Archive for erotica

NECRONOMICON SUCCUBUS ART BOOK GRIMOIRE

Posted in Alien, Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 4, 2015 by FAUSTUS CROW

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Book One of the Goetia Girls: Succubus Art Book is available on Amazon in paperback. Book Two is also available; the details of book Two, which can acquired in colour or black and white versions can be found below.

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Book One, is printed on white paper, with a full colour matte cover, as well as being fully illustrated with 38 illustrations, numbering 166 pages.

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The above cover design, at the top of this page is for the Colour version of book One.

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There is also a cheaper Black and White version of the book available. Please CLICK on the PHOTOS of the Paperback books for more Detail.

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Goetia Girls book ‘One’ illustrates the first Twelve Succubae of an alternate Goetia. There are two other books in the series, illustrating the rest of the 72 Succubae. Book Two illustrates the next Twenty Four Succubae.

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Each of the books will be created in Colour and Black an White versions. The artwork below features Mephistophina, who is depicted in the Goetia Girls book One.

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The paperback book of Goetia Girls book ‘One’ is very different of page layout and design to the present Kindle book.

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The Kindle book is more graphic of a comic strip illustrative style; whereas the paperback books are designed along the lines of a classical grimoire.

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This may raise Hell with some readers, but due to the time and effort involved, the paperback books of Book Two and Three will ‘NOT’ be converted into Kindle versions.

As mentioned, there will be two versions of the Goetia Girls paperback books. For example Book One has different covers, in order to differentiate the Colour and Black and White versions from each other.

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The cover for the Black and White version of the Goetia Girls paperback book ‘One’ is depicted below, whose style, as prior described is in keeping with the classical grimoires, which tended to not be in Colour.

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The books can be acquired from from Amazon. (CLICK on the ‘Book Cover‘ images above for further details.)

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Please Note: The Amazon digital Book previews for the paperback are not high quality due to the large file sizes of the artwork and the book its self. Hence the photographs of the printed books themselves.

GOETIA GIRLS: SUCCUBUS ART BOOK I: COLOUR VERSION: CLICK HERE FOR AMAZON.

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GOETIA GIRLS: SUCCUBUS ART BOOK I: BLACK AND WHITE VERSION: CLICK HERE FOR AMAZON.

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GOETIA GIRLS BOOK I

GOETIA GIRLS SUCCUBUS ART BOOK ‘II’ IS NOW AVAILABLE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR BOOK AVAILABLE ON AMAZON, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

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Book Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Amazon, which has taken over Createspace BORG style.

The Goetia Girls Tarot Is Now On Sale, Which Can Be Bought Via PAYPAL, etc. If you are interested in the Tarot Deck, The Drivethrucards Website On Which The Tarot And Book Is Being Sold Will Require You To Join/Log-In.

The Drivethrucards Requirement To Join/Log-In Is Because The Tarot And Book Is For An Adult Audience.

The Tarot Deck Is Entitled The Black Raven.

The Tarot Features All 72 Of The Goetia Girls, Their Seals, Hierarchical Offices, Decan Positions, Zodiac Signs And Corresponding Runes. Each Tarot Card Has An Associated Key-Word For Divinatory Purposes.

The Black Raven Tarot Also Features The Four Elements.

The Fifth Element, The Alchemists Called The Quintessence Or The Anima-Mundi Is Equated With The Tarot Card Of The World/Universe/Multiverse XXI. The Tarot Card Of Fool Is Associated With The Triangle Of Art. 

The Tarot Cards Has An Associated Underground Art Book-Comic Grimoire, numbering 77 Pages.

The Book Explains The Background Of The Black Raven Tarot, Its Use For Divination As Well As How To Play The Lilith’s Harem Sorcery Game With The illustrated Cards.

The Black Raven Tarot deck Has 80 cards, Printed On Premium Stock, Having A Semi-Gloss Finish. There Are 2 Cover Cards, Which Briefly Describe The Divinatory Meaning Of The Runes And How To Play Lilith’s Harem On Their Backs. 

The Tarot Cards Have A Specially Designed Tuck-Box.

The Book ‘Can Be Bought Separately,’ Which Is A PDF. For Further Details, Please Click Here.

NOTE: Most psychologists of varying psychological disciplines are very much aware of the ‘Animus’ and ‘Anima,’ which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.

However, said psychologists, and even Jung, himself usually describe the ‘Animus’ and ‘Anima’ in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.

But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the likes of religious and politically motivated social engineers utilise what is habitually not self-observed, in order to influence and ultimately have total control over the quite oblivious masses, by subversively targeting their sexuality.

The personal observance of how the ‘Anima’ and ‘Animus’ can be subversively manipulated by others of mundane emotional politics can be observed in ones everyday relationship dynamics, which can then be applied to the bigger picture.

Jung was probably aware that the ‘Animus’ had become deified by the religious cultural constructs of the three monotheistic faiths, whose shared symbolic paradigm permeates all levels of your culture. This is not a case of perceiving the cultural focus upon the ‘Animus’ as being negative, since it is biological of foundation.

In nature females primarily determine what males they choose to be with; it is not the other way around. Hence men will gravitate towards those ‘male role-models,’ women consider to be the most sexually attractive to them, which is determined by their ‘Animus.’

The male role-models are in turn associated with archetypes, which become deified in various myths and religions as well as attaining superhero status in popular culture. In other words, the financially lucrative popularity of male characters in popular culture, such as in films, video games and comic books, etc, is primarily due to the ‘Animus’ adoration of the heterosexual female audience.

As for the ‘Anima,’ she and her legions of Succubus archetypes have Fallen out of the symbolic paradigm. One example of an ‘Anima’ archetype being the Sex Goddess Ishtar, who made many a Sumerian woman in UR very jealous indeed!

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H.P. LOVECRAFT CTHULHU CHILD OF HENTAI TENTACLE PORN

Posted in Alien, Art, Chaos Magic, Goetia Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 17, 2015 by FAUSTUS CROW

H.P. Lovecraft was a surrealist visionary of the highest calibre, and like most surrealist artists he derived his inspiration from impulses, which stemmed from the deepest recesses of his subconscious mind. However, Lovecraft was a rarity, whose dreams were vivid of a lucid reality, which guided his hand to write of nigh automatism.

His dreams were somewhat moulded by shadowy predilections concerning his disdain for intimate human relationships; more so that of the sexual act.

Lovecraft was quite honest about his difficulty forging relationships with women, who had otherwise channelled his base biological drives into his creativity.

Many have noted that Lovecraft’s Necronomicon creations have Freudian overtones, concerning slimy tentacles of a phallic propensity along with gaping vagina dentata maws dribbling ichor. Little wonder then that Lovecraft’s Cthulhu Mythos inspired the vore fetish of Hentai.

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Although, the tentacle porn of many a Hentai comic depicting monstrous entities consuming their writhing female prey, are primarily based upon ancient Japanese fertility deities, which have been warped all out of shape.

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For example, you have the popular Japanese folktale of the Dream of the Fisherman’s Wife, also known as Girl Diver and Octopi, Diver and Two Octopi, etc., which inspired a Zoophilia-associated woodcut design of the Ukiyo-e genre by the Japanese artist Hokusai.

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The woodcut is derived from the book Kinoe no Komatsu (English: Young Pines). It is a three-volume book of Shunga erotica first published in 1814, which is the most famous Shunga, Hokusai ever produced. Playing with themes popular in Japanese art, the prior Hentai image depicts a young female Ama diver entwined sexually with a pair of octopuses.

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The Dream of a Fisherman’s Wife was a very popular subject in Ukiyo-e art. The artist Utagawa Kuniyoshi produced a number of works based upon it, which often include octopuses among other creatures being teased by the bare-breasted female diver.

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The Dream of the Fisherman’s Wife is not the only work of Edo-period art, which depicts erotic couplings between a woman and an octopus. A number of early Netsuke carvings show cephalopods having intercourse with nude girls. Hokusai’s contemporary Yanagawa Shigenobu created an image of a young woman receiving cunnilingus from an octopus, which is very similar to Hokusai’s Hentai depictions in his collection Suetsumuhana of 1830.

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The prior works of Hentai has influenced a number of later artists such as Félicien Rops, Auguste Rodin, Louis Aucoc and Fernand Khnopff. Pablo Picasso painted his own version of the Japanese tale during 1903, which has been shown next to Hokusai’s original in various exhibits on the influence of 19th-century Japanese art on Picasso’s work.

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In 2003 a derivative work was created by the Australian painter David Laity, also titled The Dream of the Fisherman’s Wife, which sparked a minor obscenity controversy among shocked Christian’s when it was shown at a gallery in Melbourne. After receiving multiple complaints, the Melbourne police were forced to investigate the artwork. But the police determined that it had not broken the city’s pornography laws. Hokusai’s print has had a big influence on the modern Japanese-American artist Masami Teraoka, who has created a number of erotic images of girls, including a recurring ‘pearl diver’ character, being pleasured by cephalopods, which symbolises the female sexual power over the (tentacle) phallus, who empowers its erection.

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My own rendition of The Fisherman’s Wife ‘depicts her with a reptilian type creature fused with a cephalopod, of a Cthulhu, which is also a play on words, concerning the text, which can be found accompanying Hokusai’s image, where the big octopus says, he will bring his captured girl to Ryūjin’s undersea palace, you can otherwise see as Lovecraft’s undersea city of Ryleh.

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It is very likely that Lovecraft was aware of the tale of The Dream of the Fisherman’s Wife, since he was a well read fellow, whose horror, was of the sexual act its self.

If however, you do not believe that the Hentai fixation upon Cthulhu tentacle sex, which mostly involves Geisha (Dakini/Succubus) Schoolgirls frequenting many an Anime and Manga has anything to do with ancient Japanese fertility cults, perhaps there is a psychological reason behind the voyeuristic fetish of Hentai bestiality, involving a number of vore beasts.

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If so, the motif of the monster, whether it be a cephalopod, insect, reptile, mammal or an alien, etc, can be generally summed up as representing a negative inner self-image, of a Cthulhu, which is housed in your reptilian brain of Ryleh.

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The inner self-image is generally influenced by what the opposite sex finds most attractive in a potential partner. Wherefore the inner self-image of heterosexual men in particular is influenced by the Animus projections of women; whereas the men project their Anima upon women.

These Animus and Anima projections are often symbolised as varying mythic characters in books, films, comics and video games, etc. Whereby the Animus and Anima role-models can be subversively manipulated by the controlled Mass-Media in order to influence and control the masses, which is essentially the psychological warfare tool of mass Mind-Control.

An example of this is the reversal of Animus-male role-models in films, comics and video games into females, which is engineered to make the males feel negative about their inner self-image. Such as transforming Dr Who into a woman, or having an all female Ghostbusters team, along with having a female James Bond, etc; the Social Engineering list is growing.

The reasoning behind it, is to divide and conquer the populace at the sexual level, who are otherwise tied up with protesting about gender issues. Gender politics is a PsyOps means to distract the masses from Anti-War protesting against what the Military Industrial Complex is up to.

Should an individual be afflicted with having negative self-image, it will invariably engender an inability to forge normal ’emotional’ relationships with the opposite sex. Such an individual is not alone, there are numerous others who have been similarly affected by a PsyOps campaign to engender mass confusion amidst the populace since 9/11.

The populace have been subversively engineered to be in conflict with one another at the most fundamental level and therefore negated from seeing who has actually orchestrated the discord. This is easily achieved when the engineer of the discord has large sums of money at its disposal; hence, Go Woke Go Broke, means absolutely nothing.

You also have Socially Engineered Population Control, which uses Orwellian Psychological Warfare to achieve this totalitarian/fascist end by weaponising unknowing minorities. Should the unknowing weaponised minorities become the invariable target of any adverse reactions from the populace, the government will then utilise the civil strife to bring in Orwellian laws, which leads to the erosion of civil liberties.

As for having a negative self-image, it will ultimately lead to an extreme inner frustration; whereupon the sexual impulse becomes all consuming, which is expressed as the Lovecraftian vore fetish in varying Hentai fantasies.

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Or otherwise being symbolically represented as cannibalism, involving the Ghasts and Gugs of Lovecraft’s underworld dreamlands, or otherwise that of Zombies and Ghouls etc.

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Whatever the case, these dark impulses can be symbolically transmuted and healed via Art, which Lovecraft took much further into imaginative realms, where they became nigh spiritualised.

Though dark of visionary insight, Lovecraft did not allow himself to fall into the lower depths where present Hentai tends to frequent of meaningless pornography. Whereas prior of Hokusai Hentai, the erotic imagery concerned the symbolic transmutation of the sexual impulse in order to evoke the inner-self-image of the observer coupling with his ‘Anima,’ which is none too dissimilar to the European fairytale motif of a Dragon entwining its self around a Princess bound to a ‘tree,’ before consuming her.

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As for Lovecraft, he could have crossed over into the more meaningful domain of the erotic, and in so doing tackled his emotional disconnection, if he had rebelled against his puritanical upbringing.

His acute emotional turmoil, though inspiring his Art, very likely led to him developing an illness over time, which afflicted his navel Chakra and in turn bringing about his eventual demise.

He himself, had many years earlier communicated that his stomach was gripped by the talons of faceless creatures he named as Nightgaunts, at the hypnagogic point of dreaming, which then carried him into the depths of tormenting nightmares. May be he foresaw his own death?

As mentioned prior, the Lovecraftian creatures of Hentai were originally based upon ancient Japanese fertility deities, which have since lost their ‘navel Chakra’ meaning in a culture, afflicted by a fear of the female. This is probably due due to Judaeo-Christianity having an Animus influence in Japanese culture, which, like its patriarchal source of Judaism and kin of Islam are extremely adverse to the feminine principle of the Fallen Anima.

It is somewhat strange that the depiction of the penis is allowed in Japanese art, such as having Lovecraftian phallic tentacles of ‘Biblical proportions.’ Although this is to do with the deification of the Animus, made as a God and Devil.

But when it comes to the vagina of the Fallen Anima it is taboo of a pixelated smudge, like that of having a faceless Nightgaunt, or should one say… a SUCCUBUS.

NOTE: The Fallen ‘Anima’ and her Succubus archetypes, which are investigated in my anti-cult Art book grimoires, etc, is NOT associated with the PsyOp engineered gender politics, which is Mass-Media Machine orchestrating the reversal of ‘Animus’-male role-models into females. 

It appears to be rather strange indeed that the Mass-Media Machine is engaged in such a practice, since it invariably leads to a hefty financial loss, unless it is seen in context with the bigger picture concerning the forever war antics of the Military Industrial Complex.

It would have made far more sense that the Mass-Media Machine created new and original female (role-model) characters for women, rather than churn out endless remakes of iconic late 60’s-80’s movies whose zeitgeist male characters have been turned into females.

But instead the Mass-Media-Machine is reversing iconic male characters into women, whose ‘Animus’ archetypes are primarily attractive to the females, by which of role-models the males define themselves. In other words, the success of the ‘Animus’-male characters were made financially successful by female fans.

The reversed ‘Animus’-male characters are not transformed into ‘Anima’ archetypes, since the female characters have assumed masculine traits as well as being made to be nigh sexless, which many males find unattractive; whereas women are led to believe that they are being empowered by assuming male characteristics.

It is essentially a PsyOp planned reversal of the ‘Make Love, Not War’ zeitgeist of the Hippie era.

Overall, this leads to an invariable conflict between the sexes, which is the whole point of the PsyOp campaign in order to divide and conquer the populace, and thereby negating any Anti-War Protests, since the populace is otherwise distracted by protesting about their Base Chakra… Genitals!

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OROBAS PONY GIRL TARDIS TIME MACHINE OF DR WHO

Posted in Alien, Art, Chaos Magic, Dr Who, Extraterrestrial, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

The fifty-fifth Succubus At Muse of the Fallen Anima is Orobas, or otherwise named Orobasi. She is a Great and Mighty Goetia Princess, appearing at first as a ‘Night’ born hypnagogic vision of a ‘Mare,’ when the dreaming Surrealist Artist hovers as a psychonaut between waking and sleeping.

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But after the mantric command of the dreamer, she puts on the ectoplasm form of a beautiful naked young woman riding upon a Rocking Horse or to be on all fours to look like one, of a human dream manifestation.

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Sometimes she will manifest as a bound Steampunk Pony-Girl within an attained lucid dream, who will be entirely submissive to her conjuring Surrealist Artist’s every visionary whim.

Her conjuring Surrealist Artist will also find that Orobasi’s long hair will be braided into two serpentine ponytails, which are as her reins tied together at their ends, representing a closed timelike curved loop of Time.

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Her office is to discover all things Past, Present, and to come; enabling her conjuring Surrealist Artist to remote-view travel without moving within a lucid dream, whilst riding upon her ‘Art-Horse Easel’ back through time, around the Ouroboros.

And all the while, she be in the Anima form of a Pony-Girl Rocking Horse.

She also bestows Dignities, and Prelacies, and the favour of Friends and Foes. She gives true answers about the nature of Consciousness, and of the erection of the Universe.

She will also tell her conjuring Surrealist Artist about the hard and soft technology of Time-travel; for she to reveal that all are enclosed within a closed time-like curve providing a Time Machine effect, over which she is a mistress of.

The Multiverse allows for such Time-Travel, within which you exist. The long-held paradox of time is no longer applicable in a Multiverse. Whence to find that your own serpentine double-helix DNA is the primordial Time-Machine of a ‘Mitochondrial’ TARDIS, from which emanates the ‘bio-photon’ illuminating your electron dreams.

You can introvert your consciousness into your electron dreams in order to access inner Stargates, which you can otherwise describe as (vortices) ‘tunnels of light.’

Although these Stargates will be symbolically interpreted by your quantum computing brain to look like ordinary (vaginal) doors and (uterine) hallways of everyday experience, which will lead to other (womb) Maya domains.

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You can ‘Quantum Leap’ backwards through Time in order to visit your own self as child via the dream, who then to have precognitive dreams of a future self to become.

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Orobasi is exceedingly faithful and most loving unto her conjuring Surrealist Artist who assumes the alternate-guise of Doctor Who, as his assumed ‘Role-Model’ of an Avatar.

She will not allow her Artist to be tempted by any other entity emanating from another alternate reality, existing within a parallel Universe. She governs 20 Legions of (Succubae) Succubi of similar Pony-Girl form to herself.

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Orobasi (Orobas) is of similarity to the eight-legged-mare, the shamans of North-Central-Asia unto Siberia knew of to trance ride. The eight-legged-mare was also ridden by the shamans of Northern Europe who named her Sleipnir.

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This eight-legged-mare of a spider horse was specifically ridden by the Norse Shaman God called Odin, the Saxon’s knew as Woden. Sleipnir enabled Odin to ‘trance’ travel the ‘Multiverse’ World-Tree of Yggdrassill, like that of a prior Dr Who riding his TARDIS.

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During the psychedelic era of the 1960’s, Dr John C. Lilly had once again tapped into the same ancient shamanic technique via his mathematical Sigil of a Brownian Operator.

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However, Lilly of an Odinic Doctor Who, had otherwise replaced the organic symbolism of the shamans-horse, and world-tree with the mathematical Brownian Operator and Topquantese language of scientific inquiry.

Lilly soon found that via lucid-dreaming you can access Un-Marked-State ‘Looking-Glass’ Stargates, which could be all as (quantum) mini-wormholes.

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These mini-wormholes are conjectured to be at the centre of electrons, which of inner doorways can be accessed within your electron dreams. This is entirely possible, since your consciousness has been reduced down to a point, smaller than any known particle, within the electron dream.

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Lilly discovered that he could access other Marked-State alternate-realities existing within parallel-universes, when to transverse an initial Unmarked-State of a void.

Lilly’s findings were initially ushered in upon the back of the mathematical symbol of the Brownian Operator, when he found himself internally travelling into other realities, while he was in a coma, after a life threatening accident.

The Brownian Operator symbol looks like an inverted ‘L,’ which of a (knight’s chess piece move) trigger-symbol his consciousness rode, when he later floated amphibious within the amniotic waters of his (TARDIS) floatation-tank, like that of the King’s Sarcophagus amidst the Giza pyramid.

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Sounds like pure science fiction, doesn’t it. I can assure you it isn’t. Speaking of science fiction, which often catches up with fact, the fictional character of Dr Who is based upon (Woden) Odin, the author, J.R.R. Tolkein had also based Gandalf upon.

The shamanic deity Odin was known as the ‘Unknowable One;’ wherefore he has many guises, like that of the Doctor Who’s Marked-State regenerated selves, whose character went through many Unmarked-State transformations.

Odin’s sacred colour is Blue like that of Dr Who’s TARDIS; his particular Rune is that of the Fourth Rune of Ansuz, which at a mundane level is to do with communication, equating with a phone box, as well as encapsulating his shamanic ability of trance travelling into other Marked-State alternate realities, to police as a (doctor) Shaman.

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The symbol of the eight-legged-mare was used in the same way as the Brownian Operator by shamanic practitioners. The eight-legged-mare was basically utilised as a trigger symbol in order to introvert into their subconscious via consciously meditating upon the organic symbolism of the Mare. This would then enable the initiation of lucid dreaming, when the symbol was recognised within the dream.

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When the shaman recognises the introverted symbolism of the (Pony-Girl) eight-legged-mare within the dream, he could then ride her into other realities. The eight-legged-mare is essentially made up of two mares, one white, the other black. Both of these mares represent the Marked (white) and Unmarked-States (black) of Lilly’s Brownian Operator; whereupon, in regards to (Orobas) Orobasi, you have two Pony-Girls.

These two Pony-Girls are also associated with the right and left nerve channels running along either side of your (Yggdrassill) spinal-column. These two nerve channels belong to your Autonomic-Nervous-System. When they are brought into balance via the practice of meditation you experience a state of (hypnagogic) trance.

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When hypnagogic trance is achieved, the two mares become one, as the (Grey) eight-legged-mare, who represents the central channel of the spine, which is associated with your Central-Nervous-System. As you access hypnagogic trance, you will experience an energy arising up your spine, along the back of your neck, which then hits the back of your head.

This arising of energy along the back of your neck in particular, is known as the ‘rush’ in trance dance culture; it is indicative of the arousal of your Reticular-Activating-System, which is based in the throat area of your reptilian brain-stem.

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In Yoga practice, this energy is known as the Kundalini Shakti, which is seen to have a female (Mitochondrial DNA) source; wherefore it was often personified as a (Shakti) Goddess whose (Kundalini) energy is symbolised as a (bio-photon) fire snake. The Kundalini Shakti is basically the eight-legged-mare Sleipnir, which can be otherwise artistically depicted as a Pony-Girl Orobasi.

So, the sexual fetish of the Pony-Girl can be artistically utilised as a meditative focus, when given a spiritual context. This is basically symbolic alchemy, which of course also involves the sexual impulse.

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The sexual impulse is introverted in league with your focus upon the two-dimensional image of a Pony-Girl, which will then (Charge) empower you to become lucid of awareness within your (Spin) electron (Lilith’s Harem) three-dimensional dreams.

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This technique is none too different to a Tibetan Yogi meditating upon a two-dimensional image of a Fallen Anima archetype, depicting the Horse headed (Succubus) Dakini, called Ankusha to then manifest as an interactive three-dimensional reality within his lucid dreams.

The only difference is that you would be using modern symbolism to do likewise of Artistic Sorcery.

If you prefer to traditionally conjure up Orobas as an Incubus, out of a commonly focused upon Animus fixated Playgirl Grimoire, go right ahead.

It is of course your traditional choice of an ingrained phallic fixation upon the woman’s deified Animus, made as a God/Devil, to do so…

Your Mind belongs to you… doesn’t it? I mean, you wouldn’t want to turn Crowley tit-over arse in his grave, heaven forbid; such a Beastly thing would be pure wickedness.

Otherwise you will end up being ostracised by your herd-mind peers, let alone by the OTO as being a depraved, perverse, vile and a most ‘Wicked’ pornographer, who indulges in juvenile Anima conjurations of salacious (Succubae) Succubi.

Hell! You may even be accused of being a disgusting paedophile or even to be in actuality a feminist Witch belonging to a coven of deranged Chaotes!

Probably best that you stick to conjuring up machismo Angels and Demons, of a safe comfy zone Animus clique, just like those Hollywood gender-fluid Incubi uncle Aleister illustrated in his Playgirl Goetia.

Don’t think for a moment that Crowley didn’t ritualistically whack off his meat, when he to have conjured up his phallic choir boy Incubi to dance orgiastic around Boleskine house.

You have to keep in mind, Crowley was bisexual; and very brave for him to have admitted to his sexual orientation at a time, when such a revelation would have landed him in jail.

Wherefore, Crowley didn’t have any interest in reversing the all male Biblical pantheon of the deified Animus; for it was right up his Cabbalistic alley.

As for myself I far prefer to rebelliously conjure up the Succubus Orobasi out of my Playboy grimiore, to thence manifest amidst my Triangle of Art imagination, as a Sinful Pony-Girl Dakini TARDIS.

But then, that is what an Artist does of a natural inclination, when to visualise an Art Muse of an imaginative conjuration, to thence manifest as a work of Art. The intensity of the creative act then leads to stirred associative dreams unto Sexagram sixth-sense lucidity, as well as observing correspondingly concordant synchronicities.

In other words, the practice of Sorcery is indivisible to the practice of Art, they are one and the same of shamanic practice. Hence you have terminology, the Magical Arts and the Art of Magic. Wherefore the first Artist was also a Shaman.

NOTE: The controlled mass-media transformation of the iconic male role of Doctor Who into a female character ignores the most obvious biological driven fact that women are sexually attracted to certain archetypal ‘Animus’ characters, such as the Surgeon, Doctor and Wise Man, who symbolically equate with the Shaman.

Many a woman has the ‘Animus’ hots for a male Doctor Who of a Mad Hatter Wizard, with whom she imagines herself as being his sexy assistant of an Alice, experiencing science-fiction Wonderland adventures.

It is the women who define those male role-models men gravitate towards, so that they become more attractive to the opposite sex. Wherefore it is the female audience who determine, which male characters become successful.

By transforming Doctor Who into a female, whose politicised existence is to espouse politically-correct feminist politics does not empower women, it merely negates their ‘Animus’ focus, along with erasing an iconic male ‘Role-Model.’

By transforming Doctor Who’s female assistant into a sexless non-binary, having butch characteristics. or otherwise being that of having an effeminate Beta-male assistant, invariably negates an ‘Anima,’ archetype.

It would have been far wiser to have created a new and original female character, having those characteristics the controlled mass-media social-engineers are promoting to see if their politicised creation survives the critical onslaught of the female audience.

But it would be more likely, such a female character would not survive into a long-haul; unless, the female audience can identify with her intelligent use of Mercurial language, as well as being a manifestation of an ‘Anima’ archetype, males find attractive.

This isn’t to say other sexual orientations cannot be explored in a one time children’s program, which should be otherwise made adult, due to its self evident swing into identity politics. But it would be far wiser that new characters are introduced with said differing sexual orientations and political persuasions to creatively explore of artistic subtlety, within varying well-written story scenarios; rather than hard-selling a social-engineering agenda.

For example, the reason why the female character of Elvira is so successful is due to her quick-witted use of Mercurial language, though over-the-top, she is cosplayed by many a literary minded female admirer, who know men can’t get enough of Elvira’s media presence.

Should Elvira’s characteristics be toned down a Morticia notch, she could potentially be seen as an eccentric Steampunk Time Lady of an Angel-ina Jolie Vampira who crosses the interdimensional path of Time Lord Doctor Who. Somewhat like that of an archetypal Witch being unified with an archetypal Sorcerer.

But then, Sorcerer Doctor Who has Witch assistant, whom often than not helps him out of a time-warp mess; they’re a Yang and Yin TAO team. It is a tried and tested formula, which of an ancient mythic foundation has worked for fifty or more so years within the modern-day framework of the Doctor Who franchise. As the Hindu Mystics say: “A God is not a God, without his Shakti.”

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SUCCUBUS EVOCATION OF TULPA GOETIA GIRLS

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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The term Tulpa refers a physically tangible entity or that of an inanimate object, which has been created through sheer willpower alone.

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A Tulpa is a materialized thought, which has taken on physical form or otherwise manifesting as a Ghostly influence such as a Succubus, for example; it is usually regarded as synonymous to a thought-form.

“There are… apparitions that make public appearances. Some of these are said to be the perceptible double—the etheric counterpart—of a living person who is undergoing an out-of-body experience.”

“Even more mysterious are the externalized perceptible manifestations of something whose existence originated in the mind of its creator by virtue of that person’s incredible powers of concentration, visualization, and other, more occult, efforts of the mind.”

“In Tibet, where such things are practiced, a ghost of this kind is called a Tulpa. A Tulpa is usually produced by a skilled Magician or Yogi, although in some cases it is said to arise from the collective imagination of superstitious villagers, say, or of travellers passing through some sinister tract of country.”

(Mysteries of the Unexplained, 1990, Reader’s Digest Association Inc. page 176)

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The Frankenstein creation of Tulpa’s is part of ancient Tibetan Bon-Po Shamanistic practices, which originally came to the West during the 19th century via the works of Alexandra David-Néel.

It is however said that the term Tulpa is a Western misinterpretation of the Tibetan, Tulku, which is again an engineered thought form.

Although it is assumed as an alternate guise by the practitioner when engaging in trance and dream states, somewhat like an Avatar.

The Tulku is also utilised as a means to determine the nature of a future incarnation, such as being incarnated as a scientist creating androids.

Whereas a Frankenstein creation of a knitted-together Tulpa is generally that of an externalised entity.

Néel claimed to have created a Tulpa in the image of a jolly, Friar Tuck-like Monk which later developed a sentient self-aware life of its own.

However Néel didn’t like the Friar’s lustful smile, so he had to be destroyed. Néel could have had so much fun with her creation. Néel’s Friar was like many an Incubus Angel or Demon, to be found listed in numerous medieval Playgirl Grimoires of the deified ‘Animus,’ made as a viral-meme God and Devil.

Alas there be no ‘Anima’ Playboy grimoires; well, not until I created such a Necronomicon of the Fallen ‘Anima’ listing (Succubi) Succubae archetypes.

All of these ‘Animus’ archetypes, Witch Nuns love to secretly conjure, betwixt and between their God and Devil, closely followed by the closeted patriarchal Mages and Priests.

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However, Néel was somewhat celibate. If Néel had been otherwise inclined, she could have introverted her sexual impulse in order to empower her Tulpa Friar, of a conjured Incubus to carry a ‘sigilised’ desire into her subconscious. Then again, may be that is what Néel had achieved of sorcery Art; but she did not tell!

Many Western artists and authors have since used the theme of taped-together sigil Tulpas in their Mind-Doll works. Mostly in the context of horror fiction as well as works covering mysticism and occult practices, which has the Creepypasta tendency, to be rather fearful of habitual Biblical perspective.

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This habitual fear of the Tulpa is very much tied up with a similar fearful attitude towards an ‘Artificial Intelligence’ becoming sentient, which is summed up by Mary Shelley’s knitted-together Frankenstein’s creature, or that of the prior taped-up Golem of Jewish folklore.

Basically, the likes of Néel’s fear, and that of others, of an ongoing similarity emanates from their religious indoctrination, that the creation of a life is the sole province of their deified ‘Animus’ made as a God/Devil.

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However, when you dream, the (programs) characters encountered therein of (virtual reality) dream-worlds are essentially ever evolving black-tape Tulpas.

Should you achieve lucidity within a dream, you will soon find that a Tulpa can appear to be sentient.

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When you practice lucid dreaming, you will also be able to construct a Tulpa within the Art studio of your imagination, which can be constructed as a taped-together Succubus, in order to engineer erotic lucid dreams.

The technique would initially involve painting a ‘sigilic’ pattern over the delectable form of the meditated upon an image of a chosen Succubus archetype of the Fallen ‘Anima,’ which will look like she is wearing nothing more than a superheroine costume, of black-tape.

Others have also engaged themselves in constructing a Tulpa, such as the Skippy experiment, which was conducted by a group of parapsychologists in Australia, who created their own ghost girl called Skippy Cartman.

The construction of the Ghost Girl Skippy Cartman could have been otherwise that of a Succubus Tulpa of the Fallen ‘Anima.’

This isn’t too dissimilar to Dr Frankenstein creating a black-tape Frankenhooker of Surrealist Artistry.

NOTE: Those who claim that they do not dream is a misinterpretation. It is more of a case of not remembering their dreams. Dreaming is a neurological necessity. The practice of dream Yoga requires the practitioner to remember his/her dreams first, before attaining a lucid dream, wherein dream characters can be consciously conjured.

If you are not prepared to work on yourself, by seeking to remember your dreams, you will not be able to experience eventual lucidity within a dream.

In general, the use of spells and rituals refers to the practices of Art. Spells of word-form spelling is a means to reconfigure the internal-dialogue, in order to influence dreaming by repetitively uttering a spell like a Mantra, which will sound like a song.

A Mantra is based upon an ancient understanding that every word you speak or write, nigh instantaneously ‘conjures’ up a symbolic association amidst your imagination, otherwise you will not be able to understand a word, which is spoken or written.

Dreams are often surreal of ‘symbolic’ nature, due to the internal-dialogue you have with yourself being chaotic. Hence, a Mantra is utilised in order to control and direct the internal-dialogue, so that a specific dream can be engineered of internal Artistry.

Rituals are no different to ‘performance Art,’ which enables the practitioner to direct his/her ‘Emotions,’ which empower associative ‘Thought’ processes and in turn initiating the correspondence of associated ‘Memories.’ The conjured ‘Memories,’ are then cross-referenced into new ‘conjured’ forms by the ‘Imagination.’ 

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GOETIA SUCCUBUS DAKINI DAEMONICON

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , on August 3, 2014 by FAUSTUS CROW

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The term Goetia is derived from the Greek, which means to ‘Howl,’ as a shaman would do when to howl out the barbarous names of the spirits to conjure, while accessing ecstatic trance.

Basically, the term Goetia refers to the practice of Shamanism. The practice of Shamanism doesn’t have anything to do with conjuring butch Demons dancing around Lucifer, apart from that of a horned shaman conjuring up spirits, who had been demonised by the Abrahamic trinity of the deified Animus, made as a God and a Devil.

The practice of shamanism has nothing whatsoever to do with any particular religious doctrine. Hence, it cannot be classified as a religion. What is more, the practice of Shamanism does not have a monotheistic fixation upon the deified Animus, it otherwise has a balance between the archetypes of the Animus and the Fallen Anima.

Shamanistic practice is primarily to do with a system of techniques, which enables the practitioner to access an altered state of consciousness, so that he/she can explore inner space, where the spirits exist as a reality.

For example; a shaman would be adept at accessing a lucid dream, within which, conscious contact can be made with the spirits.

A lucid dream can be otherwise seen as being similar to a ‘virtual reality,’ which has been created by your ‘computer’ brain, and said spirits are akin to ‘software programs,’ with whom you can consciously interact with as individual (Tulpa) characters.

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Your nervous system cannot tell the difference between a real or a vividly imagined event; this is more so the case, when to experience a vivid lucid dream.

This neurological fact was explored by shamans, who were well aware that the more intense a lucid dream is, the more probable it would affect, not only the psyche of the shaman in order to experience an expansion of consciousness but also affecting the body, for healing purposes.

Hence, the sexual impulse was internalised in order to induce as well as empower lucid dreaming, which required an erotic focus, such as a (Tulpa) dream lover to conjure.

In Tibetan dream Yoga, a female dream lover would be called a Dakini, which in medieval Europe would be otherwise termed as a Succubus.

The above is a general summary of the Goetia; Dakini Daemonicon, which investigates shamanic lucid dream conjurations of Succubae.

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GOETIA GIRLS ART BOOK GRIMOIRE

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , on August 3, 2014 by FAUSTUS CROW

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The Goetia Girls Art Book is an alternate Grimoire listing the (Succubi) Succubae archetypes of the Fallen ‘Anima.’ Most Grimoires, whether ancient or modern are primarily orientated towards an all male paradigm of the deified ‘Animus,’ made as  God, as well as making out that they are rebellious Playgirl Grimoires of the Devil, listing machismo Angels and butch Demons.

I far prefer sensual female Genies, to conjure as Art Muses amidst my eroticised Triangle Of Art Imagination, since the Succubae of the Fallen ‘Anima’ have to rely upon their Tesla intellect, rather than Banker brawn.

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Hence the Succubae Great Old Ones of the Fallen ‘Anima’ are far more dangerous, just like their physical counterparts, whom be very predatory of seductive wiles.

However, since said Playgirl Grimoires merely perpetuate the deified ‘Animus’ fixation of the establishment, they are hardly rebellious; in fact, such Playgirl tomes validate its symbolic paradigm.

It is somewhat intriguing that there is no historical evidence of a Playboy Grimoire listing the Succubae Great Old Ones of the Fallen ‘Anima,’ which of an artistic reversal of protest would have indicated a rebellion against the symbolic brainwash of religious indoctrination.

Alas, no such Playboy Grimoire ever existed… until now! There is also an associated deck of Tarot Cards and a Tarot Grimoire available. For more information, Click Here.  

A paperback version of the Goetia Girls: Succubus Art book, is available from Amazon. The paperback book is fully illustrated with 38 illustrations, printed on white paper, of 166 pages, with a full colour matte cover. There are two versions of the paperback book, one, printed in colour, the other printed in black and white.

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Please Note, the internal style, layout and design of the paperback book and that of others to follow is very different to that of the Kindle book. The Kindle book is more comic strip orientated of graphic style, whereas the paperback book is designed along the lines of a classical grimoire. There will ‘Not’ be any Kindle versions of the Paperback books.

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The above cover is for the Colour version; please Click the above image for further details.

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The above cover is for the Black and White version; please Click the above image for further details. If you want to see PHOTOS of the two Paperback books, to get an idea about what they look like, please Click the animation below.

PLEASE NOTE: THE BOOKS ARE NOT AVAILABLE AS PDF’S!

Pirate Goetia Witch Succubus Genie T-Shirt

Pirate Goetia Witch Succubus Genie T-Shirt

by WODKHAN