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SHAMAN TRANCE TARDIS HORSE DRUM

Posted in Art, Chaos Magic, Dr Who, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 29, 2017 by FAUSTUS CROW

The Artwork depicts a Siberian shaman drum. The drum in Siberian shamanism, in particular, is symbolised as being the trance horse the shaman rides into an ecstatic state of consciousness. The motif of the horse is often symbolised as being an eight-legged Mare. 

The eight-legs of the Mare represent the eight cardinal directions, which are also associated with the eight points of a ‘cube.’ Hence in the Tarot card of the ‘horned’ Devil XV, which depicts a demonised ‘horned’ shaman, he is traditionally depicted seated upon a ‘cube,’ you could imaginatively associate with the TARDIS of Doctor Who, since the shaman saw the drum as a macrocosmic tool, that empowers his microcosmic trance ingress into other (inner) realities.

At the centre of the ‘cube,’ and at the centre of the eight cardinal directions you have a ninth point. Whereby the eight-legged Mare was also associated with the world tree interlinking nine (worlds) states of consciousness, which of a symbolic formula was painted upon the drum skin. 

The eight-legged-Mare is also a fusion of two horses, representing the two nerve channels running along either side of the spinal (world tree) column. These two (horses) nerve channels belong to the Autonomic-Nervous-System. When these two (horses) nerve-channels are brought into balance via meditative (hypnotic) drumming, the two horses become fused, as the eight-legged-Mare, which activates the central-nerve channel of the Central-Nervous-System running along the centre of the spinal (world tree) column.

When the central-nerve channel is activated, the shaman will experience the arousal of what is known to the Yoga practitioner as the Kundalini-Shakti, along his spinal (world tree) column. The Kundalini Shakti is considered to be the life-force, which is experienced as being a liquid (fire) light, whose ‘quintessence’ is intuitively felt to have a feminine  (Anima Mundi) source. The Kundalini Shakti may be an intuitive description of the bio-photon, emanating from the Mitochondrial DNA, which is passed down from the mother to her children.

Whereupon the eight-legged Mare is seen to be the (female-centaur) animal form of a Spirit Wife, who manifests as a shape-shifting human (Anima) female within visionary states and bio-photon illuminated lucid dreams, a Surrealist Artist would call an Art MuseIf you are interested in an Art print or the shirt design, etc, Check Out my Redbubble shop, Please Click Here.  

Those of a Westernised temperament will probably find that the symbolism employed by a shaman is a bit too much to swallow, concerning his/her trance tool of a (genie bottle) drum. In order to further clarify what the shamanic symbolism of the drum is communicating in regards to hypnagogic trance induction, which is none too dissimilar to inducing a state of self-hypnosis, find below an excerpt from a research paper:

“Scientific research has determined that drumming patterns are associated with different brain wave activity, as measured by cortical EEG. The research was conducted, to determine if the subjective experience of percussion in general, and rhythmic drumming in particular, would elicit (inner) images or (internal) sensations with a common (symbolic) theme.

Twelve participants were divided into three groups and monitored for EEG frequency response to three separate drumming tapes. These tapes included: Shamanic Drumming, at approximately 4 to 4 1/2 beats per second; I Ching Drumming, at approximately 3 to 4 beats per second; and Free Drumming, which incorporates no sustained rhythmic pattern. Four cortical sites, bilateral parieto-temporal and parieto-central areas, were monitored for each participant during three sessions. At the conclusion of the sessions, each participant prepared a brief written account and was given a tape-recorded interview of his or her subjective experience. These subjective experiences were then categorized according to recurring themes and consensual topics.

This research supports the theories that suggest that the use of the drum by indigenous (shamanic) cultures in ritual and ceremony has specific neurophysiological effects and the ability to elicit temporary changes in brain wave activity, and thereby facilitates (Triangle Of Art Imagination) imagery and possible entry into an ASC (altered state of consciousness – active imagination of varying visionary intensities), especially the SSC (shamanic state of consciousness – hypnagogic trance/ecstasy).

Drumming in general, and rhythmic drumming in particular, often induces (inner) imagery that is ceremonial and ritualistic in content (depending on setting) and is an effective tool for entering into a non-ordinary or altered state of consciousness (ASC – active imagination) even when it is extracted from cultural ritual, ceremony, and intent. 

The drumming also elicits subjective experiences and images with common themes. These include: loss of time continuum; movement sensations, including pressure on or expansion of various parts of the body and body image distortion, “energy waves,” and sensations of flying, spiraling, dancing, running, etc.; feelings of being energized, relaxed, sharp and clear, hot, cold, and in physical, mental, and/or emotional discomfort. 

Emotions, ranging from reverie to rage; vivid images of natives, animals, people, and landscapes; and non-ordinary or altered states of consciousness (ASC – active imagination), whereby one is conscious of the fact that there has been a qualitative shift in mental functioning., including the shamanic state of consciousness (SSC –hypnagogic [the Phase] trance) journeys, out-of body experiences (OBEs), and visitations. 
A pattern that incorporates approximately 4 to 4 1/2 beats per second is the most inducing for ‘Theta’ gain. (Theta frequency is usually associated with drowsy, near-unconscious states, such as the [hypnagogic trance] threshold period just before waking or sleeping. This (acoustic/‘music’) frequency has also been connected to [creative – ‘Muse’] states of “reverie” and [The Phasehypnogogic dream-like images.)

The pattern of the drumbeat as it relates to beats per second can be correlated with resulting temporary changes in brain wave frequency (cycles per second) and/or subjective experience, provided the drumming pattern is sustained for at least 13-15 minutes.(NOTE: The Theta brainwave is depicted in the design.)

NOTE: The excerpt of the research paper, was adapted with notations, from a ‘Presentation Abstract’ by Melinda Maxfield, Ph.D. for the Stanford University Centre For Computer Research In Music And Acoustics (CCRMA).

If you are interested in an Art print or the shirt design, etc, Check Out my Redbubble Shop Please Click the Image Link above.

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SHAMAN SUCCUBUS NIGHT-MARE OF THE MULTIVERSE WORLD TREE

Posted in Chaos Magic, Dr Who, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 12, 2015 by FAUSTUS CROW

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The Mongolian shamans speak of a personal psychic power, called Hii (wind), or Hiimori, which means Windhorse, the ancient Norse shaman knew as Sleipnir. The name of Sleipnir means, ‘gliding one.’

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The Hiimori is seen to be housed within the chest area of the heart; its power is basically the ability to induce hypnagogic (gliding) trance, which will vary in its power according to how you use it.

The Windhorse is sometimes personified as an eight-legged-mare, looking like a female (Succubus) centaur, upon whose back the shaman rides into trance likened to that of becoming like Dr Who riding his TARDIS.

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The personification of Hiimori as an eight-legged female centaur is important here, which describes a means of explaining how she can be summoned.

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The Hiimori is symbolically seen to be tethered to the (multiverse) world tree the ancient Norse called Yggdrassill, which represents the spinal column of the shaman; whereby being his nervous system.

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The pumping heart, of the chest area, is where most of the nerve fibres of the central nervous system are to be found.

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Let’s look at this from a Steampunk perspective, along the spinal column are seven Chakras; the first three from the base, to the navel and solar plexus are to do with the ‘fiery’ energy of’ emotion,’ which is seen to that of the (infernal) lower-world. The other three Chakras from the top of the head, down to the third-eye (pineal gland) and the throat (reptilian brainstem) are to do with ‘watery’ thought,’ which is seen to be that of the (heavenly) upper-world.

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A watery thought by its self is not enough, it requires being heated by the fiery energy of emotion to boiling point, and when the two are successfully working together within your mechanism of a body, you can then activate the heart Chakra of steamy ‘feeling,’ which is considered to be of the Maya-Matrix middle-world.

In other words, a conscious thought, which is not unified with a subconscious emotion cannot be felt in the body; wherefore you then have conflict.

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Whereas, when they are unified you then have a very strong Windhorse to ride, whom allows you to access hypnagogic trance as well as enabling you to think clearly as the rider, when directing your intent towards manifesting a chosen desire, of an inner certainty, as a felt synchronicity.

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The Windhorse of unified thought and emotion also enables you to intuitively feel of an empathic analysis; whereby you can seer through the maze of illusory deceptions, wrought by others, whose own thoughts and emotions are in perpetual conflict, which you can heal, if you ‘feel’ inclined to do so.

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The conflicts between (Angelic) thought and (Daemonic) emotion leads to all sorts of problems. The scientist Dr John C. Lilly would probably term the Angelic of thought as being the Cosmic Coincidence Control Centre (C.C.C.C.), whereas the Daemonic) is the Solid State Intelligence (S.S.I.) of emotion.

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This can be otherwise translated into cybernetics as being the higher-language of the C.C.C.C, while the machine-language is that of the S.S.I; the conflict between the two is due to the confused ‘user’ between the two, being ones self, which can lead to varying ailments eventually manifesting amidst the Maya-Matrix, Earth Coincidence Control Office (E.C.C.O.) of your life.

Your ancient ancestors often saw the heart area of the chest to be symbolically equated with the centre of the Earth, and the Sun at the centre of the solar-system, as well as the centre of the galaxy, and the universe, etc.

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Windhorse is the power which allows shamans and other powerful people to accomplish what needs to be done simply and easily.

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Use of your personal power toward harmful ends, will invariably upset the balance between your thought and emotion, wherefore disturbing the energetic connection with others via whom many a synchronicity is forged of feeling. This will severely deplete your own Windhorse, which will lead to self-destructive behaviour over time.

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This will give you an insight into what is occurring collectively since many are totally unaware of their own power, whose thoughts and emotions are chaotic; hence disconnected from feeling.

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Whereby they are easily controlled by those who seek to sustain the disconnection between the lower-world of subconscious emotion and that of the upper-world of conscious thought amidst the middle-world depression of the collective populace.

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It is basically mass-mind-control, which is perpetuated through engineered beliefs, such as believing there is an ongoing war between Biblical Angels and Demons, for example.

Windhorse can be increased by (performance art) ritualistic actions in order restore the balance between thought and emotion to thereby achieve (gliding) feeling, which will enable the Dr Who shaman to trance ride the eight-legged TARDIS mare into other potential multiverse realities, within his lucid dreams, via which he can conjure Succubae, as well as to time-travel of remote-viewing retrocognition and precognition.

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