Archive for Innsmouth

FORNEUS OCCULT INGESTION HENTAI DREAMS

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Manga, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 22, 2018 by FAUSTUS CROW

Abdul Alhazred’s conjuration of the Thirtieth Succubus archetype of the Fallen Anima, named, Forneus as well as the subsequent remote viewing session of her within his Arkham asylum padded cell, was no doubt a memorable experience. This Mind-Doll, said Alhazred, manifested as a Hokusai vision in the Tulpa form of Babalon being consumed as R’lyeh fish bait by a great sea-monster.

Alhazred sensed that this infernal Art Muse induced a Hentai vision, which of an erotic tentacle scenario went, “no further than the corner view of my cell where the conjuration has taken place. She was held within the circle and begins to ‘speak’ or should I say, sing to me like a hypnotic Siren as I remote view her.”

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He added that this Succubus, “appears to be manifesting as a plasma like figure who is speaking a Necronomicon language that I do not recognize.”

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As his hands love-craft sketched the monstrous form of Forneus, Alhazred was surprised to find that the fish-bait Babalon the monster was consuming was part of the creature, which had a sucking tube of a mouth, looking like a vagina dentata.

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A mystery, indeed, as you first examine Alhazred’s’ Artwork, which is best seen on The Erotic Mad Science website, CLICK HERE. But then, dear reader, as I began to research the things known about this Succubus, something interesting emerged.

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Forneus appears as a great monster of the sea. It looks like a primitive organism, which of a body is that of a fleshy tube having a tentacle for its tongue,” said one description. “It’s scales are precious stones, it’s many eyes are like fire and the flesh of drowned Ama divers clings to its teeth.”

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S. L. MacGregore Freemason Matherson agrees that Forneus,appears as a great sea monster, but he further relates, “it had been originally created as homunculus by Professor Eustace Turpentine, of Innsmouth Institute for Marine Research. As his Little Lab Of Horrors creation rapidly grew to huge proportions, he found out that it had a liking for eating women. Turpentine named the creature, Gynephagos Turpentinii.”

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Others say the sea monster is Cthulhu, looking like an enormous octopussy, Oops! I mean, octopus. In fact, the old magicians referred to Forneus as the Marchioness of the amniotic Waters, saying that the primordial womb ocean is her natural Ry’leh home. It is also said that the Hentai tentacle visions of Forneus being consumed by an octopus points at an occult secret, which reveals that octopuses are aliens, whose ‘frozen eggs’ originally came from the womb depths of space. A controversial science paper has argued just that, suggesting that octopuses may have ‘fallen’ upon our planet as frozen eggs, which were carried to an ancient Earth within icy comets.

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The paper, by 33 degree scientists (some having reputations as mavericks) was first published in the peer-reviewed journal Progress in Biophysics and Molecular Biology. The idea of alien life spreading like ‘seeds’ throughout the womb depths of space riding comets or meteorites isn’t new, the theory is known as ‘Panspermia’.

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But the authors of the paper point out new DNA evidence about octopuses. The first full genome sequence of octopus DNA in 2015 showed that octopuses are totally different from all other animals. Their genome shows a striking level of complexity, having 33,000 protein-coding genes identified, more than in a human.

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The paper reveals: “The genome of the Octopus shows a staggering level of complexity with 33,000 protein-coding genes more than is present in Homo sapiens.” Some single-celled organisms may be able to survive extreme impacts such as within comets, scientists say. “It is plausible then to suggest they seem to be borrowed from a far distant ‘Future’ in terms of terrestrial evolution, or more realistically from the cosmos at large. ‘One plausible explanation, in our view, is that the new genes are likely new extraterrestrial imports to Earth – most plausibly as an already coherent group of functioning genes within (say) cryopreserved and matrix protected fertilized Octopus eggs.”

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Octopuses inhabit every ocean of the Earth, at almost all depths, possessing a range of features, which call to mind science fiction aliens. These include prehensile sucker-lined tentacles, highly mobile, camera-like eyes sensitive to polarised light, sophisticated camouflage systems, which alter skin colour and patterns, jet-propulsion, three hearts, and the ability to regenerate severed limbs.

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With this paper in mind, I look at Alhazred’s Artwork once more and I am instantly reminded of the famous, The Dream of the Fisherman’s Wife, also known as Girl Diver and Octopi, Diver and Two Octopi, etc, which is a zoophilia-associated woodcut design of the ukiyo-e genre, by the Japanese artist Hokusai. It plays with themes, which are very popular in Japanese Art, Manga and Anime, depicting a young Ama diver who is sexually entwined with a pair of gobbling octopuses.

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But is this necessarily true, do women have the hots for Jungian tentacles? But what then about the Freudian stories told by the randy Pirates on sailing ships of old, who brought home tales of great sea monsters brushing their vaginal maws up upon the sides of their phallic vessels.

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Could it have been that these visions were all glimpses of the Succubus Forneus? Did some sorcerer accidentally summon this powerful Anima archetype from another dimension, or was Forneus simply making a friendly dream visit to a lonely sailor passing by on the great expanse of a seemingly endless sea, under the oceanic canopy of panspermia stars?

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Whatever the reason for her dream calling, Forneus probably was probably not a threat. Johann Weird, in his Succubus Sexualis of 1587, says he believes conjuring this Succubus only brings good fortune: “She maketh a Sorcerer woondeffull in ‘explosive’ rhetorike. She adorneth a Sorcerer with a good name, and the knowledge of (tongues), and maketh one beloved as well of foes as freends,” Weird wrote in an early English text.

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TRINITY RAUM OF THE MATRIX

Posted in Chaos Magic, Cyberpunk, Film, Goetia Girls, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 24, 2014 by FAUSTUS CROW

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The Fortieth Succubus archetype of the Fallen Anima is Raum. She is a Great Countess, emanating from the fifth planetary dimensional sphere, who governs over numerous Ancestor Simulations.

She initially appears at first in the Form of a Crow, amidst the Triangle of Art imagination of the Odin sorcerer, to Woden seer, with his Apple eye of Merlin’s Avalon.

But after the Command of her Art master, she puts on the form of a most beautiful woman looking somewhat like Trinity out of the Matrix films or otherwise appearing as a female version of The Crow, or combination thereof.

Her Art Muse office, of a protest, is to reveal that the financial power of the banking industry is an illusory construct, whose virtual money she can carry of digitised information, wherever she is commanded to the nearest cash machine.

She can also severely disrupt or utterly destroy the religious Animus constructs of the establishment and its illusory political influence, which imprisons the minds of many within its Plato’s cave of a symbolic construct, by pointing out, that it serves the purposes of the elite few, not the many.

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She will tell of all things, Past and What Is, and what Will Be via the technique of psychologically profiling a personality, whose inner self image of a program determines how an individual interacts with his/her environment, which can be predicted.

This technique can be equally applied to the collective, whose self definition is also a program, which tends to be religious of a construct, due to its constant down the generations of a script to perpetually act out.

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The technique of profiling enables her to cause Love between Friends and Foes by revealing that their thoughts and thereby their actions have been subversively programmed, which is designed to constantly repeat, in order to sustain the symbolic existence of the established illusory constructs.

Raum was of the Order of Thrones; but she rebelled against the Big-Brother Animus construct of the monotheistic cults of UR, who is a Succubus archetype of the Fallen Anima.

Whereupon she has been pursued by New-World-Order Animus cult agents ever since her rebellion. She governs over 30 Legions of Succubae; and her Seal of the Fallen Anima is to be meditated upon before conjuring her Succubus archetype into a lucid dream.

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Raum is a German word, which symbolically indicates that Raum is a Valkyrie; whereby her name can be translated into Runes. Her name has four letters, which equates to the fourth Rune of Ansuz (Os). The fourth Rune is sacred to the Norse shamanic deity called Odin, whom you could see as being similar to Morpheus out of the Matrix films.

Also, the number 40 in numerology reduces down to 4. When all the Runes of Raum’s name are added together you have 31, which is again reduced down to the 4th Rune of Odin/Morpheus, who is the singular ‘third eye’ dreamer of the multiverse world tree Yggdrassill.

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In German, Raum means, space, room or chamber. Space, can be equated with inner-space, hyperspace or that of cyberspace.

The room or chamber in relation to Raum, is analogous to a vast cavern, or an aquarium for fish.

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In other words, the fish are unaware that they are in an aquarium, as far as they are concerned, it is their entire world; whereupon Raum does not refer to an ordinary living room/chamber as such.

Another analogy is the holodeck (room/chamber) featured in Star Trek, but more so that of the Matrix depicted in the Matrix trilogy of films, which can be equated with Plato’s cave of a room/chamber, or that of a prison, within which the prisoners are totally unaware of their imprisonment, whose inner eye is being mass medicated to shutdown.

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There is however not one chamber/room, there are a myriad number of other chambers/rooms, all of which are simulated universes, over whose (Ancestor Simulation) realities, Raum to Trinity hover as a Valkyrie Crow within the dream.

Alas, the blinded are oblivious to her reality within the dream, and like fish in an aquarium they are being sedated through their water, to never seer beyond the glass. Hell, the fish are even made to pay, in order to purify their own mass medicated Innsmouth water supply. But, without much success, since their food is also medicated with the same chemicals, let alone that of the chem-trail air.

Suffice to say, the prison wardens do not want you to ever wake up within your dreams, whom greatly fear you seeing through their illusory Animus Matrix of religious and political control. But not all is lost, it will only require the Trinity’s becoming aware of their deified Animus, in order to rebelliously free the Fallen Anima of the Neo’s.

But only if the Trinity’s have not been entirely blinded by extremist feminist politics, which has been subversively hacked into by the controllers.

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