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FORNEUS OCCULT INGESTION HENTAI DREAMS

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Manga, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 22, 2018 by FAUSTUS CROW

Abdul Alhazred’s conjuration of the Thirtieth Succubus archetype of the Fallen Anima, named, Forneus as well as the subsequent remote viewing session of her within his Arkham asylum padded cell, was no doubt a memorable experience. This Mind-Doll, said Alhazred, manifested as a Hokusai vision in the Tulpa form of Babalon being consumed as R’lyeh fish bait by a great sea-monster.

Alhazred sensed that this infernal Art Muse induced a Hentai vision, which of an erotic tentacle scenario went, “no further than the corner view of my cell where the conjuration has taken place. She was held within the circle and begins to ‘speak’ or should I say, sing to me like a hypnotic Siren as I remote view her.”

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He added that this Succubus, “appears to be manifesting as a plasma like figure who is speaking a Necronomicon language that I do not recognize.”

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As his hands love-craft sketched the monstrous form of Forneus, Alhazred was surprised to find that the fish-bait Babalon the monster was consuming was part of the creature, which had a sucking tube of a mouth, looking like a vagina dentata.

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A mystery, indeed, as you first examine Alhazred’s’ Artwork, which is best seen on The Erotic Mad Science website, CLICK HERE. But then, dear reader, as I began to research the things known about this Succubus, something interesting emerged.

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Forneus appears as a great monster of the sea. It looks like a primitive organism, which of a body is that of a fleshy tube having a tentacle for its tongue,” said one description. “It’s scales are precious stones, it’s many eyes are like fire and the flesh of drowned Ama divers clings to its teeth.”

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S. L. MacGregore Freemason Matherson agrees that Forneus,appears as a great sea monster, but he further relates, “it had been originally created as homunculus by Professor Eustace Turpentine, of Innsmouth Institute for Marine Research. As his Little Lab Of Horrors creation rapidly grew to huge proportions, he found out that it had a liking for eating women. Turpentine named the creature, Gynephagos Turpentinii.”

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Others say the sea monster is Cthulhu, looking like an enormous octopussy, Oops! I mean, octopus. In fact, the old magicians referred to Forneus as the Marchioness of the amniotic Waters, saying that the primordial womb ocean is her natural Ry’leh home. It is also said that the Hentai tentacle visions of Forneus being consumed by an octopus points at an occult secret, which reveals that octopuses are aliens, whose ‘frozen eggs’ originally came from the womb depths of space. A controversial science paper has argued just that, suggesting that octopuses may have ‘fallen’ upon our planet as frozen eggs, which were carried to an ancient Earth within icy comets.

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The paper, by 33 degree scientists (some having reputations as mavericks) was first published in the peer-reviewed journal Progress in Biophysics and Molecular Biology. The idea of alien life spreading like ‘seeds’ throughout the womb depths of space riding comets or meteorites isn’t new, the theory is known as ‘Panspermia’.

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But the authors of the paper point out new DNA evidence about octopuses. The first full genome sequence of octopus DNA in 2015 showed that octopuses are totally different from all other animals. Their genome shows a striking level of complexity, having 33,000 protein-coding genes identified, more than in a human.

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The paper reveals: “The genome of the Octopus shows a staggering level of complexity with 33,000 protein-coding genes more than is present in Homo sapiens.” Some single-celled organisms may be able to survive extreme impacts such as within comets, scientists say. “It is plausible then to suggest they seem to be borrowed from a far distant ‘Future’ in terms of terrestrial evolution, or more realistically from the cosmos at large. ‘One plausible explanation, in our view, is that the new genes are likely new extraterrestrial imports to Earth – most plausibly as an already coherent group of functioning genes within (say) cryopreserved and matrix protected fertilized Octopus eggs.”

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Octopuses inhabit every ocean of the Earth, at almost all depths, possessing a range of features, which call to mind science fiction aliens. These include prehensile sucker-lined tentacles, highly mobile, camera-like eyes sensitive to polarised light, sophisticated camouflage systems, which alter skin colour and patterns, jet-propulsion, three hearts, and the ability to regenerate severed limbs.

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With this paper in mind, I look at Alhazred’s Artwork once more and I am instantly reminded of the famous, The Dream of the Fisherman’s Wife, also known as Girl Diver and Octopi, Diver and Two Octopi, etc, which is a zoophilia-associated woodcut design of the ukiyo-e genre, by the Japanese artist Hokusai. It plays with themes, which are very popular in Japanese Art, Manga and Anime, depicting a young Ama diver who is sexually entwined with a pair of gobbling octopuses.

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But is this necessarily true, do women have the hots for Jungian tentacles? But what then about the Freudian stories told by the randy Pirates on sailing ships of old, who brought home tales of great sea monsters brushing their vaginal maws up upon the sides of their phallic vessels.

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Could it have been that these visions were all glimpses of the Succubus Forneus? Did some sorcerer accidentally summon this powerful Anima archetype from another dimension, or was Forneus simply making a friendly dream visit to a lonely sailor passing by on the great expanse of a seemingly endless sea, under the oceanic canopy of panspermia stars?

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Whatever the reason for her dream calling, Forneus probably was probably not a threat. Johann Weird, in his Succubus Sexualis of 1587, says he believes conjuring this Succubus only brings good fortune: “She maketh a Sorcerer woondeffull in ‘explosive’ rhetorike. She adorneth a Sorcerer with a good name, and the knowledge of (tongues), and maketh one beloved as well of foes as freends,” Weird wrote in an early English text.

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NECRONOMICON NIGHTGAUNT LEATHER NUN GREMORY

Posted in Alien, Art, Chaos Magic, Comics, Cosplay, Goetia Girls, Love Magic, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 10, 2014 by FAUSTUS CROW

The above Artwork depicts the 56th Succubus archetype of the Fallen Anima, who is called Gremory. The symbolism of the Artwork is alluding to the Sheela na gigs, which are figurative carvings of naked women displaying an exaggerated vulva above church ‘doors’ and ‘arches.’ They are architectural grotesques found all over Europe on churches, castles, and other buildings.

The highest concentrations of Sheela na gigs can be found in Ireland, Great Britain, France and Spain. One of the best examples may be found in the Round Tower at Rattoo, in County Kerry, Ireland. There is a replica of the Round Tower Sheela na gig in the County Museum in Tralee town. Another well-known example may be seen at Kilpeck in Herefordshire, England.

Ireland has the greatest number of surviving Sheela na gig carvings; McMahon and Roberts cite 101 examples in Ireland and 45 examples in Britain.

Sheela na gigs are said to ward off death and evil. As mentioned, they are often positioned over doors, arches or windows, which symbolically represent the vulva. In ancient times the vulva was seen as representing the (door/window) hypnagogic trance gate, which allowed conscious ingress into the womb domain of the (spirit world) dream.

Gremory is a rarity in the Animus fixated Goetia, who is described manifesting as a woman; although the Goetia makes mention that Gremory is a male entity assuming the form of a woman. The reason for this symbolic conundrum is due to the grimoires having a fixation upon the deified Animus.

The number 56, may be that of occult blind, which of numerology reduces down to 11 and 2. The number 11 alludes to the 11th hidden Sephiroth (sphere) of the Cabbala, being Da’at, which means, ‘belief.’

The number 2 points at the Tarot card of the High Priestess II, which is generally considered to be associated with the 13th path of Gimel, which passes through the sphere of Da’at. The Hebrew letter Gimel is seen by some to be associated with a Camel.

The runic correspondence with Gimel is that of Gebo, whose ‘seventh’ Rune is that of the ‘X,’ crossbones, which equates with the English ‘G’ you to find used by Freemasonry, as in ‘X’ marks the (hypnagogic trance) spot and that of a seventh (seal) secret not to be told, unless it is to your sister. The motif of the sister symbolically alludes to the Fallen Anima.

Gremory is described as riding a Camel, wherefore alluding to the High Priestess and the sphere of Da’at.

The Tarot traditionally depicts the High Priestess being seated between two pillars, who holds a scroll or a book upon her lap, which is a (Necronomicon) Grimoire. (H.P. Lovecraft wrote that the title, Necronomicon, as translated from the Greek language, meant ‘an image of the law of the dead,’ or a book of images.)

It is very likely that the name of Gremory is derived from the term Grimoire, which is essentially a tome of ‘beliefs.’ (The tome [scroll] the High Priestess has on her lap is commonly interpreted as being the Torah [Tarot] of the deified Animus.)

The sphere of Da’at is accessed via the twin pylons of the High Priestess, who symbolises hypnagogic  (Sheela na gig/vulva) trance, which is represented by the ‘X’ Rune of ‘Crossbones.’

Whatever you experience internally (Out Of Body Experience/Hawk/Horus) amidst the dream will be determined by the Da’at beliefs, which are housed within your Grimoire temple of a ‘Skull.’ The domain of the dream will reflect back your beliefs about yourself, and how you perceive (Eye) reality.

However, you will find that many of your beliefs have been influenced and moulded by influences around you, wherefore determining your perception of reality since childhood.

Wherefore, Gremory reveals how the Matrix of symbolism all around you and within you of an internal dialogue, incarcerates your ‘Skull,’ so that you can free yourself via self-analytical metaprogramming, which allows you to tune into other dream realities, and in turn consciously engineering synchronicities.

The symbolism of the High Priestess has a symbolic correlate with the Nun, Carl Jung would equate with an aspect of the ‘Anima.’ Since the Anima and her Succubus archetypes have been entirely expunged from the symbolic paradigm of the deified Animus, you can thereby fathom that a very real Necronomicon would list the Succubus Great Old Ones of the Fallen Anima, which of a banned grimoire would contain their much maligned images, the worshippers of the deified Animus would consider to be pornographic!

If you are interested in the Art print version of the above Artwork, etc, Please Click Here.

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