the globe, behind its ‘Faceless’ physiognomy of a monotheist altar. But they will invariably say, “he loves you;” or should one more accurately say, “loves to eat you,” Slender Man style!

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