Archive for John A. Keel

PURSON, THE WOMAN IN BLACK FROM LILITH’S HAREM

Posted in Alien, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 3, 2015 by FAUSTUS CROW

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The Ufologist and Cryptologist, Nick Redvern decided to engage in the practice of remote viewing in order to further his research into arcane matters. He did so in private, away from his peers. They would not understand this quirky turn of events in his investigations, to no doubt violently castigate it as being far too dangerously Fringe of the occult hippie. Whereupon he secretly took up brief residence in a seedy roadside motel, not too far away from Area 51, Dreamland.

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Redvern wanted to determine who The Men in Black truly are, who all looked like bald headed Aleister Crowley clones. But, in order to take his overriding MIB obsession into uncharted territory, where Ufologists fear to tread, he needed to discover their female counterparts.

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He started to suspect, they were the true power, of a throne, since they are hardly ever mentioned. Their conspicuous absence of continuance indicated a greater mystery to fathom.

Redvern awaited the late hours of the desert night before he proceeded with his ritual, which required the use of an Ouija board.

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His in depth research concerning The Men in Black phenomenon, indicated that many of The Men in Black visitations of a haunting occurred after a haunted individual had dabbled with the Steampunk spirit board, of spiritualist infatuations.

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As Redvern prepared himself of lotus position meditation, he did not expect that the slide into trance around the Ouija board, would happen so quickly, as his hand was rapidly planchette taken over, pointing out letters in rapid succession, which spelt out the name, Purson, as well as the words, Succubus, and, Queen.

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But the words quickly lost their conscious meaning as Redvern suddenly, experienced subconscious mediumistic visions of a shadowy clad woman, looking like a female version of a man in black, awaiting his conjuration of her.

Redvern’s eyes went white of inward fish orbs, becoming upturned, amphibious, towards the top of his skull; while falling ever deeper into the astral waters of ecstatic trance. As he did so, his quivering voice was recorded on a running tape machine; “I see her, yes! This Purson, who be a Succubus Queen. Yes! She looks like a catwalk model slender girl, whose beautiful face seems to have feline features, making her look to be of oriental, perhaps, Mongolian, or even Tibetan of descent. Her slanted eyes appear to have cat-like slits, who has manifested along with two other ravishingly gorgeous Succubae; both of whom are similarly dressed in black, or otherwise Gothic of shape-shifting fashion style. One of the other Succubae looks to be Lappish of looks, of very pale skin, which is offset by her jet black hair, looking like a classic Goth chick; while the other Succubus appears to be Mediterranean; maybe she is Turkic, of olive skin appearance.”

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Redvern continued; “Purson appears to be holding a riding crop in her left hand, which bites as a Viper, or that of a black yew wand, becoming as a Cobra flute; that, or she is wielding a guitar, its neck that of a Snake, held in her hand of a symbolic fusion of these elemental weapons. All three of these Succubae are predatory, like Lionesses, who are riding a shiny new black Cadillac; its engine growling like a contented Bear, which is sounding its eerie clairaudient trumpeting horn three times, as she makes her Genie entrance into my vision.”

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Then Redvern heard her seductive voice of inner clairaudience. “I have appeared; for you sought me out around your spirit board, which of hypnagogic trance induction towards the back of your Agartha head of Lilith’s Harem, tunes your subconscious mind into the quantum realm of the electron dream, where my inorganic intelligence resides. My physical frame, is elsewhere of the future born, where Time Travel within informational dreams is facilitated by our time control technology, which involves quantum teleportation. But if I so choose, I can enter into your time frame of bilocation, along with my Succubae sisters; whereby physically manifesting as a hologram. The prior interlude of which, might generate ensuing synchronicities and poltergeist phenomena, as the connection between your time frame, and that of my own is forged. So, what do want of me?”

Redvern couldn’t believe what he was hearing of an imaginary voice; who mumbled out loud; “can you help me in my research? I need to write another book; my monetary resources are not matching my lavish Dallas lifestyle. I need a new conspiracy theory angle.” Purson appeared to have smiled of an inner vision, and then answered; “Of course I can; I know all things hidden, of which you desire to know concerning your military industrial complex as well as discovering those 2012 singularity treasures they hide away. It was I, who had spun the visionary dreams of Nikola Tesla as his inventors shadow muse.”

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“What?” Redvern to have asked of his active imagination conjuration. “You was the one who inspired Tesla’s futuristic inventions. How?” Purson answered; “I spun his electron dreams, to tune into my bio-photon signal, which emanates from amidst the mitochondrial DNA, whose light illuminates the quantum computing dream of Omega futures beckoning back to their Alpha. The source of the inner light, the shamans of the Altai know as the Bear mother of fire, who initiates the death’s kiss of trance.”

Purson to continue. “Her name in their language is called Yal-un eke; whereas the master of the inner fire is known as Odqan, who is the fire king, Lion of the world; otherwise called the shaman-smithy elder brother of the shaman, whom the black shamans seek to emulate, when to master their inner Yal-un eke fire.” Redvern’s internal ear to prick up at the mention of black shamans. Black shamans… are they associated with The Men in Black?” Purson was silent for a moment, and then answered. “Yes; they are our fearsome Skinwalker agents, who are presently engaged in a time war with the greed of a few, who have stolen the future of all.”

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“Who are these, greedy few, you speak of?” Redvern to enquire, of testing, yet, likewise thinking to himself that he was going quite mad. Purson then said; “they are what many consider to be, reptilian Illuminati. But they are just reptilian brain-dead-stem human gangsters, who are aware that you are surrounded by a time travelling capable civilisation, forged by your future descendants; just as your own civilisation surrounds an unknowing stone age tribe in the Amazon. The few of the so called shadow government elite, have hypnotised themselves into believing that they must protect your civilisation at any cost. But in truth, they are merely protecting their own illusory influence and transient power.”

Redvern was intrigued by what Purson had to relate of an animated archetype; “what else can you tell me?” Purson answered; “I can tell of all things past, present, and to come. But, be aware there are innumerable Ouroboros possibilities of a closed timelike-curve alternate reality. I can take on a physical human body, or being otherwise ethereal, and to answer truly of all Earthly things both secret and divine; to also reveal the reasoning behind the subversively engineered closed timelike-curve of your present Matrix. I bring forth most loving Succubae into your dreams, and under my Agartha Government there be 22 Legions of such Succubae, who be partly of the Order of Virtues and partly of the Order of Thrones. My two-dimensional sign of a seal, or character is to be mediated upon prior to conjuring me into three-dimensional lucid dream existence. By this seal, I owe obedience unto, for you to also wear in time of action.”

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Redvern’s active imagination vision was suddenly broken by three loud knocks at his hotel door. He shook his head clear of his twilight trance, thinking himself to be a total fool to lose himself to such imaginative folly. Redvern then stood up, feeling a bit dizzy at first as he made his way to the door; while damning the hotel staff under his breath, who he had earlier informed not to disturb him. When he opened the door, his eyes nearly popped out their skull and cross-bone sockets.

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“Fuck me!” He said out loud in shock, as he found himself being confronted by a young woman wearing a black Cat-woman jumpsuit and wraparound MIB shades. She had long black hair, whose skin was Gothic pale, with a black lacquered electric guitar strapped to her back. The woman inanely giggled at first, almost becoming that of a screeching cackling Witch; who of a sudden stopped dead her girlish giggle fit, to then seriously say, sounding almost monotone of voice; “not tonight Mr Redvern; can you please autograph my book.” She then handed Redvern a copy of his own writ tome, entitled: ‘The Real Men in Black,’ as well as a black pen, along whose length was etched a gold serpent.

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Redvern was far too stunned to object, who found himself automatically signing her book. After signing his name, the woman abruptly snatched back her book and pen, who started to inanely cackle, to then again suddenly stop; becoming very serious of expression. “Thank you Mr Redfern, I mean… Redvern for your… Contractual Signature.”

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She then flamboyantly turned away and walked off into the night towards the hotel car park, with her hips swaying of an exaggerated Marilyn Munroe walk. Redvern just stood at the open door with his mouth agape.

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He was frozen to the spot, to shortly thereafter observe a shiny new 1950’s black Cadillac drive off very fast of a growling roar, to then be near blinded, by an Albedo flash of serpentine lightning splitting the heavens over the Sabbat desert.

His protective eyelids, instinctively closed, behind which of Rubedo redness, a grid-like Matrix of light was briefly seen all around him. It was as if he was inside a computer simulation before his eyelids flickered open again.

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But there was no thunder to follow, apart from hearing a toy trumpet being played by a little girl, who was trailing after her aggravated parents spilling themselves out of a ragged camper van. On the side of the van was painted Whitley Strieber’s iconic Grey; its tetrachromat wraparound shade eyes, staring back at him.

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“Fuck me!” Redvern said again, before he Siva feinted into the Baron Samadhi Nigredo.. blackness, of Kali Ma.

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LILITH’S HAREM OF A MAGIC THEATRE AGARTHA

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 31, 2015 by FAUSTUS CROW

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The Magic Theatre, is a major symbolic theme in Hermann Hesse’s surrealistic tenth novel entitled, The Steppenwolf (German: Der Steppenwolf), which was originally published in Germany in 1927, and soon thereafter translated into English in 1929. You could symbolically equate the Magic Theatre with Dr Who’s TARDIS.

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The novel is a surrealistic fusion of autobiographical personal experiences, Jungian symbolism and psychoanalytic elements, as well as also heavily utilising the philosophy of the far East, of which Hesse was enamoured with. The story can be seen as being a creative catharsis, which had been initiated by a profound suicidal crisis in Hesse’s spiritual life during the 1920’s.

The book is very Faustian of style, whose principle character of a Faust is otherwise called Harry Haller, who attends an Anarchist Evening at the Magic Theatre, which is For Madmen Only, the Price of Admission, Your Mind.

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When entering the Magic Theatre, Haller is soon ushered as an unwitting Dr Who into a number of alternate Earth’s, each of which he ‘slides’ into when opening a door within the Magic Theatre of a TARDIS.

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One of the alternate Earth’s, Haller explores is enduring a war with the machines, which could be seen as being akin to a science fiction fusion of Terminator merged with Mad Max.

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In yet another alternate Earth, Haller finds himself exploring an erotic world of women; where he once again experiences lost loves and unfulfilled desires, to transmute of sexual alchemy; whereupon fully fulfilling them of alternate possibilities.

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In each of these alternate Earth’s, Haller transforms himself anew within the Magic Theatre, which has been interpreted in many different ways by Hesse’s audience. The late Timothy Leary described The Magic Theatre as being an ‘Acid Trip.’

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Another principle character is a young woman called Hermine, (who is essentially Hermann’s Anima), and like a Succubus, she introduces the much older Haller to the hedonic indulgences of what he calls the, bourgeois. Hermine teaches Haller to trance dance, introduces him to the casual use of psychedelic drugs, finds him an earthly lover, named Maria, and more importantly, she forces him to accept these material experiences as being a legitimate aspect of a full life; for the material and that of the spiritual are one and the same of Love Sex Intelligence, squared.

Hermine also introduces Haller to a mysterious saxophonist named Pablo, who appears to be the very opposite of Haller’s own self. Haller considers himself to be a very self-constained and serious, thoughtful person, who abides by the laws of the land, however insane they be.

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Whereas Pablo is what Haller could have been if he had allowed his inner Wolf to be free. After attending a lavish masquerade ball, Ebeneezer Goode Pablo leads a loosened up Haller to the Magic Theatre.

The Magic Theatre is described as being a long horseshoe-shaped corridor, likened of a vaginal form to that of the old European standing stones, with a vast wall-to-wall mirror on one side, and countless doors on the other of its cavernous womb enclosure.

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This feminine symbolism refers to the Cabbalistic sphere of Yesod, which is the Ninth Gate. Haller enters five of these labelled (vaginal) doors into their respective alternate (womb) Earth’s, which symbolically reflect back ‘elemental’ issues of Haller’s life.

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The title of Hesse’s book is named after the lonesome Wolf of the North-Central-Asian steppe stretching over Mongolia unto Tibet, where shamans still practice their art. Hesse was very interested in the esoteric practices of the far East, such as those of Tibet, from where the myth of a legendary underworld city, called Agartha stems from.

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Whether Hesse was aware of Agartha is debatable, though probable, should he have perhaps read Ferdynand Ossendowski’s book entitled: Beasts, Men and Gods, which was published in 1922. In the book, Ossendowski relates a story, which was imparted to him concerning a subterranean kingdom existing inside of the Earth. This inner kingdom within you was known to the crafty Buddhists as (Agartha/Agharta) Agharti.

Some believe that Agartha is tied up with the UFO phenomenon as well as being an actual physical locale; such is indeed the case, although, not in the way most Westerners think it is.

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Agartha’s origins stem from ancient shamanistic practices of trance induction, which influenced Tibetan Buddhism. You can gain greater insight into hypnagogic trance induction, when looking into the shamanic trance dance practices of the Kalahari Bushmen of South Africa.

The Kalahari Bushmen communicate that an energy is aroused within the body called Num, which arises along the spine; more so that of the back of the (nape) neck, whose energy, like that of an exhaled breath of a woman caresses the back of the head, as a sensuous kiss; this then initiates the hypnagogic state of trance, they call Kia.

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Hesse would have seen the Num of the Kalahari Bushmen as being the same experience of arousing the Kundalini Shakti, as described by the ancient practitioners of Yoga, which also initiates hypnagogic trance. When experiencing trance, the initial phase is that of feeling the distinct sensation that you are falling backwards into a yawning void towards the back of your Hyperreal head.

In the Hebrew Cabbala the back of the head is ascribed the letter of Qoph, which is tied up with the Luna sphere of Yesod. The sphere of Yesod is physiologically associated with the genital area of the body and in turn the autonomic-nervous-system. In other words, the Ninth Gate of Yesod is about introverting the sexual impulse, which erotically empowers the state of hypnagogic trance ingress into conscious dreaming.

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The origin of Qoph is uncertain. It is usually suggested that it originally depicted a sewing needle, specifically the (hole) eye of a needle; although in Hebrew it specifically means ‘hole,’ or the back of a head and neck. Qāf in Arabic means ‘nape.’ Qoph of a shamanistic understanding refers to a shift of consciousness towards the back of the head, when attaining hypnagogic trance. Although this is internally experienced as a falling descent towards the centre of the Earth’s core.

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As you descend into the void, it is very important that you do not not fear, otherwise your fears will determine what you will eventually access of a conscious dream destination. In North-Central-Asian shamanistic practice and that of Tibetan Buddhism, the dream destination is that of Agartha, wherein the (Succubi/Succubae) Dakinis are to be found, whom frequent Agartha, likened to that of a Harem city.

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If you are into Edward Bulwer-Lytton’s book: The Coming Race, you might meet up with a Vril-ya Nordic woman piloting her Vimana of a UFO from out of her primordial world; if you are more into the works of Edgar Rice Burroughs, you could perceive the inner descent as leading you to prehistoric Pellucidar where dark haired Dian the beautiful awaits your infernal intercourse into her hot Agartha womb core.

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Hell, if you want to continue believing that demonic Reptilians or Illuminati Alien Greys are living within a Nazi underworld base, go right ahead, if that be your Biblical sized anal probe preference of a CIA engineered mythos.

But why stop there, why not get into John A. Keel’s book: Visitors From Space, which covered the 1960’s UFO invasions of Asiatic aliens, when the Vietnam war to have raged around Mothman; whereas prior of aftermath WWII you had Aryan Nordics, and later, of 80’s Iraq conflict, onwards, you have Whitley Strieber’s Sumerian Grey’s.

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At least Keel had astutely figured, that some of the visitors were Agartha Tulpa creations of the coming race Phorever People who are becoming aware of their shamanic Vril.

You could instead have Manga trance girls flying around in their Anime UFO’s, wearing skintight Kinsune Grey jumpsuits; or to otherwise imagine Bedroom Invading entities manifesting as black eyed Slender Girl Dakini schoolgirls, out of an Omega point Agartha Hogwarts.

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As for Hesse, he otherwise termed Agartha as the Magic Theatre of many alternate worlds, into which of a multiverse he was initiated by his Succubus, Hermine, who in many respects is very much like the Queen of Succubae called Lilith.

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The out of body researcher Robert Munroe appears to have also accessed The Magic Theatre of Agartha when attaining lucid dream ingress into what he described as being a ‘hole,’ which led of a descent into an alternate Earth of a Steampunk reality, where he encountered a Succubus called Lea.

But, such internal ingress into Lilith’s Harem of a Magic Theatre Agartha is For Madmen Only, the Price of Admission, is Your Mind, or should one say, your beliefs about yourself and what you believe to be real, or not, as the case maybe. Just keep in mind, of a wrought Magic Circle, that you are only limited by the extent of your Triangle of Art imagination; it is your (Da’at) beliefs, which determines what you tune into of conjuring amidst the quantum computing (Qoph) Magic Theatre, of spun three-dimensional ‘electron’ lucid dreams.

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A rich man full of rigid dogmatic beliefs will not be able to pass through the eye of the needle; whom will fear letting go, fearing his death.

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But the innocence of an imaginative child can, who, like a sacred Fool, or as a Dr Who Mad Man is enabled to ride the Night-Mare Succubus as his pony-girl TARDIS , who then to Kwisatz Haderach leap into Lilith’s Harem of a Magic Theatre of an Agartha.

NOTE: There will be many who will find the above symbolism to be rather disconcerting, let alone disturbing to their politically correct sensibilities. However, should you investigate ancient shamanistic practices, such as those of North-Central-Asia unto Siberia, as well as elsewhere, you will duly find that the symbolism of the shamans (horse) Mare, which gave rise to the European term, ‘Nightmare’ is associated with Old-Hag Syndrome, a shaman has to learn how to (hypnagogic trance) ride as his (Spirit-Wife) Succubus, rather than being ridden by his own (sleep-paralysis) fear.

A shaman learns how to introvert his (9/Yesod) sexual impulse in order to transform the (11/Da’at)) terror of hypnagogic trance into an erotic impregnation of the Ninth Gate. This then leads to the attainment of (Kingdom Of Shadows) Agartha conscious dreaming, wherein of a bio-photon (Diana-Lucifera) illuminated information domain a heterosexual male shaman can enter into a Coitus Pactum with the (Succubi [Art Muses] Succubae) Dakinis, who are the manifold Tulpa aspects of his ‘Anima.’

A heterosexual female practitioner will dally with the Incubus (Tulpa) emanations of her ‘Animus.’ As for Homosexual, Lesbian and Bisexual practitioners they will erotically engage with their corresponding (Tulpa) dream characters.    

Some will invariably point out that Agartha and its counterpart, Shamballah are commonly seen to be physical locales. This is primarily due to an externalised Western mind-set, which has forgotten how to dream, or should I say, been systematically trained over the religiously indoctrinated generations to fear the inner space of their own minds, as well as to consider the altered state of dreaming to be quite unreal, having no value at all. 

You might ask, why has the mass populace been systematically brainwashed over the generations to fear the inner reality? It is because the elitist few atop of the ziggurat hierarchy do not want you to question their pyramidal religious politics of centralist control. 

Should you ever attain a lucid dream, you will soon find out how very real it can be; in fact, you might just discover that a lucid dream can be far more real than what you consider your physical (Maya/Matrix) reality to be.

Agartha describes a shift of consciousness to the back of the (Qoph) head; whereas, Shamballah is associated with a shift of consciousness above the (Resh) head.

So, if you are looking for the reality of Agartha/Shamballah, of a Magic Theatre, go inside your own mind; for everything you experience is processed by your ‘quantum computing brain,’ housed within your crystalline Skull amidst hypnagogic-trance Cross-Bones. Gebo Rune: X of a Seventh Seal secret, marks the spot! Savvy!

    

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