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THE THIRTEENTH DOCTOR WHO

Posted in Art, Chaos Magic, Dr Who, Occultism, Shamanism, Sorcery, Succubus, Time Travel, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 17, 2017 by FAUSTUS CROW

The science fiction TV series Doctor Who is a significant part of British popular culture as well as elsewhere, which has gained a cult following, that was named as being TV’s longest-running science fiction show, after forty-three years and seven hundred and twenty three episodes, according to the Guinness Book of Records.

Doctor Who has influenced generations of British television professionals, many of them had grown up watching the series.

The actress Jodie Whittaker, whose Yorkshire surname is of Anglo-Saxon origin, will be remembered as being Doctor Who’s ‘thirteenth’ Time Lord, the first woman to be given the role. (Many a Yorkshire Witch who is aware of the ancient Indo-European Triquetra [Mother, Maiden, Crone] symbol will know of the occult significance of the number thirteen.)

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The Thirteenth Doctor’s identity was prepped to be revealed on the 15/07/17, and then shown in a trailer on the 16/07/17, which had been broadcast at the end of the Wimbledon ‘Men’s’ singles final. (The number 16 is rather curious, concerning the association with the Tarot card of the Tower XVI, which is associated with a shocking revelation.)

Not long before, Andy Murray, a champion of equal pay in women’s tennis ‘strung up’ a sexist reporter on the 12/07/17, which was covered by extensive Hanged Man XII media attention on the BBC, etc. (It’s almost as if the media hype about Murray hanging a sexist journalist was a set-up, just prior to the Doctor Who revelation. Then, not long after the BBC was hit, when it was revealed that their actresses were getting far less money than their male counterparts. As for myself, I have never got my head around why women who do the same jobs as their male counterparts are not given equal pay.)

Anyway, what is rather curious is that In ancient cultures, the number Thirteen represented the feminine principle, since it corresponded to the number of lunar (menstrual) cycles in a year (13 x 28 = 364 days). The usual theory of gender politics is seeing the solar calendar, which is generally considered to be associated with the male principle, had bulldozed its way over the lunar calendar of the feminine principle, this led to the number Thirteen becoming anathema; hence seen as an unlucky number. (As in the Tarot card XIII.)

However, the peoples of Northern Europe, such as the Norse and Saxon’s/Anglo-Saxon’s associated the feminine principle with the clockwise solar (Sunna) Swastika of the Sun; whereas the male principle was associated with the counter-clockwise Swastika of the (Mani) Moon. (The symbolic association between the Sun and the male principle is primarily derived from a Middle Eastern source.)  

As for the Doctor Who’s character, he was originally based upon the Norse shamanic deity called Odin, which is originally derived from the Southern Siberian name, Odqan. The Saxon’s knew Odin as Woden, the Anglo-Saxon Christian converts had named as Old Nick, which is a slang name for the Devil. (Tarot card XV)

Odin’s female shamanic counterpart was called Freyja, the Saxon’s called Freo. She was seen as being the ‘golden haired’ queen of Witches and the mistress of Cats, who is of similarity to the Hindu Goddess called Durga. The Goddess Durga has a retinue of female (Succubi/Succubae) spirits called Dakinis, and like Durga, Freyja is the mistress of female (Druden/Succubae) spirits called Valkyries.

Alas, the TV series Doctor Who did not have a female Time ‘Lady’ counterpart, apart from the Doctor having a number of female assistants, which is of similarity to Odin/Woden being surrounded by his Valkyries, who personify psychic (Dakini) powers, the practitioners of Yoga call Siddhis.

Odin/Woden has a singular eye, whose sacred colour is blue, just as Hindu deity called Shiva is associated with the colour blue, who has a third eye. Shiva’s female counterpart is Durga. The Roman’s associated Odin/Woden with the messenger God, Mercury who was originally the ancient Greek deity, Hermes. The Gauls called him Mercurius; whereas the Welsh knew him as Myrrdin, the Norman’s named as Merlin.

Odin/Woden is known as the lord of the Runes, who rode an eight-legged-Mare called Sleipnir, which can be equated with Doctor Who’s TARDIS. (Hence the TARDIS is seen to have a feminine [Mare] intelligence: ‘The Doctor’s Wife.’)

Odin/Woden hung himself into trance upon the world tree called Yggdrassil, which can be seen as representing the multiverse. Odin/Woden travelled the worlds of Yggdrassil throughout space and time, just like Doctor Who, while riding Sleipnir.

The world tree of Yggdrassil is associated with the ‘thirteenth’ Rune called, Eiwaz or Eihaz. When the number thirteen is reduced down to four, you then have the fourth Rune of Ansuz, which is the Rune of Odin/Woden.

The name of Odin/Woden was given to the third day of Wednesday, the cartoonist, Charles Addams named his female character Wednesday Addams after. In Spain, Wednesday Addams is called Merlina, being the feminised name of Merlin. Wednesday Addams is also called Odina and Wodena.

This leads us to the role of Doctor Who’s antagonist who is called the Master, whom returned in the eighth series in a new female incarnation called ‘Missy, played by Michelle “Gomez,” which is short for ‘Mistress,’ whose nigh dominatrix character is very similar to an elder Wednesday Addams.

Missy was eventually upended by her older male self, while she aided the twelfth Doctor, played by Peter Capaldi, whose female companion, acted by Pearl Mackie was the first openly gay sidekick called Bill Potts. But Potts reign on the show is set to be short-lived, which may be due to having a female Doctor Who. Suffice to say, Doctor Who is no longer for the wee kiddies anymore. The TV series has evolved into more adult fare apart from competing egos projecting their own issues onto Doctor Who.

But then again, was Doctor Who, really a children’s program? The children’s slot, severely constrained its story-lines. Whatever the case, many would construe that the escapism of Doctor Who is becoming entangled in present gender politics, which has also been observed creeping into films, comics and video games, etc.

What is often left out of the equation is how female viewers feel about the mythic character of the Doctor. The twelfth Doctor, played by Capaldi, lost a lot of viewers, which was put down to his age. Whereas the previous more youthful Doctor’s played by Matt Smith and David Tennant had higher ratings.

This is very likely due to the heterosexual female viewers fancying the pants off of the eleventh and tenth incarnations of the (Odin/Woden) Doctor’s, while imagining themselves to be their (Valkyrie) companions. As for the heterosexual male viewers they were attracted to their corresponding female (Valkyrie) companions who imagined themselves to be (Odin/Woden) Doctor Who.

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I am aware that such an observation of the ‘Animus,’ and ‘Anima’ archetypes and that of media ‘role models.’ will cause a lot of aggravation to the feminist extremists; as well as stirring emotionally charged reactions from those who consider themselves to be social justice warriors.

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All of them will very likely scream, that this is a sexualisation of a kiddie TV show; well, what about Potts then, let alone Jack Harkness, played by John Barrowman, who was the first openly homosexual character in the history of televised Doctor Who!

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Potts and Jack are cool characters, whose sexuality was emphasised. Although, when it came to the eleventh Doctor’s romantic tryst with his ‘Impossible Girl,’ called Clara ‘Oswald,’ played by Jenna Coleman, there was a moralistic outcry from certain sections of the audience, which led to the twelfth Doctor being non-sexualised, having Potts as his companion, and an ensuing big dip in the TV ratings. (Oswald, by the way is derived from the fourth Norse/Saxon Rune, Ansuz, As, Os, Os-wald/weald-rule. Clara means, bright/famous.) 

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Biology always wins concerning the attraction between the sexes. It’s nature, and she’s a bitch! Let’s be entirely honest here, as mentioned, little boys don’t just watch (Odin/Woden) Doctor Who because he represents a ‘male role-model,’ they also fancy his female (Valyrie) companions, just as the little girls fancy (Odin/Woden) Doctor Who, whom liken themselves to be as his (Valkyrie) companions. Another example is that of the girls chasing after (Odin/Woden) Harry Potter, and the boys getting hot and bothered over (Freyja/Freo) Hermione Granger; however, the Hogwarts characters never got it together.

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The main problem here is that there was no female (Freyja/Freo-Durga) role-model counterpart of (Odin/Woden-Shiva) Doctor Who. This could have been easily remedied by having a female (Freyja/Durga) Doctor Who popping in from an alternate universe, who has the (Tantric) hots for the male (Odin/Woden-Shiva) Doctor, and now vice versa, of a present female (Freyja/Durga) Doctor encountering an alternate male (Odin/Woden) Doctor, to have a tumultuous (Yin/Yang) relationship dynamic across (Tao/TARDIS) space and time. If you believe in equality, there you go!

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You cannot socially engineer nature out of existence, otherwise you will invariably engender a huge backlash from the core audience; the majority of them are not gay. The BBC is well aware of this fact just as Hollywood is; the loss of viewers will invariably lead to the demise of Doctor Who, and in turn losing their monetary revenue.

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Many of the Hollywood films featuring male actors, are not, and never were aimed at a male audience; they are specifically targeting the heterosexual female audience in particular, just as the spandex superhero genre of comics does so, and likewise video games, etc. But such usually goes totally under the radar; nothing is really said about it at all.

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However, when an actress gets the limelight, it is self evident who the target audience is, which has become heavily politicised by feminist politics. This is entirely understandable concerning equal pay for actresses; but it is not all about wages, is it; much of it is to do with a protest against seeing women as sex objects; this is very much the case when it comes to comics and video games. What about male sex objects?

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For example, Hollywood would lose a lot of money if they had James Bond looking like an everyday pot-bellied balding male. The male audience will be able to bond with a Bond looking like them, who are getting rather collectively pissed-off that they have to live up to a machismo media image. But the female audience will be running for the cinema exit to Oprah Winfrey watch Fifty Shades Of Sharia Law Grey instead, just as they ran off when the twelfth Doctor turfed up.

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Doctor Who can be utilised to explore various social issues and differing sexual persuasions, such as having energetic Potts revealing her sexual leanings, Jack winning over the audience with his show stealing charisma, let alone introducing other characters swinging both ways. The childlike innocence that the TV series once had is now no longer the case. But there has to be an equal balance, otherwise the core audience will be lost.

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The gender politics of Doctor Who is part of a far bigger political push, which is rapidly engulfing other media and the Arts; it is becoming the new Entartete Kunst. The difference being that Doctor Who’s rebellious (Odin/Woden) character exists within a (Yggdrassil) multiverse, which allows for the diversity of differing cultures, beliefs, ethnicities and sexual persuasions, etc, whereby having a never-ending stream of mythic story-lines going ad-infinitum.

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Having a female (Anima) Doctor Who (Freyja/Freo) will thereby need to attract the males, in other words, she will have to be ‘SEXY,’ just as a (10th/11th) male (Animus) Doctor Who (Odin/Woden) attracted the females. In this case, the usual formula is reversed; the female viewers will find themselves being presented with a (Animus) male (Lord) companion of a female (Lady) Doctor Who; that, or a male (Animus) Doctor Who (Odin/Woden) pops in from an alternate universe. If not, the BBC is purposefully intending to sacrifice the longest running science fiction TV series on the face of the planet, upon the rather lop-sided politically correct altar of present gender politics, which in the main, is stemming from media machine ‘Borg’ America. Do you think the BBC would be stupid enough to do that? WHO knows!

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At the end times of the day, Shekels talk far louder than words, which is habitually Dalek short-sighted, who to cry (Tarot card XIII) Exterminate!

NOTE: As a kid, watching Doctor Who, I imagined myself being like him, like a lot of other boys did. What is honestly not covered is the important role of the Doctor’s female companions, many of whom young boys dream of being with, while imagining themselves as their male-role-model Doctor Who.

A number of my female friends, are honest about their infatuations with certain male actors who have played various incarnations of Doctor Who, who imagined themselves as being his companions.

For example, a Trekkie ex-girlfriend of mine had the hots for Picard out of Star Trek, another had a crush on Spock, since she was a girl, who are not at all interested in female versions of them; whereas I liked Deanna Troi, but especially T’Pol out of the Enterprise.

So, you can gather that a lot of heterosexual female viewers of Doctor Who will not be at all pleased with a female version of the Doctor, unless she has an attractive (Animus) male companion.

That is, the novelty of having a female Doctor will last for but a short time, unless a balance can be established, of having a ‘female-role-model’ with a (Animus) ‘male companion.’

Should the writers introduce a male companion into the show, due to the present political climate, I can easily predict what will be done, which will be a very big mistake, if the ‘Social Engineering’ writers go there… 

As for the heterosexual male audience, a female Doctor Who, will need to be (Anima) ‘Sexy,’ while having a corresponding ‘male-role-model.’ When I say, sexy, I do not mean getting her kit off, posing as a Venus!

If the writers make the character of a female Doctor Who to be like a mother figure espousing feminist politics, then you can say good bye to Doctor Who.

When it comes to politics in general, in the Doctor Who UK, the referendum revealed the politicians for what they truly are, to all those who voted remain or leave.

None of the politicians had a back-up plan, since none of them imagined that it would go the way it did.

Why? Because ‘none’ of the politicians are in control, who are instead in the pay of Brussels; they are just a load of pompous self-serving whoring puppets.

The government intends to censor the questioning internet via the backdoor, saying that they are protecting your children, while every Siri ‘Iphone’ is watched. It is the inverse Yoni ‘triangle’ sign of the Orwellian times shafting the mother of parliaments; but from where it to have stemmed, of having your ‘Liberty’ eroded between the lightening struck asbestos ‘Towers’ of Boaz and Jachim XVI?

It goes to the front ‘door’ of a whoring government, of IRA conflict Margret Thatcher, Libyan war Hilary Clinton unto Syrian war Theresa May, who, like their male counterparts use the war on terror to control the masses, fearing Wahabis nutters, whose brain-dead minions are no different to Nazis assailing the Vera Lynn ‘white cliffs of Dover.’

Where are the anti-fascists facing off the black flags of the Wahabis and other theocratic fascist extremists? None to be seen… at all; for the anti-fascists see all Nazis as being white males. No they are not! The anti-fascists are too, but puppets on an end of an Oily string!

The government puppets, even unto Brussels, whore themselves to the Oily petrodollar Sharia Law desert sands, where little ‘Saharan’ girls have no rights!

So, you had better hope that a real Doctor Who is out there somewhere, who doesn’t look anything like ‘blondie’ York & Lincs Thatcher, Clinton or May, because May’s whoring government is planning to fluoridate the whole of the UK, with China’s excess neurotoxins and mutagenic compounds: fluorosilicic acid, sodium fluorosilicate, and sodium fluoride.

Sounds like a scenario right out of Doctor Who, doesn’t it. However, it is for real! 

The mass-medication practice of fluoridating the public water supply was banned in Communist China due to their Doctors finding that it dumbs down the children’s brains, to rot.

You will not hear about it on the BBC, or the mainstream, which is owned by the mothering government. The mainstream media is totally under their control!

You will have to look for the information elsewhere, from Doctors, scientists and researchers; this is not a conspiracy theory. You will have to educate yourself before the government censors them across the internet under the misdirection pretext of protecting your children’s innocent brains to duly dope up with neurotoxin fluoride, which is used in sedatives. It is the real reason why the water is fluoridated.

They’ll be putting lithium in the water next! You think I’m kidding. No I am not! The government is planning to mass-medicate your children with lithium, they are already doing it in some parts of Ireland.

Some mother states can be very controlling, which is especially the case when they do not have children of their own, who, like a superiority complex ridden Dalek treats everyone else like a mass-medicated child to smack down, chipping they’re fluorosis afflicted teeth.

Little wonder then that many seek to escape into the escapism of Doctor Who, whose female incarnation is to make her entry onto your Orwellian TV screens, during the Christmas festivities, around the over-watched world tree of Yggdrassil. 

But it be far better that the protesting feminist female Doctor Who’s save the children from the totalitarian fascist Daleks.

The female Doctor Who’s have shown their influence over politics, let’s see where they can truly wield their sonic screwdriver power, where it actually ‘Counts The Most.’

OVERALL: I hazard a guess that the Thirteenth Doctor Who will only last about three programs after which it will rapidly go downhill. The BBC will then blame the decline of Doctor Who on irate misogynists, etc.

Should this indeed occur, then the BBC planned it that way, since there are previous examples of political correctness destroying franchises, whether they be comics indulging in forced diversity, Video Games, such as Mass Effect Andromeda being afflicted by SJW’s, and the film Ghostbusters, etc.

It is not a case of irate misogynists, ruining the social-engineering ideas of a screaming few, it has far more to do with the audience seeing through the obvious gender politics. The common-sense audience just wants to be entertained, by good and imaginative story-lines, which have a balance between intriguing male and female characters.

Doctor Who has for a long while been a male role-model. It would have been quite easy to have introduced a female counterpart of Doctor Who, whose female role-model of a character may have eventually had her own spin-off-series, just like Torchwood.

This would be especially the case if her character was a female version of James Bond fused with Doctor Who, looking like Caroline Munro or Jane Fonda; although that would be targeting the heterosexual male audience and accompanying lesbians; whereas a dashing male Doctor Who excites the heterosexual female audience and homosexuals. The bisexuals would enjoy both programs. Then you have a win, win situation!

The producers of Doctor Who are very much aware of the previous social-engineering disasters; but there are some in the BBC who really hate Doctor Who and are looking for a way to end its long-run, once and for all, without them being the target of the fans. The fans will instead turn on one another. So Tarot Card XIII is quite apt.

Unless the Thirteenth Doctor Who turns out to be like Make Love Not War, Barbarella.

But that would really piss off the feminist extremists who have taken Doctor Who into a gender war, which is no longer for the kiddies.

I suspect the blond Thirteenth Doctor Who alludes to Thatcher, May and Clinton, if this is indeed the case, then her Triquetra character will be truly horrendous, who may very likely have a male assistant looking like Trump, battling against a Kim Jong-un Master in drag!    

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GOETIA GIRL KIMARIS, HAITIAN VOODOO QUEEN OF NEW ORLEANS

Posted in Addams Family, Chaos Magic, Cyberpunk, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 18, 2014 by FAUSTUS CROW

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Kimaris is the sixty-sixth Succubus of the Goetia, whose name is a composite of Ki, as in ‘Kia,’ and Maris. The word, Kia is derived from the language of the Kalahari Bushmen of South Africa, which is a term describing, trance.

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Whereas, Maris, is of the Latin, meaning, ‘of the sea,’ from the term Stella Maris, which refers to the Virgin Mary, the Sirius star of the sea, and the ocean of space, somewhat like the ancient Egyptian Goddess Nuit.

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Although, space in the context of Kimaris, refers to the amniotic astral ocean of inner space; hence her connection to trance.

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She is also known by the alternate names Cimeies, Cimejes and Cimeries, which could be construed as being misspellings of Kimaris.

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She manifests as a goodly Mambo riding a black ’58 Thunderbird; who may appear looking like the horror hostess, Elvira, wearing a black, gothic, revealing, cleavage-enhancing gown.

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Her wickedly vampish appearance is offset by her comical character, quirky and quick-witted personality, and Valley girl-type speech out of New Orleans.

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Or she may manifest as a female version of Baron Samedi, smoking a Cuban cigar. She possesses the abilities of locating lost or hidden treasures, teaching trivium (grammar, logic and rhetoric) as well as making her master into a powerful Houngan.

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It is said she carry her master over seas and rivers very quickly in her macabre Voodoo car, which symbolically refers to hypnagogic trance. She holds the rank of Marchioness, and is served by 20 legions of Succubae.

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Kimaris can be seen as being similar to, Maman Brigitte (Grann Brigitte, Manman, Manman Brigit, Manman Brijit) who is a death (trance) lwa and the female counterpart of Baron Samedi of the Vodou pantheon.

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She has a liking for drinking rum infused with hot peppers, whose power animal is a black Rooster. Although, Kimaris probably has a Dog as her psychopomp familiar called Sirius, or Gonk.

Like Samedi and the Guédé, Brigitte has a wicked sense of Discordian humour, which tends to be liberally peppered with outrageous sexual innuendos and various hilarious obscenities.

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The over the top Monty Python humour of Brigitte, Samedi and the spirit family of the Guédé’s is utilised to remind you not to take yourself too seriously, as well as making wiry social comments about the insanity of those in power.

For example Maman Brigitte would have exposed her right breast at a Super Bowl XXXVIII, which was broadcast live on February 1, 2004 from Houston, Texas on the CBS television network in the United States, just like Janet Jackson did.

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She might even say: “It’s truly embarrassing for me to know that 90 million people saw my breast, and then to see it blown up on the Internet the size of a computer screen …” “But there are ‘much worse things in the world,’ and for this to be such a ‘focus,’ I don’t understand.”

HOUSTON

It just so happens, while Jackson’s exposed Entartete Kunst breast shocked hypocritical church, synagogue and mosque leaders, along with whoring politicians, whom raged and frothed at the mouth, demanding an immediate crackdown, and widespread debate on Elvira indecency in broadcasting, there was an inquiry into the failure to find WMD’s in Iraq, which damaged the credibility of the US and Britain.

However, the general public had been otherwise whipped up to be far more concerned about Jackson’s baby feeder breast, of perceived pornography, than to be worried about the pornography of a war raging in Iraq. When you see the joke, you have to laugh, otherwise you will go quite mad.

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The humour of the Guédé’s is also utilised to offset a morose state of mind, which tends to afflict those whom explore the arena of the occult, which is primarily due to their dogmatic attitude of an indoctrinated religious sentiment.

The comical antics of the Guédé’s entered upon the worldwide stage, when they influenced the dark humour of the 1960’s sitcoms of The Addams Family and The Munsters, whose characters are akin to the Guédés.

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As a New World lwa, Maman Brigitte is syncretized with various saints, including: Saint Brigid, and Mary Magdalene who protects gravestones in cemeteries if they are properly marked with a ‘solar’ cross. Brigitte originally comes from pre-Christian pagan Britain of a Woad skinned Cimmerian.

Her name originates from Brigid, the Celtic ‘triple goddess’ of light, poetry, smithcraft, and healing. It is very likely that Brigitte entered into Haiti when pagan Europeans were fleeing the persecution of their elder faith by the inquisitional church, during the genocide of the Witch burning era.

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Brigitte’s origins is revealed by a Creole song, which is chanted in ceremonies: “Maman Brigitte, li soti nan anglete;” when translated is: “Maman Brigitte, she comes from England…”.

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Maman Brigitte is presently seen to be the wife of Baron Samedi, who is the Master of the Cemetery and chief of all the departed ancestors, who are collectively known as lwa Guédé. Hence Kimaris is described in the Goetia, ruling over the spirits of Africa; but as Brigitte she rules over the spirits of Europe as well; suffice to say, she has no time for racists. The connection between Brigitte and Samedi indicates a wedding of a sublime synthesis between the European and African pre-Christian elder faiths.

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It is traditional that the grave of the first woman buried in any cemetery in Haiti is consecrated to Maman Brigitte, upon which her ceremonial cross is erected. She is then invoked to ‘raise the dead,’ in order to cure and save those who are afflicted with a deathly illness caused by malign maledictions. Below is a song about Maman Brigitte sung in Vodou healing ceremonies in Haitian Creole:

“Mesye la kwa avanse pou l we yo! Maman Brigitte malad, li kouche sou do, Pawol anpil pa leve le mo (les morts, Fr.) Mare tet ou, mare vant ou, mare ren ou, Yo prale we ki jan yap met a jenou.” 

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English translation: “Gentlemen of the cross (deceased ancestors) advance for her to see them! Maman Brigitte is sick, she lies down on her back, A lot of talk won’t raise the dead, Tie up your head, tie up your belly, tie up your kidneys, They will see how they will get down on their knees.”

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The healing chant can be interpreted as meaning, “tie up your belly, ‘gird up your loins’ to prepare for the strain of the ritual, we will make the people who did this evil spell get down on their knees to beg pardon and receive their punishment.”

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The primordial practices of Haitian Vodou appears to be quite separate from the high tech futuristic world of cold cybernetics. However, the Cyberpunk author William Gibson sought to forge a Neuromancer bridge between these apparently separate realities in his novel Count Zero. The principle character of the novel is a hacker extraordinaire, going by the name Bobby Newmark, whose handle is Count Zero. Newmark encounters an artificial intelligence on one of his jaunts into the virtual realities of cyberspace, which manifests as a woman, surrounded by wind and stars who saves him from flatlining.

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Newmark does not why he had encountered the woman on the net, or why she had saved him from certain… death. Newmark’s journeying into cyberspace is none too different to that of a shaman attaining trance ingress into a lucid dream.

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Further on into Gibson’s mythic work of synthesis, we meet up with the mysterious girl, Angie Mitchell, whose head has been rewired with a neural network, which enables her to channel entities from out of Cyberspace without a deck, who is in essence, possessed, like a medium communing with the realm of the dead.

Newmark eventually meets Beauvoir, who is a member of a Vodou cyber sect, whom relates that in cyberspace the entity he actually met was Erzulie, and that he is now a favourite of Legba, the lord of communication. Erzulie is a lwa of love and sexuality, you can also fuse with Kimaris, since sex (1) and death (0) become one in superimposition state orgasmic trance.

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Erzulie’s full title is Erzulie Freda Dahomey. The name of, Freda is derived from the Norse Goddess of sexual love and Witchcraft called, Freyja, mistress of Cats, the Saxon’s knew as, Freo.

Catwoman Freyja is also a Goddess of the dead, who has similarities with the Celtic Goddess Brigid.

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Freyja’s male counterpart is the shamanic deity called Odin, the Saxon’s knew as Woden. Odin is seen to be very much akin to the ancient Greek shamanic deity called Hermes, who is the lord of communication; whereby similar to the African lwa Legba.

Odin is also the lord of the dead, who has similarities to Baron Samedi. Although, another lwa called Papa Ghede, who is similar to Baron Samedi wears spectacles with one lens missing, which appears to refer to Odin having a singular eye. In other words, the Northern European deities have been assimilated by African Vodou, which has led to a superb cross-cultural symbolic synthesis.

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Beauvoir explains to Newmark that Vodou is the perfect spiritual paradigm for this era, because it is pragmatic – “It isn’t about salvation or transcendence. What it’s about is getting things done .”

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Gibson’s book intuitively grasps that there is a need for a symbolic interface with the coming cybernetic technologies of virtual reality systems, which leads the reader into the organic symbolism of Haitian/New Orleans Voudou.

As a fan of jazz and other urban music, which Gibson knows is heavily influenced by African rhythms, he instinctively found a symbolic interface, which had the necessary fluidity to evolve alongside an ever evolving technology, whereby allowing the user to not forget their humanity in the process.

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There are many intriguing associations, which Gibson had discovered between the African-descended spiritual system of Vodou and an emerging high-tech future of cybernetics; these associations are shamanic of orientation. But, what do you expect, shamanism is all about altered states of consciousness, which requires you to have an in depth understanding of your own neurology. Gibson is tapping into the zeitgeist concerning the coming singularity, which fuses cybernetics with the science of neurology. Though at first seemingly unrelated, Gibson sees the synthesis of Vodou as providing us with one of the hidden keys to the Matrix, which is the need for a symbolic language form to be used by a virtual reality interface with the machine; this is in essence none too different to the symbolic language form of the dream.

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Kimaris empowers shamanic trance ingress into the amniotic astral ocean of inner space, which is technologically mirrored by Cyberspace, where a sorcerer can conjure the Succubae into his lucid dreams, who are all as sentient programs; with whom he can thence engage himself with, within their virtual reality dream worlds.

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Kimaris may make you wonder if the singularity has already occurred and that you are existing within a vast computer simulation.

When you come to this realisation, you might just hear Livivng Dead Girl Kimaris purring into your left ear of clairaudience, reminding you of a Schrödinger feline, along with smelling a waft of cigar smoke, mixed with the aroma of rum.

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