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ART MUSE EVOLUTION

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 22, 2017 by FAUSTUS CROW

How did the naked ape become so smart, and what initiated it to happen? To untangle this age old question, anthropologists have been seeking to discover archaeological artefacts, which reveal the evolving intelligence of our human ancestors who lived 1.8 million years ago. It was at this point in the far distant past that a new type of stone tool had erupted upon the scene along with the human brain nearly doubling in size.

Some researchers have suggested that this more advanced technology, coupled with a bigger brain, implies a higher degree of intelligence, which was propelled by the first signs of language.

But there is another driving force propelling this evolutionary leap in tool making, which is far more basic, yet profound in its implications. It was driven by the biological imperative to be seen as being attractive to the opposite sex.

Basically, the ape with the bigger chopper got the females attention, because with such a tool, he could provide the necessary fodder for his mate and progeny.

This of course also required him to have a bigger brain pan to create a better and far more efficient chopper than his competition, whereby enabling him to sow his seed, siring ever more cleverer apes.

Some of whom would escalate in intelligence, becoming far too clever for their own good, but that’s evolution for you!

Let’s imagine a scenario, you have a lumbering giant of a cave man looking like Arnold Shwarzenegger with pumped up bear brawn, having the biggest red ‘Animus’ arse around, facing a spindly little cave man looking like Jim Carrey. The spindly cave man appears to be inanely grinning, for some unknown reason. All the cave women are pulling their hair out, frothing at the mouth, baring their breasts and buttocks, lustfully screaming.

The cave women are howling for their red ‘Animus’ arse favourite to attain the right to mate with them, who are expecting him to entirely decimate the little inconsequential cave man. Even the girls, who, like their mothers, scream out for the apish bear to win; but then, girls emotionally mature far more quickly than the boys do.

As the giant goes in for the kill, the little cave man suddenly pulls out a slingshot, to quickly let loose a sharpened stone at the bear sized ape. Whack! Right between his drooping testicles, the giant crashes to the ground with his red ‘Animus’ arse up in the air. All the cave women are stunned senseless. Intelligence has won over bear brawn, the new evolutionary aphrodisiac!

But, without the need to mate, the spindly cave man would have never been able to create a slingshot in the first place to give him the edge over mere brawn. Sounds a bit too cave man basic doesn’t it. Let us move forward in time to the glory that was ancient Greece, to see a horny sculptor sculpting a Venus out of marble with his advanced tool, or that of a sweaty renaissance Artist painting a canvas, inspired by an Art model Muse, who also drove the scientist absolutely Einstein crazy, creating varied technological tools. I shit you not, the Faustian scientist entered into an Osculum Infame Coitus Pactum with his Muse!

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Your programmed brain might consider that this generalised interpretation is politically incorrect let alone sexist? Well, it isn’t, it takes two to tango. It has always been a case of a Yin-Yang team effort in order to survive all those great mammals, which made your ancestors look like tiny meals on bipedal legs. However they had those nifty hunting tools, bringing down Mammoths, which they also used to defend themselves against sabre tooth tigers and cave bears, etc; to have later created the technological wonders you presently know now, where weapons of mass destruction equates with having the biggest Area 51 Freudian chopper, rather than looking towards the Star Trek stars.

Alas, the bad-boy naked ape having the biggest bad arse chopper on the block, always gets the chicks hot for what’s inside of his beastly pants. There is an ancient Hindu adage, that goes, “a God is not a God without his Shakti. In general the term, Shakti means the feminine principle, who is the creative inspiration and meaning of all life itself. Another old adage is, “behind every great man is a woman,” which is presently considered to be extremely sexist.

However, when to look into ancient cultures, such as ancient Egypt, for example, a Pharaoh crowned as a Horus derives his power from the throne, which is seen to be Isis female, just as a Merlin hawk of a Myrddin is traditionally flown from a ladies stroking hand.

That is why women have been depicted having the hots for the horned Devil, who is actually a horned (Merlin/Myrddin) shaman. In other words, the driving force behind the evolutionary creative impulse of tool making is the biological imperative to be attractive to the opposite sex, otherwise there is no evolutionary furtherance of life. The same would be the case on other alien worlds.

You might ask Is there any hard evidence of the evolution of intelligence being entwined with evolving tool use, which enables a tool using naked ape to become more attractive to the opposite sex? It just so happens, there is some evidence.

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A recent study of brain scans have revealed that when heterosexual men are shown pictures of scantily clad women, the region of the brain associated with ‘tool use’ immediately lights up.

This also indicates something else, concerning the shamanistic usage of erotic mediation images in order to activate the region of the brain associated with tool making, which of an ancient technique enables the conscious conjuring up of personified ideas as ‘Anima’ archetype Muses within lucid dreams.

A Tibetan Bonpo shaman would otherwise term a Muse as being a Dakini, whose inner manifestation enables consciousness expansion into other arenas of fiery perception, beyond the subliminal programming of a particular culture, which has a Playgirl emphasis upon the deified ‘Animus.’

As for the caveman usage of anthropomorphic symbolism, the present day UFO researchers misinterpret as being representations of alien hybrids; the sky-walking void-going Dakinis are often associated with particular archetypal animals, which symbolically represent subconscious energetic qualities. These energetic qualities can be tapped into when conjuring a particular animal headed Dakini. For example the wrathful wisdom Dakini called, Simhamukha initially manifests as a lioness, before assuming human form within a lucid dream.

The same type of anthropomorphic symbolism is utilised in the Playgirl grimoires where you have ‘Animus’ archetypes initially manifesting as various animals. The Muses also initially manifest as animals; it is one of the primary reasons why tools, such as ships, cars and computers, etc, are often given animal names as well as being traditionally seen as being feminine of quality by males, in the main, which at an unconscious level alludes to the tool making part of the male brain being activated. Should a heterosexual male practitioner sheepishly externalise this symbolism as being literal, it will invariably lead to animal welfare officers as well as the police becoming involved.

The finding that sexual (meditation) imagery activates the tool-making part of the male brain gives a whole new slant on the exclamation ‘Eureka!,’ which is famously attributed to the ancient Greek scholar Archimedes having a tool making insight when stepping into his bath. I will leave it to the women to imagine what he was actually doing of a meditation exercise upon Athena, just before bathing his illuminated… head.

However the findings have been mundanely interpreted as indicating that men dehumanize women as being mere sex objects, which of a commonality is seen to be molded by society. Whereupon the ‘Animus’ fixated religions, such as Islam, women have to be entirely covered up head to toe.

The experiment was orchestrated by the lead researcher Susan Fiske, a psychologist at Princeton University, who seems to have entirely missed the evolutionary point of a Eureka finding, who would prefer women being entirely covered up, that, or chemically castrating the ‘Anima’ imaginations of the male population.

“If a similar study were done with women,” Fiske told National Geographic News, “it would be hard to predict whether a woman shown a scantily clad male body would dehumanize him in the same way.” Well, she probably wouldn’t do so, if he hasn’t got a big enough chopper, I mean, stone axe, who would be the type of fellow who finds himself in a dead end job. Although he could potentially bounce out of a pandering shit pan job, should he rebelliously conjure an inspiring Muse amidst his Triangle Of Art Imagination.

Whereas a very crafty Witch would meditate upon an image of an archetypal expression of her deified ‘Animus,’ such as a Good-Guy Beta-Male Angel or an Alpha-Male Bad-Boy Daemon listed in the commonality of the patriarchal Playgirl grimoires, to then conjure up her tool making desire into a lucid dream, and on waking, to thence hunt down her ‘Animus’ projection in the crucified flesh, upon an intuitive synchronicity. Who knows, she may even birth an Indigo Moon Childe mutant of yet another evolutionary leap.

Suffice to say, said chosen male would not know what’s clubbed him, who will then have a primordial tool brain need to create lots of gadgets around the house for his Babalon, that, or having the big-bucks to acquire them from other Muse inspired inventors who are also being ridden as Great Beast’s by Babalon’s.

A number of evolutionary psychologists, who are far more honest than Fiske, have proposed that women tend to look for mates who have wealth and power; whereupon some of Fiske’s colleagues have suggested running a similar test where women are shown pictures of scantily clad Chippendale males next to expensive Merkaba cars or other affluent Playgirl grimoire symbols of tool making prowess.

However, Fiske doesn’t think such an experiment would work the same way, because she sees women usually reacting to men who they desire by “interpreting their minds, thinking about what they’re interested in, and then trying to please them,” she said, which indicates her agenda is far more subjectively political than objectively scientific.

There is ample scientific proof, which indicates that women also objectify men in the same way that Fiske and her cohorts are attempting to scientifically prove that males are the only sex who objectify women. The difference is that males are far more visual; whereas, women are turned on by how a male communicates him self. Hence women are more into ‘literary’ erotica, not so much that of visual stimuli.

But what Fiske to have also revealed without realising, is that the fallen ‘Anima’ fluctuations of the Art Muses act in the same way, like that of conjured schoolgirl (Succubi/Succubae) Dakinis who inspire the tool making brain of a conjuring Tantric headmaster.

When to presently look around, or to investigate bygone ages of innumerable written or illustrated examples, across all cultures, women expertly interpret male minds, by figuring out what they’re emotionally interested in, in order to stop them from sowing their oats elsewhere. Hence, like Hens, women are highly competitive with other women when choosing mates.

But only if the desired males have bigger and better tools than the other Peacock males. It isn’t Atomic rocket science, it’s genetically-hardwired nature, which cannot be socially engineered out of existence. Should you intelligently work with mother nature, that’s fine, but if you fight against her, she’ll bite back, and she’s a bitch!

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ZEPPELIN GIRL SUCCUBUS OF THE WIZARD OF OZ

Posted in Art, Chaos Magic, CREATIVE WRITING, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 28, 2014 by FAUSTUS CROW

wenona, feb 17 2008

The Forty-first Succubus archetype of the Fallen Anima is Focalor, or Forcalor, or Furcalor. She is a mighty and strong Duchess who emanates from the seventh dimensional planetary sphere. She appears in the form of a most beautiful woman wearing little else than a pickelhaube with Gryphon’s wings or to be in the company of Hanuman’s winged monkey’s.

Her office is to slay the enemies of her Surrealist Wizard of OZ Art conjurer, whether they be temporal or otherwise psychic, and to drown them in their own watery miasma of astral torments, as well as to overthrow ships of war, for she hath power over both winds and seas.

Her name is derived from the word, ‘focal,’ as in focussing solar energy towards a certain point.

She to further relate of clairaudience that her gifted name is due to her inspiring  the Syracuse Wizard of OZ, called Archimedes, as his Succubus dream Muse.

Archimedes was an ancient Greek mathematician, physicist, engineer, inventor, and astronomer, whom is regarded as one of the greatest mathematicians and leading scientists of classical antiquity.

Focalor inspired Archimedes to create defensive war machines via his dreams, which were utilised to protect his native Syracuse from invasion, such as using mirrors in order to focus solar energy towards a certain point.

These mirrors acted collectively as a parabolic reflector, directing sunlight into a heat ray, which burnt any ships of war attacking Syracuse.

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Hell! If you be so predisposed to dispose of a bothersome neighbour you can make your own Wizard of OZ Green-Power death ray.

During the 2nd century AD the author Lucian reported that during the Siege of Syracuse (c. 214–212 BC), Archimedes destroyed enemy ships with fire. Some centuries later, Anthemius of Tralles mentions burning-glasses as Archimedes’ weapon.

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This device, is sometimes referred to as the ‘Archimedes heat ray; it was often described as focussing sunlight via ‘lenses’ onto approaching war ships, which caused them to catch fire.

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Whereupon, Archimedes entered the lore of the ensuing dark ages to be nigh forgotten, who was otherwise named as Lucifuge Rofocale by the fearing Christian’s who saw him as being none other than a demon.

The name ‘Lucifuge’ comes from two Latin words: lux, light; genitive lucis, and fugio, to flee. As for Rofocal it is considered to be an anagram of “Focalor”, being the name of Archimedes dream Muse, who inspired his creation of a death ray.

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Focalor reveals many inventions within those erotic lucid dreams she induces as well as enabling her master to remote view military secrets, as well as remote viewing ancient technologies.

Your ancient ancestors, just like Archimedes had no doubt discovered the Vimana technology of hot air balloons, and that of other technologies to devise, which were invariably forgotten due to ensuing worldwide catastrophes.

Focalor has since inspired the development of the laser, which is a device that emits light through a process of optical amplification based on the stimulated emission of electromagnetic radiation.

Another Wizard of OZ she has also inspired is an American theoretical physicist, academic, and author called Ronald Mallett who taught physics at the University of Connecticut since 1975. He is best known for his scientific position on the possibility of time travel.

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Mallett has been working on plans for a time machine whose technology would be based upon a ring laser’s properties within the context of Einstein’s Theory of Relativity. Mallett first argued that the ring laser would produce a limited amount of frame-dragging which might be measured experimentally.

Mallet related: “In Einstein’s General Theory of Relativity, both matter and energy can create a gravitational field. This means that the energy of a light beam can produce a gravitational field. My current research considers both the weak and strong gravitational fields produced by a single continuously circulating unidirectional beam of light. In the weak gravitational field of an unidirectional ring laser, it is predicted that a spinning neutral particle, when placed in the ring, is dragged around by the resulting gravitational field.”

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In a later paper, Mallett argued that at sufficient energies, the circulating laser might produce not just frame-dragging but also closed timelike curves (CTC), allowing time travel into the past:

“For the strong gravitational field of a circulating cylinder of light, I have found new exact solutions of the Einstein field equations for the exterior and interior gravitational fields of the light cylinder. The exterior gravitational field is shown to contain closed timelike lines. The presence of closed timelike lines indicates the possibility of time travel into the past. This creates the foundation for a time machine based on a circulating cylinder of light.”

What is most curious here is that the twisted-double-helix of the mitochondrial DNA emits photons with such regularity that researchers compare the phenomenon to an ‘ultra-weak laser’.

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Perhaps you have a Ron Mallet ring-laser time machine within your cells? If so, it might just be the ‘Ouroboros’ mechanism of an ‘O’ behind precognitive dreams, which, when made lucid of a primary Bardo white light Big-Bang lightning streak ‘Z’, you are enabled to travel through time, forwards and backwards, as a Wizard of OZ time traveller. Big-Bang science copies nature, not the other way around.

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It goes without saying that a time machine would very likely be utilised by the naked apes of the military industrial complex, let alone using lasers for weather modification, which can be used as a devastating weapon.

Hence Focalor is sometimes seen to be dressed in a military uniform amidst the conjurers triangle of art imagination or otherwise dressed as a pilot, who is a captain of a fearsome time-travelling Vimana zeppelin, which is supported by a whirlwind.

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But whatever she to inspire of a vast array of energy weapons, these creations do not need to hurt anyone or anything, if her Surrealist Wizard of OZ Art conjurer decides otherwise; for such inventions can be utilised for other far more benign and creative purposes.

Focalor also has hopes to return to the ‘seventh Rune’ throne after 1,000 years. She governs over 30 Valkyrie Legions of zeppelin girls, and her seal is to be meditated upon prior to conjuring her into your lucid dreams. As for Focalor’s pickelhaube, its point, points at an ‘Os’ Rune, of an Ouroboros ring-laser ‘O’ and an ‘S’ of a lightning streak snake, becoming as a ‘Z;’ whereas her zeppelin of a Vimana be as her ‘chariot’ of another Rune.

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