Archive for grimoire

MORGANA LE FAY HIGH PRIESTESS OF DA’AT AVALON

Posted in Art, Chaos Magic, Cosplay, CREATIVE WRITING, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 1, 2016 by FAUSTUS CROW

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As Babalon Hermione entered the spiralling tower of her all girl’s Goetia convent school of Succubae; she mumbled to herself, “I feel like an out of place Alice in Under-land within this infernal Cabbalistic hierarchy of planetary classroom spheres. Maybe that is why I keep on getting into so much trouble in Da’at Avalon. I just don’t fit in anywhere,” she said to herself.

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Hermione knew that the Grand Abbess Morgana le Fay awaited her forlorn arrival for detention upon the ’13th Floor’ of Gimel-Ot; her fumbling hands attempted to balance a half eaten Avalon Apple behind her back, in the hope that she could bribe Morgana to go easy on her backside.

But in her nervousness Hermione dropped its sweating mass. She watched the Apple corpse out of the corner of her blinking eye, as it rolled its erratic way across the cold chess-board floor, of cracked granite blocks.

Morgana is not at all impressed, as she silently observes Hermione’s tripping entrance, who, sadistically smiles. She looks like a Raven, eclipsed by shadow, as she stands behind an ancient oak desk, whose legs are carved into raging Tibetan Buddha’s, which are hungrily eyeing up Hermione as a potential vore meal.

“It has come to my attention… my dear… that you are using your Spell sung words… to weave… dissonance… among my other Succubae students.”  

Hermione noticed that Morgana artfully uses spaces between her words, which to cut through the silence, like a sacrificial Athame. “All of my other eight Olympic sphere sisters, Moronoe, Mazoe, Gliten, Glitonea, Gliton, Tyronoe, Thiten, and even Thiton have reported that you have been a very naughty little princess in their Sephirot classes. At this rate, how will you ever be able to find a sorcerer to service you with his erect wand… you do know that you will not survive without its ejaculated emotive ‘charge’ to ‘spin’ your electron dream presence, don’t you.” 

“Yes, I know Mistress… I am studying very hard, those arts, which will lead me to the creamy wand to suck off and to ride as my broomstick, just like my sisterly Witch Nuns,” Hermione replied. “so you say, my dear.” answered Morgana, “however, it is patently obvious that you are not trying hard enough, which has been further exacerbated by you… disturbing your Genie sisters… Tantric studies.” Hermione also becomes aware that Morgana’s Athame of a forged mind, always thinks, before speaking, of pondered breaks, prior to uttered words; though subtle, it lends to her speech, an impact on every word Spell spoken, which of conjuring quality, is almost like the arising silky tone of a wise serpent’s inevitable bite.

“But.. but, Mistress…” Hermione to mumble, while staring at her nimble left foot of scraped shiny shoe, scraping the checker board floor, as if attempting to dig a very deep wormhole, so as to fall into. “I did not intend to, affect the perceptions of the other Succubae students… I was just telling it the way… it is… Mistress.” 

Morgana goes silent, her sea green eyes pierced into Hermione’s very soul; then, Morgana snarls. “Telling it… the way… it is,” Morgana to repeat her words, scornfully. “Pray tell, me… little Ghost Girl… what this, way it is… is… of a Spell?”

“I am afflicted… Mistress… with an affliction, which afflicts me.” Hermione to near tearfully answer, in the hope that a tear drop upon reddened cheek will soften Morgana’s sharp beak.

“Afflicted…” Morgana to shake her ruffled horned head of a black pitch crown, to then question, “Afflicted with what?” 

“I am afflicted with…social anxiety disorder… and… clinical depression… Mistress; I can’t help it, Mistress.” Hermione to answer, while looking down at the granite floor, avoiding Morgana’s piercing green eyes.

There was a long silence before Morgana to snarl; “I would never of guessed it… nor to have even fathomed it as a sorceress… until you attempted to hypnotise me… let us not forget, all the other… Succubae students of my Da’at Apple lore Goetia school… who you have, duly hypnotised with your Spell of ‘belief’… before they even got to know you…. Now my dear, they all see you as having an affliction, which empowers your internal… ‘Self Image’… as being the afflicted.”

Hermione did not know where to look as she continued digging at the floor with her shiny shoe tip. “But… but… that’s what the Muggle doctors said… that I’m afflicted with… Mistress.”

“MUGGLES.” Morgana to howl, as she claws the round Zodiac tabletop with her Queen Bee talons. “Don’t you realise, that if the Muggles had their way.. they would pigeonhole us all, as being raving loons… suffering from varying mundane mental conditions… castigating us into their Holy-wood brick walled Masonic asylums of controlled mediocrity.”

Hermione looks down at the floor. “But… but, Mistress… I, I feel…so, Strange… ever since I left my mortal coil, finding myself here, in Avalon as a Goetia Ghost Girl. I just don’t seem fit into your Beehive; I can’t communicate what I really feel into my… Spells… it’s so, so confusing. I didn’t mean to hypnotise the other Succubae students, to see me as the afflicted; but, that’s what I was told, when I was alive… by the… Muggles. 

Morgana places her left hand over her face, in an attempt to steady raging thoughts; “Alas, my dear… in your once mortal attempts to no longer feel like an outcast among the mundane Muggles… around whose brain dead mob, you felt.. so, very… Strange… you had inadvertently allowed yourself to be influenced by the inane Muggle priests… in order to feel that you belonged to one of their pigeonholed, Ring-Pass-Not’s… but, without realising it… you have since hypnotised your fellow Succubae, who, as you are very much aware, are all of the… Strange.” 

Hermione decided to brave the situation, by craftily disengaging Morgana’s inquisitional dagger eyes away from her battered soul, to elsewhere stare, by quizzically enquiring, “Is Faustus Crow of the Strange too, Mistress?” Morgana, nearly trips over a raging Buddha leg of her table. “What? Why are you speaking of… Crow?”

“I’ve noticed his Tantric graffiti all over the cracked walls of your Silver Star school; especially in the Witches dormitories; I’m, just trying to understand what, Strange, actually is of a quantifiable example… Mistress.” Hermione to ask, half smiling to herself, as she observed Morgana’s face blushing Rubedo red; she appears to be experiencing an involuntary Nigredo orgasm, which ripples through her taken aback, autonomic-nervous system, of dark ecstasies. Morgana then graspingly takes hold of her heavy black Yew chair of carved Anubis hand rests, to slip into its steadying depths, remembering the Albedo Dog days of Sirius, when Crow penetrated her moist honey isle.

Morgana then slowly looks away from Hermione, as she answers; “Crow is the strangest of the Strange, who rages against the establishment of the Conquistador. His nature, is rebellious. of Zodiac sign.”

Morgana continued, “Crow does not care at all, what the Muggles think of him… even when as a Changeling Childe, he had consistently played truant from their temporal schooling… nor is he unduly concerned about what the Muggles to now say, about his Heyoka antics of artistic sorcery. Hence, Crow is an Avadhuta outcast in their world… who, I might add, has been pigeonholed by many a brainwashed Muggle priest of their Animus deity, as being quite mad, let alone being utterly insane… or far worse.”

Hermione, noticed that Morgana was stroking herself with a Crow feather, while licking her lips with a long serpentine tongue, “there are even a number of brain-dead unimaginative Muggles who believe Crow, is possessed by demonic entities.” 

“Is that what being Strange, means… do I have to become an outcast, too… Mistress?” Hermione to worriedly enquire.

Morgana goes silent before answering; “I must say… there are differing Runic degrees of the Strange, my dear. What Masonic level of the Strange you choose to be… will be determined by your own inner truth as a… Succubus Witch… to not fear, expressing who you truly are of Genie nature, and in so doing, learning about yourself, in the process…. rather than attempting to be what the Muggles considered as being, acceptably normal, which made you fall asleep as a sleeping beauty; or to be otherwise labelled as being upon their rung of a Jacobs ladder, so that you could have been fitted into their Holy-wood TV land… of dull eyed, shiny herd-mind cliques.” 

“In your constant attempts to be what the Muggles said you were of an illusory label, you ended up ‘believing’ in their curse, which led to you taking your own life… didn’t it not. Now you are here, within my Lilitû school of Avalon, where you have to learn to dispel their brand upon your branded soul, so that you can awaken.” Then there was silence, as Morgana gathered herself up from her chair, as an inky black shadow, who steadily moved of calculated steps towards an iron maiden, within whose opened guts of blood rust metal, Hermione noticed Morgana’s collection of canes, which made her bite her lip near red raw.

“Damn it, damn it, damn it” Hermione to have howled out within her St Trinian mind; I forgot to put on a pair of Slytherin briefs, this twilight, of punishing onslaught, betwixt and between the crucifying pylons of Moon and Sun… Oh! By the name of the Goddess, save me!”  

Morgana becomes aware of Hermione’s under-dressed dilemma, “the Goddess will not save you my little night-mare whore,” she then questions her iron maiden; “What am I going to do with such a difficult student? Perhaps I will use the biggest, longest and thickest of girth cane I have, of most ancient usage, whose tarnished grey wood has been laid upon many a pert behind of fifty shades, of red.”  

Then, as if shot by a Vajra bolt of inspiration from out of the blue penumbra of the Moon; Morgana decided to place her grey cane of a biting tooth, back into the maiden’s guts, who to otherwise pick up a gnarled grimoire from a dusty shelf. “I know, what to do with you, of educational punishment, you can deliver this tome to… Faustus Crow.” 

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Morgana hands Hermione a book, which is, entitled Lilith’s Harem, she to notice has been authored by Crow. Hermione cannot help herself of feline curiosity to open the book up to the first page, which has been personally signed and inscribed to Crow, by a Witch, whose name she instantly recognises.

Hermione to uncontrollably scream; “By the Goddess, it has been signed by J.K . Rowling, herself, of living gold dust… Mistress!” 

Morgana to impatiently snap; “Yes, yes; don’t get your Witch’s knickers in a twist; Rowling is too of the… Strange; her writing style is not too different to yours of artistic expression… for you to go far beyond of a Ring-Pass-Not… if you desire it so, as an inspiring Muse of the Gunas. You might even be able to open up the seven Dwarven smithy Chakra seals along Crow’s tree, should you ever awaken… my little serpentine, Kundalini Shakti Mercurius, to thence gift him your sweet Mercurial Apple of a Philosophers Stone third eye. That aside, don’t tell anyone about Crow’s autographed tome… it is a secret; wherein you will find my alternate name.”

Hermione stands before Morgana, grinning like a Cheshire cat, to then ask; “where, do I find Crow?”

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Morgana answered; “You can find Crow within the enfolding shadows of the Goat Head Inn; he is usually by himself… quite alone, as he manifests visions within a black book, who is quite partial to Lady Killer Rum, which is of deepest red; likened to menstrual blood, of Rubedo colour… such be his alchemical poison; although, he has a preference for Cider, who to have drunk deeply of my bald, smooth grail… many a delicious time.” 

Hermione to gibber, as a horrifying realisation hits her; “Oh! By the blessed Goddess… Mistress; but… but… the Goat Head Inn… is along the Tarot path… of the…” 

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Morgana cuts in, “Yes indeed, my dear, you will have to service Crow as his most loving Goetia Girl Succubus within his dreams; catering to his every whim; just as every bat winged Goetia Nun does so, who worship him as their Lord… that is your… much needed… punishment!” 

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DEVIL GIRL CONTRACT

Posted in Art, Chaos Magic, Demon, Demonology, Devil, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 2, 2015 by FAUSTUS CROW

A contract with the Devil is very much at the forefront of the Faustian folklore. But, if you reverse its symbolic focus upon an ‘Animus’ manifestation of a Devil, named Mephistopheles, to otherwise have an ‘Anima’ manifestation of a Devil Girl Succubus, to name, Mephistophina, then the contract can be transformed into a ‘Coitus Pactum.’

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The reversal of the symbolism will then indicate that the original tale was not about a Sorcerer named Faust, but that of a Witch, called Faustina, who had entered into a Coitus Pactum with her horny ‘Animus,’ Mephistopheles.

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In fact, there is an ancient Roman plaque, which depicts the Empress Faustina being carried into heaven by the Goddess Diana-Lucifera; perhaps Faustina was a lesbian? In pre-Christian Rome, being gay, or bisexual was not a crime, Rome didn’t even bat an eyelid.

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The popular Roman Goddess Diana-Lucifera was later transformed into a butch Lucifer by the homophobic Christian’s. Basically, the perception of the masses can be easily influenced by the manipulation of symbolism.

The Coitus Pactum Of The Obsidian Butterfly Succubus, Mephistophina.

For example, the symbol of the Swastika, was once considered to be sacred by the pre-Christian European’s and other peoples, just as the Hindu’s see the Swastika as being sacred; this soon changed when the Nazi’s utilised the pagan symbol to promote their right-wing Christian politics.

Mary Quite So Contrary; See How Her Garden Does Grow.

Another example is the ancient Egyptian Goddess Isis, whose promiscuous pagan cult was very popular in pre-Christian Rome. Isis was later transformed into the the celibate Virgin Mary of the Abrahamic faith. The name of Isis has since been used for manipulating the perception of the masses via the controlled media, which uses neuro-marketing, to zap your reptilian brain-stems with its political product.

This involves using certain symbolic stimuli, such as utilising an unemployed Caucasian female, of a one time Punk Rocker dressed up as a Nun of the Virgin Mary, whose Roman Catholic cult had appropriated the Judaic cult of the Hebrew’s, hook line and sinker. The Nun then runs off to Syria with an Islamic version of a Christian Grey, to become a fucking Isis Jihadist, which of an Arabic cult has also appropriated Judaism hook line and sinker!

That aside of cultic insanity, if you stick to the original Faustian tale of a Christian viral-meme, then it will reveal why Marlowe’s version of Faust has a far more intimate relationship with his Mephistopheles of a hidden meaning; for Marlowe was homosexual of inclination. Marlowe used the Faustian tale to communicate his inner turmoil, and despair, of being castigated as one of the damned, by his society, which Goethe, had perhaps, misinterpreted, who did not fathom its underlying symbolic reasoning.

The Obsidian Butterfly Succubus, Mephistophina. She Is The Dream Muse of The Prohibited Book: Lilith’s Harem, authored by Faustus Crow. 

During Marlowe’s and Goethe’s time, homosexuality was outlawed across Europe by the church of Rome’s own fascistic Sharia law, up until recent times; so, may be Goethe had not missed the underlying relationship dynamic between Faust and Mephistopheles, which for Marlowe’s and Goethe’s Abrahamic audience, would make Faust even more heinous in their eyes, of an unsaid interaction; there is historical evidence that many a theological scholar disdainfully considered Faust to have been homosexual.

Whereas now, of a so called enlightened and civilised perspective, most do not see the original symbolic meaning of the Contract; for if they did, many may just start to question their own Devil’s Contract with the ‘Animus’ fixation of the three Abrahamic cults of an oily monotheistic ILL-uminati trinity, which seeks to convert the souls of the masses, to their centralist New World Order agenda.

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As for heterosexual Faustus Crow, he has entered into a lucid dream Coitus Pactum with his Succubus Art Muse of an ‘Anima’ manifestation to name as Mephistophina, who is rebelling against the Abrahamic commonality of a Playgirl ‘Animus’ fixation.

Crow has noticed that his conjurations of Mephistophina, along with her Succubae sisterhood, whom populate his Playboy Grimoire has caused an Entartete Kunst stir, since it is considered as being merely pornographic by the politically-correct thought-police.

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GENIE GIRL REBEL

Posted in Art, Chaos Magic, CREATIVE WRITING, Demonology, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , on November 2, 2015 by FAUSTUS CROW

The Ninth Succubus of the Grimoire, entitled the Goetia, is called, Paimona. She is a Great Witch Queen, and very obedient unto DIANA-LUCIFERA. She sometimes appears as a woman sitting upon a Dromedary, with a Crown most glorious upon her head.

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There goes before her also a host of Succubae, who be female Genies, with loud trumpets and well sounding cymbals, and all other sorts of musical instruments, which cause a stir of protest music.

She has a most seductive voice, and seduces at her first coming, and her hypnotic speech is such that the Sorcerer cannot well understand, unless he can compel her to explain; for what he has been told by the (Angelic) establishment is but a lie.

This Succubus can teach all Arts and Sciences, and other secret things to relate concerning the elite few who control all. She will reveal that your perception of reality is being managed for the benefit of the elite few atop of their ziggurat of skulls, and why they do so; and to reveal how they control your mind via the controlled media, and where it is all going; or any other thing you may desire to know.

She gives Dignity, and confirms the same. She binds or makes any of the elite few subject unto the Sorcerer, by revealing who they are, if he so desires it. But alas, most Sorcerers are in egocentric role playing game conflict with one another, rather than fighting against the insanity of the elite few.

She gives good Succubae Familiars, and such Muses can teach all Arts; for the practice of Art is indivisible to the artistry of Sorcery; they are one and the same of shamanic practice.

She is to be observed towards the West, due to the fact that she has migrated, because of all the insane religious wars, and slaughter over the petrodollar, which afflicts her original homeland.

She is of the Order of Dominations who has under her 200 Legions of Succubae Genies, and part of them are of the Order of Angels, and the other part of Potentates. Now if you call upon this Succubus, Paimona alone, you must make her some ejaculatory offering; and there will attend upon her two Witch Queens called LABALA and ABALI who are most salacious twin sisters, and also other Succubae who be of the Order of Potentates in their host of 25 Legions.

And those Succubae Genies which be subject unto them are not always with them unless the Sorcerer do compel them. Her Character is depicted amidst her bottle, which must be prior meditated upon, before conjuring her within your lucid dreams, etc.

NOTE: The classical grimoires, which primarily list an all male pantheon of fallen Angels, depicted them as being part of an aristocratic hierarchy, who ‘symbolically’ represented the ‘Rebellious Anti-Thesis’ of the ruling (Angelic) aristocratic elite. You could see the Daemonic hierarchy of the grimoires as being an artistic form of prior Protest against the (Angelic) establishment. This tradition has carried over into David Icke’s Reptilian Agenda, although, its surrealistic theory is seen as being a literal conspiracy by Icke and his followers, just as many believe that humanity is in thrall to Biblical Demons spewing out of their Middle Eastern Hell hole; however, they are all too human, who make out that they are more than what they are!     

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WEDNESDAY ADDAMS CTHULHU WITCH

Posted in Addams Family, Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Devil, Discordianism, Ghost, Goetia Girls, Goth Girls, Horror, Occultism, Sex Magic, Sorcery, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2015 by FAUSTUS CROW

Wednesday Addams loves to Halloween Séance party around her ‘Playgirl’ Grimoire, out of which, she conjures up her Cthulhu ‘Animus’ of Hentai desires, along with his patriarchal Twilight minions of Fifty Shades Of Xtian Grey Love-Craft.

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Well, what do you expect, that’s what third-wave feminist Witches do, since they have so many patriarchal Playgirl Grimoires to choose from, all of which list only phallic entities to conjure up of rippling muscle bound ectoplasm.

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When the Golden Dawn of the Sun to eventually arise over the nocturnal carousing with the good guy Angels and bad boy Demons of an ‘Animus’ God and Devil, they, are left quite OTO drained by Wednesday’s multiple Grimoire orgasms, who do not know what had Crucified them, as they rapidly retreat, slipping and sliding back into the collective psyche of all women.

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But then, Wednesday’s parentage is that of a partying Gomez Ghoul, who has a big Vatican bank account wallet, and an ever hungering Morticia Vampire, with expensive tastes.

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THE OBSIDIAN BUTTERFLY SUCCUBUS MEPHISTOPHINA

Posted in Chaos Magic, Demonology, Devil, Discordianism, Dr Who, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 6, 2015 by FAUSTUS CROW

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The stories concerning Dr Faustus conjuring up the Devil, Mephistopheles, are primarily derived from Germanic folklore; wherefore, when to otherwise have a Succubus to verily name Mephistophina being conjured up by Faustus Crow, it is somewhat apt of symbolic alchemy to utilise the ancient Germanic Runes in order to do so.

The name of Mephistophina in Runic numerology adds up to thirteen, which is then reduced down to the single digit of four. Her name is also made up of thirteen letters, which of a bind-rune formula points at the thirteenth Rune of Eiwaz. The Rune of Eiwaz is associated with the world tree of Yggdrassil, whose thirteenth number is often associated with the feminine principle.

In Norse and Germanic mythology, Yggdrassil; from Old Norse Yggdrasill, pronounced, ˈYɡːˌDrasil, is an immense tree encapsulating all of existence. The motif of the world tree is central in North Central Asian shamanic practices unto Siberia as well as Norse and Germanic cosmology, whose branches and roots interconnect the nine worlds of existence; all of which are like schools.

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The meaning of the Old Norse name, Yggdrasill is, ‘Odin’s horse,’ meaning ‘gallows.’ This then leads you to the single digit of four and that of the fourth Rune of Ansuz, which is associated with the shamanic deity, named, Odin, the Germanic tribes knew as Wotan or Woden, who being an archetypal wizard can be seen as influencing the characteristics of the Faustian sorcerer. Drasill translates into English as, horse, which in Siberian shamanic practice in particular, refers to the power of trance, and Ygg(r) is one of Odin’s many bynames, who is a prior ante-Christos Dr Who.

Ygg means, terrible one, which again refers to trance and the infernal harrowing of H.R Giger realities. In Siberian shamanic practice a shaman wears a vision visor when accessing trance in order to hide his terrible visage from the perturbed onlookers as he ‘howls’ out barbarous names of the spirits to conjure, during his changeling séance.

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The Poetic Edda poem Hávamál describes how Odin had sacrificed himself by hanging from a tree, making the tree Odin’s gallows. The pre-Faustian reference to hanging refers to trance, since the reptilian brainstem and reticular activating system of the throat area determines your depth of trance ingress, as well as the vividness of your dreams.

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As for the tree of Yggdrasil, it is a symbolic reference to the spinal column, nervous system, and the brain, which interprets the experiential information you tune into, as well as filtering out extraneous information from its ever repeating chaos of (Jormungand/Ouroboros) eternal recurrence.

When Mephistophina’s name is otherwise translated into numbers by using common numerology, her name adds up to the precession number of seventy-two, which is also the number of spirits listed in the Goetia, of which Crowley was enamoured with, before his Boleskine house ascension to occult stardom.

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The term Goetia, means, to ‘howl,’ whose listed spirits have been transformed into seventy-succubae whom frequent Lilith’s Harem, residing within the quantum domain of the dream.

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Seventy-two is then reduced down to the single digit of nine of Ninth Gate, which brings you back to the nine worlds of (Eihaz) Yggdrassill, personified as a Succubus to conjure of symbolic artistry.

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The nine worlds of Yggdrassill is of similarity to the Hebrew Cabbala, which also uses the motif of the shamans world tree; however, the Cabbala lists ten planetary spheres called Sephirot, rather than nine, with a hidden eleventh world, called Da’at. But, in the Cabbala, ten reduces back to one; as for the eleventh world, it is more like that of a transitional point, which allows ingress into other realities.

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This hidden (Da’at) world just so happens corresponds with the physiological throat area of the reptilian brainstem; hence alluding to the ability of trance ingress into conscious dreaming.

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These nine worlds of Yggdrassill can be otherwise seen as being dimensions, which your future descendants journey through, when travelling throughout spacetime in their glistening Vimana time-machines, observing many an (closed timelike curve) ancestral conflict.

For sixty years the Kaluza-Klein theory of extra spatial dimensions existed only as a mathematical oddity.

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However during the 1980’s it came to the fore. String theory, the idea that the fundamental building blocks of nature are string-like of a vibrating ‘Ouroboros,’ rather than being point-like.

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String theory has been around since the late make love, not war, Hippie era of the 1960’s, when Timothy Leary had no doubt leafed through Aleister Crowley’s Goetia, to thence praise him as being a New-Age icon.

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Then the physicists realised that string theory could provide something, which had so far eluded them: a single unifying theory, combining the physics of the very smallest and very largest scales, known as quantum gravity. But string theory has one very unique offering, which no other theory of physics has been able to offer. It was able to predict the number of dimensions of spacetime. For the mathematics of string theory to be consistent, the number of dimensions of spacetime must be ten, going fractal.

Initially people took this to be a criticism of string theory. If it predicts ten dimensions and you look around and only perceive four (three spatial dimensions and one time dimensions) then you might enquire: “Where are the other six dimensions to conjure?”

But Kaluza and Klein had solved that problem sixty years earlier, they rolled all the other dimensions up, which is none to dissimilar to the Cabbalists reducing ten back to one, whose numerological focus is primarily that of nine; or to be otherwise rebelliously summed up as a Succubus to conjure.

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Whilst exploring the mathematics of string theory, the theoretical physicist James Gates and his fellow researcher discovered something rather intriguing, which was buried deep within the mathematical equations of super symmetry. They discovered computer code. The computer code wasn’t just random 0’s and 1’s either, of a pact.

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The code they had discovered is the same code, which is used in computer browser operating system software. Specifically; Block Linear Self Dual Error Correcting Code. Their super string theory of an attempt to explain reality, the ultimate reality, the theory of everything, pointed at what can be construed as being akin to a computer simulation. If you have theoretical physicists discovering computer code in their equations, it would indicate that the universe is a simulated reality.

If so, you have a hypothetical scenario, that we are all living within a quantum computer simulation, which our future descendants have constructed. Just like a computer today, multiple simulations can be run off of the same computer and off of the same program. Whereby if it were the case that our Universe is a simulation as some scientists believe it is, then this universe wouldn’t be the only simulated universe.

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There would also be a myriad number of other alternate realities existing within simulated universes of a Multiverse Matrix; whose mainframe program can manifest as a Succubus within the symbolic interface of the dream, as an inspiring Muse.

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The problem Faustus Crow faced was, how would he ever know if he was living within a computer simulation, the ancient Hindu mystics had termed as being Maya?

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If he could not escape the Maya simulation, how could he ever get to look at it from the outside in?

This is the reason why Faustus Crow has conjured up the Succubus Mephistophina of a Ninth Gate.

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It is she, who enables him to access the Multiverse Matrix of (Eiwaz) Yggdrassil via his ‘browsing’ lucid dreams, whose alternate realities are occupied by her Obsidian Butterfly sisterhood of Succubae, to also conjure; for it is the infernal Muse Mephistophina who had inspired Crow’s Succubus grimoire of shadows.

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DREAM BOOK SUCCUBUS GRIMOIRE

Posted in Alien, Anime, Art, Chaos Magic, Comics, Demon, Demonology, Devil, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Manga, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 25, 2015 by FAUSTUS CROW

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A grimoire is a textbook of magic, which is the literary fare of Harry Potter. These books typically have instructions on how to create magical objects, like talismans and amulets, as well as to how to perform magical spells, charms and divination.

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A grimoire also lists supernatural entities, such as Angels, Spirits, and Daemons, which are sometimes liberally illustrated; they are somewhat likened to that of art books; although they are more like proto-comics in style.

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The illustrated entities, which populate a grimoire, are of similarity to a Yidam. A Yidam is essentially a two-dimensional image, which is seen to be a repository for a type of deity associated with Tantric or Vajrayana Buddhism.

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The Yidam usually depicts a deity, who is shown copulating with a female counterpart, called a Dakini; the imagery of which tends to be highly erotic. The term, erotic, is the operative word here, not pornographic! Those whom castigate this practice as being merely pornographic entirely miss the point of Dream Yoga, more so those who indulge in externalising it of base hedonism.

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The deity is considered to be a particular manifestation of Buddhahood, as well as the enlightened mind of the Yogi; whereas the Dakini represents the creative power of the deity.

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In medieval Europe a Dakini would otherwise be termed as being a Succubus; although, a Dakini is also like a Genie as well as being an inspiring Muse.

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During personal meditation (Sadhana) practice, the Yogi identifies himself with the focussed upon deity, which represents an attribute, power and state of mind the Yogi seeks to assume, of an inner-self-image, for the purpose of self transformation.

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The Yogi visualises himself copulating with the Dakini, as her deity, which is depicted in the Yidam; whereby he introverts his sexual impulse. This will enable the Yogi to implant his now sexually charged desire into his subconscious mind.

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The introversion of the sexual impulse will then empower the emotive spin of his electron dreams; the goal being to attain a lucid dream, within which the Yogi consciously experiences copulating with the Dakini, who is a bio-photon aspect of the Shakti (Electron) power of the dream.

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The Dakini will then enable the Yogi to assume the guise of the (strange attractor) deity, since the (informational associative fractal) dream, which is the (Shakti) power of the Dakini, will reflect him back as the deity.

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The Dakini is sometimes seen as a self created thought-form, which is termed as being a Tulpa. A Tulpa can be constructed from varying symbolic stimuli like that of knitting together a Frankenstein’s creation of a Golem, this is done consciously of artistry; there is nothing strange or unnatural about this creative process, since your dreams are already populated with Tulpas.

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The practice involves working towards the chosen Tulpa construct manifesting into three-dimensional form as a fully interactive reality.

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As mentioned, this is very much the case within a lucid dream, which is the initial phase of a Tulpa manifestation. It is also believed that a Tulpa can manifest into physical reality; although this only occurs on very rare occasions, for a brief time, as a kind of Ghost, which tends to be only seen by the operator. However, such a conjuration into physical reality usually manifests as associative synchronicities, which is sometimes followed by corresponding poltergeist phenomena.

When a lucid dream is achieved, the dream will be the three-dimensional experiential manifestation of the two-dimensional image of the Yidam.

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In other words, the three-dimensional experiential inner reality of the dream will be pre-programmed by the focused upon two-dimensional Yidam.

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The Yidam would equate with an illustration of a spirit in a grimoire. The term, Yidam is sometimes translated as meaning, meditational deity, or, tutelary deity.

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Examples of Yidams include the meditation deities of, Chakrasamvara, Kalachakra, Hevajra, Yamantaka, and Vajrayogini, all of whom have a distinctive iconography, with associated mandalas and mantra rites of conjuring them as Tulpas.

You can then see a grimoire being illustrated with Yidams of the spirits, which have accompanying mandala sigils and seals, as well as having mantra names, via which a practitioner can conjure the spirits as Tulpas within his/her lucid dreams.

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Not all Yidams depict a deity copulating with a Dakini; many of which just illustrate Dakinis, upon whom the Yogi meditates, while imagining himself sexually engaging with them of Dream Yoga.

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This is of course dependent on whether the Yogi is of a heterosexual persuasion or even of a bisexual orientation.

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A Dakini can be depicted of modern expression as a female character out of a comic, Manga or Anime who symbolically represents a psychic power or an ability the practitioner seeks to attain.

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A Dakini can even be seen as an alien girl, piloting a time travelling UFO of a TARDIS, who represents (Sleipnir) information pertaining to the Star Trek future, to thereby remote view via a lucid dream by the practitioner, who has assumed the (deity/Odin) guise of a ‘Dr Who’ shaman.

Whatever form the Dakini is depicted as, of a two-dimensional Yidam painting, it will determine the type of scenario the practitioner will access of a three-dimensional interactive reality within a dream.

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The male version of a Dakini is called a Daka, which is the primary focus of the patriarchal grimoires; hence, I have totally reversed their all male (Daka) paradigm, towards that of the female (Dakinis) of ‘Anima’ preference.

Although, if your sexual orientation is otherwise predisposed, you can stick with conjuring up Daka Angels and Demons of traditional commonality, betwixt and between your ‘Animus’ fixation upon a machismo God and a butch Devil seeking to enter unto your orifice.

This fact of symbolic logic can either put a broad smile on your knowing face when to become as the Shekhinah vessel for your God, or for you to rapine scream that you are being possessed, due to your sheepish ignorance. Well, what do you bloody expect, a male does enter into a woman, it’s ‘fucking nature!’

GOETIA GIRLS SUCCUBUS ART BOOK ‘TWO’ IS NOW AVAILABLE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON CREATESPACE, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: CREATESPACE PREVIEW, CLICK HERE

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

The COLOUR version of Book Two will soon be published. The cover artwork below is for the Black & White version of book Two.

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

Book Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three is on its way!

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GOETIA GIRLS SUCCUBUS ART BOOK GRIMOIRE 1

Posted in Alien, Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , on May 4, 2015 by FAUSTUS CROW

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Book One of the Goetia Girls: Succubus Art Book is available on Createspace and Amazon in paperback. Book Two is also available; the details of book Two can be found below.

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Book One, is printed on white paper, with a full colour matte cover, as well as being fully illustrated with 38 illustrations, numbering 166 pages.

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The above cover design, at the top of this page is for the Colour version of book One.

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There is also a cheaper Black and White version of the book available. Please CLICK on the PHOTOS of the Paperback books for more Detail.

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Goetia Girls book ‘One’ illustrates the first Twelve Succubae of an alternate Goetia. There are two other books in the series, illustrating the rest of the 72 Succubae. Book Two illustrates the next Twenty Four Succubae.

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Each of the books will be created in Colour and Black an White versions. The artwork below features Mephistophina, who is depicted in the Goetia Girls book One.

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The paperback book of Goetia Girls book ‘One’ is very different of page layout and design to the present Kindle book.

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The Kindle book is more graphic of a comic strip illustrative style; whereas the paperback books are designed along the lines of a classical grimoire.

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This may raise Hell with some readers, but due to the time and effort involved, the paperback books of Book Two and Three will ‘NOT’ be converted into Kindle versions.

As mentioned, there will be two versions of the Goetia Girls paperback books. For example Book One has different covers, in order to differentiate the Colour and Black and White versions from each other.

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The cover for the Black and White version of the Goetia Girls paperback book ‘One’ is depicted below, whose style, as prior described is in keeping with the classical grimoires, which tended to not be in Colour.

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The books can be acquired from Createspace as well as from Amazon. (CLICK on the ‘Book Cover‘ images above for further CREATESPACE details.)

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Please Note: The Amazon Book previews for the paperback are not high quality due to the large file sizes of the artwork and the book its self. If you want to have an idea of what the inside of the books look like, please Check out the Createspace previews instead.

GOETIA GIRLS: SUCCUBUS ART BOOK: COLOUR VERSION: CLICK HERE FOR AMAZON.

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GOETIA GIRLS: SUCCUBUS ART BOOK: BLACK AND WHITE VERSION: CLICK HERE FOR AMAZON.

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GOETIA GIRLS: SUCCUBUS ART BOOK: COLOUR CREATESPACE PREVIEW, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK: COLOUR, BOOK AVAILABLE ON CREATESPACE, CLICK HERE.

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GOETIA GIRLS: SUCCUBUS ART BOOK: BLACK & WHITE CREATESPACE PREVIEW, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK: BLACK & WHITE, BOOK AVAILABLE ON CREATESPACE, CLICK HERE.

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GOETIA GIRLS SUCCUBUS ART BOOK ‘TWO’ IS NOW AVAILABLE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON CREATESPACE, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: CREATESPACE PREVIEW, CLICK HERE

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR BOOK AVAILABLE ON CREATESPACE. CLICK HERE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II COLOUR CREATESPACE PREVIEW, CLICK HERE.

The cover artwork below is for the Black & White version of book Two.

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

Book Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three is on its way!

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire