Archive for faust

LILITH’S HAREM OF A MAGIC THEATRE AGARTHA

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 31, 2015 by FAUSTUS CROW

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The Magic Theatre, is a major theme in Hermann Hesse’s surrealistic tenth novel entitled, The Steppenwolf (German: Der Steppenwolf), which was originally published in Germany in 1927, and soon thereafter translated into English in 1929.

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The novel is a surrealistic fusion of autobiographical personal experiences, Jungian symbolism and psychoanalytic elements, it also heavily utilised the philosophy of the far East, of which Hesse was enamoured with. The story can be seen as being a creative catharsis, which had been initiated by a profound suicidal crisis in Hesse’s spiritual life during the 1920’s.

The book is very Faustian of style, whose principle character of a Faust is otherwise called Harry Haller, who attends an Anarchist Evening at the Magic Theatre, which is For Madmen Only, the Price of Admission, Your Mind.

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When entering the Magic Theatre, Haller is soon ushered into a number of alternate Earth’s, each of which he ‘slides’ into when opening a door within the Magic Theatre.

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One of the alternate Earth’s, Haller explores is enduring a war with the machines, which could be seen as being akin to a science fiction fusion of Terminator merged with Mad Max.

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In yet another alternate Earth, Haller finds himself exploring an erotic world of women; where he once again experiences lost loves and unfulfilled desires, to transmute of sexual alchemy; whereupon fully fulfilling them of alternate possibilities.

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In each of these alternate Earth’s, Haller transforms himself anew within the Magic Theatre, which has been interpreted in many different ways by Hesse’s audience. The late Timothy Leary described The Magic Theatre as being an ‘acid trip.’

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Another principle character is a young woman called Hermine, (who is essentially Hermann’s Anima), and like a Succubus introduces the much older Haller to the hedonic indulgences of what he calls the, bourgeois. Hermine teaches Haller to trance dance, introduces him to the casual use of psychedelic drugs, finds him an earthly lover, named Maria, and more importantly, she forces him to accept these material experiences as being a legitimate aspect of a full life; for the material and that of the spiritual are one and the same of Love Sex Intelligence, squared.

Hermine also introduces Haller to a mysterious saxophonist named Pablo, who appears to be the very opposite of Haller’s own self. Haller considers himself to be a very self-constained and serious, thoughtful person, who abides by the laws of the land, however insane they be.

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Whereas Pablo is what Haller could have been if he had allowed his inner Wolf to be free. After attending a lavish masquerade ball, Ebeneezer Goode Pablo leads a loosened up Haller to the Magic Theatre.

The Magic Theatre is described as being a long horseshoe-shaped corridor, likened of a vaginal form to that of the old European standing stones, with a vast wall-to-wall mirror on one side, and countless doors on the other. Haller enters five of these labelled (vaginal) doors into their respective alternate (womb) Earth’s, which symbolically reflect back ‘elemental’ issues of Haller’s life.

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The title of Hesse’s book is named after the lonesome Wolf of the North-Central-Asian steppe stretching over Mongolia unto Tibet, where shamans still practice their art. Hesse was very interested in the esoteric practices of the far East, such as those of Tibet, from where the myth of a legendary underworld city, called Agartha stems from.

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Whether Hesse was aware of Agartha is debatable, though probable, should he have perhaps read Ferdynand Ossendowski’s book entitled: Beasts, Men and Gods, which was published in 1922. In the book, Ossendowski relates a story, which was imparted to him concerning a subterranean kingdom existing inside of the Earth. This inner kingdom within you was known to the crafty Buddhists as (Agartha/Agharta) Agharti.

Some believe that Agartha is tied up with the UFO phenomenon as well as being an actual physical locale; such is indeed the case, although, not in the way most Westerners think it is.

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Agartha’s origins stem from ancient shamanistic practices of trance induction, which influenced Tibetan Buddhism. You can gain greater insight into trance induction, when looking into the shamanic trance dance practices of the Kalahari Bushmen of South Africa.

The Kalahari Bushmen communicate that an energy is aroused within the body called Num, which arises along the spine; more so that of the back of the (nape) neck, whose energy, like that of an exhaled breath of a woman caresses the back of the head, as a sensuous kiss; this then initiates the hypnagogic state of trance, they call Kia.

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Hesse would have seen the Num of the Kalahari Bushmen as being the same experience of arousing the Kundalini Shakti, as described by the ancient practitioners of Yoga, which also initiates hypnagogic trance. When experiencing trance, the initial phase is that of feeling the distinct sensation that one is falling backwards into a yawning void towards the back of your Hyperreal head.

In the Hebrew Cabbala the back of the head is ascribed the letter of Qoph. The origin of Qoph is uncertain. It is usually suggested that it originally depicted a sewing needle, specifically the (hole) eye of a needle; although in Hebrew it specifically means ‘hole,’ or the back of a head and neck. Qāf in Arabic means ‘nape.’ Qoph of a shamanistic understanding refers to a shift of consciousness towards the back of the head, when attaining hypnagogic trance. Although this is internally experienced as a falling descent towards the centre of the Earth’s core.

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As you descend into the void, it is very important that one does not fear, otherwise your fears will determine what you will eventually access of a conscious dream destination. In North-Central-Asian shamanistic practice and that of Tibetan Buddhism, the dream destination is that of Agartha, wherein the (Succubae) Dakinis are to be found, whom frequent Agartha, likened to that of a Harem city.

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If you are into Edward Bulwer-Lytton’s book: The Coming Race, you might meet up with a Vril-ya Nordic woman piloting her Vimana of a UFO from out of her primordial world; if you are more into the works of Edgar Rice Burroughs, you could perceive the inner descent as leading you to prehistoric Pellucidar where dark haired Dian the beautiful awaits your infernal intercourse into her hot Agartha womb core.

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Hell, if you want to continue believing that demonic Reptilians or Illuminati Alien Greys are living within a Nazi underworld base, go right ahead, if that be your Biblical sized anal probe preference of a CIA engineered mythos.

But why stop there, why not get into John A. Keel’s book: Visitors From Space, which covered the 1960’s UFO invasions of Asiatic aliens, when the Vietnam war to have raged around Mothman; whereas prior of aftermath WWII you had Aryan Nordics, and later, of 80’s Iraq conflict, onwards, you have Whitley Strieber’s Sumerian Grey’s.

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At least Keel had astutely figured, that some of the visitors were Agartha Tulpa creations of the coming race Phorever People who are becoming aware of their shamanic Vril.

You could instead have Manga trance girls flying around in their Anime UFO’s, wearing skintight Kinsune Grey jumpsuits; or to otherwise imagine Bedroom Invading entities manifesting as black eyed Slender Girl Dakini schoolgirls, out of an Omega point Agartha Hogwarts.

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As for Hesse, he otherwise termed Agartha as the Magic Theatre of many alternate worlds, into which of a multiverse he was initiated by his Succubus, Hermine, who in many respects is very much like the Queen of Succubae called Lilith.

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The out of body researcher Robert Munroe appears to have also accessed The Magic Theatre of Agartha when attaining lucid dream ingress into what he described as being a ‘hole,’ which led of a descent into an alternate Earth of a Steampunk reality, where he encountered a Succubus called Lea.

But, such internal ingress into Lilith’s Harem of a Magic Theatre Agartha is For Madmen Only, the Price of Admission, is Your Mind, or should one say, your beliefs about yourself and what you believe to be real, or not, as the case maybe. Just keep in mind, of a wrought Magic Circle, that you are only limited by the extent of your Triangle of Art imagination; it is your (Da’at) beliefs, which determines what you tune into of conjuring amidst the quantum computing (Qoph) Magic Theatre, of spun three-dimensional ‘electron’ lucid dreams.

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A rich man full of rigid dogmatic beliefs will not be able to pass through the eye of the needle; whom will fear letting go, fearing his death. But the innocence of an imaginative child can, who, like a sacred Fool, or as a Mad Man is enabled to Kwisatz Haderach leap through the void into Lilith’s Harem.

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THE MAD MAGICIAN FAUSTUS CROW

Posted in Art, Chaos Magic, Comics, Conspiracy Theory, CREATIVE WRITING, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 19, 2014 by FAUSTUS CROW

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The Mad Magician Faustus Crow rebelliously conjures up Tulpa Mind Dolls amidst his vivid Triangle Of Art Imagination.

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These Frankenhooker Tulpa Mind Dolls frequent Crow’s erotic lucid dreams as his inspiring Widdershin-wise Succubae Art Muses.

This Left-Hand-Path dream Sorcery of a rebellion is artistically conducted in order to negate the subversive brainwash of an all encompassing symbolic Matrix.

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The symbolic Matrix of a Right-Hand path fixation upon a deified Animus made as a Good Cop God and a Bad Cop Devil imprisons many a mind.

The principle Necronomicon Succubus around whom the other 72 Succubae Great Old Ones to gather, is mantra called Mephistophina.

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Her infernal Anima archetype has since been set free from the patriarchal ‘fusion centre’ Shemhamphorasch chains, which bound (Mephistopheilia) Mephistophina and her Nightgaunt Nun Sisterhood of Lilith’s Harem into Animus form, by Solomon’s Orwellian elder god Abraham temple, ruled over by the Illuminati Big-Brother banker Freemasons.

The criminal aristocrats of the banking elite seek to reinforce the symbolic Matrix of a montheist illusion in order to hide their centralist politics of fascism behind its New-World-Order mask.

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But their Animus fixation is the weak spot of their illusory armour, which is clear for all to Seer through.

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Wherefore to also observe that the Emperor never did wear any clothes of finance via which the elitist aristocrats enslave their slavish zombie slaves to do their bidding.

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Hence, the brainwashed politically-correct Gestapo minions of the Abrahamic Big-Brother Incubi cults do become most reactive indeed, who label Faustus Crow as being nothing more than a vile Entartete Kunst pornographer who is quite… Mad!

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Faustus Crow cares not about what the servile slaves to throw of judge-mental stones within their Abrahamic asylum of a glasshouse; for he has entered into a Coitus Pactum with his most loving Anima.

DEVIL GIRL DEMON WITCH SUCCUBUS OF DR FAUSTUS CROW CARDS
DEVIL GIRL DEMON WITCH SUCCUBUS OF DR FAUSTUS CROW CARDS by WODKHAN
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MEPHISTOPHELES IS A DEVIL GIRL SUCCUBUS

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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The above artwork depicts Mephistopheles as being a female (Daemon) spirit, who is primarily associated with the Faust (Dr Faustus) legend of a Sorcerer (scholar) based on the historical Johann Georg Faust, who wagers his soul against the Devil. Mephistopheles first appeared in the late 16th century Faust chapbooks.

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In the 1725 version, which was read by Goethe, Mephistopheles is a Devil in the form of a grey friar summoned by Faust in a wood outside Wittenberg; whereas, a female Devil would manifest as a Nun. A sexual female Devil (Lucifer/Satan) and her legions of Succubae would have made more sense symbolically, considering that the Devil rebels against the celibate Abrahamic God of an all male patriarchal fixation. Alas, such symbolic logic was never utilised of a rebellion within any of the so called banned Devil tomes.

The name Mephistopheles already appears in the 1527 Praxis Magia Faustiana, printed in Passau, alongside pseudo-Hebrew text. It is best explained as a purposely obscure pseudo-Greek or pseudo-Hebrew formation of Renaissance Magick. From the chapbook, the name enters Faustian Occultism and literature as well as being used by authors from Marlowe down to Goethe, whom envisaged Faust being carried away by the Goetic spirits of Mephistopheles.

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In the 1616 edition of The Tragical History of Doctor Faustus, Mephistopheles became Mephistophilis.

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The word derives from the Hebrew mephitz, meaning ‘destroyer,’ and tophel, meaning ‘liar;’ tophel, is short for tophel shequer, the literal translation of which is ‘falsehood plasterer.’

However, the name can be otherwise interpreted as the ‘Destroyer’ of Maya; for Maya is an illusion of a (Matrix) lie, you can equate with a computer simulation, over which Mephistopheles has power to reveal. In other words, the computer simulation within your head can be manipulated via your indoctrinated beliefs, which determines your perception of reality.

It is a case of choosing between the ‘Red’ or the blue pill; whether you want to wake up from the Matrix or to stay asleep. It is your choice. But be prepared for the rollercoaster ride into Wonderland after conjuring up the ‘Red’ pill.

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Mephistopheles in later treatments of the Faust material frequently figures as a title character: in Meyer Lutz’ Mephistopheles, or Faust and Marguerite (1855), Arrigo Boito’s Mefistofele (1868), Klaus Mann’s Mephisto, and Franz Liszt’s Mephisto Waltzes.

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Shakespeare mentions “Mephistophilus” in the Merry Wives of Windsor (Act1, Sc1, line 128). By the 17th century the name became independent of the Faust legend, like that of a Tulpa assuming a life of its own.

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According to the American historian and religious scholar Burton Russell: “That the name is a purely modern invention of uncertain origins makes it an elegant symbol of the modern Devil with his many novel and diverse forms.” So, spoke the patriarch empowering his viral-meme egregore!

However, the term, Devil is originally derived from the (Sanskrit) Hindu name for a Goddess called Devi, which is in turn associated with the word Deva, whose term describes deities made out of (bio-photon) light. Whereas Maya (holographic universe) is seen by the Hindu’s as being female of source, and like Salome of the seven rainbow veiled seals, she will only dance naked for the one whose pirate Skull ‘lights’ up crystalline, of a ‘fire’ in the head, when he attains the seventh secret of a Coitus Pactum (Gebo) Rune: X.

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Overall, Mephistopheles has had quite an influence upon popular culture as well as the Occult Arts, which is primarily that of an on going all Male fixation; whereby the design rebelliously reinterprets Mephistopheles as being a female Spirit of a most salacious Succubus, who is otherwise called Mephistopheilia or Mephistophina, whom is a Genie of an Occult Art Muse. She inspires a rebel Faustus to thereby enter into a Coitus Pactum with her.

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The design of the above artwork also utilises the pact, which the inquisitional monks to have said was allegedly signed between Urbain Grandier and the Devil. It was also said to have been stolen from the Devil’s cabinet of pacts by the Demon Asmodeus. It is used as a background behind Mephistophina; she is also accompanied by Seals and Sigils, which are the personal symbols of Mephistopheles.

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As for the Seals and Sigils, they are derived from Medieval Grimiores, which were supposedly written by Faust; the Seals and Sigils were used by Sorcerers in order to Evoke Mephistopheles. However, you now have Mephistophina to Evoke instead.

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The name of Mephistophina has thirteen letters, which in numerology adds up to the precession (Goetia) number 72, reduced down to 9. Her name in Runic numerology equates with the 13th Rune of Eihwaz. The thirteenth Rune represents the Multiverse ‘World’-Tree of nine worlds called Yggdrassill, upon which the shaman deity of the ancient Norse called Odin (Saxon: Woden) hangs into trance, whom as a magician, is equated with Faustus. Wherefore, you can deduce that the name of Mephistophina is symbolically powerful.

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The font of the above depictiction of Mephistophina as a rebel Angel, and that of her Coitus Pactum is derived from 15th-16th century Grimoires, which was utilised for the Grimoire called the ‘Nine Gates‘ that was featured in Polanski’s film entitled: ‘The Ninth Gate,’ in which Diana-Lucifera entered into a Coitus Pactum with her Faustus.

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Suffice to say, Mephistophina is somewhat of a ‘Discordian’ Art Muse of Monty ‘Python’ Heyoka wisdom. So, if you are an avid traditionalist, to have entwined your so called magical practice with an indoctrinated religious perspective, you had better keep taking your medicated Communion wafers, drinking fluoridated Wine. The practice of magic is no different to art; if you believe otherwise, you are practicing religion, not magic.

Wherefore, it be best that you stay well away from ‘Red’ pill Mephistophina, to otherwise live in fear of your blue pill phallic Devil of a Mephistopheles; it will be far safer for you to live in brainwashed continuance of being upended by your Abrahamic trinity of NWO death-metal Illuminati cults out of Ur. Mephistophina ‘takes no prisoners,’ she prefers the freedom of the unshackled imagination… no symbolic ‘Matrix’ limits of religious prison bars; whereby her Faustus is an Avadhuta rebel. You have been duly warned!

DEVIL GOTH GIRL WITCH NUN SUCCUBUS OF DR FAUST POSTERS
DEVIL GOTH GIRL WITCH NUN SUCCUBUS OF DR FAUST POSTERS by WODKHAN
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