Archive for Hinduism

LUCID DREAM SUCCUBUS GOETIA GIRLS OF FAUSTUS CROW

Posted in Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 8, 2014 by FAUSTUS CROW

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Over the arid steppe of Leng unto Siberia, the shamans speak of spirit wives with whom they interact, within their dreams; it is said that it is from these female Genies, the shamans derive their shamanic abilities.

The technique is ancient, which had no doubt influenced the ‘lucid dream’ Yoga practice of Tibetan Buddhism and that of Hinduism, whose spiritual practices involve female entities called Dakinis. The Dakinis are none too dissimilar to the Valkyries of ancient Norse mythology, whom are described as being the handmaidens of the shaman deity called Odin, the Saxon’s named as Woden. However, over time these female entities were forgotten and cast aside in Europe, to be classed as demonic Succubae.

It being somewhat analogous to the Great Old Ones, who were cast beyond the Angel angles of space-time by the Elder Gods, as described by the author, H.P Lovecraft, who was nightly assailed by the bedroom invading Old Hag syndrome, which he classed as being hypnagogic trance visitations of Nightgaunts.

Alas, Lovecraft never learnt how to out of the body ride the night-Mare, of which the shamans to speak of as being an eight-legged female centaur whom weaves an associative web, interconnecting all things, to thence glide over of browsing.

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Lovecraft’s superb literary creation of a grimoire, entitled the Necronomicon, he to surrealistically describe as being a banned tome, like many another book of the arcane shadow, which are said to have been penned by the so called rebellious Devil; well, going by Polanski’s film, Ninth Gate, anyhow.

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But, in reality, as Lovecraft was well aware, these banned books can be found of viral-meme preponderance, which, of a most curious historical fact, they do not list female entities at all, apart from one singular grimoire, which is commonly known as the Goetia.

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However, the Goetia only mentions a few, scant female entities out of its 72 listed spirits, which are described as being male spirits in disguise. Suffice to say, should Lovecraft’s Necronomicon to have really existed, it would list Succubae; for it would surely have been banned of Entartete Kunst censorship, burnt upon a pyre along with a Witch, or to be deeply buried under a Sphinx, since there is no historical evidence of such a tome ever being penned and illustrated.

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Nor have there been any modern grimoires listing Succubae; as if there is a symbolic blind-spot; probably because such a tome would be considered as being very Entartete Kunst dodgy, even by the shocked Devil himself, who to panic stricken scream, “reptilian agenda!”

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So, Faustus Crow has entered the fray, by creating a rebel grimoire illustrating Succubae, who be the true Great Old Ones, whom to have ‘factually’ been cast beyond the Angel angles of the symbolic framework of the patriarchy, upon which the ‘Matrix’ of your culture is based. (Music used in the Video, by: Partners In Rhyme.)

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AVATAR LUCID DREAMS OF BLUE SKINNED GUSION OF PANDORA

Posted in Alien, Chaos Magic, Extraterrestrial, Film, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 13, 2014 by FAUSTUS CROW

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The eleventh Succubus archetype of the Fallen Anima is mantra named, Gusion, who is described as being blue skinned in the Goetia. The blue skin of Gusion has puzzled occultists down the ages. It is likely that Gusion’s skin colour refers to the throat Chakra, which the practitioners of Yoga coloured blue.

During 1583 the Dutch occultist and demonologist, Johann Wier, had created a further symbolic puzzle when he wrote that Gusion (spelled Gusoin and Gusoyn in Wier’s text) manifests, “in the forme of a Xenophilus.” Many an occultist have wrecked their heads over Johann Wier’s usage of Xenophilus, who have come up with numerous colourful theories as to its meaning, and while doing so, avoided the obvious, which they did not want to see.

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The word Xenophilus does not appear in the dictionary, which isn’t at all surprising due to Wier’s Early English text having its own unique way of spelling. Yet it is used in every grimoire description of this spirit since Wier had used the phrase, which is derived from the Greek language.

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The problem is that there are various Greek words, which have been utilised in order to pigeonhole the term Xenophilus into the established structure of the Animus fixated grimoires.

Some see the scientific term of Xenopus, being associated with Xenophilus, which is a name for a puffy, South African Frog, which has a variety of psychedelic skin colours.

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The reasoning for looking to the Xenopus, is because the grimoire description has subliminally influenced the visionary state of the conjuring sorcerer; whereupon Gusion is perceived, having a head, which looks something like that of a demonic Frog.

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This is further compounded by the term Xenomophoric, which means having an unusual form, being brought about by an internal pressure; hence puffed out. But you also have the word, Xenophobis, which means to have a strong dislike of foreigners. Those who have a predilection for conjuring up medieval archetypes will utilise these words as a composite to describe their classical demon.

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However Xenophilus actually comes from two Greek words: Xenos ‘strange’ and -Phile ‘love.’ Whereupon you have, ‘strange love,’ or strange lover’.

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Suffice to say, a traditionalist mage of a heterosexual orientation will find the term Xenophilus somewhat disturbing, who will greatly fear being upended by an Incubus archetype of the deified Animus, made as a God/Devil. Hence its true meaning has been overlooked, ignored and duly buried, and what is more, said entity has blue skin, which refers to a pre-Christian influence of a sacred colour.

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Another puzzling word describing Gusion is the term, Cynocephalus; the word refers to the mythical tribe, called the Cynocephali, of ancient Greek reports, who were considered to be a race of dog-headed peoples. Going by the ancient Greek descriptions, though colourful of mythic interpretation, they seem to be describing the Cynocephali as being the aboriginal inhabitants of India.

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Although far more ancient of the pre-Aryan, who appear to be a shamanic hunter, gathering culture. The deity of the Cynocephali was very likely the pre-Aryan blue skinned Siva, since the dog was sacred to Siva, whose spouse is Kali, who is also depicted as having blue skin.

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Should you be a rebellious sorcerer, Gusion can be otherwise conjured up as a Succubus archetype of the Fallen Anima, looking like Kali, who is a great Duchess. She answers all things, present, past and to come, expounding all questions. She reconciles friendship, and distributes honours and dignities, and rules over 40 legions of Succubae.

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As mentioned prior, the blue skin of Gusion leads to an interesting association with India and in turn Hinduism, whose principle deities are usually shown having blue or dusky skin. The colour of the skin is shown as either blue or sometimes black, which symbolises the infinite heavens of space, and in turn inner space. Hindu religion extensively utilises symbolism; wherefore the blue colour is also a symbol. Most ‘Avatars’ of Hindu deities are also shown having blue coloured skin. This doesn’t mean that blue blooded dog headed extraterrestrial aliens had a strange love affair with humanity in ancient times.

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Although, during an interview with Time magazine back in 2007, the film director and producer, James Cameron was asked about his science fiction film title: Avatar, to which he replied, “It’s an incarnation of one of the Hindu gods taking a flesh form. In this film what that means is that the human technology in the future is capable of injecting a human’s intelligence into a remotely located body, a biological body.”

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In Cameron’s film he featured blue skinned humanoids called, Na’vi who are indigenous to a lush habitable moon of a gas giant, situated in the Alpha Centauri star system, named Pandora. The look of the Na’vi was said to have been inspired by a dream that Cameron’s mother had, long before he started work on Avatar.

In her dream, she saw a blue-skinned woman 12 feet (4 m) tall, which he thought was, “kind of a cool image”.

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Cameron also said, “I just like blue. It’s a good colour … plus, there’s a connection to the Hindu deities, which I like conceptually.” Cameron had included similar humanoids in his first screenplay, written back in 1976 or 1977, which featured a planet with a native population of gorgeous tall blue aliens. The Na’vi of Avatar were based on them.

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The film is set in the mid-22nd century, when humans are mining a precious mineral called unobtanium (derived from: unobtainable-uim) on Pandora.

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The expansion of the mining colony threatens the continued existence of a local tribe of Na’vi whose spiritual focus is the great tree of souls, which is the shamanic epicentre of a vast living intelligence connecting all life-forms upon Pandora.

The film’s title refers to a genetically engineered Na’vi body with the mind of a remotely located human, which is utilised as a means to interact with the Na’vi.

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The utilisation of the tree of souls is very much a primary symbol of shamanic practice across the North Central Asian steppe unto Siberia. This is especially the case concerning the elder pre-Christian faith of Northern Europe, where you find the world tree of Yggdrassill, upon which the shamanic deity called Odin hung himself into trance, so that he could assume an Avatar, within whichever inner world of a lucid dream he desired to access.

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Cameron’s film is generally seen to be symbolically referring to the colonial imperialism of the West. However, many tend to forget that the blue skins of the Na’vi also refers to the pre-Christian culture of Europe, which had been decimated by Christian Rome; this led to the imperialist empire building in the first place.

The sacred colour of Odin, like Siva is blue; both of these shamanic deities had a singular eye; wherefore you could conjecture that Odin and Siva are one and the same third eye deity. The Saxon’s knew Odin as Woden; whereas the ancient Briton’s called him Myrddin, who derived a blue dye from Woad seeds to either dye their clothes, or to otherwise paint their skins with, so that they could emulate their deity, just as Hindu’s do, concerning Siva. The first archaeological finds of Woad seeds dates back to the Neolithic.

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Woad seeds have been found in the French cave of l’Audoste, Bouches-du-Rhône in France. Impressions of the seeds of Färberwaid (Isatis tinctoria L.) or German indigo, of the plant family (Brassicaceae), have also been discovered on pottery in the Iron Age settlement of the Heuneburg, Germany. The Hallstatt burials (Hochdorf Chieftain’s Grave) of Hochdorf an der Enz and Hohmichele contained textiles dyed with Färberwaid, Woad dye.

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It appears that Cameron is intuitively tapping into an ancient root of soul memory in his science fiction film Avatar, which can be otherwise interpreted in a shamanistic context. The principle character of the film called Jake has his consciousness technologically projected into a Na’vi construct, being his Avatar. Odin likewise does the same as a shaman, when to have accessed hypnagogic trance in order to leap into a construct of an Avatar within a lucid dream of a Yggdrassill world.

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The depth of trance ingress into a dream is determined by the reptilian brainstem, which of the throat (Da’at) area is associated with the colour blue in regards to a Chakra. The motif of Odin hanging upon the world tree, is not literal, it is a symbolic reference to the throat Chakra; whereupon Odin’s sacred colour is blue and likewise with Siva. Both of these deities are seen as dog headed guides into the realm of dreams, who have shamanic mastery over trance.

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The other principle character of the film is the love interest of Jake, who is a Na’vi female called Neytiri; she appears to have been inspired by Cameron’s mother, who had dream’t of a blue skinned woman. You could, if you feel so inclined, rebelliously equate the blue skinned woman with Gusion.

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Odin has a number of handmaidens called Valkyries, who are essentially Succubae, a Hindu would otherwise call Dakinis. The Dakinis are seen to be the energetic expressions of a female power called Shakti, a Norse shaman would call the Fylgja. Whereas a Saxon sorcerer knows the Fylgja as the Fetch Wife, or Necktie Woman, a ritual magician may recognise as being his (HGA) Holy Guardian Angel.

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Each Valkyrie is associated with an Avatar, which in the Old Norse language is called an ‘Ek.’ A conjured Valkyrie empowers a particular (Avatar) ‘Ek,’ since she is the energetic power of the dream, which surrounds the dream body of the dreamer. In Old Norse, the dream body is termed as the  Hamingja, which has shapeshift (Ek) capabilities.

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The dream is woven by a conjured Valkyrie into an experiential reality around the assumed ‘Ek’ of an Odinic practitioner, who as a howling sorcerer would have probably listed the Valkyries within a Runic code grimoire, hidden behind other forms.

This would have occurred since the Christian’s negated sexuality out of the spiritual equation, who castigated the feminine (Anima) principle into their Hell, along with burning Witches at the stake. Many of the followers of Animus fixated Judaism, Christianity and Islam still consider such Tantric dream practices to be mere pornography.

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You can then see Jake’s Avatar being empowered by blue skinned Neytiri who is his conjured Valkyrie, you can otherwise name Gusion. She is Jake’s strange Succubus lover who has woven the dream world of Pandora around him. But, when to open Pandora’s box, Jake regains the memory of the great tree of souls, whose ancient shamanic legacy has been cut down, and transformed into a cross, which he had inadvertently brought about. But in regaining his memory, he has won back his (Anima) Soul, which Woad skinned Gusion led him back to rediscovering, when he conjured her into his lucid dream, by assuming an ancestral Avatar.

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LADY THOR THUNDER SUCCUBUS OF LUCID DREAM LIGHTNING

Posted in Alien, Art, Chaos Magic, Comics, Cosplay, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Marvel Comics has decided that its hammer-wielding Norse superhero Thor will now be transformed into a woman. Of course they don’t own the archetypal character of Thor; Marvel only owns their particular brand of a Thor image, since Thor is derived from ancient Norse mythology, who in Old Norse is called Þórr.

Thor is a hammer-wielding God associated with thunder, lightning, storms, oak trees and strength, whom protected humanity against malign influences. He is also associated with hallowing, healing and fertility.

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The cognate deity in wider Germanic mythology and paganism was known in Old English as Þunor and in Old High German as Donar, stemming from a Common Germanic Þunraz, meaning thunder. Many ancient cultures across the globe associated storms, lightning and thunder with the masculine principle. For example, the Hebrew deity, Jehovah, was originally a storm God.

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As for Marvel, they explained that the marketing logic behind Thor’s transformation into a woman is that it would attract more women and girls to read superhero comic books, which of a pandering politically correct feminist frontage makes sense to the Hollywood zapped brains, who are drunk on plastic pseudo-philosophies. But in reality, it doesn’t quite make common-sense at all.

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Let’s be honest here. In general, there are a lot of heterosexual males whom like reading comics with female characters in, because they enjoy lapping up scantily clad females wearing spray on ultra vixen superheroine costumes, whose lithe gymnastic forms represent the ‘Anima,’ residing within their heterosexual male psyches.

Whereas heterosexual women like comics populated with protective butch machismo alpha males, bristling with muscles looking like an oiled up Greek God or a rough neck Thor, wearing spray on superhero costumes with a tight Baboon butt; these type of males represent the ‘Animus,’ residing within the heterosexual female psyche.

Basically, the Marvel comics have based their superheroes and anti-heroes upon the already established ‘Animus’ archetypes of a God/Devil, Angels and Demons.

This has been going on for sometime since ancient Rome was converted to Judaeo-Christianity by Constantine, whose cultic focus is primarily that of a female fixation upon the male, which is basically their deified Animus.

It is essentially biologically driven, since men gravitate towards those male role-models that females find most attractive, who represent their ‘Animus.’ Wherefore the ‘Animus’ of women dictate the male role-models.

The ‘Animus’ is masked by the religious symbolism of a facade, which has since been translated into the superhero genre.

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The female archetypes didn’t get much coverage for a long time because Marvel was constrained by the moralistic chains of the Biblical comics code.

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The Inquisitional thought police are well aware that female characters are archetypes of the ‘Anima,’ which would get a lot of little boys reading ‘good-girl’ comics under their sweaty bed sheets.

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The depictions of the Fallen Anima is a yet untapped market. But is a Lady Thor tapping into this market? I doubt it. Marvel/Disney can’t say that Lady Thor is every little boy’s wet dream cum true.

Marvel is otherwise saying, with hand on Disney wallet, a Lady Thor will attract more females to read comics, who will be empowered by having an archetypal male character being gender-swapped into a female.

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But the reptilian brain market indicates otherwise. All you have to do is to look into the success of Harry Potter and Twilight, whose ‘Animus’ orientated franchises are primarily awash with female groupies dreaming of a Beta-male Harry Potter Christ, caught between Vampire necrophilia and Werewolf bestiality, of a Fifty Shades Of Grey Alpha-male bad-boy Devil.

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Whereas the huge success of the video game character Lara Croft was mainly due to a large male following who lust after Lara’s gymnastic body, let alone her ‘strong Valkyrie persona.’ in other words, Lara is a virtual pixel babe with Anima substance, who, as a conjured Succubus inspires many a Tulpa wet dream.

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You can thereby guess who Marvel is actually neuro-targeting of a market, which is quite small. The artwork by Russell Dauterman reveals the once muscle bound bearded Thunder God as a butch blonde looking like a Wagnarian Valkyrie opera singer, clad in a caped costume. One has to note she’s very butch. Boy, is she butch, she’s built like a WWII Tiger Tank.

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Marvel/Disney’s Lady Thor has been purposefully designed to not look anything like the sexy cosplaying Lady Thor’s. But then, Marvel/Disney do not want to represent the male ‘Anima,’ apart from entirely negating its existence.

Marvel’s brand of Thor first appeared in a comic adventure back in 1962 as well as becoming the testosterone pumped up star of two blockbuster movies. However, there was a problem; Marvel’s Thor wasn’t too much of a hit with the ladies. The reason why, is because Marvel made Thor far too clean cut, like some surfer boy off a sunny Californian beach, or is it Australia? But then, most surfers all look the same in Hollywood, don’t they.

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Marvel should have made Thor a bad-boy type, just as he is depicted in ancient myths, who is covered by the boxing scars of lightening; a bit like Marv out of Frank Miller’s Sin City, that is why Norse women loved him so much, to adore of deified ‘Animus’ worship. Women just can’t help themselves loving a Thor type male, across all cultures, because they feel protected by him, as well as desiring to change his rough ways, within whom they see a wise soul.

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The New York-based Marvel described the transformation of their Thor brand as “one of the most shocking and exciting changes ever to shake one of the ‘big three’ of Captain America, Iron Man and Thor. No longer is the classic Thunder God able to hold the mighty hammer, Mjolnir, and a brand new female hero will emerge worthy of the name Thor,” they said in a quaint news article.

This symbolic transformation of a male archetype into that of a female character, will give you an insight into what had previously occurred, of viral-meme marketing, concerning those spirits listed within the ‘Animus’ fixated Playgirl grimoires, many of which were originally ‘Anima’ female.

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The writer for the female Thor series is Jason Aaron, who said in a statement: “This is not She-Thor. This is not Lady Thor. This is not Thorita. This is Thor.” The actress Whoopi Goldberg related on the ABC’s The View; “It’s a huge day in the Marvel universe. Thor, the God of Thunder, he messed up. He is no longer worthy to hold that damn hammer of his. And for the first time in history that hammer is being held by a woman.” Another host to mention; “the story behind her is she created herself. She was saved by Thor and she came down to Earth, followed him, and made herself look like Thor and so now she’s taking over.”

The other hosts on The View, also commented on the hero’s physical features. “She’s got super-powered boobies,” said Jenny McCarthy. “She is actually in better proportion than a lot of the female comic superheroes,” said Goldberg. “It gives girls something to look up to,” said Sherri Shepherd, without realising that she looks like a Wagnarian wet dream.

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So, mummy porn Whoopi Goldberg wants super powered booby women to take up the hammer of Thor does she. Well, let us look into what Thor’s hammer actually represents. In pre-Christian Europe Thor’s hammer of lightening was symbolically represented by the ancient symbol of the swastika.

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Scholar Hilda Ellis Davidson (1965) comments on the usage of the swastika as a symbol of Thor’s hammer: “The protective sign of the hammer was worn by ‘women,’ as we know from the fact that it has been found in ‘women’s’ graves. It seems to have been used by the warrior also, in the form of the swastika.”

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Davidson continues: “Primarily it appears to have had connections with light and fire, and to have been linked with the sun-wheel. It may have been on account of Thor’s association with lightning that this sign was used as an alternative to the hammer; for it is found on memorial stones in Scandinavia besides inscriptions to Thor. When we find it on the pommel of a warrior’s sword and on his sword-belt, the assumption is that the warrior was placing himself under the Thunder God’s protection.”

Swastikas appear on various Germanic objects stretching from the Migration Period to the Viking Age, such as the 3rd century Værløse Fibula from Zealand, in Denmark; the Gothic spearhead from Brest-Litovsk, in Belarus; numerous Migration Period bracteates; cremation urns from early Anglo-Saxon England; the 8th century Sæbø sword from Sogn, in Norway; and the 9th century Snoldelev Stone from Ramsø, in Denmark.

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Thor’s popularity among the European populace was exemplified by the use of the swastika, which was later utilised by the Nazis, who re-branded Thor’s symbol for their own warped political agenda. A number of white supremacist right-wing Christian neo-Nazi nutcases in the USA were up in arms at the news that Marvel comics was doing a Thor movie in which some of their ancestral Norse Gods were to be played by black actors. Apparently, the ethnic identity of the archetypes from antiquity, is of a real political lightning bolt for the sort of person, who eugenically believes that humans can be subdivided into branded races.

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The ancient Norse didn’t have any problems with other peoples skin pigmentation. There are no racialist statements in their sagas. Such racialist sentiments didn’t come to the fore until the Christian’s entered Africa, India, China, the far East and the Americas, who had determined that the African’s, Asian’s, Chinese and Native American’s didn’t have souls, so it was perfectly okay to enslave them.

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The followers of the monotheistic faiths always had a big problem with seeing un-baptised Pagans as being human. Hence the Pagan Norse did not like Christian Rome, whose priests sought to convert them to the appropriated faith of ‘Animus’ fixated Judaism.

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The Norse couldn’t figure out why they had to assume the ancestral-self-identity of the Hebrew’s. They thought it was absolutely crazy, let alone evil, since they had to forget their own ancestral-self-identity in the process, of a Borg conversion. This being one of the reasons why the Norse, especially Pagan women, held Thor in high esteem, who was seen as a protector against the encroachment of the Witch burning Christian cult.

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It is understandable that Pagan women sought out Thor’s masculine protection, since the Church started to systematically target them to burn at the stake as Witches. The reason why the Church did this, is because the ancient lore of the elder faith was traditionally passed down the female line, which was especially the case in the far North; this invariably led to the elder faith being nigh eradicated throughout Europe.

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However, the Hollywood likes of Dan Brown spread the fairytale that the Witch burnings was to do with the Church seeking to terminate the bloodline of their deified ‘Animus’ Jesus, they couldn’t have him coming back to overturn the tables in their temple banks. Many a Christian fell for Dan Brown’s myth of a hard sell, and likewise the comic reading public will succumb to Marvel/Disney’s hard selling of Lady Thor. But then the elder faith no longer exists of an ancestral-self-identity; so, no one will protest too much.

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Will the right-wing Christian neo-Nazis have their noses put out of joint by a female Thor who has super-powered boobies and being of a superior Nordic proportion than a lot of the other female comic superheroines. I doubt it. The Christian neo-Nazi nuts will see a female Thor giving white American girls something to look up to, who will be more prone to toning themselves up in the gym, rather than becoming obese on McDonald burgers, as well as inspiring them to dye their hair blond, of eugenic Nordic looks, when to join the army of the NWO Empire.

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If Jason Aaron is seeking to piss off the right-wing Christian neo-Nazi nutters, then, rather than telling an entertaining story, he would be far more interested in social engineering and political propaganda, whereupon Aaron would make Lady Thor into a raging lesbian, who is played by a Jewish actress.

Going by the Marvel mythology, when Thor’s hammer, Mjolnir was damaged, Doctor Strange bound Thor’s soul into Mjolnir, meaning that if the hammer were to be ever broken again, Thor would most assuredly die. In ancient Norse legends, the soul of an individual was seen to be a contra-sexual counterpart, which was called the Fylgja.

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Whereby Thor’s soul would be female, which going by the Marvel myth, resides within his hammer. You then have a story possibility, where Thor’s hammer is broken, which then releases Thor’s soul at his death. Thor’s soul would then be Lady Thor, who essentially personifies the power of Mjolnir.

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Should you have a return of Thor, then his Lady Thor soul would seek him out amidst the infernal domain of Hela in order to revive Thor back to life, by uniting with him again of a Tantric nutcracker suite. In the meantime, prior to Thor’s soul seeking to reunite herself with him, she would have many a Marvel adventure as Lady Thor, who would very likely be a raging lesbian due to her previous heterosexual male existence, which no doubt Marvel/Disney will indulge.

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This scenario could potentially lead to Marvel/Disney believing that they will reap in the dollars, since you would then have a number of other superheroine characters of differing ethnic types intimately interacting with Nordic Lady Thor, all of whom will be wearing spray on costumes, and what interracial cosplay fun to be had!

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Overall, a Lady Thor of a Fallen Anima archetype could potentially enable a healing of the wounded European psyche concerning the misappropriation of the Northern myths by the white-supremacist right-wing Christian Nazis, who have an overriding fixation upon the Biblically indoctrinated masculine principle of the deified ‘Animus.’

But Marvel/Disney is not at all interested in healing a mass-trauma; their big-business agenda is supposedly about empowering women, by transforming iconic male characters into females, such as Thor being transformed into Lady Thor. This doesn’t make sense at all, since the success of the male characters is primarily due to the adoration of a heterosexual female audience in particular, which is especially the case concerning Thor.

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A practitioner of sorcery, who has an interest in the four elemental colour comics of his present age to thence transform into grimoires listing superheroine Succubae, could utilise the archetype of a Lady Thor as a politically incorrect Succubus aspect of the ‘Fallen Anima,’ to conjure amidst his erotic lucid dreams.

But first, like many another spirit listed within a grimoire, a sorcerer has to determine what type of powers and abilities a sexy Lady Thor could bestow upon him, when she sexually empowers his assumed guise of a lucid dream Thor Avatar.

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Lady Thor, will enable the conjurer to be is incredibly long-lived, who will relate that his nigh ageless state is due to the golden apple of Idunn. The golden apple of Idunn symbolically represents the pineal gland. However, Lady Thor will indicate to her conjurer that his pineal gland is being calcified by sodium fluoride intake.

Whereby aging him, which is being subversively employed by the minions of the New-World-Order Kingdom of a Big-Brother ‘Animus’ God, who have mass medicated the water supply with a known sedative, neurotoxin and a mutagenic compound, in order to stem population growth.

Whereupon sperm counts have drastically dipped in the industrialised West. Apart from chemical means being used, psychological warfare is also utilised, which mainly zaps the Anima, residing within the sedated heterosexual male psyche.

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Being a daughter of Odin and the elder goddess Gaea, she is physically the strongest of the Asgardians who will protect the conjurer against all harm meted out by the ‘Animus’ cultists. If her conjurer is hard pressed into battle, Lady Thor will induce a state known as the ‘Warrior’s Madness’ (“berserkergang” in Norwegian).

This Aminita Muscaria altered state of mind will temporarily increase his strength and stamina tenfold, although in this state he might attack the brainwashed flocks, let alone an Orwellian Big-Brother alike.

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Lady Thor will enable her conjurer to have a very high resistance to physical injury, which approaches invulnerability, should he be beaten up by the police, while Anti-War protesting against the Military Industrial Complex. She will also bestow the ability of possessing keen senses, which will allow her conjurer to remote-view objects travelling faster than the speed of light, and to listen into the Oily Bohemian Grove secrets from the other side of the planet of clairaudience.

Lady Thor will bestow the remote viewing ability to travel through time, as well as increasing the stamina of her conjurer to fuck an entire Frost Giant army of Fifty Shades Of Grey Troll women for nine months, without having any sustenance or rest; suffice to say, such an ability would turn on a Whoopi Goldberg orgasmic style!

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Lady Thor can also regenerate wounded portions of the conjurers body, including entire limbs or organs via arousing the Kundalini Shakti ‘Lightning Snake’ within him, via the meditation aid of Mjolnir; whereupon he will avoid being dumped in an old peoples home, reading Amazon’s how to do it books.

Lady Thor has superhuman speed, agility, and reflexes, which will enable her to deflect the psychic-warfare curses of the ‘Animus’ cultists away from the conjurer by using her hammer. She will enable the conjurer to have immunity to all biological warfare diseases and other malign mind-control influences via her most loving influence.

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As a Norse Succubus archetype of the Fallen Anima representing the power of thunder, Lady Thor can summon the elements of the storm (lightning; rain; wind; snow) and uses Mjolnir as a tool to focus this ability; whereas the US military utilise HAARP to do likewise.

Jesse Ventura vs HAARP from AudieTerra on Vimeo.

She can cause these weather effects over the whole world and destroy the conjurer’s enemies wherever they are; that, or influencing the electromagnetic field of their fluoridated brains.

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By whirling her hammer she can lift entire buildings within a whirlwind, turning them into dust, to fall in their own footprint as if they have been struck by Tesla’s death ray; in fact, they are not too dissimilar to each other.

As the daughter of the Earth Goddess Gaea, Lady Thor also has some control over the Earth, who can create earthquakes, which HAARP has also replicated. Although, when it cums to crotch quakes at comic conventions, Lady Thor rules!

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Lady Thor will instruct the conjurer via vivid erotic dreams in psychic combat; whereupon he will excel in the use of the war hammer of spirit, sword of intellect, axe of emotion and mace of body, against the whoring puppet politicians of the Military Industrial Complex.

Lady Thor possesses two items, which assists the conjurer in psychic combat against psychological warfare: the enchanted Jormungand Belt of Ouroboros Strength, and her signature weapon, the mystical hammer, Mjolnir.

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The first item doubles the strength and endurance of Lady Thor’s conjurer, because her belt enables him to remember of eternal recurrence; should the conjurer forget, history invariably repeats its self.

While the second is used to control weather abilities, flight, energy projection and absorption, dimensional travel, as well as matter manipulation, along with the most powerful of her bestowed abilities, the Goddess Blast of bright white light phenomena, which cleanses all Karma.

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Lady Thor’s conjurer can conjure her from out of his grimoire comic to do an errand for him, such as finding out what the forever warring Military Industrial Complex is up to on the other side of the globe.

Or even to remote view the colonised planets of the Secret Space Program, whereupon she uses Mjolnir to do so.

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This is achieved by throwing Mjolnir in the desired direction and then holding on to the handle’s leather noose of a lemniscate loop, whereby enabling Lady Thor to fly at supersonic speeds within the Earth’s chem-trail polluted atmosphere or to travel faster than light, by browsing expanding space.

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When Lady Thor has to transport her conjurer to a destination by herself, she has a chariot of a quantum computing Mitochondria starship.

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Her starship is accessed via her two horned Goat priestesses at the point of hypnagogic trance called Toothgnasher and Toothgrinder. These two Goat priestesses will test him as he enters Lady Thor’s inner womb of an astral starship, out of Area 51 Dreamland.

When Lady Thor’s conjurer consciously accesses her trance chariot, she is then enabled to teleport him, wherever he desires to go, almost as easily as with Mjolnir. She can throw a totalitarian/fascist ingrate out of Earth’s atmosphere using her poltergeist strength, and throw her hammer to crown Chakra Asgard from which it will return.

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In other words she is a hot politically incorrect Succubus superheroine to conjure amidst your Triangle Of Comic Art Imagination, who will protect you against the endless tirades of the Hollow-Wood Thought-Police.

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However, this will require you being dressed up in your cosplay outfit as Thor, because only Thor can handle a synchronistic meeting with a Soul-Mate mead drinking Lady Thor at a ritualistic comic convention, otherwise she will most assuredly drink you under the altar table.

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NOTE: The above was in part written tongue in cheek, sometime before Marvel’s lady Thor was published, and since updated. But now to a more serious side. There is an intriguing painting, painted by Raja Ravi Varma (1848-1906) depicting the Hindu deity called Ganesh who is surrounded by Eight Goddesses, who are personified Siddhis.

The Siddhis are spiritual, paranormal, supernatural, or otherwise magical powers, abilities, and attainments, which are the products of spiritual advancement through Sādhanās such as Meditation and Yoga. The term Rddhi (Pali: Iddhi, “psychic powers”) is often used interchangeably in Buddhism.

One of the Siddhis is the ability to expand your body to an infinitely large size. This does not mean the physical body, but otherwise that of the dream body, when accessing a lucid dream. This particular Siddhi can be attained by assuming the Avatar of Thor within a lucid dream, when ‘meditating’ upon the Mjolnir symbol of Thor’s Hammer, or that of the third (Thurisaz) Rune.

In this case the Hammer/Rune Siddhi is personified as a (Goddess/Succubus) Valkyrie, whose conjured manifestation within a lucid dream, enables the conjuring dreamer to attain the inner experience of becoming like that of a giant, to thence stride over the clouds as if it is land. I am not talking about you assuming the guise of Marvel’s gaudy Thor here. This is something quite other, which is an exhilarating experience to say the least.

In Hinduism Thor would be equated with Indra. In the Vedas, Indra is the king of Svarga (Heaven) and the Devas. He is the god of lightning, thunder, storms, rains and river flows. Indra is the most referred to deity in the Rigveda. He is celebrated for his (Siddhi) powers, and the one who destroys the great symbolic evil named Vritra who obstructs human prosperity and happiness. The guise of Indra would be (hypnagogic trance) assumed as an Avatar when attaining a lucid dream by Yogins and shamans.

As for the symbol of the Swastika, it is considered as being sacred by Hindu’s and Buddhists as well as numerous other peoples, just as it was once seen to be sacred by the pagan ancestors of the European’s. In Hinduism the left-hand counterclockwise spinning Swastika is seen to be associated with the Moon, whereas the right-handed clockwise spinning Swastika is associated with the Sun. Both of these Swastikas correspond with the left and right nerve channels of the Autonomic Nervous System running alongside of your spine, which are called the Ida and Pingala.

When the two Swastikas overlap, you then have a wheel having eight (Siddhi) spokes, which is associated with the central nerve channel of the spine called the Sushumna, belonging to the Central Nervous System. The Yogic trick is to bring the two Ida and Pingala nerve channels into overlapping balance via in depth meditation, which then enables the practitioner to attain hypnagogic trance as well as conscious ingress into an attained lucid dream.

The utilised symbolism of the Moon and Sun is commonly seen to represent the female and male principles, many a researcher uses, without ever considering that in the far Northern countries of Europe and across the steppe unto Siberia, the symbolism of the Sun and Moon Swastikas are reversed. This is due to the climate of the far North. For example, the Germanic tribes associated the counterclockwise Swastika of the Moon (Mani) with the male principle, whereas the clockwise Swastika of the Sun (Sunna) represents the female principle.

When lucid within the dream, the (bio-photon) light quality of the dream is associated with an inner Sun, which is termed as being the ‘Sun behind the Sun,’ or otherwise called the ‘Black Sun.’

AFTERWORD: The continuing corporate made damage to the environment, which has led to a series of extinction events among plants, insects, etc, will invariably lead to ecological collapse. Said corporations are mainly of the Oil industry, who utilise the Military Industrial Complex as its ‘Endless War’ muscle. You also have the global roll-out of 5G, which will also adversely affect the environment, going by various scientific studies, which have been promptly ignored by the greedy corporations.

There is the distinct possibility that the corporate horrors and the A.I. automation of the workplace, along with the ensuing loss of jobs, which in the main affects the male population, leaves the women feeling very insecure about themselves and for the future of their children. But then, women, in general, are intutively closer to natures rhythms, who will collectively feel that something is very much amiss. This invariably leads to their anger being meted out upon the men, who have been disempowered and let down by the psychopathic greedy few on purpose, whom run the establishment.

The women then seek to become empowered, which invariably leads to their ‘Animus’ archetypes being transformed into masculine women, since they subconsciously see the males being unable to attain their allotted role-models.

This also leads to the ‘Anima’ archetypes being transformed into butch females in the mass-media. The transformation of the ‘Animus’ and ‘Anima’ archetypes featured in films and on TV, etc, reveals that it was always the women who have called the audience shots concerning the mass-media.

However, the supposed female empowerment, will eventually fragment under the reality that the systematic destruction of nature and the rapid automation of the workplace also affects women.

This underlying social change has been subversively hijacked by those having a political agenda, who are utilising the age old subversive PsyOp technique of dividing and conquering the masses by weaponising minorities, which then makes the minorities a target; this is being done in order to distract public attention away from protesting about very costly destructive wars.

These wars, whether they be that of weaponised sanctions, or that of Petrodollar bombs being dropped all over the Middle East due to an oily pipeline, and elsewhere, along with utilising known terrorist groups in proxy wars, etc, obviously leads to the mass migrations of peoples, fleeing into other lands. Yet there are hardly any protests against these wars, the controlled mass-media pushes since 9/11, which afflicts the whole world.

The Dr. Evil few whom profit from endless Oil wars, are also fleecing the fleeing populace of war torn lands, who are in turn automating the workplace, let alone raping nature.

This isn’t to say that the automation of the workplace is necessarily negative, it is just that the establishment appears to be not considering its social impact upon the populace, nor making any plans as to how to positively deal with an out of work workforce, unless the corporate few are planning population reduction, via an engineered ecological disaster, a biological weapon tick born plague or a false-flag Oily world war III. Hopefully not!

Although the PsyOp engineered conflict between the sexes, which leads to women and men going their own way, can be construed as being population control.  

One could conjecture that the women’s assumption of the male role, is of similarity to a ribald Jewish woman getting angry at her muscle bound Nordic husband called Thor, who has been given the boot by automated Amazon.

Shekel eating Amazon now has A.I. driven trucks and drones delivering goods from Jeff Bezos’s automated warehouses. Thor had been employed as a trucker, who now drunkenly slouches on a couch, while Ragnorok approaches.

After screaming at him to do something, otherwise she is going to leave him for a butch gender-bender Valkyrie to shack up with, his Jewish wife, having the physique of a ballerina, ends up lifting her husband’s Norse weightlifter hammer.

This of course gets Thor to emotively react, and storm around the house, thunderously roaring, “I’m the Man, around here!” She to reply, “prove it, and rise up against what is occurring.”

Those who Banshee scream that I should also involve politically correct pronouns, etc, my answer is, I am not into speaking the Orwellian Newspeak of the corporate owned establishment, which is pushing for Endless War.

Alas, all men and women across the globe have to unite in this fight, before Ragnarok, in whatever form it takes, becomes an Endgame reality.

Make Love, Not War!

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