Archive for ghost

GHOSTS OF THE FIFTH DIMENSION TESSERACT

Posted in Alien, Chaos Magic, Discordianism, Ghost, Occultism, Poltergeist, Science Fiction, Shamanism, Sorcery, Time Travel, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , on July 24, 2015 by FAUSTUS CROW

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What exactly is this other realm of the dream, how can it be defined? The film, entitled: Intersteller, may lead to an insight concerning dreaming, which investigated the fifth dimension.

In general, the film concerns an astronaut, who finds himself being caught in the fifth dimension, whom was able to travel through time, which enabled him to observe his own past.

He eventually found a way to interact with the past by making certain objects move, such as pushing books onto the floor.

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The daughter of the astronaut within the third dimension could not see him, which included his own self, who existed in the past, apart from his daughter observing what was construed as being poltergeist phenomena, when to see books mysteriously falling onto the floor.

The observed poltergeist phenomena was put down to the house being haunted by a ghost; although, the past self of the astronaut took a more scientific perspective of the events, which invariably led him to being caught in the fifth dimension.

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This came about when the astronaut journeyed through a wormhole into a fifth dimensional tesseract intersecting various moments of his daughters life.

He then realised that the wormhole as well as the tesseract were created by a future human civilization, which allowed him to communicate with his daughter through gravity waves.

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The wormhole can be otherwise equated with the Near Death Experience (NDE) of observing a tunnel, which often leads to a (fifth-dimension) life-review.

The (fifth dimension) life-review of the Near Death Experience, when seen in association with the film, Intersteller, leads to an interesting perspective concerning poltergeist phenomena as well as the manifestation of ghosts, and other similar paranormal events.

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What is more, the film interestingly covered the theme of the astronaut haunting his own past self from out of the future.

So, if you find weird light phenomena manifesting in your photographs, or observing orbs and shadowy ghostly forms hovering around, to perhaps also experience poltergeist phenomena and weird dreams involving an indistinct humanoid form, or otherwise looking like bug eyed Alien Greys, which are attempting to make contact…

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You might just find out that it is your own fifth dimensional self, who is attempting to warn you about using pesticides in your back garden, which is decimating the Bee population.

Of course, the general consensus of the scientific community are saying they do not know what is going on. But then many of the scientists have been upended by corporate industrialists, along with the political muscle of orthodox religion to keep them silent.

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For example, the American Congressman Paul Broun who is a member of the ‘House Committee on Science, Space and Technology,’ believes that the Earth was created in six days as described in the Bible, and that the Earth is 9,000yrs old going by the ages of the Biblical patriarchs.

As for evolution, the big bang, embryology, climate change as well as various species succumbing to rapidly increasing extinction events, big-game hunter Broun, considers them to be all lies. He isn’t the only one who believes that the Earth was gifted to humanity by a deified Animus, as their personal property, there are numerous other whoring politicians being shagged up the arse by their industrialist paymasters, who are just as fluoridated brainwashed as he is.

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There are a number of genuine scientists who are very concerned about the condition of spaceship Earth, but they are being hampered by a fascist theocracy, whose religious politics moulds the perception of many minds. The scientists are well aware that the environment has been systematically poisoned with numerous industrial chemicals since the end of WWII.

The Disappearing Male ~ Biphenyl A (BPA) ~ Where Have All The BOYS Gone? from DianeDi on Vimeo.

These chemicals are severely impacting the fertility of humans let alone other species across the planet; whereupon you can easily deduce it is obviously affecting the Bees, which, if the situation gets any worse, it will invariably lead to a catastrophic knock on affect, such as the crops dying off, just like in the film, Interstellar.

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The communicated information from your own ghostly self would be more shocking, should you be a Mason of a local NASA Lodge, whose commonality of symbolism utilises the motif of the Beehive.

You may even remember what Einstein said concerning the extinction of Bees, who was well aware that the nuclear fallout from various tests would affect the Bee population, whose demise would be duly followed four years afterwards by the extinction of humanity.

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You might decide that it is your duty to don on your 1969 spacesuit and get involved in the Secret Space Program, which is preparing a chosen few to vacate the planet, looking for a new Earth, such as Kepler 425b in the Cygnus constellation.

But in order to colonise Kepler 425b, it will require a very secret wormhole (NDE tunnel) technology right out of the film, Interstellar. You will of course consider such to be mere science fiction; but, keep in mind, the further away the galaxies are, they do seem to be travelling faster than light, due to the space in which they are in, is expanding.

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This means that time is folding back on its self; for when travelling faster than light, time can move backwards; wherefore, you have Eternal Recurrence, symbolised as as an Ouroboros of a self-enclosed timelike curve.

As for the Near Death Experience, when becoming incorporeal, as information, you may just find that you are forever returning via the uterine tunnel of Eternal Recurrence rebirth, back into your life.

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Such a possibility would indicate that your experiential reality is a Maya Simulation, whose Matrix has been created by your far flung future descendants.

Alas, you forget each time, when reborn. But, your fifth dimensional self remembers, who is haunting your Interstellar dreams as a (informational) ghost.

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GHOST QUEEN, LADY DATURA

Posted in Chaos Magic, Demonology, Devil, Ghost, Lucid Dreaming, Occultism, Poltergeist, Shamanism, Sorcery, Succubus, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 22, 2015 by FAUSTUS CROW

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The Native American Chumash of the Southern coastal regions of California speak of a ghost woman called Momoy, who can either manifest as a very old crone looking like a Witch, or to otherwise appear as a ravishingly beautiful sorceress, of an ethereal appearance, whose visionary manifestation is that of a most wanton Succubus.

Momoy is the spirit of the Datura flower, specifically Datura meteliodes, but this name is actually a synonym of Datura inoxia, which is a Mexican plant, whose flower is narrower than its Datura stramonium counterpart, having ten teeth at its flower rim rather than five. In the US, it is sometimes called ‘Western Jimson weed’ because of its resemblance to Datura stramonium.

The Datura family is known for its potent hallucinogenic properties, which includes Datura stramonium; wherefore Momoy can be very dangerous indeed to the unwary, who has an intriguing link with the author Carlos Castaneda, whom spoke of partaking of Datura.

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Most people commonly associate Castaneda’s experiences of altered states of consciousness being induced by the scared plant, Peyote; but the principle plant he partook of was Datura, which played the primary role in his early experiences into other realities, being his famous and most often cited experience of shapeshifting into a Crow.

The connection with Momoy becomes far more apparent when Castaneda mentions that his Yaqui teacher into Toltec sorcery, Don Juan Matus, was not too fond of Datura, which he otherwise called Yerba del Diablo, the ‘Devil’s Weed.’ In the Castaneda’s narrative Don Juan Matus claimed that its nature was not unlike that of a most seductive woman, who is a powerful sorceress.

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Don Juan Matus related: “She (Datura) is as powerful as the best of ‘Allies,’ but there is something I personally don’t like about her. She distorts men. She gives them a taste of power too soon without fortifying their hearts and makes them domineering and unpredictable. She makes them weak in the middle of their great power.” 

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Datura inoxia, is considered to be the ‘younger sister’ of Datura stramonium by the Mixe tribe of Oaxaca in Mexico, who believe the stramonium plant houses a spirit called Ta:gamih, meaning, ‘Grandmother.’ She is usually called upon when divining cures.

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During a ritual the male practitioners  partake of 3×9= ‘twenty-seven’ seeds (note: twenty-seven reduces down to nine) and women use 3×7= ‘twenty-one’ seeds. In Mexico the Catholic church believes the plant was created by their Devil, and like Mephistopheles it entices people to make pacts with its spirit.

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Whereby you have the alternate name, Yerba del Diablo. Although, since the natives consider Datura to be feminine of quality you could alternatively see it as being a female version of Mephistopheles to otherwise name as Mephistophina.

You can thereby determine that Momoy has to be treated with great respect, which requires that the practitioner knows the correct proportions and careful ritualistic use of her powerful plant, otherwise she will most assuredly kill an unwary dabbler.

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It is said that if you drink the bathwater of Momoy, being that, of a tea made from the root of her plant it will enable a practitioner to contact a personal dream (Ally) helper, from whom requests can be made, as well as seeing ghosts. The dream (Ally) can be prior determined of a meditated upon two-dimensional image, in order to direct the conjured Datura visions of its three-dimensional manifestation.

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But, the subconscious will generate its own visionary material, which will formulate of intricate associative correspondences, like that of a tortuous dream. So, the practitioner has to be very careful about the imagery he chooses to meditate upon of a prior ritual.

In other words, his beliefs will determine the nature of the Datura visions, more so those underlying beliefs and forgotten memories, he is totally unaware of; whereupon it is a case of, “know thyself, first.”

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That is why, as her Chumash tale relates, Momoy would not let her grandson drink of her essence, since ‘he did not know of the proper use of her power and its dosage,’ which of an overdose can lead to hellish insanity and his eventual demise.

The name of Momoy can also be found in the ancient tradition of the Bocon zone in the Merida State of Venezuela. However, Momoy is otherwise seen as small ghosts called Momoys, which are commonly depicted looking like bearded gnomes, wearing phallic hats, or in the same shape as the Datura flower. Although the image of the gnome depicts the shaman partaking of Datura, not the spirit its self. The gnome like figure is very likely derived from a European influence, since the natives do not have beards.

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The Momoy shamans are seen to be adept at contacting the feminine spirits living at the bottom of the lagoons, of similarity to what Don Juan Matus communicated about the inorganic feminine intelligence of the Allies, being associated with waterholes. The duty of the Momoy shamans is to look after the natural environment by interacting with the spirits, whose domain is the watery amniotic realm of uterine dreams.

The problem is that Momoy has since been taken out of her ritualistic context for mundane recreational use, whose unwary users should look into why Datura is called Jimson weed, or Jamestown weed in the US. The name stems from the town of Jamestown, Virginia, where British soldiers became drugged with it while attempting to suppress Bacon’s Rebellion.

They are reported to have spent eleven days going literally insane. You can thereby gather that Momoy should ‘Not’ be taken by those who are mentally unstable; for she can trigger off schizophrenia in those who are susceptible.

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Anglophone settlers in California often called Datura, ‘Indian whiskey’ because of its intoxicating ritual use by many tribes, which gave rise to the name, ‘Sacred Datura.’ Other common names include ‘Indian Apple’ and ‘Nightshade,’ (not to be confused with Solanum) Devil’s Trumpet, Stinkweed, Locoweed,  Pricklyburr, Devil’s Cucumber, Hell’s Bells, as well as Thorn Apple. The commonality of the names warn of an inherent danger that Datura can induce madness in the uninitiated; although, madness is often aligned with genius; suffice to say, lady Datura is quite crazy.

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The Tongva tribe call it Manit. Mexicans call stramonium and inoxia, Tolguacha, or Toloache, whose power will enable a practitioner to enter into the surrealist realities of their deep subconscious, which can be a cathartic experience.

The Maya of the Yucatan use the ‘Mehen xtoh-k’uh,’, in the same way as Datura inoxia. It has a long tradition of being used for conducting prophecies and oracles (similar to Brugmansia sanguinea). The Aztecs also used Thorn Apple, which they called Mixitl.

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Momoy has been partaken of by other aboriginal Americans across the Americas, such as the Algonquin, Cherokee, Marie Galente, and Luiseño, who also used this hallucinogenic plant in sacred ceremonies.

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The Canadian ethnobotanist Wade Davis, who authored the Serpent And The Rainbow, investigated the superb Haitian synthesis of African, Native American and European elder lore, which is called Vodou. Davis identified the usage of Datura stramonium, called ‘Concombre Zombi,’ as being a central ingredient for the concoction of a powder, Vodou priests use to create the Zombies, who are ruled over by Baron Samedhi, whose feminine counterpart is (Momoy) Maman Brigitte.

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The ingredient of the Zombie powder may actually be derived from another plant, which is colloquially known as Burundanga, or ‘The Devil’s Breath,’ in South America. Datura and the Devil’s Breath both contain the chemical called scopolamine. But the Devil’s Breath is far more potent, which is derived from a particular type of tree common to South America, called the ‘Borrachero’ tree, loosely translated as, the ‘get-you-drunk’ tree.

Like the Zombie powder, scopolamine can be blown into the face of a passer-by on the street, and within minutes, that person is under the drug’s effect; scopolamine is odourless and tasteless. The Nazi regime as well as the CIA used scopolamine as part of their interrogations, with the hope of using it like a truth serum. But it was untrustworthy due to the ensuing hallucinations it induced. You can then fathom that the Nazi scientists and in turn the CIA’s appropriation of the Nazi discoveries, were well aware of the Zombie powder, long before Davis investigated the ancient practices of Vodou.

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As for the use of Datura, it is also known of in Africa, such as Ethiopia, whose Debtrawoch (lay priests), use Datura stramonium to ‘open the mind’ to be more receptive to learning, and creative imaginative thinking, since it enables the practitioner to access hypnagogic trance; whereby to then dream, while awake.

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However, should the dream be a nightmare, the practitioner will not be free of its horrors, until the affects of Datura have subsided. The common name ‘Datura’ originates from the ancient Sanskrit word, Dhatura, meaning plant, which was used in ancient India, where the plant is considered to be particularly sacred.

Datura is believed to be the sacred plant of the Hindu God Shiva Nataraja; for via its use Shiva (the [shaman] Lord of Yoga) was therefore able to contact Kali, who is the (Momoy) queen of ghosts, the mother of the dead. (Shiva can be equated with the Vodou Loa, Baron Samedhi; whereby (Momoy) Maman Brigitte equates with Kali.)

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In the old world of Europe, Datura was associated with Witch ‘flying ointments’ (Castaneda flying as a Crow into [eternal recurrence] eternity) and various hex (hexagram/sexagram) rituals for the conjuring of spirits.

The seeds were also used as a narcotic ingredient in ritual beer. Gypsies used Datura ritually to banish as well as to attract ghosts, who are said to have known of the Thorn Apple for such ‘ritual’ practices, they were not conducted lightly; Datura is not to be partaken of for a bit of escapist fun; as mentioned prior, she is a dangerous lady.

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On the night of the 30th of November Gypsies would place the seeds of Thorn Apple outdoors; the next day they would then throw them into a fire. If the seeds cracked loudly, then the winter would be hard and dry.

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The seeds were also used for shamanistic divination rites; such as those conducted by Lapp shamans, which involved the placement of nine to twenty-one seeds upon a marked animal skin of a drum. The skin was then beaten so that the seeds would be vibrated to jump around and, depending on the position of the seeds (on or between the marked lines upon the drum skin) it was then divined, whether a sick person (man/9 or woman/21) would be cured or not.

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The number of the seeds is curious, which is similar to the dosage of the Mixe ritual for a man and a woman. But then Datura was originally brought to Mexico by the European colonists, some of whom no doubt remembered their pre-Christian (Momoy) heritage, since there is a similarity of ritualistic usage between cultures.

But, then again, Datura may have entered the new world long before the Conquistadors ever st foot in the Americas; whereas the oriental species was brought to Europe by the Scythian’s and later by the Tarot reading Gypsies.

The plant is widely distributed throughout Eurasia, the Caspian Sea, Mexico, and the North American East coastal region. Overall, it does appear that Momoy has travelled far and wide as a ghost, housed within a plant, which be as her hallucinogenic body, her dangerous flesh.

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DREAM BOOK SUCCUBUS GRIMOIRE

Posted in Alien, Anime, Art, Chaos Magic, Comics, Demon, Demonology, Devil, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Manga, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 25, 2015 by FAUSTUS CROW

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A grimoire is a textbook of magic, which is the literary fare of Harry Potter. These books typically have instructions on how to create magical objects, like talismans and amulets, as well as to how to perform magical spells, charms and divination.

A grimoire also lists supernatural entities, such as Angels, Spirits, and Daemons, which are sometimes liberally illustrated; they are somewhat likened to that of art books; although they are more like proto-comics in style.

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The illustrated entities, which populate a grimoire, are of similarity to a Yidam. A Yidam is essentially a two-dimensional image, which is seen to be a repository for a type of deity associated with Tantric or Vajrayana Buddhism.

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The Yidam usually depicts a deity, who is shown copulating with a female counterpart, called a Dakini; the imagery of which tends to be highly erotic. The term, erotic, is the operative word here, not pornographic! Those whom castigate this practice as being merely pornographic entirely miss the point of Dream Yoga, more so those who indulge in externalising it of base hedonism.

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The deity is considered to be a particular manifestation of Buddhahood, as well as the enlightened mind of the Yogi; whereas the Dakini represents the creative power of the deity.

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In medieval Europe a Dakini would otherwise be termed as being a Succubus; although, a Dakini is also like a Genie as well as being an inspiring Muse.

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During personal meditation (Sadhana) practice, the Yogi identifies himself with the focussed upon deity, which represents an attribute, power and state of mind the Yogi seeks to assume, of an inner-self-image, for the purpose of self transformation.

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The Yogi visualises himself copulating with the Dakini, as her deity, which is depicted in the Yidam; whereby he introverts his sexual impulse. This will enable the Yogi to implant his now sexually charged desire into his subconscious mind.

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The introversion of the sexual impulse will then empower the emotive spin of his electron dreams; the goal being to attain a lucid dream, within which the Yogi consciously experiences copulating with the Dakini, who is a bio-photon aspect of the Shakti (Electron) power of the dream.

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The Dakini will then enable the Yogi to assume the guise of the (strange attractor) deity, since the (informational associative fractal) dream, which is the (Shakti) power of the Dakini, will reflect him back as the deity.

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The Dakini is sometimes seen as a self created thought-form, which is termed as being a Tulpa. A Tulpa can be constructed from varying symbolic stimuli like that of knitting together a Frankenstein’s creation of a Golem, this is done consciously of artistry; there is nothing strange or unnatural about this creative process, since your dreams are already populated with Tulpas.

The practice involves working towards the chosen Tulpa construct manifesting into three-dimensional form as a fully interactive reality.

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As mentioned, this is very much the case within a lucid dream, which is the initial phase of a Tulpa manifestation. It is also believed that a Tulpa can manifest into physical reality; although this only occurs on very rare occasions, for a brief time, as a kind of Ghost, which tends to be only seen by the operator. However, such a conjuration into physical reality usually manifests as associative synchronicities, which is sometimes followed by corresponding poltergeist phenomena.

When a lucid dream is achieved, the dream will be the three-dimensional experiential manifestation of the two-dimensional image of the Yidam.

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In other words, the three-dimensional experiential inner reality of the dream will be pre-programmed by the focused upon two-dimensional Yidam.

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The Yidam would equate with an illustration of a spirit in a grimoire. The term, Yidam is sometimes translated as meaning, meditational deity, or, tutelary deity.

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Examples of Yidams include the meditation deities of, Chakrasamvara, Kalachakra, Hevajra, Yamantaka, and Vajrayogini, all of whom have a distinctive iconography, with associated mandalas and mantra rites of conjuring them as Tulpas.

You can then see a grimoire being illustrated with Yidams of the spirits, which have accompanying mandala sigils and seals, as well as having mantra names, via which a practitioner can conjure the spirits as Tulpas within his/her lucid dreams.

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Not all Yidams depict a deity copulating with a Dakini; many of which just illustrate Dakinis, upon whom the Yogi meditates, while imagining himself sexually engaging with them of Dream Yoga.

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This is of course dependent on whether the Yogi is of a heterosexual persuasion or even of a bisexual orientation.

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A Dakini can be depicted of modern expression as a female character out of a comic, Manga or Anime who symbolically represents a psychic power or an ability the practitioner seeks to attain.

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A Dakini can even be seen as an alien girl, piloting a time travelling UFO of a TARDIS, who represents (Sleipnir) information pertaining to the Star Trek future, to thereby remote view via a lucid dream by the practitioner, who has assumed the (deity/Odin) guise of a ‘Dr Who’ shaman.

Whatever form the Dakini is depicted as, of a two-dimensional Yidam painting, it will determine the type of scenario the practitioner will access of a three-dimensional interactive reality within a dream.

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The male version of a Dakini is called a Daka, which is the primary focus of the patriarchal grimoires; hence, I have totally reversed their all male (Daka) paradigm, towards that of the female (Dakinis) of ‘Anima’ preference.

Although, if your sexual orientation is otherwise predisposed, you can stick with conjuring up Daka Angels and Demons of traditional commonality, betwixt and between your ‘Animus’ fixation upon a machismo God and a butch Devil seeking to enter unto your orifice.

This fact of symbolic logic can either put a broad smile on your knowing face when to become as the Shekhinah vessel for your God, or for you to rapine scream that you are being possessed, due to your sheepish ignorance. Well, what do you bloody expect, a male does enter into a woman, it’s ‘fucking nature!’

GOETIA GIRLS SUCCUBUS ART BOOK ‘TWO’ IS NOW AVAILABLE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR BOOK AVAILABLE ON AMAZON, CLICK HERE.

Book Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Amazon.

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NIGHT-MARE SUCCUBUS TIME TRAVEL DREAMS

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 6, 2015 by FAUSTUS CROW

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I utilised the Succubus conjurations as a means to explore potential abilities, which can be construed as being psychic. When as a youth, I decided to conjure up a Succubus in order to induce the psychic ability of precognition and retrocognition.

The employed technique required implanting the focused upon symbolism of the Succubus into the infernal depths of my subconscious mind. The implanted symbolism would then become as a trigger within the dream. The trigger-symbol enabled lucidity to be attained, when it was recognised within the dream.

The initial erotic focus upon the Succubus involved introverting the sexual impulse so that its emotional energy of a charge empowered the spin of an electron dream. This was achieved when creating artwork depicting the Succubus, which was also meditative of practice. When creating the focused upon two-dimensional imagery I also utilised a name of the Succubus as a Mantra, which I repetitively intoned of a Spell, while I worked upon the images of meditation.

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The imagery of the Succubus was that a knit-together Frankenstein construct, of a symbolic formula. This involved a fusion of symbols from popular culture and mythology, symbolising my desire to attain the remote viewing ability of precognition and retrocognition, within a lucid dream, which is essentially a form of time travel.

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My experiment at the time was to access retrocognitive information pertaining to a particular geographic locale in the far distant past.

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The creation of the focused upon imagery eventually led to a number of dreams, within which I noticed the implanted symbolism of the Succubus was starting to formulate of a three-dimensional inner reality. The initial dreams tended to be highly erotic of nature.

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This then led to the experience of the Old Hag Syndrome, of sleep paralysis, as well as that of a formless Bedroom Invader presence entering the room, which is an initial phase of hypnagogic trance ingress into conscious dreaming. When experiencing the Old Hag Syndrome, I called out the Mantra name of the Succubus as well as visualising her (Sigil) seal.

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I then experienced having an out of body experience, to then find myself consciously entering into the dream. I observed my still sleeping body upon the bed and that I was standing in my room, looking out of my window, though, at a distance from its slider portal of a kind of inner time tunnel.

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What I could see of a scene outside of the window was not of the usual urban environment. What I saw looked to be a desert terrain over which loomed tortured orange clouds. I thought at first that I had successfully accessed the desired time period, until I smelt an overwhelming scent of death and decay when getting closer to the window of a portal.

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I decided to look out of the window of a portal to see where I actually was. It was at this point I realised that the scene was of a scarred WWI battlefield, somewhere in Europe, possibly France. I then noticed what appeared to be a rather bedraggled German soldier wearing a gas mask, looking up at me, who had a flame thrower.

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I had the distinct sensation that he was observing me, as if I was some kind of ghost, hovering in the fetid air above him, as some kind of winged eye of an orb. I felt that the soldier was severely traumatised by his horrific circumstances, as well as being shocked by what he was seeing.

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From my vantage point, the German soldier was standing in the approximate area at the end of my garden. I then awoke from the dream, feeling somewhat drained due to the vivid intensity of the dreaming experience, since I was also accessing aspects of his life and other associated information. Of course, I couldn’t prove any of it to myself; whereupon my perspective was that the dream was primarily symbolic of nature, rather than proving that time travel from within a lucid dream was possible.

I then proceeded to write down the details of the time travelling dream experiment, which I felt was unsuccessful, though interesting, since it was a most vivid lucid dream.

About three hours later, I heard my parents excitedly calling me. At the time, they were doing a spot of gardening. Suffice to say, my parents were totally unaware that their young son was conjuring up Night-Mare Succubae to ride out of a grimoire.

I went to see what my parents wanted of me, to find them at the end of the garden where I had previously seen the German soldier in the dream. My parents then presented me with a rusty WWI German helmet they had discovered at the very spot where the German soldier had stood. At that moment I felt like I was a Slider Dr Who, whose loving assistants are Succubae.

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It appeared that a previous tenant, who was no doubt a British soldier had acquired the German helmet as a trophy, which he later used as a garish flower pot; that, or he was a Hippy artist who had obtained the helmet from his grandfather to place, Make Love, Not War, flowers in its cavity during the Vietnam conflict.

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Whatever the case, said helmet was eventually buried, to thence be rediscovered under intriguing circumstances, at a time, when I rode a Succubus as my TARDIS.

Although I had not accessed the desired time period within the induced lucid dream, I had otherwise seen a possible past event concerning WWI, as well as experiencing an associated precognition of Slider browsing, which may have been due to some of the symbolism I was creatively using at the time, of a meditative focus.

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The experience led to a science fiction conjecture that it could be possible to access the electron dreams of an individual in the past to thereby impart spun information to, of a technological nature, which could potentially lead to engineering an alternate reality. Such may be a possibillity when to consider the vivid dreams of Nikola Tesla, wherein of which he had derived many a futuristic invention beyond his then present time-frame.

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After this experiment I decided to utilise the same technique to see an event three days ahead in time, which was successful.

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I still have the German WWI helmet in my possession, as a reminder that precognition within an engineered lucid dream is indeed possible. Hence, for me, time travel is a reality; wherefore my interest in the subject.

When science eventually finds a technological means to replicate what can be achieved from within a lucid dream, you will then have a time travel technology.

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But then again, the scientists may have already achieved this feat behind closed doors. Whether you believe me, or not, as the case maybe, I do not care at all. If you want proof, best find out for your own self.

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SUCCUBUS HOUSE OF THE HUNGRY GHOST GIRLS

Posted in Chaos Magic, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 8, 2015 by FAUSTUS CROW

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Do spirits live in houses within their otherworldly domain, just like the living? Many a psychic have conjectured that they do, which is especially the case, if they be discarnate. Perhaps said spirits are as memories, sensitives pick up when sojourning those old haunted houses, where numerous people down the ages once lived, when corporeal, to later repeatedly haunt as Ghosts.

It is one of the reasons why some shamans build spirit doll houses as their altars, whose ‘meditation’ aid dolls, looking like sexy Anime/Manga kit model icons are macrocosmic repositories for their microcosmic spirit wives of the dream.

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Sounds all rather odd, doesn’t it. But should you observe your dreams, you will find that the motif of the house is somewhat of a habitual constant, along with its surroundings of a city, whose spectral abodes are occupied by numerous denizens of the dream.

These entities who may be manifold (Tulpa) creations of your own psyche, all as mind-dolls; or being otherwise discarnate spirits, then again, they could be other dreamers; perhaps all of the above, and far more besides.

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Your dreams are definitely made of layered memories; much of them are personal to you at one level, which of an analogy, is like you being in your surrealist house, surrounded by the symbolic possessions of varying memories, becoming jumbled into differing surreal scenarios.

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But as soon as you go out of your front door within a dream, of an out of body experience, it is a distinct possibility that you will then find yourself engaging with a mind-map, which is collectively created by the many minds of others, along with your own, where time flows in both directions, from past to future, future to past.

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So, ghosts of the past are presently living, along with ghosts of the future, and you too are as a ghost, yet alive simultaneously like a Schrödinger’s Cat.

Of course, the collective mind-map is not just a creation of other human minds, but also of all those creatures who too share your world; some of them being discarnate; while others primarily exist within the informational realms of the dream, which of the quantum domain, unifies everything between the ‘binary code’ horns of sex and death, the (Alpha) living and the (Omega) dead. But the Alpha of birth and Omega of death are as the head and tail of an Ouroboros; they are both the same of  a superimposition (vaginal) door.

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Your dreams are made of electrons, which can be in many places simultaneously, so say the physicists, which has led to successful experiments in quantum teleportation; whereby your dreams are not just in your quantum computing brain alone.

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It is conjectured that electrons are in fact mini wormholes, whose informational phenomena within the symbolic interface of the dream, would very likely manifest as virtual reality doorways, windows, hallways and stairways amidst your simulated dream house, populated by bound sentient programs.

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All of which of symbolism has been conjured up by your quantum computing brain. Or that of otherwise manifesting as tunnels, caves, whirlpools or bodies of water, whose primary symbolism is organically derived from the feminine principle of the vagina, via which your consciousness can slide through like an erect serpent.

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Whereby it is possible that you can gain spermatazoic ingress into alternate (womb) possibilities, just as the ancient shamans communicated, whom interacted with a feminine intelligence of these inner (vaginal) portals, they termed as their spirit wives, a European would call (Succubi) Succubae.

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The psychologist Carl Jung would otherwise term the Succubae as being manifold aspects of the Anima, which has Fallen out of the symbolic paradigm.

The established paradigm has an emphasis on the deified Animus, made as a God and Devil; hence the Playgirl grimoires both historical and modern only list Chippendale male archetypes of the Animus.

So, should you dream of a beautiful woman opening her (vaginal) door to then wantonly guide you into her (womb) bedroom, you might just find that you are no longer in Kansas anymore of a planetary sphere, when to leap of rebirth out of her Rose tinted window.

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That’s if you can pull yourself away from her hot embrace; for her vaginal star barrelled wormhole is forever hungering for your emotional charge to spin its uterine vortex.

When to become lucid within an electron dream, you are then enabled to conjure a particular Succubus; wherefore you are then able to slide into a desired dream (womb) locale of another mind-map underlying an alternate Earth next (vaginal) ‘door.’

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Should she let you into Lilith’s Harem, that is; since you will then be aware that she is a Succubus, along with knowing of the existence of her myriad legions of ever hungry ghost girl sisters, whom forever hunger for your introverted emotional ejaculations, in order to spin them into sentience.

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Whereby one has to then enter into a symbiotic Coitus Pactum with her as your Night-Mare to ride, otherwise she will become a Nightmare; for fear of an emotional charge will spin her too.

Hence she will manifest as a haunting Old Hag Syndrome night terror, rather than as a Succubus dream lover.

In order to negate the fear from arising, it would require the sorcerer becoming conscious within the amniotic watery domain of the dream, when to attain an ‘amphibious’ state of consciousness at the point of hypnagogic trance ingress; whereupon the Don Juan Matus sorcerer eats the (Anima) Succubus of a conscious seduction instead of him being eaten.

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Wherefore the sorcerer remembers his Coitus Pactum of a dream union with his Succubus when to awaken into a desired possibility, she to microcosmic birth as a macrocosmic synchronicity.

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SLENDER GIRL HORROR MUSE

Posted in Addams Family, Alien, Art, Chaos Magic, CREATIVE WRITING, Discordianism, Extraterrestrial, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 28, 2015 by FAUSTUS CROW

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The Slender Shadow Girl resembles a thin, unnaturally tall nigh anorexic fashion model with a blank and usually featureless face, or to be otherwise wearing a veil, under which she has many faces of desire, who wears a tight clinging Wednesday Addams black dress. Some to say, she looks like a Goth Ghost girl and  that her feline eyes are like black mirrors.

The Slender Shadow Girl has a voracious sexual appetite, who stalks her victims, who are usually male; although, it is said she also has lesbian tendencies. As her victim falls asleep, she leaps out of the shadows, pouncing upon her prey, who then abducts her quarry into a surreal dream world, so that she can sinfully play with her new toy.

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The Slender Shadow Girl is of course based in part upon the supernatural character of the Slender Man, to thence transform into a knitted together Frankenbabe Tulpa, of an exquisite corpse anti-viral meme.

The Slender Man, also known as Slenderman is an entirely fictional creation, which had originated as a popular Internet meme.

The gathered focus upon Slender Man is of similarity to the experiment conducted by a group of Toronto parapsychologists back in the 1970’s, who created a (Tulpa) Ghost of a male character, which generated poltergeist phenomena; it is shame that they did not investigate the archetypal character of a Witch.

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The Toronto group creation of a Ghost can be easily applied to the creation of a Slender Shadow Girl, which lends an insight into the collective creation of Slender Man, who haunts the internet, and in turn the dreams of those whom are susceptible to its sublminal symbolic intrusions into their subconscious minds. It is easy to achieve; for the fear acts as a carrier wave, which empowers the charged symbolism to implant its self into the spun electron dream. But the sexual charge can also be utilised of a potent carrier wave.

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The creation of the Slender Man is like that of the childlike alien Greys, whose eyes are described as being black of obsidian mirrors. The alien Greys can otherwise be seen as being akin to the Black Eyed Children of urban folklore, which leads you to the Succubus of the Slender Shadow Girl.

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However, as for the character of Slender Man, he was initially created by the Something Awful forums user Eric Knudsen (a.k.a. Victor Surge) back in in 2009. In an interview with the website Know Your Meme, Knudsen related that he had been inspired to create the Slender Man from the urban legends of the shadow people, the writings of H. P. Lovecraft, Zack Parsons, and Stephen King (particularly The Mist), and the surrealism of William S. Burroughs. Knudsen’s artistic intention was, as he claimed, “to formulate something whose motivations can barely be comprehended, and [which triggered] unease and terror in a general population.”

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The Slender Man soon went viral, of numerous works of fanart, cosplay and online fiction, which has since become known as, Creepypasta: scary stories, which are told in short snatches of easily copyable text, spreading from site to site. Like the mythic Tulpa, divorced from its original creator, the Slender Man has become the subject of myriad stories, covered by a multiple number of authors within an all encompassing modern mythos. Whether the character would have had the same impact if it had been created as being female, is debatable. Though, probably not, due to the prior media influences, which led to Slender Man’s development of an evolving infatuation with fear.

Stories of the Slender Man commonly feature him dressed in a black undertakers suit with a white silhouetted face. He is sometimes depicted floating, or that of walking with elongated legs, as tall as a tree, which had no doubt been inspired by the ‘Tall Man’ undertaker out of the 1978 cult horror movie, entitled Phantasm. From his reptilian, almost insect like body, several long-stretching limbs, emanate like Cthulhu tentacles, who is said to lurk in Evil Dead film forests, of an archetypal underworld theme, where he stalks, people. As for tangled pubic hair forests, they tend to be the symbolic vaginal haunt of wild Witches dancing Widdershin wise of a blood Moon lit Sabbat.

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But the particular predilection of Slender Man is that of abducting children, of most disturbing sexual overtones, like the 1985 horror movie, Nightmare of Elm Street character, Freddie Krueger, merged with the man in black (MIB) out of UFO lore. You could of course have a (MIB) female version of a Time Travelling WIB strutting her Vogue catwalk out of a Vril saucer, whose dominatrix predilection is that of otherwise abducting male UFO researchers, to whisk away of astral journeying to her underworld womb city of Agartha.

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The Slender Man is not confined to a single narrative, but, as mentioned appears in many disparate works of fiction, mostly composed online, whose elaborate back story has since been developed further to give it the air of chilling authenticity.

This has led to the development of an in depth fictional history for the character, which is said to encompass centuries of global folklore, along with ensuing folktales concerning the Devil, shadow people, vampires, reptilians, UFO’s and extraterrestrials, as well as science fiction themes of an imaginative synthesis.

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For example, you can base the Slender Shadow Girl upon the Leannán sí, Fairy-Lover of Celtic lore, who in Scottish Gaelic is the, Leannan sìth, and in Manx, the Lhiannan shee. She is perceived to be a most beautiful Ghost woman of the Aos sí (people of the barrows) who abducts a human lover. Lovers of the Leannán sídhe are said to live brief, though highly inspired, lives. The name comes from the Gaelic words for a sweetheart, lover, or concubine and is also used as a term for a tumulus or (Agartha) burial mound.

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One of the fictional histories of the Slender Man, describes his fiendish character as being known as Fear Dubh (The Dark Man), in Scotland; whereas the Dutch dubbed him, Takkenmann (Branch Man), and in Germany he is referred to as Der Grosse Man (Tall Man); all of which sounds genuine of adapted folklore, but it is entirely fictional. Although, what is interesting, is that journalists covering the Slender Man of a modern urban myth utilise this fictional folklore as being historical fact, without realising it is all made up.

It just so happens that a beauty spot in the United Kingdom, which has a history of supernatural sightings is said to be haunted by the Slender Man. Its haunt was originally plagued by ghostly sightings of the notorious Black Eyed Child, but it is now being spooked by the more popular Slender Man. Perhaps this due to his viral meme character of a Tulpa creation being fed into by many minds over the ritual web to tremble, which is still evolving of a conjured archetype. One to wonder as to what would have manifested instead of a Triangle of Art haunting, if the cohered focus was otherwise that of a salacious Slender Girl Succubus.

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The tall spectre of the Slender Man has been spotted in Cannock Chase in Staffordshire by several terrified residents of the onetime British mining town. The locals reported seeing the shadowy form of the lean spirit, which had pinprick bloodshot red eyes, wearing Victorian dress, haunting the nearby forest as well as their homes. There are even photographs the entity; though heavily distorted of an unrecognisable form; the photos are more like blurred images.

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One of the residents of Pye Green had reported that she was visited by an entity. She explained: “I was awoken just before 2am by an odd scratching noise in my bedroom. To my astonishment, there was what seemed like a sphere-shaped shadow by the edge of my wardrobe. As I tried to get out of bed and investigate further, the shadow began to stretch towards the ceiling. It was at that point I found myself faced with the most disgusting and horrific creature imaginable. It was about eight feet tall and had a white face with razor-sharp fangs.”

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Another local, from Rugeley, said: “As my eyes opened, I saw a man floating over me. I could see into his eyes, they were a fierce red colour that shook me to my very core. The ordeal ended when the man, who was completely dressed in black with a hat to match, floated higher and higher until he hit my ceiling and disappeared.”

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An investigator going by the name of Lee Brickley is trying to X File fathom why the child-snatching Slender Man, who is feared across the internet of a viral meme creation, has suddenly started haunting Cannock instead of the Black Eyed Child of a prior focus. One of his theories is to do with prior Pagan rites conducted by an ancient Celtic tribe, which he duly dices up with Hammer House of Horror human sacrifice, of an ongoing Romano-Christian fiction, of mere viral-meme propaganda.

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Although the two appear to be connected of a symbolic theme, which is curiously similar to a creature, called the Tokoloshe of Zulu lore. The Tokoloshe is also very much akin to the spirits, which are described in medieval grimoires of varying two-dimensional illustrated forms.

However, the Tokoloshe is usually described as manifesting looking like a dwarf or Gremlin, even like a child at times with sunken black eyes, but it can also assume other forms, such as a Slender Man or even a Slender Shadow Girl, if desired; and what is more, it is purposefully created by a shaman, like that of the Tibetan Tulpa.

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But, going by the Toronto Ghost creation experiment, such creatures may also be inadvertently created by a mass-mind focus, if they are led that way of a religious sentiment tinged with fear, which initiates a sustained fixation; whereby becoming as a viral-meme manifestation.

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Lee, related: “To get so many sightings at roughly the same time is unusual. One theory is that this has nothing to do with the supernatural and eye-witnesses are experiencing sleep paralysis, where individuals’ eyes are open but they are still in a state of sleep, and therefore unable to move. There are reports of Slender Men seemingly pinning victims down, as if sitting on their chest. That could well be down to sleep paralysis.”

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It is indeed associated with (Old Hag Syndrome) sleep paralysis, of an initial phase of hypnagogic trance ingress int the dream. Your unbridled fear determines what you tune into via the dream; wherein your fears can take on ‘lucid dream’ flesh, which is more so the case when it is of a collective focus; whereby you transform your fear into something else; otherwise, you will end up being abducted into a collective (viral meme) nightmare, to then believe it is all for real, when to awaken out of the horror.

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The viral meme creation of the Slender Man, has inadvertently inspired a religious sentiment to develop, which of a habitual consequence leads to horrific crimes being committed, because of a blind belief in its reality. One example being that of two girls from Wisconsin, USA, who stabbed a 12-year-old classmate 19 times, whom claimed they wished to commit murder so they could impress their Slender Man incubus like it was some kind of deity.

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It is of a similar religious phenomenon, concerning the myriad believers who seek to impress their deity, who have committed numerous atrocities throughout history; such as the Witch burnings, to that of the holocaust, all because of a scripted viral meme, which has been passed down the Biblical generations.

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Hence the ensuing wars, which has and still is afflicting their so called Holy Land of the Middle East, of continual slaughter. So, should those of a religious bent of mind castigate your conjurations of a Slender Shadow Girl Succubus, such as Faustus Crow conjuring up his ‘Anima,’ Mephistophina, as depicted in the watercolour (please click for details) painting, above, as being morally perverse of mere pornography…

You just point out that their own ritualistic conjurations of a deified ‘Animus’ of an egregore, has led to the sacrifice of myriad numbers of innocent Lambs across the globe, behind its ‘Faceless’ physiognomy of a monotheist altar. But they will invariably say, “he loves you;” or should one more accurately say, “loves to eat you,” Slender Man style!

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BATGIRL HELL’S ANGEL BIKER BABE BATHIN

Posted in Art, Chaos Magic, Comics, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 30, 2014 by FAUSTUS CROW

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The Eighteenth Succubus archetype of the Fallen Anima is Bathin. She is a Mighty and Strong Duchess of the seventh planetary dimensional sphere, and appears like a most beautiful woman wearing a snake skin corset, whose belt trails like a tail of a Serpent, or to otherwise manifest looking like Bat-girl out of the DC comics.

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She knows the virtues of hallucinogenic herbs and what precious stones to use for scrying. She can also transport the ‘Ba’ of her conjuring Surrealist comic Artist suddenly from one place to another of ‘pure thrust’ throughout space and time, whom will be enabled to enter any place; for his ‘Ba’ be ‘Thin’ of an ethereal substance.

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She will be seen of an Artist’s vision as a Valkyrie biker sitting upon a pale-coloured Iron-Horse, or that of being part woman, part Bat bike, or shapeshifting into a motorcycle for her Surrealist Frankenstein Artist to ride as his Tulpa dream machine.

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She rules over 30 Legions of Bat-girl Succubae, whose protective temperament is that of Hell’s Angel Valkyries, all as Art Muse Witches.

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Bathin’s Succubus seal is to be meditated upon by the conjuring comic Artist prior to conjuring her within a lucid dream as a Bat-girl Art Muse.

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The composite name of Bathin is probably comprised of two words, being, ‘Ba’ and ‘Thin.’ The word Ba is derived from the ancient Egyptian term for the spirit of an individual, which was always portrayed as a human-headed bird, usually a human-headed falcon.

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The Ba bird represents an ecstatic out of body experience, just as the Bat symbolises the out of body phenomenon in other spiritual systems, such as that of the Toltec’s to the Aztec’s of ancient Mexico.

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In ancient Egyptian art, the Ba was often shown hovering over the deceased’s mummy or leaving or entering the tomb at will, of a ghostly ‘thin’ form, which in turn influenced the mystique of Vampire Bat. Hence you have ‘Ba’ and the word, ‘thin,’ as in, rarefied as air and without solidity or substance.

The word Ba is usually translated as, soul or spirit. However, the Ba can be otherwise seen as the dream body. In shamanistic systems, the dream body is also associated with the symbolism of the serpent, representing hypnagogic trance, via which the shaman can become amphibious of consciousness; hence achieving an out of body experience; whereas the symbolism of the ‘Horse’ represents the power of trance and the ability to out-of-body travel where the shaman desires to go, of erotic exploration, should he be so predisposed.

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In some shamanistic traditions, the out of body experience was facilitated by hallucinogenic herbs or that of intensely staring at crystalline structures, such as that of gemstones.

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The Ba is considered to be one of the specific components of the human being, as understood in Egyptian thought. In the New Kingdom, the Ba was a spiritual aspect of the human being which survived, or came into being, at death or when consciously accessing trance. It was endowed with the person’s individuality and personality. The Ba occasionally revisited the tomb of the deceased; for the dead body is its rightful home.

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Animals were sometimes thought to be the Bau (plural of Ba) of deities. At Heliopolis, the Bennu bird was called the Ba of Re. At Memphis the Apis bull was worshipped as the Ba of Ptah or Osiris. At times, Osiris himself was called the ‘Ba of Re.’ However, in the context of shamanistic practice, when the shamans (Ba) spirit leaves his body, he can also shapeshift into other forms, such as animals within his dreams; wherefore he can take on the alternate form of a Bat if he so chooses.

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The ancient Egyptian concept of the Ba could also represent anonymous deities or powers, which can be equated with an Avatar, as used within a virtual reality of a computer game. As such, they are occasionally represented in various mythological contexts; wherefore within a virtual reality of a dream, a conjuring comic Artist can assume the alternate guise of an Avatar, such as Batman.

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These Ba are shown greeting the Sun or travelling with it in its barque. In some illustrations of the Book of the Dead, Ba birds are shown towing the barque of the Sun during its nightly journey through the underworld. The Sun in this context not only represents the Sun of the macrocosm, but also alludes to the inner Sun of the microcosm, whose light is that of the bio-photon emanating from the mitochondrial DNA, which illuminates your electron dreams.

Should you otherwise equate Bathin with the modern slang term, which alludes to ‘bathing,’ you can then equate Bathin with the usage of a floatation tank, which of a simple, though highly effective technique the ancient Egyptian’s may have utilised, in order to initiate an out of body experience, such as the Kings sarcophagus found within the pyramid of Giza.

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You can then see Bat-girl Bathin initiating your out of body experience, while you float within a Kings sarcophagus of a floatation tank containing a ‘Hin’ of saline solution; Hin being an ancient Hebrew unit of liquid measure, which is equal to about one and one half gallons (5.7 litres); hence, you also have, Bat-Hin.

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